Street Talk

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“Besides raindrops on roses and whiskers on kittens,
what are a few of your favorite things?”

—You may know the song that inspired our question—
inspired in part by a reader’s suggestion—
So if you remember, we invite you to sing it—
If not, let our answers inspire you to wing it!

Anna Hinde, 38, Owner/operator/designer, Portal of Love on Pacific Ave

“Music that moves me and feeds my soul. The aroma of Puerto Rican food cooking, and my mom’s Steak Chicana. The love of connection with family and friends.”


Paul Feldman, 31, Student

“Rock climbing that challenges me and pushes my limits. Video games, like Spiderman, where you take the part of a hero. Long cruising bike rides on the city streets.”


Kristen Kimball, 42, Hair stylist

“I love the Santa Cruz Beach Boardwalk. Dinosaurs, especially the Ankylosaurus. And redwood trees.”


Greg Dickson, 26, Engineer, with Diesel

“Allie my girlfriend. I love soccer, for the fun, competing and the socializing. I love keeping tropical fish—I have two aquariums at home and one at work.”


Julia Way, 45, Artist

“Hummingbirds. Art, and painting with watercolors. My current favorite book is Kurt Vonnegut’s Slaughterhouse 5. It’s really a book that has everything.”


Brandon Paski, 45, Event producer

“Black coffee, especially a great Central American coffee from Honduras or Guatemala. The downtown robot dinosaur is very cool. And Pee Wee’s Big Adventure.”


Focus On Farmworkers And Farm Fallout

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About 700 people packed the Mello Center in Watsonville Friday afternoon for Harvesting Equity, an event where safety, living wages, contracts, housing and immigration reform for farmworkers took center stage.

At the podium were Mireya Gómez-Contreras, Ann Lopez PhD and civil rights activist Dolores Huerta.

Administrative Co-leader of Esperanza Community Farms, Gómez-Contreras, explored the benefits of organic farming, the dangers of pesticides still in use today and the benefits of creating a “food system that can be run with dignity and connectivity.” 

She emphasized the importance of creating and maintaining relationships between schools and farms, especially when hazardous materials were being used on farms near schools. She also decried the “Cheeto Culture,” referencing the packaged, processed chips and snacks frequently devoured by area students, and stressed the importance of replacing that with healthy food at schools. 

Lopez began her talk by stating that farmworkers are in a position similar to workers in the U.S. South when slavery was legal.

“And they also live in constant fear of deportation,” Lopez said. “Farmworkers are impoverished, often abused, with minimal or no health insurance; they are trapped, controlled and with almost no chance of escape. They are overworked with a poor diet and die at a much lower life expectancy than the rest of us. Farmworkers and their family members are the most exposed population to the health impacts of toxic pesticide exposure.” 

She said leukemia, brain tumors, bone cancer, birth defects, autism spectrum disorder and learning disabilities are widespread among children of farmworking families, and that it is almost impossible to collect data on the frequency of such problems.

“These are not isolated incidents,” she added. 

Huerta, a legendary figure in social justice that spans decades that began in 1962 when she and Cesar Chavez founded United Farm Workers, also targeted dangerous pesticide use.

“The only way we can stop the use of these deadly pesticides is to put it in the hands of Health and Human Services,” she said. “Take this out of the EPA; take it out of the Ag Department. It is not just the farmworkers that have these cancers.”

Locally, the Campaign for Organic and Regenerative Agriculture (CORA) has a short-term goal of a one mile pesticide-free buffer around the city of Watsonville, which was recently supported by a Watsonville City Council resolution. Long-term, CORA wants to see the entire Pajaro Valley become a model for climate-friendly agriculture free of toxic pesticides, incorporating educational and cultural resources for all ages, while building an equitable economy.

No Sanctuary

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It might be a hot August day outside, but Royal Oaks resident Helbard Alkhassadeh has been preparing for the end-of-year rains for the last several months. For the past nine years—and the last seven as a nonprofit—he and his wife, Camilla Landon Alkhassadeh, have rescued livestock and other animals at their Little Hill Sanctuary.

“We’re getting the shelters built and soil ready so it doesn’t turn into mud,” Helbard says. “That way it’s comfortable for the animals and easier for us to maintain them.”

As the name implies, Little Hill Sanctuary sits on a little hill in the outskirts of Watsonville. Or at least, that’s where the Alkhassadeh’s house sits. Below is the actual sanctuary of fields and shelters. When the local culverts fill up with sand, combined with the downpour from extreme atmospheric rivers as experienced last winter, the fields and structures below flood. 

“We had about two to three feet of water,” he says. “Once the rain stopped, we had several months of mud that was nine to twelve inches deep. My tractor couldn’t go through the area.” 

Adds Camilla, “It’s wild how much more you recognize the [environmental] impact when you have animals and gardens to tend to. It’s almost like we’re living at a different place than we were even two or three years ago.” 

