Homeless Census Shows Mixed Results in Santa Cruz County

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Santa Cruz County has reduced homelessness among families by 59% compared to 2019, even as overall homelessness in the county increased by 6%. 

That’s according to preliminary results of the county’s biannual Point-In-Time (PIT) count released Aug. 5 by the Housing for Health Partnership.

Santa Cruz County’s biannual PIT count, conducted on Feb. 28, provides an overview of homelessness over time in Santa Cruz County. The full 2022 report release is expected within two months.

The report also showed a 94% decrease in unsheltered homelessness and a 61% drop in the number of unsheltered youth.

The data shows that an estimated 2,299 people were experiencing homelessness at the time of the count, including 1,774 who were unsheltered, which is defined as living in a structure not made for habitation such as a vehicle.

While the numbers show a measure of success in the county’s efforts to house its homeless residents, the report also came with some dark clouds.

According to the report, the number of homeless veterans more than doubled from 2019, when that number was 151. And the number of “chronically homeless” people rose sharply from 403 in 2019 to 921 this year.

Additionally, the data shows significant increases in the numbers of homeless people who suffer from substance use disorders and mental illness, with those numbers at 1,073 and 818, respectively.

Homelessness among adults 25 and older was up 41%.

In a report on Aug. 9 to the Santa Cruz County Supervisors, Housing for Health Division Director Robert Ratner said homelessness has worsened since June 30, when the county disbanded its temporary Covid-19 shelter system.

Ratner was giving a six-month update on the one-year-old Housing for a Healthy Santa Cruz program.

County officials say that the increases can be attributed in part to limited housing supply, limited community outreach and the stigma often associated with mental health conditions.

Funding is also a stumbling block, as the county faces an $8-12 million gap to get to the targeted 600-bed capacity, Ratner said.

The news was not all bad. According to Ratner, the county has met or nearly met its 26 milestones in addressing homelessness, including scoring $1.6 million worth of contracts related to eviction and homelessness prevention and moving 145 households into permanent homes.

The PIT count found just five families that were unsheltered on the night of the tally. Better still, no unsheltered children under age 18 were identified, which is a decrease of 51 from 2019. 

The City of Santa Cruz plans to use some one-time state funds to create safe sleeping and shelter options for people living in the San Lorenzo Park “Benchlands” encampment.

Meanwhile, the county is working with the Central California Alliance for Health to increase shelter capacity by 80-100 beds, and to operate a 14-20 bed transitional housing program for young homeless people in unincorporated Watsonville. 

The county’s Rehousing Wave, an $8 million partnership with various agencies and nonprofits, has since its May 2021 inception served more than 323 people, with 145 placed in permanent housing as of June 2022, Ratner said.

Moreover, the county has received some $53.5 million under Project Homekey, a state-run program that will fund the creation of new permanent supportive housing units through the Veterans Village in Ben Lomond and Park Haven Plaza in Soquel.

The county is also exploring a Homekey project application in unincorporated Watsonville.

The data came on the coattails of a report released in July by the National Low Income Housing Coalition that shows Santa Cruz County has the nation’s second-highest housing gap, defined as the hourly wage needed to pay rent on a fair market-rate residence.

Watsonville Hospital Purchase is ‘Going to Happen’

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Through a series of contributions and donations, the Pajaro Valley Health Care District (PVHCD) has gathered enough money to purchase Watsonville Community Hospital, ending months of nail-biting in which the fate of the 127-year-old institution hung in the balance.

PVHCD will close escrow on the $67 million sale by the end of the week. The purchase will be finalized on Aug. 31, Santa Cruz County Chief Administrative Officer Carlos Palacios said Tuesday during a special Board of Supervisors meeting.

The only missing piece is roughly $6 million needed to allow the hospital to operate for the next two years, Palacios said, which is expected to come in by the end of September as negotiations with other potential donors continue.

“It’s very exciting news after a lot of effort over the past year,” he said.

The Supervisors were meeting to approve a series of $5 million loans from the City of Capitola, Community Foundation Santa Cruz County and Salud Para La Gente.

The Supervisors also approved loans from the cities of Santa Cruz and Watsonville, both of which unanimously approved them during Tuesday evening meetings. 

The temporary zero-interest loans–which must be repaid in 60 days–were devised to cover an expected $25 million contribution from the State of California, which was delayed until September due to a state-level clerical error, Palacios explained. 

The Watsonville City Council also decided how the proceeds from the sale of the Porter Building will be allocated, with $270,000 going to the PVHCD purchase, and $77,630 going toward the cost of the sale, including legal support, subdividing the parcel and surveying work.

The remaining $800,000 will be used to develop the city’s long-awaited 2050 General Plan, a proposal that disappointed Councilmen Jimmy Dutra and Eduardo Montesino, who said they wanted the money to go toward something tangible.

Councilman Lowell Hurst agreed but noted the importance of General Plans and how expensive they are to create and implement.

“We need to make sure the 2050 General Plan is actually bulletproof, that it can sustain court challenges, that it reflects the will of the city, but it also needs to take into account the needs that exist outside the city limits,” Hurst said.

Watsonville Finance Director Cindy Czerwin pointed out that part of the reason the General Plan has not been updated is the difficulty of finding ways to pay for it.

“This is another very difficult one-time item that needs to be funded,” Czerwin said.

Noting that Capitola and Santa Cruz have not donated any money to purchase the hospital, Dutra suggested that Watsonville reach out to those and other jurisdictions.

He explained that, for too long, South County has not felt supported by its neighbors to the north.

