Rancho San Andrés Castro Adobe Gets a New Roof

Friends of Santa Cruz State Parks Friends announced today that Rancho San Andrés Castro Adobe has a new roof, signaling the progression of the ongoing restoration.

Located off of Larkin Valley Road in Watsonville, the historic adobe was initially built in the mid-1800s by Juan Jose Castro, son of Jose Joaquin Castro (of the Juan Bautista de Anza Expedition).

The park’s restoration, and designation as the Pajaro Valley’s first State Historic Park, has been ongoing for decades. The $175,210 roof project is supported through Proposition 68: California Drought, Water, Parks, Climate Coastal Protection and Outdoor Access for All Act, which dedicated nearly $200 million in funding for underserved communities to have equitable access to outdoor recreation facilities.

“We are proud to partner with State Parks to restore and interpret this critical part of Pajaro Valley’s history,” Friends executive director Bonny Hawley said in a press release. “The Castro Adobe provides a hub to share stories from many moments in history, helping visitors better understand and appreciate the generations of people who have called the Pajaro Valley home.”

Since California State Parks acquired the Castro Adobe property from then-owners Edna and Joe Kimbro in 2002, they have worked with Friends to organize volunteers to help with restoration. Everything from earthquake repairs and seismic stabilization to installing an ADA lift and new exhibit features has been included. Community fundraising has backed much of the project.

“California State Parks is very fortunate to have a partner like Friends of Santa Cruz State Parks to collaborate with on this exciting restoration project,” said California State Parks’ senior park and recreation specialist Linda Hitchcock.

Castro Adobe reopened to the public last year after closing for construction in 2019 and then dealing with pandemic challenges. While still an active construction site, it occasionally opens for open house events and school tours.

See the new roof and much more at “Doors Open California at The Castro Adobe.” $20. Saturday, June 11, 10am-4pm. 184 Old Adobe Road, Watsonville. californiapreservation.org/doca.

A Santa Cruz Costume Designer Finds Inspiration Everywhere

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Costume designer B. Modern has been creating outfits for Bay Area actors for more than three decades. Born in Hollywood, she studied dramatic arts and costuming at UC Berkeley before moving to Santa Cruz and starting her career. 

Modern says it was her time at the university that solidified her path. 

“I’ve always been fascinated by what people wore,” she says. “Ever since I was a little girl, I made scrapbooks where I cut out pictures of women in beautiful evening gowns. I was always very fortunate to be adept at drawing. And I was always interested in theater. But I never put it all together until college.”

When an English professor, fed up with his poorly fitting costume, complained to his class, Modern was struck with inspiration. 

“He hated his costume and felt awful in it,” she recalls. “That’s when the lightbulb went on for me. I thought, ‘Hey, I could do that!’ Knowing what I know now—I always tell actors to talk to me about whether they’re comfortable in their costumes. That’s part of learning how to be a diplomatic and conscientious designer.”

Modern has worked on numerous productions throughout the Bay Area. She first worked with Shakespeare Santa Cruz in 1988 on a production of Titus Andronicus and now continues to work with the newly formed Santa Cruz Shakespeare company. 

But her most recent endeavor is with TheatreWorks Silicon Valley on their latest production, Ragtime, which opens Saturday, June 4 in Mountain View.

Based on E.L. Doctorow’s novel, the musical, set in New York City, is a portrait of America at the dawn of the twentieth century. It follows the lives of a Black family, Jewish immigrants and a wealthy white family as they pursue the “American Dream” in a rapidly changing world. 

Modern says it has been exciting to work on the production, given her heritage. 

“All of my grandparents were immigrants,” she says. “My grandfather was a Jewish immigrant, and my Italian grandmother moved to California. Working on this play has definitely been a special experience.”

It’s also incredibly timely.

“With everything that’s gone on in the past two years, it’s all in this play,” Modern says. “Immigration, Black injustice, white people being oblivious to others’ struggles—people are finally discovering what is going on in the rest of the world and expanding their horizons. It’s really important to honor the people who are brave enough to come to America and work hard no matter who they are.”

Creating and fitting the costumes for so many different actors can be challenging, Modern says, and so is staying true to everyone’s vision.  

Modern’s costumes have been used in regional theaters and festivals and opera and dance productions across the U.S., Japan, and Europe—she’s picked up many accolades, including three Dean Goodman Choice Awards. PHOTO: David Allen

“There are the actors, characters, the playwright and director,” she explains. “You have many people to satisfy besides yourself. For every production I do, I do a lot of research. And I try to have hands-on experience with each actor, remembering their names, their measurements.”

