Ecology Action Helps Disadvantaged Communities Cut Back Water

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The first time Cynthia Padula knocked on someone’s door to try to convince them to install low-flow showerheads and faucet aerators, she didn’t know what to expect—or, really, what she was doing.

“It took a while getting used to knowing what to say and getting inside houses,” says Padula, an environmental consultant who works as a field manager for WaterLink, an Ecology Action program that brings water-saving help to lower-income communities. “But people were very, very welcoming. They offered food and drinks all the time.”

That was a surprise, and not just to Padula.

“It’s funny, because we didn’t know if people would let us into their house, period,” says Kirsten Liske, vice president of community programs for Ecology Action. “And then secondly, ‘can we come into your bathroom?’ Think about the state of your bathroom right now, or mine. In these neighborhoods, people are really welcoming, and they offer us empanadas, and we get to meet their grandkids. It’s a really cool experience.”

Under the program’s policy, team members would not accept food, Padula says, but sometimes they would leave with a few bottles of water on scorching-hot South Bay Area afternoons, when their hosts insisted.

Ecology Action launched WaterLink in East San Jose last summer, and this year the Santa Cruz-based nonprofit announced it had won a $5 million grant to grow the effort—it will expand over the next few months into Watsonville, Salinas, Santa Clara, East Palo Alto, Hayward, and Daly City. The money comes from revenue out of the state’s cap-and-trade program that funds sustainability programs.

With WaterLink, Liske says that Ecology Action targeted communities that rely on groundwater—a resource hit hard by five years of drought—as well as areas that California recognizes as “disadvantaged.” State law requires that 25 percent of the cap-and-trade revenue go toward communities that historically sit lower on the totem pole, where residents face more obstacles to success. Using an algorithm called the CalEnviroScreenTool, the state identifies the 25 percent most challenged communities—taking into account income, language, education, pollution and water quality—requiring that a quarter of the money go there.

“It’s all from really simple measures, but a lot of these folks don’t get the upgrades from their landlords, or they can’t afford them,” Liske says. “And honestly, we all probably could do better in our own homes.”

In addition to aerators and showerheads, WaterLink will give away 100 dishwashers or washing machines, and Liske says teams will award them to “neighborhood leaders” who refer 10 other people that sign up. If a home has a substantial leak, WaterLink can pay up to $300 toward fixing it.

Ecology Action estimates the program will save customers $1.5 million each year on water costs, while serving 15,800 homes.

WaterLink also works with businesses, offering them brand new pre-rinse spray valves, or rebates toward new dishwasher systems. Between businesses and homes, Ecology Action projects the whole program will save 3.6 billion gallons of water annually.

Liske says the people they met care deeply about conservation, but simply don’t have the resources, time or information to do much about it. In Watsonville, 40 percent of the service area’s demand comes from low-income housing, according to a letter in support of WaterLink from the city’s Public Works Director Steve Palmisano to the Department of Water Resources.

In the afternoons, field teams gather in public parks for meetings and use a mapping software which helps them keep track of which homes they already visited. When team members enter houses, they strike up conversations about saving water with curious residents, who often follow them through various rooms to see what work they’re doing. When people aren’t home, WaterLink crews leave behind flyers with contact information or a time they’ll be returning.

Last year, an eclectic blend of team members covered six languages—English, Spanish, Vietnamese, Portuguese, Tagalog, Mandarin, “and we ended up using them all,” Liske says.

Ecology Action assumed this would be a grueling operation. “We really trained the team to do a sales pitch,” field manager Mariana Ivancko says. “They didn’t need to work so hard. The communities were very receptive to our program.”

Teams learned some interesting lessons along the way. Certain neighborhoods that ended up in WaterLink’s walks appeared to be more middle-class than others, and those were the ones where people appeared least keen—and less likely to open the door for strangers.

Some mobile home parks made the outreach job especially easy—perhaps because they have tighter-knit communities, and are used to talking to neighbors, Ivancko says.

Padula expected to be back at her environmental consulting gig this summer, but found herself getting drawn back in for a few more months of field work. Originally from Argentina, Padula first applied for the position last year to get a different kind of work experience.

