Santa Cruz Police Department On Recent ICE Raids

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[This article is part of a series about the status of undocumented immigrants in Santa Cruz. Read Part 2 here. Read Part 3 here.]

Jolted awake by the rumble of armored personnel carriers two weeks ago, a young mother says her family still hasn’t recovered.

“The hardest part was the stress it brought,” explains the woman, an undocumented immigrant who asked to remain anonymous, referring to the raid that took place in her Live Oak neighborhood at 4 a.m. on Monday, Feb. 13. “The helicopters woke us up, and now we can’t sleep because we are so scared ICE is coming back for us. My 7-year-old son, who was born here, is afraid to walk around his own neighborhood.”

The operation was the culmination of a five-year investigation aimed at an El Salvadoran gang, which began after a member of the public complained about extortion by the gang. Officials initially said the offensive didn’t target undocumented immigrants at all. The operation immediately followed a weekend of immigration raids around the country, some of them in other sanctuary cities.

“The timing of this blows,” admits Santa Cruz Police Department (SCPD) Deputy Chief Rick Martinez. “We knew that the timing coincided with immigration raids nationwide and that this was going to muddy the validity of our criminal investigation.”

Years ago, SCPD brought in Homeland Security Investigations (HSI) when they realized families in El Salvador were being threatened with extortion by the international gang MS-13. Last week, the saga erupted into a war of words between the HSI and SCPD.

 

Trust or Bust

A few weeks ago, local SCPD agents working alongside the HSI team got wind that gang members were planning a local homicide and went before a federal grand jury to secure indictments and proceed as quickly as possible.

City leaders and police all say they participated in the operation only because HSI assured them it was solely a criminal investigation and there was no immigration component. In the aftermath of the militarized raid, they used an HSI press release to assure the public that 12 gang members had been taken off the streets, and that no immigration enforcement activities took place.

Eyewitnesses told a different story. By the afternoon of the operation, community members began reporting that Homeland Security members were doing immigration checks.

When SCPD Deputy Chief Dan Flippo asked the deputy special agent in charge about that claim, the agent denied it. But the next day, at a City Council meeting, enough people complained about immigration enforcement activities to alarm Flippo, who left City Hall and began an aggressive investigation before the meeting even ended.

SCPD learned that after they left the scene, HSI had detained an additional 10 people based on their immigration status—six of them were taken to a facility in San Francisco for the day. Five of the 10 are now wearing GPS monitoring systems, and the rest were given immigration court summons papers.

Police and city leaders were embarrassed and angered by the new information. “If we had known this was going to happen, we would not have participated,” says Martinez.

HSI denied these allegations in a second press release, insisting that SCPD knew about the immigration aspect all along. But SCPD holds firm that the feds misled them. “We were repeating misinformation supplied by HSI,” says Flippo. “We were lied to.”

“This was a total bait and switch,” Martinez explains. “This action violated our trust in HSI and the local community’s trust in us.”

At a press conference on Thursday Feb. 23, SCPD Chief Kevin Vogel went one step further. “We will not collaborate with agencies we do not trust,” he said.

SCPD currently has three open cases with HSI, involving human trafficking, child pornography and narcotics trafficking.

Flippo says the cases have international connections, which extend their scope beyond SCPD’s jurisdiction. But given recent developments, the future of those cases is unclear.  

ICE officials failed to provide a response by deadline despite twice assuring GT they would do so.

 

Seeking Community

Santa Cruz County Sheriff Jim Hart decided not to collaborate with HSI on the raids, even though six of the search warrants were within his jurisdiction.

“I have serious concerns about outside agencies coming into Sheriff’s Office jurisdiction with SWAT teams and military-grade equipment and not communicating directly with me or my executive staff about what they are doing,” Hart says.

He stresses the importance of arresting violent criminals, but questions the level of force involved in the activities on the morning of Feb. 13. “Did we really need over 200 officers, helicopters, MRAPs and Bearcats to arrest nine gang members?” Hart asks. He believes the display of force was intended to intimidate counties and cities with sanctuary status.

Hart encourages other local agencies to adopt a stance of non-compliance with similar actions in the future. “We can do these operations without federal assistance,” Hart says. “I have 160 deputies, and we are willing to commit our resources to assist local agencies, rather than see a repeat of what HSI did.”

Sheriff Hart joined forces with Live Oak School District Superintendent Tamyra Taylor and First District County Supervisor John Leopold to manage the fallout in the unincorporated areas of mid-county.

“People all over Live Oak were terrorized when they were woken up by helicopters overhead and armored vehicles rumbling through their neighborhoods,” says Leopold.

Together they coordinated a community meeting on Thursday, Feb. 16, with the goal of giving the community a better idea of what to do if these tactics become more common. They handed out guardianship forms and instructions showing what to do if immigration officials come knocking on their doors. “We wanted to help people understand their rights,” says Leopold.

After the newer immigration-related revelations, SCPD is looking at taking a similar approach. And at the press conference, Vogel said SCPD plans to hold a series of community meetings of its own.

In the past two weeks, Leopold has worried about the impact the raids could have on the relationship between the community, local politicians and law enforcement. “We work hard to build trust with the community,” Leopold explains. “Actions like this drive a wedge between local governments, nonprofits and the communities we serve.”

Nonprofit leaders and neighbors also express concern about fractured trust.

“If, when federal agents show up, local law enforcement will do their bidding, how can they possibly hope to build trust with our community?” asks Robert Solis, who works with Barrios Unidos, a local youth violence prevention organization. “A month ago, we’re at sanctuary meetings where local law enforcement is telling us they will give us a heads up if the feds are in town doing an operation, and then at 4 a.m. we’ve got helicopters in the sky.”

