From Scorpio to Sag, Mars to Jupiter to Gratitude

On Tuesday this week, the Sun moved from Scorpio to Sagโ€”a shift from Scorpioโ€™s deep waters to the meadows, valleyโ€™s and plains of Sagittarius. We shifted from the eagle to the horse; from the depths to seeking the heights; from the star Antares to the Galactic Center; from the opal to the topaz; from Mars to Jupiter; from Orion to Chiron; from Tuesday (Marsโ€™s day) to Thursday (Jupiterโ€™s day); from the sign of death and regeneration to the sign of the adventurer, riding the white horse, bow and arrow in hand, seeking the mountain tops of Capricorn. Both Scorpio and Sag are signs of discipleship.

Jupiter is the personality-building ruler of Sag, aiming its bow and arrow to a goal far away, in the clouds somewhere above the peaks of Capricorn. It is Neptune who lives where Jupiter wants to go, where the arrow is pointed. Neptune is the ethers. Neptune has no external aim or direction. It simply expands, dissolving boundaries, barriers and obstacles to the spiritual world. Jupiter is religion, Neptune spirituality. Jupiter is faith, Neptune compassion. Jupiter is knowledge, Neptune intuition. The Raincloud of Knowable Things.

Jupiter and Neptune are rulers of Pisces, sign of the world savior, sign of saving the worldโ€”the esoteric task of the United States. In Sagittarius, we prepare for the dawn of the new year, in Capricorn, Winter Solstice. When the Temple door opens.

Thursday is Thanksgiving. Under Sag Sun we eat well together. Under Jupiter we give thanks and are grateful. We have joyfulness. Gratitude and Joy also open the Temple Doors. ย Thatโ€™s a secret. Alert! Mercury retrograde begins next week!



ARIES: Relationship interactions will call you to tell the truth, to ask for what you want and need, to reflect and figure out what youโ€™re willing to give in return. Allowing nothing to happen, not providing information, not exploring and explaining desires and aspirations in relationships keeps everyone in the dark. True love is communication. Communication creates true love. Nothing else matters.

TAURUS: Itโ€™s important to plan, create rhythms, agendas and schedules that structure daily living. Itโ€™s important that a routine be established, priorities stated, goals set and details worked out so you can achieve greater efficiency. Allow nothing and no one to hinder you from creating the essential discipline of preparing for the future. You actually know what that future will be.

GEMINI: For months, there have been hints of a new creative process emerging. However, the time was not right, the season hadnโ€™t arrived. There is a time and season for everything and Geminis are smart enough to know and follow them. Itโ€™s time to list the projects and visions you think about, choosing several to follow up on. Conflict turns into peace and harmony, confidence into well-being.

CANCER: Certain situations have erupted placing you between two different realities which you are attempting to balance. However, each day this becomes more difficult, leading to exhaustion. Whatโ€™s at stake are values, and youโ€™re asking what your values are. Home has become a place where change must take place. You need sleep, rest, comfort, quiet and solitude.

LEO: Perhaps itโ€™s been difficult the past two months for others to understand your hopes, wishes, needs. Have you been lonely and felt misunderstood? Perhaps you longed for clarity, thinking it would never arrive. It has now. Itโ€™s just begun. You will no longer have to enter into silent retreat because of communication difficulties. Discernment was the purpose for the last several months.

VIRGO: Have you been tending to finances, figuring out resources for a true perspective of your assets? Is something occurring at home, perhaps a state of anger or dissatisfaction, a sense of restriction leading to a restructuring of your surroundings? Are you wanting to run away from home and wondering if you have adequate resources? Take a bit more time to reflect on your choices. More answers emerge soon.

LIBRA: In the past several months a new vision of self has begun to emerge. You want to look a certain way that enhances your self-esteem, benefits your earning power, and creates a balance between who you are and how youโ€™re perceived. It has been important in the last years for your desires, wishes and longings to manifest. Now that you have much of what you hoped for, whom will you share it with? Will you share?

SCORPIO: That nebulous feeling of not knowing anything, even the time of day, the month or year, is slowly dissolving, and with it comes a sense of knowing, once again, your true needs and wants, desires and aspirations. For so long youโ€™ve heard yourself saying โ€œI donโ€™t know, I donโ€™t know.โ€ Allow surrounding circumstances to present themselves slowly and gently. Watch, look and listen, observe. And then be grateful.

SAGITTARIUS: In these days of gratitude, itโ€™s good to assess your true friends and acquaintances. Itโ€™s important to know whom to turn to for care, warmth and respect. So much has been in flux and change. You are beginning to understand where real support comes from and what you can accept. Reach out and touch all that you care about. Surround it all with love and appreciation. The planets are entering Sagittarius and your joy increases.

CAPRICORN: Everyone who comes in contact with you realizes you are a teacher, someone to be reckoned with. They realize that although you can be the life of the party, itโ€™s best not to cross, take advantage of, ignore, or treat you unkindly. They realize you have values and principles concerning Right Relations and Goodwill. Itโ€™s good to list your likes and dislikes, needs and wants. Sharing them with friends and family, creating a true dialogue.