Modern says the payoff makes it worth all the effort when everything comes together.

“After an actor gets their costume on at a fitting, and they go, ‘Oh, wow!’” she says, “and they look at themselves in the mirror, and literally start saying their lines in character—that’s special.”

Modern describes the feeling of coming back into theater after the pandemic as “an absolute joy.”

“It’s so glorious to work together again,” she says. “Theater is very collaborative, and it got taken away for two years. It’s a community. People ask me why I still work, why I’m not retiring. But this is part of who I am. Rejoining my community and creating something to see; it’s very rewarding and makes me so happy.”

Ragtime runs through June 26 at the Mountain View Center for the Performing Arts. For information, visit theatreworks.org. Meanwhile, Santa Cruz Shakespeare kicks off in July.

The Santa Cruz Surf Statue Turns 30

The surfer statue along West Cliff Drive has become a Santa Cruz landmark over the past three decades. Last week, community members gathered around the beloved figure for a 30th-anniversary celebration.

The ceremony, hosted by the Santa Cruz Surfing Club Preservation Society and the city of Santa Cruz Parks and Recreation Department, included a live band, historic surfboards and classic woodie wagons.

Renowned surfboard shaper and president of the Santa Cruz Surfing Club Preservation Society Bob Pearson said a few words about the statue and historic boards and introduced an assortment of speakers. Surfing “patriarchs” Bob Rittenhouse Sr. and Harry Mayo—97 and 98 years old, respectively—attended, and Santa Cruz Mayor Sonja Brunner proclaimed May 23 as Santa Cruz Surfing Statue Day.

“It is so symbolic and has become so iconic for Santa Cruz,” said Mayor Brunner. “And I just love watching it throughout the year with the different iterations—pumpkin head, t-shirts…” 

The figure donned a Hawaiian lei for the ceremony.

The 18-foot-tall bronze statue was inspired by the members of the 1936 Santa Cruz Surfing Club. Members Bob Rittenhouse and Doug Thorne formed a committee in 1987 to create a statue after the death of club member Bill Lidderdale Jr. 

To get the sculpture approved, artists had to engineer it to withstand an 8.0 earthquake and 100 mph winds. Thomas Marsh designed the figure; Bill Curtis designed the base, and Bill Grace and David Steward shaped a replica 11-foot redwood surfboard used for casting.

It was installed in May 1992 with a plaque, “This monument is dedicated to all surfers—past, present and future.”

In-person Voting Guide

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Voters may cast ballots at any of the following locations: 

•Watsonville City Clerk’s Office, 275 Main St., fourth floor

•Temple Beth El, 3055 Porter Gulch Road, Aptos

•Santa Cruz County Clerk/Elections, 701 Ocean St., Room 310, Santa Cruz

•Santa Cruz County Sheriff’s Office, 5200 Soquel Ave., Santa Cruz

•Scotts Valley Community Center, 360 Kings Village Road, Scotts Valley

Several four-day voting centers open June 4:

•Pajaro Valley Community Trust, 85 Nielson St., Watsonville

•La Selva Beach Clubhouse, 314 Estrella Ave., Watsonville

•Lakeview Middle School, 2350 East Lake Ave., Watsonville

•St. John’s Episcopal Church, 125 Canterbury Drive, Aptos

•New Brighton Middle School, 250 Washburn Ave., New Brighton

•Soquel High School, 401 Soquel San Jose Road, Soquel

•Kaiser Permanente Arena, 140 Front St., Santa Cruz

•Masonic Center, 828 N. Branciforte Ave., Santa Cruz

•UCSC Stevenson Event Center, 520 Cowell-Stevenson Road, Santa Cruz

•Scotts Valley High School, 555 Glenwood Drive, Scotts Valley

•Zayante Fire Department, 7700 East Zayante Road, Felton

•Zayante Fire Department, 7700 East Zayante Road, Felton

Voting locations will be open Monday-Friday 8am-5pm; Saturday and Sunday 9am-5pm, and on Election Day (June 7) 7am-8pm. Locations are subject to change. 
Check online before you go.

Services at the centers will also include: replacement ballots (the county can void the previously issued ballot when you come in to vote); voting and turning in the ballot mailed to you; using a tablet to vote on an accessible ballot or a ballot in Spanish; and same-day registration and voting.

All locations will adhere to public safety protocols, including face masks, disinfecting, hand sanitizer, physical distancing and frequent hand washing. They will also provide clear guard protections to separate people.

The following resources are also available:

Vote Mobile: Santa Cruz County has a mobile voting trailer used throughout the county.