The four-acre sanctuary is home to 100 different animals on any given day, from chickens to 850-pound hogs. They’re also raising funds for a 20-acre site that won’t have the same flooding problems. 

But that’s a challenge. 

“Right now it’s set up as a cash-only purchase, which means we’d have to have the entire funding to move forward,” Camilla says. “We’ve done fundraising but we’re really just not getting close to what properties like that cost in this area.”

Throughout the country, state and county, animal sanctuaries like Little Hill provide long-term homes, sometimes with the option for adoption, to rescued and at-risk animals. They can be a place for people who no longer can—or want to—take care of their animals to go and make sure the creatures still have a good home. Sanctuaries can also provide space for animals during natural disasters like the recent Pajaro flooding or 2020’s CZU Lightning Complex Fire. 

But Little Hill and other local sanctuaries are finding it increasingly difficult to operate with the extreme seasonal conditions created by climate change. 

“It’s strange to see the effect of climate change in my lifetime after hearing about it for 40 years,” Helbard said. 

IT’S GETTING HOT IN HERE

According to the National Oceanic and Atmospheric Administration, June 2023—only two months ago—was the warmest month ever in the 174-year global climate record. The average global surface (land and water) was 1.89 degrees Fahrenheit warmer than the 20th century average. That makes it the 47th consecutive June and the 532 consecutive month above that average.

“Have you heard the phrase, ‘This summer is the coldest summer for the rest of your life?’” asks UC Santa Cruz Professor of Environmental Studies, Michael Loik.

“Well that’s what we’re in for,” he answers.

Loik has studied climate change for the last three decades, but is still surprised at the rate at which he has seen it increase. 

“It’s affecting everyone, everywhere,” he said. “We used to talk about how things like wildfires, floods, droughts and storms would happen in the future. Here we are 20 to 30 years later and these things are impacting us everywhere.” 

NO CLUCKIN’ AROUND

“2020 was the worst experience of my life,” Ariana Huemer recalls. 

She operates Eeyore’s Hen Harbor, a three-acre, Felton nonprofit sanctuary for poultry. Founded in 2012, Hen Harbor has saved or adopted out thousands of birds with over 2000 this year. Huemer was one of the thousands of people who evacuated when the flames grew close, only she also had hundreds of feathered friends to bring with her. 

 “It was daytime but it looked like night.” 

True to her convictions, even after neighbors evacuated, Huemer continued to rescue other poultry from abandoned ranches in the area. 

As if floods and fires weren’t enough, local sanctuaries—particularly with mammals—are feeling the effects of climate change in their wallet. 

“When we started doing this, our hay bales were less than $15,” Camilla Landon Alkhassadeh says. “Now they are pushing $40. It’s such an incredible price hike in such a short amount of time.” 

“Our feed stores are telling us they’ve lost 60% of their hay brokers in the past five or six years,” explains Helbard Alkhassadeh. “Because they’ve lost that many growers.” 

HOW SWEET IT IS

Then there’s Sweet Farm. 

Founded in 2015 in Half Moon Bay by married couple Nate Salpeter, a tech consultant, and Anna Sweet, CEO of J.J. Abrams’ Bad Robot Games, Sweet Farm operates as an animal sanctuary and working farm. 

Salpeter said that the 2020 fire evacuation, combined with the rising cost of livestock feed, the high cost of Bay Area living and the restricted access to water for animals and crops, made them look for a new home outside of California. In May 2022, they moved their entire operation, including 140 animals, to 50 acres of land in Himrod, New York, roughly 74 miles southeast of Syracuse. 

“A lot of thought went into it,” Salpeter explained. “First and foremost, is it the right thing for our animals? Is it the right thing for our programs?”

But what really sets Sweet Farm apart from other sanctuaries is their innovative approach to addressing the impact factory farming has on climate change.

“We are scaling the local level of impact, globally, by supporting amazing practices, processes and technologies,” Salpeter says. 

For example, they donated cells from one of their rescue pigs, Dawn, to California-based company Mission Barns. Those cells were used to cultivate meat the company hopes to sell to stores and restaurants once regulators approve. The company is expecting to do this soon, since the state approved two other companies—Upside Foods and Good Meat—to sell this past June. 

“It has the potential to feed millions, if not billions, in the future,” Salpeter exclaims. “Meanwhile, the animals live here, happy and healthy.” 

Sweet Farm is also working on genetically modifying crops to tell farmers when they need to be watered, if they are diseased and other threatening factors. By using light signals, like a lawn changing from green to yellow, farmers will be able to increase their yields while using less resources. 

“About 40% of food that’s grown goes to waste in the field,” Salpeter explained. “The carbon footprint left by agriculture is massive. If we can boost yields simply by reducing crop loss, that has major climate and social impacts.”

