Music Picks December 14—20

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THURSDAY 12/15

COUNTRY

JESSIE DANIEL AND THE SLOW LEARNERS

Between old-timey folk and cheery bluegrass, Santa Cruz has country covered. But the gritty, punk-country style would be almost non-existent if it weren’t for Jesse Daniel and his band the Slow Learners. Daniel recorded every instrument on his recent EP, but assembled the Slow Learners to accompany him for live shows. His influences include Johnny Cash, Buck Owens and Merle Haggard. Sharing the bill are the Cadillac Grainers, a recently established local country band. Made up of Sean Skaife on lead guitar and vocals, Nick Shoulders on percussion and vocals, Chelsea Moosekian on rhythm guitar and vocals, and Lane Cunningham covering double bass, the Cadillac Grainers just returned from an East Coast tour. KATIE SMALL

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

REGGAE

AGGROLITES

In old-school Jamaican music, there were the smartly dressed rude boys playing danceable ska, and then there were the deeply spiritual natty dreads playing bass-heavy reggae. But there was something else, too. Some call it the “’69 sound,” or “skinhead reggae” (not the racist kind of skinhead). It’s fun, bouncy, and slower than ska, grooving hard and emanating pure soulful passion. There’s only one modern American band that plays this music right, and that’s L.A.’s Aggrolites. They’re not Jamaican, and it’s their own modernized version of the music—they call it “dirty reggae”—but damn if they don’t exude that Jamaican late-’60s pop-reggae vibe in the best way possible. AARON CARNES

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $17/door. 429-4135.

AMERICANA

PETER CASE

Peter Case delivers some of the most ragged heart-on-his-sleeve acoustic ballads out there. He started his career in the Nerves, one of San Francisco’s first punk bands (who are today most famous for penning the Blondie hit “Hanging on the Telephone”). After that, he moved on the power-pop band the Plimsouls. And since 1986, he’s been building a solo career that pulls from blues, folk, country and the deepest crevices of his soul. AC

INFO: 7:30 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

 

FRIDAY 12/16

WESTERN SWING

SANTA IS REAL

In 1959, country duo the Louvin Brothers released a gospel album titled Satan is Real. The record has since become a staple of classic country record collections and it helped elevate the Louvins to legendary status. On Friday, Santa Cruz’s own Carolyn Sills Combo gives a tongue-in-cheek nod to the album with its annual “Santa is Real” performance. Now in its sixth year, the show is a lively mix of holiday tunes, Western swing and classic country. Chances are good that the band will also grace listeners with their brand new classic, “Ghost Reindeer in the Sky,” a delightful mashup of “Twas the Night Before Christmas,” and “Ghost Riders in the Sky.” CAT JOHNSON

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

RAP

IAMSU

Iamsu is a founding member and one of nine artists in the Bay Area’s Heart Break Gang. Born Sudan Ameer Williams, the rapper developed his stage name from a childhood nickname, “Su.” The Richmond native combines paired-down electronic hip-hop with your typical pop-rap lyrics; he’s gotten a lot of mileage out of Helen Keller—her name just has the right amount of syllables, I guess. For fans of Wiz Khalifa. KS

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $27.50/adv, $30/door. 429-4135.

 

SATURDAY 12/17

ROCK

LOCAL MUSIC SHOWCASE

This rare treat of a show features the unhinged soulful psych-rock of the Redlight District; the smooth-funk-meets-punchy-blues-rock of Ginger and Juice; heartfelt Americana from Eric Morrison and the Mysteries (Heartfelt, soulful Americana); and the poetic, folksy acoustic duo Wild Iris. The show will also be a release party for the Redlight District’s brand new EP. AC

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $7/adv, $10/door. 479-1854.

 

SUNDAY 12/18

BLUES

MOE’S ALLEY’S 25TH ANNIVERSARY

They grow up so fast. We looked away for a minute and suddenly Moe’s Alley—Santa Cruz’s roadhouse for rocking blues, reggae, world, rock and more—is turning 25. To celebrate the venue’s quarter-century mark, the Moe’s crew welcomes one of Santa Cruz’s great hometown blues heroes, guitar shredder Mighty Mike Schermer (performing with the Soul Drivers featuring Andy Santana), along with Chris Cain and more. Proclaimed the “best blues guitarist, singer and songwriter you’ve never heard of” by bluesman Tommy Castro, Schermer is a fast-rising star of the contemporary blues scene and an ambassador for the Austin-by-way-of-the-Bay-Area music circuit. Don’t miss this chance to give the Moe’s crew a high-five and get a heaping dose of afternoon rock and blues. CJ

INFO:

4 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $16/adv, $20/door. 479-1854.

 

MONDAY 12/19

JAZZ

CHARLIE HUNTER QUARTET

Seven-string guitar wizard Charlie Hunter and drum maestro Scott Amendola have logged thousands of miles together as a groove-centric duo with a rough-and-tumble repertoire of sinewy tunes. They’ve teamed up with various horn players over the years, recently adding the brilliant cornetist Kirk Knuffke, who’s also been featured recently in drum star Allison Miller’s Boom Tic Boom. For this West Coast tour, Hunter is tossing another horn player into the mix, the prodigiously gifted alto and tenor saxophonist Kasey Knudsen. One of the most consistently riveting improvisers on the Bay Area scene, she’s gained national attention despite favoring collective ensembles (like the Schimscheimer Family Trio and the Holly Martins) and sidewoman gigs rather than leading her own band. With two horns, Hunter can revel in the sinuous overlapping lines of his excellent 2016 album Everybody Has a Plan Until They Get Punched in the Mouth (which also features Knuffke). ANDREW GILBERT

INFO: 7 and 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27/adv, $32/door. 427-2227.