Drop Boxes: Voters can return their ballot to any in-person voting location or drop it off at any of the 24/7 ballot drop boxes—17 are located throughout the county. 

No ballots will be accepted after 8pm on Election Day unless there are voters in line or the time for closing the polls has been extended by court order.

Contact the County Clerk/Elections Department at 831-454-2060 or visit  votescount.us for more information.

Local Democratic Organization Questions Dutra Mailer

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The Santa Cruz County Democratic Central Committee (SCCDCC) on Wednesday sent a cease and desist letter to Jimmy Dutra, who is running for the Santa Cruz County Fourth District Supervisor seat, after he sent an election mailer bearing the logo of the Democrat party.

The logo, a blue “D” in a blue circle, is a federally registered trademark. The mailer includes a “Democratic Voters Guide,” says SCCDCC President Andrew Goldenkrantz.

The problem, he says, is that including the logo falsely implies Dutra has the endorsement of the party, when candidate Felipe Hernandez has earned that endorsement.

Dutra has not said that he has the endorsement, Goldenkrantz said. 

The County Party’s endorsement carries with it endorsements by the California Democratic Party.

Dutra said he is skeptical of the intentions behind the letter.

“When political special interest groups see a risk to their candidate, it is not uncommon for frivolous last minute allegations to be thrown against a wall to see what can stick,” he said. “I have faith in our community to see past these desperate allegations.”  

Dutra said he has a wide array of support from all groups in the community, including Democrats.  

“I am proud of being the candidate of bringing all of our community members together,” he said. “Special interest groups are upset because they have been purchasing and controlling this county for decades. It is now time to have representation that can bring all of us together to address the challenges in front of us. I am the real voice for the broad and diverse community of the Pajaro Valley.”

Asked about the timing of the letter to Dutra and the SCCDCC outreach to the media—coming as they did less than a week before election day—Goldenkrantz said that the mailer was sent out early this week, and that the organization acted immediately. 

“I think Jimmy misrepresented this thing,” he said. “He is clearly intending to show an endorsement that did not happen for him. Politics is an important business, but we expect honesty from our public officials.”

Dutra’s mailer, and the reaction it has garnered, is nearly identical to what happened last month in San Jose, when the Santa Clara County Democratic Party demanded that City Planning Commission Chair Rolando Bonilla, who is running the District 5 seat on the San Jose City Council, stop using Democrat Party logos.

Things To Do in Santa Cruz: June 1-7

ARTS AND MUSIC 

BEDOUINE PLUS SHANNON LAY Azniv Korkejian, the Los Angeles-based artist who records as Bedouine, drew international acclaim with her eponymous 2017 debut with arresting and honest vocals accompanied by simple guitar accompaniment. Fader called Bedouine “a modern folk masterpiece,” and the New York Times referred to the songstress as a “future legend.” Shannon Lay, the former member of the Feels, has gone folk. The Redondo Beach native’s 2021 Geist represents the singer-songwriter’s versatility: The record features collaborations with Devin Hoff and Ty Segall, a cover of Syd Barrett’s “Late Night” and an original tune inspired by Frank Herbert’s sci-fi epic, Dune. $23.10-26.25. Wednesday, June 1, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. folkyeah.com.

‘GENDERATION’ SCREENING Santa Cruz Pride 2022 lifts off with a special dinner-theater screening of Genderation, happy hour and Q&A with Sandy Stone and Susan Stryker follow the film. The documentary set in Santa Cruz and beyond catches up with artists, scholars and visionaries who were part of the trans and queer cultural landscape of San Francisco in the late ’90s. In addition to Stone and Stryker, the doc features Annie Sprinkle, Beth Stephens, Max Wolfe Valerio and Stafford (More in this week’s cover story). $20 (recommended donation per ticket). Friday, June 3, 5:30pm. Hotel Paradox, 611 Ocean St, Santa Cruz. santacruzpride.eventive.org/schedule.

DASHAWN HICKMAN SACRED STEEL FEATURING WENDY HICKMAN AND CHARLIE HUNTER Ever since jazz guitar virtuoso Charlie Hunter moderated a panel discussion at the National Folk Festival with guitar talent DaShawn Hickman and other fingerpickers, Hunter and Hickman have remained in touch and even collaborated on each other’s projects. Hunter, a natural innovator, suggested, “It would be cool to mellow out the pedal steel and see what would happen if it had more presence in the arrangement—put the steel front and center.” Along with Atiba Rorie, a classically trained percussionist in West African and Afro-Latin music, and Breven Hampden, a percussionist who also grew up playing in church and went on to study African, Latin and world rhythms, Hunter’s idea came to fabulous fruition. $22. Friday, June 3, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