“I refer to it as a ‘portfolio approach,’” Loik said. “There’s not going to be one fix to solve everything. It’s going to take a lot of coordinated, different things that chip away at the emissions we’re putting out now and for the last 150 years and more.” 

According to a 2019 NASA report, the carbon dioxide molecules—one of the leading causes of climate change—not absorbed by plants can stay in the atmosphere anywhere from 300 to 1000 years. The report also states carbon dioxide concentration has increased 47% since the beginning of the Industrial Age with half of the increase in the past 300 years occurring since 1980, and a quarter of that since 2000. 

“On a geological scale it’s certainly reversible,” Loik admits. “But at the rate we’re currently going, it’s going to take a while to reverse what we set in motion.” 

He sees more and more people experiencing what he calls “climate anxiety,” which can often be so overwhelming it leads many to do nothing at all. However, he wants the public to know even the smallest changes can have the biggest impacts. 

“One of the things that people can do that has the biggest impact is eating lower on the food chain,” Loik said. “It takes a tremendous amount of land, water and resources to grow animals for meat. If that same amount of land and water was used to grow edible plants, the amount of greenhouse gas emissions that go into the atmosphere is quite a bite lower.” 

Back in Royal Oaks, it’s this idea that contributed to Little Hill’s founding seven years ago. 

“We try to make people aware of where their food comes from,” Helbard said. “We believe how we treat life on Earth is a reflection of how life treats us.”


Things to do in Santa Cruz

WEDNESDAY

LATIN

ELIADES OCHOA is a Cuban musical legend. For the longest time, appreciation for his talent stayed mostly in Cuba. Though he had been strumming the guitar since he was a child, his big break happened in his 30s, when he was asked to join—and be the leader of—Cuban group Cuarteto Patria. It was an honor since the group formed before Ochoa’s birth. But he insisted that they mix in some newer influences. Then two decades later, he joined the Buena Vista Social Club ensemble. The academy award nominated documentary about the group earned him an international audience. He’s released a string of excellent Latin albums and continues to tour the world. AARON CARNES

INFO: 7pm & 9pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $42-$57.75. 427-2227.

THURSDAY

JAZZ

PASCAL LE BOEUF

Santa Cruz native Pascal Le Boeuf is back with a new record, and the pianist/composer continues to push the boundaries of jazz. With his latest, Ritual Being (Aug 25 release date), he collaborated with San Francisco’s Friction String Quartet, bassist Giulio Cetto and drummer Malachi Whitson to find the space where chamber music and jazz co-exist. The record is already earning praise. New York Times was impressed by its forward-thinking approach to music. (“sleek, new”). But apart from whatever new musical territory it’s carving out, what makes it such a fantastic listening experience is the intense emotion that all the players poured into it. Pascal brings his group to Kuumbwa to celebrate the new record. AC

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50/door. 427-2227.

LITERARY

WILLIAM SAROYAN’S LIFE AND WORKS

William Saroyan was a literary jack of all trades, writing countless novels, plays, essays and short stories throughout the mid-20th century. Born in Fresno in 1908 to Armenian immigrants, the writer became one of the city’s greatest luminaries with his wry and wild stories of life, work and love around the San Joaquin Valley and within the Armenian-American diaspora. Now at Boulder Creek, visitors can view artifacts from Saroyan’s life, including ephemera related to the writing of his 1934 breakthrough story “The Daring Young Man on the Flying Trapeze” and the 1943 Academy Award-winning film The Human Comedy. Though the exhibit is open till September 1st, this Thursday, there is a special event with archivist Chris Garcia, who will speak on Saroyan’s work and his connection to California.
ADDIE MAHMASSANI

INFO: 4pm, Boulder Creek Library, 13390 W Park Ave, Boulder Creek. Free. 427-7703.

METAL

LUCRECIA

“Don’t judge a book by its cover” is one of those idioms that continues to live because it’s proven true time and time again. Take Oakland’s progressive metal outfit Lucrecia. Visually they are an explosion of color with the vocalists’ varying styles—shimmering pastel babydoll dresses and two-tone hair. Musically, they rain a tirade of fire with heavy riffs, guttural screams weaving in and out of melodic singing with a drummer that is so all over the place it makes you wonder if he’s actually human. Besides, how can you say no to a band that labels itself, “Progressive Kawaiicore?” MAT WEIR

INFO: 9pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10/advance, $15/door. 423-7117.

COMMUNITY

BIPOC BONFIRES

What’s better than a museum in a beach town? When it’s right across the street from the ocean! Every third Thursday of the month join the Santa Cruz Museum of Natural History for their continuing BIPOC Bonfire series. This year it kicked off in February and continues until November 16 with a variety of different topics for, by and about the BIPOC community. Festivities begin at the museum at 4pm with extended hours for the BIPOC community, then walk across the street for a bonfire talk from 5pm to 6:30pm. This week’s guest speaker is DJ, dancer, community builder and event facilitator Father Taj. RSVP online. MW

INFO: 4pm, Santa Cruz Museum of Natural History, 1305 E Cliff Dr., Santa Cruz. Free. 420-6115.

