Poetic Justice

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In the literary world, contests, anthologies and competition for prizes make up a big part of how artists get recognized. But the members of Cรญrculo de Poetas & Writers are focused on something else: amplifying multilingual, multicultural voices.

According to Dr. Adela Najarro, Cรญrculoโ€™s executive director and board president, many national events succumb to false hierarchies by implying that art can be ranked universally. And when the competition is dominated by white artists, this implies that the โ€œbestโ€ writers must be white.

โ€œOur answer has always been that these hierarchies are artificial. If you start questioning this idea of who is the โ€˜bestโ€™ … you realize itโ€™s based on personal tasteโ€”art is relative,โ€ Najarro explains.

Since 2015, Cรญrculoโ€™s main mission as an organization has been to create a supportive community of writers without hierarchies or judgment. โ€œWhat we can do differently is acknowledge that weโ€™re all in this together,โ€ Najarro says. โ€œWe want to talk to each other and support each other and build with each other to help us find joy in the written word and to share that and build. That seems real.โ€

This year, Cรญrculo was selected by the Library of America as a program partner in the publication of the anthology Latino Poetry: Places We Call Home.

Najarro explains the significance of the new anthology, which comes out Sept. 3. โ€œA national publication like the Library of America making an anthology called Latino Poetry,โ€ Najarro points out, is โ€œsaying that Latino poetry is part of the U.S. American landscape.โ€

Cรญrculo will host two different eventsโ€”partially funded by a grant from the Library of Americaโ€”to celebrate the release of the anthology. The events are a collaboration with Cabrillo College, the Watsonville Public Library and Letras Latinas, the literary initiative at the University of Notre Dameโ€™s Institute for Latino Studies.

The first event will be Cรญrculoโ€™s Summer Conference, held on two dates: one in-person and one online. The in-person conference will take place Aug. 17 at the Santa Cruz Museum of Art and History. The Zoom conference is scheduled for Aug. 24.

The following month, a panel discussion at Cabrillo Collegeโ€™s Samper Recital Hall will explore the theme โ€œBringing the National and Local Together.โ€ โ€œWhat the Library of America is doing with this national volume, our event is trying to bring in the local perspective,โ€ Najarro says.

Representation of all people within the art community is key to understanding the entire history of a place, she explains. โ€œItโ€™s through art that we say โ€˜this is our community, this is our culture, this is who we are as Santa Cruz County.โ€™โ€

Taking place Sept. 12 from 6 to 9pm the panel consists of two authors featured in the Library of America anthologyโ€”Lorna Dee Cervantes and Blas Falconerโ€”as well as Dr. Vicky Baรฑales, a member of Cabrilloโ€™s English faculty, and Christopher Rendon, a former poetry workshop attendee at Cabrillo.

Although 90% of Circuloโ€™s members and participants are Latino, Najarro emphasizes that the events are open to everyone.

โ€œWe want to hear the Black voice, the White voice, Asian voice, Native American voice, everybody. Thatโ€™s how you break these hierarchies; Instead of putting everybody in their own camp, you can relish in the differences that make everybody unique,โ€ she says.

To learn more about Cรญrculo de Poetas & Writers or sign up for an event, visit circulowriters.com.

Things to do in Santa Cruz

THURSDAY

AMERICANA

ROB ICKES AND TREY HENSLEY

On their own, both Rob Ickes and Trey Hensley have gained substantial fame for their work in music. Ickes, an award-winning dobro player, cofounded contemporary bluegrass outfit Blue Highway in โ€™94, remaining with the group for over two decades. Along the way, he earned a reputation as a first-call Nashville session player, working with some of the biggest names in music. Guitarist Trey Hensley has a similar reputation, which began when he performed at the Grand Ole Opry at the tender age of 11. As a duo, Ickes and Hensley create some of the most heartfelt and authentic original Americana around. BILL KOPP

INFO: 7:30pm, Cultural & Performing Arts Center, 251-B Kings Village Rd., Scotts Valley. $35. 252-3501.

FRIDAY

JAZZ

DAVID HOLODILOFF TRIO

Named the โ€œHardest Working Musicianโ€ in Monterey by the Monterey County Weekly, Dave Holodiloff is a force to be reckoned with. Especially on his weapon of choice, the mandolin. With Elijah McCullar on violin and banjo and Michael Martinez on piano, the David Holodiloff Trio puts the hot in โ€œhot damn!โ€ Their high-energy Roma jazz brand (originally popularized by the great Django Reinhardt) playfully infuses the genre with a modern interpretation while still paying respect to its roots. Just make sure not to pigeonhole Holodiloff because his repertoire extends far into blues, folk, bluegrass, Balkan and Latin rhythms, pop and more. Itโ€™s guaranteed attendees will see three amazing musicians doing what they do best. MAT WEIR

INFO: 7pm, Ugly Mug, 4640 Soquel Dr., Soquel. $25/adv, $28/door. 477-1341.