THE ENGLISH BEAT Since the late 1970s, the Birmingham, England outfit’s music has been called ska, new wave and even 2-tone. They’ve toured the world with David Bowie, the Clash, the Specials and Talking Heads and collaborated on stage many times with the Specials. Pearl Jam began playing “Save It for Later” in 1996, mixing it into the end of “Better Man”—it remained a part of their set through 2014. The group’s debut, I Just Can’t Stop, delivered several hits, including “Can’t Get Used to Losing You,” “Mirror in the Bathroom,” “Hands Off…She’s Mine” and “Best Friend.” $35 plus fees. Saturday, June 4, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com. 

TOMBOY SANTA CRUZ 10-YEAR ANNIVERSARY A trio of stellar folk-rock bands come together to celebrate 10 years of TOMBOY Santa Cruz. Larry and His Flask singers Ian Cook and Andrew Carew carry on their songwriting coalition with a brand-new project, Beyond the Lamplight. Meanwhile, another new band, Tejon Street Corner Thieves, is one of the more eclectic bluegrass outfits (More in this week’s arts story). $15/$20 plus fees. Saturday, June 4, 8:30pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

SANTA CRUZ LATIN COLLECTIVE Timbalero Jimmy Palafox and local Latin legend Oscar Estrella founded the collective in 2021 with a vision of bringing together a group that could deliver “positive youthful energy and talented professional musicianship.” Specializing in modern and traditional Latin music with influences spanning from Santana and Malo to Fania All-Stars and Eddie Palmieri, the 10-piece operation has succeeded in adhering to their mission. Don’t forget your dancing shoes! $15. Saturday, June 4, 8pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmainmusic.com.

REDWOOD MOUNTAIN FAIRE Two days, two stages and more than 20 bands benefiting local nonprofits. Some standouts include folk rockers Midnight North, Santa Cruz Mountains Americana favorite the Coffis Brothers, the Grateful Dead’s brothers from another mother, Moonalice, world music collective SambaDa and Wolf Jett featuring special guest Marty O’Reilly. “I realized if music makes me feel good, the people around me who become a part of it will feel good too,” O’Reilly says. The folks behind the Redwood Mountain Faire feel the same way. $30; $55/2-day pass; $20/Seniors and teens; Free/kids 12 and under. Saturday, June 4 and Sunday, June 5. Roaring Camp, 5401 Graham Hill Road, Felton. redwoodmountainfaire.com.

KAKI KING Guitar trendsetter Kaki King’s Modern Yesterdays is a refinement of her signature guitar-projection mapping performance. She releases the unexpected with technicolor imagination, technical wizardry and carefully choreographed guitar and drum playing. Bridging future-forward modernity with contemplative longing, Modern Yesterdays “sends us on an audiovisual journey reset by our recent past, arriving at the emotional place we yearn to visit.” $30/$35 plus fees. Sunday, June 5, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com. 

BOOKSHOP SANTA CRUZ PRESENTS: LYNNE COX International Swimming Hall of Famer Lynne Cox’s recent release, Tales of Al: The Water Rescue Dog, is an inspiring story of an ungainly, unruly, irresistible Newfoundland puppy named Al, who grows up to become one of Italy’s highly specialized water rescue dogs who plunge out of helicopters and save lives. Free. Monday, June 6, 6pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.

COMMUNITY

SANTA CRUZ RESTAURANT WALK 18 downtown restaurants will open their doors and provide samples of their cuisine to everyone with a passport. A variety of cuisine spanning the globe. Each restaurant will give a portion of a signature menu item. Funds for this event support the Common Roots Farm and several other local nonprofit organizations. $30. Wednesday, June 1, 5:30-8:30pm. Downtown Santa Cruz, 1100 Pacific Ave., Santa Cruz. eventbrite.com/e/santa-cruz-restaurant-walk-tickets-334707458017.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, June 6, 12:30pm. 831-457-2273. womencaresantacruz.org.

LAUGHTER YOGA Having fun, feeling good and relaxing. That’s what Laughter Yoga is all about. Laughing is a form of stress relief. The group laughs as a form of exercise, and through eye contact and childlike playfulness—fake laughter becomes genuine and contagious. The body doesn’t know the difference between fake laughter and the real thing, so chemicals (dopamine, serotonin) are released, easing our minds and bodies. Free. Tuesday, June 7, 3:30-4:30pm. Inner Light Ministries (Fireside Room), 5630 Soquel Drive, Soquel. sa-cc.org.