AQUARIUS: Many changes have occurred in the past months and many uncertainties emerged and visions you held seemed to melt away due to so many unusual tasks and responsibilities. Now there is fresh air and time to choose and eliminate and you can take a stand on the direction of your life and figure out whatโ€™s a dream and what is reality. Things, people, information far away seem vital and significant. Contact them.

PISCES: Observe with interest and care what you do each day. Observe your thoughts, timing, focus, goals and intentions. Do you know what you want and need? Make a list. Begin with what you donโ€™t want and need. Paradoxes abound in your life. To be efficient and balanced you must stand in the middle, betwixt and between. Focus on small daily details. Complete tasks step by step. When larger life events appear, you will be prepared.

Preview: Gwar Returns to the Catalyst

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Santa Cruz, are you ready to be slayed?

From deep within the bowels of Richmond, Virginia, the heavy metal space aliens Gwar have surfaced and they are showing no mercy. On Nov. 17, they return to the Catalystโ€”for the first time in five yearsโ€”promising another night of chaos drenched in the blood of their prey. Only this time, they demand more than a sacrifice.

โ€œI look forward to leaving Santa Cruz with a briefcase full of money and drugs,โ€ says guitar player Pustulus Maximus. โ€œIt doesnโ€™t even have to be a specific amount of money, the briefcase just needs to be full of it. And drugs.โ€

Just donโ€™t try to pull a fast one on the Scumdogs of the Universe.

โ€œNo coins, it needs to be all paper,โ€ he warns. โ€œIt can even be the Canadian funny money, thatโ€™s fine.โ€

For the last three decades, this grotesque group of renegade alien warriors has toured the world slaughtering ear drums with their merciless music and brutal stage show. At each show, Maximus, the Berserker Blothar (vocals), Balsac the Jaws โ€˜O Death (guitar), Jizmak Da Gusha (drums) and Beefcake the Mighty (bass) drenching their loyal fansโ€”also known as bohabsโ€”in gallons of blood. Literally. Bohabs specifically wear white for the occasion, often keeping each tour shirt as a token souvenir from their gods.

But who are these mysterious creatures and how did they come to wreak havoc on our planet?

The Gwar mythos is deep and often mysterious. They were intergalactic warriors serving a supreme being called the Master, and sent throughout the universe to kill his enemies. The only problem was that they were a little too enthusiastic about their work and each member โ€œearned a reputation for being an intergalactic fuck-up.โ€ They were banished to a dirt planet calledโ€”you guessed itโ€”Earth, where they changed the natural order by mating with apes, creating all human life. They found their way to Antarctica, where the Master trapped them for centuries, only to thaw in 1984 and return to the slaughter. They even managed to escape the planet for a tour in space, but quickly returned because, well, space doesnโ€™t have crack for them to smoke.

But donโ€™t take our word for itโ€”itโ€™s all explained on their latest album, The Blood of Gods.

โ€œIt definitely tells the tales of our struggles, trials and tribulations over the lastย years,โ€ Maximus admits. โ€œEspecially the last few years, which have been an extensive grieving process and rebirth.โ€™

The band has had a cast of characters come and go over the yearsโ€”from their cave troll slave Bonesnapper to their greasy manager, Sleazy P. Martini. However, tragedy struck when their longtime guitarist, Flattus Maximus, stole a spaceship and returned to his birthplace of Planet Home.Thatโ€™s when Pustulus stepped up to the plate, defending the honor of the Maximus clan.

โ€œThe last time we played [Santa Cruz] in 2012 was actually my first tour with the band,โ€ he remembers.

The second tragedy came in 2014, when founding member and long-time singer Oderus Urungus, became trapped between dimensions, unable to return to the band, and is now confirmed deceased.

But as Maximus noted, with destruction comes rebirth. From the portals of time, Gwar pulled Blothar through history and into our realm. The Blood of Gods might be his first album with the Scumdogs, but he was able to quickly carve his own warm hole in the group.

โ€œWe are the gods [in the title],โ€ he says. โ€œItโ€™s been shown over the past decade that Gwar can bleed and suffer mortal blows.โ€

โ€œHe speaks for all of us in the band through these lyrics,โ€ Maximus states. โ€œAnd I think he did a fucking great job at expressing what we needed to get out there. If you want to know whatโ€™s going on with us, itโ€™s all there.โ€

From the opening track, โ€œWar on Gwar,โ€ to tracks like โ€œCrushed By the Cross,โ€ Gods is a brutal onslaught of heavy metal. It was a massive undertaking that the cretins didnโ€™t take lightly, knowing how heavily they would be watched along the way. And as sales have shown, they nailed it.

โ€œIt was an accomplishment to make a record without Oderus Urungus, which was the elephant in the room,โ€ acknowledges Maximus. โ€œEvery listener is going to judge us in that respect, so we decided, โ€˜Fuck it, weโ€™re going to do what weโ€™re going to do.โ€™ It was a very organic process.