“Something that I really discovered is that I really enjoy working with people,” she says. “I get all this energy—rejuvenated.”

Tracey Helton Mitchell Comes to Bookshop Santa Cruz

Most of the addicts in the 2000 documentary Black Tar Heroin: The Dark End of the Street are dead now, but Tracey Helton Mitchell is very much alive. She was picked for the film at a needle exchange in the Tenderloin district, and though she was off drugs when it came out, it was not a story about recovery. After all, recovery is anything but one size fits all. Mitchell knows this all too well, and from the vantage point of having rebuilt her life, she shares how she went from darkness to light in her book The Big Fix: Hope After Heroin. We recently talked about her journey and the larger issues around addiction.  

You survived a brutal life on the streets. How?

TRACEY HELTON MITCHELL: My mother was very supportive. We have addiction in our family, so she knew the right things to say to me. Other providers were also kind. They told me I deserved a better life, and even though I didn’t believe it at the time, I held on to that thought. For whatever reason, I felt like someday I’d go back to school. That dream kept me alive.

Depression and anxiety contributed to your addiction. How have you learned to cope without drugs?

I went to therapy for seven years. I’ve tried yoga and meditation. Whatever your recovery is, it has to be flexible over time. If something’s not working, I try something different.

You’re a wife, mother, and health program coordinator in San Francisco. How has your recovery affected these roles?

I got clean when I was 27. At that point, I needed approval from others. Now it’s about having a fulfilling life, which isn’t necessarily attached to people’s opinion of me. I’m more empathetic now too, and I draw upon that in my public health role. As a mother, I try to be honest, whereas I think my parents struggled with it. Sharing the truth with my kids to the degree that they can understand it is important to me.

What are the ongoing challenges of recovery?

Heroin continues to impact my life. One of my mentees died this year from an overdose after a decent period of sobriety. I’ve had multiple friends relapse. It crosses my mind every day. There are people who can use hard drugs and then after a period of time, drink alcohol and smoke pot socially, but I’m not one of them. When I speak to groups, I say, “You only have to give up this one thing—drugs—to get everything else.” Instead of looking at what I lose, I keep in mind what I’m gaining. It shifts my perspective.

What’s the current state of addiction and recovery services in the U.S.?

We used to deal with overdoses, but we didn’t have people instantly dying from them, which is very common now. The anti-overdose drug Naloxone is becoming more widely available, along with needle exchanges, but drug companies keep raising their prices, and there are many places where people still can’t get a clean syringe. We have a lot of work to do, but opinions are changing. I was in Ohio and Kentucky recently, where they’re dealing with high numbers of overdoses, and these are very conservative states. Now it’s those mothers who go to Washington D.C. and say, “you have to do something.”

What can the rest of us learn from drug addicts?

You can use anything outside of yourself to distract you—food, relationships, drugs—but it won’t cure your problems. It just pushes them to the side and adds new ones. We spend so much time with our distractions. What are we afraid of? Maybe it’s just spending time with ourselves. I think part of the reason we have such a big opioid problem is because we’re so disconnected from each other. I’ve worked with people who can’t talk on the phone. They only communicate through text messaging. To a certain extent, that’s just existing; it’s not living or interacting. What I hope people get from my story is that the process of trying to get back to yourself is a lot of hard work, but it’s worth it.


Tracey Helton Mitchell will sign and discuss her new book at 7 p.m. on Wednesday, April 19 at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz, 423-0900. Free.

Preview: Aoife O’Donovan to Play Kuumbwa

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For 40-plus years, Garrison Keillor hosted A Prairie Home Companion, the wildly successful radio variety show that pairs comedy skits, news from Lake Wobegon and spoof ads with top-notch roots music.

Recently, Keillor handed over the reigns of the show to mandolin virtuoso Chris Thile of Nickel Creek and the Punch Brothers. There was a question among the show’s fans of whether Thile would be able to fill the void left by Keillor’s departure, and the first couple of shows felt like the new host was doing his best to imitate Keillor—an impossible job for anyone. But Thile has since found his hosting groove, and brings more music to the show than ever before, including a new, original tune he writes each week. Singer-songwriter Aoife O’Donovan, who has been a guest on the show many times, sees the new show as different, but equally inspiring.

