Supreme Court Overturns Roe v. Wade, Eliminates Right to Abortion

As the news broke that the Supreme Court overturned Roe v. Wade Friday morning, local healthcare activists and politicians reflected the general sentiment that reverberated across Santa Cruz County: anger, sadness, shock. But in the midst of the emotional turmoil, local and state leaders say they have a plan.  

For many, the Supreme Court’s decision is upsetting, even as it has been widely anticipated. In May, the court’s draft decision to overturn the ruling was leaked, spurring protests across the country. Activists and clinics like Planned Parenthood had been ramping up services in anticipation of the overturn for years.

“With the people that Trump put on the court, we knew this was coming,” Leslie Conner, the Santa Cruz Women’s Health Center CEO, told Good Times in May. “But I think we all felt we had more time to rally the troops.”

California and other states that plan to defend a woman’s right to choose have also been preparing for this moment. Abortion will remain legal in California, but the court’s decision is expected to lead to full or partial abortion bans in more than half of the states in the country. 

Gov. Gavin Newsom announced plans to make California a sanctuary state in May and on Friday announced that he will be joining forces with the governors of Oregon and Washington to form a “multi-state commitment” to protecting abortion access for out-of-state patients. 

That could mean an additional 1.4 million out-of-state patients will come to California for abortion procedures—an increase of almost 3,000%, according to the Guttmacher Institute. 

But clinics say they are ready for this. 

According to Planned Parenthood Mar Monte Chief of Staff Andrew Adams, the organization doubled its number of patients between July 2021 and April 15 from the same period the previous year, as states took aim at abortion access.

Many of these patients, he adds, came from Texas after that state passed Senate Bill 8 in 2021, which outlaws abortions after a fetal heartbeat can be detected, typically after six weeks.

“We’ve been doing a tremendous amount of work to assure that we can not only continue to provide abortion care to the people who live in the communities where we operate, but that we can also absorb those patients who will need to travel to California because they can’t get abortion care where they live now,” Adams says. “In California, we are a bastion of hope right now. We’re very lucky that the right to abortion is protected by our constitution.”

In 2020, roughly 7,000 patients from out of state were treated at Planned Parenthood health centers in California. Adams explains that the right to abortion in California could be further enshrined later this year with Senate Constitutional Amendment 10, which would strengthen a woman’s right to abortion. This comes after the state legislature passed the amendment earlier this week, ahead of the June 30 deadline. Now, it’s in the hands of California voters, who will decide on the issue in the Nov. 8 election.

If Republicans take control of the House and Senate and the presidency in upcoming elections, they could pass a national abortion ban, which would supersede state laws.

In the meantime, however, providers will continue their work. 

“We’re focused on making sure that people know that here in California, abortion is still safe and legal, that our doors are open, and we are seeing patients whenever they need care,” Adams continues.

In making the ruling, the Supreme Court was considering a law in Mississippi that bans nearly all abortions after 15 weeks. That case—Dobbs Vs. Jackson Women’s Health—was thrown into further controversy last month when the draft opinion was leaked indicating the Court’s intention to overturn Roe

Writing for the majority, Justice Samuel Alito called Roe “egregiously wrong from the start.”

“Its reasoning was exceptionally weak, and the decision has had damaging consequences,” Alito wrote. “And far from bringing about a national settlement of the abortion issue, Roe and Casey have enflamed debate and deepened division. It is time to heed the Constitution and return the issue of abortion to the people’s elected representatives.”

The opinion further stated that “the Constitution does not confer a right to abortion; Roe and Casey are overruled, and the authority to regulate abortion is returned to the people and their elected representatives.”

The ruling has many worrying that the high court will go after previous rulings protecting access to contraception and same-sex marriage, which the majority opinion calls “unfounded” since precedent cases—Griswold, Eisenstadt, Lawrence and Obergefell—are about “destroying a potential life.”

“But an abortion has that effect,” the ruling reads.

Justice Alito stated that the decision covers only abortion and no other right.

“Nothing in this opinion should be understood to cast doubt on precedents that do not concern abortion,” Alito wrote.

But Justice Clarence Thomas suggested a different opinion, stating that the court should revisit the previous decisions.

“—we should reconsider all of this Court’s substantive due process precedents, including Griswold, Lawrence and Obergefell,” Thomas wrote. “Because any substantive due process decision is ‘demonstrably erroneous.’” 

Court to Consider ‘Transient Release’ for Convicted Sex Offender

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A man convicted of raping multiple women in the early 1980s whose plan to live in Bonny Doon faced steep opposition is again seeking his freedom—this time without a permanent residence lined up.

Santa Cruz County Superior Court Judge Syda Cogliati said Monday that she would consider “transient release” for Michael Cheek, who is currently housed in a Department of State Hospitals facility in Coalinga. 

Cheek is a designated sexually violent predator.

The efforts of Liberty Healthcare Corp. to set up a reverse-fortified residence for him to stay at on Wild Iris Lane were met with steep community resistance, and an appeals court has yet to rule on that approved placement.

Area residents said the remote section of the county has poor internet connectivity and slow law enforcement response times, as so is a bad place to put Cheek.