Blothar agrees.

โ€œWe wanted to do a Gwar record, and Iโ€™m very glad for that,โ€ he says. โ€œGwar has changed over the years, but there was a cohesion to the way things were put together.โ€

While it is definitely a Gwar record, what makes it stand out from their most recent albums is the decidedly rock โ€™nโ€™ roll turn they chose to take. Songs like โ€œPhantom Limbโ€ and โ€œEl Presidenteโ€โ€”in which bohabs will hear a horn section, something that hasnโ€™t appeared on a Gwar album in yearsโ€”bring a distinct 1970s hard rock flavor to the music. They even do a gruesome cover of AC/DCโ€™s โ€œIf You Want Blood.โ€

โ€œOderus had wanted to cover that for years,โ€ Blothar remembers.

โ€œThe biggest reason why this is such a diverse record is because we didnโ€™t want to be limited by any one style,โ€ he says. โ€œAnd Gwar shouldnโ€™t be, considering we invented all of them.โ€

This new rebirth has led the band on a wave of destruction with Oakland-based Ghoul and Richmond group U.S. Bastards, on a tour that Maximus describes as โ€œlong and hard, much like a pecker.โ€ But itโ€™s a tour that is needed, because it seems not even space aliens can escape the IRS.

โ€œWe donโ€™t get any medical benefits, but they still take a shitload of taxes. Howโ€™s that for America?โ€ he growls. โ€œIโ€™m not even allowed to vote, since Iโ€™m not a natural-born citizen. Not like thereโ€™s anyone to vote for anyway.โ€

 

INFO: 6:30pm. The Catalyst Club. 1011 Pacific Ave., Santa Cruz. $25adv/$29door. 429-4135.

Opinion November 15, 2017

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EDITOR’S NOTE

Maybe it sounds weird to say this, but getting to be part of Santa Cruz Gives has become one of the things I most look forward to for the holidays. Iโ€™ve said before that I donโ€™t think thereโ€™s anything more important that we do all year, and with each annual edition of our holiday giving drive, that seems more and more true. Nothing else combines community outreach, philanthropy and our hyper-local philosophy of news coverage like this. Beyond the thousands of dollars raised for worthy local causes, nothing else provides our readers with a window into what people throughout the county are doing to help the people in their communities. I learn so much, too, because itโ€™s the one time every year that I get to sit in a room with people from almost three dozen of the countyโ€™s top local nonprofits and talk with them about what theyโ€™re doing and how we can help them do it.

I particularly like this Santa Cruz Gives kick-off issue, because you get to read about exactly what theyโ€™re doing, in their own words. I guarantee that if you read the cover story, youโ€™ll find at least one group you want to support. In fact, what weโ€™ve found over the last two years is that when people go to santacruzgives.org, they often end up supporting more organizations than just the ones they initially planned to give to. I get into some of the numbers in the introduction to the cover story, but I could ramble on and on about all the results that have wowed me.

Please do, said no one ever!

OK, fair enough, but before I let you get to it, I want to thank our partners in this project, the Volunteer Center, Santa Cruz County Bank, Oswald and Wynn Capital Management.

Oh, wait, and one more thing: the analytic numbers for Santa Cruz Gives were up immensely year-to-year for every category we could think to parse them in: number of donors, individual donations, challenge grants, largest donation, average donation, multi-gift donations, and so on. Thatโ€™s not because of us, thatโ€™s because of the incredible generosity of our readers. I urge you to read about the nonprofits selected for this yearโ€™s program, and then go to santacruzgives.org and be a part of it. Because this thing is just getting started.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Grave Review

Re: โ€œGrave Situationโ€ (GT, Oct. 25): Brava to Maria Grusauskas on her coverage of greener options for end of life. There is a large network of people who are working on natural deathcare in the Santa Cruz community, including the creation of a green burial conservation woodlands. I hope Maria can dig up more on the topic.

Julie Esterly |ย Santa Cruz

Rents Donโ€™t Raise Themselves

In poetry, inanimate objects and ideas can do things by themselves. Rents can go up by themselves, โ€œthe marketโ€ can set its rate. But in real life, such things have to be done by people. The owner of the Logos building says, โ€œbecause Iโ€™m trying to retire, I need to get at least a reasonable market rate for the space.โ€ Why? โ€œSo he can spend more time playing music and golf,โ€ according to the Good Times of July 18. And the owner of the building where Pergolesi was wants his tenant to maintain the building he owns, according to the GT of Oct. 11.

So before we wring our hands about this seemingly out-of-control situation of high rents, letโ€™s remember clearly that each individual landlord in this town is deciding how much to charge, and in fact is demanding it. Renters and landlords understand, even if no one says it out loud, โ€œIf you donโ€™t like the rent, you can move out. I have 100 more people behind you glad to pay it.โ€ The Old Testament term for thisโ€”and I think it is an apt oneโ€”is โ€œgreed.โ€

We hear about victimless crimes. This is a useful term. I believe that โ€œrentsโ€ and โ€œthe marketโ€ are not the things causing people to go homeless, and making the rest of us suffer. Yes, โ€œsufferโ€: from overwork, or having to leave our home town of decades for some other unknown place, or to live like โ€œrefugees in place,โ€ or even just watch helplessly as a beautiful town that wants to stay weird turns into another Carmel. Does anyone really believe this happens by itself? But everyone talks about it as if it were a perpetrator-less crime.