Barrios Unidos founder and executive director Daniel “Nane” Alejandrez says that in his 40 years living in Live Oak, he’s never seen such an unnecessary “macho show of force” from law enforcement.

“It brings fear and it leaves behind trauma,” he adds.

Several immigrants, who asked to remain anonymous, say the raids have affected them deeply.

“We feel alone, like we can’t confide in the police or rely on them to keep us safe,” explains one young woman, holding a child on her hip.

Some immigrants have shared ideas about how local law enforcement agencies can rebuild trust with their communities. One young woman suggested they let community members know about an operation ahead of time. Other residents were more straight-forward.

“It’s simple,” says one middle-aged man. “Don’t cooperate with ICE in this town. In other states, there are cops who won’t work with them. If our local law enforcement will, who are we supposed to confide in?”

Though the actions earlier this month and the revelation of HSI’s alleged misinformation undermined some people’s trust in law enforcement, one positive result appears to be the strengthening of community ties.

“As soon as this happened, we started having community meetings and networking with others who are doing the same, about how to respond if this happens again,” says another Live Oak resident. “This is bringing our community tighter and closer, but also making us more distrustful of outside law enforcement agencies.”

The Community Vision Behind the New ARO Gallery

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Lean as a razor, Mark Shunney has the eye of an architect and the energy of a community organizer. He is, in fact, both. As the entrepreneur of the newly refreshed Art Research Office (ARO) Gallery in the heart of downtown Santa Cruz, Shunney has applied his tireless expertise to creating a space for “artist-driven experiments.”

Launched in early February with a riveting exhibition of 260 computer-enhanced drawings—“Audiographa,” by web graphic designer Erik Zwierzynski—ARO invites “exhibits, experiments, and salons” in conjunction with the new Sentinel Printers headquarters.

Zwierzynski, a webware designer, “was interested in seeing how his work fit in with the idea of fine art,” says Shunney. His boldly colored drawings are graphic manifestations of specific musical tracks—data-visualizations of songs, from Sonic Youth to Bob Dylan, Talking Heads to Nina Simone—created in a year-long project in which Zwierzynski produced a drawing a day. Gallery text sheets devised by Shunney explain the origins of each artwork in the show, which stays up until March 31.

“Artists we’ve worked with in the past are the first ones we will be showcasing,” he says, showing me through the suite of workspaces, which printing staff share with handsomely framed artwork.

Described by Shunney as a mid-century flatiron building, 1025 Center St. gleams with polished interiors and innovative conversation alcoves—constructed and designed by Shunney—and most appealingly, with acres of wall space for evolving displays.

“The entry room is all gallery,” he explains, grinning. “A white cube with track lighting. Plus there are various offshoot rooms with great wall space.”

The alliance Shunney formed with Sentinel Printers several years ago has traveled neatly into the new Center Street gallery, whose trapezoidal-shaped front salon serves as the main gallery and focal point of First Friday receptions.

Shunney is a native of Rhode Island and did graduate work at the renowned Rhode Island School of Design. He honed his genius for space transformation working in New York on interior restoration. He paid for his undergraduate schooling at University of Massachusetts Amherst by painting and restoring industrial, residential and commercial venues in the summers.

“As a kid in Rhode Island, I was also very taken with extreme cultural innovations—I did breakdancing and skateboarding,” says Shunney.

That East Coast fervor is still evident in his intensity and visual sophistication. For the past five years his day job as assistant gallery director and manager at UCSC’s Mary Porter Sesnon Gallery, has provided ample opportunities to demonstrate his array of skills. Longtime exhibition colleague Shelby Graham, director of the Sesnon Gallery, praises Shunney for his knack for mentoring. She notes that Shunney has created through ARO a place for art student alums to show their work locally and gain professional art world experience.

Shunney, an ace negotiator, prefers working side by side with student colleagues. “Many of my associates currently, and early adopters of ARO space, have been former students with whom I’ve built relationships,” he says.

Shunney’s ARO Gallery forges further alliances with the university by offering internships to History of Art & Visual Culture department students. The walls gleam with intriguing artworks, most of them framed oil paintings, digital prints, and lithographs by top UCSC art graduates.

“There are lots of blue-chip, mid-career artists with galleries,” Shunney says. “But my breakaway moment came when I decided to open a gallery for emerging artists.”

And not a gallery in the 20th-century sense, either. “My position is more of artist/curator producing shows. Historically I had been an installation artist, but now I feel like an environmental artist.”

The residential arena as art is another corollary to his current ARO workspace as gallery. “Now that I live downtown I have a fresh sense of the community,” he says.

Living in small confines, such as his current house, allows him to continue exploring “efficiency of space,” as an ongoing environmental artform. Yes, this man can make an artistic practice out of almost any spatial situation.

In addition to launching a broad concept gallery, Shunney is forming a set of rules for an artist-driven salon.

“Once a month,” he says. “My intention is to focus on the artist stepping outside his comfort zone and creating impromptu dialogue. A Fluxus kind of thing. The Salon Hour will be a project-driven encounter, as well as a great way to explore what people want.”

Even in a town full of art venues, ARO stands out in attracting outside and international perspectives. “I feel confident in my own taste as I’ve matured,” says Shunney. “I’m told I’m creating bridges between the campus and the community.”


ARO Gallery is at 1025 Center St., Santa Cruz. Open Monday-Friday 8 a.m.-5 p.m., First Friday, and by appointment. 332-4142, artresearchoffice.com.

