Opinion May 24, 2017

EDITOR’S NOTE

Whenever I think about Santa Cruz’s lack of public space, I think about what GT writer Cat Johnson once said: “There’s nowhere to take your lunch in this town.” Back when Abbott Square was in the planning stages, she predicted it could be a big first step toward solving the problem.

Now that Abbott Square is set to open, with First Friday next week serving as the public’s first chance to get a sneak peek of what it will be, and the MAH building up to the opening throughout the whole month of June, I invited Johnson to revisit the public space issue in this week’s cover story. It’s clear from her story how much Santa Cruz has riding on the success of Abbott Square, and that everyone around here has their own hopes to project onto it. Mat Weir also provides a brief history of how Abbott Square got here, starting with the Cooper House, which has provided a sort of spiritual model for the public square project. Finally, Christina Waters weighs in on how Abbott Square, with its marketplace-style hub of restaurants, will impact the local dining scene. I think the sum total of these stories give a nicely rounded view of just what Abbott Square is going to mean for downtown.

Lastly, I just wanted to remind everyone that the American Music Festival is this weekend in Aptos Village Park. Hopefully you read our coverage last week, in which we said probably everything there is to say about it. Now all that’s left to do is get out there and enjoy the return of the Devil Makes Three, as well as Melissa Etheridge, Mavis Staples and many other artists who’ll be there Saturday and Sunday. Happy Memorial Day!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

So Nice, Gotta Read It Twice

Such a heartfelt eulogy, Steve Kettmann’s piece on Peter McLaughlin, Pete the Poet (GT, 5/10). Our own local, very hip Vincent Van Gogh, an artist whose muse is as well his torturer, bringing an end too soon. It has been a long time since I have read a long piece word-for-word all the way through, some of it twice. Thanks for making this beautiful work the centerpiece of last week’s GT.

John D. Roevekamp

Scotts Valley

On the Curse of Santa Cruz

Re: May 10 GT: Good issue.  Steve, I especially appreciate your comments on the Santa Cruz artistic curse. I lived in Santa Cruz throughout the ’70s, part of the time as the first full-time housing coordinator at College 5 of UCSC (about which I shall never write a book). But I did complete a book here, tracing the effect of the biblical Eve myth on Western civilization, but I had moved to Amherst, Massachusetts, by that time and although I mentioned a dozen or so much appreciated Santa Cruz helpers along the way in my acknowledgements, I think it went unnoticed by the local community—even when the New York Times gave me a two-page review and named it one of their 250 Notable Books of 1984.

I’d also like to comment on Gigo Desilva’s Hawaii letter. I was born in Honolulu 83 years ago; an army kid. I was there three months, and have never been back. In the meantime, I have been using a hospital record as my “birth certificate” each time it was asked for, even though it has nothing on it that identifies it as a birth certificate. No problem;  although my retirement application for Social Security several years ago produced the usual chuckles over the inked baby footprints, nobody ever questioned its authenticity—until we returned to Santa Cruz and I applied for a state driver’s license. I was given the “Where were you really born, Mister Obama, if that is your real name?” treatment, and had to have the state of Hawaii email me a birth certificate (which was finally, grudgingly accepted, even though Hawaii was a territory when I was born). On my 85th birthday, I intend to go back and show it to our (much-missed) former president for a group laugh. Sorry. I could not resist that story.

John A. “Tony” Phillips

Aptos

Broken Traffic Laws

I have noticed the increased frequency of traffic violations which have threatened my safety. Drivers seem to take more chances now. I’ve been counting the number of occurrences that I am almost hit by another vehicle to be at least two to three times every day. I have witnessed many vehicles drive through red stop lights, or cross over double yellow lines into oncoming traffic, or be in a left turn lane and suddenly make a right turn cutting another driver off, or drive through a crosswalk with pedestrians jumping out of the way. When I see one of these dangerous maneuvers happen, there are never any cops around to catch the violator. All of these instances are inexcusable, reckless and selfish.

Many years ago, when I first learned how to drive, my instructor said, “Never insist on right of way, because people are unpredictable and can change their minds at the last second.” How true this is. I find it very difficult to live in a society where I follow what I was taught in the DMV Driver Handbook, but it seems like everyone else can do whatever they want! I am beginning to not feel safe anymore driving around my hometown, for fear that I will be injured in an accident.