“The overload that Dominican would have if Watsonville weren’t around would really impact them,” he said. “So, it’s really in their best interests to help make sure that this hospital is successful.”

The Watsonville hospital’s storied past dates to 1895, but the chapter that brought it to the brink of closure last year began in 1998, when Community Health Systems (CHS) bought it.

Thus began two decades of shambolic corporate leadership, which included CHS creating a spinoff company called Quorum Health Corporation in 2016. That company sold the hospital to Los Angeles-based Halsen Healthcare in 2019. 

Halsen immediately sold the physical building and grounds to Alabama-based Medical Properties Trust (MPT) and leased it from them in a sale/leaseback arrangement. That move was the only bump in an otherwise short-lived and unremarkable leadership. It ended when the hospital’s Board of Directors ousted Halsen after the company could not pay its bills.

When the hospital announced in November 2021 that it was facing imminent closure unless a buyer stepped forward, PVHCD did just that, having been formed a month earlier for that very purpose.

If the hospital closed, it would have shifted the brunt of the county’s emergency medical needs onto Dominican Hospital and forced residents to travel out of the county.

“That was just not an option,” added Salud Para La Gente CEO Dori Rose Inda, who serves as PVHCD’s treasurer. 

Board of Supervisors Chair Manu Koenig said he’s glad the purchase process is nearing its end.

“I think we’ve got a really great opportunity to turn the hospital around, and I’m excited to get to the moment when we truly transform this organization,” he said.

Palacios told the Supervisors that keeping the hospital running over the coming years as it struggles to climb out of debt will be a challenge.

“It is a very difficult healthcare environment statewide, nationwide,” he said. “But we have a plan we think is going to be successful, and it’s the best plan that we could have developed.”

Things to Do: Aug. 17-23

ARTS AND MUSIC

AUTHOR MASON DEAVER AND ‘THE FEELING OF FALLING IN LOVE’ Bookshop Santa Cruz hosts a free in-store event featuring award-winning YA author Mason Deaver reading from and signing their new novel The Feeling of Falling in Love, which Bookpage calls “a satisfying, nuanced queer romance right out of the rom-com playbook.” Wednesday, Aug. 17, 7pm at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free. bookshopsantacruz.com

JOHN MORELAND WITH S.G. GOODMAN The tunes on John Moreland’s sixth full-length record, Birds in The Ceiling, released last July, are informed in some way by every piece of music that has moved the singer-songwriter over the years. Moreland’s songs radiate with lyrical nuances akin to early Paul Simon and James Taylor. When this up-and-comer performs, everyone within earshot is compelled to listen. $20/$25 plus fees. Wednesday, Aug. 17, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com.

CHRIS CAIN Longtime blues guitar great Chris Cain has been a Bay Area fixture for nearly four decades. Raisin’ Cain—the San Jose native’s 15th record—marks the bluesman’s Alligator Records debut, further cementing his street cred. “Hands down my favorite blues player on the scene today,” renowned blues guitarist Joe Bonamassa said of Cain. “He’s an absolute blinder of a guitarist, with the voice of B.B. King and the chops of Albert King.” $31.50-36.75; $18.50/students. Friday, Aug. 19, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

GREG LOIACONO The Mother Hips guitarist/Chris Robinson collaborator has made solo albums before, but Greg Loiacono’s recently released Giving It All Away is his best. Inspired by Curtis Mayfield’s mid-’60s brand of soul amongst others of the same era, Loiacono’s falsetto vocals alongside a killer band that included organist Danny Eisenberg (Jonathan Richman) and bassist Dave Schools (Widespread Panic) results in an authentic throwback with a modern edge. Genesis’ “That’s All,” one of two covers on the album, sounds like a forgotten recording plucked from the Stax catalog and given new life. (Read story). $20/$25 plus fees. Friday, Aug. 19, 8pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmainmusic.com.

SANTA CRUZ SHAKESPEARE PRESENTS: THE FRINGE SHOW This year marks the return of the intern-produced Fringe Show at Santa Cruz Shakespeare, always a popular part of the summer season. Rebecca Haley Clark directs this production of Just Deserts by Carol Lashof—and yes, that’s the correct spelling. It’s a retelling of the Greek myth of Orestes, who was haunted by the Furies for his crimes. This dark comedy imagines what happens when a young man ignores the Furies’ warnings against matricide in a quest to avenge his father’s death—and must be judged. Wednesday, Aug. 17 and Tuesday, Aug. 23, 7pm. Audrey Stanley Grove, 501 Upper Park Road, Santa Cruz. santacruzshakespeare.com.

SF MIME TROUPE: ‘BACK TO THE WAY THINGS WERE’ The Tony Award-winning San Francisco Mime Troupe opens their 63rd season with Back to the Way Things Were, a new political musical that asks the question: “After four years of presidential criminality, riots, plague and the undermining of the Constitution, is it a relief to get back to the good old days that led to all that?” The story centers around middle-aged liberals Ralph and Alice and their daughter Zoe, who grew up in a world of climate change, housing crashes, student debt and the fall of democracy. Free (donations accepted). Saturday, Aug. 20, 2:30pm. London Nelson Community Center (outside), 301 Center St., Santa Cruz. sfmt.org.