Cogliati said she doesn’t expect the 6th District Court of Appeal to rule for at least a couple of months.

“We have great concerns about transient release,” said Assistant District Attorney Alex Byers.

Cheek’s lawyer, Stephen J. Prekoski, is leaving the public defender’s office and Cogliati appointed him the defendant’s private attorney.

Prekoski said Santa Cruz County officials haven’t been very helpful in assisting with the search for additional housing options for his client.

“They have done nothing,” he said. “There are no queries.”

Cogliati said Liberty Healthcare sent her a report that said their own housing search has been fruitless, so far.

Prekoski explained that the idea behind pushing for transient release—which he described as akin to homelessness—wasn’t so his client would end up on the streets, but to put pressure on authorities to be part of the solution.

He said the precedent set by the court case involving Tibor Karsai, another sexual predator Liberty Healthcare worked with who was released with no supervision, means it’s time to free Cheek.

In his own search, Prekoski noted, he discovered Ventura County had set up a program where sexually violent predators can stay in trailers next to a jail.

The judge keyed in on this idea.

“Is it possible that he could be transient-released to Ventura County and use one of its trailers?” she asked.

Prekoski replied that, technically speaking, moving Cheek to a trailer wouldn’t be considered a transient release.

Appearing via Zoom, Cheek urged the judge to let him move into a temporary home while a more permanent choice is selected.

“I’m a 70-year-old male; I’m very vulnerable,” he said, referring to problems with Covid-19 in the state hospitals system. “I’m out of my cell, at most, two-and-a-half hours a day.”

Cogliati set the transient release hearing for Aug. 10 at 9am but also set a court date for June 27, at 9am, to consider expanding the counties Cheek could be allowed to live in.

Mas Hashimoto, Champion of Civil Rights and History, Dies

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Mas Hashimoto, a devout defender of civil rights whose name became synonymous with his hometown after decades of service in education, community volunteerism and historic preservation, and whose unrelenting willingness to speak, write and teach about the plight of Japanese Americans during World War II made him a nationally-recognized public speaker and celebrated member of the Japanese American Citizens League (JACL), died Monday morning. He was 86.

Hashimoto had battled pulmonary fibrosis for the past three years and was recently hospitalized with complications from the disease, his wife Marcia says. The night before he died, he and Marcia relaxed in their Watsonville home, and watched the musical “Flower Drum Song,” harkening back to their days as young sweethearts when they would travel up to San Francisco to watch light opera.

“That was the last thing we did before saying goodnight,” Marcia says.

Born in Watsonville to Japanese immigrants on Sept. 15, 1935, Hashimoto and his family were among the roughly 120,000 Japanese Americans that were ripped from their homes and incarcerated by the U.S. government in 1942, months after Japan’s attack on Pearl Harbor during World War II. After the prisons were closed in 1945 and Japanese Americans were set free, Hashimoto returned home and graduated from Watsonville High School, Monterey Peninsula College and San Jose State University before becoming a history teacher at his alma mater.

His imprisonment served as the driving force behind his 36 years of teaching, decades of community service and his unreserved and unwavering advocacy for civil rights that went beyond Japanese American issues. Hashimoto told the story of his imprisonment at the Salinas Assembly Center and Poston Camp II in Arizona to anyone that would listen. His audiences included high school and college classes, hundreds gathered at social justice rallies and thousands of viewers that clicked on his TED talk

“We’ve clearly lost an icon in our community, an icon in our region and, really, in our country,” says author and historian Geoffrey Dunn. “He was the clear conscience of our community when it came to issues involving racism and social injustice. He never backed down and he never went soft. That’s a major loss. But I want to say that his work sustains itself in all the students he taught, in all the students he met with, in all community members he met with, all the community activists he worked with. That work will be sustained. It will live on.”

He never used this platform to gain notoriety, says Dunn, who as a 17-year-old high school student was inspired by Hashimoto to research and write about Santa Cruz County’s history. Rather, Hashimoto spoke about his experience to make sure his community never forgot the injustices that were committed against thousands of U.S. citizens, and to assure that they learned from the mistake.

“Part of his legacy is that he would not let this community forget that grave social injustice. That’s one pillar of his legacy, but it has a corresponding pillar, and that is that he never allowed it to happen again to any community,” Dunn says. “With Mas, it wasn’t just about the past but it was about the present. A lot of people will condemn the past but they won’t bring it up to the present. Mas always brought it back to the present.”

In 1992, Hashimoto organized a graduation ceremony for the Nisei—a person born in the U.S. or Canada whose parents were immigrants from Japan—students of the Class of 1942 who were denied their graduation because of internment. Watsonville High was the first school in the nation to remember and honor the Nisei graduates, and UC Berkeley followed later that year. 

Then, 10 years later, on the 60th anniversary of the forced removal of Japanese Americans, he organized the only reenactment of the infamous day. Called “Liberty Lost … Lessons in Loyalty,” the massive undertaking shut down a large swath of Beach Street and gained international news coverage. Hundreds of volunteers, city officials, students, civic organizations and businesses came together to pull off the event under Hashimoto’s direction.