FRIDAY

SOUL

BOBBY OROZA

Okay–Helsinki, Finland might not be the first, second or even fifth place that comes to mind when talking about soul music. However, rising star Bobby Oroza might just change all that. His silky smooth voice flows over the 1960s, and the brown-eyed neo-soul tunes laid down by his backing band, Cold Diamond & Mink, create the perfect soundtrack for cruising, celebrating or crying over heartbreak. His latest album, last year’s Get On the Otherside, is a great place to start for fans of Curtis Mayfield, Isaac Hayes and The Altons. If you’ve missed him at Moe’s Alley before, now’s your chance to see Oroza in an intimate setting with a killer sound system. MW

INFO: 9pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $22/adv, $25/door. 479-1854.

SMELL THE ROSES — Finland’s Bobby Oroza brings Northern Soul to Santa Cruz. PHOTO: Carlos Garcia

SATURDAY

FOLK-POP

BRETT DENNEN

There are many states of being in paradise: relaxed, in love, a cheeseburger … Singer-songwriter Brett Dennen adds another option to the list this month with his “Fool in Paradise” acoustic tour. A UCSC grad, Rolling Stone “Artist to Watch” and Late Show alum, Dennen is a disciple of ’70s folk rock icons like Paul Simon, Cat Stevens and Tom Petty. He is also an activist, combining earnest lyricism with political projects surrounding environmental conservation and anti-violence work. On his latest single, 2022’s “This Is Going To Be The Year,” the famously red-headed musician croons with infectious hope for the future. AM

INFO: 8pm, Felton Music Hall, 6275 Hwy 9, Felton, $30+. 704-7113.

LATIN

YAHRITZA Y SU ESENCIA

TikTok sensation Yahritza y su Esencia is making waves across the world of Latin music with their debut Obsessed. The 2022 album scored the band nominations at the Latin Grammy Awards for Best New Artist and Best Norteño Album. The sibling-trio hails from Washington State’s Yakima Valley, where they grew up surrounded by the music of their parents’ home state of Michoacán in western Mexico. A family member told Rolling Stone about the moment she knew Yahritza, then a toddler, would be a star: “Out of nowhere, I hear this crazy high pitch, and I’m like, ‘What the heck?’ I open the door and it’s Yahritza, singing a straight-up ranchera.” AM 

INFO: 8pm, The Catalyst, 1101 Pacific Ave, Santa Cruz, Sold Out. 713-5492.

SUNDAY

THEATER

VARYA’S MAMOCHKA

In Santa Cruz, Madrone D’Ardenne is known as the Puppet Lady. She loves telling stories with handmade puppets because it is the closest way she’s come up with to share the magic of the universe with the world. Her puppet shows at Tiny House Theater are just that—magic. The kind of magic that is created when a child invents an entire universe in their room using Legos, construction paper and a box of crayons. This Sunday, she performs “Varya’s Mamochka” — an adaptation of a Russian folktale. After the show, everyone will head across the street to the Schwan Lake Open Space for a picnic. It’s also up to everyone to bring their own picnic items. AC

INFO: 11am, Tiny House Theater, 980 17th Avenue, Building 3, Santa Cruz. $10. 535-8838.

Outspoken Mimes

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Breakdown, San Francisco Mime Troupe’s Summer Musical, Arrives in Santa Cruz

Shortly before my interview with Alicia M.P. Nelson, a member of the storied San Francisco Mime Troupe, I realized I had no idea how to have a conversation with a mime.

Luckily, the collective’s website anticipates this misconception and nips it in the bud. “We use the term mime in its classical and original definition, ‘The exaggeration of daily life in story and song,’” they write.

And my, oh my, are these mimes ever loud. Working at the confluence of theater and activism, the San Francisco Mime Troupe is in its 64th season of political performance geared toward inciting revolutionary change on behalf of the working class. Their latest touring musical, Breakdown, written by Michael Gene Sullivan and Marie Cartier, takes a clear-eyed look at the housing crisis and interwoven issues in their home city. According to data collected by the Department of Homelessness and Supportive Housing in February 2022, on any given night, about 3,400 occupy San Francisco’s homeless shelters, while 4,400 sleep on the city’s streets. Meanwhile, the city has the highest rate of billionaires per capita in the world. 

Breakdown the musical is about multiple things,” says Nelson, who plays Saidia, a social worker hacking her way through a bureaucratic jungle. “It’s about the homeless crisis in San Francisco and how the city is not really supporting the people who really need their help.” She continues, “It’s about mental health and how mental health can also tie into homelessness […] and it’s about the right-wing attack on San Francisco and how a lot of people try to use San Francisco as an example of how progressivism doesn’t work.”