I believe the cause of this is that as more people move into Santa Cruz County and more vehicles are on the road, we become more agitated and competitive. Even if you are in a hurry, please don’t think you are the only person on the road. We still need to be respectful of each other!

Ernest Amos-Jackson | Santa Cruz

Is Health Care Efficiency Good?

Dr. Wells Shoemaker in your Wellness column (GT, 4/26) states that Santa Cruz County “is one of the top three or four counties in the nation in terms of health care efficiency.”  But what does that mean?

Nowhere in this article is there a mention of the out-of-control costs of the health care system in the U.S. As a low-income senior (but not low enough for Medicaid eligibility) on Medicare it is quite evident to me. Medicare is not free by any means, thanks to all the accommodations to the insurance companies and their need for profits. A senior in Santa Cruz County must pay the Medicare monthly fee out of Social Security, buy a drug plan or face a penalty, and buy supplemental insurance or face 20 percent co-pays on any possible serious healthcare need. This adds up to around $300+ as a monthly expense (can be less if you’re willing to pay high deductibles) before going to the doctor.

Medicare is considered a “single-payer” system, but it’s not able to control what the big corporate hospital-medical complexes are doing. We hear about fraud in terms of individuals, not these big organizations like Sutter Health, PAMF’s for-profit parent. We need single-payer health insurance for all and more regulation to curb this kind of crazy “efficiency.”

Sara Cloud | Santa Cruz


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GOOD IDEA

SPOKE UP
A local Climate Ride event is happening June 9-13, stretching all the way from San Francisco to San Luis Obispo on bicycles. Visit climateride.org for more information, including how to register and how to support local participants like Tawn Kennedy, youth programs director for Bike Santa Cruz County, or Amelia Conlen, transportation coordinator for the City of Santa Cruz.


GOOD WORK

SHE’S A STAR
UCSC’s Sandra Faber won the 2017 Gruber Cosmology Prize, which comes with $500,000, for being an all-around astronomy badass. The professor emerita’s groundbreaking studies of galaxies helped establish many of the foundational principles of modern cosmology. Faber also received the National Medal of Science in 2013 and is renowned for her contributions to the understanding of dark matter and galaxy formation.


QUOTE OF THE WEEK

“A square is also an organism, not just a work of art and architecture.”

-Michael Kimmelman

5 Things to Do in Santa Cruz This Week

Event highlights for the week of May 24, 2017

Green Fix

Redwood Grove Loop Guided Walk

Redwood forestThe grand coast redwood trees are an icon of Northern California. They exceed storybook imaginations and exemplify the grandeur of nature. This Monday, May 29, learn a smidge of history, some ecology, and meet some local legends on an easy half-mile walk through an old-growth grove in Big Basin Redwoods State Park. The trail is wheelchair accessible and mostly flat. This event takes place every Saturday and Sunday at 11 a.m. and 2 p.m.

Info: 11 a.m. & 2 p.m. Big Basin Redwoods State Park, 21600 Big Basin Way, Boulder Creek. Free.

 

Art Seen

Music and Art Festival

Enjoy Memorial Day weekend at Junction Park with the Boulder Creek community. This free event will feature activities for children and local art vendors presenting their works, along with live music from Mofongo, JnJ Dynamite, Dead Men Rocking, and Isaac and the Haze. There will also be beer by Uncommon Brewers, wine and barbecue from BC Brewery available for purchase, with proceeds benefiting the Boulder Creek Recreation and Parks Department.

Info: 11:30 a.m.-7 p.m. Sunday, May 28. Junction Park, 13264 Middleton Ave., Santa Cruz. Free.

 

Thursday 5/25

‘I am Jane Doe’ Screening

I Am Jane DoeIt happens every day in America—children are sold into sexual slavery. I Am Jane Doe is the story of the mothers who are fighting back and reclaiming their childrens’ futures. Narrated by Academy Award nominee Jessica Chastain and directed by Mary Mazzio, the film is presented by local nonprofit Rising International, which is fighting human trafficking on the Central Coast with the Coalition to End Human Trafficking in Santa Cruz and Monterey counties.