“He was a perfectionist in a lot of ways. He had a vision that he wanted to see realized and that took a lot of work and a lot of attention to detail. He was very, very determined that his vision was going to come out,” says Santa Cruz County Administrative Officer Carlos Palacios, who was then Watsonville’s city manager. “He viewed it as a tribute to the community that had suffered from internment. In my view, that’s why he took it so seriously.”

The reenactment happened just a few months after the Sept. 11 attacks, a time in which anti-Muslim rhetoric and violence were spiking. Author, teacher and historian Sandy Lydon was a member of the reenactment’s steering committee. In a column published in the Pajaronian, Lydon says the committee had discussions about possibly canceling the reenactment, but the news of the racially motivated attacks strengthened the group’s resolve to move forward.

It was Hashimoto’s leadership, Lydon says, that guided the committee to the finish line.

“His concern about civil rights was not confined to just Japanese issues,” Lydon says. “He was alert and because he was such a powerful representative of what happened when civil rights get burned up, personally, he had a presence—he’s been there and done that.”

Those two events were just a sampling of Hashimoto’s contributions to the community. He was a co-founding officer of the teachers’ union for the Pajaro Valley Unified School District and a champion for girls’ sports and inclusive athletics through his after-school bowling club, which offered physically and mentally disabled students an avenue into competitive sports. In all, he taught nearly 7,000 students before retiring from education in 1996. His pupils include politicians, CEOs and community organizers near and far.

“Mas was a giant,” Palacios says. “He was so well respected by everyone from across the political spectrum. Whether people are on the left, on the right, no matter what ethnicity they were, no matter where they were from or what they did, they respected him.”

Marcia says that Hashimoto’s passion for teaching was largely due to the fact that he saw himself in many of his students, the majority of whom were of Latinx descent. He worked in the Pajaro Valley’s bountiful agricultural fields every summer from the age of 10 until he graduated from college. He used the money he made as a farmworker to help his family make ends meet and then to pay for his college education.

Hashimoto was also the editor of the Watsonville-Santa Cruz JACL monthly newsletter for more than 25 years and was a regular volunteer for the Watsonville Buddhist Temple, serving as the editor for the organization’s 60th- and 100th-anniversary books. Because of Hashimoto and Marcia, Lydon says, the Watsonville-Santa Cruz JACL is one of the most revered chapters of the national organization.

“There are people, both Japanese and not, throughout the region who join that [chapter] because it is so strong and because the information in their newsletter is so current,” Lydon says. “[The members] know that if there’s something that needs their attention that they missed, that Mas will get it to them. You can count on Mas.”

It was through his work with the JACL that Hashimoto made close relationships with the late Secretary of Transportation Norman Y. Mineta—the namesake of the San Jose International Airport—and former State Assemblyman Floyd Mori, who also previously served as the JACL National President and National Executive Director/CEO. Mori described Hashimoto as a “genuine” person whose commitment to telling the truth about Japanese imprisonment never waivered.

“There are not a lot of people that for years and for decades maintain a very strong commitment to a cause,” Mori says. “Mas was one of those rare people that never tired of telling his story, and because it meant so much to him people listened. You can sense that it was not just an intellectual discussion. It was something that came from his heart, and I think that’s what kept him going.”

National JACL Executive Director David Inoue says that Hashimoto’s “keen sense of justice and the relevance of the Japanese American story to so many other racial injustices will be missed.”

“We recently lost Secretary Norman Mineta, a very public figure from our community. Mas was just as important for the work he put in, especially in the Watsonville-Santa Cruz community,” Inoue says. “He built bridges between JACL and the wider community in the true spirit of coalition and community building.”

In retirement, Hashimoto was an avid golfer, skier, photographer and world traveler. Marcia says that they stayed in Africa’s famed Treetops lodge, saw shark feedings in Bora Bora, experienced the Carnival in Brazil and ventured multiple times through Asia and Europe.

“You learn so much about your own country when you travel and see other parts of the world,” Marcia says. “But in traveling all over the world, he always felt that there was no better place to live your life than Watsonville. The community, the people, the environment, was just a thing that touched his heart. It was such a beautiful life for him and he always felt grateful.”

This love for Watsonville dates back to his childhood and his imprisonment, Marcia says. Local teachers many times visited their students at the Salinas Assembly Center and even sent books to their former pupils while they were imprisoned. And when local families were transferred to Poston, many Watsonville residents would make the 500-mile trek to visit their friends in Arizona. 

“Watsonville was one of the few towns that did support the Japanese Americans before and after they were incarcerated,” Marcia says. “When they were released from the camps there were some people that met some of the families returning at the train station and bus station. The reason why Mas and other families have such devotion for and gratitude toward Watsonville is because even in those racist times and those hard, difficult times when the nation was being discriminatory against Asian Americans, people in Watsonville were wonderfully supportive.”

Just a dozen years after he was imprisoned, Hashimoto was drafted into the U.S. Army in 1958 and was assigned to the top-secret Chemical Section of the Sixth U.S. Army Headquarters in the Presidio of San Francisco. His service to his country, Marcia says, was something he was very proud of. 

