Officials Want Answers on Santa Cruz’s ICE Raids

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[This article is part of a series about the status of undocumented immigrants in Santa Cruz. Read Part 1 here. Read Part 3 here.]

More than a month after controversial immigration raids in Santa Cruz County by Immigration Customs Enforcement (ICE), Santa Cruz Police Chief Kevin Vogel still wants answers.

Vogel and other officials from the SCPD say they understood the Feb. 13 operation as nothing more than effort to lock up gang members of the El Salvadoran gang MS-13. Upon learning that some undocumented people were detained for their immigration status, and some of them briefly taken into custody, Vogel emphatically stated that if he had known about the “immigration component,” the department would not have participated.

Vogel, who says this operation was his first time working with any branch of ICE, spoke with both Congressmember Jimmy Panetta (D-Carmel) and a staffer from Senator Kamala Harris (D-California) after the raids.

Sarah Davey, press secretary for Panetta, says the congressmember has spoken with ICE director Thomas Homan, as well as two other administrators at the Department of Homeland Security. Panetta has asked them to submit a report, and after they do, he’ll decide whether or not to have an in-person meeting with them, Davey says.

Although ICE released a statement insisting that SCPD knew exactly what it was getting into, Vogel appears to have backup from a neighboring department about what really went down.

Watsonville Police Captain Jorge Zamora remembers the Feb. 9 briefing and assurances from the feds much the way Vogel does. “I’ve been in law enforcement 22 years, and to have an agency say this and then do the opposite is really troubling,” Zamora says.

So what would have happened if Vogel had decided not to participate in part of that morning’s raid, which stretched from Watsonville to San Mateo County?

The most likely answer, Vogel concedes: pretty much the same thing.

The federal government didn’t need any local cooperation for its offensive. Homeland Security Investigations (HSI), which had worked the case with Santa Cruz cops for five years, had already secured federal indictments for gang members. They had more than enough manpower—and equipment, in between helicopters and armored personnel carriers—to kick open a couple extra doors themselves.

After all, when Sheriff Jim Hart declined to participate in issuing warrants in Live Oak as part of the same operation, his department’s absence did not prevent HSI from moving forward with raids in unincorporated Santa Cruz County.

But after the bust, on California Politics Podcast, Marisa Lagos of KQED suggested that in the era of President Donald Trump’s inflammatory anti-immigrant rhetoric, local police leaders in sanctuary cities like Santa Cruz could make a big difference by standing up to the feds. “To have folks like that say, ‘No, get out of our backyard’ is fascinating, and I think it’s really the beginning of a broader conversation,” she said.

Of course it’s tempting to assume, especially in today’s political climate, that the raids were a feature of the current presidential administration, as Lagos implied on the podcast.

But one officer suggests that might be a stretch, no matter how frightening these times seem to many Americans.

“People are worried. I am not happy with what I read on the New York Times every morning on my way into work. But I’ve seen ICE operations before, and they detain and check everyone out,” says one anonymous Bay Area police officer, who’s worked with ICE in the past. “That’s simply standard procedure.”

Protocol aside, officials from both SCPD and Watsonville Police Department say Homeland Security agents repeatedly assured them this wouldn’t be an immigration raid. Vogel says he wants to find out if the feds simply lied to the faces of local officers or if orders changed in the four days after they were briefed. “The president’s been giving an awful lot of executive orders,” Vogel says.

“It could’ve been a change in direction,” Vogel adds. “Everybody’s got a boss. Maybe somebody in D.C. all of a sudden decided this is an immigration operation and nobody bothered to tell us, which is the problem really.”

Whether or not a similar operation could have happened before, the stakes certainly feel higher under an administration that has pledged to ramp up deportations. The consequences of being an undocumented immigrant with a new GPS ankle-monitor could be different going forward.

Zamora and Vogel both struggle to offer many specifics on what exactly HSI agents explained when they said there would be no immigration component to the raids: Were the feds promising not to ask anyone about their immigration status? Did they assure officers they wouldn’t take people to an offsite facility in San Francisco, as six people later were? Could this have been simply a mix-up of words?

With a few weeks now gone by, the details are difficult to pin down.

“When you ask, ‘How specific were they?’ man, I wish I’d had a recorder,” explains Zamora, who says that no residents from any of the Watsonville raids were among those detained for immigration reasons. “What I can say is that the way things happened were not the way anyone in that meeting imagined them.”