THEATER

NEW WORKS WEEKEND

For thespians and those who love them, not much is better than an evening at the theater. The Mountain Community Theater is ready to provide just such an evening with New Works Weekend, an event thatโ€™s pretty much exactly what it sounds like: three one-act plays, three evenings and two tickets for ten bucks. The plays will each be read on all three nights, with a rotating talkback scheduled each night following the readings. The playwrights span the gamut from founding legends to up-and-comers, and all are local (well . . . one is from San Jose, but close enough). Tickets for Sat and Sun are also available. JESSICA IRISH

INFO: 8pm, Park Hall, 9400 Mill St., Ben Lomond. $10. 336-4777.

HEATHERS: THE MUSICAL

Heathers: The Musical is filled with laughter, love, teen angst, manipulation and murder. The Renegade Theater Co. is giving their version of this classic, dark teen murder musical, and audiences will be on the edge of their seats as they eagerly watch to see each characterโ€™s next move. The high school hierarchy is thrown into chaos after the head Heather is suddenly murdered, and the drama, twists, and surprises are never-ending. The 15-minute intermission will be the only break in the roller coaster of emotions. ISABELLA MARIE SANGALINE

INFO: 7pm, London Nelson Community Center, 301 Center St., Santa Cruz. $25. 420-6177.

SATURDAY

PUNK

S.A.M.

Frequenters of the scene already know S.A.M., as the punk trioโ€™s first show was only a year ago. The once fledgling group just cut their debut EP, Decent Exposure, and will release it to the wild at the Blue Lagoon. Joining them are midwest emo friends Perch (who invited them to play that debut show last year) along with Bay Area emos If You Say So and Sacramentoโ€™s Pull Through. S.A.M. will have a limited number of cardstock posters at the show to become cherished mementos on community walls of a night that Santa Cruz showed up for the lokes. Just donโ€™t be a kook. MW

INFO: 8:30pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10. 423-7117.

R&B

Son Little PHOTO: Cynthia Perez

SON LITTLE

Son Little is nominally a soul/R&B artist, but his range of inspirations displays a musical worldview encompassing music from many genres. A rundown of his collaborations and/or musical guest spots (think: the Roots, RJD2, Portugal. The Man) makes his status as a musical omnivore plain. On his own, Little has released five albums and an EP, with 2022โ€™s Like Neptune as his latest. On that record, lyrics drawing upon childhood trauma are wrapped in music played almost wholly by Little himself; his sense of melody holds the entire project together. BK

INFO: 7:30pm, Kuumbwa Jazz Center, 320 Cedar St., Santa Cruz. $42. 427-2227.

ELECTRONIC

CANDY WHIPS

If Devo were punk adjacent at their inception and carried the minimalist, DIY sensibility to its most illogical conclusion on their early recordings, it could be argued that low-fi bedroom electronica is more their legacy than the New Wave, techno and hip hop artists claiming Ohioโ€™s flowerpot-wearing oddballs as their musical parentage. Candy Whips, featuring Glitter Wizardโ€™s singer Wendy Stonehenge, epitomizes this Devo-esque genre. The pieces are all here: danceable, minimalist beats, dominating, simplistic keyboard melodies and nihilistic sarcasm addressing sincere concerns and passions. My research suggests that live musicians are recruited to supply what very much sounds Casio-born on their wonderful recordings. KEITH LOWELL JENSEN

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

MONDAY

JAZZ

PRESERVATION HALL JAZZ BAND

New Orleans, the American city most living up to the melting pot promise, has given music lovers everything from bounce and swamp pop to zydeco and Cajun, but to understand the sounds of The Big Easy, start with jazz. The home of Louis Armstrong looms big in the history of Americaโ€™s preeminent musical form. National Medal of Arts winners the Preservation Hall Jazz Band is here to tell that story, preserving and celebrating the cross-cultural gumbo that is New Orleans jazz. Their lineup has changed over the years, but rest assured only the best of the best are allowed on this stage, and the current band is fire. KLJ

INFO: 7:30pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz, $57.75. 423-8209.