 

TUESDAY 12/20

ACAPELLA / WORLD

SWEET HONEY IN THE ROCK

A Sweet Honey in the Rock performance is less like your typical concert and more like a cross-cultural, love-fueled celebration of music, social consciousness, the planet and all of its inhabitants. One of the longest-running female vocal groups, Sweet Honey in the Rock filters traditional spirituals, pop tunes, jazz, R&B and hip-hop through the dynamic and powerful a cappella that has made the outfit a favorite of audiences around the world. In celebration of the “holydays,” the inimitable women of Sweet Honey bring a collection of holiday songs from a variety of cultures and styles for a “multicultural celebration of good tidings for the season.” CJ

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $35/gen, $50/gold. 423-8209.


IN THE QUEUE

MIKE RENWICK

Northern California guitarist blending folk, rock and R&B. Wednesday at Don Quixote’s

ANUHEA

Hawaiian singer-songwriter brings her “All Is Bright” tour to town. Thursday at Moe’s Alley

ADAM SHULMAN TRIO

Standout jazz pianist plays Charlie Brown Christmas. Thursday at Kuumbwa

MELVIN SEALS AND THE JERRY GARCIA BAND

Members of the extended Dead family keep the train rolling. Friday at Moe’s Alley

WAIL AWAYS

Roots outfit featuring Joshua Lowe and Jason Lampel. Friday at Crepe Place

What will change in Santa Cruz when marijuana is legal?

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“I don’t think much will change, because pot is basically legal in Santa Cruz already. But I think dispensaries will make more money.”

Gavin Sonne

Santa Cruz
UCSC Student

“It’s going to bring money from taxes instead of the black market. It will bring money for education and research and basically move the culture forward.”

Tyler Harvell

Santa Cruz
Sales

“It will be easier for new smokers who don’t have their network already figured out to get it.”

Lisa Huala

Santa Cruz
Database Developer

“Local growers will be screwed, but there will be more money for schools. ”

Ellen Terry

Santa Cruz
Avionics

“Maybe more ticket fines for outdoor smoking. ”

Ryan Matus

Santa Cruz
Record Sales

The Not-So-Clear Future of Legalized Pot

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Inside SC Labs on Santa Cruz’s Pioneer Street, technicians in lab coats and safety goggles test various strains of cannabis for potency, pesticides, gender and nearly a dozen different cannabinoids, as a soundtrack of reggae and indie rock blares in the background.

Down the hall, entrepreneur Ian Rice sits in his office, where he helps to oversee five dozen employees in a 10,000-square-foot operation that uses advanced scientific techniques to analyze cannabis. Professional and serious, a smile seldom flashes across his face as he talks about the accreditations SC Labs is working toward and each meticulous step his company takes in studying each plant that comes through the door. Some people might even have a hard time believing that he works in the marijuana industry at all—but then, those are exactly the kind of outdated stereotypes he has no time for.

“The idea that cannabis is bad for our community is done,” says Rice.

Rice is proud that he and three fellow co-founders at SC Labs hire droves of UCSC’s chemistry and biology grads right out of college. And after the passage of Prop. 64 in November, legalizing marijuana usage for recreational use, the business looks poised to grow more quickly than ever.

“It’s time to impress upon those naysayers that this is a real business. This isn’t a smoke shop, right? I happen to have some custom bongs,” he says, gesturing to vase-like glass pieces in the corner. “Those have never been used. They happen to be marketing items. We’re here to run not just a good cannabis business, but also a good business for the community.”

SC Labs cannabis test
TEST OF BOTH WORLDS SC Labs technicians start by photographing each sample that comes in before running a range of tests.

Rice remembers the time his father, renowned local marijuana attorney Ben Rice, first found out he had been smoking pot. He sat his son down and talked to him about setting “a good example for cannabis users.”

“Some people will smoke cannabis and lie on the couch all day, playing video games. For me, I use cannabis medicinally, and it helps me focus,” Rice explains. “It helps me have conversations and has helped me develop relationships, whether it’s on the personal side or business.”

Rice helped start SC Labs six years ago, after dropping out of Humboldt State University, which he calls the “Harvard of weed schools.”

And in the spring, he helped created Envirocann, a third-party certification company inspecting the farming practices of cannabis farmers. Mendocino County has already approved the group to inspect and help certify operations up there.

The fledgling company rates the integrity and sustainability of their clients’ grows under the guidance of president April Crittenden, who also works as the farm certification programs director for California Certified Organic Farmers.

The first step in that process is making sure that each grower is licensable, something that often comes down to composting and pesticide-free farming practices, as well local zoning laws, like the ones in Santa Cruz County, which have been in limbo—especially since the board of supervisors approved a moratorium on non-medical grows this month. Advocates like Ben Rice have pleaded with the county to loosen those rules enough to ease the burden on responsible cannabis farmers.

That land-use concern is one of many unanswered questions about how legalization will alter the face of marijuana locally and across the state.

“Some people will smoke cannabis and lie on the couch all day, playing video games. For me, I use cannabis medicinally, and it helps me focus. It helps me have conversations and has helped me develop relationships, whether it’s on the personal side or business.” — Ian Rice, Co-Founder of SC Labs

In the coming years, California will have mandatory testing for marijuana, and SC Labs appears poised to blossom. The company is also expanding to Washington, where the owners have a facility they have been waiting to open, and Oregon, where they just signed a lease.

As of now, most of their clients are submitting their weed voluntarily.

Sometimes, Rice says, one of them will doubt the test results that come out of the lab. That’s why technicians take painstaking efforts to keep track of each step in the process.