AGENT ORANGE WITH DECENT CRIMINAL AND CRITICAL RESPONSE The SoCal punk trio has been part of the scene from the beginning. Hell, Agent Orange helped create the scene out of crunchy feedback from their Fender Champs, blood, sweat and lots of angst. A new musical entity was born when they added a reverberated surf rock guitar sound to the mix. It just made sense to singer-guitarist Mike Palm. “Surfing, skating, skiing are things I grew up with,” he said before a show in Monterey about a decade ago. “For me, to combine high energy music with high energy action sports seemed to make perfect sense.” $18/$22 plus fees. Saturday, Aug. 20, 9pm Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com

COMMUNITY

SUNSHINE OF LOVE FESTIVAL A three-day intimate event created for the “sheer pleasure of having a good time with great music and great people in an impressive natural setting?” Yes, please. In addition to an array of bands and DJs—including Old Wood Players, Mystical Joyride and Galactic Embarrassment (SuperBlume members and friends)—there will be yoga classes, a fashion show, a roller skater who does aerial arts and a whole lot more. The property boasts everything from a tree house and tea temple to an art den and outside bathtubs. A portion of proceeds will go to Los Gatos Music & Art. $15-200. (VIP tickets include dinner Saturday and brunch Sunday). Friday, Aug. 19, 4pm-Sunday, Aug. 21, 6pm. Paradise Gardens (location TBA for ticket holders), Aptos. sunshineoflove.me.

SCOTTS VALLEY ART, WINE AND BEER FESTIVAL The premier Santa Cruz Mountains summer festival has something for everyone: more than 100 artists, live music, a “kid zone,” food trucks, Cops ‘n Rodders Car Show (Saturday), Dog Day (Sunday), local beer and wine and much more! Free. Saturday, Aug. 20 and Sunday, Aug. 21, 10am-6pm. Skypark, 361 Kings Village Road, Scotts Valley. svartfestival.com.

LIONS MIDSUMMER MAGIC MARKET More than two dozen local artists and vendors will be on hand, showcasing one-of-a-kind jewelry, handmade wooden toys, knits, fine art, collectibles, vintage clothing and more. Not only will there be live ukulele music, but there will also be free lessons available to anyone who wants to take up the miniature instrument. Aptos High will be selling tri-tip sandwiches and snacks, and there will be raffle drawings every hour. Proceeds go to local Lions charities. Free. Saturday, Aug. 20, 7pm. Aptos Village Park, 100 Aptos Creek Road, Aptos. 831-688-3356.

WINE, BEER AND ART WALK 2022 A huge shout out to the City of Watsonville and the Pajaro Valley Chamber of Commerce and Agriculture for creating the Wine, Beer and Art Walk. In its third year, attendees will receive a wine glass, a tote and a passport book featuring all downtown Watsonville tasting location sites—sample up to 21 wineries and breweries. This event was created to allow locals and out-of-towners to experience the incredible wines, craft beers, tasty cuisine and vibrant artwork while enjoying the historic downtown area. $35/$40 plus fees. Saturday, Aug. 20, 12:30-5pm. Corner of Second and Main Street (Civic Plaza Lobby), Watsonville. su************@ci***************.org.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. The group meets every Monday and is led by Sally Jones and Shirley Marcus. Free (registration required). Monday, Aug. 22, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

BLACKSMITH HAMMER-IN Talented crafters will share their skills and dedication to the blacksmith craft with the community. The California Blacksmith Association’s 5th annual Hammer-In features demonstrations that “push the boundaries of hot metal.” Additional activities include gold panning, live music and Deputy with Dancing Horse, Silverado. Free. Friday, Aug. 19-Sunday, Aug. 21, 9am-5:30pm. Roaring Camp Railroads, 5401 Graham Hill Road, Santa Cruz. roaringcamp.com.

PARKS AND REX POOL PARTY In its seventh year, the Santa Cruz County Animal Shelter fundraiser invites dogs and their people for a day of fun in the water—dogs are welcome to dive in, too (inner tubes and stand-up paddle boards will be available). Win raffle prizes (valued up to $850) and munch delicious eats from local food vendors (adult drinks donated by local breweries and wineries). Proceeds benefit SCCAS’ veterinary care for underserved pet owners and youth recreation programs and services scholarships. Free. Saturday, Aug. 20, Noon. Simpkins Family Swim Center, 979 17th Ave., Santa Cruz. scanimalshelter.org.


Email upcoming events to Adam Joseph at least two weeks beforehand

Or, submit events HERE.

Mongolian Folk Metal Outfit the Hu to Play the Catalyst

The lights go dark as a pounding war beat fills the room. A slow, steady chant of “Hu! Hu! Hu!” erupts over the tribal rhythm as ungodly guttural sounds flow underneath. A melody of strings begins to dance in the air when the buzzing intensity of electric guitars comes crashing down in a rain of heavy metal destruction. This is the sound of Mongolian folk metal band the Hu. 

Yes, you read that right. Mongolian folk metal. 

Not to be confused with that other band, the Hu’s name stems from hunnu, the Mongolian word for “people”—which some believe to be the root of the “Hun” moniker (as in Attila). Similar to other folk metal found around the world, their sound combines the ancient instruments, and sometimes poetry, of their ancestors with the modern composition of hard rock and heavy metal.  

“It is important for us to introduce the traditional Mongolian instruments to the world,” explains founding member Galbadrakh Tsendbaatar (known as Gala) through translator Solongo Batbold. Classically trained, Gala graduated from music school at the Mongolian State Conservatory and has played his instrument, the morin khuur—a traditional horsehead fiddle—for the past 22 years. 

“These instruments already perfectly match for rock music. It was a fascinating idea to create new music that can be unique enough, but still save the components of hard rock and heavy metal,” he says. 

