Alex Krause and John Locke to Open Birichino Tasting Room

The mid-century building at 204 Church St. offers plenty of creamy natural light and a vintage footprint for what will be downtown’s newest wine tasting location. Before its current transformation into Birichino Tasting Room—in progress—the long, high-ceilinged space was home to Blodgett Travel, and more recently housed Pure Pleasure. Surely both a sense of journey as well as pleasure will be channeled into the new home of wines made by partners Alex Krause and John Locke, who first joined playful intelligences working with Randall Grahm at Bonny Doon Vineyard. I got a preview glimpse last week of the handsome cast pewter bar—1,100 pounds of crucial ambience. Clusters of vintage photographs, old topographic maps, lithographs and other eclectic visual metaphors will adorn the new tasting room. A saloon-sized mirror, deep sea-green silk wall treatment, and tchotchkes of prankster proportions should add chic to the space that will include wine storage, tasting accoutrements and retail inventory.

The partners are admittedly stoked about just how cool and welcoming the downtown tasting room will be upon completion. “We are very much the exception,” Locke admits, noting that Birichino first established national and international visibility and distribution, before opening a tasting room. “You cannot really duplicate the experience of pouring for and talking to a consumer in an environment of our own creation,” he says, with a broad grin. “We might not reach a huge number of people, but we have a much better chance of creating loyal customers by lavishing attention directly upon them rather than through tech sheets and trade tastings.” Locke, as founding wine maestro at Soif, is a master of lavishing attention and wine lore in equal proportions.

Yes, there have been the usual permit-driven delays in getting the tasting room completed. But with distribution well in place, those delays weren’t fatal. Expect to see Krause and Locke in person, on site. “We will absolutely be there a significant amount of time,” Locke promises. “But harvest will be upon us in the blink of an eye.” And that means the winemakers will need to spend time in the vineyards—the huge seasonal crunch that is part of the “romance” of winemaking. 

Helping to remodel and transform the space are Greg Nolen and son Evan of Nolen Technical Services. “They also give us great ideas, and tell us when ours are lunacy,” Locke adds. “John McKelvey, an old friend of Alex’s is our architect. Stripe has helped on many design elements. The saving grace of Birichino is that Alex and I are able to develop a common vision for everything we do. He is the world’s best business partner.  With the help of these people, we have been able to put together a design we both love and agree upon.”

Locke is aware of the amount of work ahead in terms of shaping the brand and creating the wines. “We have arrived at the late-middle first step on a great Escheresque staircase.  I feel like I am just beginning to really be familiar with two of our wines—the Malvasia Bianca and the Besson Old Vine Grenache. I mean really understand. There is such a vast chasm between pretty good wine and the real thing. Anyone who thinks they have mastered a vineyard after a few years is delusional.”

The most satisfying aspect of all of this? “Standing in a beautiful vineyard on a beautiful day and wondering how you tease the most out of it. Winemaking is a great exercise in synthesis of knowledge, experience, data and aesthetic sensibility. It is not all philosophical B.S.,” he says. “I suppose the short answer is contemplating the intersection of the cerebral and the aesthetic, and then communicating my excitement about it to interested people, that’s what is most gratifying. And playing. Combining the cerebral, aesthetic and funny—that’s your trifecta.”

At the Birichino tasting room, locals will be able to sample some of the house signatures—including the Besson Vineyard Grenache, a highly approachable creation of old vine grapes loaded with character, spice, cranberries, and coastal attitude, and the sprightly Malvasia Bianca. The 2017 vintage will bring more Pinot Noirs into the Birichino stable. “And a fizzy Malvasia we call Petulant Naturel as well as our Vin Gris and our Jurassic Park Chenin Blanc,” he says. Locke also promises a methode champenoise Chenin Blanc coming online this year. “We shall have to see what the vineyard wants to do.”

Birichino (pronounced, beer-a-keeno) is Italian for “naughty.” Expect nothing less once the Birichino Tasting Room opens later this summer. birichino.com.

Visitor Guide 2017

Visitor Guide cover a Good Times publication“Alternative tourism.” “Cultural tourism.” There are a lot of names for the new style of vacationing, but they all come down to the same thing: doing as the locals do.