“If they have a question, which occasionally will happen, we can audit that system and see—is it a human error, an instrument error, or just a disgruntled client? Which happens, right? Some people think they have the best weed in the world, and unfortunately, we prove differently.”

 

Pot of Money

Even in the aftermath of a resounding victory, with 57 percent of voters backing Prop. 64, legal pot does have its bounds.

Employers can still test for cannabis in drug screenings, and employees can be fired for smoking. Noncitizens can be deported for using the drug, which is still listed as a Schedule I narcotic by the federal government, and landlords have the authority to kick tenants out of their homes for lighting up.

The feds have slowly shown a decreasing interest in cracking down, though, and President Barack Obama recently compared the changing culture of cannabis to the loosening of gay marriage laws around the country a few years ago. “There’s something to this whole states-being-laboratories-of-democracy and an evolutionary approach,” he told Rolling Stone, explaining that he thinks substance abuse of marijuana can be handled like officials do for alcohol and cigarettes. “You now have about a fifth of the country where this is legal.”

President-elect Donald Trump has also shown little interest in getting in the way of states that vote to let people get high, although some worry that the anti-drug Jeff Sessions, Trump’s appointment for attorney general, could prove to be a major buzzkill.

But the biggest unanswered question around cannabis may revolve around what to do when someone is caught driving under the influence. Unlike for alcohol, there isn’t a simple breathalyzer, or similar device, to clearly measure how inebriated someone is.

“Since there is no quantitative analysis, it’s going to require that the officer be able to prove in court that the person was under the influence,” Santa Cruz Police Chief Kevin Vogel told GT at the City Hall to You event at the Elks Lodge. “That’s going to be proven by driving, by objective symptoms. It becomes a little more complicated, not impossible. But I think over time, someone will come up with a test for marijuana that will provide an actual quantitative analysis. Right now, I’m not aware that that exists.”

SC Labs new machines
CHECKING LEVELS The new machines at SC Labs can measure the difference between dangerous levels of chemicals and allowable ones.

If the state agrees on a legal limit in a driver’s bloodstream, officers might be able to give suspects a urine or blood test, should they be arrested and taken back to the station, but experts haven’t been able to agree on what the legal limit should be because, for starters, cannabis affects different users differently. On top of that, there are hundreds of unique strains—some of which create distinct highs, especially because there’s a wide range of lesser-known cannabinoids in addition to THC, the high-profile one that testers typically use to measure intoxication.

And whereas alcohol is water-soluble, THC is fat-soluble, meaning that it fluctuates in people’s bloodstreams differently. The states of Colorado and Washington, which both legalized pot in 2012, have each passed a limit of 5 nanograms of THC per one milliliter blood. But critics have derided that number as arbitrary, and Ben Rice says many medical patients are walking around with that much THC in their bodies all the time—even when they’re stone-cold sober.

Lastly, there’s the issue of combining substances. Some studies have found that a connection between bad driving and marijuana is far less clear than the correlation between bad driving and alcohol, but research also shows that combining the two is much more intoxicating than using either on its own.

The day after the election, Vogel sent a memo out to his officers, explaining the breakdown of what legal cannabis means for them, and Sheriff Jim Hart did the same for his deputies. Both tell GT that their officers will keep using the same cues they always do to tell how inebriated someone is—factoring in how they are driving, their interactions with officers, how recently they say they smoked, and maybe how dank their car smells.

Although Ben Rice proudly supported Prop. 64, he worries that some of the coming changes could put law enforcement in a difficult situation. For instance, the proposition, also known as the Adult Use of Marijuana Act (AUMA), will establish a 15 percent tax on non-medical cannabis. In order for the law to work properly and generate revenue, the state will need people to buy from approved vendors. Of course, if that tax proves too high, it could send people back to the dealers and under-the-table growers that people have been relying on for years.

SC Labs Ian Rice
DESK JOB Ian Rice, co-founder of SC Labs, learned from a young age the importance of setting a good example as a cannabis user.

And although it’s no longer a crime to possess pot, buying legal recreational weed isn’t slated to be legal until 2018, unless the state legislature tweaks the law. That means that, although cannabis is legal, it’s still against the law to buy or sell it without a medical marijuana card. At the same time, though, marijuana crimes that used to be felonies, like cultivation, have now been reduced to misdemeanors, notes Abel Hung, a narcotics prosecutor with the district attorney’s office.

He worries that the AUMA will send demand soaring, and—especially now that the penalties have diminished—many illicit growers will be happier than ever to try and meet it, before selling legal recreational pot even becomes a thing.

“Being caught up in criminal activity has always been a cost of doing business,” Hung says. “Is this change going to make them stop doing that? Or is it going to make them more brazen?”

 

In the Weeds

As the dawn of a new era for marijuana approaches, Ben Rice says he remembers when Santa Cruz County was a leader in “smart” and generally laid-back cannabis policy—a period best exemplified by the community reaction to an infamous 2002 DEA raid of the Wo/Men’s Alliance for Medical Marijuana (WAMM).

In the years since, he concedes, some “idiots” moved to the county, perhaps drawn by that reputation. Some of those growers ignored all rules whatsoever, clear-cutting trees, diverting streams, flouting permit laws, and causing serious environmental degradation.  

SC Labs Travis Ruthenburg
GETTING INPUT SC Labs science director Travis Ruthenburg studies test results in the instrument room of the company’s Santa Cruz location.

But he fears the county government has reacted too strongly to those issues and might be missing out on a big opportunity to support the cannabis farmers who want to play by the rules.