Zamora also says that before the meeting an HSI official had called him and was “pretty clear” that he and his colleagues weren’t interested in immigration. Reassured, Zamora responded by telling the official that the department would not be able to participate in any immigration sweep.

Vogel says that immediately after the Feb. 9 briefing, he and his deputy chiefs brought the HSI special agents upstairs for a smaller meeting, where Vogel and his colleagues impressed on the feds the importance of Santa Cruz’s status as a sanctuary city. And after the morning raids, Vogel says he and Deputy Chief Dan Flippo started hearing that people were wearing ICE gear and checking the immigration status of people. So they approached the special agent in charge to ask him about it. At the time the agent brushed it off as untrue.

“It’s difficult because there’s a lot of work that went into this,” Zamora says. “There’s a lot of collateral damage now—not only between the local communities and law enforcement, but also between local law enforcement and the feds.”

The Santa Cruz City Council is in the process of reviewing its “Resolution to Maintain Trust and Safety for Local Immigrants” and crafting an ordinance to clarify the city’s procedures on federal immigration law. At a Feb. 28 City Council meeting, Vogel mentioned that SCPD has had an HSI agent use office space in Santa Cruz while working on investigations since 2009. Vogel plans to “essentially serve the homeland security agent with eviction papers,” he said at the evening meeting, a gathering that felt, at times, cathartic—with clapping and cheering—and at other times, more tense.

“The people who were arrested were not criminals,” says Jose Lucas Escobar, an El Salvadoran immigrant whose daughter was among those briefly taken for immigration processing. “They work very hard.”

Scotts Valley Native Chantel Aguirre Finds Breakout Success in Dance World

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Within the dance community, there’s an unspoken rule that if you want to make plans with a dancer, you better schedule way in advance—they are generally overbooked, overworked and sleep-deprived, but totally happy to be, so as long as they’re dancing.

Scotts Valley native Chantel Aguirre, 27, is one such dancer, which becomes obvious on a call with her from Kitchener, Ontario, where the Shaping Sound contemporary dance company has just arrived for the second performance of After the Curtain. They bussed in that morning at 7 a.m. after opening in Utica, New York the night before, and when asked if any of them got much sleep, Aguirre just laughs.

“Maybe two hours of sleep. We were all so wired and excited for the first show,” she says. “And on the tour bus every night, we watch the show, just so we can fix and tweak and make it better. There were a lot of things we wanted to improve upon.”

So You Think You Can Dance fans will recognize Travis Wall as one of the show’s Emmy award-winning resident choreographers, and Shaping Sound—which he founded in 2012 with Nick Lazzarini, Teddy Forance and Kyle Robinson—is his darling. On the heels of Dance Reimagined, which toured for four years, After the Curtain comes to San Jose on March 22. The show is about a man mourning the death of his beloved, but with an energizing mashup of dance styles and musical genres, and 12 of the best contemporary dancers in the business.

“It’s about Vincent [Wall] creating a show and it’s opening night. You see the interaction with all the characters and dancers backstage. The sets are evolving: backstage dressing rooms, vanities,” says Aguirre. “One of the characters is a split personality of another character, his movements are very creaturesque, dark and athletic. My character, Lily, the main show girl, she’s very jazzy. Teddy Forance’s movement is athletic with jumps and flips—everyone brings their own strengths. Travis heard the songs he was given and designated them to the right artist to project the music into movement.”

Despite barely sleeping while performing a high-intensity show every night, and living on a bus with 12 other people, this is exactly where Aguirre wants to be.

“This is one-hundred percent my dream, to be able to tour with the people who I respect the most out of so many artists, people who I look up to but also consider my family and watch them on stage every night—it’s beyond the best job I’ve ever had.”

It’s that joy for her craft that’s shaped Aguirre into what Wall calls “the most professional dancer I know.”

Growing up, she spent her days at her mom’s dance studio in Felton, the Ballet Repertory Theater. Her mother was her primary teacher for 13 years, before Aguirre started training with Robert Kelley and Diane Cypher, now at Santa Cruz Ballet Theatre. In high school, she’d leave school at 12:30 p.m., drive an hour and a half to start ballet training in San Francisco until 6:30 p.m., and then drive to San Jose for rehearsal for the the Dance Company of San Francisco with Chris Jacobsen and Sonya Tayeh, now best known as an Emmy-nominated choreographer for So You Think You Can Dance.

When Tayeh and Jacobsen moved to Los Angeles, Aguirre relocated to New York City to attend NYU’s prestigious Tisch School of the Arts. But paying for school when she was turning down paying dance jobs didn’t feel quite right, so after two years she took a leave of absence from NYU to move to Los Angeles and perform in Tayeh’s first company show.

