Things To Do in Santa Cruz: June 8-14

ARTS AND MUSIC

AGENTS OF CHANGE: A COLLABORATIVE POETRY PROJECT Santa Cruz Poet Laureate David Allen Sullivan and friends will be presenting “Agents of Change: A Collaborative Poetry Project” at the Downtown Santa Cruz Public Library from June 10 to Sept. 2. The project features local poets writing about images from local artsits that relate to the idea of change. “Change can be anything,” the organizers write. “Climate change, personal change, linguistic change, change of minds, political change, spiritual change, change in the weather, spare change, menopause, the Yi Jing, etc.” On Saturday, June 18, there will be an “Agents of Change” poetry workshop from 11am-noon, and an art show and poetry reading from noon-1pm at the Downtown Library. santacruzagentsofchange.wordpress.com.

STEEL HOUSE FEATURING EDWARD SIMON, SCOTT COLLEY, BRIAN BLADE Pianist Edward Simon, acoustic bassist Scott Colley and drummer Brian Blade is jazz powerhouse Steel House. Since meeting in New York, the trio has shared stages and studios, playing many different kinds of music together. Steel House was formed as a “dedicated place for their joint musical explorations—spirited and serious, caring and care-free.” $36.75/$42; $21/students. Thursday, June 9, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

W.I.T.C.H. WITH L’ÉCLAIR WITCH (We Intend To Cause Havoc), fronted by energetic talent Jagari, is considered the dominant force behind Zamrock, a little-known musical genre born in the early ’70s in Zambia, Africa. Zamrock melds the traditional rhythmic backbone of African tribal music with psych, garage rock, blues and funk, resulting in something familiar and completely different from anything else. (Read more about WITCH). $22/$27 plus fees. Friday, June 10, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. folkyeah.com.

CHRISTIAN MCBRIDE The six-time Grammy Award-winning bassist/composer and host of NPR’s “Jazz Night in America” has recorded as a sideman on more than 300 dates. Things changed in 1995 when McBride recorded his debut as a band leader. Aside from large scale gigs with everyone from Chick Corea to George Duke, McBride has been artist-in-residence and artistic director with organizations such as Jazz House Kids, Los Angeles Philharmonic, the Jazz Museum in Harlem and Jazz Aspen. Meanwhile, the Christian McBride Big Band continues to deliver waves of creative flow—and accolades. $47.25/$52.50; $26.25/students (7pm) and $36.75/$42; $21/students (9pm). Friday, June 10. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

ALLAH-LAS WITH KOLUMBO Allah-Las singer/guitarist Miles Michaud has fond memories of ditching class with his bandmates in high school. Michaud, drummer Matthew Correia, bassist Spencer Dunham and lead guitarist Pedrum Siadatian would hit the mega L.A. record store Amoeba Music. They’d file through thousands of records, experiencing moments of rock and roll clarity, epiphanies and revelations, leading to their authentic cover of The Frantics’ 1966 instrumental “No Werewolf.” $31.50 plus fees. Friday, June 10, 8pm. Rio Theatre, 205 Soquel Ave., Santa Cruz. folkyeah.com.

‘PILATES FOR YOUR BEST SEX LIFE’ The premiere of Dax Mills’ show is part stand-up, part Pilates and sex tutorial. The introduction explains the basic concepts of Pilates, along with a discussion of the pelvic floor and orgasm. Mills and other locals model photographs of the exercises. All attendees receive an excerpt of the book for private viewing. $25. Saturday, June 11, 8pm. Broadway Playhouse, 526 Broadway Ave., Santa Cruz. da*********@***il.com.

LONG BEACH DUB ALLSTARS WITH BURNT PLUS HIJINX Sublime fans unite! Everyone in the “Reunion” iteration of LBDAS is part of the Sublime extended family: Marshall Goodman “Ras MG” on drums, Michael “Miguel” Happoldt on lead guitar/vocals, Opie Ortiz on vocals, Jack Maness on vocals/guitar/keys, Tim Wu on sax/flute/vocals and Edwin Kampwith on bass. If some of those names sound familiar, they are. The late great Sublime frontman Bradley Nowell often included them in his lyrical repertoire. $25/$30 plus fees. Saturday, June 11, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

JERRY MILLER BAND The Moby Grape frontman was a part of San Francisco’s original psych-rock sound spawned by 1960s Haight-Ashbury. They played Monterey Pop—Otis Redding followed their set. Over 50 years after the Grape’s debut album, Miller is the only original member who has consistently toured and made music since the band’s breakup. However, original Grape Don Stevenson is flying in from Canada to join Miller, guitarist Terry Hiatt and drummer Fuzzy John Oxendine on tunes like “Indifference” and “Omaha.” $20. Saturday, June 11, 8pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmainmusic.com.

COMMUNITY

EL MERCADO FARMERS MARKET The weekly farmers market aims to decrease food insecurity and improve access to health resources for Pajaro Valley families. The goal is to make shopping as easy as possible and offer healthy choices to everyone. Free. Tuesday, June 14, 2-6pm. Pinto Lake City Park, 451 Green Valley Road, Watsonville. pvhealthtrust.org/el-mercado.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, June 12, 12:30pm. 831-457-2273. womencaresantacruz.org.