Palacios says that this was one of his many admirable qualities. Hashimoto and Marcia volunteered to help with the City of Watsonville’s Fourth of July parade every year, and would often be among the first people to arrive early in the morning. 

“When I think of him, I often think that despite all that he suffered from the American government he still was a very proud patriot, he was a very proud member of this community,” Palacios says.

Despite his deteriorating physical health, Hashimoto continued to speak about his experience. The pandemic produced challenges, Marcia says, but it also provided Hashimoto with the opportunity to speak to groups over Zoom and focus his efforts on his writing. Just last month, Hashimoto wrote the lion’s share of articles in the Watsonville-Santa Cruz JACL newsletter and opined in local newspapers about issues before voters in the June 7 primary.

As he was in and out of hospitals over the past few weeks, Hashimoto told Marcia he had one final goal he wanted to accomplish: be alive in November.

“He was determined. He told me, ‘Gosh, Marcia. I hope I’m still alive in November because I got to vote,’” she says. “I know what he would want to say to the public today is please vote. Make your voice heard. It’s such an important part of what he fought for.”

Pajaro Valley Arts Porter Building Deal Inches Closer

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A deal between Watsonville and Pajaro Valley Arts for the sale of the historic Porter Building cleared one of the few remaining hurdles on Monday afternoon.

The city approved a minor land division that will allow the century-old building at 280 Main St. to be sold to the local arts organization. The move was needed because the land the Porter Building sits on was part of the same 2.41-acre parcel as the adjacent city-owned youth center and offices.

PV Arts, a nonprofit established in 1984, plans to turn the two-story, 15,000 square-foot building into a refuge for local artists with gallery exhibits, retail art space and a multipurpose room for performances, meetings, events, workshops and additional special exhibitions. The organization would also create several classrooms for seniors and young people and artists’ studios.

The organization has been in talks with the city about the building since it first presented its plan in late 2020. Negotiations were stalled at various times but picked back up last year.

PV Arts Board President Trina Coffman-Gomez said Wednesday that negotiations were still ongoing but that the two parties were only separated by “small details.” A completed agreement will likely come before the Watsonville City Council in the coming weeks.

It would mark the first time in more than a year that the council would publicly discuss the Porter Building—the discussions around the potential sale have all occurred in closed sessions.

“We’re getting closer and closer,” Coffman-Gomez said. “It’s exciting. But we want to make sure that we’re getting everything right.”

Watsonville Mayor Ari Parker said that she could not talk about the specifics of the potential sale of the Porter Building because of the ongoing negotiations. 

“Watsonville is making sure that we are working diligently in supporting PV Arts to meet their funding and closing deadlines and at the same time doing our due diligence in supporting the whole city of Watsonville,” she wrote in an email. 

The purchase of the building would be a significant move for the small but influential nonprofit. It operates out of a city-owned building on Sudden Street that it rents for $1 a year. But its programming and reach have expanded beyond Watsonville and the Pajaro Valley over the past few years.

It is not yet clear what the asking price for the building will be. Still, Coffman-Gomez says PV Arts, which in 2019 brought in a little more than $200,000 in total revenues, has the financial fortitude to purchase the building and make the renovations needed to make its vision a reality.

“Everybody is on board and is excited about this movement,” Coffman-Gomez said. “Of course, they’re nervous, which is acceptable because it’s a pretty big deal to take on, but I think we’re up for the challenge. We have the support not only from this community, the council and the arts. The time is good right now for this community to have this move forward.”

If the sale is approved, it would be another positive development for the arts community in South County. The city recently approved plans from Arts Council Santa Cruz County to establish a performing arts studio down the street from the Porter Building and passed a development fee to fund public art projects.

Santa Cruz County Criminal Justice Council Wins Award

Last month the Santa Cruz County Criminal Justice Council (CJC) announced they won a Criminal Justice and Public Safety Achievement Award from the National Association of Counties for its 2021 report on local law enforcement policing policies and procedures. 

The first of its kind in the country, the report is the culmination of 10 months of data collected by Applied Survey Research—a third-party organization—between the various law enforcement agencies in Santa Cruz County. 

The National Association of Counties calls the report “a transparent look at law enforcement policies and provides a starting point for evaluation by local law enforcement, elected leaders and the communities they serve.”

“It demonstrates when community members bring issues to their local government and collaborate with law enforcement, it can have a positive impact that benefits everyone,” explains CJC and Santa Cruz City Councilmember Justin Cummings. 

Cummings, also running for third district supervisor, worked on the report last year as a volunteer—Mayor Brunner appointed him to the council earlier this year. 

“To be recognized across the country in a criminal justice category where there’s innovation occurring throughout the nation says a lot about [Santa Cruz County’s] ability to set the stage and lead on these issues,” explains CJC Chair and County Supervisor, Zach Friend.

The report aims to provide comprehensive studies of each county agency’s procedures—where they align, where they differ and where they can improve. Some findings: Every agency sanctions the practice of “de-escalation” and bans chokeholds, neck restraints and no-knock warrants. 

Differences appear in independent auditing and oversight areas—the Santa Cruz Police Department is the only local agency participating in such a program. 

