From instrumental music to activism, STS9 makes big things happen. A look back at the band’s decade in Santa Cruz and its latest surprising feats. When members of STS9 (Sound Tribe Sector 9) shared a condemned house in Watsonville at the start of the millennium, the idea of raising money to build a home for anyone else was pretty unfathomable. “It was literally people living in sheds and shacks around this one house,” keyboardist David Phipps laughs. “Those were the last of our glory days living hand to mouth.” Since then, the band’s incandescent mesh of electronica-meets-jam band dexterity (self-described as “post-rock dance music”) has spread like a virus on the Internet and across international stages.
But there’s a whole lotta musicians out there who find success for sounding good. It’s whether or not they have anything to say that is another story.
Slow start, but big finish in SSC “Othello” It’s cold on these foggy summer nights in the Festival Glen up at UC Santa Cruz. But don’t worry: the action heats up to stunning conclusion in “Othello,” the third production of Shakespeare Santa Cruz’s 29th summer season. It does take a while for director Pam McKinnon’s modern-dress production of Shakespeare’s tragedy of love, race and jealousy to catch fire; the intensity of the second half, including McKinnon’s gutsy staging of the finale, far outshines the slower-moving first half with all its exposition. But a few impressive key performances—most notably Corey Jones’ majestic Othello—keep the audience intrigued throughout.
As I write this post, I currently have a case of the Monday blues. As you probably have noticed, it’s been dreary, with cooler-than-normal weather this summer in the Santa Cruz area, which makes me want to just stay inside, curl up with a cup of tea and stay … sedentary. Not a good thing to hear from a personal trainer, correct? Well, if you are affected by the weather or even if you are not, sometimes it is hard to get motivated or stay motivated. I am currently pregnant with our second child and while we are very excited, pregnancy is typically hard on my body. And with it being so cold outside, I have no interest in being active while my body hurts. But I must do it. I must get outside, for anything, for my sanity.
Rosé 2008 A few weeks ago, I wrote about MJA Vineyards and its offshoot—DaVine Cellars. When I went to the Swift Street complex to check out this brand new winery in the area, I bought two bottles—a Cabernet Sauvignon, which I have already written about, and a Rosé. Rosés are making much more of an impact than in days of yesteryear, when a lot of folk would not give them the time of day. Now, Rosés are in demand, especially during warm summer weather.
Having heard that the Cypress Lounge had added Cajun flavors to their streamlined menu, I was keen to check it out. When we arrived just after 7 p.m., instrumental jazz musicians were playing their final song. The music was loud for anyone expecting a subdued dinner, but not for those noshing with friends. We were excited to find the elusive Santa Cruz Aleworks IPA on draft ($2 Tuesday happy hour all night) in all its ultra-hoppy glory.
Gilbert’s on the wharf gets a new look, a new name, and adds a cafe You can see the difference before you even enter the restaurant, as windows on the sidewalk look into the open kitchen. What was known as Gilbert’s on the Wharf is now Gilbert’s Firefish Grill, alluding to the new mesquite grill, which brings a unique technique to the Municipal Wharf’s culinary repertoire. You’ll still find fried calamari, lightly breaded sand dabs, and Fisherman’s Pasta, but the fresh catch can now be grilled. How’s that for healthy?
Editor’s note: This week’s Poetry Corner features the work of J. P. Dancing Bear, the author of nine collections of poetry, most recently, “Inner Cities of Gulls” and “Conflicted Light” (Salmon Poetry, 2010 and 2008). His poems have been published in Mississippi Review, DIAGRAM, Copper Nickel, Third Coast, Natural Bridge, Shenandoah, New Orleans Review, Verse Daily and many other publications. He is editor for the American Poetry Journal and Dream Horse Press. Bear also hosts the weekly hour-long poetry show, Out of Our Minds, on public station, KKUP.
“Can you call me back in 10 minutes? I just arrived, and I have to sort of de-pack my crap.” The statement is classic John Flansburgh, vocalist/guitarist for the jubilantly strange, lovably dorky alternative rock band They Might Be Giants. Since founding the group with vocalist/accordionist/keyboardist John Linnell in 1982, Flansburgh has practically built his career on the kind of pithy wording and amiably sardonic delivery he’s now displaying.
After liberating his crap, Flansburgh gets GT up to speed on a “misguided hand puppet project” that TMBG is currently working on. (Fans will soon see the results in the form of a slew of videos for the Web.) The 50-year-old musician explains that the puppets in question are “kind of angry, and that really speaks to adult audiences. They kind of feel put down by They Might Be Giants. They don’t want to be a part of the show; they feel like we’re holding them back.”
The puppet project is an extension of TMBG’s split personality: Just as some fans refer to Flansburgh as “Big John” and Linnell as “Little John,” there’s been a “big” TMBG and a “little” TMBG since the early 2000s, when the group began doubling as a kids’ act. As evidenced by the group’s 2009 Grammy Award in the category of Best Musical Album for Children (for Here Come the 123s), TMBG’s bouncy rhythms, sing-along choruses and penchant for the truly absurd are well suited for children’s entertainment. All the same, you really have to wonder what’s to become of the tykes whose worldviews are being shaped by the twisted minds behind lyrics like “Would you mind if we balance this glass of milk where your visiting friend accidentally was killed?” and “Where your eyes don’t go, a filthy scarecrow waves its broomstick arms and does a parody of each unconscious thing you do.”
According to Flansburgh, there’s a distinct separation between TMBG’s two identities. “We feel very self-defined in the world of kids’ stuff because we so clearly don’t belong there,” he offers. “But in the world of rock, there’s a lot more reason to look over your shoulder. Things are critiqued rather closely, and you’re contributing to a world of music that people have very strong feelings about. Everyone’s trying to figure out where you fit into the culture.” Making mention of discussions with the band’s manager as to which TMBG songs will be played on the radio, the singer whimsically notes, “We have big-city problems in Rockville.”