How can we bring rents down in this town? Easy! All the landlords get together and say, โ€œHey, this is bad! Letโ€™s cut rents in half.โ€ Itโ€™s simple. Why wonโ€™t they? Iโ€™m asking you this honestly. Give it a think.

So before we build more buildings, destroy habitat, fill our town with construction noise, we need to ask this question: if somehow five hundred units of studio apartments at $800 a month were to magically appear tomorrow, does anyone really believe that besides those 500 people, the rents will go down for anyone else? Because if not, maybe we have to consider the likelihood that besides retroactive rent controlโ€”actually legally binding reductionโ€”there is no way that more construction will change โ€œthe market.โ€

Human consciousnessโ€”a change in itโ€”is the only thing that will make that happen.

Andy Couturier |ย Santa Cruz


PHOTO CONTEST WINNER

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GOOD IDEA

TAPPING IN
Santa Cruz Ayurvedic practitioner Talya Lutzker is spearheading a fundraising effort to get clean drinking water to remote areas of Puerto Rico, where fresh water is virtually nonexistent, after Hurricane Maria decimated the U.S. territory this past September. Clean Water for Puerto Rico has raised $22,000 toward its goal of $85,000, with a deadline of Nov. 19. All donations go to the Greatness Foundation to fund state-of-the-art portable water filtration systems. For more info or to donate, visit thegreatnessfoundation.com/puertorico.


GOOD WORK

SCOTT FREE
Scott Collinsโ€”until very recently, Santa Cruzโ€™s deputy city managerโ€”has started a new job. Last week Collins began working as the city manager for Morro Bay. Before he left, Santa Cruz threw him a proper send-off, with a tongue-in-cheek grilling at Santa Cruz City Hall. Sources tell GT that Santa Cruz Deputy Police Chief Rick Martinez, former Mayor Hilary Bryant and County Supervisor Zach Friend each stepped up to the mic to roast the ever-grinning, easy-going Collins to a face-palming, head-shaking crisp.


QUOTE OF THE WEEK

โ€œI slept and I dreamed that life is all joy. I woke and I saw that life is all service. I served and I saw that service is joy.โ€

-Kahlil Gibran

How do you define success?

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“Cultivating happiness and spreading it in your community.”

Glen Miller

Santa Cruz
Plumber

“Living life to the fullest.”

Kasey Kipping

Felton
Marketeer

“When you feel like you can manage your life and youโ€™re not struggling.”

Betsy Clark

Santa Cruz
Retired Social Worker

“If youโ€™re happy and you have your needs met.”

Ariel Churchill

Santa Cruz
Teacher

“When people ask how youโ€™re doing, and youโ€™re excited to tell them the answer.”

Carrie Browde

Santa Cruz
Professional Fairy

After San Lorenzo Park Clean-up, Questions Over Whatโ€™s Next

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Within 24 hours of GTโ€™s cover story last week on the new San Lorenzo Park encampment (โ€œTent Situation,โ€ 11/8), the camp was being cleared out.

Parks and Recreation Director Mauro Garcia, who declined to answer questions for our previous story and referred us instead to city manager Martรญn Bernal, later outlined a more tightly managed vision for the tent city in an interview with the Santa Cruz Sentinel. He announced there would be new guidelines, including individual 15-by-15-foot demarcated camping spaces after the temporary 24-hour evacuation was lifted on Friday, Nov. 9.

Even though it was only temporary, the sweep highlighted the need for a closer look at the coordination between various decision makers responsible for creating a long-term plan on homeless issuesโ€”for example, at the city and county level. What steps the city will take next were not clear to county spokesperson Jason Hoppin, as he discussed in our cover story.

โ€œTheyโ€™re still not,โ€ Hoppin says this week.

But both Bernal and SCPD Chief Andy Mills bristle at the suggestion that the city hasnโ€™t articulated detailed plans to county officials, noting that city and county leaders have been meeting and working together on homelessness issues. County health workers, meanwhile, are trying to halt the spread of Hepatitis A, which began working its way through the homeless population earlier this year.

Although the camp has bright spots, Vice Mayor David Terrazas tells GT via email that โ€œno one believes that the current camping on the San Lorenzo benchlands is a viable permanent solution.โ€

โ€œWhile not ideal,โ€ he continues, โ€œthe current situation at the benchlands has allowed staff from the countyโ€™s Homeless Persons Health Project to coordinate services in a central place and provide vaccinations to protect and reduce further Hepatitis A cases.โ€

Garcia, the parks director, tells GT that thereโ€™s another clean-up planned the week of Nov. 27, and that both police and rangers are continuing to patrol the area. The Salvation Army winter shelter will be opening Wednesday, Nov. 15. Bernal suggested to the Sentinel that the camp should dissolve by mid-December. But with people on the street far exceeding the number of beds available, it isnโ€™t yet clear where they will go.