Preview: Lyrics Born to play Moe’s Alley

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Lyrics Born has some passionate fans. Last year, the Berkeley rapper released his greatest hits album, a strange move for someone who is the textbook definition of left-of-center DIY indie rapper. What’s even weirder is that he funded the project via Kickstarter, meaning fans paid money—a total of $21,911—so he could compile songs from his existing catalog for this release. Let that sink in for a moment.

What might explain the fans’ exuberance is how fervently the emcee has throughout his 20-plus year career included them in the creative process. For this greatest hits record, officially titled Now Look What You’ve Done, Lyrics Born! Greatest Hits, he took to social media to ask them what songs should be on it, scrapping some songs he would have included in favor of their choices. (“I make the songs, but the fans make them hits,” he says.)

As an indie artist, this greatest hits album has been a true milestone. A couple of years ago, he would have thought that the idea of doing this was a corny, major-label-style money grab. But he came around to thinking that it made sense for him to show new fans—and remind old fans—of everything he’s accomplished.

“I was just thinking to myself, you know, I’ve got a lot of music out there,” says Lyrics Born, aka Tsutomu Shimura, over the phone. “There’s a generational change happening all the time in music. I’m getting to the point where I could probably be one of these new artist’s fathers. If there was ever time to do it, it was now.”

Analyzing Shimura’s entire career, it isn’t as odd as it first seemed that he’s focusing on his hits. Younger Lyrics Born fans might not realize it, but his national success came off the back of the unlikely 2003 hit “Calling Out.” At the time of its release, he’d been taking the song, which was released off an indie label he co-owned called Quannum, to different hip-hop/R&B stations in the Bay Area. They all ignored it. It was SF alt-rock station Live 105 that started spinning the track. According to a 2004 East Bay Express article, it was the most requested song for four weeks straight. Shimura never reached out to anyone at Live 105.

“Here we were beating our heads against the wall to get it on urban rap radio, and the No. 3 rock station in the country takes this record and starts playing it. Suddenly it’s number one, along with Green Day,” Shimura says.

Shimura had the skills to take the success of “Calling Out” and make a career out of it. He’s built a career around several successful solo albums, and two with Latyrx, his duo with Lateef the Truthspeaker.

Listening to the greatest hits album, it’s surprising how well it works as a single work of art. Shimura’s distinctive sing-songy voice, bouncy funky beats and conscious verses keep the songs grounded. As Shimura’s career advanced, he used less samples, and opted for live instrumentation more often than not. On 2015’s Real People, he even flew out to work with New Orleans musicians, absorbing their sound.  

Part of what makes this greatest hits record so special for Shimura is all the feedback he’s gotten from fans. When I asked him what are some songs he would have included were he not considering the fan’s feedback, he responded right away with “Whispers” from his 2008 album Everywhere At Once.

“It’s probably the best song I’ve ever written,” Shimura says. “I can’t even listen to it, it’s so personal. But that’s not a chart topper. Again, that’s the difference between making a greatest hits album and an anthology.”

Whether or not these songs would have all been his picks, he heard many stories from fans about how important they had been to them in their lives. How could he not include these songs? That was the whole point of putting this project together.

“When you get to a certain stage in your career, I’m putting my songs out, I have no idea how they affect people. I don’t get to participate in that,” Shimura says. “When I’d hear some of these stories, it’s like wow, I am actually helping people, even if it’s some small way.”


INFO: 9 p.m., March 3, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

Kaito’s Ramen Game is On Point

Pleasure Point is busting out of its laid-back surfing identity and rapidly becoming an appealing destination for ethnic cuisine wrapped around a hipster sensibility. Verve might have been the anchor of all this action, with its impeccable espresso drinks and the fetishistic perfection of its Manresa Bread pastries. Then the Penny Ice Creamery joined the party. Kaito, house of Ramen and Sushi Tapas holds the fort in the former Pink Godzilla headquarters. And across the street, Zameen has opened another dining spot filled with zesty Mediterranean specialties, happily called Zameen at the Point.

I met my longtime singing buddy Meri for lunch at Kaito last week. It was my first visit, but Meri is a regular and helped walk me through the noodle-intensive menu. A raised tatami seating area hugs one wall of Kaito’s interior, and a sushi bar flanks the other, with banquettes in the middle of this friendly, no-frills house of ramen, soba, udon and freshly conceived sushi specialties.

The menu offered me a galaxy of noodles, with variations on toppings and a few standard sides. The dinner menu adds grilled items plus small-dish salads. I had to dive in somewhere, so I did! My Ja-ja Ramen ($11.95) arrived in a bowl the size of a hot tub, filled with fragrant miso broth and succulent, chewy ramen noodles. Here was ramen worthy of the name, definitely not the noodles I used to inhale mindlessly at college while struggling to analyze Kant’s transcendental deduction. On top of the quivering mass of steaming goodness perched a mound of steamed cabbage and bean sprouts, green onions and a generous helping of minced, spiced pork. The freshly chopped toppings sparkled like green jewels and I ate steadily for 25 minutes without putting a dent in this astonishing portion of ramen.

