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Hanging Tens: The 8 Tens @ Eight festival

Stage

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January 6, 2016

Preparing the expanded 8 Tens @ Eight festival means finding great art from all over the world—and a top team of artists here in Santa Cruz
Culture watchers have been wringing their hands over our shrinking attention spans for many moons, but one plucky local theater company chose to embrace it long ago—and Santa Cruz audiences have been showing up in droves ever since. This is the 21st season of 8 Tens @ Eight, the little festival that could, which pioneered the 10-minute play festival on the West Coast.
It began as a showcase for playwrights from the Santa Cruz area, and gradually began to draw talent from surrounding regions. It challenged audiences in the same way that short stories challenge readers, measuring every word and gesture for impact. As winning plays were picked over many summers, resulting winter productions handed us wit, wisdom and pathos in 10-minute bites of every flavor.
There were 53 submissions in the summer of 1999, all from within a hundred-mile radius. This year, there were close to 300, from 30 states, and countries as far afield as Korea. One play was even submitted by an inmate serving a life sentence in Texas. It was among the winners. There have been so many submissions, in fact, that last year 8 Tens @ Eight doubled in size.
“We used to have a second set of shows called the Best of the Rest Fest, which showcased runners up, but that became so popular there were fights in the alley about why this or that play wasn’t one of the eight,” says Wilma Marcus Chandler, the festival’s founder and longtime artistic director. “Better to have two nights of winning plays instead.”
This year continues the expanded format—16 pint-sized plays presented in repertoire on “A” and “B” nights, from Jan. 8 to Feb. 7. That means 16 different playwrights, directors, casts, and sets.
“We’ve gotten a lot more technically savvy with lights, sound, and set changes,” says Chandler. “The crew shifts sets in less than a minute.” Take that, Broadway.
Steve Capasso, who has acted in 8 Tens @ Eight since 2008, goes for laughs this year as a hapless husband in Flirting with Age, about a son who brings his 70-something-year-old girlfriend home to meet his parents. In You Too, he seethes as a blue collar worker with a chip on his shoulder, grilling a guy who works on Wall Street.
“I found my tribe,” says Capasso of the actors he works with during the festival. “We know our work, our strengths, our weaknesses. We’re extremely supportive of each other.”
It’s a tribe that’s ever expanding, in geography and scope. Helene Simkin Jara—who has been involved with 8 Tens @ Eight since 2003 as an actor, writer and director—is directing a play from New Zealand this year called Threatened Panda Fights Back, by Rex McGregor.
“It begins with choosing a play that you think you can interpret well enough so that the audience and playwright will be pleased,” she says. “As a director, I’m like a proud mom, watching my actors and hearing the audience’s reaction to the creation we were all a part of.”
Themes tend to emerge. The 2015 season saw characters surviving crisis, and some LGBT themes. One year was all about food.
“This year, a lot of the plays submitted deal with aging and ecology,” says Chandler. “The world shapes what we write, and we shape the world. Every year, it’s completely different.”
There’s a lot of local talent among the playwrights this year, but it’s not because of some kind of quota—their work was selected on the basis of merit alone.
“About a third of this year’s winning plays are from local writers, which is very unusual. Judges don’t know who wrote the work they review or where it’s from,” says Chandler. “Out of 16 plays, five or six are by locals. Some years we don’t have any.” She shies away from taking personal pride in 8 Tens @ Eight, she says, but feels gratified at how much its scale has grown.
“It’s a lovely melting pot,” she says, “that brings us all together.”
The 8 Tens @ Eight festival will be presented Jan. 8 – Feb. 7, Wednesdays through Saturdays, at 8 p.m., with 3 p.m. matinees on Saturdays and Sundays. Center Stage Theater, 1001 Center St., Santa Cruz. Tickets are $25 general, $22 senior/student. For tickets, call 800-838-3006 or go to brownpapertickets.com. For more information, go to sccat.org.

DOUBLING UP ‘Port City Blues’ was part of last year’s 8 Tens @ Eight festival, which returns this week with 16 10-minute plays.