OUTDOORS

DOORS OPEN CALIFORNIA AT THE CASTRO ADOBE The first-ever Doors Open California weekend will offer special tours of the interior rooms of the two-story adobe, including the famous fandango room, one of the last remaining indoor cocinas in California and the lush gardens. Learn about the adobe’s ongoing restoration and the meticulous creation of 2,400 adobe bricks. Tours also include the history of the Castro family, the vaqueros who worked the rancho and plenty of background on the Rancho period. (Read more about the Castro Adobe). $20. Saturday, June 11, 10am-4pm. 184 Old Adobe Road, Watsonville. californiapreservation.org/doca.

Why Santa Cruz is the Perfect Spot for Third Eye Blind’s Tour Warm-Up

I’m talking to Third Eye Blind frontman Stephan Jenkins by phone as he walks around the new Jean-Michel Basquiat exhibit in Manhattan’s Starrett-Lehigh Building, which features more than 200 pieces—including many never before seen by the public—from the collection of the artist’s family. He’s feeling sensations that only great art can produce. He’s shaken. He’s inspired.

“I got Basquiated,” he says. “It’s a wonderful feeling.”

With Third Eye Blind’s first acoustic album coming out June 24, I’m wondering how it took his band a quarter-century to make one, considering their multi-platinum, self-titled debut album—which featured hit singles like “Semi-Charmed Life,” “How It’s Going to Be,” “Graduate” and “Losing a Whole Year”—came out in 1997, around the height of the ’90s unplugged craze.

“I don’t know,” he says, with a bit of a chuckle, still fired up by the art around him. “But we’re gonna make another one. I just think I’m in a maker’s mindset now, you know? Basquiat, you just see this huge, huge amount of output that he did, and I think that I have to be in a rock ’n’ roll mindset, which is I don’t give a fuck what you think, this is my voice and I’m putting it out there. And that’s really how it has to be. That’s what makes rock music immediate and erotic and all the things that we like about it. Years ago, probably, I got myself somehow kicked out of that mindset, and now we’re just kind of gleefully creative.”

The upcoming Third Eye Blind Unplugged features acoustic reworkings of those four early singles, as well as subsequent hits like “Never Let You Go” and “Blinded,” as well as deeper cuts like “Palm Reader” and “God of Wine.” Though the San Francisco band became known around the world for high-energy anthems when “Semi-Charmed Life” became a Top 40 hit in six countries, that sunny sound has sometimes obscured very dark lyrics. On the new acoustic album, the songs get a more somber, contemplative treatment that often suits their lyrics better.

“I think there’s some element of just dealing with darkness in a way that somehow is soothing, like dark lullabies to myself,” says Jenkins.

He doesn’t consider either the electric or acoustic approach more authoritative. “These versions of these songs are just as valid to me as the ones that are on their original albums,” he says. “Because there is no ultimate version of the song. There’s the thing that I kind of download from the mystic, from some kind of mysticism, to what we record, and getting close to that. And you never arrive. So I think that’s what made [the Unplugged album] like, ‘Yeah, let’s do it. Let’s make it.’”

As the band prepares for its “Summer Gods: 25 Years in the Blind” national tour, Jenkins is excited to play the band’s warm-up show for the tour in Santa Cruz—which is not only his favorite place to surf, but the place to which he traces back his surfing obsession. 

“Pleasure Point was the first time I’d ever been on a wave,” he says. He was a young kid at the time, and a neighbor basically put him in a wetsuit and threw him out in the waves to fend for himself.

“I had no idea what I was doing,” he says. But whatever he did, he liked it, and it forged a deep connection with Santa Cruz, and the ocean.

“Very deep,” he says. “It goes way back. I always wanted to be a marine biologist, and actually started school in marine biology, and I worked on kelp reefs in the summers for two years, kelp reef restoration. So when I’m out there, you know, when I’m out at Steamer and floating in the swell and waiting for the sets to come—just kind of floating in the kelp and sliding on it and seeing these big fat otters that are just incredibly well fed—there’s this feeling, this moment of wellness of all things.”

He’s honoring that connection on this tour by funding carbon offsets not only for everything the band does on the road, but also for the fans driving to and from the shows. A portion of each ticket will go to help the nonprofit group SeaTrees restore the kelp ecosystem along the California coast, which has lost as much as 90% of its kelp forests in some parts of the state due to the invasive purple sea urchins.

“This little warm-up show that we’re doing at the Catalyst is going to be the launch of our initiative in restoring kelp reefs,” says Jenkins. “It goes back to when I was a little kid, it goes back to the reefs that I worked on in college. So there’s a huge through-line, and as a surfer I think it’s natural that I want to give back to this environment that is foundational to my life.”

Third Eye Blind plays the Catalyst at 8pm on Sunday, June 19. $39.50/$45. catalystclub.com.

Noise Pop Collaborates with UCSC’s Quarry Amphitheater

In the early ’60s, modernist landscape architect Robert Royston took on an ambitious project: designing what’s now the Quarry Amphitheater on the UC Santa Cruz campus. Like Red Rocks Amphitheatre in Morrison, Colorado, Royston’s approach to creating the venue centers around environmental preservation. After all, the Quarry is located in a majestic setting cuddled by a canopy of towering redwoods, and the space’s limestone provides natural acoustics far superior to most indoor concert halls.

Royston used the elements of nature, carving the venue out of the former lime quarry. The layout is unique and asymmetrical, but there isn’t a bad seat in the joint.