“I think it’s a shame that Santa Cruz, which was one of the leaders in the country in this industry, has taken a big U-turn. And now a county like Monterey, which is one of the worst places I had to go to defend people—they were sending people to prison left and right just a couple years ago—now they’re embracing this industry, and they’re going to make a lot of money that we’re leaving on the table,” Rice says. “That seems foolish to me. And it’s going to leave out a lot of people who are trying to do it right.”

Rice has been asking the county to reverse course on a few land-use decisions—namely a limit keeping one grower permit to each licensable parcel of land, no matter how large it is. That change, he says, would provide a place in the county for growers, like ones in Bonny Doon that the county no longer allows to farm commercially at their own homes, due to recent changes.

As county staff work on an environmental cannabis review, District 1 County Supervisor John Leopold has asked planning officials to consider allowing multiple permits on large approved pieces of land and letting farmers share, just like Rice has called for.

Leopold, who still thinks of the county as being on the cutting edge of cannabis, notes that the county strongly encouraged all established growers to register with the county last month, with an email address. The idea is that county leaders can help move any farmers who live outside the permitted areas but want to keep harvesting. The county was also one of the first to hire a cannabis licensing official in October.

“We had nine months of analysis from the Cannabis Choice Cultivation Choices Committee,” says Leopold, who represents Live Oak and Soquel. “Then we had a very balanced community dialogue about it. Now we’re doing the highest levels of environmental review. So, we’re trying to have an informed discussion.”

Dientes Attempts to Heal Patchwork of Poor Tooth Care

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Catherine Outlaw misses steak. It’s the hardest part about not having bottom teeth, says the 58-year-old Westside Santa Cruz resident.

She lost most of them during a visit to a San Jose dentist in the 1990s. Outlaw says she went under anesthesia expecting to have one tooth pulled, and woke to discover that half of her bottom teeth were gone. When she demanded an explanation, the dentist slipped out the back door, she says.

At the time, Outlaw had Denti-Cal insurance, which is provided free for low-income Medi-Cal subscribers. She suspects her dentist was fraudulent, milking the system for reimbursements by performing unnecessary treatments.  

For years, Outlaw just got by with less teeth, since Denti-Cal didn’t cover partial dentures, and she couldn’t afford to pay out of pocket.

“I cut my food up real fine,” Outlaw says. “That’s all I could do.”

Dientes patient
Catherine Outlaw has been awaiting dentures after a horrific procedure in the 1990s when half bottom teeth were removed by a dentist she believes was fradulent. PHOTO KEANA PARKER

Her dental hygiene took a backseat to other issues. She broke her back four years ago, and has been on disability ever since. Before that, she worked as a home health aide, caring for elderly people.

She’s largely avoided dental screenings, besides attending a few free dental pop-up clinics in a San Jose parking lot. A few years ago, she paid out-of-pocket for a one-time $99 exam special at a Santa Cruz office.

“My brother gave me a lottery ticket and I won $200 bucks and I took $100 of it and I went and I had them check my teeth,” Outlaw says.

But three years ago, she began visiting Dientes Community Dental Care, a Santa Cruz-based nonprofit clinic, where she receives free service due to the sliding scale, she says. She began the process of having her teeth pulled and getting dentures, which has taken more than a dozen visits so far.

She still doesn’t have her bottom set of dentures.

“I’ve been going there for a while, and they really help, but then, you know, it just takes this long, drag-out thing,” says Outlaw.

She says the staff at Dientes is courteous and respectful.

“They’re good. They’ll take care of you, but you have to be patient. It’s going to take a while, but you know, that’s the way it is when you don’t have real insurance,” Outlaw says.

 

BROKEN SYSTEM

Pediatric dentist Marc Grossman, who practices at Freedom’s Pajaro Valley Children’s Dental Group, says his office stopped taking Denti-Cal two years ago, because it cost the clinic too much time and money.

Private offices like Grossman’s are reimbursed by Denti-Cal for only 30 percent of their fees. That barely covers half the cost for materials and labor, he says, and dental offices end up eating most of the costs.

“So, do the math,” says Grossman. “You can’t keep losing money and survive. You have staff and everybody to pay.”

Around 13 million of the state’s 39 million residents rely on Denti-Cal, and fewer than half use their benefits, due to the shortage of dentists who will see them.

In Santa Cruz County, 80,000 residents have Denti-Cal, yet only 25,000 visited the dentist in the last year, according to a 2014 report. Perhaps even more shocking, only 31 percent of children in the county aged 11 or younger, regardless of income, have ever seen a dentist.

Last year, a coalition filed a civil rights complaint with the U.S. Department of Health and Human Services, alleging that Medi-Cal/Denti-Cal is a separate and unequal health-care system that “effectively deny the full benefits” to more than 7 million Latinos. More than two-thirds of Medi-Cal enrollees are Latino, and lawyers contend that Medi-Cal reimbursement rates have fallen as the proportion of Latinos with Medi-Cal has risen.

Only six dentists in Santa Cruz County take new Denti-Cal patients—four in Watsonville, and one each in Santa Cruz and Freedom.

That’s not enough to meet the need, says Grossman, who co-founded Dientes Community Dental Care in 1992.

Denti-Cal subscriptions in Santa Cruz County have ballooned in recent years. The Affordable Care Act has added an estimated 21,000 Santa Cruz County residents to Denti-Cal. And in 2013, when the state began cutting the insurance programs Healthy Families and Healthy Kids, around 5,300 low-income Santa Cruz County residents transitioned to Denti-Cal.

Part of the problem with Denti-Cal, says Grossman, is that it assumes dentists are fraudulent. For example, Denti-Cal requires dentists to take X-rays showing that the treatment is necessary, then later take more X-rays showing the treatment is complete.