Staying Alive: UCSC students rescue Monterey musician

Local News

Kara Guzman

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January 6, 2016

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Two UCSC students rescue heart attack victim during class with CPR
Ask Don Scott to tell the story of how two UCSC students rescued him from a heart attack in a crowded theater and he’ll say all he knows is that he blacked out.
The Monterey musician was about to perform with his wife, Charmaigne Scott, for a psychology and religion class of 350 students on Dec. 1 when he collapsed onstage.
“I don’t remember driving up. I don’t remember picking my equipment out of the car, and I don’t remember falling down and being revived,” says Don Scott, 66.
What he does remember: waking up at Dominican Hospital after doctors had chilled his body, inducing something like a coma, and operated on him. He stayed at Dominican for 16 days and was told he likely had had prior heart attacks without realizing it, and his brain showed evidence of multiple strokes. He is now in long-term recovery and speech therapy, but feels nearly normal and is playing music again, he says.
Scott’s wife, Charmaigne, says she heard the entire theater gasp when he collapsed, and she ran over to see his eyes rolling back into his head. She describes the following seven minutes as “amazing,” as she watched with the audience as two “angels” from the crowd used CPR to breathe into his lungs and pump his heart until paramedics arrived.
“I can only think that it was providence that got him to the theater when he did,” Charmaigne Scott says, “because if it had been 15 minutes earlier or it had occurred while he was on the road, he wouldn’t even have had a phone.”
Craig Schindler, the class’ guest lecturer, says the rescue was powerful and beautiful.
“If you’ve ever been to a birth, or if you’ve ever been to a dying process, there’s this sense of the veil thinning. There’s this sense of being in the presence of something that’s bigger than any of us,” Schindler says.

In the moment

UCSC senior Luke Smith, 23, was sitting in the back row when he saw Don Scott collapse. Smith, a former Southern California lifeguard, had given CPR a few times during beach rescues but said he was not prepared to perform that day. For one thing, he had a broken wrist in a cast. He also didn’t know if the theater was equipped with a defibrillator.
Don Scott is diabetic, so at first his wife and fellow musicians thought he needed some sugar. But no sweets could be found, and he wasn’t responding.
Smith says he sat there, stunned and not fully grasping the emergency of the moment.
“I kind of said something like, ‘Oh, does anybody know CPR?’” Smith remembers, before noticing that the entire class was frozen still. “I didn’t realize I should have just jumped up, and it took a minute to realize.”
He snapped to action and ran down the aisle, yelling for classmates to call 911 and get the defibrillator.
Jenni Vierra, a 27-year-old single mother, was also at the back of the room watching the scene. The pre-medicine student had taken a CPR class this past spring at Cabrillo College before transferring to UCSC.
“I noticed his chest doing this jerking, rising, falling thing, and immediately recognized it as an unconscious gasp, not low blood sugar,” says Vierra. “So I jump up and I told the girl sitting next to me, ‘call 911 right now.’”
The gasping, also known as agonal respiration, is often seen in heart attacks and is a clear sign that the victim needs help to breathe.
Vierra ran to help Smith administer CPR. She performed chest compressions and he gave breaths.
“I just had that moment of clarity,” says Vierra. “This is all there is and I’m in this moment. I’m going to do this and I know how. I didn’t even think. It’s just thoughts without words and just being completely present in the moment.”
Someone came with the defibrillator just as the fire department paramedics arrived. Scott’s pulse was restored, a breathing machine was inserted, and he was whisked away.

Four Keys to Rescue

Mark Ramsey, a Cabrillo CPR instructor and assistant athletic training director, says CPR is usually not enough to revive a heart attack victim.
“If you catch them early enough then you can increase the chance of getting the person back, but a lot of the time CPR alone isn’t effective,” says Ramsey. “You’re just trying to keep blood pumping to the brain while you’re waiting for emergency medical services to get there.”
Ramsey says the first step is recognizing the emergency and calling 911 for help. He teaches students to look for signs of life: skin color, movement, breathing, and consciousness. If the victim is unresponsive, pale or blue, or their chest is not moving, then it’s time to call 911 and begin CPR, he says.
Students in his class receive certification from the American Heart Association (AHA), which updates its guidelines on best CPR practices every few years.
Nonprofessionals are advised not to check for a pulse, since a heartbeat can be tough to find and it wastes time, delaying the most important part: chest compressions, says Ramsey.
Chest compressions are so important that the AHA recommends “hands-only CPR,” without mouth-to-mouth, for teens and adults who are seen collapsing. In cardiac arrest, the heart and lungs usually contain enough oxygen to keep the vital organs healthy for a few minutes, as long as chest compressions are performed quickly and correctly, according to the AHA website.
Conventional CPR with mouth-to-mouth breathing is now only recommended for babies, children, people who are discovered unconscious and not breathing normally, and victims of drowning, drug overdose and collapse due to breathing issues or prolonged cardiac arrest.
“Everybody should learn CPR. It’s a great tool to have,” says Ramsey. “Ambulances and paramedics aren’t there all the time, so citizens are the ones in the field and out there seeing most of these emergencies happen. So having knowledge about what to do and how to act is very important.”