Meri’s order of Tonkatsu ramen ($10.95) was almost as generous. Filled with ramen suspended in a pork-rich broth, her noodles were topped with beautifully arranged groupings of red pickled onions, black mushrooms, corn, barbecued pork, and chopped seaweed. We had ordered tiny sides of gyoza (fried pot stickers) stuffed with minced chicken ($2), and another of vegetable tempura ($3). I was captivated by a thin slab of carrot, cocooned in the lightest, most transparent of tempura batters. So crisp it shattered upon impact (with my teeth), the tempura was classic, although given the Himalayan proportions of the noodle entrees, the tempura was frankly superfluous. I found myself eyeing an intriguing order at the next table. “That’s the Japanese curry,” Meri informed me, her son’s favorite. It was one of those earthy plates of chicken and vegetables in a curry gravy, with a plump cake of white rice on the side, that makes you smile just to look at. I’ve got to try that, I nodded, still slurping the addictive ramen. Carrying two huge containers of remaining ramen, we headed out into the sunny afternoon.

Kaito is open for lunch and dinner Tuesday-Sunday. 830 41st Ave., Santa Cruz. 464-2586.


New Leaf Works It

The month of March is loaded with tempting and unexpected cooking workshops at New Leaf Westside to fill in those hard-to-handle food niches in your life. I like the looks of the March 8 class in Gluten-Free Baking and Tea Pairing. 6-8:30 p.m. $40 each and $35 for two. Learn about how to use a variety of GF flours and turn them into better-than-decent baked goodies. On Thursday, March 23 get creative with Protein-Rich Vegan Meals with vegetarian chef Jenny Brewer. Get familiar with tempeh and sea vegetables while honing your knife skills. 6-8:30 p.m., $45/$40. More at newleaf.com/events.

Ashes to Ashes, Dust to Dust

Throughout history, humanity has created rituals and celebrations that reflect the different seasons. The rituals mirror, indicate and signify the different aspects of light and dark, allowing humanity to maintain a rhythm with nature, the heavens, past, present and future and with each other. Lent (from “lencten”—when days lengthen), just before spring, is one of those ritual times. Lent begins this Wednesday. Lent is 40 days and 40 nights of purification preparing us for spring, Easter, resurrection, and the Aries Spring Festival.

Lent begins with Ash Wednesday, a ritual of reminding us that we are spiritual beings clothed (temporarily) in form and matter. The Ash Wednesday ritual—the priest places a cross of ashes (made from burned palms) on the forehead (Ajna center, third eye, place of spiritual direction) of parishioners while saying the words, “From dust thou art (you were made) and unto dust thou shalt return.”  These words remind us that the body, made of matter, will return to the Earth. However, within our body (within each cell) the Spirit of God dwells—the spark of Life, the Light of Life, the Pisces Light, that saves the world. During Lent, preparing for the new life of spring, we cleanse, purify, change habits, and prepare to make ourselves new.

Thursday Jupiter opposes Uranus (Libra/Aries). Oppositions tell us things new and expansive are appearing and we must not resist, but accept and integrate them. They are the new Aquarian energies coming forth, the template of the new world. We are told those who resist will be left behind. Venus turns stationary retrograde early Saturday morning, retrograding through April 15. More on Lent and Venus retrograde next week.  


ARIES: You begin to look at your professional and social self, abilities and successes in different and more powerful ways. This will have a long time effect in your life. People around you also see a difference. A capacity of healing comes forth and you achieve what you have hoped and wished and worked hard for. You will be responsible for the collective transformation of the world at some time. For now, you’re in training.

TAURUS: New ideas, philosophies, journeys, cultures all become important. Some Taureans consider moving to a simpler way of life. Some consider a monastery. And others to a place of higher learning. Some become teachers and professors of philosophies that support the new culture and civilization and future communities. Step into your visions. They are your future.

GEMINI: It is good to make a study of life’s transitions, of death, the bardos, rebirth, reincarnation and all that occurs when we have completed a life on Earth. Understanding life after death has a lasting and hopeful effect on daily lives. Realizing there actually is no death, but only a continuation of life in a different realm. A good book to review is The Tibetan Book of Living and Dying by Sogyal Rinpoche.

CANCER: A transformation on how you perceive other people and the world around you is occurring. There’s a new sensitivity and the need to have deeper interactions and cultivate new associations. As you do this more and more those you allow into your life will begin to recognize you as valuable and as a mentor. You are to assist in the collective evolution of all of humanity. Cancer is the womb that nurtures all new life. You become a “relater.”

LEO: You recognize new levels of awareness concerning your health and well-being, ways to better live daily life and how to serve yourself first in order to then turn and adequately serve others. It’s important to rise with the dawn’s light, to stand in the morning and evening light. It’s also important when one eats, what one eats, and the pure water one drinks in order to keep the body functioning electrically. Then healing occurs.

VIRGO: What creativity means for you and your ability to bring your creative self forth is important for you now. It’s essential to visualize and to know its value. Visualization is in reality the etheric externalization of our creative imagination. Ponder upon this statement. You are to identify yourself as creative and to share all creations and inspirations with the various kingdoms around you. You are their inspiration.

LIBRA: There is a transforming quality that occurs when we nurture ourselves. The ability to nurture others unfolds. But first we must feel cared for and nurtured within the self. You’re very able to provide the nurturing you need and tend to your wounds (feelings of not being nurtured). Then you’re able to offer nurturing towards others (family, friends, home). You can “build a lighted house for all to dwell in and to be nourished.”

SCORPIO: Your communication has been transforming self and others and it will continue. New and innovative thinking and ideas flow through your mind, into your communication and they change all those around you. There will be a capacity to disseminate information that supports a personal—then a collective—transformation. You, having been silent, hidden and quiet, actually become the communicator.