Since its construction, the Quarry has hosted experimental theater and Shakespeare. Students have held Bollywood tributes and political rallies; renowned cultural figures, including Angela Davis, Dolores Huerta and Cesar Chavez, have spoken, and notable musicians, from Ravi Shankar to Joan Baez, have performed. The Quarry also made an ideal spot for topless sunbathing in the ’70s.

Following an $8 million renovation that includes upgrades to the stage, electrical infrastructure and capacity expansion—the amphitheater now seats 2,700, making it Santa Cruz’s largest outdoor venue—the Quarry reopened in 2017 after lying dormant for more than a decade.

Fast forward another five years: Last April, Quarry general manager Jose Reyes-Olivias announced a collaboration between the venue and Noise Pop.

“Noise Pop’s connection to independent music and culture felt like a perfect fit to find some great artists to play here,” he said. 

Noise Pop Industries founder Kevin Arnold delivered an initial statement that resonated with the same excitement: “We’re fortunate to have forged a partnership built on a shared vision and passion for the potential of the Quarry with the UCSC community.”

In addition to founding the Noise Pop Festival and co-founding Treasure Island Musical Festival and Another Planet, the San Francisco-based Noise Pop Industries has produced hundreds of shows throughout the Bay Area and beyond. As champions of up-and-coming indie artists, the organization’s impressive resume features the Flaming Lips, Modest Mouse and early White Stripes shows.

Mexican singer-songwriter Carla Morrison kicks off the Quarry-Noise Pop alliance on June 24—she’s touring for the first time in six years. Morrison’s international following is impressive—multiple platinum records, 3.2 billion streams, stadium sellouts—but her courage in writing about her mental health struggles has proven more captivating. Especially since her music breaks through language barriers—most of Morrison’s songs are sung in Spanish—and touches listeners deeply.

Morrison’s acclaimed 2022 release El Renacimiento (The Rebirth) is just that—a return, a “rebirth,” after an extended hiatus. 

“I just felt like people were more enamored with my work than I was,” Morrison told Billboard. “Now that I think back on it, I was really depressed. But at that time, I didn’t know I was.”

El Renacimiento is a deep emotional dive. The 12 carefully crafted tracks exude love, forgiveness, mourning, anxiety, healing and hope through acoustic compositions, electronica, indie rock and straightforward pop. “Te Perdi” (“I Lost You”) is a stripped-down, heart-on-her-sleeve ballad with a gentle percussive backbeat. Morrison’s delicate alto vocals build up to a poignant eruption about letting herself let go.

Meanwhile, the Quarry-Noise Pop 2022 Summer Concert Series continues Aug. 12-13 with two nights of very different music. For 20 years, STS9 (Sound Tribe Sector 9) has branded itself as being undefinable. Eventually, the jam band community embraced the five-piece instrumental outfit for their live improvisational musical expanses that can go on—and on. STS9’s fully immersive live shows also include mind-bending light shows in sync with the music. A STS9 show might be what Ken Kesey envisioned acid tests could look like in the future. 

Carla Morrison performs Friday, June 24, 7pm. Irene Diaz opens. $44.50/$50; $34.50/students plus fees. STS9 plays Friday, Aug. 12 and Saturday, Aug. 13, 7pm. $47.50/$54.50; $77.50/premium; $37.50/students plus fees. Two nights $95; $155/premium; $77.50/students plus fees. Quarry Amphitheater at UC Santa Cruz, 1156 High St., Santa Cruz. quarry.ucsc.edu.

Letter to the Editor: Santa Cruz and Racism

I wanted to express my disappointment in the lack of information, discussions or articles regarding the national tragedy that was the domestic terrorist attack in Buffalo on May 14. I spent some time flipping back and forth between your most recent edition and the previous edition, thinking I must have been wrong. While I understand Good Times is primarily focused on local news, I wonder what our city has to say about this ongoing issue? What do our council members have to say about racism in Santa Cruz today? What are ways that white supremacy is being sustained and encouraged in our town? Or how is our town calling out and exposing racism in our county? We tout a progressive agenda often, but I have personally experienced many individuals who loudly express racist ideology and actively make certain restaurants, bars and other public spaces unsafe for minorities. These are not isolated incidents, and I firmly believe Santa Cruz needs to continue reconciling the background of white supremacy in our community. 

I want to know what our community is doing to address the growing number of domestic terrorist attacks perpetrated by white young men against minority communities. Do we have an education system that has a stance on teaching about microaggressions, antiracist history lessons and LGBTQ inclusive language? Does our local media talk about the Buffalo attack with a particular slant that depicts the perpetrator as a young/innocent/disturbed/isolated youth? Can we discuss how our white privilege is arming and encouraging white people to take violent steps with the focus on sowing fear and hate into communities? 

We have all seen plenty of social media posts about this attack, but I want to hear from our local community and journalists about what is happening in our own backyard and how we should respond to make this community safe. 

Chaney Janssen

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Letter to the Editor: Stop Anti-Semitism

Hate crimes and bigotry are on the rise in this country, sometimes leading to murder and mayhem. Most of our attention is with crimes against Blacks and Asians and other minorities such as the LGBTQ community. Often forgotten is the increase of anti-semitism in this country and the world. The Santa Cruz City Council recognized this, and passed a strong resolution in its condemnation of Jew hatred and offering its support to the local Jewish community. Resolution NS 29 is a strong commitment to my community and affirmation that hate against Jews is no less egregious than hateful acts against other minorities.  