OUTDOORS

FREE TUESDAY AT UCSC ARBORETUM What’s not to love about Community Day at the UCSC Arboretum? Explore the biodiversity of the lush gardens and the birds or just take some time for yourself on a quiet bench in the shade. Free. Tuesday, June 7, 9am-5pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. calendar.ucsc.edu.

WITCH Brings Zamrock to Moe’s Alley

Thrown off by the 10-hour time difference, I wake Jagari at 4am Zambia time. I can hear the sleep in his voice. I apologize profusely, and offer to call back at a later time.  

“No, no!” Jagari perks up as if he is suddenly infused with strong espresso. “Let’s talk now.”

The exchange represents Jagari as a person and musician—his passion is genuine and ever-present, whether awake or half-asleep. Emmanuel Chanda, aka Jagari—the Africanization of Mick Jagger’s name—explains that a musician never stops being a musician.

“When does a pilot stop being a pilot?” he asks. “When does a doctor stop being a doctor? Do they retire? Musicians don’t retire.” 

“It shows you who Jagari is as a person,” says Italian filmmaker and WITCH manager Gio Arlotta.

Jagari and his band WITCH are the dominant force behind Zamrock, a little-known musical genre born in the early ’70s in Zambia, Africa. Zamrock melds the traditional rhythmic backbone of African tribal music with psych, garage rock, blues and funk, resulting in something familiar and completely different from anything else. WITCH albums were reissued in 2010, igniting a renewed adoration for the band and the Zamrock genre—the Beastie Boys’ Mike D included a WITCH tune on his “favorite all-time songs” playlist alongside John Lennon, Miles Davis and Stevie Wonder. 

The traditional music in the village of the mining towns where Jagari grew up and the songs he heard from U.K. bands on the radio—the Rolling Stones, the Kinks—informed the WITCH frontman and unofficial Zamrock leader.

“People from South Africa, Tanzania, Congo, Malawi and Rhodesia came to work in the mines where I grew up, so on the weekends, there was a cross-culture of activities and music,” Jagari says. “Those were things influencing me, but I was not conscious of.”

All the musical influences that impacted Jagari would come out during school dances and other social events. Classmates encouraged him to find a band to join. But before he had the chance, Jagari was invited to join the rising Zambia band Kingston Market. Kingston Market became Footswitch, then Switch, and eventually Witch, as in a woman with magical powers who flies around a broomstick. With the name change came a four-year record contract equivalent to 15,000 euros today. Lazy Bones was the first record released under the new contract. In three weeks, an unprecedented 7,000 copies were sold.

“People were excited to have their own band—a local band doing so well,” Jagari says.

Lazy Bones was unlike any other music at the time; traditional African rhythms fused with heavy organ riffs and early psych/garage-rock sound of Love, Vanilla Fudge and Thirteenth Floor Elevators.

“We didn’t know what name to give [the music],” Jagari says. “Then, a radio DJ called it ‘Zamrock.’”

WITCH paved the way for a barrage of Zamrock bands which formed during the ’70s, including The Peace, Amanaz, Chrissy “Zebby” Tembo and Paul Ngozi and his Ngozi Family.

Thousands attended WITCH concerts every time they played; Jagari became known for his physically demanding onstage antics—think Eddie Vedder climbing the scaffolding during Pearl Jam’s early ’90s Glastonbury show.

“I don’t plan what I want to do on stage beforehand,” Jagari says. “I let the music drive my movements. If I feel something nice, that pushes me to do whatever I want. As the frontman, you have to interpret the music you’re playing; sometimes, people cannot understand what you’re playing until they see your movements or hear words in the songs. I try to relay that to the fans and find a way of making it interesting. They will just go home if they don’t like what you’re doing.”

The music simultaneously blended the rhythms of various African regions and Zambia’s 72-plus ethnic groups with the harmonies of Western music. Jagari says some of their rhythms were inspired by the music of customary funeral rites that encouraged miners to mourn the dead. Whether the Stones were aware of it, “Sympathy for the Devil” uses the same rhythmic pattern.

After hearing Lazy Bones, Arlotta was compelled to jump on a plane to Zambia and make We Intend To Cause Havoc, a documentary showcasing WITCH and Zamrock.

“This incredible music felt both familiar and very exotic at the same time,” Arlotta says. “Once I met Jagari, his persona and attitude towards life inspired me and taught me you should never give up on your dreams because you never know when they will become true.”

But it wasn’t easy. Jagari and Patrick Mwondela (keyboards) are the only original members who remain, and it had been over 40 years since WITCH performed live. 