That’s not only inefficient, but also unethical, since it exposes patients to unnecessary radiation, Grossman says. It creates an enormous bureaucratic backlog, resulting in only a tiny portion of the budget going to care, and most going to administration.

“We never get to see the workings of it,” says Grossman. “We just get to play the game, basically. You wouldn’t believe the number of things that are denied [by Denti-Cal] once they’re done.”

Another option for people with Denti-Cal is Western Dental, a corporation with offices across the country, including in Santa Cruz and Watsonville. Mark Ebrahimian, a dentist at Santa Cruz’s Harbor Dental who is part of a team advocating for local dental health reform, says he’s never been to a Western Dental office, but he’s spoken to many of its former patients. He once worked for a similar dental corporation, and says it’s a different world from the private dental offices that most people know.

For starters, these corporate clinics usually have 10 or more chairs in a single, large room with one or two dentists treating dozens of patients a day.

“It’s an assembly line, and it’s all an attempt to control costs,” says Ebrahimian—that’s how Western Dental can afford to take Denti-Cal, he says.

Dentistry is trending toward corporations, away from the small, individual business owners, since the technology and materials are so costly, he says. That trend hasn’t yet hit Santa Cruz County, since the area doesn’t have enough people to attract more corporations, he says.

“Until there’s this dramatic shift where there are more group practices that can pool their resources, it’s unfortunately going to be really hard for people who are economically stressed to be able to get dental care,” Ebrahimian says.

 

LOCAL PLAN

Ebrahimian is one of 17 community leaders who form the Oral Health Access Steering Committee put together by Dientes Community Dental Care in June. Members include Supervisor Zach Friend; David Brody, executive director of First 5 Santa Cruz County; and Michael Watkins, Santa Cruz County superintendent of schools.

The committee formed after Dientes commissioned a county dental health needs assessment in 2014, and Dientes staff realized the problem was bigger than they alone could solve, says Sepi Walthard, Dientes dental director.

The committee whittled their priorities to a list of three, which they presented at an oral health summit at Seascape Golf Club on Dec. 5. First, they plan to launch an education campaign informing parents that babies should see a dentist by their first birthday or their first tooth.

“We have kids coming to us at 4 or 5 for the first time, and by then, it’s really late,” says Walthard. “They have a lot of cavities. They need to be sedated, and it becomes complicated. So it’s a lot easier and a lot more cost-effective to focus on them when they’re little.”

Second, the committee wants to make dental screenings mandatory in kindergarten or first grade. That used to be required, but when the state lost funding a few years ago, it became optional. In Santa Cruz County, some schools have continued requiring screenings, but others have stopped.

Third, the committee plans to increase access to dental care and serve an additional 8,000 county residents by 2020. Plans include building a new 10-chair clinic at Santa Cruz’s East Cliff Family Health Center, training medical providers to apply fluoride and conduct oral screenings at pediatric check-ups, and recruiting more dental providers, especially pediatric dentists.

Walthard says she’s glad the steering committee is finally bringing the dental health crisis to light. If you have bad teeth, cavities and pain, it’s hard to function, and too many local residents lack access to care, she says.

“Sometimes we feel like the redheaded stepchild of issues,” Walthard says. “It’s not easy. Nobody wants to hear it. Nobody wants to think about it. Even in movies and TV shows, it’s always portrayed in a negative light. It’s just something that nobody wants to talk about.”


Santa Cruz Gives

Dientes Community Dental Care is one of the nonprofits GT and its partners is asking readers to support during this year’s Santa Cruz Gives holiday giving campaign. For more information and to contribute, go to santacruzgives.org through Dec. 31.

State Lawmakers Attempt Bail Overhaul

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California lawmakers last week unveiled a bill to reform the state’s money bail system, calling the profit-based status quo an injustice to the poor.

“California’s bail system punishes poor people simply for being poor,” Assemblyman Rob Bonta (D-Oakland) said in announcing the bill last Monday, the first day of the 2017 legislative session. “In many cases, if you have enough money to pay your bail, you can get out of jail regardless of whether you are a danger to the public or a flight risk. But if you’re poor and are not a flight risk or a danger to the public, you are forced to stay in jail even when the charge is a misdemeanor. That’s not justice.”

The alternative to the traditional money bail system is a computerized risk assessment that factors criminal history, record of showing up to court hearings, and other variables into a determination of whether an individual poses a flight or safety risk. Santa Cruz County has been ahead of the curve on this alternative approach over the last decade, and in 2014 volunteered to be a pilot program for newly refined software called Public Safety Assessment (PSA)-Court. Officials were so pleased with the results, they fully implemented the software in June of 2015, when the pilot program ended. Sara Fletcher, director of the Adult Division of the county’s Probation Department, says that creating and perfecting a system “that focuses more on the risk to the community than ‘do you have enough money?’” has been a priority.

“Not only because of jail overcrowding,” she says, “but because it’s just the right thing to do.” The consequences of unnecessarily withholding release on bail, she says, can be serious. “Research shows the longer you’re in custody, the worse your outcome,” says Fletcher.

Details of the California Money Bail Reform Act of 2017 are still being hammered out. But Bonta, State Sen. Bob Hertzberg (D-Van Nuys) and others sponsoring the bill said it would reduce the number of people locked up before trial.

Under state law, monetary bail is set based on a local fee schedule that factors in the severity of the alleged crime. Defendants can pay the assigned bail, pay a nonrefundable 10 percent fee to a bail bonds company or await trial behind bars.

About 63 percent of inmates in California jails, 45,000 in all, are pretrial detainees. In Santa Cruz County, that figure is generally lower—around 58 percent.