I urge the city councils of Scotts Valley, Watsonville and Capitola as well as our Board of Supervisors to review and adopt the language of NS 29 so that the entire county can speak with one voice in support of our Jewish community.

Gil Stein

Aptos


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Opinion: All the Red Tape You Can Eat

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

Santa Cruz County has never been known for its welcoming attitude toward new types of food entrepreneurship, and over the years we’ve covered the struggles of food trucks, for instance, to cut through a flood of red tape around their right to operate.

Well, food trucks have finally broken through into a certain level of acceptance from local officials, thanks in no small part to the crusading work of Food Trucks A Go Go. But as Aiyana Moya writes about in her cover story this week, innovative underground chefs have found a lot of new ways to deliver their creations, and they’re running into many of the same roadblocks. What I particularly like about her story is that whether it’s sidewalk vending, home cooking or kitchen incubators, she found people with incredibly interesting stories who are doing it. Give it a read!

Also, a note for election watchers: because we’re going to press before the polls close, we don’t have results in this issue. However, you can find our election-night coverage and the ballot results online at goodtimes.sc.

Lastly, you’ll notice our cover has been updated this week to reflect our latest first-place win for General Excellence in the California Journalism Awards: “California’s Best Weekly—Three Years in a Row.” Thanks for reading!

STEVE PALOPOLI | EDITOR-IN-CHIEF


ONLINE COMMENTS

RE: PRIDE

I loved your article on the evolving Pride scene here in Santa Cruz. I know Eli Torres and Suki Berry as friends and neighbors. They are both exceptional artists, and I couldn’t be more proud of them both. I remember talking briefly with Eli about their idea of the “Cherry Pit,” and the group’s concerns as to how it might evolve, and the effort involved in making that happen. Well, congratulations you guys! Your work has paid off and is truly a much-needed breath of fresh air in this town!

— Dag Weiser

If the “new queer culture” includes an emphasis on alcohol consumption at an overpriced pool party, count me OUT.

—   Dish Delish

In reply to dish delish: Boo hoo, every party has a pooper. These Queens are continually doing an amazing service for this community and I love them!

— Jules


PHOTO CONTEST WINNER

LIGHTHOUSE RULES We get more photos of the Walton Lighthouse at the Santa Cruz Harbor than any other kind of submission. Most of them we don’t run, since there are so many other worthy subjects in Santa Cruz County that also deserve to be showcased. Occasionally, however, we have to make an exception—like this pic. Photograph by Tyler Oxford.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

FOOD BANK 50TH

Mark your calendars: Second Harvest Food Bank is celebrating 50 years of feeding the community, and wants you to join the celebration. On July 21, the nonprofit will host a dinner and dessert at the Santa Cruz County Fairgrounds to mark this milestone, with leaders from all over the community joining the event. The event is also in honor of Willy Elliott-McCrea, who, after 44 years of service to the Food Bank, is retiring. Buy tickets before they sell out at give.thefoodbank.org.


GOOD WORK

TOAST OF THE PARTY

Last weekend marked many Pride events, and after enjoying the celebration we wanted to congratulate the Queer Youth Leadership Awards (QYLA) program on being named—along with Assemblymember Mark Stone—the Santa Cruz Pride Committee’s Grand Marshals. QYLA has been honoring LGBTQIA+ youth for 25 years, celebrating teens who have shown leadership in their community. Since it began, QYLA has awarded 100 people, with 500 nominees, all who identify as underrepresented identities. Stay updated on all things Pride at santacruzpride.org.


QUOTE OF THE WEEK

“The only restaurants that should be worried about food trucks are bad ones.”

— Andrew Zimmern

Measure D Opponents Celebrate on Election Night

Through the evening air on the Michael’s on Main patio, the voice of Santa Cruz Transportation and Public Works Commissioner Kyle Kelley—an opponents Measure D supporter—rang out.

“We’re way in the lead!” he exclaimed, he said as the initial results of the primary election popped up on a big screen inside the restaurant. The earliest returns showed 68% percent of voters rejecting Measure D.

The trail-only backers of Measure D sought to pave the way for a greenway on the old freight corridor along the Monterey Bay, but the ballot results suggested that many locals questioned the wisdom of removing references to rail from the Santa Cruz County General Plan.

“Are you serious?” asked Sally Arnold, a No on D coordinator, when told of the numbers. “Fabulous.”

Until that moment it had been unclear which way voters were leaning.

After all, Arnold noted they’d been behind in another key aspect of the campaign.

“We’ve been outspent from the get-go,” she said. “We were always scrambling to raise the money that we needed.”

But she said there’s been an upwelling of support for rail-and-trail during the campaign.

“It’s been really encouraging,” she said. “The volunteers have been just phenomenal.”

One of those boosters was 16-year-old Santa Cruz student Luke Lindroth, who made a video to promote preserving the rail line.

“If my money’s going to ripping up the train tracks, I’m not going to be happy with that,” he said. “You’re eliminating the options for future transportation, but you’re also erasing history.”

Mark Johannessen, an attorney for TIG-M, the company that recently brought a light rail demonstration to the boardwalk, said their battery powered vehicles wouldn’t be as expensive as the ones factored into the current $500 million estimate for passenger rail on the line.