That’s when she connected with Wall through mutual friend Nick Lazzarini, one of Shaping Sound’s co-creators who Aguirre also danced with under Jacobsen and Tayeh.

Wall invited her to join the cast for the 2010 Academy Awards, and they’ve been a tight team ever since—he’s even going to be a bridesman in her wedding. Since their friendship and creative collaboration took off, Aguirre has performed on Dancing with the Stars, So You Think You Can Dance, the MTV Video Music Awards (VMA) and with Beyonce, Adele, Chris Brown, to name a few.

2010 was a pivotal year for contemporary dance, says Aguirre. It was becoming more commercially and professionally popular, brought to a whole new audience by Florence and the Machine’s VMA performance, which Wall choreographed and Aguirre performed.

“It was a cool moment for the dance world, because as a backup dancer you’re generally doing hip-hop and sexy moves,” says Aguirre. “It was shaping into something different, with a different depth to it.”

When Aguirre isn’t touring, she’s traveling all over the country to teach with Nuvo Dance Convention, but Santa Cruz will always be the place where she became a dancer.

“I think it really made me love it,” says Aguirre. “I’m grateful for the artistic place that I came from, because it was such a nurturing place to fall in love with my art and my craft.”


Info: 7:30 p.m., Wednesday, March 22. San Jose Center for the Performing Arts, 255 South Almaden Boulevard, San Jose. shapingsoundco.com. $39-$79.

Preview: The Kills to Play the Catalyst

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Jamie Hince is reminiscing about the early days of the Kills, the popular indie rock duo he formed in 2002 with Alison Mosshart.

“We never really expected for it to be any kind of success,” says the guitarist in his thick British accent. “We both thought this was going to be a life of obscurity and poverty.”

It turned out to be anything but. As they embark on their 15th Anniversary tour, which comes to the Catalyst on Tuesday, March 21, the Kills have come a long way from their underground roots—their most recent album, Ice & Ash, broke the U.K. Top 20, and Billboard’s Top 50 in the U.S.

“We didn’t even know what we were going to sound like when we did our first gig,” he says with a chuckle. “But ever since then, people have booked us for more shows, and we haven’t had any time to stop and think about it.”  

The two originally met in London while Mosshart (who is also currently the frontwoman for the Dead Weather with Jack White) was on tour with her now-defunct Floridian riot grrrl band, Discount. Hince was working on a solo project he grew disillusioned with. She heard Hince playing in a nearby apartment, and the two quickly hit it off. He gave her a tape recorder for the road, and they would spend time sending each other new songs and ideas when the inspiration hit. When Mosshart relocated to London, the two moved down the road from each other so that all of their time could be dedicated to their music.

“I was living in a squat at the time, with no money, so the band was really important to getting out of our shitty situation,” he remembers. “We would go from my kitchen to her kitchen and just play on beaten up acoustic guitars.”

The band had some early success in the U.K. with singles like “Fried My Little Brains” and “The Good Ones.” In 2008, they landed in the U.S. charts for the first time with their album Midnight Boom, which featured stomping, electro-tinged anthems like “U.R.A. Fever” and “Cheap and Cheerful.”

While the Kills’ music is often described as stripped down and minimalist, scratch the surface and one discovers just how multifaceted and versatile it is. Hince carefully chooses each note, cutting out anything superfluous, but plays them with a sonic intensity that fills the song. Mosshart’s sultry, smoke-filled voice floats across music with ease and raw sincerity. And they do all of this while maintaining an indie-pop sensibility.

“I won’t go into the studio until I’m very clear of what I want it to sound like,” says Hince. “It’s very important that we never make the same music twice.”

The Kills’ live shows are whiskey-fueled and energetic, with Hince dancing around with his guitars as Mosshart wildly tosses her hair about. It’s part of the punk-rock philosophy they’ve had since the beginning.

“We decided we were going to embrace being flamboyant and not care,” he states. “We would dress up crazy for rehearsal. It was a badge of honor to stick out from the scene we were in.”

Last year saw the release of their fifth and most ambitious album, Ash & Ice. Named after the nightlife imagery of a drink in one hand and a smoke in the other, the album features many lyrics written by Hince when he traveled the Trans-Siberian Express in an attempt to rediscover his creative voice. Between 2011’s Blood Pressures and Ash & Ice, Hince began to have problems with his hand, then accidentally slammed it in a car door, which led to an infection and six surgeries over two years.