SAGITTARIUS: Security and material wealth are important powerful themes in your life. Your world is often seen through the lens of these two needs. It’s important now and in times to come to secure, maintain and expand your resources so that you have a safe future. It’s important to use your resources to expand the collective, to provide for not only yourself but also those in need. You become the gift giver. Think precious metals.

CAPRICORN: A new identity, a new perception of self, perhaps even your appearance and how you present yourself to the world is slowly changing and will have long and lasting effects. Capricorns are constantly in leadership training. Presently there’s a deep and profound self-development, a sense of personal power and a taking control of one’s life. Eventually all things hidden within emerge into the light of day.

AQUARIUS: It’s important to take care of your health each day. To follow all laws and obey all rules. It’s good to pursue yoga, prayer and meditation, offer acts of goodwill at all times, forgive and ask for forgiveness, be kind and develop compassion. Prepare for a cycle of change to occur and remember to value the spiritual essence of each individual.

PISCES: There is a need to focus on one’s hopes, wishes and dreams. You feel the need for community, for friendships wide and deep and spacious. An unexpected change has occurred in relationship to friends, groups and colleagues. You seek to transform the world in ways not thought of before. Create a journal of ideas. Move forward on these impressions. Ask for help implementing them. All that we ask for, appears. Eventually.

 

Rob Brezsny’s Astrology March 1—7

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ARIES (March 21-April 19): I predict that you will have earned the title of Master Composter no later than March 26. Not necessarily because you will have packed your food scraps, wilted flowers, coffee grounds, and shredded newspapers in, say, a deluxe dual-chamber tumbling compost bin. But rather because you will have dealt efficiently with the rotting emotions, tattered habits, decrepit melodramas, and trivial nonsense that has accumulated; you will have worked hard to transform all that crap into metaphorical fertilizer for your future growth. Time to get started!

TAURUS (April 20-May 20): It’s a good time for you to wield your emotional intelligence with leadership and flair. The people you care about need more of your sensitive influence. Any posse or tribe you’re part of will benefit from your thoughtful intervention. So get out there and build up the group morale, Taurus. Assert your healing ideals with panache. Tamp down the insidious power of peer pressure and fashionable nonsense. You have a mandate to wake up sleepy allies and activate the dormant potential of collective efforts.

GEMINI (May 21-June 20): If you were ever in your life going to be awarded an honorary Ph.D. from a top university, it would happen in the next few weeks. If there were even a remote possibility that you would someday be given one of those MacArthur Fellowship “genius” grants, now would be the time. Likewise, if you had any hopes of being selected as one of “The World’s Sexiest Chameleons” or “The Fastest, Sweetest Talkers on Earth” or “The Planet’s Most Virtuoso Vacillators,” the moment has arrived. And even if none of those things happen, I’m still pretty sure that your reputation and status will be on the rise.

CANCER (June 21-July 22): You’re wandering into places you’ve always thought you should be wary of or skeptical about. Good for you! As long as you protect your innocence, I encourage you to keep exploring. To my delight, you have also been fantasizing about accomplishments that used to be off-limits. Again, I say: Good for you! As long as you don’t overreach, I invite you to dream boldly, even brazenly. And since you seem to be in the mood for big thinking, here are other revolutionary activities to consider: dissolving nonessential wishes; transcending shrunken expectations; escaping the boring past; busting irrelevant taboos.

LEO (July 23-Aug. 22): I did a good job of raising my daughter. She turned out to be a thoughtful, intelligent adult with high integrity and interesting skills. But I’m not sure my parenting would have been as effective if I’d had more kids. I discussed this issue with Nathan, a guy I know. His six offspring are all grown up, too. “How did you do it?” I asked him. “Having just one child was a challenging job for me.” “I’ll tell you my secret,” Nathan told me. “I’m a bad father. I didn’t work very hard on raising my kids. And now they never let me forget it.” In the coming weeks and months, Leo, I recommend that you pursue my approach in your chosen field, not Nathan’s. Aim for high-quality intensity rather than scattershot quantity.

VIRGO (Aug. 23-Sept. 22): In her poem “Not Anyone Who Says,” Virgo writer Mary Oliver looks down on people who declare, “I’m going to be careful and smart in matters of love.” She disparages the passion of anyone who asserts, “I’m going to choose slowly.” Instead she champions those who are “chosen by something invisible and powerful and uncontrollable and beautiful and possibly even unsuitable.” Here’s my response: Her preferred formula sounds glamorous and dramatic and romantic—especially the powerful and beautiful part. But in practice it rarely works out well—maybe just 10 percent of the time—mostly because of the uncontrollable and unsuitable part. And now is not one of those times for you, Virgo. Be careful and smart in matters of love, and choose slowly.

LIBRA (Sept. 23-Oct. 22): The poet Rainer Maria Rilke bemoaned the fact that so many of us “squander our sorrows.” Out of self-pity or lazy self-indulgence, we wallow in memories of experiences that didn’t turn out the way we wished they would have. We paralyze ourselves with repetitions of depleting thoughts. Here’s an alternative to that approach: We could use our sadness and frustrations to transform ourselves. We could treat them as fuel to motivate our escape from what doesn’t work, to inspire our determination to rise above what demoralizes and demeans us. I mention this, Libra, because now is an excellent time to do exactly that.

SCORPIO (Oct. 23-Nov. 21): It’s time for the Bliss Blitz—a new holiday just for you Scorpios. To celebrate it properly, get as buoyant as you dare; be greedy for euphoria; launch a sacred quest for pleasure. Ah, but here’s the big question: Can you handle this much relief and release? Are you strong enough to open yourself to massive outbreaks of educational delight and natural highs? Some of you may not be prepared. You may prefer to remain ensconced in your protective sheath of cool cynicism. But if you think you can bear the shock of unprecedented exaltation and jubilation, then go ahead and risk it. Experiment with the unruly happiness of the Bliss Blitz.