In Santa Cruz, for instance, the beaches and the Boardwalk will always be the top draws for tourism, but more and more visitors are slipping away from the beaten path and finding this area’s hidden gems. Do you know how to find the foodie scene in Soquel? Or what a reflexologist can do for you? Or what the most happening area of Santa Cruz is right now?

All the answers are in this issue of Visitor Guide. Whether you’d like to see some quality Shakespeare while you picnic, discover the local bodysurfing culture, find Santa Cruz’s famous Dance Church, try an Escape Room for the first time, or track down a swimming hole in the redwoods, this is the place to start. So get a tight eight hours of sleep tonight and load up on carbs. We’ve got places to go!

STEVE PALOPOLI | EDITOR


IN THIS ISSUE…

Opinion June 7, 2017

EDITOR’S NOTE

I’ve ripped down and remade my share of front pages, but in all my years at Santa Cruz weeklies, I don’t remember ever bumping the cover story of the week to pay tribute to someone in the community who had passed away. It’s just not the nature of newsweeklies, where you only get 52 front pages a year, and stories are tightly scheduled, often with only a short window of time in which they can run.

But then, Jack O’Neill certainly liked to be the exception to the rule, didn’t he? Even when we first started discussing what kind of story we would do on Friday, we weren’t necessarily thinking of putting the story on the cover. But as the impact of his passing really sunk in, it became more and more obvious that that’s exactly what we needed to do. The issue isn’t even out yet, and I’m already enjoying the thought of O’Neill’s eye-patched, bushy face and wry smile staring out at Santa Cruz from hundreds of GT racks. Seems right.

I’m struck, too, by the difference between this story and the one we ran a month or so ago about local poet Peter McLaughlin. Though also celebratory, Pete’s story had a very tragic side. I don’t feel that at all with Jacob Pierce’s story this week. Jack O’Neill lived to be 94, died of natural causes and left a legacy that people around the world are going to remember as long as there are surfers on the breaks. We should all be so lucky. Here’s to Jack.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Never to Be Forgotten

I’d like to make a correction to the wonderful story written by Geoffrey Dunn about Antoniette “Akoni” Swan (GT, 5/3). While I do appreciate Geoff describing me as affable and informative (and hope that’s accurate), I am not, as stated in the article, the owner of Santa Cruz Memorial Park cemetery. I do own the on-site mortuary, which is a tenant of the cemetery, and that may have led to the error.

Santa Cruz Memorial Park is a nonprofit community service organization governed by a Board of Trustees, of which I am a member. Santa Cruz Memorial Park was founded in 1862 by the local Odd Fellows Lodge, a fraternal organization dedicated to serving the community.  In fact, the cemetery and Lodge are two of the oldest organizations in the county, pre-dating the incorporation of the City by almost half a decade.

I’d like to thank Geoffrey, a gifted writer and local boy, for writing this important and informative article, and the Good Times for publishing it. I’d like to also thank Kyle Gilmore for making it his mission to honor and remember Antoniette “Akoni” Swan with a memorial monument where her story can be written, never again to be forgotten. Most importantly, as a fourth generation Santa Cruzan, I want to thank and pay tribute to “Akoni” for bringing her Aloha spirit to this community and playing a pivotal role in making Santa Cruz (the real) “Surf City, USA.”

Randy Krassow

BEFORE YOU YIMBY

It was good to see two articles focusing on the key issues of housing and increased density that is proposed along major corridors (GT, 5/24, 5/31). However, it seems to me that a critical question was missing from the discussion: whether or not, or how much, such development will truly bring prices down and make Santa Cruz more affordable.

As someone who has made Santa Cruz my home for over 16 years, and now lives with the fear of being priced out, I feel very personally the need for more affordable housing. However, I am dubious of the often-repeated claim that we can build enough housing to bring the prices down substantially. What works in other cities may not play out the same way here, where many renters and buyers come from the larger San Jose area and its high-paying job market.

We need to be honest with ourselves that any new development will have negative impacts on neighborhoods. Your article touts the community benefits that might come with higher density, such as newer traffic signals and other changes “to make the traffic flow smoother.” Yet it’s hard for me to believe that in neighborhoods which are already heavily congested, we could add hundreds of new residents and still end up with less traffic. While it is certainly possible to achieve that goal, it would require a much greater commitment and investment in public transit and bike-ped infrastructure than anyone is seriously talking about.

