Music Picks May 31—June 6

Music picks for the week of May 31, 2017

THURSDAY 6/1

COUNTRY

JACKIE LEE

Hailing from Maryville, Tennessee, Jackie Lee is one of the rising stars of pop-country music. The baby-faced artist grew up singing in church with his three-piece band and listening to his dad’s classic country music. But Lee’s mom had a soft spot for ’80s pop music, and exposed the young Lee to artists like Michael Jackson and Phil Collins. Lee’s first foray into the Nashville music machine was as a straight-ahead country artist, but after his mom’s death in 2016, he did some soul-searching and decided to bring more of his influences into his music. The result is radio-friendly country music accented with electronics and what’s been dubbed a “modern sound.” CAT JOHNSON

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 423-1338.

THURSDAY 6/1

FUNK

ELEKTRIC VOODOO

In many ways, San Diego’s music scene mirrors that of Santa Cruz’s. For instance, both cities loves good solid live dance music. Elektric Voodoo is a new band out of the great laidback southern California city that featuring lots of local faces people entrenched in the scene down there will be familiar with. The members have played with Jon Spencer Blues Explosion, G-Love, and Grace Potter and the Nocturnals. The band takes a lot of popular styles (blues, funk, swirling psychedelic rock, Latin music) and casually blends it together into a fun, feel-good, positive-vibe-filled package. AARON CARNES

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

THURSDAY 6/1

FOLK/FUSION

JAYME STONE’S FOLKLIFE

If you’ve been around folk music for any length of time, you’ve likely heard the name Alan Lomax. An ethnomusicologist, folklorist, archivist, musician, activist and more, Lomax captured and preserved countless field recordings from the early to mid-20th century. On Thursday, Jayme Stone, who’s been dubbed “the Yo-Yo Ma of the banjo,” and his musical collaborative pay tribute to the Lomax legacy by reworking a number of songs from the Lomax collection, including Appalachian ballads, work songs, a cappella singing from Georgia’s Sea Islands and Bahamian sea shanties. CJ

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $27/door. 427-2227.

FRIDAY 6/2

CELTIC

WAKE THE DEAD

Tired of the same old cover bands? Then Wake the Dead is here to let the songs fill the air with a unique twist. Since the year 2000, the seven-piece jam band has covered everyone’s favorite Grateful Dead songs—along with classic, 1960s standards—with Celtic flavor, turning the twirling Deadhead dances into Irish jigs. The Bay Area band is touring off its fourth album, Deal, which was actually one of two records it released last year. So light a candle for St. Stephen, adorn your hair with scarlet begonias and get those chips cashed in to keep on truckin’ this Friday at the Kuumbwa. MW

INFO: 8 p.m. Kuumbwa, 320 Cedar St. #2, Santa Cruz. $20. 427-2227.

FRIDAY 6/2

ROCK

JESSE COLIN YOUNG

One of the finest songwriters of our time, Jesse Colin Young has been singing about social justice, peace and the environment for the last 50 years. An Americana artist before Americana was a thing, Young fuses American roots music with rock, blues, folk and jazz—even bringing horn players into his band—to create a genre-transcending sound of his own. And holding the whole thing together is Colin’s honest, enduring voice. CJ

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30/gen, $45/gold. 423-8209.

SATURDAY 6/3

INDIE

PRISM TATS

LA’s Prism Tats is a rock ’n’ roll outfit much in the way that Tom Waits plays American roots music. In other words, the elements are all there, but it just sounds strange when it’s all put together. Prism Tats’ self-titled debut album was released last September, and is the solo creation of Grant van der Spek, originally from South Africa, and lover of all things rock, as well as crazy waking dream sub-realities and drum machines. He somehow takes these primary colors to make a painting that feels like what would pass for Picasso’s version of the Beatles. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

SATURDAY 6/3

REGGAE

ITALS

The Itals were one of the great multi-vocal, roots reggae harmony groups in the ’70s, though not as huge as many of the household names from that time. They really found their footing in the ’80s when the easy-grooving, Rasta-loving reggae sounds were being replaced by aggressive, hip-hop-influenced dancehall. The Itals were one of the key groups that helped keep the reggae flame lit during that time. They continue to do so to this day. Ancestree Reggae opens. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