SAGITTARIUS (Nov. 22-Dec. 21): In his book The Horologicon, Mark Forsyth gathered “obscure but necessary” words that he dug out of old dictionaries. One of his discoveries is a perfect fit for you right now. It’s “snudge,” a verb that means to walk around with a pensive look on your face, appearing to be busy or in the midst of productive activity, when in fact you’re just goofing off. I recommend it for two reasons: 1. It’s important for your mental and physical health that you do a lot of nothing; that you bless yourself with a healing supply of refreshing emptiness. 2. It’s important for your mental and physical health that you do this on the sly as much as possible; that you avoid being judged or criticized for it by others.

CAPRICORN (Dec. 22-Jan. 19): I wish your breakfast cereal came in boxes decorated with Matisse and Picasso paintings. I wish songbirds would greet you each morning with sweet tunes. I wish you’d see that you have more power than you realize. I wish you knew how uniquely beautiful you are. I wish you’d get intoxicated with the small miracles that are happening all around you. I wish that when you made a bold move to improve your life, everyone greeted it with curiosity and excitement. And I wish you would let your imagination go half-wild with fascinating fantasies during this, the Capricorn wishing season.

AQUARIUS (Jan. 20-Feb. 18): “You’re a different human being to everybody you meet,” says novelist Chuck Palahniuk. Now is an excellent time to contemplate the intricacies and implications of that amazing truth—and start taking better advantage of how much freedom it gives you. Say the following statements out loud and see how they feel: 1. “My identity isn’t as narrowly circumscribed as I think it is.” 2. “I know at least 200 people, so there must be at least 200 facets to my character.” 3. “I am too complicated to be completely comprehended by any one person.” 4. “Consistency is overrated.”

PISCES (Feb. 19-March 20): Your immediate future is too good to be true. Or at least that’s what you, with your famous self-doubt, might be inclined to believe if I told you the truth about the favorable developments that are in the works. Therefore, I have come up with some fake anxieties to keep your worry reflex engaged so it won’t sabotage the real goodies. Beware of dirty limericks and invisible ladders and upside-down rainbows and psychic bunny rabbits. Be on guard against accountants wearing boxing gloves and clowns singing Broadway show tunes in runaway shopping carts and celebrities telling you classified secrets in your dreams.


Homework: What’s the best surprise you could give yourself right now? Testify at freewillastrology.com.

Opinion February 22, 2017

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EDITOR’S NOTE

I wish things were a little bit different for this week’s Surf Issue. Admittedly, we had a little bit of fun at Cartel Management’s expense last year when writing about how they bungled the addition of a women’s heat to the Titans of Mavericks surf contest planned for this year. But we were genuinely excited to see the results, and disappointed when the legendary big-wave surf contest was cancelled for 2017. So perhaps it’s a bit of wish fulfillment on our part to feature Santa Cruz’s Sarah Gerhardt in this year’s Surf Issue, since she was scheduled to compete in that first-ever women’s heat. But the truth is, we’d be happy to tell Gerhardt’s story any year. She has a great one, having been the first woman to surf Mavericks, back in 1999. In her interview with Jacob Pierce, she shares an interesting take on the developments this year, as well as some first-person perspective on the thrill of surfing big waves.

Something new for our Surf Issue this year is a story with more of a historical focus—but then, when it’s the crazy history of Jack O’Neill launching hot air balloons from Santa Cruz beaches, we can hardly be expected to resist. And we’ve also profiled the important work that local marine-eco group Save the Waves is doing around the world. It’s a great line-up, and as usual, a fun issue for those of us putting it together. We hope it’s just as much fun for you.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Wild Edge

Re: Green Screening (GT, 2/1): While city leaders are working on a Draft Parks Master Plan, they’re simultaneously crafting a Draft EIR for a development which could destroy a de facto park.

Ocean Street Extension, which stretches beyond city boundaries, provides city and county residents with quiet refuge immediately after turning off at the cemetery. The rural, bottlenecked street, once called “Italian Gardens,” is lush with organic farms, leading into redwood forest and access to the San Lorenzo River. For obvious reasons, the street is utilized regularly by joggers, walkers and cyclists from beyond the immediate neighborhood. For many of these visitors, the area adjacent to the cemetery is the jumping-off point (i.e., parking) while others utilize it simply as a quick pullout point to make phone calls or eat lunch in their vehicles—PG&E, Davey Tree, Xfinity and other commercial vehicles are frequently seen there. This spot is also crucial for overflow parking during funeral services with large attendance, such as occurred with the services for the slain SCPD officers several years ago.

So, what’s the threat? A proposal for 10 three-story buildings in a 40 unit condo-complex on the hillside next to the crematory, of which only 15 percent will be “affordable.” Parking along the cemetery would become severely limited and will create new hazards for pedestrians and cyclists. The development is not along a city traffic corridor. There is no bus service. The bike lane? Gone, in order to squeeze in a dangerous new intersection with an extended turn lane; Graham Hill Road commuters, take note.

The deer that graze on that hillside know where the wild edge is. Tell our city leaders that you know too. All too often, we don’t know what we’ve got ’til it’s gone.

