Good Times editor Brad Kava weighs UCSC’s controversial parking hikes, questions about campus transparency and why honest criticism—even a scathing review—is essential to credible journalism.
Brad Kava reflects on the Grateful Dead’s thriving Santa Cruz legacy, a revealing look at who votes locally and why younger voices need more political power.
With Brad Kava away, Good Times welcomes DNA to the editor’s chair for a reflection on volunteer firefighters, community service and turning concern into action.
Editor Brad Kava celebrates the Cabrillo Festival of Contemporary Music, Santa Cruz Shakespeare, previews this week’s coverage and makes the case for embracing Santa Cruz’s adventurous side.
Brad Kava reflects on Shakespeare’s enduring warnings about power and madness, celebrates Santa Cruz Shakespeare and highlights community efforts in Seabright.
Good Times editor Brad Kava previews this week’s issue, from the 418 Project’s new director and Fourth of July events to local safety concerns, food, comedy and Street Talk.
Brad Kava previews Good Times’ Health and Fitness issue, from Elizabeth Borelli’s nutrition reporting and local farmers’ markets to a serious Panther Beach warning and the return of Land of Medicine Buddha’s annual celebration.
Brad Kava reflects on American absurdity, Wallace Baine’s provocative new novel, the loss of Oliver Tree, Brett Dennen’s artful show and local community news.
Good Times editor Brad Kava celebrates the unexpected discoveries found in print, from local music and arts stories to Gabrielle Stocker’s remarkable bequest, Cheryl Anderson’s return (above) and a dose of World Cup fever.
Santa Cruz Pride and VegFest bring color, community and compassion to the weekend, while local news looks at hospital access, battery safety and wildfire resilience.
This week’s Editor’s Note looks at Dusty Baker’s Santa Cruz connection, a sports story that reaches beyond baseball, plus Pride events, local bands, rail debate, the mayor’s race and Watsonville Hospital news.
Brad Kava frames this week’s AI cover story through the legend of John Henry, asking what happens when artists, businesses and communities face machines that can both help and harm.