Nelson acknowledges this is a lot to take on in an 80-minute show with a 5-person cast. But the San Francisco Mime Troupe has always gone boldly toward the most heated issues of the day, resisting the urge to simplify their complexity in the name of entertainment. In their current show, they connect social and individual implosion with the intriguing suggestion: “Sometimes it’s not all just happening in your mind.”  

“The magic of the Troupe is that every show they do is really written to fit the time that we are currently living in,” Nelson says. Recent shows have tackled the immigration crisis, police brutality, climate change and social inequities exposed by the pandemic. Nelson, who holds a BFA in Acting from Boston University, also starred in last year’s SFMT musical, Back to the Way Things Were.

Nelson credits writer and director Michael Gene Sullivan for his ability to sift through the chaos of current events to create theater that speaks to audiences. “He just somehow has his finger on the pulse and is able to write pieces that feel really prescient,” she says, “and for the time that I’ve been with the Troupe, that’s been one of the things that makes it really special, because we are a political theater company, and it’s important to speak about what’s currently going on.”

While Breakdown follows some of the most distressing elements of American society—in addition to Saidia, the show stars an unhoused character named Yume and a self-interested Fox News commentator named Marcia Stone—Nelson emphasizes the humor and inspiration inherent to the San Francisco Mime Troupe’s musicals.

“We’ve got some hilarious characters,” she says. “Keep an eye out for wig changes and accent changes. And our set! Part of our set is the profile of a young woman.”

In addition to immersing herself in the moving songs and urgent political themes, Nelson’s part in the show has required her to think a great deal about what social workers across the country experience trying to solve these overwhelming problems.

“I’m not a social worker,” Nelson says, “but I do understand the feeling of needing a break, and I think that’s something a lot of people can understand. With Saidia, for me, I’m trying to find the balance between the exhaustion but also the drive and the purpose that she has to do this work.”

She has come to some wisdom about her character that extends far beyond the stage: “The exhaustion doesn’t have to take over the purpose and vice versa. They can both live simultaneously, and [Saidia] just takes it one day at a time and puts one foot in front of the other.”

If you’re going:

London Nelson Community Center – Outdoors
301 Center St., Santa Cruz 95060

Sat., Aug. 19 – 3:00 pm show (Live music from 2:30)                                        
Ticket Info: FREE

Sun., Aug. 20 – 3:00 pm show (Live music from 2:30)
($20 suggested donation)

Karen with a K brings rock opera to Corralitos

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Comedic play is based on the internet meme

Karen blunders on social media, blames everyone else, then doubles down and does it all over again. The part of Karen is portrayed by three actresses, each showing a different side of this uniquely 21st century anti-hero.

Laura Strange’s band of talented musicians, singers and actors deliver a rollicking, powerhouse hour and fifteen minute performance that left the crowd at the Corralitos Cultural Center cheering on their feet. Many in the crowd had seen it several times.

The rock opera reveals the pain of Karen with surgical precision; Laura Strange uses her songs like a scalpel to expose Karen’s humanity.

For those who haven’t seen the ubiquitous memes, Karens are mostly white women who complain about things around them. “I want to talk to your manager,” is one of their tropes. Unfortunately, many have stepped from simple complaints to racist rants.

While the show does not lessen my anger towards the Karen who called the cops on the African-American bird-watcher in Central Park, it does let me feel empathy for Karen’s personal pain and possibly even some understanding of her personal world-view dilemma.

That is why I believe this show is important. The three Karens we meet are not shy about telling us to go fuck ourselves. The show doesn’t make me like Karen any better, but seeing how she suffers from guilt, from her own ego, from her world that doesn’t make sense to her anymore, it might give us a chance to have a conversation at a lower temperature.

Along the way we get to rock out to songs like “A White, White Whine,” “Viral,” her teary eyed lament that worst moment has gone viral on the internet, and a doo-wop number when her mother catches COVID.

I have a terrible feeling

I’m having trouble seeing,

How this is possibly happening

When the virus ain’t even a real thing … just a hoax.

I don’t know what I’ll do

If mama don’t pull through

Everyone says it’s a hoax

When mama’s in the ICU

With a hose.

     This troupe has been mounting the show for six months and they have already built a fan base. It has legs, and it’s easy to imagine this one running the distance. This Santa Cruz-born show is still in development stages, but it is powerfully scripted. The songs Laura Strange wrote are succinct and telling, the musicians rock, the singing is doo-wop infectious, the acting is passionate and the show is the laugh out loud relief that may let you consider what Karen is about without screaming.