More frightful still, in my mind, is the likelihood that we would approve these substantial changes to the character of our town based on the premise of fixing the housing crisis, and in the end almost all of the new units will still be out of reach to the people who need it most. For me to say “yes in my backyard,” I’ll need a much stronger commitment to housing the people who are already here.

Steve Schnaar | Santa Cruz


PHOTO CONTEST WINNER

Submit to [email protected]. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

LEAP OF FAITH
It may sound like an unorthodox way to cope, but after a few years of watching her son struggle with a severe form of epilepsy, Luane Beck is ready to jump out of a plane. In order to raise money for her son, Jordan Beck-Clark, she will take the leap on her birthday, June 15, through Skydive Surfcity. Jordan needs a $20,000 surgery, and Beck has launched a fundraiser for help. To find it, visit youcaring.com and search for Jordan’s name.


GOOD WORK

CROSS TO SHARE
Central Coast Red Cross has announced the 10 awardees for its 12th Annual Heroes Breakfast on Friday, June 16, at Twin Lakes Church in Aptos. Half of them are from Santa Cruz County: Reese Selck, Good Samaritan Hero, from Watsonville; Kraig Evans, First Responder Hero, from Santa Cruz; Jon Winston, International Services Hero, from Santa Cruz; Larry deGhetaldi, Medical Hero, from Soquel; and Lisa Tkoch-McFarland, Service to the Armed Forces Hero, from Felton.


QUOTE OF THE WEEK

“Three most important things in life: surf, surf and surf.”

-Jack O’Neill

5 Things to Do in Santa Cruz County This Week

Event highlights for the week of June 7, 2017

 

Green Fix

‘Boho Castro’ Historical Park Benefit

Get on your most flared bell-bottoms, technicolor tie dye and throw up those peace signs—it’s time to travel back to the groovy 1960s with a boho celebration to benefit the historic Castro Adobe State Historic Park. With a nod to the artistic counterculture of the 1960s that thrived in the Castro Adobe during the decade, Boho Castro will embrace the period when Victor and Sidney Jowers owned the property and made the adobe an eclectic pivoting point for the arts. Mickey’s Catering will provide a throwback menu reminiscent of the Sticky Wicket paired with Storrs Winery wines and Corralitos Brewing Co.’s fine beers. Funds raised will benefit the full opening of the historical Castro Adobe State Historic Park in the Pajaro Valley and period costumes are encouraged.

Info: 5-8 p.m. Saturday, June 10. Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville. bohocastro.eventbrite.com. $75.

 

Art Seen

43rd Annual Student Print Sale

popouts1723-43d-annual-student-print-saleThis Friday and Saturday, June 9 and 10, the local community is invited to the UCSC campus to meet, mingle, and peruse incredible artwork made by print media students. Hundreds of original etchings, lithographs, digital prints, woodcuts, handmade books and more will be on display and available for purchase. Meet the artists and store up some incredible, unique gifts for birthdays or the holidays. The event is free, cash-only, and open to the public—all profits directly benefit the student artists and UCSC printmaking program.

Info: 10 a.m.-6 p.m., June 9 & 10. UCSC Santa Cruz Elena Baskin Visual Arts Printmaking Studio, Room G-101, 1156 High St., Santa Cruz. artsites.ucsc.edu/printsale. Free.

 

Thursday 6/8

Vinnie Hansen Book Launch

popouts1723-Vinnie-HansenIt’s 1982 and a 28-year-old Cecile decides it’s time to move on from San Francisco and start a new life in a small California coastal town. Making the move in haste, Cecile rents a unit in a complex for the elderly and handicapped, and having just had her heart broken, she feels isolated. But, for some reason, her neighbors won’t leave her alone. One romance between two tenants, some thefts, a fire, and a murder change Cecile’s life forever. Local author Vinnie Hansen will celebrate the release of her new book, Lostart Street, at Bookshop this Thursday, June 8, with a book talk and signing.

Info: 7 p.m. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com. Free.

 

Sunday 6/11

Santa Cruz Jewish Cultural Fest

popouts1723-SCJewishCultFEstNosh on some authentic falafel, pita bread, and tahini before boogying down to the Rock Shabbat Band with their special Jewish spirit wrapped in rock and jazz modes—the Santa Cruz Jewish Cultural Festival has returned. Everyone is invited to shop the shuk, get a drink from the “Bar” Mitzvah and partake in singing, storytelling, face-painting, and more. Catch fascinating 18-minute TEDx-style Chai Talks, docent-guided tours of the sanctuary art and symbols, and a market of more than 20 local and Bay Area artists’ wares.