SATURDAY 6/3

ROCK

JOYRIDE & HEARTLESS

Sometimes a cover band comes along that nails the tribute songs so well, it becomes a phenomenon on its own. This Saturday Don Quixote’s has not one, but two of these rare gems. Joyride has been the Bay Area’s premiere—and only—Cars tribute band delighting audience members with the pop hits of Ric Ocasek, Benjamin Orr and the rest of the New Wave boys. On the opposite end of the spectrum, Heartless delivers the sounds of ’70s female-fronted hard rock group Heart. Both acts transcend time with classic hits that are good for every magic man and even your best friend’s girl. MW

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

MONDAY 6/5

JAZZ

JEAN-LUC PONTY

When French violinist Jean-Luc Ponty appeared on the jazz scene in the late 1960s, the instrument hadn’t contributed anything new to the genre for more than a generation. Plugging in, the conservatory-trained master muscled his way into era-defining jazz/rock fusion bands like John McLaughlin’s Mahavishnu Orchestra, while blowing away rock and pop audiences with Frank Zappa and Elton John. On this tour, the 74-year-old innovator is revisiting some of the ambitious compositions from his prolific Atlantic years (circa 1975-85) with some of the players who recorded with him in the 1980s, including   keyboardist Wally Minko, guitarist Jamie Glaser, bassist Baron Browne, and drummer Rayford Griffin (a nephew of trumpet legend Clifford Brown). 
ANDREW GILBERT

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $32/gen, $45/gold. 427-2227.


IN THE QUEUE

DEVA PREMAL & MITEN

Spiritual chant masters. Wednesday at Rio Theatre

T.I.

Hip-hop out of Atlanta. Thursday at Catalyst

HARPIN’ JONNY & THE PRIMADONS

Rock, groove and blues. Friday at Don Quixote’s

ROYAL JELLY JIVE

Soul, rock, swing and hip-hop fusion. Friday at Moe’s Alley

KENDRA MCKINLEY

Bay Area chamber-pop. Monday at Crepe Place

Giveaway: Blackheart Burlesque

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Since their website launched in 2001, the pierced and tattooed women of SuicideGirls.com have excited every gender with their scandalously provocative pictures and videos. In the last four years, the women have taken their show on the road, performing burlesque around the country and globe. See your favorite Suicide models as they return to the Catalyst and seductively strip and shake to pop culture themes like Star Wars, Legend of Zelda, A Clockwork Orange and more. Since this is a burlesque show, no one under 18 is allowed.


INFO: 9 p.m. Tuesday, June 20. Catalyst, 1011 Pacific Ave., Santa Cruz. $25-$135. 429-4135. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, June 14 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Decrepit Birth

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“I would say preparing for the tour after three years was a little nerve wracking,” says Santa Cruz native Matt Sotelo. “When you’re touring more often, you’re more in the zone.”

The guitarist is referring to the three-year hiatus that his band, local death metal act Decrepit Birth, took after 2014. Earlier this year the metalheads hit the road again, hyping their first new record in seven years, Axis Mundi, to be released on Nuclear Blast Records on July 21.

“The reaction to our new songs live has been more positive than any other in the past,” he says. “They were written to be more live-friendly anyway, so that doesn’t surprise me.”

While the band officially started in 2001, the origins of Decrepit Birth can be traced back further than that. Locals might remember seeing them play house shows on the east side of town as far back as 1995, before blast beats and technical guitar riffs in metal went mainstream. In 2003, the band dropped its debut album, . . . And Time Begins, a brutal release of straight-up death metal with crunching songs and guttural vocals. But after the release of their third full-length, Polarity, Decrepit Birth decided a break was in order.

“My wife and I had our son right after Polarity, so that was a big factor,” Sotelo explains. “But even then, we continued to tour for four years after Polarity came out.”

For Axis Mundi, Sotelo, singer Bill Robinson—also a Santa Cruz native—drummer Samus, and bassist Sean Martinez, knew they wanted to do something different. The result is a hybrid of what Decrepit Birth has done in the past with chaotic and experimental technical death metal riffs, and a return to the genre’s roots with songs like “Epigenetic Triplicity,” a 250-beats-per-minute assault on the senses. As with the band’s previous work, the cover art is by renowned metal artist Dan Seagrave, who has worked with other heavyweights like Morbid Angel and Entombed.