MARK RAMSEY’S FOUR KEYS TO SUCCESSFUL CPR:

Push hard on the center of the chest, to a depth of at least two inches on an adult. This ensures the blood will reach the brain and other vital organs.
Pump fast—at a rate of about 100 to 120 compressions per minute. The AHA recommends pushing to the beat of the disco song “Stayin’ Alive.”
Allow the chest to recoil in between compressions so the heart can fill with blood.
If performing conventional CPR, use a ratio of 30 compressions to two breaths, so oxygen can fill the lungs and reach the blood.

Upcoming CPR Classes:

Kinesiology 15, a half-unit class that meets 5:30-9:45 p.m. Feb. 1 and Feb. 8, and Kinesiology 13, a three-unit class that also teaches first aid and meets three times, with an online component. Cabrillo College, 6500 Soquel Drive, Aptos. Cost varies. Register at cabrillo.edu.
Online class that requires one in-person meeting for certification. Meetings are scheduled almost daily. Above Bar CPR, 3121 Park Ave., Suite E, Soquel. $63. Register at abovebarcpr.com.
CPR workshop for non-healthcare professionals. Certifications occur on Wednesdays from 6:30 to 9:30 p.m. Defib This, 1543 Pacific Ave., Santa Cruz. $45, plus cost of manual. Register at defibthis.com.
For a list of other local classes, visit aptosfire.com.

PUSH IT REAL GOOD A demonstration of the CPR technique used on 66-year-old musician Don Scott when he collapsed in a UCSC classroom last month.

Here and Don: California Republicans in the era of Trump

Tom Gogola

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January 6, 2016

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California Republicans in the era of Trump
Donald Trump’s campaign has so far been a general exercise in name-calling, immigrant-bashing and snippy tweets directed at out-of-favor reporters.
He’s running on the power of his celebrity and channeling Ted Nugent while saving the gory policy details for later—except as they relate to immigration. That one’s a no-brainer: Everyone must go!
It’s a drama driven to heights of nativism, and thanks to the pugilism of Trump and his extreme views on immigration, we’re looking at the most hateful electoral throw-down in memory. At the first GOP debate, he laid claim to the immigration mantle and said nobody would be talking about it were it not for him.
None of the other candidates disagreed, even as Trump has driven the other top-tier candidates to the right on immigration and pushed the GOP establishment into frenzied distraction in the process. Trump’s willingness to spill buckets of blood goes beyond his support for those two thugs who beat up a Mexican in his name in August (“The people that are following me are very passionate,” was his heinous defense, before he thought better of it).
Trump has already dropped a Willie Horton ad on Jeb “Third Time’s a Charm” Bush for daring to utter the word “love” in connection with a fair enough question about why Mexicans come here to work and then send money back to their families.
Trump’s ad juxtaposed Bush’s “love” comment with the Mexican rapists he plans to exploit all the way to the White House. The ad is priceless in its irresponsibility and rhetorical violence, and his poll numbers are holding steady. That Trump. He just says what’s on his mind. Mexicans have meanwhile responded with Trump piñatas—Watsonville’s Marquez Bros. Piñatas made the news last year when “the Donald” became their most popular model.
With the caucuses in Iowa and New Hampshire fast approaching, Trump still leads every major national poll for the GOP primary race. A Monmouth University poll from the middle of December put him at 41 percent—a 28 percent lead over second-place Ted Cruz—while others show the race at least somewhat tighter. According to CNN Poll of Polls averages, Trump enjoys the support of more than twice as many New Hampshire GOP voters than the next closest candidate; he’s polling at 26 percent, versus Marco Rubio’s 12 percent, with every other candidate registering single digits. In Iowa, CNN has Trump two points behind Cruz, with the rest of the pack again at less than 10 percent.
On Monday, Trump released his first campaign ad, which rather than shying away from his roundly criticized proposal to ban all Muslim immigrants, instead doubles down, actually opening with the promise of this “temporary” (whatever that is supposed to mean) ban. A radical immigration policy, it is now abundantly clear, is the backbone of his campaign.
An ABC News/Washington Post poll released Dec. 14 reported that six in 10 Republican voters back Trump’s proposed ban.