“I’ve been especially lucky because I’ve gotten to work so much over the years with Garrison,” she says. “To be part of the new incarnation has been very special. I know a lot of people who didn’t necessarily love Garrison Keillor, but you can respect that he’s a total genius. I think the same is true of the new incarnation. It might not be your thing, but you can’t really knock it down.”

O’Donovan is no stranger to Thile’s musical brilliance, or the type of music he plays, which gets placed under the progressive bluegrass and folk umbrella—much like O’Donovan’s one-time group, Crooked Still. As frontwoman for the band, she helped establish it as a pioneering act of the progressive bluegrass movement, blending folk and roots with jazz, rock and a mission to forge new musical territory. She also emerged as one gifted roots singer with a clear, gorgeous voice.

In 2010, O’Donovan left Crooked Still to launch a solo career. Almost immediately, she established herself as one of the most innovative artists on the roots scene, with unexpected chord changes and nontraditional rhythmic structures in the spirit of trailblazing artists such as Joni Mitchell.

“I’ve always just seen music as something that doesn’t have to stay in one zone,” she says. “I’ve always been attracted to unusual chord changes. I think applying that to folk music is a natural progression.”

O’Donovan’s folk music roots run deep, and span the Atlantic. Her dad has an Irish music show on WGBH in Boston, and the artist spent her childhood summers in Ireland singing songs with her extended family.

“I spent my time getting immersed in the folk music of the ’60s and ’70s that my parents and aunts and uncles listened to,” she says. “It was a very formative time. We would sit around and sing songs pretty much every night.”

With her Irish roots, O’Donovan saw firsthand the connection between Celtic music and American roots music. She talks knowledgeably about how Celtic music traveled from Ireland and Scotland to the Appalachian Mountains to become old-time music, and into Kentucky, where it mixed with rock ’n’ roll, jazz and blues to become bluegrass.

O’Donovan didn’t pick up the guitar herself until 2010, when she struck out on her own—but to see her play now, you’d think she’d been doing it her whole life. She moves up and down the fretboard in unexpected patterns with an easy grace and rhythm. Her non-traditional melodic style has moved her beyond roots music into cross-genre experimentation, including collaborations with Yo-Yo Ma, the Punch Brothers and bassist Edgar Meyer.

The next few months are a nonstop flurry of performances and projects for O’Donovan. (On April 21, she’ll play the Kuumbwa with guitarist Julian Lage, and Chris Eldridge from the Punch Brothers and the Infamous Stringdusters.) At the heart of all the hustle and bustle is O’Donovan’s humble reworkings of what constitutes American roots music.

“I try to not be bogged down by traditional song form,” she says. “Not every song has to have a verse and a bridge and a chorus. You can really get outside the box.”


Aoife O’Donovan will perform at 7 & 9 p.m. on Friday, April 21. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

The Kitchen at the Octagon To Open Late Summer

Breakfast for lunch? Why not? Beer with that? You bet! Chef/owner of the Kitchen at Discretion, Santos Majano, is excited about his new Octagon project at downtown Santa Cruz’s Abbott Square. Like most of us, he wants it to go online yesterday, but the reality is probably late summer.

“Our place inside the Octagon was added after the original project, so it will take longer to get ready,” he explains. “The other six shops have to open first—and all at once.”

Meanwhile he’s busy renovating the former Lulu Carpenter’s Octagon interior for food service and applying for licenses.

“It will probably be August or so,” he says with a grin. Fine. But I’m hungry now! What I wanted was the snapper taco I saw on Richard Alfaro’s Facebook page last week. Santos laughs. “Not today. Tuesday is ramen day,” he says.

I had already sampled the incredible—and huge—ramen creation. I wanted something new. “The duck egg and smoked potatoes. That’s what you should have,” he says.