The encampment has shone a light on the plight of the homeless, both their hardships and their impacts.

Itโ€™s too early to say, though, how the county and city will mitigate these issuesโ€”or even which government agency is willing to take the lead on which initiatives. No one, though, is saying things can go on like this forever.

Greg Pepping, executive director of the Coastal Watershed Council, has been leading habitat restoration efforts along the San Lorenzo River, just downhill from the park. Pepping, who also serves on the cityโ€™s Planning Commission, questions the decision to allow an encampment in the public park.

โ€œThe city has done so much work, with so many different partners, to activate the riverwalk. This is just so out of step with that,โ€ says Pepping, who says he witnessed a homeless person relieving themselves on the river levee just this past Monday. โ€œIf you could imagine trying to pick up peopleโ€™s feces, their needles, trashโ€”is that easier in the wet sand or on a harder surface? Maybe this encampment is the right idea, but itโ€™s in the wrong place.โ€

Chief Mills, who announced last month that he would soften camping ban enforcement, says heโ€™s doing the best that he knows howโ€”and that Bernal and the parks staff are doing the same.

โ€œThe city is doing everything humanly possible to limit the impacts, including providing places for them to go to the bathroom and to wash their hands for Hep A prevention. Weโ€™re cleaning up the area and picking up discarded syringes,โ€ Mills says. โ€œI donโ€™t know what the Coastal Watershed Council wants us to do. Weโ€™re certainly open to any suggestions.โ€

Garcia says, in their clean-up, Santa Cruz parks rangers picked up 108 syringes, and that those monitoring the encampment will encourage people to use the countyโ€™s sharps depository located on Water Street or turn them over to park rangers, all of whom carry sharps containers.

Bernal says heโ€™s not surprised by how many needles rangers say they found. โ€œWeโ€™ve been pushing people to different places, and they are still going to use drugs. They need help with recovery,โ€ he says, pointing out that there are no drug rehabs or mental health facilities homeless people can go to in the city.

Bernal says the face of homelessness has changed drastically in the last 20 years, and that the homeless of previous generations were mostly smoking pot. Cannabis didnโ€™t make people aggressive, he says, whereas now, with increased methamphetamines and heroin use around the country, peopleโ€™s behavior is more unpredictable, bizarre, and sometimes dangerous. โ€œPeople want the city to fix it,โ€ Bernal says, โ€œbut what we have at our disposal is police, fire, and public works. This is not something the city is going to solve. We are the first responders, but we need the state, the county, the nation.โ€

City and county officials agree on the framework for longterm goals and solutions: essentially, create storage facilities for homeless people, establish a day-use center for services and provide housing or shelter to get the homeless off the streets.

The multi-million dollar question: how do we get there?

Mills stresses that the county has an important role in providing funding and solutions. โ€œThe primary responsibility for dealing with some of the difficulties is solely the countyโ€™s,โ€ Mills says. โ€œThe Health and Human Services budget is $280 million. Mental health, drug addiction, some housingโ€”thatโ€™s in the county purview, and so we all would agree that itโ€™s vital to have the county at the table as we look for short-term, intermediate and long-term solutions.โ€

Frustrated by the suggestion that the city needs to show the way, with a more detailed timeline, Mills says the county can lead on this issue as well. โ€œTheyโ€™re the ones with the legislative mandate in the budget,โ€ Mills says. โ€œWhy arenโ€™t they coming up with the plan?โ€

Hoppin is skeptical of the notion that the homeless encampment will dissolve on its own, as Bernal has suggested, once the rain startsโ€”an approach Hoppin calls โ€œthe alka-seltzer solution.โ€ He says the county will continue supporting the idea for day services benefiting the homeless community.

โ€œThere seems to be an agreement for those services. What we donโ€™t know is where and what the funding is,โ€ he says. โ€œWe donโ€™t know where it goes from here. [City leaders] donโ€™t seem to know that either, other than thereโ€™s an agreement on the need for day services, but when that will happen, we donโ€™t know.โ€

 

Additional reporting by Jacob Pierce.

 

Wallace Baine Leaving Sentinel After 26 Years

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When Santa Cruz Sentinel arts editor Wallace Baine typed a heartfelt Facebook post announcing that he would be leaving the countyโ€™s daily paper after 26 years, he did not anticipate the response he would receive. 544 likes. More than 300 comments. And thatโ€™s not counting the people who reached out in person.