Melani Clark, CEO of Roaring Camp Railroads, a key force behind No on D advocacy, said she was humbled to see how so many people rallied to their cause.

“They’re just an amazing group of people,” she said. “It’s amazing to me how many different people have come from all corners of the county.”

And while the overwhelming support for the No on D side could rally support for restoring the link between their business interests in Watsonville and Felton, she says it will also help promote solutions to climate change by encouraging the construction of public transit.

“That to me is really more important than the railroad,” she said, adding she hopes the Regional Transportation Commission will take this as a sign residents want both a rail line and a recreational trail.

The sentiment was echoed by Mark Mesiti-Miller, co-chair of the No on D campaign.

“The Santa Cruz County voters have spoken,” he said. “The RTC needs to listen.”

Over at the pro-Measure D watch party at Shadowbrook Restaurant, David Date, a self-described internet troll and passionate trail-only supporter, looked dejected.

By that point his side was losing badly—by 6,668 votes to 15,704. But he downplayed the significance of the results.

“It doesn’t look good, but ultimately this campaign really had no teeth,” he said. “This was just a straw poll.”

He still held out hope that the people who first learned about the issue during the divisive campaign would eventually warm to the idea of a greenway.

“A ‘no’ vote on D does not fund a train,” he said.

Bud Colligan, leader of the Yes on D side, wasn’t conceding defeat just yet.

“I’ve very pleased that we ran a positive and educational campaign, and we’ll live with the results of what voters say,” he said, adding the ball is now in the court of local transportation officials. “The RTC will need to figure out what trail is fundable, feasible and doable in a reasonable period of time.”

How Santa Cruz County’s Underground Chefs Hope to Go Legit

Daniel Aguirre is a jack-of-all trades type of entrepreneur. He can sense the next big thing, and has an eye for holes in the local economic market that need to be filled. He once owned a magic store in Capitola, for a time he sold the popular ’90s Betty Spaghetty dolls and he has dabbled in the customized shirts market. He isn’t afraid to switch industries when he spots an upward trend. 

One hot midsummer day in 2014, Aguirre was selling customized t-shirts at a local softball game. After it ended, players and parents swarmed his stand, mouths dry and sweat glistening on foreheads, asking if he had any drinks or food for sale. At the time, he only had stacks of t-shirts, but their questions prompted a bigger one for him: was it time to make a move? 

Aguirre started looking into selling food. Selling from a cart seemed like the easiest, most straightforward way to do that—thanks to his carpentry skills, he figured he could make his own food cart for around $12,000, and he already had an idea for what he would sell.
“Hot dogs seemed fun, and they’re encased, so I thought it would be easier than anything with raw meat. It seemed simple,” Anguirre says. 

But the path to get started was anything but simple. 

When it comes to sidewalk vending, there’s a myriad of confusing rules and permits that make it hard—not to mention expensive—for prospective entrepreneurs to legally sell their food. Aguirre quickly realized he couldn’t afford the standard county and city permitting process, but he didn’t give up. Some friends in the restaurant industry let him use their kitchen for prep, and he was able to find a business that allows him to sell his hot dogs on private property—a loophole that he says allows him to circumvent most of the county and city permits he would otherwise need. For the permits he did need, he had some start-up funds. 

That’s how Aguirre fast-tracked his way to owning his own food cart, and became the proud owner of Happy Dog Hot Dog

Not everyone, of course, has the connections or the resources to bypass the roadblocks that Aguirre encountered, and a growing number of legislative measures are trying to make it quicker and easier for new food vendors to go legit outside of the traditional restaurant model. 

Cesar Ruiz, facility manager at the incubator kitchen in Watsonville, helps new business owners—primarily low-income and immigrant workers—get their permits.

In the pandemic, nearly a third of restaurants throughout California were forced to shutter. Rent in Santa Cruz for retail has skyrocketed, making it even harder for people who want to make and sell food to pursue the traditional storefront trajectory. That’s created a huge new influx of food trucks and sidewalk vendors like Aguirre.

At the same time, illegal food sales are thriving. With restaurants shuttered during the start of the pandemic, Facebook and Instagram became a vessel for people who wanted to sell homemade food, according to research done by the COOK Alliance. Under-the-table sidewalk vending has always existed, but even with bills in recent years that have aimed to make it easier for people to sell legally, there continue to be hurdles that are unrealistic for lower-income vendors to overcome. 

Everyone I spoke with who sells, or once sold, food illegally would rather operate a legitimate business. There are currently two bills being discussed at county and state legislative levels to help them do that—one that would streamline the permitting process for sidewalk vendors, and another that would create a permitting process for home cooking. But will these bills actually help, and why are they so hard to pass?    

Well-Intended, Poorly Executed 

In 2018, Gov. Jerry Brown signed into law a bill that decriminalized sidewalk vending and that activists hoped would make it easier for food vendors to sell food legally. Even though the bill prohibited cities and counties from banning sidewalk vendors, it did give local leaders a lot of authority over how to regulate them. Street-food sellers, taco fans and activists alike were excited about the bill’s potential to reshape the illegal market. 

But four years later, many say the bill didn’t deliver on its promise.