STATE BREAKAWAY

Even as the national Republican Party has pivoted hard right, the California state Republican Party has started to lay off the immigrant-bashing rhetoric.
In advance of its convention in September, the state party defanged some of its immigration plank—in apparent recognition of the fact that Trump is a looming demographic disaster of the highest order.
For his contribution to a necessary national conversation around immigration, Trump has pledged to forcibly remove 11 million undocumented immigrants now living here. There’s somewhere around 1.5 million in this state alone, many in the agricultural sector, working in the proverbial shadows.
Along the way, Trump promises he’ll force all those Syrian refugees back to their home country, too, or whatever’s left of it. It seems like a lot of what Trump stands for has to do with forcibly removing people. According to his immigration plan, he would also force American employers to hire American workers if elected president.
Progressive author and former congressional candidate Norman Solomon says nobody with a clue about American history should be surprised at the xenophobia driving the Trump phenomenon. Solomon says it can be seen through the lens of a country that’s experienced tough financial times and is now angling for scapegoats. Trump has stepped into a breach where a silent minority no longer remains silent, and will say and do the darnedest things in the service of Trump America. Much of that battle has played out in the anonymously enraged avenues of the Internet and right-wing radio. The image of a thoroughly progressive Bay Area is undercut, and sharply, through just a cursory spin through a couple of weeks’ worth of local rants and raves on Craigslist.
Indeed, last summer’s killing of Kathryn Steinle by an undocumented alien along San Francisco’s Embarcadero put that city’s “sanctuary” status in the national crosshairs—and sanctuary cities across the country right along with it.
David McCuan, a Sonoma State University political scientist, says immigration and the sanctuary issue will likely find its way onto ballot measures in around half the states in 2016—a great issue for “tilting at windmills,” he says.
“Trump has unleashed but really just revisited the issue,” McCuan says about immigration, an issue that will serve to stimulate Republican turnout in 2016.
McCuan sees a future California GOP as one that focuses its efforts on hyperlocal races—school boards, planning commissions—and uses the ballot process to fan the flames of anti-immigrant sentiment. The most extreme end of the state party is the California Republican Assembly, he says, and that organization is hell-bent on rebuilding the farm team via local elections, regardless of what the state party does or doesn’t do when it comes to immigrants.

OUT OF CALIFORNIA’S PAST

So there’s a disconnect on undocumented immigration between the national party and the California GOP—and within the state party itself—but at least they agree on one thing: Benghazi. That story has trickled all the way down to local Republican committees, like so much supply-side manna from Libya.
This fall, NorCal county GOP committees flocked to see serviceman Kris Tanto Paronto, who was in Libya when four Americans were killed. His appearance was in advance of the release this month of the Michael-Bay-produced film 13 Hours, based on the book Paronto co-authored, 13 Hours: The Inside Account of What Really Happened in Benghazi. Partisans are promoting the film as the bombshell that will prove once and for all that Barack Obama let Americans die while Hillary Clinton stood there and did nothing. Meanwhile, Trump issued a very screwy video that accuses politicians of “having fun” during the catastrophe.
Benghazi is a great way to get the base worked up, but shouldn’t California Republicans be a little more concerned about Trump and his immigration plan?
A request for comment made to the chairman of the Santa Cruz Republican Party was not returned by press time. Edelweiss “Eddie” Geary, chair of the Sonoma County Republican Party, believes that maybe Trump was on to something when he said that Mexico wasn’t necessarily sending its best across the border.
“Well, Mr. Trump said they send us their criminals,” Geary says. “I don’t know if Mexico is concerned about saying goodbye to those people.”
Geary says she supports legal immigration and says the GOP is “branded unfairly as being against immigration.”
A common theme in stories about California is how the state has led the proverbial way. It led the way in gay marriage, curbing emissions and medical cannabis.
“Every Republican I know is kind of embarrassed at this point,” says second-term U.S. Rep Jared Huffman, D-San Rafael. “Most of the time they will tell you that they’ve voted for Democrats for years. Most will tell you that the party has left them.”
Huffman sees in the Trump anti-immigrant gambit a corollary from California’s not-distant past. Voters here passed the anti-immigrant Proposition 187 in 1994, which turned out to be a disaster for the state party that pushed it.
“At the national level, the GOP led by Trump and Cruz and others—it’s exactly what happened to the California GOP in 1994 with Wilson,” Huffman says, referring to former governor Pete Wilson, Republican. “He played to an ugly type of populism to win an election, and it’s cost them elections ever since. The same thing is now going on at the national level.”