So does this mark the official return of Decrepit Birth for the foreseeable future?

“There are a bunch of options on the table for us, but we haven’t decided on anything yet,” Sotelo divulges. “As for more hometown shows, that’s up to Santa Cruz.”


INFO: 6:30 p.m. Sunday, June 4. Catalyst, 1011 Pacific Ave., Santa Cruz. $22/adv, $25/door. 429-4315.

Opinion May 31, 2017

EDITOR’S NOTE

There’s a story in our news section this week about the latest study of activity along the San Lorenzo River. As you’ll see, estimating how many people are using the riverwalk, and whether that number is trending upward, is complicated, but take a look at the data on how people are using it. There’s no doubt in my mind that the positive changes around that are because of the effort that the people behind Ebb and Flow have put into changing Santa Cruz residents’ minds about the river, and in some cases really opening their eyes to it for the first time. Ebb and Flow is a fun festival and a great art celebration, but underneath that, it’s also a source of healing for a part of our ecosystem that has been neglected and downright exploited for too long. There’s a quote in Brendan Bane’s cover story this week that really jumped out at me: “The river has a long history of insults and abuse.” It’s such a visceral way to think about how the San Lorenzo has been treated for the last century and a half. It also makes it easier to understand that part of the healing that needs to be done is psychological, which is why not only the festival itself but also the incredible educational effort that Ebb and Flow organizers have made around the river is so important.

The other part, of course, is physical, and as more and more attention has been given to the river over the last couple of years, I’ve noticed that people are more interested in the science of the San Lorenzo. This story is the best dig into the details of its recovery and the challenges it still faces that I’ve read. Here’s hoping this year’s Ebb and Flow sees even more locals discovering this fascinating other world right in their backyard.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Point Taken

Re: “Point of Return” (GT, 5/24): The proposed development of San Lorenzo Point has some worthwhile elements, but is overdone. This corner of Seabright State Beach has a craggy bluff with stunning views of the beach, river, ocean, and Boardwalk. The article states that one of the proponents “would love to pave over the cliff and put some kind of retaining wall around it.” This is too much. I think, like some of the other neighbors, that this much construction, especially going all the way out to the point, is out of keeping with the rawness of the place. Any development should enhance safe access to the entry area and honor the unique history of surfing here, all the while being as unobtrusive as possible: improvements in the entryway to address the muddy, uneven walkway; sit places; a surfer plaque; possibly one stairway to the beach; and native plants to replace the non-native invasives.

Jeb Bishop | Santa Cruz

Poverty and Reality

Until a recent encounter with a homeless census taker at a Food Not Bombs feeding, my general formula for homeless abject poverty was: for one third of the homeless, it’s a lifestyle choice, one third are mentally ill and one third have no safety net. It was expressed to me that the reality as indicated by recent surveys in California is 60 to 70 percent of those experiencing homeless abject poverty are mentally ill.

It is rather ludicrous that these folks can be expected to show up for work on time, let alone function rationally. Homeless abject poverty cries out for immediate remediation, not chain gangs and other forms of applying “Biblical principles” like Proverbs 26:3 literally: “A whip for the horse, a bridle for the ass, and a rod for the fool’s back.”

The inherited wealthy are, of course, excluded. Indeed, back to the Bible, 2 Thessalonians 3:10: “For even when we were with you, this we commanded you, that if any would not work, neither should he eat.” Now, we all know this tenet of the true faith is preached religiously from every pulpit to the American inherited uber-rich in 2017, just like opposition to fugitive slave laws was preached fervently by Southern Baptist ministers in the antebellum American South.

But hey, like Sinclair Lewis says in his 1927 masterpiece Elmer Gantry about the Bible, we’ll just have to buckle down and “reconcile contradictions.”

Bob Lamonica | Santa Cruz

Online Comments

Re: Pete the Poet

I had the pleasure of meeting Pete last summer at Wellstone. He was humble and gracious. After we participated in open mic, I was fortunate enough to exchange pleasantries with Pete, and—as so many others had—encourage him to share his works with the world. Listening and talking to Pete was akin to having an encounter with the most beautiful yet flawed of what humankind has to offer. Someone honest enough to share his fears and discomforts about the human condition is truly an anomaly in this narcissistic/detached world. With so few people like Pete around, I am truly happy to have been in the right place, at the right time to have met one of the least and best of us. Farewell Pete.