“For various reasons, like my hand injury, I didn’t want to limit ourselves to be a live band on record anymore,” he remarks. “I wanted to use technology as a creative instrument, software, keyboards, etc., against this rock ’n’ roll guitar.”

Recently relocated to Los Angeles, Hince is setting up a studio in his house and has been going through previously unreleased music and fine-tuning songs from Ash & Ice that did not make the cut. He says Mosshart has been writing new material as well; the time gap between their last two albums is something he doesn’t want to repeat.

“It crippled us—literally with my hand and metaphorically,” he admits. “Because it’s hard to get the momentum going again, when you go back out with another record. It takes a while, and I want to put another one out pretty soon.”

Which brings up one final, glaring question. Through hand surgeries, other bands, relationships (Hince separated from model Kate Moss in 2015) and the usual twists and turns of life, just how does a band remain together for 15 years?

“We love hanging out, and laugh all day when we do,” he says. “We’re like two halves, but together it’s a whole piece.”


Info: 8 p.m. The Catalyst Club, 1011 Pacific Ave., Santa Cruz. $20adv/$25door. 429-4135.

Spanish Wines a Hit at Shopper

Who isn’t looking for a bargain in good wine? Answering our prayers, Shopper’s Corner wine buyer and resident bargain-hunter Andre Beauregard managed to do “a little rearranging,” and has squeezed an additional two dozen Spanish wines onto those bulging wine shelves. This glittering array of new choices is happy news to those of us who have long since discovered just how cost effective are the wines of Italy and Spain.

To find a wonderful, drinkable, yet affordable red wine, you might stop mooning over those pricey Pauillacs and Gevrey-Chambertins (i.e. the French stuff, which I too adore, so don’t get me wrong), and check out the broad range of Spanish wines Beauregard has laid in for your enjoyment. An oeno-Sherlock, our Andre. “People love the Spanish wines because they offer incredible value,” Beauregard says. “Probably the fastest-selling import section in the store at the moment. I’m really excited about providing a larger selection for customers.”

He is, and so are we. Here’s what I’m talking about: We picked up an intriguing Montecillo Rioja, given 90 points by Wine Spectator—for a mere $13.99!—and brought it home. Here was a 2010 Reserva red wine that paired smartly with a filet of fresh steelhead and a side of garlicky braised kale. The wine’s medium weight of 13.5-percent alcohol carried hints of plum, leather, bay leaves and a finish of tangerine peel, all on a sturdy core of tannins. I can imagine drinking this wonderful, uncomplicated, yet solidly structured wine with just about everything—chicken, pasta, pork tenderloin, grilled cheese sandwiches. Now I regret even telling you about this wine. Please don’t buy it all up. I need to get more of it! And don’t neglect all of the other Spanish beauties on Shopper’s Corner’s shelves. Garnacha, Albariño and Tempranillo galore. Go make some new best friends. Affordable best friends. shopperscorner.com.


Product of the Week

Actually, make that products. We have fallen hard for Sir Kensington’s flavor-intensive condiments. Specifically the ketchup (thanks Meri!), the mayonnaise, and most especially, the Special Sauce.  Here’s the deal. Sir Kensington’s products are the work of two enterprising New Yorkers (just reading the web descriptions of products reminds me of the heyday of Randall Grahm’s witty lingo-philic newsletter). It began, for us, with the ketchup, which I first tasted at Assembly. Somehow brighter and tangier than all other ketchups, this baby led me to the rest of the product line. We were smitten by Sir Kensington’s exceptional Classic Mayonnaise with its authentically pale yellow hue, loaded with free-range eggs, sunflower oil and hints of citrus. I put some of this atop a hard-boiled egg, added Ligurian capers and sighed. This label makes various mustards, egg-free vegan mayo variations, and chipotle-flavored items. But our favorite is the Special Sauce, the only sauce you will ever need. Think Russian dressing. Think rémoulade. Remember that trifecta of ketchup, mayo, and pickle relish? Well here it is with extra glamor. Tomato paste, dill relish, jalapeños, mustard seed, paprika, and garlic are the secret ingredients that add subtle kick and flavor distinction to a mayonnaise base. It is the condiment that hamburgers cry out for. You gotta try this stuff. Around $5 at food emporia such as New Leaf and Whole Foods. Total yum.