Info: 11 a.m.-6 p.m. Temple Beth El, 3055 Porter Gulch Road, Aptos. tbeaptos.org. Free.

 

Sunday 6/11

Avant Garden Party

This Sunday, June 11, New Music Works presents its 36th annual fundraiser with an all-African afternoon of music, dance and cuisine. Singer and composer Akindele Bankole will present two new songs with Bill Walker and friends. Senegalese dance and drum ensemble, Domou Africa, as well as Singing Wood Marimba, The Ariose Singers, Jennifer Cass, Philip Collins and Jay Arms. Chef Jozseph Schultz of India Joze will cook up cuisine from Africa’s inner and outer limits in addition to a silent auction where one of the items up for bidding will be a six-day South Africa safari.

Info: 2-6 p.m. The Garden, 2701 Monterey Ave., Soquel. newmusicworks.org/avant-garden-africa. $17-$22.

If you had a minor superpower, what would it be?

“That I had the most perfect princess parking spot wherever I went. ”

Amanda Maples

Santa Cruz
Curatorial Fellow

“The ability to communicate to other drivers, to alert them to potential emergencies.”

Anthony Carlson

Soquel
Wine Sales

“To get 20 million dollars and buy a really big house and all the fidget spinners I could play with. ”

Colby Pike

Santa Cruz
1st Grade

“Everybody within 20 feet of me would have to be nice. It would be a niceness bubble.”

Bill Davidson

Capitola
Acupuncturist

“Being really good at pool and stealing everybody’s money.”

Cesar Giles

Watsonville
Beertender

Trapped by Landslides, Henry Miller Library Opens New Spot

First came the fire.

The wildfire that ripped through Big Sur for 82 days, from July through October of 2016, not only tore up the Los Padres National Forest—costing the state $236 million—it also quickly prompted Big Sur’s Henry Miller Library to cancel its shows. The library, a favorite hangout spot for many Santa Cruzans, was eventually shut down and evacuated, as were many towns in the area.

The rainy winter hardly provided a reprieve as landslides routinely cut off Highway 1. After the Pfeiffer Canyon Bridge shifted, the library closed its doors. CalTrans has since torn that Highway 1 bridge down, and construction on its replacement has just begun.

“We immediately lost $50,000 the day the bridge fell,” said Magnus Toren, executive director of the Henry Miller Library.

The bulk of the library’s revenue stems from booking private events, says Toren—all of which were immediately cancelled upon the February closure. Today, Toren says losses may have climbed close to $100,000, although a GoFundMe campaign has recouped roughly $42,000.

The Henry Miller Library, known for the quirky slogan “Where Nothing Happens,” is essentially a nonprofit bookstore, with lots of art and an expansive patio and lawn for lounging. The library is a beloved pit stop for many traveling along Highway 1, including visitors from Santa Cruz. Alex Johnston, a UCSC film scholar, routinely visits the library with his wife, Kit Rutter. Whether enjoying a coffee on the lawn or an intimate concert under the stars, Johnston says the library is the perfect spot to unwind.

“It’s a really nice, no-pressure place with a couple fat cats that always hang around,” says Johnston, who was upset when he first read of the library’s temporary closure. “It’s terrible. We have so few of these holdover spaces from a different period in California’s history, from a moment when California wasn’t just Silicon Valley.”

Around this time of year, says Toren, the library would reliably receive “thousands” of visitors. Today, would-be patrons instead show their support through donations, which followed quickly after the closure. Although donating to the library in the midst of natural disaster may not seem like the biggest priority for some philanthropists, Toren says he’s glad so many have found artistic value in his venue.

“It is very gratifying, and I hope people continue to recognize that the art in our community isn’t frivolous, that it is very necessary,” he says.

Library fans like Johnston and Rutter will have to wait months before the Big Sur location reopens, as Pfeiffer Canyon Bridge is scheduled to be finished Sept. 30. Toren was among the last few allowed to cross the bridge before it was demolished.

“By the time we drove across,” says Toren, “you could actually see the guardrail starting to crack.”

There are other slides too, including one south of Big Sur that could keep Highway 1 closed for a year.