Every band wants to label their sound “unique,” but when it comes to the Hu, it’s the only accurate description. Simply put, there’s no band like them in the West. 

Along with the morin khuur, they also incorporate the tumur hhuur (mouth harp), tsuur (an end-blown flute), a tovshuur (a two- or three-stringed lute), khoomei (Mongolian guttural throat singing), war drums and chanting. It’s music as infectious as it is mysterious. Tapping deep into the listener’s primal instincts, it defies anyone within earshot not to bang their head while simultaneously chanting “Hu! Hu! Hu!” during choruses (and often between songs, which is way more fun than clapping). It’s a living example of the idea that music is a universal language that connects us all to each other—and something greater. 

“When we were in Texas, there were a bunch of guys in the front row—and I kid you not—who knew every song, word for word, in Mongol,” Batbold tells me before the interview. “It’s a really incredible thing.” 

The Hu formed in 2016 when music producer Dashka—who is based in Ulaanbaatar, the capital of Mongolia, as is the band—gathered the members for the project. However, it wasn’t until September 2019 they released their debut LP, The Gereg, named after a diplomatic passport carried by nobles during the 13th Century, under Genghis Khan’s rule. 

Shortly after its release, the band embarked on a North American tour and quickly gained a following. In November of that year, two of their songs were featured in the Star Wars Jedi: Fallen Order game. One of them, “Sugaan Essena,” has the band singing in a Mongolian-Star Wars hybrid language they invented.

The Hu also play an outstanding cover of Metallica’s “Sad But True” in Mongol, and were asked to record “Through the Never” for the Metallica Blacklist cover album. 

“[Our popularity] has happened in a very short time compared to what we thought it would take us,” Gala admits. “We are all thankful for our fans and appreciative of their support.”

During the 2020 lockdowns, which found the band stranded in Australia for two months before they could return home, they took their time to write and record their sophomore album, Rumble of Thunder, which drops on Sept. 2. Continuing the Hu’s connection to their cultural identity, Rumble of Thunder drives at themes of respect for the environment, life and the Eternal Blue Sky of their ancestors. 

“As a Mongolian, the Eternal Blue Sky is one of the things we have to respect,” Gala explains. “So we try to display that in our music. It’s not about religion, but the message it gives: peace on Earth, respect for nature, respect for elders and fundamentals of the Mongolian people.” 

The band is currently touring with Megadeth and Five Finger Death Punch, but will be playing a one-off headlining show at the Catalyst on Monday, August 22. 

“We have a great idea for our third album,” he says. “We’re still working on it, but we will really sit down and try some stuff after the tour.”

The Hu play Monday, Aug. 22 at 8pm (doors 7pm). $28.50 adv/$32 door/$127.50 VIP. Catalyst Club, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

Greg Loiacono Celebrates New Record at Michael’s on Main

In 2021, Greg Loiacono released a single, “What Can I Say?,” a heartbreak soul jam; a  quintessential throwback about a guy down on his knees pleading for his lady to forgive him—it’s not known what he’s actually done; he begs for her to let him stay. 

“Will I see you again?” Loiacono croons in falsetto vocals. The entire tune is delivered in an authentic retro soul/R&B falsetto register conquered by luminaries like Curtis Mayfield, Al Green and Marvin Gaye. 

Loiacono—a founding member of the popular Chico rockers the Mother Hips—has released a few solo records here and there, but nothing like “What Can I Say?” Singing a song completely using falsetto was a risk, but the singer-songwriter thought it was a risk worth taking. Plus, it was only one song.

“I feel like I can emote well when I sing like that, and there’s a nice tone that feels genuine to my feelings,” Loiacono explains. 

Longtime buddy Scott Hirsch, who produced Loiacono’s 2020 solo record, Songs From A Golden Dream, mixed “What Can I Say?” and he immediately realized the potential for a full-length record, wholly immersed in that ’60s soul sound; beautiful, plain-spoken heartbreak music with reverb—all sung using the same falsetto vocals. 

“Scott was like, “we need to make a whole record like that,” Loiacono says. “That was the impetus for [Giving It All Away].” 

Loiacono has sung falsetto harmonies with the Mother Hips throughout the years but never delivered lead vocals in that octave on a song until recently, let alone an entire record. 

But Loiacono went for it. He crafted an original soul sound using an amalgamation of his favorite soul classics. However, the songs Loiacono wrote didn’t come from a place of heartache, political unrest or injustice; he didn’t have any real-life struggles to tap into—he had just sent his son off to college and celebrated his 50th birthday. Also, he’s been happily married for several years. The singer-songwriter had to dig for the misery he could lean into for the sake of his art. Then, it hit him.

“It was during the beginning of the lockdown,” Loiacono explains. “I didn’t know where my career was going or if I’d ever play live again, so those ideas began to resonate.”

Giving It All Away is a tidal wave of emotion in the vein of Bill Withers, Mayfield (with and without The Impressions) and all the other late ’60s and early ’70s soul that has been ingrained in Loiacono. 

“Mr. G”—not to be confused with The Bobbettes 1955 hit “Mr. Lee”—is a doo wop-flavored post-relationship walk on a rainy day; “Del Mar Station” is an R&B reimagination of a Mother Hips straightforward rock tune. Meanwhile, one of Giving It All Away’s highlights wasn’t penned by Loiacono, nor would it ever be considered vintage soul. Blue Rose Music founder and managing partner Joe Poletto, a longtime pal, suggested a soul-saturated rendition of Genesis’ “That’s All.”