The Santa Cruz County Board of Supervisors is exploring the possibility of an independent inspector general or oversight committee for the Santa Cruz County Sheriff’s Office. The Sheriff’s Office has been riddled with numerous controversies over the last several years, including inmate deaths, sexual assault cases and accidental recording of meetings between lawyers and inmates which are federally protected as confidential. Officials expect to discuss the issue more later this month. 

“The idea was to connect it with budget hearings because we’ll be making a financial allocation,” Friends says. “And those are held in mid-June.”

The 20-member CJC body—created over 30 years ago—is made up of prominent community leaders, including two county board supervisors, Sheriff Jim Hart and Mental Health Director Erik Riera.

It is currently working on a new report detailing local law enforcement agencies’ policies and procedures when dealing with mental and behavioral health calls and issues. 

“It will look at how mental and behavioral health calls are handled,” Cummings explains. “And the experience of mental outreach workers in cities with people who are experiencing mental health issues.”

The new report is expected to be published sometime in November 2022. 

Santa Cruz County Resource Conservation District Awarded Over $390K

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Earlier this month, CAL FIRE awarded wildfire resilience grants to ten resource conservation districts (RCDs) around the state, including Santa Cruz County. The locally-run agency will receive more than $390,000 over three years.


In a recent press release about the grant, the RCD says the money will help the district and partners develop forest management plans with private landowners. The team will have an “on-call” registered professional forester and other community resources, including one-on-one support. 


Some of the award will also help fund the district’s No-cost and Neighborhood Reimbursement Chipping Programs, which incentivize residents to create defensible space around buildings in high-risk areas. 


The Santa Cruz County RCD was formed in 1942 primarily to help farmers reduce erosion and maintain soil health. Now, the special district works with CAL FIRE, landowners and community members on projects that range from wildfire prevention to watershed restoration.


Learn more about the Santa Cruz County Resource Conservation District and its projects at rcdsantacruz.org.

Things to Do in Santa Cruz: June 22-28

ARTS AND MUSIC

REBIRTH BRASS BAND RBB is a New Orleans institution—a fusion of second-line marching band music, funk, jazz, soul and hip-hop whose shows are more like parties than concerts. It all began at Joseph S. Clark Senior High School in Treme’s Lower Ninth Ward in 1983 when tuba player Phil Frazier and his brother, bass drummer Keith Frazier and trumpeter Kermit Ruffins got together. A longstanding residency at the Maple Leaf Bar on Oak Street led to bootleg recordings that eventually spread throughout the country and beyond. The outfit has landed on jazz and blues charts, guested on albums by Trombone Shorty, Robbie Robertson, John Fogerty and others, and several Grammy nods and a Grammy Award. $25/$30. Wednesday, June 22, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

SANG MATIZ The California Arts Council Endowment for the Arts and the San Francisco Arts Commission for Cultural Equity awarded the band a grant to produce their 2013 debut, Ship It! The Afro-Latin funk septet is a melting pot of musical influences fueled by accented melodies and flamenco fingerpicking. The group opened for Buena Vista Social Club Orchestra during their “Adios Tour” and shared the stage with the popular Los Angeles group Ozomatli. Sang Matiz’s fourth record is currently in the works. All Boardwalk shows are on the Colonnade Stage, located on the beachside of Neptune’s Kingdom—the dance area is in front of the stage. Free. Thursday, June 23, 8:30pm. The Colonnade at the Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. beachboardwalk.com.

BOOKSHOP SANTA CRUZ PRESENTS: NINA LACOUR Nina Lacour’s new novel Yerba Buena is a love story “for our time and a propulsive journey through the lives of two women trying to find somewhere, or someone, to call home.” Lacour is the Michael L. Printz award-winning and nationally bestselling author of Watch Over Me, We Are Okay, Hold Still and Everything Leads to You. She teaches for Hamline University’s MFA in Writing for Children and Young Adults program. Free (with registration). Thursday, June 23, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave.,Santa Cruz. bookshopsantacruz.com/nina-lacour.

RJD2 WITH DJ MONK EARL RJD2’s 2002 debut is considered a gamechanger. Dead Ringer is more than an electronica album recorded by a DJ well-versed in record production; it’s an atmospheric odyssey that showcases a comprehensive knowledge of the underground hip-hop scene and jazz. RJD2’s 2020 release, The Fun Ones, features longtime collaborators Aceyalone, Coleman, STS, and Khari Mateen, as the shape-shifting Eugene, Oregon native delves deep into 1970s funk (the Meters and Black Cesar Soundtrackera James Brown). RJ adds a mixtape-esque flow to the overall sound just because he can. $22/$25. Friday, June 24, 9pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

CARLA MORRISON WITH IRENE DIAZ Mexican singer-songwriter Carla Morrison is internationally revered: She has multiple platinum records, over 3.2 billion streams and has sold out stadiums. Writing about her mental health struggles has struck a chord with her expanding fanbase after taking a six-year break from performing live. Morrison’s music breaks through language barriers: Though most of her songs are sung in Spanish, they touch listeners no matter what language they speak. Her performance marks the debut of the UCSC Quarry Amphitheater’s partnership with Noise Pop Industries. Los Angeles-based singer-songwriter Irene Diaz opens. (Read more). $44.50/$50; $34.50/students plus fees. Friday, June 24, 7pm. Quarry Amphitheater at UC Santa Cruz, 1156 High St., Santa Cruz. quarry.ucsc.edu.