“There was this gap when the [Zambian] music industry sort of died, and HIV and AIDS took a lot of people,” Jagari says. “Many live below the poverty line and fend for themselves by doing small businesses.”

In addition to the onslaught of AIDS and poverty, Zambia was rife with violence, leading to countrywide curfews and blackouts. It became impossible for WITCH to perform live anywhere in the country, and that was their primary income source.

“I had to find something else to live on,” Jagari says. “That’s how I find myself mining gemstones.”

The documentary was released in 2019, but the pandemic prevented any touring until last year. Jagari and Mwondela were joined by bassist Jacco Gardner, drummer Nico Mauskoviç and guitarists JJ Whitefield and Micheal Rault for dates spanning the West Coast, including Los Angeles, Las Vegas, Denver and SXSW. They return to the West Coast this summer, then head to Europe in August, and in October, WITCH will make their East Coast debut. 

“Music is like wine,” Jagari says. “The older it gets, the better it becomes.”

The humble Zambian musician isn’t looking for fortune or fame. He wants to open a music school in Zambia and a recording studio that would attract people to record within the country. 

“That is my dream,” Jagari says as the sun rises.

‘We Intend To Cause Havoc’ is available on Apple TV and Altavod.

WITCH (L’éclair opens) plays Friday, June 10, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $22/$27 plus fees. folkyeah.com.

Moe’s Show Celebrates a Decade of Tomboy

Before playing “Love Luck” for Little Hurricane’s Tomboy Session video, singer and guitarist Anthony Catalano takes note of his surroundings. “It’s always fun to play abnormal music venues,” he says. You’d think he’d never played Americana in a vintage clothing shop before!

“I get that a lot,” Summer Duppen, owner of Tomboy Santa Cruz, tells me. She knows her shop is an unusual place to showcase live music, but she’s forged a close link with the local music scene since opening a decade ago. In fact, Tomboy is synonymous with music, thanks to the Tomboy Sessions videos Duppen has been presenting since 2016. The gorgeously produced shorts have featured top homegrown talent like the Carolyn Sills Combo, Jesse Daniel and the Coffis Brothers—whose performance of “Two of a Kind” was just posted last month—as well as visiting performers.

Moe’s Alley has come on board as a sponsor of the sessions, so it’s fitting that the club will host a celebration of Tomboy’s 10th anniversary this weekend. It’s also appropriate that the show’s headliner is the furious, banjo-driven folk-rock outfit Beyond the Lamplight, since the band’s lead singers, Ian Cook and Andrew Carew, did a memorable Tomboy Session back in 2018 with their former project Larry and His Flask.

Duppen says the involvement of Moe’s co-owner Brian Ziel has “helped us breathe life into the sessions.” The club is also hosting the monthly Western Wednesdays, of which Tomboy has long been the unofficial style supplier for both artists and fans.

“It’s all Tomboy’d up,” says Duppen.

She’s grateful to loyal customers for helping get the store through three months of pandemic closures in 2020, allowing her to celebrate this 10-year landmark.

“It was incredible,” she says. “And now business is better than ever.”

The Tomboy 10th Anniversary celebration will be held at 9pm at Moe’s Alley on Saturday, June 4. Beyond the Lamplight and Tejon Street Corner Thieves perform. $15/$20. moesalley.com. See the Tomboy Sessions at tomboysc.com.

Letters to the Editor: Hear, Hear and Many More

Hear, Hear

Re: “Super Responsive” (GT, 5/25): Thank you for covering the race for District 3 Supervisor and allowing all three of us to speak our minds on crucial county issues.

One important correction: your reporter stated that I “claimed” to have a recording of the Santa Cruz Together PAC meeting. This meeting was recorded by local resident Ann Simonton, who then confronted members of the City Council of Brown Act and other perceived violations at the next Council meeting.

The audio file was posted over a week ago at the Reimagine Santa Cruz website, and prompted broad discussion in our community, including among many former elected officials. I filed an FPPC (not Brown Act) complaint based on apparent collaboration between a candidate and an independent PAC in that recording.

It is up to all of us, IMHO, including our news media, to have broad discussions about the Brown Act, and seeming infractions, as well as possible FPPC violations. Who is funding our elections, and who is playing by the rules or not are all important to voters making a crucial decision in roughly one week.

Ami Chen Mills

Santa Cruz

The article did not intend to imply the recording does not exist; it obviously does. The use of “claimed” in the sentence referred to the allegation that the recording documents improper campaign activity, which has yet to be determined. We regret any confusion. — Editor


Land Grab

Your issue on Measure D (GT, 5/18) was very well done, factual and balanced, each side making their case. As a Greenway supporter, one thing I want to add is that electric light rail for transportation should go down the middle of the freeway, paid for by the feds and the state. 