By no means is the Henry Miller Library the only group affected by the natural disasters. Though the some Big Sur businesses remain open, many inns and restaurants are shut down, and for stretches of time the only way in or out of the coastal mountain region was via helicopter. The Big Sur Taphouse, Big Sur Deli and Nepenthe remain open, providing some respite for locals stuck there.

Sarah Shashaani, event manager for the Henry Miller Library, has been working from home most days. Shashaani, a UCSC grad, says going into Carmel takes “a minimum two hours if everything goes to plan”—which it never seems to.

“More like three,” she adds.

Toren, still recovering from a recent hip surgery, says that to leave town, he must hike out of his Big Sur home down a footpath and around to the canyon’s opposing side. From there, he and his wife drive to the Library’s new satellite location, known as “the Barnyard,” which just opened May 28.

In Carmel, Miller’s letters and photographs adorn the Barnyard’s walls. Dedicated supporters of the library ensured the unveiling went off with “overwhelming positivity,” says Toren, and high attendance has persisted throughout the week thanks to a movie screening on the reintroduction of California condors to Big Sur. The already-sold-out Big Sur International Short Film Screening Series begins June 8, promising more crowds.

Even in the face of natural disaster, Toren finds solace in the “blessed isolation” bestowed to southern Big Sur. The lack of auto and foot traffic has added to the local wildlife’s courage, he says, and reminds him of why he first moved there.

“You go hiking in the back country and, for once, you’re actually alone,” says Toren. “For once, the shoreline birds are out en masse. For once, you can see a mountain lion walk down the highway. All those things are peculiar to this special isolation.”

Redwood Mountain Faire Is All Grown Up

Back for its eighth year last weekend, the Redwood Mountain Faire at Roaring Camp in Felton broke attendance records both Saturday and Sunday. The traditionally low-key festival, awash in tie-dye, bubbles and a genuine hill-tribe vibe, had some extra drawing power in the form of headlining acts Cracker (on Saturday) and Dave and Phil Alvin (on Sunday).

Cracker, for its part, straddled an interesting line between this new national-touring-act level and the festival’s traditional roots in homegrown local bands. “It’s good to be back in Santa Cruz County,” said lead singer David Lowery, making a point not to lump Felton in with Santa Cruz proper, as most big-name acts would do. He explained to those who weren’t familiar with his earlier Camper Van Beethoven days that he’d lived in the area for a decade way back when. He also scored some honorary-native points by asking the Roaring Camp railroad workers in the audience if they could tell when their riders were high on mushrooms (“oh, so we got away with it, then” he mused, when they replied that they couldn’t) and telling a possibly made-up, but in any case hilarious, story about how he had just discovered that keyboardist Matt “Pistol” Stoessel’s real name is Rainbow and that Stoessel grew up “in a school bus on Ice Cream Grade.” Even GT got a namecheck of sorts, as the band played—along with a string of hits like “Low,” “Eurotrash Girl,” “Get Off This” and “Teen Angst”—“Where Have Those Days Gone,” which features the lines “Thought I saw Thomas Pynchon at the end of the bar/No, that’s just Rob Brezsny writing his Real Astrology column.”

The festival, which is volunteer-run and raises money for the local nonprofits that share the staffing and production duties, had its growing pains this year, too. There were sound problems on both days; I didn’t see the Alvin brothers’ set, but Cracker at least weathered them admirably. One band, Sunday’s La Inedita from Peru, didn’t show up—no one quite seems to know where they disappeared to, but Jesse Daniel and the Slow Learners covered on the main stage, while the Coffis Brothers, who had done their official set on Saturday and just happened to be hanging out at the festival on Sunday as civilians, filled in with Taylor Rae on the Creekside Stage. Rolling with the punches is the nature of the all-volunteer festival that is essentially a massive benefit, says Faire Steering Committee Member Nancy Macy. “Every year there’s somebody learning a new job,” she says of the volunteer staff. “They all go above and beyond.”

While it may look from this year’s lineup like organizers are making a move to grow the Redwood Mountain Faire, Macy says that there’s no such master plan—in her experience, the festival kind of ebbs and flows organically over time. “It morphs and changes and grows,” she says.