I figured he should know. Along with a tiny 3-ounce glass ($2) of a new house IPA called Jugo Nuevo—a pale, cloudy, golden hue with a caramel center and a grapefruit finish—I dug into a beautiful plate of red and green lettuces and smoked potatoes, decorated with fresh peas and heroic spears of asparagus. On top of this gorgeous mess was a plump poached duck egg, and everything was perfumed with chile oil and micro toasted bread crumbs ($13). To. Die. For! It was a lunch that brought with it the mighty elements of a hearty breakfast—eggs and potatoes. The little glass of beer seemed to have been made just for this luscious dish. And to think I was sitting in a quiet, secluded gastropub/brewery just a few feet away from busy 41st Avenue.

Discretion Brewing, open daily 11:30 a.m. to 9 p.m.; 2703 41st Ave., Soquel—next door to Cafe Cruz.


Cocktail of the Week

The Old Colonel (don’t laugh) at Soif is a serious, delicious, undeniably masculine drink. Shaken and poured over ice into a low-slung tumbler are Diplomatico Reserva rum, Ponal French vermouth, lime, and plenty of mint. The result is both refreshing and quite delicious, with a suggestion of cola (perhaps from Ponal’s gentian?). You could tinker around with these basic ingredients at home. On the other hand you wouldn’t be sipping the Old Colonel in the metro chic setting of Soif’s bar, would you? Ask bartender Manni about the drink’s name.


Entree of the Week

Once again, we’ve fallen for the chicken tandoori up at Scotts Valley’s popular new Ambrosia, home of authentic Indian cookery served by a very warm and welcoming staff. For $12 we are presented with a sizzling platter filled with a half chicken, chopped into easy-access pieces, tinged crimson by the spicy yogurt marinade that gives each bite a luscious moist flavor. The chicken pieces sit on top of a bed of onion, whose aroma rises up and permeates the chicken. On top, a dusting of freshly chopped cilantro adds its own olfactory note. Slices of lime accompany, and its juices make each bite sparkle.

Last week we added an order of saffron rice, plus another entree of fiery lamb vindaloo ($15), whose rich meat sauce also went well with the chicken. When I ordered, I was reminded by the server that the lamb vindaloo is quite spicy. For the record, the vindaloo was assertive but not tongue-numbing spicy. Wonderful.

Ambrosia India Bistro, 6006 La Madrona Drive (across the street from the Hilton), Scotts Valley.

5 Things to Do in Santa Cruz This Week

Event highlights in Santa Cruz County for the week of April 12, 2017

Green Fix

‘Lose Your Lawn’ Workshop

popouts1715-green-fixThe long California drought is over, but the next drought may be just around the corner. As governor Jerry Brown said last week, “Conservation must remain a way of life.” Learn how to make that a reality with Santa Cruz County’s “Lose Your Lawn” workshop to convert an existing lawn into a beautiful and colorful drought-tolerant Monterey Bay-friendly garden. The workshop will cover converting overhead spray irrigation to efficient drip irrigation, proper selection of water-wise California native and Mediterranean plants, and how to save money and time by using sheet mulching method for lawn removal.

Info: 10 a.m.-1 p.m. Saturday, April 15. County of Santa Cruz, 1080 Emeline Ave., Building D, Santa Cruz. Free.

 

Art Seen

Pure Pleasure Comedy

popouts1715-PurePleasureComedyA “Joisey” native and veteran of the Bay Area comedy scene since 2001, Ronn Vigh once worked as a flight attendant and didn’t smother any of his passengers with a pillow. Vigh has been performing stand up for 13 years and his acerbic wit landed him a writing gig on Joan Rivers’ “Fashion Police” on E! Entertainment Television. With Vigh headlininga, Pure Pleasure is bringing six of the funniest folks from the Bay Area to Santa Cruz: Emily Catalano, Liz Stone, Emma Haney, Ta’Vi, and Aviva Siegel will bring the house down this Friday, April 14.

Info: 8 p.m. Friday, April 14. Pure Pleasure, 111 Cooper St., Santa Cruz. purepleasureshop.com $25.