I think Roaring Camp, the largest “No on D!” contributor, did a great marketing job. Last year, they got the option to operate on the coast line (from the latest failed freight carrier), if only someone will pay millions to rebuild it. I think they want to use it for a tourist train, but have pushed “transportation needs,” “land grab” and “Save The Beach Train!” to get people on their side. 

We should have a beautiful, continuous Greenway and electric rail transportation between Santa Cruz and Watsonville. A high-impact train (way more “land grab”) next to a peaceful, scenic trail is not the way to do it.

Steven Robins

Felton


It Takes Vision

As the first woman in the U.S. to start an insurance company, I know a bit about executing on a vision that others don’t yet see. I believed in nonprofit organizations and their ability to safely and effectively serve our communities, even when providing care for vulnerable children and frail elderly. The entitled old guard said it could never be done. Then and now, they worked to undermine our success and keep the benefits of this effort from those who need it most. For 32 years, using a cooperative model, the nonprofit insurer I started and headquartered in Santa Cruz, Nonprofits Insurance Alliance, has succeeded and now insures 23,000 nonprofits in 32 states. 

That’s why I am so bothered by the matter of Measure D. I now urge every voter to turn away from the naysayers and share my vision for light rail in Santa Cruz. This has been studied thoroughly, resulting in green, efficient Electric Passenger Rail being selected as the preferred transit choice by the Regional Transportation Commission in February 2021. Many of the entitled old guard are trying to distract you from a better vision for the future. I say don’t listen to those without vision—those hoping to foreclose the opportunity for light rail in Santa Cruz. The future belongs to those who can see the possibilities. No on D!

Pamela Davis

Santa Cruz


What No Doesn’t Talk About

It’s incredible to me that the No on D folks continue to assert claims that are so easily proven to be false.  

Measure D expressly preserves the rail corridor for future transit—read the measure itself to verify this. Measure D would not stop trail construction; the Regional Transportation Commission (RTC) is planning Greenway’s trail as well as the trail-with-rail simultaneously. According to the RTC, Measure D would not stop planning or seeking funding for future transit on the corridor.

Railbanking is no “scheme,” according to the RTC’s several informational reports on the subject. It’s been used hundreds of times across the nation to preserve rail corridors intact for future transit, and at least 11 trails have returned to rail service. 

Health benefits for our county? 200 local doctors agree that outdoor active transportation—protected bicycle and pedestrian trails—is the most significant thing we can do to improve our county’s health and safety.

What do the No on D folks never talk about? How long it will take to build a train! And what it will cost! Good Times has offered several carefully researched articles recently in which to verify these facts. Vote yes on Measure D, based on facts.

Nadene Thorne

Santa Cruz


What Yes Doesn’t Talk About

The one thing Greenway never talks about is that if Measure D passes, not only will the railroad tracks be ripped out and further trail construction delayed for years, we will be stuck with widening Highway One as the only option for addressing our present and future transportation needs. Greenway doesn’t want anyone to know the total cost of widening the highway is more than double the cost of adding passenger rail. Greenway also doesn’t want anyone to know that outside funding for highway widening projects is becoming harder to get because state and federal agencies realize highway widening doesn’t really work over the long haul. Greenway doesn’t want voters to know the truth, because if voters knew their trail only plan was actually more expensive and would just make the Highway One parking lot bigger, no one would vote for Measure D. Stop the deception, vote no on D.

Andy Drenick

Santa Cruz


State of the Rails

I just read Greg Becker’s letter in the May 4 edition of Good Times. It made many assertions. My memory and experience suggested that those assertions were not accurate. So, after reading the letter, I drove through the stop-and-go traffic on Highway 1—traffic that will increase because Measure D removes one of our transit options—and took a look at the actual condition of the tracks.

Now, let me give some background. I’ve been involved in the historical preservation of railroads and rolling stock for several decades. I have carried rails, pounded spikes and restored old equipment to running condition.

The letter suggests that the present line from Santa Cruz to Watsonville is somehow deficient because it is old. Yes, it is old. It is made of used rails that are no longer viable for a Class I railroad such as the Union Pacific. The Union Pacific uses sequences of heavy and powerful locomotives (400,000 lb., 6,000hp each) to haul long and heavy freight trains at 80mph.

Our proposed use of the coast rail line comes nowhere near that kind of intensive heavy use. Rather, our proposed passenger rail cars are roughly the weight of a city bus and move at less than 60mph. They are butterflies compared to the Union Pacific’s elephants.