“[Poletto] always seems to come up with songs that would fit perfectly,” Loiacono says. “When he suggested [“That’s All”], I was like, ‘really? A Genesis song from the ’80s?’”

Loiacono started messing around with the song; he stripped it down to nothing but nuts and bolts. The reimagined cover grooves with a tightly wound drum-bass rhythmic foundation, an oldschool organ riff and, of course, Loiacono’s falsetto giving the Genesis hit a complete soul makeover that feels nothing like the original. 

The album bookend, “You’ll Lose a Good Thing”—written by Barbara Lynn and made a hit by Freddy Fender—is the only other song on the album not written by Loiacono. It’s also a perfect fit, especially with backup vocals from the legendary Vicki Randle (Aretha Franklin, Mavis Staples), who will also be part of the touring band.

Giving It All Away is a retro soul record to its core that doesn’t mimic, nor does it attempt to recreate something that has already been done. Loiacono acknowledges the top-notch band that helped make the record sound so goddamn good. In addition to Hirsch, who produced the album and added some acoustic guitar parts, the band includes drummer Michael Urbano (John Hiatt), organist Danny Eisenberg (Jonathan Richman) and bassist Dave Schools (Widespread Panic). The album was recorded live (vocals and horns were added later) at Spacecamp, Schools’ studio in Occidental, California. 

“The energy and the feel of those raw recording sessions lay the groundwork for the album’s amiable atmosphere,” Loiacono says.

Greg Loiacono performs a record release show Friday, Aug. 19, at 8pm. Michael’s on Main, 2591 Main St., Soquel. $20/$25. michaelsonmainmusic.com.

Letter to the Editor: Mixed-up Use

In “Rental Vehement” (GT, 8/10), writer Todd Guild recognizes our housing affordability crisis, and cites Jessica De Witt, Santa Cruz housing and development manager, in her assessment that 730 units of housing are in the pipeline for downtown Santa Cruz. Part of this total includes the eight-story mixed-use project slated for Lot 4. That project’s design, unfortunately, actually limits the number of affordable units on the lot, because the largest footprint in the project belongs to a parking garage; a new library is glommed onto the garage like an appendage.

This mix is mixed up: it doesn’t maximize housing potential. Instead, build housing on Lot 7 on Front Street, the lot where the city plans to move the Farmers Market. Lot 7 can accommodate more units of housing on six floors than the mixed-use project’s eight because it doesn’t get mixed-up with other project elements.

Guild also cites housing activists Don Lane and Rafa Sonennfeld. They patiently ask folks in neighborhoods to grow accustomed to new multi-story housing near their homes. The lack of housing is “hurting families,” Lane says. Tragically true. So while neighborhoods adjust to their new reality, the city proposes an unpopular mixed-use project, moving the library away from Civic Center, moving the Farmer’s Market from its 20-year home to Lot 7 and building a parking garage that its own parking census data confirms isn’t necessary—all to build less affordable housing than the city could on Lot 7. What’s wrong with this picture? Doing none of that, and building housing on Lot 7, achieves more housing. That’s a better idea, one that voters can weigh in on November 8th.

Bob Morgan

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Opinion: Two Years After a Tragedy

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

Many of us had our nerves jolted last Friday when we heard about the fires at DeLaveaga and on Highway 17. There’s no denying that two years later, the specter of the CZU Lightning Complex fires hangs over the entire summer, but especially the middle of August. That’s where our cover package this week about the anniversary of the fires, and the state of Santa Cruz County’s recovery, begins. Drew Penner takes a look not only at how response to a CZU-like event could be improved, but also at the bigger change experts say we all need to make in how we think about wildfires.

Then Aiyana Moya checks in on how rebuilding is progressing—or not progressing—for hundreds of local residents who lost their homes in the fires. Her story raises important questions, especially when the math around the number of houses lost and permits in progress doesn’t even remotely match up.

Todd Guild reports on one major area that the Santa Cruz County Grand Jury identified as crucial to fixing immediately if we hope to avoid another CZU. And Erin Malsbury looks at some of the eye-opening ways that science is helping our local landscape recover from the devastating fires.

As I write this, it’s two years to the day since 11,000 lightning strikes set off hundreds of fires around California, including what would quickly grow to become the CZU fires. I remember how relentlessly brutal each development was as we struggled to get all the information out to locals as we could, as quickly as we could: where the flames were heading, where the evacuation points were, if and when firefighting reinforcements were on the way. It doesn’t feel like two years ago; it feels like yesterday, and every time I hear about a new fire like the one at DeLaveaga last week, I brace for the worst. I hope this issue—and all of our coverage on the subject—helps readers make sense of the long road back from CZU, and points the way to a future without another disaster like it.

STEVE PALOPOLI | EDITOR-IN-CHIEF


ONLINE COMMENTS

RE: EMPTY HOME TAX

The Empty Home Tax is about raising millions of dollars for affordable housing. It doesn’t tax where people live, including ADUs. Massive infill projects are happening, and the majority of the units (>80% in most cases) are market rate, which is out of reach for most of our community. Up to 17-story buildings have been zoned south of Laurel in the Downtown Plan Expansion.

The Empty Home Tax isn’t a silver bullet, and won’t solve the housing affordability crisis, but will help make a dent. It gives property owners like myself a chance to step up and spend five minutes a year to answer yes or no to using my property for 120 days a year.

I was part of the group that worked with an expert tax lawyer to write the initiative, and we modeled the declaration process after Vancouver to make sure home owners were not burdened and we could still raise millions from those that keep their property empty for more than 8 months. That includes the hundreds of unpermitted short-term rentals in the City of Santa Cruz. For those of us that live in our homes, we won’t pay, and can help raise money from those that aren’t living in their homes as their primary residence.