 

Friday 4/14 – Saturday 4/29

‘The Nether’ at Center Stage

It’s a virtual wonderland that provides total sensory immersion. The Nether only requires a login, choosing an identity, and indulging in every desire. But a young detective uncovers a disturbing brand of entertainment, and when she does, she triggers an interrogation into the darkest corners of the imagination. “This is a disturbing play, but also one which rewards by generating conversation on the topic and providing much food for thought,” says director Brian Spencer. The crime drama won the 2012 Susan Smith Blackburn Prize, Los Angeles Ovation Award in 2012, and the 2014 ATCA Francesca Primus Prize. For mature audiences only.

Info: 8 p.m. Center Street Theater, 1001 Center St., Santa Cruz. $20.

 

Saturday 4/15 – Sunday 4/16

12th Annual Secret Film Festival

popouts1715-secret-fim-festival“The titles are a secret. The awesomeness is not.” That’s the promise of this year’s Secret Film Festival, this area’s coolest movie event for more than a decade running. Founding SFF mastermind Scott Griffin brings a mix of genres to his 12-hour movie marathon every year, and always gives audiences a sneak peek of highly anticipated films that don’t premiere until later in the year. The catch: you don’t get to know what they are! The titles are only revealed as each film begins. Last year’s festival included the premieres of Hunt for the Wilderpeople, The Invitation and the best overlooked gem of last year, Operation Avalanche. Concessions are open all night; pillows and PJs are encouraged.

Info: 11:59 p.m., Del Mar Theater, 1124 Pacific Ave., Santa Cruz. $25.

 

Tuesday 4/18

‘The Fluidity of Status’ Conversation

popouts1715-fluity-of-statusMigrant domestic workers are those whose legal residency is dependent on their continued employment as live-in workers with a designated sponsor; since 1996, five million people have been deported from the U.S. With two Ted-style talks, Tanya Golash-Boza and Rachel Parreñas close UCSC’s seminar on non-citizenship. They’ll be discussing what they see as some of the most critical issues framing migration right now, including gender, deportation, incarceration, slavery, human trafficking, structural violence, and global apartheid. The event will be followed by a Q&A; attendees are asked to register in advance.

Info: 6:30-8:30 p.m. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. ihr.ucsc.edu. Free.

Opinion April 12, 2017

EDITOR’S NOTE

When was the first time you heard about virtual reality? For a lot of us, it was some science fiction movie like Tron or TV show like Star Trek: The Next Generation. On the latter, the idea of being fully immersed in a computer-constructed “holodeck” seemed literally centuries away, and both had a wink-wink element of magical realism, as if their creators were saying, “OK, there’s no way this will really happen.”

And yet, just a couple of decades later, our writer Christina Waters took a VR spacewalk that she describes in this week’s cover story as a “gorgeous illusion.” And it happened right here at a little production studio in Santa Cruz. Maybe locals are familiar with filmmaker Eric Thiermann, who was part of UCSC’s first graduating class and has been making headlines here with his documentary work since the 1980s. But few know what he’s doing now with virtual reality at his company Impact Creative. It has, however, drawn the attention of huge companies like Google, which keep Thiermann and his team busy.

Waters’ story is an in-depth look at the state of the VR art, and what’s possible now would be incredible no matter who was doing it. But the fact that one of the major forces driving the creative application of this technology is a small studio right here in Silicon Beach kind of boggles the mind. Meet their team and take a step into the future. What’s next, jetpacks? Please let it be jetpacks.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Eastside, Not Midtown

I have wondered how our cherished Eastside neighborhood was somehow renamed Midtown—by some merchants, not by the local residents, mind you!

I posted a conversation on the NextDoor site, and in six days, there have been more than 100 responses, 99 percent of them in support of the fact that we are in fact Eastside, and not Midtown!

Someone suggested writing to you, as you have apparently been referring to us as “Midtown,” even in the heading of your site ‪santacruz.com. You list businesses, and that they are all in Midtown!

Are you able to provide me with some facts as to who changed our name, and how to get it back? I think this topic is involved in a very lively discussion, and not going away any time soon.