Info: 6 p.m. Rio Theater, 1205 Soquel Ave., Santa Cruz. risinginternational.org. $10.

 

Friday 5/26 – Sunday 6/4

‘Zoot Suit’ at UCSC

popouts1721-zootsuitLuis Valdez’s iconic Zoot Suit tells the 1942 story of the Sleepy Lagoon murder and the reaction of the Los Angeles Police Department, a case which ended in the arrest, trial and imprisonment of a group of Mexican-American men, without evidence, because they were “Mexican and dangerous.” Violence against Latinos and other minorities spread through Los Angeles and other American cities in the wake of the court decision, becoming known as the Zoot Suit Riots because of the extravagant long-cut “zoot” suits worn by those who were targeted. This year, Valdez, a key figure in the Chicano Rights Movement, created a new version of the play. UCSC will be the first academic theater to produce the new script, directed by Valdez’s son, Kinan Valdez.

Info: 3 & 7:30 p.m. UCSC Mainstage, 1156 High St., Santa Cruz. UCSCtickets.com. $12-$18.

 

Saturday 5/27 – Sunday 5/28

Music in May

popouts1721-MusicinMayFor 10 years, Music in May has brought world-renowned musicians to Santa Cruz. To celebrate its 10th anniversary, the festival will head to local classrooms and a county youth detention facility, and include a world premiere, a final tribute to the festival’s longtime friend David Arben, and a collaboration with San Francisco Ballet Corps member Kimberly Braylock-Olivier. Saturday’s program will feature Santa Cruz Symphony’s conductor Daniel Stewart and Braylock-Olivier performing original choreography to Spiegel im Spiegel. Sunday afternoon’s program will unveil the newest music written for chamber ensemble and TJ Cole’s world premiere, plus 5 Pieces for 2 Violins.

Info: 7 & 2 p.m. Samper Recital Hall, Cabrillo College, 6500 Soquel Drive, Aptos. musicinmay.org.

What question would you ask if you did Local Talk for a week?

“When does gentrification stop being positive and start being destructive?”

Kevin Kaproff

Santa Cruz
Barista

“If you could only listen to one album for the rest of your life, what would it be?”

Melanie Guther

Santa Cruz
Student

“What turns you on? ”

Yarah Sutra

Traveler
Pleasure Priestess

“How long do you think the housing bubble will last here?”

Doug Polhamius

Soquel
Web Designer

“How do you define yourself in the world you live in?”

Miriam Elizabeth Araya

San Jose
Graduate Student

Music Picks May 24—30

 

THURSDAY 5/25

PSYCH-ROCK

SLEEPY SUN

“Formed in a Santa Cruz garage” is the origin story for many a band that takes the Catalyst stage. In the case of Sleepy Sun, who began its career in this familiar way in 2005 with five UCSC students, it’s taken them all over the world. The group is set to release its fifth album this June. The sound started off in familiar garage rock territory, but as the years progress, the members have developed a sound that’s more spiritual, esoteric, and swirling into the farther reaches of twisted anti-pop psych rock. AARON CARNES

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

THURSDAY 5/25

JAZZ

JOEY DeFRANCESCO & THE PEOPLE

Even since Miles Davis recruited the teenager organist to tour with his band in the late 1980s, Philadelphia-raised Joey DeFrancesco has been universally hailed as the most prodigious B-3 master of his generation, a virtuoso who almost singlehandedly revived interest in his instrument. His latest release, Project Freedom, focuses on the liberatory power of jazz, with imaginative covers of era-defining songs such as John Lennon’s “Imagine” and Sam Cooke’s “A Change is Gonna Come.” He’s joined by stellar drummer Jason Brown, Australian-born saxophonist Troy Roberts (who’s made a powerful impression on recent Jeff “Tain” Watts recordings) and guitarist Dan Wilson, a member of Christian McBride’s new trio, Tip City. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