Affordable housing needs vastly exceed supply. We can use this money to convert or build new units to keep our friends, neighbors, family and community here in Santa Cruz instead of being pushed out. 

— Cyndi Dawson

PHOTO CONTEST WINNER

THE HIGHEST MAN IN SANTA CRUZ In his photo submission, the photographer wrote “This guy has definitely mast-ered his fear of heights!” Somewhere, a mic dropped. Photograph by Ross Levoy.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

FOUNDER’S DAY

On Friday, Aug. 19, Santa Cruz Shakespeare will celebrate the life of Audrey Stanley in the grove named after her. Stanley, who died on May 15, was the founding artistic director of Shakespeare Santa Cruz, the forerunner of SCS. There will be a program from 2-3:30pm, and mingling and memories from 3:30-4pm. Limited capacity; to RSVP to attend in-person, or to request a Zoom link, email Anna at ko*****@co*****.net.


GOOD WORK

BUILDING: THE FUTURE

Elaine Johnson was hired Aug. 4 as the first-ever Executive Director for Housing Santa Cruz County (HSCC), a nonprofit working to increase affordable housing options. A Bronx native with a law degree, Johnson founded a diversion program that gave residents the option to make amends without carrying a criminal conviction. At HSCC, she says she hopes to continue working on leveling the playing field for everyone, regardless of background.


QUOTE OF THE WEEK

“In fire, you can plan everything out to the minute, and a minute before that, everything changes.”

— Dan Felix

Two Years After CZU: Overhauling Undergrowth

As Santa Cruz County faces increasing threats of wildfire–spurred by drought and climate change–county leaders and fire officials must launch extensive programs to remove the undergrowth that fuels destructive blazes and threatens structures in wooded areas.

But while the county has several organizations dedicated to fighting fires, none have adequately addressed that issue, leaving the county without an overarching plan for vegetation removal and potentially exposing residents to future destructive wildfires.

That’s the gist of a report released in June from the Santa Cruz County Grand Jury, which recommends that the Board of Supervisors should by September designate an agency to lead vegetation removal efforts, and by June 2023 have a comprehensive plan of doing so.

But it’s not clear which agency this would be—there are several tasked with varying and often overlapping aspects of fire safety, which often show differing priorities. 

This includes the Resource Conservation District of Santa Cruz County (RCD), the Office of Response, Recovery & Resilience (OR3), Santa Cruz County Fire Department, the Fire Department Advisory Commission (FDAC), The California Department of Forestry and Fire Protection Cal Fire), Santa Cruz Mountains Stewardship Network, the California Board of Forestry and Fire Protection and Santa Cruz County Fire Safe Council.

None of these, however, have posited a comprehensive plan for vegetation removal, the Grand Jury report says.

The Grand Jury acknowledges in the report that such removal can be expensive, with the bulk of what’s needed–roughly 23,000 acres–ringing in at an estimated $130 million. 

With grant funding limited and difficult to acquire, the county should focus its efforts on high-priority areas, the report says.

In addition to wreaking havoc on structures and forcing the evacuation of thousands, the fires also damaged or destroyed communication systems and utilities, leaving many residents unable to receive safety updates. The highest priority for any vegetation removal plan, then, should be in areas where water, gas, communications and electricity utilities exist, in addition to schools, hospitals and government buildings, the report says.

Such projects are even more vital in areas where people live in rural and wooded areas, described in the report as the Wildlife Urban Interface (WUI.)

Santa Cruz County, with well over 20,000 homes in its WUI, has 61 square miles of WUI, 59 percent of which is developed with residences. 

The report noted that some of the agencies are making positive strides in their efforts to address future fire risks.

The FDAC, for example, is updating its Santa Cruz County Fire Department Master Plan for the first time since 2015, an effort that will include evacuation maps, potential debris flows, Code Red notification, vegetation management, fire surveillance and increasing the number of volunteer firefighters.

Cal Fire has produced the Community Wildfire Prevention Plan (CWPP) and its strategic plan.

Santa Cruz Mountains Stewardship Network has completed a vegetation mapping project to categorize the wildfire risk level across the county.

A 10-year Public Works Plan from the Resource Conservation District lists multiple forest health and fuel reduction projects in areas of wildfire risk.

The Grand Jury also said that the Santa Cruz County Fire Department and the Santa Cruz County Office of Response, Recovery and Resilience should report every six months to the Board of Supervisors on vegetation reduction efforts. 


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After the CZU fires, the Santa Cruz Mountains Stewardship Network jumped into action. 

The collaboration between 24 organizations includes land trusts, public agencies like Cal Fire, universities like Stanford and UCSC, the Amah Mutsun Tribal Band, the Girl Scouts and logging companies like Big Creek Lumber. 

“There’s all these different organizations that do really different things in the region, and the purpose of the network was for them to all collaborate, especially on issues that cross boundaries like fire, climate change and invasive species,” says the Network’s manager Dylan Skybrook.

Their largest effort is a vegetation mapping project made up of LiDAR data collected from planes. This remote sensing method uses lasers to measure distance—similar to echolocation or sonar, but with light instead of sound.

The resulting information is paired with high-resolution imagery and ground-based vegetation classification to provide a detailed map of the forests.

The project spans all of Santa Cruz and Santa Clara Counties and expands work already completed in Sonoma, Napa, Marin and San Mateo.