At a press conference organized by Bonta and Hertzberg last week, San Jose resident Ato Walker spoke about the price his family paid for a 2013 arrest on charges that didn’t even stick. Accused of resisting arrest, his bail was initially set to $165,000 before getting bumped down to $85,000. He spent five days in jail until his mom—a retired postal worker—pulled $8,500 from her 401(k) to bail him out.

“We’ve lived poor, scraping by all that time,” said Walker, a 37-year-old father of one. “For her to take that money so that I could be there for my family, so that I could support my family … I was really happy that I was able to get that support.”

After several months, the District Attorney’s Office dropped the charges against Walker. A year later, he sued the San Jose Police Department for excessive force. The case ended with a $30,000 settlement that allowed him to pay his mom back.

“But not everybody has that opportunity,” Walker clarified at the presser. “So I want to thank all these legislators for stepping up and making sure that all us people who grew up poor and live poor can have some type of justice.”

According to the American Civil Liberties Union, which has been pushing for statewide reform, about 80 percent of jail deaths occur in pretrial custody. Of those, about a quarter are suicides. Reformers also point out that pretrial incarceration increases the likelihood that a person pleads guilty. Bearing the brunt of inequities in the cash bail system—and other policies that lead to mass incarceration—are communities of color.

“This is a racial justice issue,” Lt. Gov. Gavin Newsom said at the press event. “I think that’s self-evident. This is an economic justice issue. … This is a profoundly important moment in criminal justice reform in this state, and, I would argue, this country.”

Debate over bail reform has taken place in legislatures and courtrooms throughout the nation in recent years. Two lawsuits filed in federal courts in California have taken aim against statewide bail practices in Sacramento and San Francisco.

“They were sued—and I’m glad they were sued—for their money bail system,” Newsom said. “There are seven states that have been sued, municipalities across the country that have been sued to reform. It’s unfortunate that’s what it takes, but here we are, and it’s a very good and positive thing.”

Bonta says the California Money Bail Reform Act is the next step toward fixing a broken system.  

“We need evidence-based reforms that accurately assess someone’s risk to the public and their likelihood of showing up for their court hearings,” Bonta said. “Right now, money bail is just an indicator of a person’s wealth.”


Additional reporting by Steve Palopoli.

Cary Gray’s Sustainable Adventures

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If the the story of Luno, a precocious boy who decides to unicycle to South America, doesn’t immediately charm you as you flip through the children’s book The Sustainable Adventures of Luno! The One Who Rode to South America on One Wheel, it might help to know that Santa Cruz-based author Cary Gray drew all 34 pages of whimsical illustrations with his feet.

What’s even more impressive is that the fictional Luno’s epic journey is based on Gray’s real-life 18,000-mile unicycle trip from Baltimore to Columbia, unofficially the longest trip made by unicycle.

GRIN AND BEAR IT A foot-drawn watercolor illustration from The Sustainable Adventures of Luno!
GRIN AND BEAR IT A foot-drawn watercolor illustration from The Sustainable Adventures of Luno!

In July of 2013—without previously having done any long-distance unicycling, and with only one bicycling trip up the East Coast five years earlier—Gray planned the trip basically to see if it could be done. The then 24-year-old Gray hopped onto his custom-built, all-terrain unicycle, balancing a set of self-designed panniers, and set off for South America.

Almost immediately, he got lost.

“I realized that you can’t exactly ask people, ‘Which way to South America?’” admits Gray with a wry half-smile.

Traveling on one wheel posed its own set of challenges, in addition to the normal factors one must consider on an overland trip of this magnitude—the most problematic being speed. While cyclists can conserve energy by coasting and standing for stretches at a time, it’s impossible to coast on a unicycle. Gray had to stop when he got tired, lengthening the journey considerably. “In a stretch, I could do an average of 10 miles before I had to take a break. Anything more than that and it became incredibly painful, especially in the beginning,” he explains. 

However, Gray says he didn’t get lost again the rest of his trip. “I decided there’s no such thing as a detour. It’s all a matter of perspective.”

In June of 2014, Gray arrived in Colombia. Although he had intended to continue through the continent, his passport was stolen, and he returned home. But his passion for long-distance unicycling was fully aflame by this point, and it wasn’t long before he found himself on another cross-continent journey, this time to Juneau, Alaska.

It was on this “second leg” of his journey that Gray experienced a change in focus from inward to outward. “The first mission was to challenge people’s perspectives and figure myself out—and get to South America. On my way to Alaska, my attitude shifted. I needed to share my story,” he says.

If he had reached South America by the power of his own two feet, Gray thought, why not continue to challenge his perspective and illustrate a book about his journey in the same way?

Gray began giving talks to elementary school kids about his trip. “My message was to get out there, that anything is possible. The kids also wanted to know what I ate, which led to discussion about nutrition and healthy eating,” says Gray. “I wanted to share the message to take care of yourself, each other and the world.”

An artist by trade, he was inspired to create the book as a way to document his journey and create a visual aid for children. If he had reached South America by the power of his own two feet, Gray thought, why not continue to challenge his perspective and illustrate a book about his journey in the same way? “I felt like a unicycle is to a bicycle what a foot is to hand,” he says. “I thought, ‘Why not?’”

The results are playful watercolor images depicting a sojourn through rain, snow, alpacas and the temples of Machu Picchu. The character of Luno enthusiastically refutes naysayers who can’t conceive how he will complete his journey—one grown-up figure’s head literally explodes in a burst of popcorn at the idea—with an exuberant “Anything is possible!” Gray peppers the imaginative expedition with smaller text intended to be read by an adult or older child about environmental stewardship and cultural notes, like not to feed wild animals and the importance of rivers as water sources.