Nikki Shoemaker | Resident of Eastside Santa Cruz for more than 30 years

Nikki, this very topic is hotly debated even in our office. See Jacob Pierce’s “Best Argument We’re Dying to See Settled” in the Best of Santa Cruz County issue (GT, 3/15) for more context. — Editor

Range of Opinions

I disagree with Paul Cocking’s (GT, 4/5) disparaging remarks against our Park Rangers, who help protect residents, workers, and tourists on Pacific Avenue. The Rangers help deter crime and other antisocial behavior that adversely affects seniors, children, and everyone else who lives, works, and visits downtown Santa Cruz.

Robert deFreitas | Santa Cruz

It’s a Shame

I have noticed many demonstrations recently here in Santa Cruz protesting everything from Trump’s presidency to condemnations of racism, sexism, xenophobia, homophobia, transphobia and prejudice against poor, homeless and disabled people, and although I agree that these are important issues to address, I sometimes wonder about the motivations behind the protests. Is it about promoting better policies than the current political administration, and ending racism, sexism, xenophobia, homophobia, transphobia and prejudice against the poor, the homeless and disabled, or is it about shaming people who disagree with you, or even shaming people who are your allies if they happen to be more privileged than you in some way? Most people are privileged in some ways, and lacking privilege in other ways, and I have noticed that politics on both the Left and the Right often involve shaming people for their privilege and their lack of it (often both). Shaming others may help one feel better about oneself, but it is a poor motivator for changing others and changing society for the better. Many people are politically apathetic because they don’t want to be around a lot of angry self-righteous people who may potentially shame them from being who they are. Both the privileged and those who lack it have internalized the values of a hierarchical society based on comparison and shame, which leads to a hostile, competitive us-versus-them, self-versus-other mentality which is extremely divisive. We have all been poisoned by these destructive values, and we can move beyond it by both respecting differences and acknowledging our common humanity and our common struggles with compassion, and understanding instead of shame.

Erich J. Holden | Santa Cruz

Online Comments

Re: Rising International

Rising International is an inspired and inspiring organization! I just can’t believe that such an innovative solution to poverty both locally and globally has not been done before. If you’re wondering what you can do, contact Rising International and host a party. I’ve done two of them and they are so much fun. And they bring such a spirit of love and warmth into your home.

Thank you Anne-Marie for highlighting this amazing organization and their work.

— Jenny L. Wood


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

COMIC EFFECT
Lily Richards, a 13-year-old comic artist, dropped off a comic strip last week and asked to be included in our paper. GT doesn’t run comics, but Lily has written more comics than we have, and is a young powerhouse in the making, so we wanted to give her a shout out. Atlantis Fantasyworld on Cedar Street carries both of her two running series: “The Adventure of Tubby the Clumsy Bear and Crabby” and “The Adventures of Super Gecko.”

Update 4/19/2017 12:45 p.m.: We incorrectly stated the street that Atlantis Fantasyworld is on. It’s on Cedar Street, not Front Street. We also incorrectly spelled Fantasyworld as two words. It’s one word.


GOOD WORK

MEAL PLAN
Julie Guthman, a social sciences professor at UCSC, has been awarded a 2017 Guggenheim Fellowship. Guthman, a leading scholar on the history and geography of California agriculture, is one of 173 scholars, artists and scientists recognized and selected from among nearly 3,000 applications. Guthman, well-known for her research on sustainable agriculture and alternative food movements, is the author of two books, including Weighing In: Obesity, Food Justice, and the Limits of Capitalism.


QUOTE OF THE WEEK

“Reality continues to ruin my life.”

-Bill Watterson

When is it OK to not tell the truth?

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“During a crisis. To keep people tranquil.”

David Jones

Santa Cruz
Conservation Enthusiast

“When it might cause more harm than good in a small situation.”

Sadie Grattan

Waitress

“I once heard that it’s better to make somebody cry by telling them the truth than it is to make them smile by telling them a lie.”

Matt Umstead

Santa Cruz
Driver

“When the truth could hurt yourself or others.”

Lauren Baker

Santa Cruz
Self Employed

“You have to always tell the truth. There is no exception.”