Critics of the bill say that it was made with food trucks in mind. There are requirements that make it nearly impossible for sidewalk cart vendors to get a health code permit, writes Estefanía López Pérez in an email to GT. Perez is the Senior Policy Associate at Inclusive Action for the City, a nonprofit that advocates for marginalized communities and small businesses. She is also a proponent of Senate Bill 972, which aims to eliminate some of the requirements that small carts have a hard time complying with: things like requiring street carts to have four sink compartments and multiple water tanks for washing cookware and hands. 

“One of the toughest regulations was that they wanted me to have a three-bay sink built onto the unit onto my cart,” Aguirre says. “But then they said you can get a commissary and do everything there at the commissary. And that was a whole other challenge.” 

Current legislation requires food vendors to contract with a commissary, or a restaurant, who will give vendors access to their facilities. This is because restaurants are up to health code, and vendors need a health code approved kitchen space when cleaning and prepping food. 

“It’s a weird obligation, because these restaurants can see us [street food vendors] as competitors.” says Aguirre. He says when he was new to the food cart business, he had asked a fellow vendor what commissary they used. “I’d rather not say” was the response, and Aguirre got the sense that no other information would be forthcoming.

“He probably didn’t want any competition,” Aguirre says. “I get it. I got lucky, I have a lot of friends in the restaurant business, so I use [one of] my friend’s facilities.” 

The new bill would provide an alternative to using commissary kitchens, too. It provides a pathway for vendors to prep food—things like slicing fruit or vegetables—on site, which is currently prohibited. It also would tweak the bill that permits home cooking, to allow sidewalk vendors the option to also use home kitchens. 

“Cooking at home would be huge,” Aguirre says. “It would make such a difference. All I use the commissary for is prepping my onions and washing pans. And when was the last time you got sick from cooking at home? It would just make it so much easier for people to start their businesses, rather than trying to go to a competitor who might not want you in his town. ”

No Place Like Home  

When Teresa Olson got Covid-19 in 2021, her health was hit hard. She was hospitalized, and she even had to write her will—which, at 62, she had hoped to have a few more years before confronting. 

Months later, she’s one of the unlucky and uncounted people who has long Covid. 

“I still get fatigued very easily, and the brain fog, I lose my balance easily,” Olson says. After getting her booster shot, the brain fog and balance issues seemed to lessen, but the fatigue never really disappeared. 

For these and other health-related reasons, Olson says a regular 9-to-5 job is impossible for her. 

“On my feet, or being on all day, it just doesn’t match my health needs,” says Olson. “I feel much more comfortable in my own home, being my own boss, doing what I love to do.” 

Her great love, she tells me, is cooking. Her home is cluttered with cookbooks: in her spare time, she will rummage through them, or scroll online looking for new ways to cook classic recipes. She doesn’t have one type of cuisine that she prefers; instead, she likes the challenge of cooking new things and experimenting with spices and flavors. 

One day, Olson’s friend asked her to make dinner after a surgery. Because of the nature of the surgery, Teresa’s friend had dietary restrictions that had to be adhered to, so Olson had to get creative: most of the spices had to be replaced with milder seasonings, so Olson spent all day tweaking her recipe to try and make a bland meal colorful. At dinner, her friend was impressed. You should sell this, Olson’s friend said.  

This time, Olson didn’t brush off the idea like she had before. Maybe, she thought, this could fill the widening gap between her income and expenses. 

That’s when Olson stumbled upon the micro-enterprise home kitchens (MEHKO) movement, which allows people around California to sell home-cooked meals.   

Assembly Bill 626 authorizes the sale of home-cooked meals, and provides a permitting system for such businesses. It was signed into law in California in 2018, and went into effect in 2019. But you might not have heard of it, because individual counties can choose whether or not to opt in—Santa Cruz County has chosen not to, for now. 

Importantly, this bill is different from the Cottage Food Operation legislation, in that the food that people can prepare and sell isn’t restricted to the specific items listed in the Cottage Food bill. There’s a list of requirements and training that people wishing to sell from their home must adhere to, in addition to being permitted by local health departments, but after meeting those, participants can sell and serve home-cooked meals. 

“The pandemic shined an incredible spotlight upon this home cooking movement,” says Roya Bagheri, Executive Director of the COOK Alliance, the organization that authored the home cooking bill. Bagheri says MEHKO served as a saving grace for food-service workers who were laid off, as well as former restaurant owners and people in the food industry who needed to work from home. 

Since 2019, nine counties have opted in to the homecooking bill. Santa Clara County and San Mateo County have both recently approved the bill for their residents. According to data collected from Riverside, the first county to opt into using MEHKOs, 85% of the people who use MEHKOs are women, 30% are first-generation immigrants, 48% are minorities and 35% make household incomes of less than $45,000 per year. 

“[The COOK Alliance] estimates that thousands of Californians already sell food from home and informally because of the high barriers to entry in the commercial food industry,” says Bagheri. “By creating a permitting system, providing education and helpful safety guidelines for those that otherwise have no formal training, getting the health permit to get inspected, it makes things actually a lot safer for communities.” 

Olson, along with the help of Bagheri and other local organizers, is making a push to bring MEHKOs to Santa Cruz County. But the County is skeptical that the health department will be able to adequately perform inspections that ensure the home kitchens are safe and sanitary.  
“We aren’t a no, or completely closed off,” says Kieran Kelly, the Deputy Chief of Staff for Santa Cruz County Supervisor Zach Friend. “Once we give the county’s stamp of approval that it’s safe, we need to be confident that it is. It’s one thing when someone knowingly takes the risk of eating at an underground place, but once the county gives the inspection licensing, it’s on us.” 