— Felton Foushee


PHOTO CONTEST WINNER

Submit to [email protected]. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

ROADSIDE ASSISTANCE
Pick your poison. Do you like to inch along in gridlock Highway 1 traffic during rush hour, or do you prefer cruising along from one red light to the next on Soquel Drive? Perhaps you prefer sitting at home waiting for the day the county may one day possibly have passenger rail service. The Santa Cruz County Regional Transportation Commission wants those insights in a survey for its Unified Corridor Study. For more information, visit sccrtc.org.


GOOD WORK

VINTAGE LOOK
The city of Santa Cruz is hosting the Garage Sale Weekend on this Saturday, June 3 and Sunday, June 4. The 18th annual event, which used to happen each fall, is a great way for people to shop for that perfect set of tools they need and maybe even unload a bunch of used junk (um, we mean precious collectibles!) that might otherwise end up in the landfill. To learn more, visit cityofsantacruz.com/garagesales.


QUOTE OF THE WEEK

“A day without sunshine is like, you know, night.”

-Steve Martin

5 Things to Do in Santa Cruz This Week

Event highlights for the week of May 31, 2017

Green Fix

Poetry Reading at Alan Chadwick Garden

open book with heart pagesCelebrate the garden that helped launch the organic farming and gardening movement in the U.S. with Alan Chadwick Garden’s 50th anniversary. This year’s festival will feature an afternoon of poetry and music from noon to 2:30 p.m. Folk harp player Shelley Phillips, the 2017 Santa Cruz Artist of the Year, will play, and nine regional poets—including Angel Dominguez, Michael Hannon, and Persis Karim—will read their work.

Info: Noon – 2:30 p.m. Saturday, June 3. Alan Chadwick Garden, 245 McLaughlin Drive, Santa Cruz. casfs.ucsc.edu. Free.

 

Art Seen

Pride Santa Cruz

popouts1722-art-seenJoin forces with Santa Cruzans to cheer on the local LGBTQ community for the biggest pride parade on the Central Coast. In this queer visibility action, local organizations, allies, supportive groups, churches, candidates, ensembles, parents, performers and children show pride, enthusiasm and love. The parade kicks off at 11 a.m., followed by a festival from noon until 4 p.m. featuring dance, vendors, spoken word artists, musicians, food trucks and a kids’ space. All ages are welcome for this family-friendly Pride event.

Info: 11 a.m. Sunday, June 4. Pacific Ave. & Church St., Santa Cruz. santacruzpride.org. Free.

 

Wednesday 5/31

Irwin Scholarship Award Exhibition Reception

popouts1722-irwinThe Mary Porter Sesnon Art Gallery presents their 31st annual Irwin Scholarship Award exhibition. UCSC’s most promising emerging artists from the art department will showcase paintings and photos that transcend the boundaries of 2D representation while video and audio works will create a more intimate experience between spectator and artist. The exhibition explores the contemporary consciousness through an unconventional lens, with a rich collection of works that delve into the personal as political, expanding individualized themes into a larger social, political, environmental framework.

Info: 5:30 – 7:30 p.m. Sesnon Gallery at Porter College, UCSC, 1156 High St., Santa Cruz. art.ucsc.edu/sesnon. Free.

 

Friday 6/2

Abbott Square Preview Night

popouts1722-abbott-squareEver find yourself on your lunchbreak, the weather gorgeous, the birds singing, looking for a place to sit outside and bask in the glory of downtown? Finally, the time has come. Four years in the making, the new community plaza and marketplace will soon be open to the public and this Friday, June 2, community members will be able to get a sneak peek. Festivities will kick off with Camille Utterback (above) discussing her work, followed by live music, art activities, yoga classes, and free exhibitions. The evening will conclude with the beginning of the Ebb and Flow Festival.

Info: 5-9 p.m. 705 Front St., Santa Cruz. santacruzmah.org. Free.