WEDNESDAY

ROCK

GUIDA

An Italian rock โ€™nโ€™ roll band with hearts of gold and riffs that would make a grown man cry? Mick Jagger, get on the phone with these guys; theyโ€™re stealing your moves! Guida is a five-piece band straight outta Roma, and theyโ€™re bringing the bass, the beat and the ballare (read: โ€œto danceโ€ in Italian). Rolling Stone loves them, and Vice wants to be them (or at least Vice named their debut Album of the Year). Openers Jonny Manak and the Depressives set the tone for the night with their punk โ€™nโ€™ roll, surf-rock adjacent bangers. The music will be loud, propulsive and un-forgettaboutit-able. JI

INFO: 8pm, Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

Flipped Script

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In a word: riveting. The Santa Cruz Shakespeare production of Hamlet is everything one could hope it would be. Director Susan Dalian has updated the setting of this 425-year-old masterwork to the late 1960s, piping in vintage rock โ€™nโ€™ roll plus radio broadcasts about the Vietnam War and various presidential assassinations during scene changes.

Dalian has also done something smart and rare. In switching up a few key rolesโ€”Horatio (Charlotte Munson) becomes a female comrade of Hamlet, and Polonius (Paige Lindsey White) is now a meddling matriarch and court counselorโ€”sheโ€™s put fresh spin on the text. And in the process refreshed the balance of politics and poetry. Not too much, but oh so deliciously.

Thereโ€™s a reason we keep coming back to Shakespeareโ€™s Hamlet, again and again. With each telling this masterpiece bears new gifts. If weโ€™re lucky, a player fits himself within a role so seamlessly that all we can do is surrender. And feast. In the title role, SCS Artistic Director Charles Pasternak wears his Hamlet as easily as a pair of silk pajamas.

Finessing some of the best-known lines in the English language, Pasternak is passionate and nimble. He convinces us immediately that he knows what heโ€™s saying, because as the drama of political struggle, existential doubt and bitter revenge unfolds, we plunge deeper.

We understand exactly what Shakespeare was exploring, all the while seducing us with puzzles, puns and parodies that still play as well as they must have over four centuries ago.

Still mourning his late father, Hamlet hears the Ghostโ€™s command to avenge his most foul and unnatural death, and relishes the challenge. Confiding to his visiting schoolmates Rosencrantz and Guildenstern that he will โ€œput on an antic dispositionโ€โ€”i.e., feign madnessโ€”he begins his quest to ensnare the villain who has killed his father and married his mother.

Pasternakโ€™s nuanced vocal work is irresistible, full of resounding oratory to introspective musing. And his astonishing physical grace and energy never let up, as he invited the audienceโ€™s attention to the dilemmas of reason over madness, as he considers death, the unknown country.

Kudos to Pasternak, whose โ€œto be or not to beโ€ soliloquy was vividly felt and elegantly delivered. Even though we know itโ€™s coming, this actorโ€™s delivery rekindles the thrill of these words.

Thereโ€™s much to enjoy in this swift telling of Shakespeareโ€™s best-known work. Grayson DeJesus plays Laertes with intelligence and ease. Marion Adler, stunningly clothed, placed Gertrude exactly where she needed to be emotionally and physically in her key scenes as the ultimately shamed queen.

As the murderous king, Mike Ryan told his side of the story crisply, while giving Pasternak all the room he needed to essentially own the stage.

Munsonโ€™s Horatio made a valiant confidant for the troubled prince. Led by Patty Gallagher, the ensemble re-creating of the murder of Hamletโ€™s father are costumed as a traveling band of hippie actors.

Thanks to the shamanic imagination of costume designer Austin Blake Conlee, the stage was punctuated with high-key colors, from the jewel-toned suits and gowns of the courtโ€™s royal women to the inspired collection of platform boots, Jim Morrison scarves and neon-hued โ€œrags and patchesโ€ on the players.

A shout-out to the red hot Brianna Miller as the player Queen (currently also playing Gwendolen in Earnest). May she be a permanent star in SCS repertory firmament. Among the vivacious costumings only Allie Prattโ€™s Ophelia lost out, forced to go mad in unflattering negligรฉe and boots.

In his dual role as the ghost of Hamletโ€™s father and the Gravedigger, Raphael Nash Thompson gave potent inflection to everything he did, most unexpectedly in his priceless call-and-response graveyard banter with a homespun companion played by the endlessly resourceful Saundra McClain, who it turns out can do just about anything (see her Lady Bracknell in Earnest).

And it was another genius turn from Paige Lindsey White, as gossipy court counselor. Her Polonius is the prattling social climber, paralleling Claudius as the murdering usurper of the royal household.

The directorโ€™s provocative re-gendering lets White loose to strut and blather, savor her own silliness and basically devour the scenery with her lightning-quick misappraisals of court intrigue. A retro vision in bouffant hair and Lady Bird Johnson couture, Whiteโ€™s Polonius is a mesmerizing fool right up to an abrupt end.

This Hamlet is gorgeous to the eyes and ears, and brisk entertainment from its ingenious opening to its bloody end. Congratulations to the company, smartly led by Pasternakโ€™s knockout performance.