“The book is partially a tool for me, and partially a tool for kids. I wanted something in which I could use my talents in art and writing, and something that would define me and the trip in a concrete form, a visible aid you could look at. Since I was trying to spread this message, I wanted something that I could go back to as a tool for that,” says Gray.

Luno’s namesake is Luna, Gray’s unicycle. He explains that the names share a Latin root with “lunacy”—very fitting, considering how crazy his trip sounds to most people. Like himself, Gray admits, “You can kinda get the sense that he’s sort of a loon-ball.”


Read more about Gray’s journey and order books at caryoutthere.wordpress.com.

Update 12/14/16 11:20 am: Quotation updated for accuracy.  

Film Review: ‘Manchester By the Sea’

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We think of the movies as a medium of action and image. So it’s kind of audacious that most of the drama is internal in Manchester by the Sea. Writer-director Kenneth Lonergan brings his playwright’s instincts to this intimate story of love, loss, and family in a close-knit fishing community on the Massachusetts coast. These rugged folks don’t articulate their feelings, but those feelings run deep, and Lonergan finds continually inventive ways to express them in this quietly moving film.

Lonergan is best known for You Can Count On Me, another look at uneasy but fierce family dynamics. The taciturn protagonist in Manchester by the Sea has no means of expressing his inner demons (not even to himself). But Lonergan tells his story through judicious use of flashbacks, and in the ways he interacts with people around him, whether fighting, swearing, or joking around. (Indeed, for a movie whose plot turns on so many tragic elements, the dialogue can be surprisingly funny.)

Lee Chandler (Casey Affleck) works as a handyman and super at a small apartment building outside of Boston. He doesn’t say much beyond what the job requires, and reacts with the same apparent indifference, whether he overhears a tenant on the phone telling her girlfriend she has a crush on him, or a tenant cusses him out over a plumbing malfunction. (Although he calmly answers the latter in kind.) After work, he retires to his one room in the basement to drink beer and watch sports on TV, or goes out to a bar until he’s drunk enough to pick a fight with someone.

But when his older brother Joe dies suddenly, Lee has to return to his hometown of Manchester by the Sea, on Cape Ann. Joe (Kyle Chandler, in flashbacks) was a divorced commercial fisherman raising a son, Patrick, on his own, and Lee has to make the arrangements. Lee responds to everything with the same tight-lipped impassivity—until he hears that Joe has named him the legal guardian of 16-year-old Patrick (Lucas Hedges).

As Lee and Patrick cope, Lee’s memories play an ever more crucial role in the storytelling. In flashbacks, a very different Lee emerges, happy-go-lucky, with a posse of buddies, a feisty young wife, Randi (Michelle Williams), and kids of his own. As a boy, Patrick (Ben O’Brien) grew up with his Uncle Lee working on the boat alongside his dad; they taught him to fish and introduced him into the rituals of guy-bonding.

The story of how Lee got stuck in his own haunted purgatory is revealed in small, heartbreaking increments, in counterpoint to the larger story of Lee and Patrick learning to navigate their strange new situation. Lee is determined to only stay in town for the winter, until Patrick’s school year ends, then relocate them both back to Boston. Patrick digs in his heels—he’s on the hockey team, he’s in a band, and he has two girlfriends he doesn’t want to leave. “You’re a janitor,” he tells Uncle Lee, “what the hell do you care where you live?”

Good point. But despite not being remotely parental, and barely equipped to take care of himself, let alone Patrick, Lee fears memory-haunted Manchester above all things. Although it’s clear that Joe is still looking out for him from beyond the grave, and Randi even resurfaces briefly in his life to offer a kind of redemption, the crux of the drama is whether or not Lee can learn to accept the past and move on.

This is a life-sized story about recognizably human characters whose dilemmas stay with us. Affleck manages to toe the fine line between surly and sympathetic; he maintains our interest, offering up shading in the smallest of gestures. His scenes with Hedges provide the backbone of the story, as uncle and nephew test the boundaries of their new reality. Williams provides fire and grace in her few scenes.

The storyline may be unresolved (or resolved in a way that might disappoint some viewers), but that’s just another way that this heartfelt, compassionate movie echoes real life.


MANCHESTER BY THE SEA

***1/2 (out of four)

With Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges. Written and directed by Kenneth Lonergan. A Roadside Attractions release. Rated R. 137 minutes.

 

Preview: The Album Leaf to Play the Catalyst

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When Jimmy LaValle was a teenager, he lived the punk rock dream: playing in hardcore and grindcore bands, spreading messages about the state of the world, performing at house shows and underground locations, and touring from town to town.

“It was like a clown bus, with so many bands and kids packed into one van and touring together,” he says, reflecting back on his early days. “Those were the roots that made me who I am.”

But somehow, LaValle’s hardcore roots sprouted into the Album Leaf, a project that is anything but hardcore. Originally a one-man side project, the Album Leaf, which boasts some of the most beautiful and engaging ambient electronica to be found in the pop world, became LaValle’s main project.

Two decades later, the Album Leaf is still going strong—and LaValle is as surprised as anyone at its longevity. When asked what he attributes it to, he shies away from saying what he does is unique, but acknowledges that his music “fits in a world that’s not this and it’s not that.”

“I don’t feel like I sound like anything else,” he says. “Although I’m influenced by, and borrow from, other musicians that I hear, I feel like maybe there’s a niche I fit in and deliver.”

In the early Album Leaf years, LaValle was swept up in a wave of instrumental music moving into the mainstream. Bands like Tristeza (of which LaValle was a member), Tortoise, and the Mercury Program were becoming increasingly visible on the pop landscape. LaValle’s continued enthusiasm for the project is due to his commitment to moving forward creatively and stretching his musical bounds. “If it’s pushing me and challenging me,” he says, “then it’s the right step.”