 

Saturday 6/3 – Sunday 6/4

Redwood Mountain Faire

Two stages, 22 bands: the favorite mountain faire for all family members is back for its eighth year on Saturday and Sunday, June 3 and 4. With expansive grassy meadow, shady oak trees and a cooling creekside, the Redwood Mountain Faire offers a faire experience that none else can. With every genre of music represented the faire blends styles and rhythms to provide funds to over 20 Santa Cruz County nonprofits, schools and service organizations. This year’s lineup includes Americana legends and Grammy winners Dave Alvin and Phil Alvin (above) with the Guilty Ones, plus Carolyn Wonderland, Cracker, Katdelic, Poor Man’s Whiskey, and more.

Info: time. Roaring Camp, 5401 Graham Hill Road, Felton. redwoodmountainfaire.com. $20-$45.

What is the best invention ever?

“Velcro, because it’s convenient and I wear it on my shoes.”

Owen Tate

Santa Cruz
Retired

“The bicycle, because it’s cheap fun transportation.”

Rusty Willingham

Santa Cruz
Retired House Painter

“Probably the cotton gin. ”

Ben Rodriguez

Santa Cruz
Retired

“The Makey Makey. You can make anything in this world into a keyboard key and play with it.”

Mars Nelson

Santa Cruz
Education Sales Rep

“Crackers and cheese. Cheese is very healthy, if you don’t have too much, and tastes phenomenal, and it comes in all colors.”

Heather Ritzman

Santa Cruz
Advertising Executive

UCSC Forensic Anthropologist Reveals What Crime Shows Leave Out

When faced with the thought of their own deaths, people sometimes wonder: What will become of my remains? Who will discover the body?

It may seem impossible to know such answers, but Alison Galloway has the grotesque visitation schedule down to a science.

“Typically, the flies are the first to arrive,” Galloway says.

Galloway is a professor of anthropology at UCSC, where she specializes in the study of human skeletons. She often works with law enforcement agencies as a forensic anthropologist, identifying and analyzing human remains.

Galloway visits the Rio Theatre on June 6 to share stories from her many years as a world-renowned expert and to talk about what happens when we leave our bodies behind. “I want to remind people that we are part of the cycle,” says Galloway, who served as UCSC executive vice chancellor from 2010 to 2016, “and that our bodies behave the same way as any other carcass.”

Galloway’s talk—“Life of the Dead: The Natural History of Human Decomposition,” organized by the Santa Cruz Museum of Natural History—will explore the processes that unfold within a freshly dead human carcass, and it won’t be for the faint of heart. The old “Hearse Song”—about creepy crawlers going to town on the body—isn’t far off.

Blow flies, Galloway says, are among the first to find the carcass, and they thrive on human flesh. Females must lay their eggs in the nutrient-rich tissues of dead creatures. They use their antennae to pick up on the volatile compounds released from desiccating bodies.

Next, rigor mortis sets in as calcium accumulates in the muscles and blood pools in the lower body parts. Oxygen deprivation kills the cells that compose our tissues, and they eventually spill their contents, marking the onset of putrefaction.

The body then bloats, Galloway says, swelling up and eventually beginning to dry—either quickly or slowly, depending on the environment. Other organisms—from flies and fungus to bacteria and beetles—visit the body at reliably specific stages. These phases signal clues as to the time of death.

Beetles, Galloway says, are among the last creatures to show up, as they prefer consuming the “drier, leathery flesh.”

“She’s not only an expert. She’s also a very good storyteller,” says Heather Moffat McCoy, executive director of the Museum of Natural History, which hosts a speaker series to welcome scientists like Galloway. “I think this topic in itself is fascinating, but I also think she’ll share it in a wonderful way.”

McCoy says the museum’s mission is to connect people to the natural world. That’s something they strive for in various programs, from teaching kids how animals move in nature to more “adult programming” like Galloway’s upcoming talk.

Galloway began her career in archaeology. As she excavated artifacts and tools from dig sites in the American Southwest and Ethiopia, she felt most fascinated by bones. Soon she met a forensic anthropologist, and her path was forged. Once she completes her sabbatical this year, Galloway plans to return to teaching courses in forensic anthropology and skeletal biology at UCSC.