Teresa Aquino

Santa Cruz

Null and Voids

My response to your cover story on young “culinary masterminds” (GT, 2/15) was disbelief that Santa Cruz diners are craving chicken feet or offal. What would most likely be more welcome would be some or all of the following:  a good Spanish restaurant, a good Vietnamese restaurant, a good New Orleans restaurant (a step beyond the casual Roux Dat), a Peruvian restaurant, and most of all a real New York-style deli. Someone please fill these voids.  

Judi Riva

Santa Cruz

Friendly Fire

Strange that our new president is demonizing NATO and insulting our allies. Shortly after 9/11, I saw a televised interview; it was a German pilot and his international crew describing the protective patrols that he and his team were flying over the Golden Gate Bridge. Our NATO allies were flying protective missions on the West Coast (and, I assume, on the East Coast, as well). Do we really want to disrespect our NATO alliances?

Shirley Marcus  

Capitola

CORRECTION

GT’s story “Uncommon Ground” reported that Debora Wade filed a temporary restraining order against her neighbor Micah Posner. It should have also reported that a judge threw the restraining order out and ordered Wade to pay $500 toward Posner’s legal fees. We regret the omission.


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

OPEN ART
Robbie Schoen, director of the Felix Kulpa Gallery on Elm Street, suffered a massive stroke on Friday, Feb. 10. Fans and friends of Schoen have raised $25,000 so far through an online fund to support Schoen’s rehab. In the past few days, he has been talking and following simple directions. For updates and to give, visit youcaring.com/robbiesrehab. Donors can also bring or mail checks into any location of Santa Cruz County Bank.


GOOD WORK

LIGHT ON INJUSTICE
A candlelit vigil at Watsonville Plaza on Sunday, Feb. 19, marked the 75th anniversary of the President Franklin Roosevelt’s executive order to send Japanese Americans to internment camps. Speakers included Mas Hashimoto from the Watsonville-Santa Cruz Japanese American Citizens League, Mayor Oscar Rios, Police Chief David Honda and Monterey County Supervisor Luis Alejo. 135 people attended the Presidents’ Day weekend event.


QUOTE OF THE WEEK

“If you look at the media coverage and surfing magazines, the one thing that really stands out is how hard it is to find a photo of a girl in a magazine, unless it’s an ad. It’s kind of strange.”

-Lisa Andersen

What do you think of the dating scene in Santa Cruz?

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“It’s great! If you are willing to put it out there, people are willing to accept you.”

Jonathan Stern

Santa Cruz
Farmer

“It’s an absolute mess. With Tinder and online dating, I feel like all men are very distracted. I am old-school, and I think chivalry should not be dead. ”

Roxann Burdick

Santa Cruz
Cosmetologist/Salon Owner

“You’ve got to be a gentleman. The guys today are expecting too much, they’re entitled.”

Jason Burdick

Santa Cruz
Business Owner

“I made a system. One tap means ‘he’s all yours.’ Double-tap means ‘leave him alone.’ Triple-tap means ‘I’m spun out on that guy. Don’t touch him!’”

Michelle Wilczynski

Santa Cruz
RN

“Drier than the Sahara desert.”

Kicksaw

Santa Cruz
Research Assistant

Santa Cruz Music Picks Feb 22—28

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WEDNESDAY 2/22

EXPERIMENTAL

BADBADNOTGOOD

A trio of nerdy jazz kids geeking out on hip-hop doesn’t exactly scream “winning recipe for band.” At least, that’s what a panel of music instructors thought when Canadian three-piece BadBadNotGood submitted some jazz renditions of Odd Future songs for a college project. As fate would have it, Odd Future ringleader Tyler, the Creator felt differently. He helped make the group indie darlings after hearing some of these tunes. With the later addition of a sax player, the four-piece has managed to experiment its way through some of the most fascinating genre-anarchistic pieces to come from just about any young band working these days. AARON CARNES

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $22/adv, $25/door. 429-4135.

 

THURSDAY 2/23

JAZZ

MIGUEL ZENON

As a founding member of the SFJazz Collective, MacArthur “Genius” Fellow Miguel Zenon has spent a good deal of time in the Bay Area over the past decade. But the Puerto Rican alto saxophonist and composer doesn’t often get a chance to perform out with his blazing New York band. Featuring Venezuelan pianist Luis Perdomo, Austrian bassist Hans Glawischnig, and Puerto Rican drummer Henry Cole, the ensemble has mastered Zenon’s buoyant mélange of folkloric Puerto Rican forms and post-bop vocabulary. While he’s focused on big-concept multimedia projects in recent years, Zenon designed his stellar new album Tipico as a showcase for his prodigious bandmates. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

REGGAE/WORLD

J BOOG

Jerry “J Boog” Afemata, a reggae singer of Samoan descent, was born in Long Beach and raised in Compton, California. Steeped in Samoan culture and as the son of a Samoan chief, Afemata was nicknamed “Boog” by his siblings because he could never sit still for long. The artist has shuffled back and forth most of his life, living and traveling between Hawaii and California nonstop since the release of his debut album Hear Me Roar in 2007. He’ll be sharing the stage with Bob Marley’s 23-year-old grandson Jo Mersa Marley, as well as Jemere Morgan and Westafa. KATIE SMALL

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $30/adv, $35/door. 429-4135.

 

FRIDAY 2/24

SOUL

SOUNDCHECK

One reason small clubs exist is that all big, mind-blowing bands start out as small, not-quite-blowing-your-mind-yet groups. Soul Journey Ent. is a local organization committed to fostering the talents of Santa Cruz’s untapped, soulful talents, and Soundcheck is the culmination of those efforts. The groups performing at Soundcheck run the gamut from soul to funk to hip-hop to reggaetón. The event features Mark London (solo debut), DJ Monk Early, Play P and the Prince, and 2 Fly Music Grp. Keeping the evening flowing is funnyman MC Mean Dean, who’ll be playing master of ceremony. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12/adv, $15/door. 429-6994.