Music Picks June 7—13

The best live music for the week of June 7, 2017

WEDNESDAY 6/7

POP-ROCK

JOAN OSBORNE

In 1995, Joan Osborne had a mega-hit with the song, “One of Us,” which asked listeners to imagine how we might act if God was walking among us. Osborne hasn’t had a hit of that magnitude since, but she has established herself as a skillful and insightful singer-songwriter and song interpreter whose range reaches across pop, soul, blues, country and rock. For Osborne’s Rio Theatre performance, she’ll take on the songs of Bob Dylan. CJ

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30/gen, $45/gold. 423-8209.

THURSDAY 6/8

JAZZ

AMINA FIGAROVA SEXTET

Growing up in Baku, the capital of the Soviet state (and now independent nation) of Azerbaijan, pianist/composer Amina Figarova soaked up the sounds of Duke Ellington and Ella Fitzgerald on her jazz-loving parents’ turntable. While she trained as a classical pianist at home, she pursued her love of jazz in Rotterdam and later Boston at Berklee. A skilled accompanist who’s worked with masters like James Moody and Claudio Roditi, Figerova has spent the past two decades touring and recording as a bandleader and composer with a far-ranging musical palette. Now based in New York, she’s touring with her talent-laden sextet featuring her husband, Belgian-born flutist Bart Platteau, Dutch tenor saxophonist Marc Mommaas, trumpeter Alex Pope Norris, bassist Endea Owens, and Oakland-reared drummer Darrell Green. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $27/door. 427-2227.

THURSDAY 6/8

AMERICANA

PATRICK MAGUIRE

In 2012, singer-songwriter Patrick Maguire landed in Santa Cruz, and felt entirely at home. It was no small journey getting here. He traveled from Maine, sleeping in his car, and playing open mics wherever he went, looking for a place to pursue his dream to be a full-time musician. Having grown up in a household of musicians that held frequent jam sessions, playing music was the most natural thing imaginable—making it a career less so. Now a fixture in our scene, he sticks out as an ambitious songwriter who approaches folk like soul music … or does he approach soul like folk? Who can tell? AARON CARNES

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

THURSDAY 6/8

INDIE/AMERICANA

THE BUILDERS AND THE BUTCHERS

Hailing from Portland, Oregon, the Builders and the Butchers started out, like many rootsy indie bands do, playing on the sidewalks. They crafted a high-energy, driving sound before playing venues in Portland, around the country and beyond. Taking on topics ranging from addiction and religion to the end times and good and evil, the band blends Americana songwriting with the raw edginess of punk traditions. It has, in recent years, become a road-tested outfit that’s outgrown comparisons to other Northwest acts such as the Decemberists, and developed a style and fanbase of its own. CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

FRIDAY 6/9

FUNK

PIMPS OF JOYTIME

Whether it’s funk, afro-beat, New Orleans jazz or just a good night of dancing, the Pimps of Joytime have been providing audiences all of those things—and more—for over a decade. This week the band makes its triumphant return to Santa Cruz, touring on the heels of their fifth album, Third Wall Chronicles. The Brooklyn quintet’s sound has evolved over time, adding doo-wop and even EDM (electronic dance music) beats to the mix, but one thing remains consistent: the members’ dedicated passion to making sure anyone in earshot has a smile on their face and a jig in their step. MAT WEIR

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

FRIDAY 6/9

SOUL

MORGAN JAMES

With a clear voice and rafter-rattling delivery, Morgan James is a spectacular talent. Hailing from New York, the soul singer, songwriter and Broadway actor is a vocal powerhouse whose creative range seems to have no boundary as she takes on songs by Prince, Bruce Springsteen, Ann Peebles, Joni Mitchell and even Justin Timberlake, whose song “Can’t Stop the Feeling” gets transformed by James into a slow jam of epic proportions. James also paid tribute to legendary songwriter and artist Nina Simone on her album Morgan James Live. Spanning eras and genres, James is a must-see for fans of soul and pop vocals. CJ

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 423-1338.

SATURDAY 6/10

ROCK

HURRAY FOR THE RIFF RAFF

Alynda Lee Segarra has mashed together elements of folk, blues, and American roots music on her first five albums under the Hurry For the Riff Raff moniker. For The Navigator, she distills these elements into something more theatrical and complex, and yet somehow the closest thing to straight “rock ’n’ roll” she’s ever created. It’s not just intriguing musically—embedded in the lyrics (presented in two separate acts) is a concept album about a Puerto Rican kid named Navita Milagros Negrón. It’s too complicated to explain, but it involves a witch, life in South Bronx, and Bikini Kill. AC

INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $22.50. 423-8209.