This is one of the reasons why proponents of MEHKOs are hesitant about SB 972, the bill that proposes to fold in sidewalk vendors to the types of food businesses that can use home kitchens. There’s a belief, MEHKOs advocates say, that adding another group of businesses will make some counties even more hesitant to opt in to AB 626. 

Across the state, in counties that have implemented MEHKOs, there have been no food-safety-related complaints. Still, Marilyn C. Underwood, Director of Environmental Health for the county, writes that even in commercial kitchens, keeping food at the proper temperature can be problematic, and that in good conscience she can’t support MEHKOs. She writes that the El Pajaro CDC Commercial Kitchen Incubator, the shared kitchen in Watsonville, serves as an alternative to home-kitchens, and that people can look there if they’re interested in incubating their business. 

A Solution—For Some

Without the El Pajaro CDC Commercial Kitchen Incubator, Ever Deras would likely never have had a legal business. 

In 2015, Deras, who was at the time working as a manager at McDonalds, was told his son had been diagnosed with cancer. Because of trips to Stanford hospital, it was hard for Deras to hold down a traditional job, so he fell back on something more flexible: selling pupusas to friends and families. 

At the time, he and his wife would spend hours preparing pupusas, then load up their truck and sell them at local soccer games. He used his mother’s recipe, which she used to make pupusas with him at his home in El Salvador. 

Deras had thought about going legitimate, but didn’t have the money to do it. That was until his older brother came to him with a proposal. 

“He had saved money for 20 years,” Deras says. “And he saw our situation. So he said, ‘Let’s use this money to open a business.’”

That was the start of Dos Hermanos Pupuseria

Like Oslon and Aguirre, Deras now faced permitting hurdles from the cities of Santa Cruz and Watsonville, and the county’s health department. Both cities have different requirements for food trucks and require separate permits. For the health department, he had to get a background check, be fingerprinted and buy National Sanitation Foundation approved pots and pans, all of which are costly. Including the food truck, he spent around $80,000 to get the business off the ground. 

The biggest hurdle was finding a commissary kitchen. That’s when Deras found out about the incubator kitchen in Watsonville. 

Cesario Ruiz, who is the Facility Manager at the incubator kitchen, hears a lot of stories like this. His job is to help new business owners, primarily low-income and immigrant workers, understand and complete their permits. Currently, the kitchen has 33 different businesses using the facilities, and three more in the pipeline. A majority of people using the kitchen say they would be unable to get clearance from the health department without access to the incubator. 

“[The permitting process] is so complicated,” says Ruiz. “Do you know the amount of regulations that exist, even [for] pickling? It’s ridiculous. It’s so extensive … they make it almost impossible for small companies to start somewhere. These regulations are designed for large companies, managing millions of dollars of sales a year. Well, not everybody has that amount of money.” 

Ruiz thinks the solution is more specialized regulation, intended for smaller scale operations. He sees the new sidewalk vending and home cooking bills as steps in that direction. The incubator kitchen is an amazing operation for people, but it isn’t big enough to serve the whole county. That’s partly why Ruiz thinks that everyone in the industry should support easing the regulations to permitting—even if that means expanding the ways that food is cooked and sold.  

“There is a phrase in Spanish: el sol salud para todos,” says Ruiz. “You know, the sun comes out every morning for everybody. There is opportunity for everybody.”  

What We’re Learning from New Underwater Tech

Each year on June 8, people across the globe recognize World Oceans Day. Oceans cover most of the Earth, but ever since our prehistoric ancestors flopped onto land 375 million years ago, we’ve been a little out of touch—the vast majority of the sea remains unexplored. 

It’s hard to protect something you know little about, and as we rapidly transform environments around us, we risk losing marine life that we haven’t even discovered yet. 

The primary method for ocean exploration used to be trawling. But dragging big nets through the freezing, pitch black, high-pressure deep sea from aboard a tossing ship can only answer so many questions. At the Monterey Bay Aquarium Research Institute (MBARI), autonomous underwater vehicles (AUVs) that drift through the open ocean provide a more advanced solution. 

Now, these robots can filter DNA out of seawater to help scientists learn which species live where.

Good Genes

As any living thing goes about its daily business, it leaves evidence of its presence. Shed skin cells, hair, saliva, excrement—it all contains DNA. Scientists collect soil and water samples and use this evidence—called environmental DNA or eDNA—to learn more about the communities in different habitats.

“We’re using eDNA to understand more about a wide range of species—everything from small bacteria all the way up the food chain to blue whales,” says Kobun Truelove, a senior research technician at MBARI and lead author of a recent study about eDNA-collecting AUVs. 

Researchers can look for specific types of DNA in water samples to focus on endangered species, commercial fisheries interests or invasive species. They can also do a sort of roll call to evaluate the biodiversity in an area.

This is what the MBARI team and collaborators recently did using a technique called metabarcoding. In metabarcoding, researchers look at short regions of genetic code called DNA barcodes that are unique to different species. These barcodes can be matched to species in an online database.

The process is often compared to collecting fingerprints at a crime scene. 

“But instead of a forensic database that looks for potential suspects, this database would be full of different species that are living in the ocean,” says Truelove.

Comparing what lives in different areas or in the same space over time can help researchers visualize the health of ocean environments. 