Streetwise

Lots of new food action in South County. Zameen has a spiffy new location across from Kaito and Verve on the Pleasure Point end of 41st Avenue. And an adventurous Italian eatery, Bella Vista, has just opened in Aptos’ historic Bayview Hotel. Looking forward to having a destination dining room in such a sweet spot. Stay tuned.

Opinion March 8, 2017

EDITOR’S NOTE

The popular history of Santa Cruz in the 1970s is that it was some kind of progressive utopia, a safe haven for countercultural ideals. But when you talk to the people who helped to establish those ideals, you learn the secret history underneath them: it was a struggle every step of the way. Certainly an SCPD bust of a midwife birth center doesn’t fit neatly into the romanticized image of this city’s history. And yet, that’s exactly what happened in 1974, and Santa Cruz didn’t have an alternative birth center for the next four decades—another fact that will blow the minds of those who consider our progressive credentials bulletproof.

Now the Full Moon Birth and Family Wellness Center on Mission Street is picking up where the Santa Cruz Birth Center raid left off, which is an excellent opportunity to take a look at a tradition that was forced underground, in many way, for years. Laws around midwifery in California have changed, and so have attitudes about the birth experience. In his cover story this week, Mat Weir talks to women from two generations of Santa Cruz midwives to take a closer look at how the secret history paved the way for the popular history. Will midwife Kate Bowland, who was arrested in the Santa Cruz Birth Center raid and has gone on to deliver hundreds of babies as a midwife, be your new Santa Cruz hero? She’s definitely mine.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

RAINY DAYS AND PLUMBING CODES

Great article on the potential for rural residents to contribute to a sustainable water future through rainwater reuse and groundwater recharge (GT, 3/1)! Kudos to individuals like Mr. Haskins, Mr. Schultz and to UCSC, our proactive local water districts and nonprofits like the RCD for forwarding these multi-benefit solutions.

If urban residents and businesses are wondering what they can do, the good news is that California plumbing code changed in 2016 to allow urban residents and businesses to use rainwater for indoor non-potable uses such as toilet flushing, laundry and dishwashing machines.

What’s exciting about that is it allows us to use the water during the rainy season when we get it, filling and emptying the storage tank(s) several times, which decreases the cost/gallon over the lifetime of the system. This is especially beneficial in areas like South County, which has overdrafted aquifers, as it allows the aquifers to rest in winter. In all cases it is great to reuse the water and reduce stormwater runoff in urban areas, which reduces pollutant transfer to our creeks and ocean.

Ecology Action recently completed a grant-funded installation and research project on eight such systems in the region, from homes to commercial spaces like UCSC’s East Fieldhouse and the Live Oak Grange. Case studies including a ROI and water quality study can be seen at centralcoastgreywater.org/rainwater-case-studies. And how-tos and more info on setting up your systems are available at green-gardener.org.

KIRSTEN LISKE | ECOLOGY ACTION

Salad Days

Re: Letters: Don Honda wrote (GT, 2/15) a typically uninformed, attention seeking (vis-a-vis “except mine”) male take on the Women’s March. To edify what might be others’ takes on that event, the only anger the women had was directed at our pussy-grabbing orange president. His image is so antithetic to any woman, even the anti-choicers, that all males-in-the-know and women of any genetic predisposition are horrified to be thought as his subjects!

We marched in greater numbers than ever had gathered before worldwide, to give notice that we do not identify with his ways, attitude, opinion, paternalism, etc.

It was in answer to the mood of tolerance of such despicable mindsets, and was permanently on the women’s and most intelligent men’s side of favoring equal education, equal pay, and no subservience or prejudice on any level. The attitude was congenial, positive and not resembling the angst of the founders of early feminists. I’m old enough (almost 80) to have been in what for me was an eye-opening consciousness-raising group.

Until then, I reassured myself that my marriage would survive if I could just cook to my hard-to-please husband’s satisfaction, and get dinner on the table by exactly 6 p.m.

After attending a few sessions of consciousness-raising, my husband complained that very thinly sliced radishes were not in his obligatory assortment of at least a dozen things in his salad. My answer—and first indication of marital displeasure—was to upend the salad bowl on his head.

Our now-middle-aged children refer to their young years as “our parents always had food fights.”

Lois Klein

Santa Cruz

Online Comments

Re: ICE Raids

Thank you to SCPD and to Sheriff Hart for defending our communities. This is a terrible betrayal of trust between our law enforcement agencies and agents of the federal government.