‘GREASE’ Jim Jacobs’ and Warren Casey’s adored musical follows a group of teens in the late 1950s who are steering high school’s peer pressure and crushes as they discover who they are. The lighthearted romp back in time, when hotrods and ducktail hairdos were king, brought the world unforgettable singalongs, including “Summer Nights,” Greased Lightnin’ and “You’re the One That I Want.” It also showcases the soundtrack of the generation: the music of Buddy Holly, Little Richard and Elvis. $25-60. Friday, June 24, Saturday, June 25, 7:30pm and Sunday, June 26, 2pm (runs through Saturday, July 10). Cabrillo Crocker Theater, 6500 Soquel Drive, Aptos. cabrillostage.universitytickets.com.

‘MISTER CANDID CAMERA’ Candid Camera—one of the earliest known examples of reality television—began as a radio series, “Candid Microphone,” 75 years ago. Concocted by Allen Funt, the concept is simple: Manufacture silly scenarios, toss regular people in, unknowingly, and record all the reactions. A year later, the radio show moved to television; the rest is history. Candid Camera is still the only entertainment show in TV history to have produced new episodes in eight different decades. Funt’s son, Peter’s documentary coincides with the show’s 75th anniversary. A Q&A with Peter follows the screening. $19. Saturday, June 25, 7pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

CARMEN LYNCH
“It’s hard to date someone with a child when you don’t have one,” Carmen Lynch begins. “It creates this imbalance in the relationship because my boyfriend always has to take care of his son. So, I said, ‘Why don’t we get a dog? So, you can have your kid—and I’ll have a dog. And he’s like, ‘I don’t want a dog, so I was like, ‘Then get rid of your son.’” Lynch is known for her sober tone—no subject is off-limits—and her sluggish delivery. Check out her “insincere gratitude for Donald Trump’s presidency” bit. Lynch is a regular on just about every late-night show. $25/$30. Saturday, June 25, 7:30pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

RICK ESTRIN & THE NIGHTCATS Winner of the 2018 Blues Music Award for “Band of the Year” is one of many accolades Rick Estrin & the Nightcats have racked up throughout the years. The frontman wields a harmonica with effortless prowess. Estrin’s voice also is coated in a genuinely soulful gloss. And the Nightcats take the operation to the next level with guitarist Kid Andersen, organist Lorenzo Farrell and drummer Derrick “D’Mar” Martin. $15/$20.Sunday, June 26, 4pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

COMMUNITY

BAILA Y BRUNCH All proceeds support bringing free bilingual “Positive Discipline” programs to communities across Santa Cruz and Monterey Counties. So, bid a lot on all the silent auction items. In addition to a tasty brunch buffet, enjoy guided dance instruction (experience not required). Free. Saturday, June 24, 11am-2pm. 451 Green Valley Road, Watsonville. st*******@****cc.org.

SUMMER KICK-OFF FESTIVAL In addition to live animals, courtesy of Wildlife Education & Rehabilitation Center, there will be an assortment of nature crafts, science activities and other fun-filled learning opportunities. There will also be live music from Andy Z and various food trucks. Free. Saturday, June 25, 11am-3pm. Santa Cruz Museum of Natural History, 1305 East Cliff Drive, Santa Cruz. santacruzmuseum.org.

A BENEFIT CONCERT FOR UKRAINE Ukrainian pianist Stanislav Khristenko will perform Chopin’s “Four Ballades” and pieces by Ukrainian composers Boris Lyatoshinsky and Valentin Silverstrov. “Mr. Khristenko plays with thoughtful lucidity and restraint,” the New York Times wrote. Proceeds go to Nova Ukraine, a nonprofit providing humanitarian aid to Ukrainians. $100. Sunday, June 26, 4pm. Peace United Church of Christ, 900 High St., Santa Cruz. distinguishedartists.org.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, June 27, 12:30pm. 831-457-2273. womencaresantacruz.org.

OUTDOORS

FOOD TRUCK FRIDAY The popular community gathering celebrates seven years of delicious food served by some of the best local food trucks. There will be live music and the “very popular” beer and wine garden. Leashed canine pals are welcome. Free. Friday, June 24, 5pm. Skypark, 361 Kings Village Road, Scotts Valley. foodtrucksagogo.com.

SANTA CRUZ SANDHILLS TOUR Experience Santa Cruz’s most sensitive ecosystem, the sandhills, during a two-mile guided walk. Learn about the habitat’s formation and the unique plants and animals that have adapted specifically to the area. Meet at the campground amphitheater off Graham Hill Road and journey through a breathtaking setting in the mountains. Free ($10/daily use parking fee). Sunday, June 26, 9-11am. Henry Cowell Redwoods State Park, 101 North Big Trees Park Road, Felton. thatsmypark.org.