Santa Cruz Shakespeareโ€™s production of Hamlet, directed by Susan Dalian, runs through Aug. 31 at the Audrey Stanley Grove, 501 Upper Park Road, Santa Cruz. santacruzshakespeare.org.

Ice Breaker

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The writer Franz Kafka famously said, โ€œA book must be the axe for the frozen sea within us.โ€ William Ward Butler and Jackson D. Moorman remember those words as they read hundreds of submissions for their poetry journal. They are searching for the axes.

The journal, aptly named Frozen Sea, is published online quarterly, with occasional special issues. Launched in October 2023, the publication prepares to release Issue Five on Aug. 15. Like the four issues that precede it, the latest offering features the work of a diverse group of early-career poets and visual artists.

Butler, who is serving his first year of a three-year term as the Poet Laureate of Los Gatos, has kept an eye on the landscape of poetry journals since his time as a creative writing major at UCSC.

โ€œThe process of submitting to literary journals is kind of uniquely awful,โ€ he says, noting the months of waiting for a response and the fees writers typically contend with. Frozen Sea bucks that trend by responding to submitters within a month. The journal does not charge a reading fee, and there are no paywalls involved. They also circumvent Submittableโ€”a software many journals requireโ€”in favor of more direct email correspondence.

โ€œSometimes when I submit to journals, it feels like the answer is no and itโ€™s no forever,โ€ Butler says. At this phase, Butler and Moorman are enjoying bringing more humanity to the process, especially when it comes to the sensitive task of declining work. โ€œWe try to be friendly and approachable and communicative. We also try to be authentic about what weโ€™re communicating,โ€ Butler says.

Frozen Sea takes this value of accessibility even further with its emphasis on mobile-friendly design, which is Moormanโ€™s specialty. โ€œI was talking with Jackson,โ€ Butler says, โ€œand we just acknowledged that when weโ€™re reading a journal or a poem thatโ€™s being shared, we are on our phone, weโ€™re often on Instagram or other social media.โ€ Where many journals still seem to resist the reality of our digital existence, Frozen Sea embraces it, formatting work to the margins of a phone. Poems from each issue appear on the journalโ€™s Instagram page in addition to its website, along with audio of the writer reading the piece.

A glance at any Frozen Sea webpage makes clear that the journal is not just easy to share but also a pleasure to share. Muted colors, oceanic details and minimalist graphics strike a balance between professionalism and personality. โ€œIโ€™m really drawn to journals that have some fun experimentation in terms of what theyโ€™re doing with the site,โ€ Butler says.

When it comes to the content Frozen Sea seeks, Butler and Moorman foreground their preference for queer writers as well as their desire to resist all forms of oppression in their lives and publishing. The journal also aims to promote writers who have not yet published full-length books.

BEHIND THE WORDS This issueโ€™s contributors: Row 1, Zain Baweja, Brandon Blue, Matthew Buxton, Gion Davis; Row 2: Sara Hovda, Stefanie Leigh, Reuben Gelley Newman, Stuart Rawlinson; Row 3: Lemmy Ya’akova, Morissa Young, Marc-Anthony Valle, Ava Nathaniel Winter. PHOTO: Frozen Sea

They are also fond of concision. Butler points to poet/dancer Stefanie Leighโ€™s Issue Five poem, โ€œTheme and Variationsโ€ (reprinted below), as exemplary.

โ€œI think increasingly it feels like Frozen Sea is a little corner of the Internet where we can celebrate and champion the work of contributors who are doing really cool stuff,โ€ he says, โ€œand we can display it in a way that gets people excited about it.โ€ In this spirit, the creators are currently seeking poems and art inspired by work in previous issues of Frozen Sea for a special ekphrastic issue.

The growing group of contributors and readersโ€”what Butler calls the Frozen Sea familyโ€”sings the journalโ€™s praises. Kristin Lueke, a poet featured in Issue Three, says, โ€œThat this magazine exists, just like this, at this moment in timeโ€”it moves me [โ€ฆ] Jackson and William have built something beautiful in a wounded world and I am grateful to be a small part of it.โ€

One final way the creators are buoying their community is by promising to maintain the site in perpetuity. Though that might seem like a given, in the often-frantic world of online journals, it is not rare for oneโ€™s poem to disappear, links to become inactive, etc. The experience is disheartening for writers and artists who have entrusted their work to the faltering publication.

โ€œThe literary world is quite small,โ€ Butler says. โ€œI think it behooves all of us to be kind and to be thinking about what our place is within that ecosystem.โ€

Find out more at Frozensea.org.