Between the children’s market, the alternative rock market and the mass media (TMBG songs have been used in video games, in movies like Austin Powers: The Spy Who Shagged Me and in TV shows like The Daily Show and Malcolm in the Middle), this band’s music definitely gets around. Flansburgh seems amused by the ubiquity of his and Linnell’s work. “I think in some ways, we kind of don’t think that any of it is really even true,” he states. “I feel like there’s the real world, and then there’s this kind of dreamscape that includes us. I’m always amazed when people know who we are, because we’ve never broken through on that big, big level.”
Nor do they wish to. Flansburgh says he finds the thought of big-time success intimidating. “It already feels a little bit like running for Congress just doing shows,” he admits. “You’ll be in the middle of having an argument with a friend in a restaurant, and all of a sudden, someone’s at your table wanting to take your picture. But the funny thing about that whole strange relationship with the public is that on a personal level, the parts that seem the phoniest are actually when you’re really doing your duty as a conscientious public servant.”
Hey, that’s the way it goes when you lead a double life.
Video, Internet and the iPod did not kill the radio star. Lee Bedrouni and Michal Kamran are working to keep it that way. With Bedrouni acting as head DJ, the two are part of the inspired collective putting on KZSC’s “The Rising Tide.” If you know that fresh indie music is lapping onto our shores but you don’t always know where to find it (or you just don’t have the moolah to go out and catch a concert), set your dial to 88.1FM at 8:30 p.m. each Friday night. That’s when the radio show brings bands—local acts and those touring through town—to local airwaves. “We’re just trying to develop a community,” Kamran says. “Once I actually got involved with the show, I met so many people and Santa Cruz has suddenly become really small. People need to know that this welcoming music scene is out there.” Since January, “The Rising Tide” has been giving glimpses into the sounds and personalities of area musos and figures in the community helping to promote them. With the show being part chat, part on-air gig, a palette of musical tastes has struck the studio; Intergalactic Smugglers, San Narciso, Noise Clinic, Harlequin Baby, and Monsters Are Not Myths, to name a few. This Friday, Aug. 13, the show features Santa Cruz concert producer Keith Petrocelli, while the following Friday, Aug. 20, has The Terrible slated for an interrogation and live performance. It’s a revealing chance to explore the people whipping up the verses. “It’s one thing to really be into U2, but it’s another thing to really be into [Santa Cruz’s] Hermit Convention and be able to talk to Craig Prentice and be like, ‘This is the guy behind this music, this seems really genuine,’” Bedrouni says. “It might demystify certain aspects of the sound, but it makes it really personal.” He adds, “If at least one person listening to the show who never heard a certain artist before, picks up on them and then wants to go see them live, then I’ve succeeded.” Bands wanting to unmask on the mic alongside Bedrouni and Kamran should contact them at th*****************@gm***.com. And listeners should be forewarned: you might discover a local band you never knew you loved.
From instrumental music to activism, STS9 makes big things happen. A look back at the band’s decade in Santa Cruz and its latest surprising feats.When members of STS9 (Sound Tribe Sector 9) shared a condemned house in Watsonville at the start of the millennium, the idea of raising money to build a home for anyone else was pretty unfathomable....
Slow start, but big finish in SSC “Othello”It's cold on these foggy summer nights in the Festival Glen up at UC Santa Cruz. But don't worry: the action heats up to stunning conclusion in "Othello," the third production of Shakespeare Santa Cruz's 29th summer season. It does take a while for director Pam McKinnon's modern-dress production of Shakespeare's tragedy...
As I write this post, I currently have a case of the Monday blues. As you probably have noticed, it’s been dreary, with cooler-than-normal weather this summer in the Santa Cruz area, which makes me want to just stay inside, curl up with a cup of tea and stay ... sedentary. Not a good thing to hear from a...
Rosé 2008 A few weeks ago, I wrote about MJA Vineyards and its offshoot—DaVine Cellars. When I went to the Swift Street complex to check out this brand new winery in the area, I bought two bottles—a Cabernet Sauvignon, which I have already written about, and a Rosé. Rosés are making much more of an impact than in days...
Having heard that the Cypress Lounge had added Cajun flavors to their streamlined menu, I was keen to check it out. When we arrived just after 7 p.m., instrumental jazz musicians were playing their final song. The music was loud for anyone expecting a subdued dinner, but not for those noshing with friends. We were excited to find the...
Gilbert's on the wharf gets a new look, a new name, and adds a cafe You can see the difference before you even enter the restaurant, as windows on the sidewalk look into the open kitchen. What was known as Gilbert's on the Wharf is now Gilbert's Firefish Grill, alluding to the new mesquite grill, which brings a unique...
Editor’s note: This week’s Poetry Corner features the work of J. P. Dancing Bear, the author of nine collections of poetry, most recently, “Inner Cities of Gulls” and “Conflicted Light” (Salmon Poetry, 2010 and 2008). His poems have been published in Mississippi Review, DIAGRAM, Copper Nickel, Third Coast, Natural Bridge, Shenandoah, New Orleans Review, Verse Daily and many other...
Video, Internet and the iPod did not kill the radio star. Lee Bedrouni and Michal Kamran are working to keep it that way. With Bedrouni acting as head DJ, the two are part of the inspired collective putting on KZSC’s “The Rising Tide.” If you know that fresh indie music is lapping onto our shores but you don’t always...
Fires Fury. Great three-piece band, awesome people.Christopher CzechSanta Cruz | Solar Installer Poor House. They play celtic music, a lot of originals and they’re really good. The Broken String Band. They play a lot of originals and some covers. And the South Street Ramblers are really good, and the Lords of...