Show info:

Karen with a K: A Rock Opera

Saturday, August 19, 2023 6pm

Corralitos Cultural Center

127 Hames Rd., Watsonville, CA 95076

Tickets: $15 at the door

Itali-Cali Dream-to-Be

Cavalletta brings Nick Sherman’s second restaurant to a stylish spot in Aptos

There are a number of hints that Cavalletta, coming to the former Malik Williams in Aptos as soon as next month, will be a dynamite addition to the local foodscape.

For one, it translates to “trestles,” a nod to chef-partner Nick Sherman’s first spot (Trestles in Capitola), easily one of the top restaurant debuts of the past five years.

Interestingly, in Italian it also translates to “grasshopper” (and, colloquially, voracious appetites). 

This project will be both 1) a leap into a different genre (though Sherman has been cooking Italian for as long as he can remember, has Italian grandparents and calls this “something I’ve always wanted to do”); and 2) an insatiable hunger for the smart sourcing, welcoming vibe and fine dining execution that’s made Trestles a hit.

“A fine dining level of food but an atmosphere that isn’t, with a team passionate about locally sourced and seasonal,” Cavalletta GM Sydney Ruelas says. “I’m excited for people to try it.”

Other promising hints when I swung by last week included the 80-quart pot for veal stock that goes in all sorts of different dishes, the slick Emiliomiti pasta extruder for all the rigatoni, bucatini, strozzapreti and pasta you can eat and the big domed pizza oven that reaches a casual 800 degrees.

On my visit, Ruelas and restaurant partner Shawn Ryberg, a longtime chef and friend of Sherman, were finalizing menus for the next Cavalletta pop up at Trestles, as part of a weekly series which will happen Monday evenings until Cavalletta opens.

The menu hits like a bowling ball—compact and solid—while providing a helpful preview of what’s to come in Aptos.

Squash blossoms with marinated ricotta and Early Girl tomato sauce, rock shrimp fritto misto and halibut carpaccio comprise the starters.

The salads go Cavalletta Caesar, Italian chop and caprese.

The pop-up entrees (sans pizzas) bring on rigatoni pork sugo, malfatti Bolognese, corn-and-truffle risotto with chanterelles and brick chicken piccata.

From the pizza oven on site will eventually arrive thin-crust creations topped with compelling items like foraged nettle and mushrooms.

“Let’s call it, ‘seasonal California produce with Italian inspiration,’” Sherman says. “Creative in an approachable way.”

cavallettarestaurant.com

OPEN AND SHUT

Felton took a hit when Humble Sea Tavern abruptly closed last week. But don’t cry in your beer too much. H Sea is still on a heater, already hiring for its upcoming Alameda tasting room, and a recent visit to its Santa Cruz pier beer garden—a sunny, scenic and friendly summer situation stacked with fresh merch, craft drafts and BYO grub (Sparado’s fried squid FTW!)—reveals it’s thriving. Now the tavern can find a squad more focused on food (looking at you Bread Boy Santa Cruz), and Humble Sea can concentrate on its core competency.

humblesea.com

FRESH ADDITION

Scotts Valley Junction has a fly new sushi fusion spot in Far East Kitchen in the former Sushi Garden. The versatile menu, delivered at times by a robot, ranges from ambitious fusion nigiri you have to see to believe, bibimbap, mapo tofu and a bunch of other triple culture cuisine (Japanese-Korean-Chinese) from Hank and Young Kim, who previously owned and operated popular spots Mika Sushi and Sushi Moto on the other side of Monterey Bay. fareastkitchen.menu11.com

Regan Vineyards Winery

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Nebbiolo 2021

Lovers of Nebbiolo will rejoice when tasting this beautifully made red wine. It’s a fine example of what a good Nebbiolo should be—robust and full-bodied.

Grown mainly in the well-known regions of Barolo and Barbaresco in Piemonte, Italy, Nebbiolo also thrives amazingly well on Regan Vineyards’ rich loamy soil in Corralitos.

John Bargetto, whose family has been in the wine business for more than four generations, is very involved with the Regan Vineyards project. “Regan Vineyards’ wines represent the culmination of my life’s passion and dedication to producing exquisite wine from the Santa Cruz Mountains,” says Bargetto, who also plays an important role as director of winemaking at the well-known Bargetto Winery in Soquel. He has achieved his goal in this delicately perfumed Nebbiolo ($70). “We introduced a new wine term—Power Piemonte—to describe this unique blend,” he says of the 84% Regan Nebbiolo and 16% Perrucci Cabernet (from Los Gatos). Aged in French upright-tank oak, only 75 cases were made. Try Regan estate’s Chardonnay, Pinot Noir and Merlot as well. All the wines produced by Regan Vineyards are superb.