 

FRIDAY 2/24-SUNDAY 2/26

RAGTIME/JAZZ

SANTA CRUZ RAGTIME FESTIVAL

A lively take on the jigs and marches played by African-American bands in the late 19th century, ragtime served as a high-energy, syncopated bridge between John Philip Sousa and the dawn of jazz. The Santa Cruz Ragtime Festival celebrates all things ragtime, including its favorite son, Scott Joplin, with a multi-venue, multi-genre event showcasing the area’s stylists working to bring the once-beloved sound back into popularity. This year’s lineup features Elliott Adams, Ramona Baker, Andrew Barrett, Michael Chisholm, Danny Coots, Kylan DeGhetaldi and many more, and takes place at spots throughout Santa Cruz, including Calvary Church and Parish Hall, Lúpulo Craft Beer House, Woodstock’s Pizza, and the sidewalks of Pacific Avenue. CJ

INFO: 12 p.m. Friday-4 p.m. Sunday. Various locations. $25-$90. Information: santacruzragtime.com

 

SATURDAY 2/25

ROCK/BLUES

BONNIE RAITT

At the inaugural Santa Cruz American Music Festival in 2015, Bonnie Raitt did what she does best: play rock and blues jams; tell stories about legendary artists she’s worked with throughout her career; shred her guitar as only the best blues women can; and win over fans again and again with her humor and humility. The standout moment came during her hit song, “I Can’t Make You Love Me,” a weeper about lost love. Raitt brought the largely-beer-fueled crowd to a hush and left them hanging on every heartbroken word she sang. It was grace, beauty and pain personified. CJ

INFO: 8 p.m. Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. $59-$101. 426-6966.

CUMBIA/AFRO-LATIN

LA MISA NEGRA

Hailing from Oakland, La Misa Negra, which means “Black Mass,” or “Black Ritual,” blends cumbia with Afro-Colombian dance music to create a high-energy party and celebration of music, dance and Afro-Caribbean culture. An audience favorite in the Bay Area, La Misa Negra boasts an irresistible rhythm section, ace horns, unforgettable accordion work and relentless groove-ability. If you’re in the mood to sweat your worries away and celebrate the beauty and power of cultural and musical fusion, don’t sleep on this one. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

 

MONDAY 2/27

SOUL

TONY LINDSAY

Best known as vocalist for legendary rock band Santana, Tony Lindsay is a Grammy-winning singer and bandleader in his own right. Born in Kingston, New York, the Bay Area performer is one of the standouts of the local soul, rock and jazz scenes. On Feb. 27, Lindsay brings his Soul Soldiers, featuring vocalists Fred Ross and Will Russ, Jr., to town to perform hits from Marvin Gaye, Bill Withers, Lou Rawls, Sam Cooke and Donny Hathaway. CJ

INFO: 7 & 9 p.m. Monday, Feb. 27. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

 

TUESDAY 2/28

PSYCH-ROCK

TEMPLES

Described by Clash magazine as “’60s experimentation smashing stunningly into the present day,” Temples is a four-piece indie rock band from Kettering, England. The band’s second and most recent album, Volcano, has been a huge success in Europe, and takes the group’s catchy psych-pop to a new level of craftsmanship. While lead singer James Bagshaw’s vocals are reminiscent of MGMT and the Shins, a distinct, late-Beatles influence weaves throughout their songwriting and hairstyles—all four members resemble exotic plants. KS

INFO: 7 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $25. 335-2800.


IN THE QUEUE

DAVID WILCOX

Celebrated singer-songwriter. Wednesday at Kuumbwa

DEADPHISH ORCHESTRA

Tribute to the Grateful Dead and Phish. Friday at Moe’s Alley

STAR LA’MOAN

Gypsy swing, jazz, blues and more. Friday at Poet and Patriot

LIONEL HAMPTON

Legendary jazz vibraphonist, pianist and percussionist. Sunday at Don Quixote’s

JEFF TURNER

Hip-hop out of San Jose. Sunday at Catalyst

Giveaway: Molly’s Revenge St. Paddy’s Day Show

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Local band Molly’s Revenge has brought its unique brand of traditional Irish music to audiences in Santa Cruz and beyond for exactly 17 years this St. Patrick’s Day. A beloved act that’s working to keep Irish music alive and well, the band regularly joins forces with the Rosemary Turco Irish Dancers to create unforgettable, high-flying performances. As original member David Brewer told GT last year, the group “blasts high-energy Celtic dance music in a really lively and entertaining way.” On March 17, the show comes to Felton. Come early for corned beef and cabbage.


INFO: 8 p.m. Friday, March 17. Don Quixote’s, 6275 Hwy. 9, Felton. $17/adv, $20/door. 335-2800. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, March 10 to find out how you could win a pair of tickets to the show.

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Opinion February 22, 2017

Plus Letters to the Editor

What do you think of the dating scene in Santa Cruz?

Local Talk for the week of February 22, 2017

Santa Cruz Music Picks Feb 22—28

MIguel Zenon - Santa Cruz Music
The best live music in Santa Cruz County for the week of February 22, 2017

Giveaway: Molly’s Revenge St. Paddy’s Day Show

Win tickets to Molly's Revenge at Don Quixote's on March 17 on SantaCruz.com
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