Galloway realizes the career she’s chosen often gets dramatized on crime-centric television shows, creating misconceptions about what it is forensic anthropologists actually do.

“In a lot of crime shows, the anthropologist is heavily involved in the investigation, running around interviewing people,” says Galloway. “We don’t do that. We don’t carry a gun or go looking for serial killers in the middle of the night. It’s just not what we do.”

Instead, Galloway interviews the skeleton—the body its own miniature ecosystem. But to get there, she has to get past the flesh. “To put it politely, we have to extract the skeleton,” says Galloway.

“It’s not a pleasant process,” she adds.

First, she must “deflesh” the skeleton, cutting away gobs of soft tissue. Then, she sets the bones in an incubator, which loosens up any remaining flesh that can be washed away. This process, she adds, is often left out of crime drama shows.

One case, she recalls, ended with a full confession from the killer.

“I had drawn my conclusions,” says Galloway, “when just before we went to trial, they asked, ‘Would you like to hear his confession?’ I said, ‘Yeah, I would!’”

In it, the killer had detailed every bit of damage, explaining how he’d cut through the victim’s chest and twisted her neck. The details of the confession matched Galloway’s conclusions exactly—“I could literally go down and link an injury to everything he said he’d done,” she says.


Alison Galloway’s June 6 presentation at the Rio Theatre is part of the Santa Cruz Museum of Natural History’s twice-annual speaker series, where researchers from different scientific disciplines share their work in engaging and accessible ways. Tickets are $15-$30.

Studying the San Lorenzo River and Keeping Pollutants Out

As fans of both the San Lorenzo River and the Santa Cruz art scene prepare for Ebb and Flow’s June kickoff (see cover story), the Coastal Watershed Council is wasting no time looking into whether or not efforts to get more people to enjoy the river are actually working.

The council released the data in May with its annual Riverwalk Usage Study report. Since 2014, council volunteers have observed and tracked the activities of thousands of riverwalk visitors as they bike, stroll, skateboard, and run along the city’s longest park.

“There are fewer people using the riverwalk,” says Alev Bilginsoy, Coastal Watershed Council river scientist, adding that they’ve noticed a 20 percent decrease in visitors between summers in 2015 and 2016. Bilginsoy adds that the decrease may be loosely linked to more sunny days in 2015.

“The study began in a drought year,” says Bilginsoy. “That means consistently better weather, which invites more people outdoors.” And although there was a decrease in biking and walking from 2015 to 2016, that doesn’t show the whole picture.

Leisurely activities like dog walking, running, and skateboarding all increased along the river levee paths over that year. The watershed council reported a 26 percent increase in the number of visitors who choose to relax in the park since the study began in 2014. So while fewer folks appear to be visiting the riverwalk, those who do seem to spend more time hanging out.

June was the busiest time for the riverwalk last year—perhaps an indicator that it’s a great time for a public art event like Ebb and Flow. Or maybe it’s a sign that the celebration is working. Volunteers counted 98 percent of people engaged in “positive activities”—a slight increase from previous years—and only 2 percent engaged in negative ones like camping, drinking and drug use.

And on the note of positivity, the Coastal Watershed Council launched a campaign on Wednesday, May 24 to try and reduce the amount of contaminants that run into the river. Greg Pepping, the nonprofit’s executive director, is asking people to pick up after their pet waste immediately, even in their own backyards, and keep their gutters dry of harmful contaminants.

He also suggests people get their sewer connectors checked, because any outflow failure on the line runs off into the river, and the city has announced an ordinance to require homeowners to do it when they buy or sell a house.

“There’s not a treatment plant for runoff,” Pepping says. 

Cracker to Headline the Redwood Mountain Faire

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Sometimes when you’re making an album that’s destined to be a rock classic, you have to take the time to stop and ask, “Hey guys, is this too dumb?”

“I mean, literally, that was a question that was asked,” says David Lowery, frontman for Cracker, about the writing of “Happy Birthday to Me,” a song off the band’s self-titled debut album. This year is the 25th anniversary of that record, which began the second act of Lowery’s career after the break-up of Camper Van Beethoven two years earlier, at the height of their run as one of the most successful bands ever to come out of the Santa Cruz music scene.