Bob Dylan’s Mentor Ramblin’ Jack Elliott Tells Little-Known Tales About the Icon

About nine years ago, folk legend Ramblin’ Jack Elliott (who turns 91 on Aug. 1 and continues to perform live) and Bob Dylan crossed paths after Dylan performed a show in Oakland. Before that, Elliott couldn’t remember the last time he had spoken to him.

“When [Dylan] was heading for the bus after the show, I said, ‘Good set, Bob,’” Elliott recalls. “Bob says, ‘Hi Jack.’ I said, ‘I love you, Bob.’ He said, ‘I love you, Jack.’ That was fantastic—we had never declared our love verbally.” 

Before Dylan disappeared into his tour bus, he stopped and looked at Elliott.

“He said, ‘912,’” Elliott says. “I’ve only written about two songs, and ‘912 Greens’ is one of them. I said, ‘You know, Billy Faier [a banjo picker referenced in the song] is alive and has a house in West Texas?’ Bob says, ‘What do you know?’ Then he got on the bus, and that was the end of that. Pretty long conversation for Bob. You don’t know what to expect with him.”

Elliott and Dylan first met in 1961, visiting the hospital where Woody Guthrie was being treated for pneumonia—the shy teenager had just arrived in New York City from Minnesota on a mission to become a folk musician and learn from the master. Meanwhile, Elliott had just returned from Europe, where he had spent several years busking, traveling and recording several albums. He discovered that Dylan owned his first record, Woody Guthrie’s Blues. With Guthrie held up most of the time in the hospital until his 1967 death, Dylan latched onto Elliott, who had essentially learned most of his chops from Guthrie. 

Dylan moved into the Hotel Earle in Washington Square, just down the hall from Elliott. Folk musician Peter La Farge also lived on the same floor. Elliott took Dylan under his wing, as Guthrie had for him. He took Dylan to get his union card so he could perform at “legitimate” venues, including Gerde’s Folk City, the neighborhood bar—with a notoriously tough audience—where Dylan played his first show.

Dylan skyrocketed to international superstardom, and Elliott rarely saw him. But once in a while, Dylan would reappear. One of those occasions was in the early ’70s, while Elliott was performing regularly at the Other End (formerly and currently called the Bitter End) in Greenwich Village.

“Bob showed up one night and brought along his date, Patti Smith,” Elliott says. “I had never heard of her. The evening came to a close, and I was in the office getting paid, and Bob walked in, handed me a glass of wine, and said, ‘Hey Jack, we’ve been talking about an idea, and wonder if you’d be interested. We’d like to do a tour with a van and play little churches, theaters and stuff—maybe you, me, Bobby Neuwirth and Joan Baez [luminaries including Allen Ginsberg and Joni Mitchell also jumped on board].’ I said, ‘Count me in.’”

Six months later, Neuwirth showed up to Elliott’s regular gig at the Other End. Afterward, they headed to Neuwirth’s apartment, where he called Dylan.

“They talked for a long time, and then he put me on,” Elliott says. “‘You remember that thing we talked about in New York?’ Bob says. I said, ‘Yeah, the van trip?’ ‘Yeah,’ he said. ‘It’s on. We’re gonna do it in November.’ I said, ‘Okay, November.’ Bang! That was all.”

The storied Rolling Thunder Revue—a freewheeling countercultural cavalcade unlike anything else—kicked off in 1975. They played 31 shows in 35 days.

“Nobody knew what they were getting themselves into,” Elliott says. “We were just happy to be there.”

Between the drugs and freak flag-flying gimmickry, Elliott highlights some of the decisive moments, including an invitation to an Indian reservation in upstate New York, where the rowdy troubadours were treated to a dinner with the tribe. 

“Bob suddenly stood up [during dinner] and started playing, first like he was fishing for the words, and then it came, it all came out, and he walked up and down the aisle in the dining room with tables, singing [Peter La Farge’s] ‘The Ballad of Ira Hayes,’” Elliott recalls. “Everybody was very moved. I was thrilled.”

In addition to Dylan’s earnest delivery of the La Farge classic, inspired by the story of the Native American who helped raise the flag on Iwo Jima, other moments were equally unexpected and equally emotionally charged. The day before a benefit concert for Rubin “Hurricane” Carter at Madison Square Garden, Dylan, Baez, Mitchell, Roberta Flack, Roger McGuinn and Elliott performed a hush-hush show at the medium-security prison in New Jersey where Carter was serving time. The MSG show raised $100K for the prize fighter who was falsely charged and subsequently found guilty of murder he didn’t commit. 

Following Rolling Thunder, Elliot’s and Dylan’s paths crossed less frequently. Of course, whenever Dylan performs close by and Elliott is in town, he tries to meet up, but their schedules rarely align. 

Over the years, Elliott has incorporated about six Dylan songs into his repertoire. Three of those six touch him most profoundly: “Don’t Think Twice It’s Alright,” “I’ll Be Your Baby Tonight” and “God on Our Side.”

Elliott recently made it to two of Dylan’s shows at the Fox Theatre in Oakland. On the second night, Dylan played “I’ll Be Your Baby Tonight.” He growled the line, “bring that bottle over here,” as Elliott does when he performs it. After the performance, Elliott had a chance to visit with Dylan for a couple of minutes. 