The network is using the data to create a wildfire risk map for Cal Fire

“This will show generally where the priorities should be for fuel-reduction projects,” says Skybrook. “It’s literally going to save homes and lives.”

The project had collected LiDAR before the CZU fires. In the immediate aftermath of the fire, Cal Fire used the original LiDAR for hazard assessments and Santa Cruz County geologists used it to predict potential debris flows. 

“But once the fire came, that really changed the landscape,” says Skybrook. “So we went back and raised more money, and we have now collected LiDAR post-fire in the burn area, which will give an incredible amount of information for people who are working in this area to understand what the changes were.”

Fungi to the Rescue

While far smaller than the vegetation mapping project, one of the most innovative efforts comes from CoRenewal, a nonprofit working in post-fire ecological regeneration. The organization studies the potential for fungi and microbial communities to break down toxic material and stabilize soil after fires.

In 2020, CoRenewal set up five study sites in burn scars across the Central Coast, including the CZU. They inoculated wattles—erosion control materials—with a subspecies of oyster mushroom to break down burnt materials.

“The idea is to bring in fungi that have been known to be able to break down a number of different petroleum-based toxins. They can decompose them and make them less toxic,” says CoRenewal executive director Maya Elson. 

“The other thing that we’re trying to do is to sequester the heavy metals. Heavy metals can’t be broken down, but we were hoping to stop them from moving into the waterways below and concentrate them to bring them to a hazardous waste facility and get them out of the environment.”

While researchers know certain mushrooms have the ability to break down plastics and sequester heavy metals, this is the first large-scale study of its kind.

The organization is also trying to increase soil health using local microbial communities and mycorrhizal fungi, which bind soil together and reduce erosion risk.

Elson calls it a “probiotic for the soil.”

“If we can just bring the different pieces of the puzzle, nature can take care of itself,” she says. 

“It’s really not about playing god and deciding, ‘I know what’s best for this ecosystem all the time.’ It’s a process of deeply listening to the land and observing before taking action.”

But they only had so much time to listen before winter storms further threatened the land. 

“Often you’re in this incredible rush between when the fire happens and when the rains are predicted to come, so it’s a tricky thing to balance,” says Elson.

The three-year study, led by UC Riverside postdoctoral scholar Mia Maltz, will transition into a new phase soon. 

“There’s a lot of ways for people to get involved if they live locally,” says Elson. “We have a work party coming up August 26 and 27 and a workshop on August 28.

Forest Reset

Land stewardship in the Santa Cruz Mountains is made particularly complex by how many people live and work there.

“We have a very unique county in the sense that we have a really high population that lives in our forest. It’s called the ‘wildland-urban interface,’ and about 60% of the population lives in that area,” says Matt Abernathy, the forest health program specialist for the Resource Conservation District of Santa Cruz County.

The RCD is a state-mandated special district focused on stewardship.

“Our specific mission is to help people help the land,” says Abernathy. The district plans educational events, technical assistance and manages large projects. 

After the CZU fires, the RCD offered information, hosted a webinar series about recovery with local experts and offered individual site assessments.

“We had over 400 requests, some of those for individual homes, some of them for communities,” says Abernathy.

Now, the RCD focuses on long-term recovery efforts and making a more resilient landscape.

At one project site along Last Chance Road, the RCD is helping landowners encourage the regrowth of Monterey pines. 

“Historically, in California, we have three areas that naturally will grow Monterey pine,” says Abernathy. Año Nuevo has the northernmost stand, and it used to extend south through Big Basin along the coast. 

“Slowly over time, other species like Douglas fir and some hardwoods like our Coast Live Oak have grown over the Monterey pine. They’ve out-shaded it and taken over that space.” 

The fire, devastating as it was, provided a chance to start over. 

“The first thing that came back were all these little Monterey pine seedlings,” says Abernathy. “The seeds were just waiting for an opportunity to come back and to reoccupy this area. So it’s a cool chance to see how nature is super dynamic.”

See for Yourself

For those interested in watching forest recovery in action, Big Basin State Park recently reopened sections of the park and offers 84 day-use parking spaces and four ADA spaces each day. Visitors must reserve a space through thatsmypark.org/bigbasin.

The old growth loop and about 18 miles of backcountry fire roads are currently open.

“Our next push will be along the Skyline to Sea trail as it parallels North Escape Road. And we’ll just keep pushing out further into the backcountry to open more trails,” says California State Parks-Santa Cruz District Superintendent Chris Spohrer.

Park staff are trying to make the area safe and accessible quickly, which includes inspecting and removing hazard trees within more than 18,000 acres. But they don’t want to bulldoze blindly toward the single goal of reopening. 

“We want to be very thoughtful and try to be inclusive in our planning process,” says Spohrer. “So, we’ve started that reimagining process with the public as quickly as we could.” 

The recovery efforts have helped more than just the forests.

“A lot of our staff lost houses and lost all their possessions and lost their place to work along with many of our neighbors and community members,” says Spohrer. “Seeing them rally around the idea of being able to recover the park and work with the public on being productive—that’s been a great thing to watch.”

Full recovery will take years, but senior environmental scientist Joanne Kerbavaz says things are progressing as expected. Even with the added challenges of drought and higher temperatures, the redwoods are resprouting, chaparral areas are filling back in, and fire-followers like bush poppy and California lilac add pops of color to the understory. 

“In some cases, the length of time to return to what things looked like before the fire will probably be very long,” says Kerbavaz. “But even in the harshest, most difficult places, I’ve yet to see areas that aren’t regenerating.”