Theme and Variations

by Stefanie Leigh

Costume fittings every spring in the opera house
basement. Our naked torsos,
our confidence and breaths heldโ€”

hoping the hooks and eyes in the backs
of our tutus will meet
the demands to make our protruding bones
look elegant

Stefanie Leigh is a poet and ballet dancer based in Toronto. She was a dancer with American Ballet Theatre and is currently working on her first poetry collection, Swan Arms. Her work has been published or is forthcoming in Rust & Moth, SWWIM and elsewhere.

Fresh Forward

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It can be easy to take for granted how much has to happen for the Santa Cruz region to enjoy the glorious local produce it does.

One took place last weekend, on the north side of the Westside Farmers Market (9am-1pm Saturdays), with the latest of the Santa Cruz Farmers Markets pop-up breakfast series to benefit SCFMโ€™s many outreach efforts, including Market Match food access and the Foodshed Project.

While chef Diego Felix and his Colectivo Felix team distributed delicious empanadas, gazpacho, summer salads and aji de gallina, guests toasted Equinox sparkling and tuned into commentary from area growers and market staffers alike.

The more you learn about FoodWhat?!โ€”which trains youngsters on growing, cooking and distributing fresh, healthy foodโ€”the more there is to like. Next month, it celebrates 18 years with a chef-driven benefit celebration dinner at Cowell Ranch Hay Barn.

More on the Sept. 29 event and the organization can be found at foodwhat.org.

An additional dose of helpful context arrives with the Center for Farmworker Familiesโ€™ Farmworker Reality Tours, taking place 3-7pm Aug. 18, Sept. 8 and Sept. 22, which helps unseen, crucial workers.

 โ€œOn this immersive tour, youโ€™ll have the chance to meet and engage in meaningful conversations with farmworkers, listen to their powerful testimonials, and experience their daily lives firsthand,โ€ the eventโ€™s release says. โ€œYouโ€™ll share their food, visit their living quarters, and gain a deeper understanding of the challenges they face.โ€

More at farmworkerfamily.org/events.

WELL PLAYED

Bargetto Winery (3535 N. Main St., Soquel) has a nice little blend going: Admirable longevity (itโ€™s the oldest winery in the area); a fun setting (the big windows and patio over the Soquel Creek river bed make for great summer sipping); and superb wines (the reserve Pinot Noir ranks right up among my Santa Cruz Mountains favorites).

It also has an ongoing Thursday Night Music with Taquizas Gabriel parking and slanging authentic Baja fish tacos, quesabirria and more from its taco truck. The music plays weekly through Oct. 3. The next four acts are the Doโ€™h Bros (Aug. 15), Bootleg (Aug. 22), Joint Chiefs (Aug. 29) and Alex Lucero (Sept. 5). bargetto.com

KEEP CRUZIN

It was weird not having David Kinch and Manresa repping at the Michelin California award announcements last week, but at least Exec Chef Justin Cogley and Aubergine (7th and Monte Verde, Carmel) earned a Monterey Bay Area restaurant two stars for the first time everโ€ฆ

Santa Cruz Permacutureโ€™s course on โ€œFood Forests: Planning, Growing and Enjoying Year Round Abundance,โ€ starting Aug. 24, is open for sign up, santacruzpermaculture.comโ€ฆFriends of the UCSC Farm & Gardenโ€™s Aug. 16 Superfoods and Spice Blends Workshop sold out fastโ€”stay on top of cool classes via agroecology.ucsc.eduโ€ฆ

Back Nine Bar & Grill (555 Highway 17 at Santa Cruz) offers free corkage on Sundays and Mondaysโ€ฆAn assist from late great coach John Wooden at the buzzer: โ€œThings turn out best for the people who make the best of the way things turn out.โ€

Safe Harbor

A Santa Cruz area resident for more than 30 years, Jennifer Lawrence owned a coffee shop in Moss Landing for over a decade until it became one of the many pandemic casualties. But when that door shut, another one opened: the owners of a boatyard in the Moss Landing harbor asked Lawrence to do some accounting work. Then, when they decided they wanted to revamp their space next door and open a restaurant, Lawrence offered her industry expertise and she became the general manager.

Lawrence and the owners did a complete renovation and opened Woodward Marine Market in October 2022, Lawrence describing the waterfront ambiance as a combo of modern and speakeasy vibes with an โ€œupside down boat feel.โ€ The scratch-made menu is a blend of classic and traditional seafood with an Asian flair. Appetizer favorites include Monterey Bay calamari and tater tots with jalapeรฑo buttermilk aioli. Entrรฉe bests start with a classically French bouillabaisse burgeoning with mussels, clams, local rockfish, diver scallops and squid in a saffron, tomato, fennel and wine sauce.