A close friend of Elliott says it was a magical, joyous reconnection between the two. A new dimension in their long relationship.

“I was thrilled to see Bob, and Bob was happy to see me,” Elliott says.

Bob Dylan plays Thursday, June 23, at 8pm at the Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. The show is sold out.

Street Freak Explodes onto the Local Punk Scene

Someone once told me, “As long as there’s a pissed-off kid in a garage with a guitar, punk rock will never die.” Personally, I think we’re much better as a society for that simple fact. Punk music reminds us to refocus our priorities away from celebrity gossip, material possessions and the distractions society feeds us, and focus on helping our fellow human, enjoying the simple things in life and navigating the world as our most authentic selves, all with crunchy guitars and singable choruses. 

Armed with this criteria, local newcomers to the Santa Cruz punk scene Street Freak are shredding the pavement, taking no prisoners—and audiences can’t get enough. 

“We’re blown away that we’ve got as much attention as we have,” says guitarist and vocalist Marco Chavez. 

Bassist Holly Boyd agrees. 

“They say when you join a band you’ll only ever play to four people,” she explains. “Then I joined this band and it’s like, ‘Oh, that’s not only four people.’”

That’s because Street Freak has already performed for big crowds, opening for legendary acts like Agent Orange, popular underground hardcore acts such as TØRSÖ, and local favorites like Dark Ride and Give You Nothing. 

And their oldest member is only 21. 

“We’re still a younger, newer band,” says guitarist and vocalist Shane Bauleke. “But everyone in the scene has been welcoming and supportive. We love to be a part of it.”

Street Freak–which takes its name from the 1960s and ‘70s muscle cars with big engines and even bigger tires (think of the Rat Fink cartoon car by Ed “Big Daddy” Roth)—started in December 2019 when brothers Shane Bauleke and drummer Kai “Vanilla Gorilla” Bauleke were introduced to Chavez through a mutual friend. They formed a quick bond over their love of punk rock and skateboarding, and were joined by original bassist David Schulman. 

Soon after they started playing, the world shut down. But that didn’t stop Street Freak from kicking it into high gear. 

“It gave us a lot of time to practice,” Chavez remembers. 

All that practice resulted in their debut demo, Bandemic, a five-song study in classic punk rock. One part Ramones, one part Descendents, with dashes of Fat Wreck Chords and hardcore style bands sprinkled throughout, the demo takes influence from the breadth of punk rock history. Each song sounds familiar, but you just can’t quite place it, in the best of ways. It’s like rediscovering your favorite music for the first time. 

“We’re not trying to stick to one genre of punk, we’re just playing punk,” Shane says. “We come out as more hardcore in some and more melodic in others.” 

It’s a representation of the band’s ethos: don’t pretend to be something you’re not. 

“Punk is about being unapologetically yourself,” states Boyd, who joined the band in February.  

Chavez agrees. “The Descendents write about not being the coolest guy, and I’m not the coolest guy,” he explains. “We want to write songs that are relatable.”

True to their word, the first song off Bandemic—”Cool Like You”—is an anti-popularity song written from the perspective of the outsiders looking in and rejecting what they see. 

Their catchy melodies, fast chords and addictive choruses—as well as their status as the youngest punk band currently carrying the banner in the Santa Cruz scene—have made Street Freak a favorite among their older peers. Members from Scowl, Give You Nothing and Dark Ride have all expressed their love for the newcomers, putting them on shows whenever they can. 

Their show on June 25 at Urbani Cellar will be the last time audiences will be able to see Street Freak before they take a break to record their upcoming full-length, which they say will be faster and tighter than Bandemic. 

“It will be different from our demo, with some new songs and a lot from our live set,” describes Kai Bauleke. 

“We’re hoping to stretch this one out a little more, and not do it all in a single day,” says Shane with a laugh. “That was a bit rough.” 

Street Freak opens for Give You Nothing on Saturday, June 25, 7pm at Urbani Cellar, 140 Encinal St., Santa Cruz. Also performing are Generation Hopeless, Failing Up and Last Point. 831-515-3213.

Letter to the Editor: Masquerade of Vision

Re: “Measure D-railed” (GT, 6/15): The salient fact remains that if the railway were economically viable, it would already be in use. The RTC acquired a quaint relic that cannot survive in the current world without the endless life support of public funding. The original line was a functioning product of capitalism; it was a response to an existing need that would pay for its development, and maintenance, at a profit. Whatever is in the works now is not that same mechanism. I won’t call it “socialism,” but it is the government attempting to develop the railway and hoping there is sufficient real need afterwards to pay for it. This is not sound investment; this is pure liberal politics masquerading as visionary virtue, like Newsom’s already crumbling and never-to-be-finished bullet train to nowhere. What we have here is simply a mess of abandoned, untenable, liability-generating track the previous owners were savvy enough to unload on the first sucker that came along, the SCRTC.

Bill Kennedy

Ben Lomond


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Letter to the Editor: Masquerade of Vision

A letter to the editor of Good Times
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