FRIDAY 5/26

TRIBUTE

SANTA CRUZ’S DEAD

The Grateful Dead had its roots in acoustic music, but it could trip electric with the best of them. In the 1980s, the band played a series of unforgettable acoustic/electric shows at Radio City Music Hall in New York City and the Warfield in San Francisco. On Friday, local outfit Santa Cruz’s Dead—Matt Hartle, Jerry Brown, Arindam Krishna das, Roger Sideman and Mark Corsolini—pays homage to Dead and that era of the band’s double-duty explorations of acoustic and electric music. CJ

INFO: 8:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

FRIDAY 5/26

INDIE-JAZZ

MATTSON 2

Identical twins Jared and Jonathan Mattson, who formed the guitar-drums based jazz-indie duo Mattson 2, are in a weird predicament. The music is a bit too weird for traditional jazz audiences, and too jazz for weird audiences. So they’ve carved out their own audience. The duo has also taken to collaborating with creative individuals like Cornelius and Ray Barbee. Their latest is a collaborative album with Toro y Moi’s Chaz Bundick, a surreal psych jazz-folk-rock record. Catch the duo—just as a duo—as they get down to their oddball jazz tunes on Friday. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

SATURDAY 5/27

ROCK

MCCOY TYLER

McCoy Tyler is a curious beast. The Northern Californian is a self-taught lyricist and guitar player who’s known for combining mixed-matched genres such as heavy metal, bluegrass, folk and everything inbetween. After years of playing with his band, the McCoy Tyler Trio, the prolific musician decided to switch things up for his latest EP, 26, and recorded it with Santa Cruz’s own Coffis Brothers as his backing band. This Saturday, he will be joined by the Ben Lomond folkers in honor of the EP’s upcoming, June 1 release, along with Bay Area trio Scary Little Friends. MAT WEIR

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $8/adv, $10/door. 335-2800.

SATURDAY 5/27

COUNTRY

RODNEY CROWELL

On his new album, Close Ties, Americana singer-songwriter Rodney Crowell looks back on his musical career, including his early success with the Grammy-winning album Diamonds & Dirt. As Crowell explained to Rolling Stone, “I was a good guy; I was trying to make good art. That doesn’t mean that I wasn’t an insecure little shit.” Crowell, who is now 66, experiences life differently now, and it shows in his lyrics. Close Ties is full of insights into life well-lived, and the heartache of losing friends and contemporaries, including in the tune, “Life without Susanna,” a tribute to Susanna Clark, wife of the late, great singer-songwriter Guy Clark. On Saturday, Crowell hits the Rio Theatre. CJ

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25/gen, $40/gold. 423-8209.

SUNDAY 5/28

REGGAE

ALBOROSIE & YELLOWMAN

What do you get when you combine one of Jamaica’s famous dancehall originators with one of the island’s biggest current artists? Find out this Sunday at the Catalyst, as two reggae titans share the stage for one irie night. In the 1980s, Yellowman ushered in the new era of dancehall reggae with his rap-like delivery, recording genre classics like “Nobody Move, Nobody Get Hurt” and “Zungguzungguguzungguzeng,” both of which have been sampled numerous times throughout hip-hop history. Alborosie might have only hit the scene in 2008 with his debut album, Soul Pirate, but he quickly solidified his place in reggae with his revival of dancehall music for the modern era. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $30. 429-4135.

SUNDAY 5/28

FOLK-ROCK

PETER HARPER

Peter Harper was born into a musical family—his grandparents opened the world-renowned Claremont Folk Music Center in Claremont, California; his mom is a multi-instrumentalist; and his brother is folk-rocker Ben Harper—but Harper avoided pursuing music seriously until a few years ago, and became a celebrated bronze sculptor instead. When he did take up music, he emerged as a thoughtful lyricist and talented guitarist in his own right. Harper’s performance at Moe’s Alley on Sunday is a release party for his new album, Break the Cycle. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

TUESDAY 5/30

GOTH

POPTONE

Daniel Ash and Kevin Haskins are two names that might not register on anyone’s radar who wasn’t a hardcore goth back in the day, but they were a part of the legendary Bauhaus and Love and Rockets. Lesser known was their early ’80s Bauhaus side project Tones on Tail. Poptone is the duo’s new project. They will be playing songs from all three projects at this show, but will be focusing a little extra on obscure Tones on Tail tunes. AC

INFO: 7 p.m. Rio Theatre, 1205 Soquel Ave., $30. 423-8209.