Lowery recalls that one of the songs he was working on at the time didn’t have a chorus. “And then it was like, ‘if we do a ‘Happy Birthday to Me’ song, maybe it’ll get played when people need to play a happy birthday song. If you think about the rest of the song, it doesn’t have anything to do with a birthday. So I’m trying to figure out a chorus, and I go ‘Is this too dumb?’”

The gist of the response from the band, says Lowery, was “Well, kind of, but kind of not.” He took it as a green light.

Strangely enough, his hunch that it could turn into a semi-official birthday song—despite lines like “I remember you/You drive like a PTA mother” and “Sometimes I wish I were Catholic/I don’t know why”—seems to have been on the money.

“We get royalties for public performance, and ‘Happy Birthday to Me’ is hands down the winner on that album,” says Lowery.

There’s been an interesting bigger shift since the album was released; at that time, the unofficial single “Teen Angst,” with its Alternative-Nation-anthem chorus “What the world needs now/Is another folk singer/Like I need a hole in my head” was the song that got all of the attention. (It’s probably also the song that got Lowery branded a diehard cynic, a tag that continued to dog him after Cracker found platinum-selling success with their next record, 1993’s Kerosene Hat, and its singles like “Low,” “Get off This” and “Eurotrash Girl.” Fans of Camper Van Beethoven, however, were more likely to recognize Lowery’s love of writing flawed and sometimes downright unlikeable characters as first-person narrators, à la “All Her Favorite Fruit,” “Tania” and a number of other Camper classics.)

Over time, however, it’s the weirder songs off of Cracker that have eclipsed “Teen Angst” as fan favorites and proven to have the most staying power, like the dating-nightmare-a-thon “Mr. Wrong,” the Southern Gothic “Dr. Bernice” (Baby, don’t you drive around with Dr. Bernice/She’s not a lady doctor at all”) and, of course, “Happy Birthday to Me”—which in fact was promoted to a final encore number for some shows on the band’s recent tour of Spain, though Lowery admits it’s an unconventional closer.

“Yeah, that’s not really a traditional rockin’ sort of song,” he says. “But people like that song. You know what that is? That’s the last song of the encore when you’re like, ‘OK, so we’re going to turn on the lights after this.’ You sing ‘Happy Birthday to Me,’ turn the lights on in the house—OK, we’re done.”

It’s fitting that the oddest songs on Cracker would eventually be the record’s legacy, since the band was an odd project to begin with. Since it sold 200,000 copies and Cracker went on to be far more popular than Camper ever was, it’s easy to forget that making what was basically a country-rock record was not considered by anyone to be a surefire way to blaze up the charts.

“It was really, really not obvious that that was going to be successful, or even be a non-harmful career move,” says Lowery. “I think that’s the best way to put it. It wasn’t even clear that it was going to be an innocuous failure. It could have been a bad failure.”

The results, however, affirmed the path that he and lead guitarist Johnny Hickman—the childhood friend with whom he formed Cracker shortly after Camper broke up—had chosen: something completely different than Lowery’s previous band.

“The thing that people probably would have preferred us to do or expected us to do is what in retrospect would have been the worst thing for us, which was to do sort of a Camper Van Beethoven ‘Mark II’—to quote Spinal Tap. That would have been an insult to a band Johnny and I both loved.”


Cracker plays on Saturday, June 3 at the Redwood Mountain Faire at Roaring Camp, 5401 Graham Hill Road in Felton. The festival runs 10 a.m. to 7 p.m. on June 3-4. Also performing on Saturday are Carolyn Wonderland, the Coffis Brothers, Victor Krummenacher (of Camper Van Beethoven), and more; Sunday’s performers include Dave and Phil Alvin with the Guilty Men, Poor Man’s Whiskey, the Stone Foxes and more. Tickets are $25 per day; redwoodmountainfaire.com.

Film Preview: ‘Buena Vista Social Club: Adios’

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The original Buena Vista Social Club, directed by Wim Wenders and released in 1998, was a nonstop ode to joy. It charted the amazing story of a handful of veteran Afro-Cuban musicians—many of them already in their 70s and 80s—assembled in Havana to record an album with American slide guitar virtuoso Ry Cooder. Which, improbably, led them all to international stardom when the album and Wenders’ Oscar-nominated film about its production became huge hits.