The experience of a visit to Regan Vineyards is warm and welcoming. Feast your eyes on panoramic vistas and lush vines—heavy with grapes ripening in the sun. And as the Piemonte Nebbiolo grapes get plentiful cooling fog, so does the fruit grown on Regan’s estate. “Nebbia” is the Italian word for fog; so, not surprisingly, the name of Regan’s 2021 Nebbiolo is “The Great Fog.” And as it says on the Nebbiolo’s “snazzy label in blue,” “Wine enriches our lives.”

Regan Vineyards Winery, 1610 Green Valley Road, Corralitos, 831-475-2258 ext. 17 or 831-818-3885. Reganwinery.com. Tastings and tours are available by reservation on Sundays until Nov. 5. $25 per person.

Real Colima 2

Next Level Mex

Nestled amidst a residential neighborhood in Watsonville, Real Colima 2 looks like a restaurant that used to be a house because that’s exactly what it is. Opened in 1992, Alfonso Moran, Jr. started managing the place in 1999 while still in high school. His mom and dad started a small catering truck in the 1970s, and the food’s excellence propelled them to two brick-and-mortar locations. Moran Jr. defines the cuisine as all-encompassing traditional and classic Mexican, drawing influences from Mexico’s many states. Popular appetizers include the flautas and the nachos, the Super Burrito with, well, basically everything, wrapped up in a scratch-made flour tortilla. They make their own corn tortillas in house too, an authentic and differentiating feat. Other specialties include the Camarones al Charco and the Chili Verde with chunks of tender pork shoulder in a tomatillo sauce. A classic, housemade flan is the dessert offering. Hours are 9am-9pm (open 8am Sat/Sun).

What was it like managing as a high school student?

ALFONSO MORAN JR.: My mom needed help running both locations, so I started on weekends and after school until it just became a permanent job. My parents came up doing this same work and I followed in their footsteps. At such a young age, I had to make tough decisions that made me mature quickly. It made me who I am today, and I realized so many values like work ethic, generosity and responsibility.

Tell me about your tortillas.

We make our own corn and flour tortillas totally from scratch in house. Tortillas in Mexican cuisine are partnered with many dishes, so we are constantly making a lot of them. We can make them different sizes for different dishes, and we can make them crispy or fluffy. Guests really notice when something is made from scratch, and they can taste the difference in our tortillas.

1101 East Lake Avenue, Watsonville, 831-728-2971; realcolimatwo.com

Free Will Astrology

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For the week of August 16

ARIES (March 21-April 19): The Lincoln Calibration Sphere 1 is a hollow globe of aluminum launched into Earth orbit in 1965. Fifty-eight years later, it continues to circle the planet—and is still doing the job it was designed to do. It enables ground-based radar devices to perform necessary calibrations. I propose we celebrate and honor the faithfulness of this magic sphere. May it serve as an inspiring symbol for you in the coming months. More than ever before, you have the potential to do what you were made to do—and with exceptional steadiness and potency. I hope you will be a pillar of inspiring stability for those you care about.

TAURUS (April 20-May 20): “Live as though you’re living a second time and as though the first time you lived, you did it wrong, and now you’re trying to do things right.” Holocaust survivor and author Viktor Frankl offered this advice. I wouldn’t want to adhere to such a demanding practice every day of my life. But I think it can be an especially worthwhile exercise for you in the coming weeks. You will have a substantial capacity to learn from your past; to prevent mediocre histories from repeating themselves; to escape the ruts of your habit mind and instigate fresh trends.

GEMINI (May 21-June 20): Gemini author Jamie Zafron wrote an article titled “To Anyone Who Thinks They’re Falling Behind in Life.” She says, “Sometimes you need two more years of life experience before you can make your masterpiece into something that will feel real and true and raw. Sometimes you’re not falling in love because whatever you need to know about yourself is only knowable through solitude. Sometimes you haven’t met your next collaborator. Sometimes your sadness encircles you because, one day, it will be the opus upon which you build your life.” This is excellent advice for you in the coming months, dear Gemini. You’ll be in a phase of incubation, preparing the way for your Next Big Thing. Honor the gritty, unspectacular work you have ahead! It will pay off.

CANCER (June 21-July 22): You’re entering a phase when you will generate maximum luck if you favor what’s short and sweet instead of what’s long and complicated. You will attract the resources you need if you identify what they are with crisp precision and do not indulge in fuzzy indecision. The world will conspire in your favor to the degree that you avoid equivocating. So please say precisely what you mean! Be a beacon of clear, relaxed focus!

LEO (July 23-Aug. 22): Unless you are French, chances are you have never heard of Saint-John Perse (1887–1975). He was a renowned diplomat for the French government and a poet who won the Nobel Prize for Literature. Now he’s virtually unknown outside of his home country. Can we draw useful lessons for your use, Leo? Well, I suspect that in the coming months, you may very well come into greater prominence and wield more clout. But it’s crucial for the long-term health of your soul that during this building time, you are in service to nurturing your soul as much as your ego. The worldly power and pride you achieve will ultimately fade like Perse’s. But the spiritual growth you accomplish will endure forever.