IN THE QUEUE

ROBIN TROWER

Legendary rock guitarist. Wednesday at Catalyst

IAN SWEET

Indie-rock out of Brooklyn. Wednesday at Crepe Place

BROKEN ENGLISH & FLOR DE CAÑA

Latin dance party. Friday at Moe’s Alley

JURASSIC 5

Los Angeles-based hip-hop. Saturday at Catalyst

DOOBIE DECIMAL SYSTEM

All-star band led by Melvin Seals. Saturday at Moe’s Alley

Giveaway: Django Festival All-Stars

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The name Django Reinhardt is synonymous with gypsy jazz. The Belgian-born French guitarist of Romani ethnicity is considered one of the greatest guitar players of all time, and a key European contributor to jazz. The Django Festival All-Stars—comprising guitarist Dorado Schmitt, Dorado’s son Samson on lead guitar, Ludovic Beier on accordion and accordina, Pierre Blanchard on violin, Doudou Cuillerier on rhythm guitar and vocals, and Antonio Licusati on bass—pays tribute to Reinhardt and French gypsy jazz with its own arrangements, interpretations and original compositions.


INFO: 7 & 9 p.m. Monday, June 12 at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, June 5 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Golden Rage of Television

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Several years back, local musician Pat McCormick was watching a show on PBS called Pioneers of Television. What struck him wasn’t the programs themselves, but the theme songs. He knew every song, but hadn’t heard them in a while. “They’re like lost hits,” he says.

The thought occurred to him: What if I played rock versions of these songs? As a longtime musician who’s played with Montrose, among other bands, the idea seemed potentially great, but also potentially risky.

“It was a crapshoot initially. It was an aspect of combining two lifelong passions: my love for the guitar, and my love for classic television,” McCormick says.

Ultimately, he felt that it worked. Theme songs from the ’50s and ’60s were often heavily orchestrated, and written by the best songwriters of their day. Beefed up with driving rock beats and electric guitars, the music had a prog-meets-’70s-theatrical-rock vibe. It was perfect for McCormick.

He spent the next several years perfecting a set of themes, and collaborated with a friend to create videos. The project, which debuted last year, features him on guitar, with several TV screens behind him playing surreal old TV imagery, along with the backing tracks to the song, which McCormick recorded himself. “It’s ear candy and eye candy,” he says.

At this coming show, only his third, he’ll be playing the first set solo, backed by TVs. But for the second set, he’ll be playing the rocked-out classic TV theme songs with a full band.

“We’ll have something fun to watch—a real band,” McCormick says.


INFO: 7 p.m. Sunday, May 28. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

Planning Commission Prepares to Weigh in on Corridor Rezoning

[Editor’s Note: This is part one of a two-part series on future housing plans for the city of Santa Cruz. Part two runs next week.]

Conventional wisdom is that the quickest solution to a housing crunch like the one that exists in Santa Cruz is to build more units to meet the demand.

“A housing deficit is mostly solved by adding housing,” says Michelle King, a senior planner with the city. “The best way we can bring the cost of housing down is by building more housing and by building it close to where people work.”

But the fix, simple enough in concept, begs more questions. Namely, what kind of housing—affordable or market-rate? And more importantly, where to put it.

The corridor rezoning proposal currently working its way through the city government suggests updating the zoning code in four of the city’s major thoroughfares—Water Street, Mission Street, Ocean Street and Soquel Avenue—in some cases expanding the allowable height of buildings and the density of residential occupancy.

Some groups worry its impact will be overwhelming, rather like the whole undertaking itself.

“The thing that bothers me the most is not the magnitude of development, but the process by which some of the basic elements were decided,” said Alan Holbert during a recent planning commission meeting. “People other than those that live on the east side were advising this process.”

The commissioners, who sat through hours of often heated public testimony, took no vote at the Thursday, May 17 meeting. They’ve yet to weigh in on the rezoning specifics, something they’re scheduled to do at the next meeting, on Thursday, May 25. The matter won’t head back to the Santa Cruz City Council for about a year.