โ€œItโ€™s just been a huge and overwhelming reaction that Iโ€™ve gotten. Itโ€™s been very gratifying, very scary,โ€ says Baine, as he imagines his next chapter and also reflects on all that support. โ€œIโ€™m knocked back on my heels a bit by it. Iโ€™ve heard from people that I hadnโ€™t heard from in years. Iโ€™ve heard nice things from people I didnโ€™t think liked me too much. Itโ€™s been wonderful.โ€

Baine, whoโ€™s leaving at the end of the month, says he canโ€™t offer any details about terms of his departureโ€”beyond that heโ€™s receiving a severance package. โ€œThe writing was on the wall for me,โ€ he says. โ€œThereโ€™s just no other way around it. And it is maybe time for me to move on personally.โ€

The Sentinel is owned by hedge fund Alden Global Capital, whose primary involvement in the newspaper business these days seems to be squeezing the remaining loose change out of its newsrooms. Insofar as the Sentinel has had an identity, a distinctive voice and a personality in recent years, that personality has been inextricably linked to Baine, known for his support of the arts communityโ€”not to mention his moving prose. (In 2010, GT contributor Geoffrey Dunn praised Baine for a โ€œhumor that is dark, wry, piercing and sardonicโ€”shades of Mark Twain mixed with David Sedaris.โ€) Baine doesnโ€™t expect the paper to do as much local arts coverage in his absence.

Baine has written four books and embedded himself in the arts sceneโ€”leading Q&As, hosting local radio shows and emceeing the annual Gail Rich Awards. He realized early in his career, he says, that if he had wanted to leapfrog from one metropolitan paper to another, working his way up the journalism ladder, he could. But he decided Santa Cruz was the kind of town he wanted to live in with his wife Tina, raising their two kids.

He isnโ€™t sure what kind of project heโ€™d like to do next, as writing books can be a thankless gig. He might try podcasting.

โ€œThereโ€™s so much right here in Santa Cruz County,โ€ he says. โ€œThere are all kinds of people doing amazing things.โ€

 

Music Picks November 15-21

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Live music highlights for the week of November 15, 2017.

WEDNESDAY 11/15

AMERICANA

BABY GRAMPS

There arenโ€™t many musicians as unique or downright odd as Seattle-based artist Baby Gramps. Known as โ€œthe Salvador Dali of Folk Music,โ€ Baby Gramps has delighted audiences with his witty palindromes, steel guitar, grizzled throat singing and humorous lyrics. From Late Night with David Letterman to street busking, Baby Gramps has lived a life as tall as his tales, like his claim that he built the log cabin he was born in. His live show is personable, often inviting his audience to participate, and as intimate in a large venue as it would be in a living room. MAT WEIR

INFO: 7:30 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $10. 335-2800.

THURSDAY 11/16

JAZZ

MARTIN TAYLOR & ALISON BURNS

People refer to Martin Taylor as Mr. Jazzy Fingers. Ok, technically, Iโ€™m the only one who calls him that. But itโ€™s a fitting name. For five decades, Taylor has been a force to be reckoned with in the acoustic jazz world. Have you heard his bouncy finger-picking style? Itโ€™s the kind of thing that might lead someone to give him a cool nicknameโ€”like, say, Mr. Jazzy Fingers! Heโ€™ll be teaming up with legendary Scottish jazz vocalist Alison Burns, who has a tender deepness to her voice ร  la Ella Fitzgerald. Speaking of, Taylor and Burns will be commemorating the work that Fitzgerald did with guitarist Joe Pass in the โ€™60s. AC

INFO: 7:30 p.m. Michaelโ€™s On Main, 2591 S. Main St., Soquel. $27/adv, $30/door. 479-9777

THURSDAY 11/16

INDIE ROCK

KELLEY STOLTZ

Bay Area singer-songwriter Kelley Stoltz recently had what he calls the โ€œthrill of a lifetimeโ€ playing guitar on tour with his heroes Echo and the Bunnymen. With his spooky, psychedelia-infused brand of indie rock, Stoltz is a perfect fit for the โ€™80s new wave group. The experience sparked a creative burst, and Stoltz emerged from the tour with several albums worth of new music, including Strat: Live at the Whammy Bar, a โ€œproper new albumโ€ titled Que Aura, and Natural Causes, slated for release next year. CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $12/adv, $15/door. 429-6994.

THURSDAY 11/16

LATIN

ILE

Puerto Ricoโ€™s Calle 13 were beasts in the world of Latin hip-hop. For a decade, they spat rapid-fire Spanish verses over high-energy Latin dance beats. In other words, they kept one foot in the traditional music realm and the other very far away from it. Ileana Mercedes Cabra Joglar, a singer in the group, changed her name to iLe when Calle went on hiatus in 2015. A solo record soon followed, and it was light years from Calle 13. Sheโ€™s positioned herself as an interpreter of the classic music of Latin America. Sheโ€™s got the guttural, romantic voice to pull it off, too. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $35/adv, $40/door. 429-4135.