— Judy


PHOTO CONTEST WINNER

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GOOD IDEA

SPRING TO ACTION
The Santa Cruz Museum of Natural History is launching its first spring camp for students in grades 3-5. The weeklong adventure, titled “Santa Cruz From Top to Bottom,” aims to educate kids about local watersheds, the majesty of redwood forests and mysteries of the ocean—all with on-location, hands-on, learning. The program runs the week of Monday, April 3, and scholarships are available.


GOOD WORK

HEALTHY CHOICE
Jennifer Hastings, a physician and champion of transgender rights, has received the 2017 Person of the Year designation for the 29th Assembly District from Assemblymember Mark Stone. Hastings is founding director of the Transgender Health Care Program and Planned Parenthood Mar Monte. A trailblazer on transgender care and reproductive rights, Hastings works to increase medical access and understanding about the gender journey.


QUOTE OF THE WEEK

“To rediscover midwifery is the same as giving back childbirth to women.”

-Michel Odent

5 Things To Do in Santa Cruz This Week

 

Green Fix

‘Tides’ Reading

popouts1710_GREENVenture through the Bay of Fundy, Mont Saint-Michel, Schelt Narrows, the Qiantang River and beyond with author, sailor, surfer, and conservationist Jonathan White. For decades, White has chased the tides of the world, doing extensive research, travel and reflection on the spirit of water’s movement along estuaries and the coast, up tidal rivers and through narrow passages. White will read from his book Tides: The Science and Spirit of the Ocean on Tuesday, March 14 to share his personal accounts alongside astronomical basics of Earth, moon and sun through tides, predictions and more.

Info: 7 p.m. Tuesday, March 14. Santa Cruz Museum of Natural History, 1305 East Cliff Drive, Santa Cruz. Free.

 

Art Seen

‘We Who Work’ Prints and Tapestries

popouts1710-Hung.Liu_.Luzao_.MAIN_-1920x1109Hung Liu was raised in China during the Industrial Revolution and through her tapestries and mixed-media prints honoring workers—shoemakers, soldiers, farmers—has become one of the most renowned Chinese artists living in the United States. Her famous prints explore what it means to work and have earned her the Lifetime Achievement Award from the Southern Graphics Council International and a National Endowment for the Arts Fellowship in painting. Hung’s work will be displayed until June 6, alongside tools from community members and photos of local day workers by Edward Ramirez and Natalie Alas of Working For Dignity.

Info: Through June 6 at the Museum of Art & History, 705 Front St., Santa Cruz, 429-1964. $10/general admission, $8/students, free for MAH members and on First Friday.

 

Wednesday 3/8

‘The Goddess Project’ Screening

In 2015, only 22 percent of main characters in films and 19 percent of writers, producers, editors and cinematographers were women. Determined to empower the feminine voice, filmmakers Sara Landas and Holli Rae packed their lives into a school bus and collected stories of more than 100 women across the country to piece together what women in the United States face in their day-to-day lives. Their resulting film, The Goddess Project, is being shown to celebrate International Women’s Day. Info: Info: 7:30 p.m. Regal Riverfront 2, 155 South River St., Santa Cruz. gathr.us/screening/19370. $11.

 

Saturday 3/11

‘Singing Through Prison Walls’ Concert

popouts1710-SingingThrough-PrisonWallsFirst-generation Lebanese-American performing artist and educator Naima Shalhoub blends African and Middle Eastern culture with improvisation and rhythm. Shalhoub uses her songs to advocate for freedom, social justice and inspiration for healing—her first album, Borderlands, was recorded in the San Francisco County Jail. “The voice cannot be contained by metal bars,” says Shalhoub. “Music can break the barriers of the injustice and the pain that people go through when they are isolated and confined.” Shalhoub will perform a mix of her own songs and songs of resistance with Tarik Kazaleh on March 11.

Info: 7:30 p.m. Resource Center for Nonviolence, 612 Ocean St., Santa Cruz. naimarcnv.brownpapertickets.com. $15.

 

Saturday 3/11

YARR Open House & Training

popouts1710_YARRThis Saturday, March 11, Your Allied Rapid Response (YARR) will host an open house and two-hour Migra Watch training to teach participants how to document and monitor U.S. Immigrations and Customs Enforcement officials during raids. Roles include everything from legal support to tech help to direct action and fundraising. This event is led by lawyers from the Immigrant Liberation Movement, is free to the public, and childcare will be provided.

Info: 1-4 p.m. Peace United Church, 900 High St., Santa Cruz. ra*************@ri****.net. Free.

Would more cameras everywhere make us safer?

“I’ve always felt that cameras on Pacific Avenue would improve behavior.”