The Corridor Advisory Committee finished its recommendations last year, with other city meetings happening along the way. The planning department is also organizing a more interactive family-based event for July 8. Staffers haven’t finalized the location, but King is hoping to get a representative slice of the Santa Cruz population.

The rezoning effort is essentially the implementation of the General Plan 2030 that the City Council passed in 2012, calling for mixed use and density on the four corridors. The idea at the time was that this path would be more sustainable and have less of an impact on residential neighborhoods, compared to other types of growth. The approach encourages developers to submit projects that facilitate a pedestrian- and bicycle-centered scope.

Santa Cruz residents already rejected suburban sprawl decades ago, opting instead to preserve a greenbelt that hems the city in with forests and open fields.

Although the environmental preservation jibes with the values of many city residents, it has also meant a very limited area on which to develop. Most of the area set aside for development has already been used, meaning that new housing must get built in a more urban fashion—upward instead of outward, according to the general plan.

While most of the changes in the corridor rezoning effort are nominal, some aspects could be more transformative, shaking up certain areas more than others—a concern of neighbors in the Midtown, Eastside and Seabright areas.

Zoning in those places labeled commercial corridors allows buildings of three stories and 40-foot height requirements. Along Mission Street and Ocean Street, the proposal could potentially allow developers to build five-story buildings with a 60-foot maximum height.

King says this opportunity to build bigger and higher is contingent upon the developer’s offering a community benefit, such as affordable housing, bike trails, open space or other trade-offs.

Some neighbors still say corridor rezoning will hurt the neighborhoods by compounding an already terrible traffic situation, depleting water sources and eroding the character of the blocks next to these busy thoroughfares.

“You are going to destroy the very communities that are supposed to benefit,” said Gary Patton during the planning meeting. For his part, Patton has probably been the most visible defender of the local greenbelt for 40 years, including when he lead an effort to protect Lighthouse Field from development in the 1970s.

He called the city’s approach now “fundamentally wrong,” even comparing incentives for development to that same proposed coastal shopping mall 40 years ago. And Patton says he would hate to see anything even remotely threaten the cheap, delicious food of Charlie Hong Kong, which is on Soquel Avenue.

Many attendees echoed Patton’s concerns. Some complained that the commissioners were inappropriately aligned with developers.

Planning Commissioner Peter Kennedy calls such accusations counterproductive, saying the commission is focused on attempting to solve or at least mitigate problems surrounding housing that continue to plague the city. “It’s hard to hear those accusations because it has been an open process,” he says.

But Kennedy is more receptive to some of the specific critiques of more dense development in the city’s corridors—namely that it will exacerbate traffic problems.

King insists that extracting community benefits from developers in exchange for greater height could mean residents earn more efficient streetscapes. That could turn into newer traffic signals, better turn lanes, roundabouts and other transportation strategies to make the traffic flow smoother.

Despite a stream of opposition at the meeting, some speakers came in praise of the rezone, saying Santa Cruz made a decision when it preserved the greenbelt around the city that it would have to build more densely in the downtown areas to accommodate inevitable spikes in population.

“I applaud this undertaking,” Laura Caldwell said at the meeting. “Santa Cruz needs a completely new vision.”

‘GT’ Tries to Escape from Exit Santa Cruz

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“We really are in a horror movie, huh?” asks GT freelancer Mat Weir, as he thumbs hopelessly through a textbook, looking for clues.

“Nah,” says GT editor Steve Palopoli, while he plays with a combination lock that he can’t figure out. “The movies are never … this … slow.”

Our editorial team is trapped in a room on Pacific Avenue, trying to get out, before a totally real-sounding guy named Professor Psyko murders each of us—all part of this spooky, puzzle-filled experience at Exit Santa Cruz, a local business that’s part of a growing escape room trend, for geeky thrill seekers everywhere.

Web editor Lily Stoicheff and features editor Anne-Marie Harrison did the funky chicken dance because they were the smartest ones in the room. Steve, frustrated with having to figure out questions on his own, complained “We’re journalists! Normally we just call people and ask for the answers.”