If you never saw the first film, the sequel, The Buena Vista Social Club: Adios, is a lively introduction to these once-forgotten musicians and their incredible journey. For fans of the original, there’s not a lot of new material here; in fact, a lot of the footage seems to have been repurposed from film shot for the first movie. What is new this time around is the continuing stories of these intrepid singers and players in the intervening two decades of international acclaim. But this also means the film has an elegiac tone, as suggested by its subtitle.

Directed by Lucy Walker, the new film introduces Juan de Marcos Gonzalez, who was Cooder’s producer and point man in Havana, helping him assemble the Cuban talent. In the opening sequence, Gonzalez leads the camera to the site of the original Buena Vista Social Club, much of it now patio between buildings; he has to duck under laundry on clotheslines to get to it.

But it was once a thriving nightclub and dance hall for black Cubans, back in the segregated 1940s and ’50s, referred to as “the Golden Era of Cuban music.” One of the few benefits of the dictatorship of Batista, notes one interviewee, is that he built a lot of casinos in Havana (with an influx of American gangster money) so musicians had a lot of places to perform. All of which changed after Castro’s revolution, when relations with the Western world ceased and Cuba became the island that time forgot.

The passage of time is one of Walker’s major themes. Early on, we get a brief history of Cuba, from the destruction of the indigenous people by Spanish expeditions and the importation of Africans as slaves, to the birth of percussive, passionate Afro-Cuban music (called “son” by its practitioners). Born in the eastern highlands, son music spread across the entire island over the radio in the 1920s.

But when diplomatic relations ended in 1960, so did the tourist trade; the casinos closed, opportunities for musicians dried up, and many of the most respected players had to quit the scene and take non-musical jobs to survive. Ibrahim Ferrer, with his impish demeanor and angel’s voice, was reduced to shining shoes. Pianist extraordinaire Rubén González describes how termites literally ate his piano, so long unused. Still, as guitar maestro Compay Segundo says, “For Cubans, music is our food. When we go through tough times, we create new styles.”

There’s a lot more information here on each individual musician’s biography and performing history—and lots of terrific vintage black-and-white footage of these performers in their heyday. We see kinescopes of the young Ferrer in the early ’60s as a backup singer to a popular Cuban TV performer who never gave him a chance to sing a solo. Regal diva Omara Portuondo is seen singing and dancing with a popular ’50s female quartet, Cuarteto d’Aida—on television programs including the one which featured Ferrer. One of the most touching aspects of Walker’s film is the enduring 50-year friendship of Ferrer and Portuondo as time marches on.

Inevitably, much of this film is devoted to bidding “Adios” to many of these legends in the years following their greatest success. “Now?” jokes Ferrer about his late-blooming celebrity. “Now that my voice is messed up and I can hardly walk. Now?” (Don’t believe him about his voice; it remains beautiful!) But as Juan de Marcos Gonzalez sums up, “The flowers of life came late” to these indomitable performers. “But they came.”


THE BUENA VISTA SOCIAL CLUB: ADIOS (PG) (May 26)

*** (out of four)

With Ibrahim Ferrer, Omara Portuondo, and Compay Segundo. A documentary by Lucy Walker. A Broad Green release. Rated PG. 110 minutes.

Music Picks May 31—June 6

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Win tickets to Blackheart Burlesque at the Catalyst

Love Your Local Band: Decrepit Birth

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Decrepit Birth plays this Sunday, June 4 at the Catalyst

Opinion May 31, 2017

Plus Letters to the Editor

5 Things to Do in Santa Cruz This Week

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Local Talk for the week of May 31, 2017

UCSC Forensic Anthropologist Reveals What Crime Shows Leave Out

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Alison Galloway comes to the Rio June 6 for museum speaker series

Studying the San Lorenzo River and Keeping Pollutants Out

San Lorenzo River Santa Cruz
Visitors to San Lorenzo are down, but recreational use of the river path is on the upswing

Cracker to Headline the Redwood Mountain Faire

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David Lowery of Cracker on the 25th anniversary of the group’s debut album

Film Preview: ‘Buena Vista Social Club: Adios’

Buena Vista Social Club Adios film
Catch up with Buena Vista Social Club veterans in ‘Adios’
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