Other mains to munch on are the crispy artichoke and prosciutto sandwich with gouda cheese and Meyer lemon marmalade, and fish and chips with tempura-battered Alaskan cod. For dessert, one rotating chefโ€™s selection is offered, such as myriad bread puddings.

Describe the chefโ€™s daily special.

JENNIFER LAWRENCE: They can range from seared ahi paired with miso-infused polenta to diver scallops with plantain purรฉe. It gives executive chef Nichole Robbins an opportunity to showcase local seafood and how well she pairs flavor profiles. My all-time favorite, and a dish that we are soon putting on our permanent menu, is a prawn meatball thatโ€™s deep-fried and stand-alone delicious.

What inspires you about the Moss Landing community?

What weโ€™re trying to bring is more awareness to what the area holds with its sea life and ecology, as well as its potential for a research footprint thatโ€™s becoming larger. A major marine biology facility is being built nearby, which dovetails with our chefโ€™s philosophy of sustainability, being aware of where our food comes from and how hard people work to provide it. Thereโ€™s really a respect there.

Dark on Mondays, hours are 11:30amโ€“6pm (4pm Sunday). 10932 Clam Way, Moss Landing Harbor, 831-632-0857; woodwardmarinemarket.com.

The Blush Life

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When you see the word โ€œpinot noir,โ€ you immediately think of a red wine. But blanc de pinot noir has a soft blush color.

At a spring tasting, Pelican Ranch Winery unveiled an impressive 2023 Blanc De Pinot Noir ($30)โ€”with grapes from Highlands Vineyard in Carmel Valley.

โ€œWe rarely make a Blanc De Pinot,โ€ says Phil Crews, owner/winemaker at Pelican Ranch. โ€œBut all was lined up for this opportunity.โ€

And Crews is not one to miss the chance of creating something special. With its definitive white pinot style, it has โ€œa tasty mix of muted cherry, baked apple and fresh strawberry.โ€

Another wine released on the same day in spring is a 2023 Rosรฉ of Pinot Noir ($40)โ€”made with grapes from Green Valley Road Vineyard in the Santa Cruz Mountains. This is another delicate blush wine, and it comes with โ€œluscious fruit of berry and rose petals resulting in complex flavors.โ€

Both these wines (which come with screw caps) are worth a trip to Pelicanโ€™s tasting roomโ€”a bucolic setting surrounded by redwoods. And pizza is usually available, often made by Philโ€™s wife, Peggy Crews. They make a fine team! Or take your own picnic. Pelican Ranch is a welcoming place.

Pelican Ranch Winery, 2364 Bean Creek Road, Scotts Valley, 831-332-5359, pelicanranch.com.

Olympian Menu

The Jack Oโ€™Neill Restaurant & Lounge in the Dream Inn is doing a special four-course tasting menu as a tribute to the 2024 Olympic Games. Chef Gus Trejo is utilizing French cooking techniques to prepare the most sustainable local resources. The mainly plant-based Olympian Menu is available nightly until the end of August. Cost is $75. 175 West Cliff Drive, Santa Cruz. Visit jackoneillrestaurant.com for info.

The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

California is an outlier. Itโ€™s always been.

Our state has led the nation in protecting the environmentโ€”with higher standards for clean air, clean water and environmental protection than in much of the rest of the nation. We know what we have here is sacred and we arenโ€™t willing to sacrifice our pristine coastline for the almighty dollar.

Itโ€™s not always a popular position in the rest of the nationโ€”especially for those in industries that profit from extracting the earthโ€™s non-renewable resources.

Letโ€™s not forget that one of the first things the Republican administration did in 2020โ€”on behalf of deep-pocketed donorsโ€”was to roll back 2015 regulations aimed at protecting rivers, lakes and streams from waste from coal-burning power plants. They brag about cutting regulations to help the economy, but they forget the ultimate price of forever losing safe, clean water and air.

Itโ€™s a never-ending battle, and luckily there are some local people who are prepared to fight for the environment, which is why you arenโ€™t looking out at oil rigs along our coast.

Our cover story salutes some of those locals, including Dan Haifley and John Laird, who found ways to turn the tide away from corporate greed and save our tides.

The article looks at the impending threat from others who chant โ€œDrill, Baby, Drillโ€ like itโ€™s a football game, not a code for โ€œPollute, Baby, Polluteโ€ and โ€œProfit, Baby, Profit.โ€

Luckily, these folks tipped their hand with Project 2025, which pushes a โ€œdrill, babyโ€ mentality that is now out there for all to see. If you want crude oil on your beaches, you can vote that way. If you donโ€™t, this article shows a path to fight for the environment.