VIRGO (Aug. 23-Sept. 22): “Life is not so bad if you have plenty of luck, a good physique and not too much imagination.” Virgo author Christopher Isherwood said that. I’m offering his thought because I believe life will be spectacularly not bad for you in the coming weeks—whether or not you have a good physique. In fact, I’m guessing life will be downright enjoyable, creative and fruitful. In part, that’s because you will be the beneficiary of a stream of luck. And in part, your gentle triumphs and graceful productiveness will unfold because you will be exceptionally imaginative.

LIBRA (Sept. 23-Oct. 22): “You know how crazy love can make you,” write Mary D. Esselman and Elizabeth Ash Vélez in their book Love Poems for Real Life. “On any given day, you’re insanely happy, maniacally miserable, kooky with contentment or bonkers with boredom—and that’s in a good relationship.” They add, “You have to be a little nuts to commit yourself, body and soul, to one other person—one wonderful, goofy, fallible person—in the hope that happily-ever-after really does exist.” The authors make good points, but their view of togetherness will be less than fully applicable to you in the coming months. I suspect life will bring you boons as you focus your intelligence on creating well-grounded, nourishing, non-melodramatic bonds with trustworthy allies.

SCORPIO (Oct. 23-Nov. 21): “I don’t adopt anyone’s ideas—I have my own.” So proclaimed Scorpio author Ivan Turgenev (1818–1883). Really, Ivan? Were you never influenced by someone else’s concepts, principles, art or opinions? The fact is that all of us live in a world created and shaped by the ideas of others. We should celebrate that wondrous privilege! We should be pleased we don’t have to produce everything from scratch under our own power. As for you Scorpios reading this oracle, I urge you to be the anti-Turgenev in the coming weeks. Rejoice at how interconnected you are—and take full advantage of it. Treasure the teachings that have made you who you are. Sing your gratitude for those who have forged the world you love to live in. You now have the power to be an extraordinary networker.

SAGITTARIUS (Nov. 22-Dec. 21): The Tibetan term lenchak is often translated as “karmic debt.” It refers to the unconscious conditioning and bad old habits that attract us to people we would be better off not engaging. I will be bold and declare that sometime soon, you will have fully paid off a lenchak that has caused you relationship problems. Congrats! You are almost free of a long-running delusion. You don’t actually need an influence you thought you needed.

CAPRICORN (Dec. 22-Jan. 19): If you’re like many of us, you have a set bathing routine. In the shower or bath, you start your cleansing process with one particular action, like washing your face, and go on to other tasks in the same sequence every time. Some people live most of their lives this way: following well-established patterns in all they do. I’m not criticizing that approach, though it doesn’t work for me. I need more unpredictability and variety. Anyway, Capricorn, I suspect that in the coming weeks, you will benefit from trying my practice. Have fun creating variations on your standard patterns. Enjoy being a novelty freak with the daily details.

AQUARIUS (Jan. 20-Feb. 18): In July 1812, composer Ludwig van Beethoven wrote a 10-page love letter to a woman he called “My Angel” and “Immortal Beloved.” He never sent it, and scholars are still unsure of the addressee’s identity. The message included lines like “you—my everything, my happiness . . . my solace—my everything” and “forever thine, forever mine, forever us.” I hope you will soon have sound reasons for composing your own version of an “Immortal Beloved” letter. According to my astrological analysis, it’s time for your tender passion to fully bloom. If there’s not a specific person who warrants such a message, write it to an imaginary lover.

PISCES (Feb. 19-March 20): At age 32, artist Peter Milton realized the colors he thought he used in his paintings were different from what his viewers saw. He got his eyes tested and discovered he had color blindness. For example, what he regarded as gray with a hint of yellow, others perceived as green. Shocked, he launched an unexpected adjustment. For the next 40 years, all his paintings were black and white only. They made him famous and have been exhibited in major museums. I love how he capitalized on an apparent disability and made it his strength. I invite you to consider a comparable move in the coming months.

Homework: Make up a story about a time in the future when you will be excitedly content. Newsletter.FreeWillAstrology.com

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Real Colima 2

Next Level Mex Nestled amidst a residential neighborhood in Watsonville, Real Colima 2 looks like a restaurant that used to be a house because that’s exactly what it is. Opened in 1992, Alfonso Moran, Jr. started managing the place in 1999 while still in high school. His mom and dad started a small catering truck in the 1970s, and the...

Free Will Astrology

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For the week of August 16 ARIES (March 21-April 19): The Lincoln Calibration Sphere 1 is a hollow globe of aluminum launched into Earth orbit in 1965. Fifty-eight years later, it continues to circle the planet—and is still doing the job it was designed to do. It enables ground-based radar devices to perform necessary calibrations. I propose we celebrate and...
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