Merve Arslan

Santa Cruz
Housewife

Music Picks April 12—17

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WEDNESDAY 4/12

INDIE

MITSKI

The name of Mitski’s fourth album, Puberty 2, suggests a personal transformation so intense, she likens it to the body literally growing hair where there was none, the voice dropping, and all of those other awkward changes we go through. But for her, this life transition—the sequel to puberty—is a subtle one. The album chronicles the anxiety and depression of her day-to-day life as an adult in her mid-20s: Trying to find peace in routine, questioning love and identity, and trying to comprehend the great abyss that is human existence. She pulls it off in a somber, fuzzy-guitar-driven alt-rock album that will move you to pieces if you take the time to soak in the nuances. AARON CARNES

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

WEDNESDAY 4/12

ROCK

SCOTT PEMBERTON BAND

What comes to mind when you hear the words “timber rock?” A Northwestern flair? A grunge feel? A deep-woods vibe? If yes, then it’s a good way to describe guitarist extraordinaire Scott Pemberton. A technical and passionate lead guitarist with a joy and lightheartedness that seeps into everything he does, Pemberton is a hard-to-define, easy-to-love rocker whose wheelhouse includes rock, blues, funk, jazz, jam and psych-rock. Often compared to fellow Northwestern rocker Jimi Hendrix, Pemberton is one of the most innovative guitarists, performers and artists of his time. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

FRIDAY 4/14

ROCK

LOVEFEST 2017

When is not a good time for a Lovefest? Answer: It’s always time. It’s not clear why this show is being billed as Lovefest 2017—maybe the bookers just think we all need more love in our lives. They’re not wrong! We do know that on April 14, Don Quixote’s will host three excellent regional bands who make the kind of music that should inspire a lot of free-loving. We’re talking bands that mix Americana, rock, jazz and country all into a big, heaping psychedelic stew. The lineup includes Action Street Ramblers, Levi Jack, and Grampa’s Chili. Be prepared for copious hugs. AC

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10/adv, $12/door. 335-2800.

FRIDAY 4/14

JAZZ

LEE RITENOUR & DAVE GRUSIN

A fleet and fluid guitarist with a light and ingratiating tone, Lee Ritenour has spent some four decades bringing sleek melodicism, fusion, intelligence and style to smooth jazz, both as a solo artist and a founding member of the all-star quartet Four Play. He’s touring with longtime friend, jazz pianist Dave Grusin, an Academy Award-winning Hollywood composer. Often overlooked in jazz circles due to his focus on his film career, Grusin is an excellent player who recorded with heavyweights like Carmen McRae, Gerry Mulligan, Howard Roberts and Art Farmer. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $38/adv, $48/door. 427-2227.

SATURDAY 4/15

BLUEGRASS/TRIBUTE

GRATEFUL BLUEGRASS BOYS

If you know anything about the Grateful Dead, you know that the band has its roots in bluegrass music. The Grateful Bluegrass Boys skip the Dead’s psych-jam bits and take the band full-circle with traditional bluegrass covers of their classic tunes, including “Ripple,” “Ramble On Rose,” “Eyes of the World,” and “Scarlet Begonias.” But the hot-picking band members don’t stop there—they also put a bluegrass twist on Bob Dylan, the Stones, Van Morrison and more. Also on the bill: Santa Cruz’s own honky-tonkin’ jam band Edge of the West. CJ

INFO: 8:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800.

SUNDAY 4/16

BLUES

INDIGENOUS

The smoothed out licks of Indigenous have brought smiles to audience members since the late ’90s. Led by frontman Mato Nanji, Indigenous captures the roots of American blues, and beefs them up with a powerful, electric punch. Not surprising, since Indigenous has played with everyone from Bonnie Raitt to the late B.B. King, and Nanji once toured with original Jimi Hendrix band members Billy Cox and Mitch Mitchell for the Experience Hendrix tour in 2012. This Sunday, get to Moe’s early, as it’s a 4 p.m. matinee show. MAT WEIR

INFO: 4 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

SUNDAY 4/16

NEW MUSIC

MIVOS QUARTET

The Mivos Quartet is a new music ensemble that the Chicago Reader called “one of America’s most daring and ferocious.” Hailing from New York City, the quartet has a comfort zone that spans from metal clubs to museums and traditional venues. On Sunday, the ensemble hits Santa Cruz for a selection of works from the U.S., Denmark and Iran. The program includes pieces by avant-rock and metal guitarists Patrick Higgins and Mario Diaz de Leon, string quartets by Anahati Abbasi and Scott Wollschleger, and a quartet by Danish composer Martin Stauning. CJ

INFO: 8 p.m. Resource Center for Nonviolence, 12 Ocean St., Santa Cruz. $10/student, $20/gen. 423-1626.