On other positive fronts, Mark C. Andersonโ€™s Dining column leads the way to healthy foods for all. Taking that to the people who matter most, Elizabeth Borelli covers a project to make lunch ladies cool again by teaching them to cook locally sourced, healthy foods in schools. Little is more important than that, right? No more hot dogs and potato chips?

Our arts stories run the gamut from Hamlet to Talking Heads and include an inclusive poetry circle that lets other voices be heard.

We also cover a literary journal that takes an axe to the frozen sea of other hard-to-access journals and creates a place for oppressed writers to speak out, or write out.

Weโ€™ve got high brow, weโ€™ve got low brow, weโ€™ve got it all this week. I hope you love it as much as I do.

Thanks for reading.

Brad Kava


PHOTO CONTEST

COTTON CANDY CLOUDS A puffy sunset sky shot downtown. Photograph by Jennifer Kelly.

GOOD IDEA

Silicon Valley Community Foundation has hired Marie Dโ€™Costa as its new executive vice president of philanthropic partnerships and Moses Zapien as its new executive vice president of community action, initiatives and policy.

Most recently serving as the vice president and chief development officer at the New York Community Trust, Dโ€™Costa brings expertise in philanthropy and fundraising. She will oversee development, donor engagement and corporate responsibility.

Zapien comes from the San Joaquin Community Foundation, where he served as CEO. He will be responsible for honing and developing strategies for SVCFโ€™s discretionary grantmaking programs and creating a public policy program to advance equity for residents of San Mateo and Santa Clara counties.

GOOD WORK

The County of Santa Cruz and its Pitch In Initiative was recently recognized by Caltrans, Clean California and Keep America Beautiful as one of 22 California communities that are the first to pledge to be a part of the Clean California Community Designation Program.

The statewide program encourages local engagement in a statewide effort to make communities cleaner, more sustainable and to foster community pride, and is part of Governor Newsomโ€™s Clean California initiative, a $1.2 billion, multiyear project led by Caltrans to clean up, reclaim, transform, and beautify public spaces. Since the programโ€™s inception three years ago, 50,000 tires, 12,000 mattresses and mountains of trash have been hauled away. 

QUOTE OF THE WEEK

โ€œWhen I looked into space, there was no majestic awe to behold. All I saw was death.โ€

โ€“William Shatner


CORRECTION

An article in the Home and Garden section misreported that Professor Emeritus Rich Merrill of Cabrillo College had passed away. He hasnโ€™t! The beloved founder of the Horticulture Department at Cabrillo College is alive and well and living in Santa Barbara.

Port District Cancels Crowโ€™s Nest Thursday Beach BBQ

After two people were critically wounded in a shooting that occurred Aug. 8 at the Crowโ€™s Nest during its Thursday Beach BBQ event, he Santa Cruz Port District announced the cancellation of the remaining events for the summer.ย 

โ€œThis decision comes in the wake of the recent shooting incident that occurred in the vicinity of the event location on Thursday, August 8, 2024, and left two victims in critical condition,โ€ Port Director Holland Maclaurie stated in a press release. 

โ€œThe Port District deeply regrets having to cancel the remaining Thursday Night Beach Barbeque events, but it is the most responsible course of action as we evaluate the impacts to public safety associated with large gatherings at the harbor.โ€ 

In the release, MacLaurie states that the Port District is committed to ensuring a safe and enjoyable environment for the community, and is working closely with the Crowโ€™s Nest restaurant to review the future of the ongoing events. 

โ€œWe extend our condolences to those affected by the incident and appreciate the ongoing understanding and support,โ€ MacLaurie said.

Ethereum ETFs Officially Launch in the US

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Published in cooperation between Techopedia and Good Times

After months of waiting, a significant milestone for the cryptocurrency industry in the United States and all over the world has been achieved as Ether (ETH) officially begins trading in exchange-traded funds (ETFs) on U.S. exchanges. The long-awaited development is expected to make room for the wider adoption of Ethereum in institutions. In fact, it could be much like the success of Bitcoin ETFs that debuted earlier this year. 

The launch of Ether ETFs has brought with it a familiar way of investing in the crypto space. ETFs will be tracking the price of the underlying Ether assetโ€”just how much Ether is worth overallโ€”so that investors can be aware of Ethereum’s price movements in real time without having to own the cryptocurrency itself directly. Because of that, there is no need for individual investors to manage their own crypto walletsโ€”a hurdle that has previously hindered some investors from entering the market in the first placeโ€”making crypto more accessible to a lot more people than before.

Not only are there more opportunities for investment, but the launch of these ETFs could manufacture a rise in the popularity of crypto on the whole. Not many people are aware of the crypto gambling scene but as Ethereum and Bitcoin ETFs are coming up, more and more people will be dabbling in Bitcoin casinos with instant withdrawals that can transfer winnings to player wallets in less than ten minutes; and in other online casinos with different perks like anonymity for players. The launch of ETFs could also see crypto being seen as more legitimate as an investment opportunityโ€”which has already been helped by Bitcoinโ€™s huge surge in value in recent years.