As anyone who is familiar with rails knows, each rail has the date of manufacture and the weight molded right into the steel. Those numbers may be masked by the light, harmless rust that affects rails, but with a bit of brushing, they can easily be read. Class I railroads generally use rails that weigh as much as 140 lbs. per yard. Ties are usually concrete or high-quality wood reinforced with wire mesh.

Our existing coastal rail is a mix of used rail. I saw rails of 90 lb. per yard and heavier. I spotted dates from 1917 and 1937. Some parts needed some re-grinding—a routine form of rail maintenance. And I am sure that a lot of those wooden ties will need to be replaced and the ballast (the rocks under the tracks) may need some work.

Those rails are heavier, stronger and newer than rail that I’ve laid and seen in actual use in places like Niles Canyon. Even the oldest of those rails are 40 years younger than the steel that holds up the Brooklyn Bridge in New York or the Eiffel Tower in Paris.

Sure, our existing coastal rail is not the kind of shiny new, ultra-heavy-duty, sub-millimeter perfection we will have for the California High Speed Rail or the UP and BNSF central valley mainlines. But it is certainly a good foundation for our lightweight needs.

Yes, the federal regulatory apparatus and its definitions are troublesome. But our RTC seems more willing to pull the covers over its head and cry “I am afraid, I am scared” than actually trying to productively engage with regulators.

I noticed that once again the Measure D proponents sweep an important aspect under the rug: That the rail line was purchased for more than $14 million on the express and explicit grounds that the line be used for passenger rail transit.

In other words, the rail line is encumbered and may not be used for another purpose than passenger rail transport. That $14 million would have to be repaid if measure D passes. That money will have to come out of the pockets of Santa Cruz County taxpayers. And even if we were to pay that money back to the State of California, that encumbrance would still remain.

Sure, we expect people like Gov. Abbot of Texas or Donald Trump to use money appropriated for one purpose to pay for something entirely different. But we are better than those people; we should expect that when our government levies taxes on us and spends our money for a designated purpose that that money not be diverted elsewhere.

Karl Auerbach
 

Santa Cruz


Northern Comparison

Compare the idealistic Santa Cruz hope for a passenger rail service with the realistic outcome of the Marin-Sonoma Smart Train. That train actually goes places, from the San Francisco Ferry in Marin County to the Santa Rosa Airport, a major transit route through counties with 750,000 people. Yet ridership and income are really low and taxpayers are supporting it. Santa Cruz County has 250,000 people and the destinations—Watsonville to Davenport—are even more unlikely to create a sustainable service. The Measure D proposal will create a faster, legally less complicated, cheaper and healthy means for non-automotive transportation through Santa Cruz.

James Rosen

Santa Cruz


Rail-Trail? Bus-Trail!

I’m an engineer with an All-Express Passenger Train patent. Unfortunately, the local application intended over 100 years ago for only slow-moving freight trains and twice a day tourist trains would be better served today by a flexible surface that would be useful over many generations.

One surface worth consideration, already proven on playgrounds, can eliminate “used-up rubber tire wastes” by incorporating them within a gem of a transportation corridor that has been wasted for the past 10+ years!

Rubber-wheel trains throughout Paris, France proved passengers can’t tell the difference from standard trains. That aspect and local interest in TIG’s “wannabe bus of tomorrow” implies genuine buses can be made desirable.

A Strategic Bus-Trail doesn’t have to violate the integrity of a Trail-Only, it can be used in conjunction to more expeditiously transport passengers between Watsonville and Santa Cruz than any Rail-Trail, without involving time-consuming transfers.

Vote yes on Measure D!

Bob Fifield

Aptos


Down to the Wire

It is now coming down to the wire and the fate of the historic Santa Cruz Branch Rail Line is in the voter’s hands regarding Measure D. A yes on D means the potential loss of a very useful and needed rail infrastructure by caving in to the self-serving and elitist anti-rail groups and their deceptive tactics.

Voting no on D will preserve the rail line for future use by environmentally sound electric rail vehicles, which will help to reduce traffic congestion on Highway 1, prevent railbanking, which is a farce anyway, and save the beloved Santa Cruz & Big Trees/Roaring Camp whose operation is in jeopardy should D pass. Furthermore, saving the branch line ensures that existing Watsonville businesses who currently use the line to ship commodities will continue to do so and Santa Cruz County residents who wish to commute and travel will have intercity connections at Watsonville Junction in Pajaro. 

In this case, the pros outweigh the cons. Think Rail With Trail and please vote no on Measure D.

Gary V. Plomp

Gilroy


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