Good Times staff contributed to this story.

From The Editor

Uncategorized

Steve Palopoli

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January 6, 2016

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Plus Letters To the Editor

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Film, Times & Events: Week of January 1

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GT Staff

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January 1, 2016

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Films this Week
Check out the movies playing locally
Reviews
Movie Times
Santa Cruz area movie theaters >

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For Reel: Favorite Films of 2015

Film

Lisa Jensen

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December 30, 2015

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Fact trumped fiction at the movies in 2015—at least in the majority of my favorite films. There’s often more truth than strict historical fact in anything calling itself a “true story” onscreen, but a lot of entries in my Top Ten had at least a nodding acquaintance with historical reality. Stream these for a happy New Year!
TRUMBO Bryan Cranston plays blacklisted real-life Hollywood screenwriter Dalton Trumbo with edgy, raging wit in Jay Roach’s entertaining plunge into the dark heart of anti-Communist witch-hunting in Hollywood during the 1940s and ’50s. A movie for anyone interested in backstage Hollywood stories, the craft and business of screenwriting, or the (belated) triumph of reason over fear-mongering.
SONG OF THE SEA Anyone who loves seals, ancient Celtic folklore, or mythology will be charmed by Tomm Moore’s ravishing, hand-drawn Irish animated feature, combining traditional selkie tales with a stunning visual palette, and an endearing tale of a young girl and her destiny.
COMING HOME Oceans of feeling roil beneath the surface in Zhang Yimou’s spare, resonant story whose characters will break your heart. At the end of the Chinese Cultural Revolution, a schoolteacher and her teenage daughter await the return of her husband from a labor camp, but when he arrives, his amnesiac wife no longer recognizes him. A chamber piece for three voices, full of small exquisite notes to be savored.
IRIS A fixture on the New York City design scene for more than 60 years, 93-year-old Iris Apfel proves that fashion has no expiration date. With her wry wit and easy laugh, she’s a beguiling subject for this lively doc by legendary Albert Maysles.
DIARY OF A TEENAGE GIRL A 15-year-old girl navigates the tightrope between child and adult in Marielle Heller’s adaptation of Phoebe Gloeckner’s graphic novel. It’s a fresh, poignant female coming-of-age drama set in 1976 San Francisco—a liberating, yet dangerous world of almost no taboos. Star Bel Powley makes an impressive debut.
LOVE & MERCY Paul Dano is terrific as Beach Boys founder Brian Wilson in the 1960s, at the height of his creative genius, in Bill Pohlad’s generally absorbing fiction film. John Cusack is effective as the ’80s-model Brian, and it’s all connected by a fabulous, gluttonous feast of Wilson music, from surf tunes to Smile.
INSIDE OUT In the mission control center of the brain, where five key emotions constantly jockey for position, a foul-up in the control booth temporarily disconnects an 11-year-old from her personality. A trek through the adolescent brain is needed to set things right—a journey both hilarious and moving in Pete Docter’s smart, animated Pixar movie.
THE DANISH GIRL In the 1920s, real-life Danish painter Einar Wegener was one of the first people to have sexual reassignment surgery, transitioning into a woman, Lili Elbe. Tom Hooper tells the larger story of the evolving relationship between Wegener and his wife. Nuanced performances from Eddie Redmayne and Alicia Vikander highlight this compassionate portrait of love and identity.
TESTAMENT OF YOUTH Vera Brittain’s WWI memoir inspires James Kent’s searing, heartfelt drama. Maintaining Brittain’s focus on the minutiae of women’s daily lives, and the encroachment of war that leaves no aspect of those lives unscathed, the film paints a broad canvas in delicate strokes of all that is lost in the brutality of war.
STEVE JOBS Leave it to scriptwriter Aaron Sorkin to come up with a punchy way to distill the complex story of the visionary who invented Apple computers. Sorkin’s sharp script, and the propulsive energy of Danny Boyle’s direction make for an entertaining biographical drama.
Most Egregious Misfire: Pan. Oh, please.
Guilty Pleasure: A Little Chaos. Harry Potter’s Snape (Alan Rickman, who also directs) as Louis XIV. Kate Winslet as a female landscape designer at Versailles. Plausible? Not remotely, but still loads of fun.
Comeback Kid: The Star Wars franchise. J. J. Abrams’ The Force Awakens recaptures the spirit of the 1977 original—by replicating all the original elements: desert planet, lost droid, cantina scene, Storm Troopers, space pilots, ominous father-son relations. With a few fun twists, like a female protagonist, and a chance to see our favorite characters 30-plus years on.