SUNDAY 6/11

FOLK-ROCK

ROBYN HITCHCOCK

Robyn Hitchcock once said he thinks he’ll probably be remembered for songs about seafood—and, yeah, if you write “Where Are the Prawns,” you run that risk. But it would certainly be a shame. Hitchcock’s surreal lyrical style first made its mark on the music world in 1980 on Underwater Moonlight, the classic album by his former band the Soft Boys. He went solo with a slew of incredible records through the ’80s and ’90s, breaking on college radio with singles like “Balloon Man” and “So You Think You’re In Love.” To this day, his staying power has absolutely nothing to do with seafood; rather, it’s the way he blends bizarre imagery with real emotional power, a poetic talent that for me is epitomized by the ending of his great song “Belltown Ramble”: “You can walk a square/You can walk an oblong/Even just walk straight/You’ll be still be standing there/Though you think you did the job wrong/You did it great.” STEVE PALOPOLI

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $20. 335-2800.

TUESDAY 6/13

PSYCH-ROCK

ALLAH-LAS

The four-piece L.A. garage band Allah-Las doesn’t sound like the Beach Boys. Yet the band has something in common with the iconic ’60s Southern California band. Both groups play careless, breezy California tunes, and also introspective melancholy ones. These were two separate categories of songs for Beach Boys, but Allah-Las somehow jam both of these moods into most of their songs. Despite the rock ’n’ roll groove the band has been able to create, at its heart it’s kind of loner music. That said, you should take a break from your solitary lifestyle and dance around with a roomful of loners for one night. AC

INFO: 9 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $18. 335-2800.


IN THE QUEUE

BASTARD SONS OF JOHNNY CASH

Americana outfit endorsed by Johnny Cash himself. Saturday at Don Quixote’s

ADULT.

Dance punk out of Detroit. Saturday at Catalyst

TOMMY CASTRO

Bay Area-based, international blues-rock shredder. Sunday at Moe’s Alley

WAILING SOULS

Long-running Jamaican reggae vocal group. Sunday at Catalyst

DJANGO FESTIVAL ALL-STARS

Tribute to gypsy jazz legend Django Reinhardt. Monday at Kuumbwa

Giveaway: Acoustic Alchemy

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Is it folk? Is it jazz? Is it new age? Is it fusion? With Acoustic Alchemy, the answer is, “Yes,” followed by, “Does it matter?” A three-time Grammy nominee that’s been around for 35-plus years, the band transcends genre, filtering elements of every style through the masterful playing and artistry of the members, led by Greg Carmichael and Miles Gilderdale. Mixing nylon and steel string guitars with keyboards, bass and drums, Acoustic Alchemy creates something impossible to define and hard to ignore.


INFO: 7 & 9 p.m. Friday, June 23. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, June 16 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Monkeyhands

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You know the saying: The show must go on. For Monkeyhands’ singer Mike Hulter, that means performing some of his most recent shows lying down. His back pain is serious, he says, but he won’t cancel. “I usually wake up and think, ‘I’m going to cancel tonight.’ Then by the afternoon, I work it a little bit so I can at least tolerate the car ride,” he says.

Not only does he put up with it, he even wrote a song about it called “Flat On Your Back.” The whole thing might not have worked for another band, but Monkeyhands mix serious and silly seamlessly. As far as the audience is concerned, it’s all part of the show.

“We can’t go full-on Radiohead, but we also can’t go full-on Weird Al,” he says, describing the band’s parameters.

Hulter finds his current setback an opportunity to show off the band members. (“At first they would hide. Now they can’t, it’s perfect.”) The band formed last October, and mainly play every Tuesday at Bocci’s Cellar as the house band for an amateur comedy night. In 10 years of playing music, Hulter says, this is the first band that’s really clicked with his style of mixing serious and whimsical in whatever genre the band is feeling.

“I’ve always resisted genres. And these guys as well. They’ve each found a genre that they’ve been in. But you can tell there’s so much more going on,” Hulter says.


INFO: 9 p.m. Friday, June 16. Henfling’s Tavern, 9450 Hwy. 9, Ben Lomond. Free. 336-9318.

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Love Your Local Band: Monkeyhands

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Monkey hands plays Friday, June 16 at Henfling's Tavern
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