This room is filled with clues, puzzles, locks and keys. There’s also a giant digital clock ticking down until the moment our teacher will kill us if we don’t figure things out—as well as a laptop computer, where we can ask for clues and communicate with Steven Cleek, who co-owns Exit Santa Cruz with longtime partner Christy Byrd, an assistant psych professor at UCSC who once taught a class on The Hunger Games.

Amazingly, their operation may only be the second-nerdiest new business on the block. Pacific Gaming Café just opened across the street, with games like Diablo III and League of Legends, as well as plenty of room for tournaments. The owner Winston Yu, a 19-year-old UCSC sophomore, has already chatted with Cleek about maybe working together at some point. “In Santa Cruz, there was nothing like this before, and we’re trying to create a culture of gamers to play and get to know each other,” Yu says, of the café. “A destination.”

Exit Santa Cruz is at 816 Pacific Ave., Santa Cruz. For more information visit exitsantacruz.com or call 316-4874. Pacific Avenue Gaming Café is at 803 Pacific Ave., Santa Cruz. Call 415-910-0592 for more information.


 

REFORM FORUM

There was a time, only six years ago, when Californians started wondering how AB 109—known as the “realignment” initiative—would affect safety in our neighborhoods. Since then, voters passed Propositions 47, 57 and 64 on top of it.

“There’s just a lot of criminal justice reforms that are really impacting the community,” says United Way’s community organizing director with Sarah Emmert, who’s pulling together a forum on the topic with County Supervisor John Leopold. “We really felt like it was time.”

Speakers for the May 31 summit at the Santa Cruz Civic Auditorium include Mayor Cynthia Chase, UCSC psych professor Craig Haney, Chief Probation Officer Fernando Giraldo, sociology professor Craig Reinerman, Nicole Keadle from the Community Corrections Partnership and Sheriff Jim Hart—who’s been crunching crime stats that he hopes to share that evening.

“Crime is a complex issue,” Emmert says, “and there are a lot of different factors that impact it.”

The free Forum on Criminal Justice Reform and Our Community will be 6-9 p.m. Wednesday, May 31 at the Santa Cruz Civic Auditorium.

Film Review: ‘Citizen Jane: The Battle for the City’

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Guess what? You can fight City Hall. With engagement, activism, and a keen sense of moral outrage, we, the people, can foil the best-laid plans of mice and politicians, however mighty they may think they are. Matt Tyrnauer’s excellent documentary, Citizen Jane: Battle for the City, shows how it’s done, a call to arms that could not be more timely in this chaotic political moment.

The city referred to in the movie’s subtitle is New York City. The story begins in the late 1950s, where the battle lines are drawn between Utopian post-war urban planning and the communities and concerns of real-life people. Leading the charge is Robert Moses, an imperious, celebrated urban planning czar who callously decrees, “You have to move a lot of people out of the way,” (mostly low-income residents) to make room for the so-called “Urban Renewal” he envisions. (Or, as James Baldwin calls it, in a vintage TV clip, “Negro Removal.”)

In the opposing corner is journalist Jane Jacobs, who develops her “theory of opposition” to Moses’ plans. A city resident since 1934, whose freelance stories on urban life earned her a position as Associate Editor at Architectural Forum magazine, Jacobs believes a city should be “a place with scope for all kinds of people.”

She believes that life lived out on the streets, on the stoops of old buildings and the sidewalks in front of them, creates community; even residents without a lot of money can create rich neighborhoods. Whereas Moses’ solution is to tear down all the old buildings, eliminate sidewalk culture, and remove people to soulless highrise towers: i.e.: housing projects. The welfare of the people involved, uprooted from their community life, is a matter of complete indifference to him. “You can’t make an omelet without breaking eggs,” he chuckles, in a TV clip.

Filmmaker Tyrnauer sets up Jacobs vs. Moses as a “battle for the soul of the city.” Jacobs has spent her career writing about street life and urban districts, figuring out how cities function. When cities really work, it’s from the bottom up, she believes, while Moses and his cronies at City Hall view the situation, literally, from the top down. It’s infuriating to see vintage footage of these complacent old white guys in their isolated skyscraper towers making life-disrupting decisions without any idea of how real people actually use space and interact down on the ground.