MINNESOTA & G JONES

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Cat Johnson

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December 30, 2015

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Win tickets to see MINNESOTA & G JONES at The Catalyst on SantaCruz.com

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Love Your Local Band: Eve of Eden

A&E
Music

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December 30, 2015

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Natural State, Eve of Eden’s forthcoming album, is a polished Americana-pop record that seems way beyond anything you’d expect from a band at the local level. In fact, leader Aliza Hava has been working on this record for a couple of years with three Grammy-winning producers (Toby Wright, Stephen George, Ron Zabrocki), a feat she managed after having released a solid solo record a decade ago, and getting to know folks in the industry ever since.

“I put the team together from relationships that I built over the years, people who’ve really enjoyed my voice, my songs, believing in what I have to offer,” Hava says.
The bulk of the record was recorded before she formed the band Eve of Eden, and the process began right after she moved to Santa Cruz (she’s originally from New York). During the process of working on this album, she decided that she didn’t want to put out another solo record.
“Being in a band is more fun than being a solo singer-songwriter,” Hava says. “I had been performing as myself for a long time. I just had this epiphany that that was only what I was doing because of circumstance, not necessarily because that’s what’s in my heart.”
The name Eve of Eden came to her while meditating. The people that she met for the group clicked perfectly, and now feel like family to her, she says. The group officially formed in July, and is preparing for the release of Natural State sometime in 2016.
“I wanted to approach this project in a way that the music would have the capacity to reach the widest possible audience, which I think is important in terms of really setting up a foundation for being able to tour and have a long career as a professional musician, which I think is every artist’s goal eventually, to just do your music and not have to have a fallback.”

INFO: 9 p.m. Saturday, Jan. 2. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994

How are you going to rock 2016?

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Matthew Cole Scott

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December 30, 2015

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I’m going to travel the world and floss every day.

Ann Stadler, Santa Cruz, Registered Nurse

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Burrell School Vineyards & Winery

Josie Cowden

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December 30, 2015

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Santa Cruz Mountains-grown Syrah, plus a weeknight revelry
Sipping on wines from Burrell School Vineyards & Winery on a warm fall night under the stars is a splendid experience, especially when you have winemaker Dave Moulton in full-throttle mode, capturing everybody’s attention with his vivid tales of producing wine for 50 years, and eliciting much laughter from the merry throng of diners. Along with Dave’s wife Anne Moulton, who has also been involved with their winery for just as many decades, an entertaining night was had by all at a winemaker’s dinner on Casa Nostra Ristorante’s cozy outdoor patio. Participants enjoyed five courses of delicious Italian food paired with five superb wines from Burrell School Vineyards. A canopy provides shelter at these regularly held dinners, and plenty of heaters keep folks warm and toasty.
Moulton’s wines are a force to be reckoned with, and the 2010 Syrah ($30)—a deep and concentrated Syrah with lush berry flavors and mineral accents—is no exception. Grapes are from the Estate Pichon Vineyard, located on the slopes of Mount Umunhum above Lexington Reservoir in the Santa Cruz Mountains, where this Syrah was ripened to perfection. All of Moulton’s wines have a “school” theme, in honor of the 1890 school house where he nurtures his estate vines and handcrafts distinctive wine. This Syrah is called “Spring Break.”
When you visit Burrell School’s tasting room, walk around the property and take in the historic red school house that appears on their labels. It’s absolutely charming.
Burrell School Vineyards, 24060 Summit Road, Los Gatos, 408-353-6290. burrellschool.com.

Wine Wednesdays

Wine Wednesdays at Seascape Beach Resort start up again for the winter/spring season on Jan. 6. Featured every week from 5:30-7 p.m. is a flight of wine from a different winery, and the $18 cost includes a delicious plate of tapas. Info: seascaperesort.com.

SCHOOLHOUSE STOCK The iconic Burrell School, which appears on the wine labels of Burrell School Winery and Vineyards, was built in 1890. PHOTO: BURRELLSCHOOL.COM

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Hanging Tens: The 8 Tens @ Eight festival

Staying Alive: UCSC students rescue Monterey musician

In the moment

Four Keys to Rescue

MARK RAMSEY’S FOUR KEYS TO SUCCESSFUL CPR:

Upcoming CPR Classes:

Here and Don: California Republicans in the era of Trump

STATE BREAKAWAY