Jeff Pappas

Santa Cruz
Bartender

“Definitely not. I think people coming together as a community will make us safer.”

Melinda Phoenix

Santa Cruz
Acupuncturist

“I believe they would. It doesn’t have to be Orwellian.”

Wyatt Johnson

Santa Cruz
DJ

“I don’t think so. I think it would just make people more neurotic and ratting out others for weird things.”

Dustin Oxford

Mountain View
Handyman

“It could make us safer, but there is a little bit of Big Brother in there, too.”

Dennis Reagan

Santa Cruz
Self-Employed

Santa Cruz Music Picks March 8—14

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WEDNESDAY 3/8

BLUES-ROCK

IAN MOORE

Rock ’n’ roll is dead, says Ian Moore’s bio. “It’s a toothless old woman. It’s really embarrassing.” It’s a Bowie quote, actually. This inherent irony is to be expected from Ziggy Stardust, but it’s a little weirder coming from Moore, who got his start in the early ’90s. When all the young guitar-slingers were playing moody alt-rock, he was giving the people blues-rock. Nothing fancy, just plain ol’ rock ’n’ roll coming back from the grave for the umpteenth time. We can look back now 25 years later and see how much of a thing blues-rock has become for indie kids, so maybe Moore was right to kick the corpse when it was down. AARON CARNES

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

THURSDAY 3/9

ELECTRONIC

PHUTUREPRIMITIVE

Since before his 2004 debut album, Sub Conscious, dropped on Waveform Records, Phutureprimitive has been exploring the darker sides of electronic music. His songs are introspective and inquisitive, leaving the listener with a sense of deeper connection and understanding through this strange language called music. He even called his 2013 and 2015 EPs Searching For Beauty in the Darkest Places, Parts 1 & 2, respectively. But that’s not to say he doesn’t also know how to bring the party. Phutureprimitive feeds the dance floor with creatively constructed melodies, breaks and time changes to get everybody sweating to his primitive sounds from the phuture. MAT WEIR

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

FRIDAY 3/10

FOLK

JUDY COLLINS

Since 1959, legendary singer-songwriter Judy Collins—who inspired the Crosby, Stills & Nash hit “Suite: Judy Blue Eyes”—has been crafting heartfelt songs spanning genres from folk, rock and standards to show tunes and pop. Collins is also a lifelong social activist who has championed a diverse array of causes, including UNICEF and the abolition of landmines. Her recording of Stephen Sondheim’s “Send in the Clowns” garnered her a Grammy nomination. Last time Collins was in Santa Cruz, the show sold out, so get your tickets early. CAT JOHNSON

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $36/gen, $51/gold. 423-8209.

FRIDAY 3/10

REGGAE

MATISYAHU

In 2005, Matisyahu made a splash as a reggae-singing, beat-boxing Hasidic Jew. His breakout hit, “King Without a Crown,” made the U.S. charts and Matisyahu became a cultural phenomenon. Over the next two decades, he grew a global fanbase, releasing four studio albums and two live records. A multi-faceted artist whose spirituality is never far from his music, Matisyahu has since redefined himself as simply an artist. In 2011, he posted a beardless photo of himself along with the following note to his fans: “No more Chassidic reggae superstar. Sorry folks, all you get is me … no alias.” However he self-identifies, Matisyahu is one of the most extraordinary and thoughtful artists around. CJ

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $28/door. 423-1338.

SATURDAY 3/11

ROCK

LOST BOYS

There will never be a day when Santa Cruz doesn’t love James Durbin with all its heart. Fortunately, Durbin wields his power for good. The group he fronts, the Lost Boys, is playing a benefit show on Saturday, with proceeds going to Jacob’s Heart, which funds children’s cancer support services. The Lost Boys is the perfect project for rock-loving Durbin. The group does rock covers from the ’60s to present. It’s all local Santa Cruz musicians. Durbin, of course, will bring the house down with an earnest passion for this music, and a voice that can cause an armadillo to melt. AC

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $30/adv, $35/door. 429-4135.