The U.S. Securities and Exchange Commission (SEC) accepted applications from nine different issuers for Ether ETFs. Interestingly, the SEC’s approval of Ether ETFs comes after a recent investigation into whether or not Ether 2.0 is a  commodity or security. The investigation was dropped in mid-June 2024. The SEC has deemed both Bitcoin and Ether as commodities, making them fall under a different regulatory umbrella than securities. In order to get their ETFs approved, Bitcoin, Ethereum, and others have had to agree to exclude any features related to staking, which means they have forfeited potentially higher returns for their investors to do so. This is a point of great argument, with some, like SEC Commissioner Hester Peirce, suggesting that these features could be revisited in the future. The situation highlights the ongoing uncertainty surrounding cryptocurrency regulations and the SEC’s efforts to navigate the space.

Still, the SEC has approved different issuers including established traditional investment firms like BlackRock and Fidelity who are in the running along with crypto-focused firms such as Grayscale and VanEck. Each ETF may have slight variations in fees and structures, offering investors a choice depending on their specific needs. Over a billion dollars in shares have been traded and Grayscale Ethereum Trust had the largest volume overall. Bitcoin experienced a slump on Tuesday while Etherโ€™s assets grew significantly.

Pre-market trading for some of the Ether ETFs began on the 23rd of July 2024, with modest price movements. Experts in the crypto industry say they are looking forward to significant interest from investors in retail and bigger institutions. The ETFs offer convenience and regulatory clarity to investors and users, a perk that will probably attract new capital to Ethereum and which could boost its long-term growth. 

While the price impact of Ether ETFs is yet to be realized, their launch is a clear sign that there is great potential in Ethereum’s technology, and a lot more is to be uncovered in coming years through the innovative crypto. Opportunities will arise in online retail and with the recent launch of Bitcoin ATMs, even physical shops may accept cryptocurrency as the crypto revolution continues. Unlike Bitcoin, which is mainly seen as a store of value, Ethereum’s blockchain carries a vast network of decentralized applications (dApps) and smart contracts. The more it gains popularity with popular banks and in everyday life, and the more people are exposed to Ethereum through ETFs, the further the cryptocurrency will develop and the more likely it is to be adopted at a larger scale than ever before.

Although there is much optimism currently surrounding Ether ETFs, it’s important to remember and consider the fact that the cryptocurrency market is and will remain inherently volatile. Investors who are considering entering this space will be wary and will be diligently conducting thorough research to understand the potential associated risks before allocating any funds. This means that any negative changes, like significant dips in market value, might result in investors pulling out and fewer investment opportunities until stability is regained. Currently, investor sentiment is split, and the CEO of Gray Digital has been quoted saying, โ€œIt will be less of an event than people are making it seem to be.โ€ An estimated 25 percent of Bitcoinโ€™s flows are expected to be the general stream of investment ETH is to look forward to going forward.

The launch of Ether ETFs is a big event for Ethereum and the cryptocurrency industry as a whole in the United States and all over the world. With wider accessibility and institutional validation, Ethereum is bound to experience a new chapter of growth and innovation. Whether it mimics the successful rise of Bitcoin ETFs or whether it carves its own path, the world of finance is definitely taking notice of Ethereum’s potential.

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The members of Cรญrculo de poetas & Writers are focused on amplifying multilingual, multicultural voices.

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When you see the word โ€œpinot noir,โ€ you immediately think of a red wine. But blanc de pinot noir has a soft blush color. At a spring tasting, Pelican Ranch Winery unveiled an impressive 2023 Blanc De Pinot Noir ($30)โ€”with grapes from Highlands Vineyard in Carmel Valley. โ€œWe rarely make a Blanc De Pinot,โ€ says Phil Crews, owner/winemaker at Pelican Ranch....

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Port District Cancels Crowโ€™s Nest Thursday Beach BBQ

Boats in the Santa Cruz Harbor
After two were critically wounded in a shooting Aug. 8 at the Crowโ€™s Nest, the Santa Cruz Port District canceled the remaining dates.

Ethereum ETFs Officially Launch in the US

ethereum exchange-traded funds
Published in cooperation between Techopedia and Good Times After months of waiting, a significant milestone for the cryptocurrency industry in the United States and all over the world has been achieved as Ether (ETH) officially begins trading in exchange-traded funds (ETFs) on U.S. exchanges. The long-awaited development is expected to make room for the wider adoption of Ethereum in institutions....
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