FRIDAY 11/17

JAZZ

BILL FRISELLโ€™S BEAUTIFUL DREAMERS

Describing Bill Frisell as one of the most influential and revered guitarists in jazz is trueโ€”as far as it goes. At any given performance, the Seattle-based aural adventurer might tap into one or more of some two-dozen distinct but interrelated bodies of music, each inextricably linked to specific players. For this tour, Frisell is revisiting music from 2010โ€™s Beautiful Dreamers, a body of concise, melodically engaging tunes informed by early American popular and roots music (the artists covered include Blind Willie Johnson, Benny Goodman, and Stephen Foster). As on the album, heโ€™s joined by violist Eyvind Kang and Rudy Royston, one of this eraโ€™s definitive drummers. ANDREW GILBERT

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

SUNDAY 11/19

ROCK

OUR LADY PEACE

Do you remember when grunge bands were rebranded as alternative rock? Our Lady Peace does. Since 1992, the Canadian group has sold millions of albums and toured the world with their erratic brand of rock. While their signature 1997 album, Clumsyโ€”the ย 20th anniversary of which theyโ€™re celebrating on this tourโ€”saw singles โ€œSupermanโ€™s Deadโ€ and the title track solidify the bandโ€™s spot in the Canadian rock scene, us Yanks remember them most for their 1996 single โ€œStarseed,โ€ featured on the Armageddon soundtrack. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25. 429-4135.

SUNDAY 11/19

NEW ORLEANS FUNK

REBIRTH BRASS BAND

If you need to shake the cobwebs off your soul and get your booty moving, then buckle up, because the Rebirth Brass Band is coming to town. A New Orleans institution, this horn-driven band covers audiences in funk so deep and grooves so wide that youโ€™ll find yourself wondering which end is upโ€”and thatโ€™s just the first song. Rebirth has been around since the early โ€™80s, itโ€™s won a Grammy, and itโ€™s been a force in reintroducing brass band traditionโ€”a defining feature of New Orleans music and cultureโ€”to younger generations. CJ

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

MONDAY 11/20

JAZZ

REGINA CARTER

Last year, jazz violin virtuoso Regina Carter wowed a Kuumbwa audience with tunes from her haunting and personal record Southern Comfort. Carter did what she does best that night, setting ego aside and surrendering to the muse. Since then, sheโ€™s returned to the studio and emerged with Ella: Accentuate the Positive, a tribute to the music of the legendary Ella Fitzgerald. The record gives new life to some of Fitzgeraldโ€™s lesser known tunes, such as โ€œIโ€™ll Never be Free,โ€ โ€œReach for Tomorrow,โ€ and โ€œIโ€™ll Chase the Blues Away.โ€ CJ

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

TUESDAY 11/21

AMERICANA

MARK OLSON & INGUNN RINGVOLD

If you dig music that exists on that fine line between country and rock โ€™nโ€™ roll, thereโ€™s a good chance that your favorite band was influenced in some way by the Jayhawks. They werenโ€™t huge sellers, but they have an amazing catalog. Acoustic guitarist/singer Mark Olson quit the band in 1995, and these days, he tours and records with his wife Ingunn Ringvold. Their music is eclectic and lush, with exactly the kind of harmonies youโ€™d expect from Olson. AC

INFO: 8 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $20. 335-2800.


IN THE QUEUE

BAYLOR PROJECT

Husband-and-wife jazz/soul/gospel collaboration. Thursday at Kuumbwa

KEZNAMDI

Emerging star of the Jamaican reggae scene. Saturday at Moeโ€™s Alley

ANONYMOUS THAT DUDE

Bay Area-based rapper. Saturday at Catalyst

DIRTY CELLO

Cello-driven blues and bluegrass out of San Francisco. Saturday at Kuumbwa

TISH HINOJOSA

Acclaimed singer/songwriter. Sunday at Don Quixoteโ€™s

Giveaway: Jeremy Pelt Quintet

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Trumpeter Jeremy Pelt picked up the trumpet early, and by high school he had a keen interest in jazz. The Berklee College of Music grad went on to play with the Mingus Big Band after college, and has since worked with an impressive roster of artists, including Nancy Wilson, the Skatalites and Bobby Blue Bland. Named a Downbeat โ€œrising starโ€ five consecutive years, Pelt has been described as a โ€œtechnical marvelโ€ who โ€œnever lacks for flair or sensitivity.โ€ His latest release, this yearโ€™s Make Noise!, blends the classic jazz foundation he laid in his early years with a contemporary approach to harmony and collaboration.ย 

INFO: 7 p.m. Monday, Nov. 27. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Tuesday, Nov. 21 to find out how you could win a pair of tickets to the show.

Love Your Local Band: The Fighting Murrays

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โ€œUmbrella Man, there he go-go. Take his little walk downtown real slow.โ€

So goes the down-and-dirty rock โ€™nโ€™ roll song โ€œSanta Cruz Umbrella Manโ€ by local trio the Fighting Murrays. You likely wonโ€™t see the Umbrella Man aka Pink Umbrella Man these days on Pacific Avenue (he has been spotted more recently on West Cliff Drive), but not long ago, he was famous for traversing downtown blocks at a snailโ€™s pace.