MONDAY 4/17

HIP-HOP

DJ SHADOW

Ever since he dropped his debut album, Entroducing, in 1996, DJ Shadow has been a household name in the electronic and hip-hop worlds. With a record collection of more than 60,000 albums to sample beats and instruments from, he sticks to the old-school tradition of crate-digging and hands-on DJing. While he’s constantly dropping new tracks and EPs, Shadow has only five albums on the market since his debut. Last year saw the release of his latest work, The Mountain Will Fall, which finds the producer extraordinaire diving deeper into the modern world of electronic beats and sounds. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $28/door. 429-4135.


IN THE QUEUE

OF MONTREAL

Experimental rock band out of Athens, Georgia. Wednesday at Catalyst

AVI ZEV BAND

Santa Cruz-based surf-rock band. Wednesday at Crepe Place

TECH N9NE

Long-running hip-hop favorite. Friday at Catalyst

MELVIN SEALS & JGB

Longtime Jerry Garcia Band member and his mighty band. Saturday at Moe’s Alley

AFRO-CUBAN ALL STARS

Celebrated Cuban outfit led by Juan de Marcos González. Monday at Kuumbwa

Giveaway: Lou Harrison Centennial Celebration

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If the phrase “new music” doesn’t mean anything to you, you might not know about Santa Cruz music legend Lou Harrison. If you’re looped into the new music scene, however, you know that the late Harrison is a giant of 20th century classical music. A composer known for incorporating found-sound percussion and non-Western elements into his work, Harrison pushed contemporary music forward in ways largely unknown to mainstream audiences. On Sunday, May 14, Harrison collaborators and appreciators pay tribute to him with two performances: a matinee of Organ Concerto, and an evening performance of Solstice.


INFO: 3 & 7 p.m. Sunday, May 14. Peace United Church of Christ. 900 High St., Santa Cruz. $17-$20. 426-2010. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, May 3 to find out how you could win a pair of tickets to the evening performance.

Love Your Local Band: Ginger and Juice

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“Don’t let the juice loose.”

That’s the slogan of local band Ginger and Juice’s line of condoms. That’s right: this band sells its own condoms. And they work, too—that’s the band’s guarantee. No juice will be let loose.

“Other bands have vinyl records. We have Ginger and Juice condoms and flasks,” says lead singer Ty Armstrong.

As ridiculous as this sounds, it’s only the tip of the ridiculous iceberg for Ginger and Juice, whose members play a blend of smooth ’70s yacht rock and groove-rich, toe-tappin’ R&B.

Most bands shy away from the very notion of being thought of as gimmicky. Ginger and Juice embraces it, and takes it to the limit. The live shows are filled with costumes, audience participation, sing-alongs, give-away contests, burlesque dancers, and other unexpected moments. For this particular show, they plan to orchestrate an Easter egg hunt—in the Crepe Place.

Initially, when the group started a couple years ago, it was a much more straightforward—and serious—rock project. As the members pushed into campy, dance-y territory, people started to take notice. Clubs were calling them with offers for gigs, so many that they had to turn some down. It was a shock to the group, as they don’t even have anything released yet. They hope to have an EP out this summer.

“There’s a zillion good bands around here. I want to stand apart in this town,” Armstrong says of Ginger and Juice’s unhinged approach. “We want people to feel like a part of it. We’re trying to be ahead of the curve.”


INFO: 9 p.m. Friday, April 14. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

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Giveaway: Lou Harrison Centennial Celebration

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Win tickets to Lou Harrison Centennial Celebration on May 14.

Love Your Local Band: Ginger and Juice

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Ginger and Juice play Friday, April 14 at the Crepe Place
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