The Santa Cruz Mountains Stewardship Network’s vegetation-mapping data is publicly available at pacificvegmap.org.


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On Friday, firefighting helicopters swooped through downtown Santa Cruz to suck water out of the San Lorenzo River, spraying onlookers and sending hats flying.

While both the flames in DeLaveaga Park and those up Highway 17 at Glenwood Cutoff were brought under control relatively quickly, it was a stark reminder for locals that, two years after the CZU Lightning Complex fire, wildfires remain an ever-present threat.

“As we can see from today’s event in DeLaveaga and other fires around the West, it is essential that we prepare for future fires and other disasters,” says Third District Supervisor Ryan Coonerty. “It is a major challenge, but the community has been great about stepping up.”

So how to prevent a repeat of 2020’s devastating blazes? It’s a tricky proposition, with a number of possible solutions to pursue.

Coonerty, whose North County constituents bore the brunt of the CZU fire, notes Santa Cruz County has been partnering with homeowners to remove brush and trees and take other steps to harden properties, on top of working to increase firefighting capacity.

While experts agree that shoring up our defenses on an individual level is one of the best ways to be proactive, some point to bigger shifts in our thinking that need to occur to ensure our communities remain safe from wildfires.

What action should be taken depends, in part, on how you define the problem. Unlike other recent fatal forest fires, the CZU Lighting Complex was an entirely natural phenomenon sparked by stormy weather and fueled by detritus that hadn’t been cleaned out by fire in decades. But it was supercharged thanks to climate change and the lack of state firefighting resources available when called upon.

Now, residents of smaller towns are taking matters into their own hands, gaining skills volunteering on Cal Fire work in other areas, and stocking up on tools that can be used the next time a wildfire hits the Santa Cruz Mountains.

The Ben Lomond community raised hundreds of thousands of dollars for an agile fire truck specifically designed to battle wildfires. A couple firefighters went and picked it up from Kansas a few weeks ago, and the department is currently outfitting it with equipment, says Ben Lomond Fire Protection District Chief Stacie Brownlee.

“When Cal Fire came and told us, ‘Just let it burn to the town,’ I was like, ‘No,’” she says, recalling the harrowingly quick spread of the CZU fires.

Brownlee says it’s not that the state agency didn’t want to help, but that it was strapped by budget cuts made years earlier.

“People in this area got mad that Cal Fire wasn’t able to fight that fire,” she said. “They were tapped out.”

That’s why Brownlee is a proponent of doing what you can to keep your own home from igniting. That means making sure hedges and potted plants are at least five feet away and removing dead leaves from roofs and eaves.

It’s particularly important, she says, given how hard it is to pick up the pieces afterwards.

“I think people need to understand that it’s extremely hard and expensive to rebuild your home in Santa Cruz County,” she says. “You have to follow the new fire codes.”

There were 30-35 homes that were destroyed by CZU in Ben Lomond in 2020. The first resident was just recently approved to return, to a property up Alba Road.

But with people moving to the area from Silicon Valley and elsewhere, Brownlee says it will be important to educate newcomers on the multiple evacuation routes available.

Last week, Zayante Fire Department Chief Dan Walter congratulated four of his firefighters on a job well done after two weeks of fighting the Oak Fire near Yosemite National Park and the McKinney Fire in Siskiyou County, as part of a Santa Cruz County strike team.

“They worked their butts off,” he says. “It was pretty steep terrain. There was a lot of hiking and dragging hoes.”

It didn’t used to be that way. Before so many low-level offenders were released from prison to reduce the chance of coronavirus outbreaks in state institutions, there were more incarcerated firefighters who worked on the crews. Many of those inmates handled jobs like digging that don’t require specialized training.

“We went from six crews down to one,” he said of the California Department of Corrections’ contribution to wildfire battles. “What used to be prisoner work is now firefighter work.”

But he says the state has been trying to hire additional crews, though that’s easier said than done.

“Nowadays the mentality seems to be, ‘If I can’t make it happen on my phone, I’m not really interested in it,’” he says. “Someone’s got to learn to use a shovel one day.”

While the CZU fire wasn’t sparked by power company equipment, PG&E has been responsible for other blazes, and Walter says he’s glad to see the company taking action to shut off power to prevent forest fires. But, he says, this has posed a critical new question—how do you let people know it’s time to go when the electricity has been turned off?

“Reverse 911 doesn’t work if you don’t have power,” he says. “The internet doesn’t have backup battery power systems.”

Walters says California needs new regulations to force providers to put such systems in place.

PG&E declined to comment for this story.

Andrew S. Mathews, the chair of the Department of Anthropology at UCSC, says humans have inadvertently been designing more fire-prone landscapes around the globe for years.

“We need to learn what ‘good’ fire is, to build a culture of good fire, so we don’t have ‘bad’ fire,” he says. “And that means restoring fire in the places it’s helpful.”

Wet-season “good” fires that reduce the chance of out-of-control “bad” fires in hot months should be seen as necessary and constructive, he says.

“I’ve done research in Mexico and Italy,” he says. “Fire use in both places is very stigmatized, very forbidden.”

The beneficial effects of fire on the landscape, something known to both California’s Indigenous populations and American ranchers, are just now beginning to dawn on state leaders and residents, he says.

“The history of making fire illegal means it’s only quite recently that people are able to talk about prescribed burning,” he says. “The 20th century has been a history of shutting down fire. The combination of long-term fire suppression and climate change means changing our understanding of fire—and how we use fire—is happening pretty much everywhere in the world.”


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