Apparently, someone thought that the Fighting Murraysโ€™ singer/guitarist David Murray looked just like the Umbrella Man when he was getting a drink downtown, and would not believe Murray when he said he wasnโ€™t the Umbrella Man.

After listening to his friends make fun of him enough times, he decided to own it and wrote the song.

โ€œThe song kind of shut everybody up,โ€ Murray says. โ€œThe more pissed you get about something like that, the more people pick on you.โ€

The song is one of the groupโ€™s many fun, stripped-to-the-bone rock songs with heavy riffage and catchy hooks. Despite being together for almost five years, the group just released their debut LP earlier this year. They started out playing exclusively originals, but these days, they mix in an even split of covers and originals, and have a particular fondness for songs originally sung by female singers.

โ€œI like to sing female-sung songs an octave lower. It kind of works for us. Sing some Joan Jett. We do โ€œYouโ€™re So Vainโ€ by Carly Simon. Anything from Lulu to L7,โ€ says Murray. โ€œWe have a whole setโ€”we call it โ€˜The Fighting Murrays Tackle the Women of Rock โ€™nโ€™ Roll.โ€™ย 

INFO: 9 p.m. Saturday, Nov. 18. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

Film Review: โ€˜Wonderstruckโ€™

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Filmmaker Todd Haynes is a visual stylist. Just look at his swoony period aesthetic in Far from Heaven, or Carol. He has plenty to visualize and to style in his new movie, Wonderstruck, with its parallel storylines set in the 1920s and the 1970s. With its child protagonists and kids-eye-view of the world, this rare PG-rated experiment from Haynes may be less filling, plotwise, than his grown-up movies, but it still looks great.

Wonderstruck is adapted from the novel by Brian Selznick, whose very first book was made into the rapturous movie Hugo a few years back. Selznickโ€™s books are a genre unto themselves, combining a certain amount of prose storytelling with extravagantly detailed pencil illustrations that sprawl across the pages. Presenting his stories in visual terms must come naturally to the author, related through his grandfather to Hollywood Golden Age producer David O. Selznick.

So itโ€™s no wonder that Selznickโ€™s stories so often reference movie history. The life and exuberantly eccentric work of silent movie pioneer Georges Melies was the inspiration for the book that became Hugo. The silent movie era also figures in the plot of Wonderstruck: the industry facing the advent of sound film provides a counterpoint to the story of two deaf children on separate quests trying to function in a hearing world.

The story begins in Gunflint, Minnesota, in 1977, where Ben (Oakes Fegley), coping with the recent death of his beloved mother, is searching for clues to the identity of the father he never knew. A freak lightning accident destroys his hearing; nevertheless, when he finds a note on the back of a bookmark from a bookstore in New York City, he runs away from his auntโ€™s house and boards a bus for the city to search for his father.

The parallel story in 1927 concerns a lonely deaf girl living in New Jersey with her strict father. Young Rose (the wonderful Millicent Simmonds, who is deaf in real life) is always sneaking off to the picture show, enraptured by silent film star Lillian Mayhew (Julianne Moore), to whom she has dedicated a scrapbook full of magazine clippings. When her father brings an equally stodgy male tutor into the household to keep her in line, Rose bobs her hair and runs away, taking the ferry to New York City, where her idol is appearing in a Broadway show.

These separate stories of two kids searching for love and family take some interesting twists before they intersect in the last act. The Museum of Natural History figures prominently in both stories, along with its frightening display of snarling wolves, and a meticulously crafted miniature diorama of New York City. But the most potentially interesting set, a 19th Century Cabinet of Curiosities preserved at the museum, is underused. Itโ€™s gorgeously rendered in an old book that Ben finds (an illustration straight out of Selznickโ€™s novel), but the big reveal of how it relates to the modern story lacks, well, a sense of wonderโ€”and then we never see it again.

Benโ€™s misadventures in the city occasionally border on tedium, but Haynes has visual fun with the hip, urban vibe in the African-American community thatโ€™s sprung up around the bookstore. And he rocks the scenes set in 1927, shooting in black-and-white, without dialogue, as Rose perceives it all, like a silent movie. Haynesโ€™ film, however, is far from silent, percolating along with a marvelously inventive, often percussive score by Carter Burwell that informs and reflects the action in every frame.

Haynes also mutes the soundtrack to a distant, aural blur in scenes from Benโ€™s viewpoint, replicating his sense of isolation. But scenes of Ben racketing around with his new friend, Jamie (Jaden Michael), told from Jamie’s viewpoint, feature standard sound, showing Jamie’s frustration with, but determination to break into Benโ€™s cloistered world.

In honor of the non-hearing community that inspires it, Wonderstruck features open-caption subtitles throughout. Itโ€™s a thoughtful touch for a lovely movie whose message of family, friendship, and tolerance strikes a particular chord these days.

WONDERSTRUCK

(***)

With Millicent Simmonds, Oakes Fegley, and Julianne Moore. Written by Brian Selznick, from his novel. Directed by Todd Haynes. A Roadside Attraction release. Rated PG. 116 minutes.

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