The results of this ignorance can be catastrophic. Without a lot of activity out in neighborhood sidewalks, “eyes on the street,” as Jacobs calls it, with people stacked up vertically in isolation from each other, crime festers. Drugs and vandalism increase because, without street culture, people are driven to desperation and frustration. When Moses “rammed through” the disastrous 20-year Cross-Bronx Expressway, not only were entire neighborhoods bulldozed, but the borough was cut in half, middle-class whites in flight on one side, while low-income people were shunted into derelict highrises run by slumlords on the other. Images of the area today look like scenes of nuclear devastation.

When Moses proposes The Lower Manhattan Expressway, which would have (among other things) destroyed the fabled SoHo neighborhood and imperiled Washington Square, Jacobs takes action. “As an individual, you can’t do anything,” she tells an interviewer. “But you can organize.” Which she does; building a coalition of opposition from sign-wielding mothers with baby carriages to Eleanor Roosevelt, they defeat Moses’ draconian vision of “progress.”

Tyrnauer posits that Jacobs’ influential book, The Death and Life of Great American Cities, published in 1961, is as defining a moment in 20th Century radical politics as Betty Friedan’s The Feminine Mystique (1962), and Rachel Carson’s Silent Spring (1963). Jacobs consistently fought for the lives and concerns of real people over insular, elitist planning goals and corporate greed. (Why destroy neighborhoods so ruthlessly? a TV interviewer asks her. Because “somebody is making money” on it, she replies.) It’s a fight we’re still engaged in right now.


CITIZEN JANE: BATTLE FOR THE CITY

**** (out of four)

With Jane Jacobs and Robert Moses. A documentary by Matt Tyrnauer. A Sundance Selects release. Not rated. 92 minutes.

The Vision for Bella Vista Italian Kitchen in Aptos

The first thing that will strike you about Bella Vista Italian Kitchen is the rustic charm of the building and the interior design. The idea, says owner Jan Johnson, is to give the building the same classic, traditional character that the food has.

Indeed, Bella Vista’s chef Atillio Sienna is an old-school Northern-Italian-style cook who values a slow hand-made process over assembly line prep work. This is Johnson’s third restaurant; the first two were in the Central Valley. She spoke to us about the new Aptos spot and why she decided to get back into the industry.

Why did you open this restaurant in this location?

JAN JOHNSON: The decision I made to open another restaurant was based simply upon my chef returning from Italy and his passion for doing what he does. He’s just incredible in the kitchen. I looked at several locations prior to landing at the Bayview Hotel. I worked for about three months on it to get it open. It has a lot of character there. It just needed a little love. My desire for that building and the work it took to open it was stronger than for something that was ready but doesn’t have the Old-World charm that this building has. I like to think of myself as someone who offers the people upscale dining, but not upscale feeling. I don’t want to come off that you need a certain dress code to come in, because it’s not that way at all. It’s old-school cooking and I like the rustic oldness and the character of the building that complements that. They complement each other, I believe.

What does chef Atillio Sienna bring to the table?

Everything is made with so much passion. It’s really old-style cooking. I don’t think you can find anybody that cooks the way he does. He’s from Northern Italy, born and raised. He’s opened restaurants all over the world, even in Istanbul, Turkey. His style of cooking is kind of a dying art. I know a lot of the restaurants in this area that are Italian are not Italian, they have raviolis and they send out to a company that makes them. That’s usually how people do things. Everything he makes is by hand. I don’t think you’ll find too many places where the chef hand-rolls his ravioli, makes his gnocchi by hand, rolls out his pasta noodles for his lasagna. The food takes a little bit more time to get out because every plate is made to order. He doesn’t pre-boil the noodles. It’s made by hand every day.

Your pizza is Neapolitan style?

Yes. We have imported Italian flours. It’s an artisan crust. I have a wood-fired clay oven. It makes absolutely divine pizzas. We have a pizzaiolo, a pizza maker, that just came in from Italy. In Italy, the pizza makers have a title. It’s an artist making these pizzas. That’s all they do.  


8041 Soquel Drive, Aptos. 999-0939.

Opinion May 24, 2017

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