SATURDAY 3/11 & SUNDAY 3/12

BLUES

WALTER TROUT

Before starting his own band in 1989, Walter Trout spent nearly two decades playing with some blues heavyweights, including Canned Heat, John Mayall’s Bluesbreakers, and John Lee Hooker. Since then, he’s been solo, with various bands backing him. His take on the blues has a particularly desperate quality to it. It’s the combination of an almost-falling-apart-at-the seams voice, and his spastic rip roaring guitar fills. It’s the kind of blues that reminds you why there’s different sections in the record store for blues and rock. AC

INFO: 4 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

SUNDAY 3/12

FUSION

GYPSY SOUL

Gypsy Soul blends roots music, blues and jazz into a mesmerizing musical fusion. Twenty years into a celebrated career that includes a Top 40 hit with “Silent Tears” and over 1,000 performances, the duo—comprised of Roman Morykit from the U.K. and Cilette Swann from the U.S. and Canada—traverses styles and human experiences, from heartache and love to struggle and joy. The members of Gypsy Soul met and honed their sound in Scotland, where they made a commitment to “make both their living and their lives from their art.” CJ

INFO: 7 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

MONDAY 3/13

JAZZ

AARON DIEHL

Since graduating from Juilliard a decade ago, Aaron Diehl has cut a brilliant path as a composer, arranger, bandleader and most visibly, accompanist and music director for the nonpareil vocalist Cécile McLorin Salvant. For this show, he brings his new project exploring the music of George Gershwin and Jelly Roll Morton, composers who defined the rise of jazz and America’s popular music in the 1920s. He’ll play piano duets with Adam Birnbaum (who finished his Juilliard studies a few years before Diehl), and feature Salvant’s supremely imaginative interpretations of standards and his sextet arrangements for bassist Paul Sikivie, drummer Lawrence Leathers, trombonist Corey Wilcox (son of trombone great Wycliffe Gordon), rising trumpeter Bruce Harris, and clarinetist Evan Christopher, a master of classic New Orleans jazz. ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $40/adv, $45/door. 427-2227.


IN THE QUEUE

GARCIA PROJECT

Jerry Garcia tribute band from Saratoga Springs, New York. Wednesday at Don Quixote’s

DELHI2DUBLIN

Electronic/live world music fusion. Friday at Catalyst

B-SIDE PLAYERS

Afro-Latin-Reggae-Cumbia-Funk band. Saturday at Moe’s Alley

MASTERS OF HAWAIIAN MUSIC

Beloved island musicians George Kahumoku Jr., Nathan Aweau and Kawika Kahiapo. Sunday at Kuumbwa

DREAD MAR I

Argentina’s “king of reggae music.” Tuesday at Moe’s Alley

Love Your Local Band: Eric Morrison and the Mysteries

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Eric Morrison has been playing music for a decade. But in the span of the year that his new band Eric Morrison and the Mysteries has been together, he’s gotten an overwhelming response unlike any previous group he’s played in. Already the band’s performed somewhere in the neighborhood of 30-40 shows. The offers came in quick, and he’s been happy to take them. This week, he’ll even have a full-length album for sale at shows.

Part of the group’s success is that everyone is enthusiastic—they started working on the album a week after their first show. To make this record, the members have been in the studio four times, with Morrison going in alone on several more occasions. When everyone wasn’t busy playing shows or slaving away in the studio, they also rehearsed three times a week. This kind of rigorous routine is new for Morrison, but his drummer told him it was the only way to do it.

“He kind of laid it out like martial arts—if you do something once a week, you’re not going to get any better. The more you do it, the more you’ll improve,” Morrison says.

The studio work helped the group work out its sound, which Morrison calls “Americana soul”—a fitting description, as it blends together elements of Americana and soul. One area they tinkered with was whether to be an acoustic or an electric band; they ultimately settled on electric, because it gave them a better range.

“I think it’s the dynamics, the energy, just being able to control the volume. It gets away from that folky sound,” Morrison says. “We could easily be a folk band with these songs, too, if we kept it mellow. I don’t want that at all, because I’m a real dynamic singer. It’s nice to move up above and beyond the acoustic guitar range.”


INFO: 8 p.m. Saturday, March 11. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

Giveaway: Tickets to Charenee Wade at Kuumbwa

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Jazz and soul vocalist, composer and educator Charenee Wade has some nice feathers in her musical cap: she was a participant in Betty Carter’s Jazz Ahead program, she was first runner-up in the Thelonious Monk International Vocal Competition, she was selected for the Dianne Reeves Young Artist Workshop, and she’s a regular at New York hotspots Dizzy’s Club Coca Cola, Smalls, and the Zinc Bar. Known for her innovative arrangements and what has been described as “singular and assertive vocal textures,” Wade is a standout in the genre. Her most recent offering is a tribute to the music of Gil Scott-Heron and Brian Jackson.


INFO: 7 p.m. Monday, March 20. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, March 15 to find out how you could win a pair of tickets to the show.

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