On his new album, Between the Waves, LaValle, who also composes scores for independent films, blends his post-rock instrumental stylings with beautifully crafted melodies, samples, engaging rhythms and subtle instrumentation that wafts in and out of songs. In keeping with the Album Leaf sound, the album is smart, emotional and nuanced. It coaxes listeners to tune in to the smallest details, then rises seamlessly to a joyful crescendo. Like most of LaValle’s records, Between the Waves invites the listener to sit down and take the whole album in without distraction. This is not music to be quickly skipped through on a gadget, but to be savored on an afternoon alone with a turntable.

After years of making records by himself, LaValle was ready to take a different approach on Between the Waves. On this record, he involved a band in much of the post-production and worked with the band members to craft the songs and sounds.

“It just got boring making records by myself,” he says. “It wasn’t what was interesting to me anymore.”

In making the record, everything went through his “filter,” he says, but the songs morphed into “completely different products.”

“There was a lot of collaboration,” he says, “that reshaped and reimagined a lot of the material.”

Where LaValle used to create music alone in the wee hours of the night, he now goes into his studio to work Monday through Friday, 9 to 5. Now a family man with two young children, LaValle says his life has changed quite a bit from his early hardcore days. But he’s grateful for those roots, and wonders if young musicians aren’t missing out on some of the foundational experiences of life as a musician with today’s easy access to digital tools and distribution.

“I feel like a lot of the experiences—and a lot of the hard work, and a lot of the floors slept on, and a lot of the overnight drives, and just being generally dirty and tired—put things into perspective as far as what it takes,” he says. “By no means am I some famous artist or a band that plays stadiums or anything, but I’ve managed to make music my living, and there was a lot of work that went into creating and getting to that point.”


The Album Leaf will perform at 9 p.m. on Saturday, Dec. 17 at the Catalyst, 1011 Pacific Ave., Santa Cruz. $17/adv, $20/door. 423-1338.

Be Our Guest: LeBoeuf Brothers

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Local-jazzmen-make-good stories Pascal Le Boeuf and Remy Le Boeuf went from Santa Cruz standouts to award-winning, national artists who call New York home and have garnered praise from the Times for their pursuit of a “hyper-fluent streamlined modern ideal.” With Pascal on piano and Remy on saxophone, the brothers bring a sophistication and creativity to their music that has captured the imagination of jazz lovers and fellow artists alike. The duo’s latest album, Imaginist, sees the pair collaborating with JACK Quartet, one of New York’s premier contemporary classical string quartets. 


INFO: 8 p.m. Friday, Dec. 23. Don Quixote’s, 6275 Hwy. 9, Felton. $12/adv, $15/door. 335-2800. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Tuesday, Dec. 20 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Scotty Maxx

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If you happen to see a guy who looks part-man, part-robot marching through downtown singing ’80s and ’90s pop tunes, playing what looks almost like an accordion, remain calm. This is Scotty Maxx, and he is Santa Cruz’s roving one-man-band extraordinaire. Because his entire setup is strapped to his back, he rarely sticks to one place when he busks downtown, especially now, as the city gets more strict with where downtown buskers can play.

“I figured if you’re on the move, what are they going to do? Tell you to keep moving?” Maxx says. “There’s some confusion from people about what exactly is happening. Even when people know, they don’t quite realize what I’m doing and what the machine is doing—or why it’s happening.”

His musical setup, which evolved over time, includes two melodicas strapped to his vest—Maxx calls it the “melodicoat.” On his back, he has an air mattress pump filling the melodicas with air so he can sing and play at the same time. He is also wearing a power glove which plays drum beats and is amplified by a boom box, also on his vest. He plays tunes by Madonna, Paul Simon, Talking Heads, Hall and Oates, and Michael Jackson. Sound confusing? Just know that it’s awesome.

“It’s this whole suit, like Iron Man. It’s taken on a life of its own,” Maxx says.

Maxx still plays keys in two local bands, the Terrible, and Harry and the Hitmen. His solo project stems from his techie interests as much as his musical ones. He’s been doing it for five years, and is always looking for ways to improve it.

“A lot of it was driven by: What can I do? It’s soldering, it’s sowing, it’s figuring out how to move air around. It was a lot of fun for me to make it,” Maxx says. “I spend at least as much time tinkering with it and revising it than I do actually playing it.” 


INFO: 9 p.m. Saturday, Dec. 17. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Music Picks December 14—20

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Local Talk for the week of December 14, 2016

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The business of cannabis is changing rapidly in a post-Prop. 64 landscape where not all of the rules are entirely clear

Dientes Attempts to Heal Patchwork of Poor Tooth Care

Dientes
A dysfunctional system leaves thousands without dental help across county and state

State Lawmakers Attempt Bail Overhaul

Bail reform
With a new bill, California may catch up to Santa Cruz County, unveiling a bail system that’s less greedy

Cary Gray’s Sustainable Adventures

Cary Gray unicycle
Santa Cruz artist commemorates his unicycle trip to South America with foot-drawn book

Film Review: ‘Manchester By the Sea’

Manchester by the Sea
Life-sized human dilemmas fuel poignant ‘Manchester by the Sea’

Preview: The Album Leaf to Play the Catalyst

Album Leaf
How Jimmy LaValle got from punk rock to the ambient electronica of the Album Leaf

Be Our Guest: LeBoeuf Brothers

LeBoeuf Brothers
Win tickets to the LeBoeuf Brothers on Friday, Dec. 23 at Don Quixote’s

Love Your Local Band: Scotty Maxx

Scotty Maxx
Scotty Maxx plays Saturday, Dec. 17 at the Crepe Place
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