“We have never before been able to look at life in the sea in the detail that eDNA allows us to,” says Francisco Chavez, a senior scientist at MBARI whose lab contributed to the work. 

Making a Splash

The process only requires around a quart of water. Previously, scientists had to lower bottles from research ships to collect samples. Once on board the boat, the water passes through tiny filters that trap the DNA for extraction and sequencing in a lab.

MBARI scientists and collaborators automated the process of filtering and storing DNA and created a “laboratory in a can” that fits on the AUV. 

Equipping robots to collect and process eDNA at sea makes it possible to explore new locations in great detail. 

“These autonomous underwater vehicles can be a lot more agile than a large research vessel,” says Truelove. 

The AUVs can get to areas that would be hard to access by ship, and they can stay for longer periods of time. 

“We can set them to drift in particular currents in the Monterey Bay and continuously sample in that current,” says Truelove.

Among other things, the technology will help researchers understand how underwater communities shift over time in response to climate change.

“Having more of these autonomous vehicles out continuously monitoring will give us a much better idea of how things are changing,” says Truelove. 

In their recent paper, Truelove, Chavez and collaborators showed that AUVs collect samples that are similar in quality to those collected manually in bottles.

The scientists sampled water from different sites around northern Monterey Bay using both methods and compared the results. 

They used metabarcoding to identify different types of bacteria, “and then we just moved our way up the food chain,” says Truelove. From microbes to mammals, the results were consistent enough to inspire confidence in the unmanned system.

“It’s like checking a box … this is a tool that we can use and depend on,” says Ryan Kelly, an associate professor in the school of Marine and Environmental Affairs at the University of Washington.

Kelly was not involved in the project, but he expects it to have an impact on his eDNA work. 

“We have a project that we’ve just started—funded by the US Navy—who’s interested in knowing where marine mammals are so they can avoid hurting them,” he says. Autonomously collected eDNA could help reveal the locations of some of the more elusive species. 

Tiny Labs

The long-term goal is to have several of these AUVs roaming the oceans collecting eDNA. But right now, “they’re kind of still like a Model A Ford or something like that in terms of how much care it takes,” says Chavez. 

Researchers are still figuring out the best methods when it comes to how much water to collect, what filters to use, etc. And to combine and operate automated eDNA sampling and AUVs together “takes a little fleet of people,” says Chavez. 

“That’s a challenge,” he says. “How do you get them out and mass produce them and make them where anybody can use them?”

Another ambitious goal is to automate the entire process. With the current technology, AUVs collect and store eDNA, but they don’t sequence or analyze it.

“The next steps are essentially to take everything that’s inside a small molecular lab and pack it into this small autonomous vehicle,” says Truelove. “We’re currently collaborating with researchers at Johns Hopkins University to basically create a small lab on a chip.”

Each eDNA sample will have its own chip.

“On top of that, we need to have a miniature DNA sequencer on board and also the computing power to be able to make sense out of the DNA sequence data,” Truelove continues.

The team hopes to have it all completed in the next couple of years. The ability to analyze the eDNA live from the ocean will further revolutionize exploration of the deep.

“The robots can be sentinels and tell us where things are interesting, and we could go there with other power,” says Chavez. 

“I think it’s too soon to know all of the different uses that are going to come out of it, and that’s one of the reasons it’s exciting,” says Kelly. “It feels like a new way of seeing the living world around us, and that’s a good reason to get out of bed every morning.”

Truelove agrees: “It opens the door up to a lot of possibilities for things that we haven’t even considered yet.”

After 70 Years, Watsonville’s Taylor’s Office City Will Close its Doors

A little more than seven decades ago, as the nation recovered from World War II and Main Street America flourished, Taylor’s Office City opened its doors in Watsonville and henceforth became the city’s preferred destination for all manner of office supplies.

On June 30, the store that has become a nucleus in the Main Street corridor will close its doors.

It is not yet clear what will become of the building at 440 Main St., which the Taylor family still owns. 

But the company, which opened in 1949, will become part of Palace Business Solutions, and will continue to serve their customers, says co-owner Scott Taylor, who will now be a senior account manager for that company.

“I’m going to keep calling on all my accounts that I’ve been calling on for 50-plus years,” he says. 

These include California Giant, Reiter Affiliated, Encompass Community Services, Driscoll’s, Graniterock and S. Martinelli & Co., just to name a few—which will not see an interruption in the services they are used to, Scott Taylor says.

“They are special people to us,” he says.

His brother, co-owner Steve Taylor, who also owns a ranch in Gilroy, plans to retire and spend his time working the land.

The fact that he is “retiring” to an endeavor that presumably requires far more physical labor will come as no surprise to anyone familiar with the family’s work ethic. Their parents did not let them sit around idly as boys, instead signing work permits that allowed them to work picking berries at a young age.

“Scott and I have been working since we were 12,” he says. “I’m going to be 70 in June, and I am just done working. It’s been a wonderful way to make a living, but I am at a point where I’m saying, ‘forget it.’”

Steve Taylor says the merger will allow the company to offer a wider range of supplies available with Palace, and to leverage the company’s easier online ordering system.

“I am really excited about moving my accounts to Palace,” he says. “We can help them grow and they can help us grow.”

Late last year, Palace announced its final brick-and-mortar location in Capitola was closing–while keeping the Business Solutions portion of the business going, which is an online ordering and delivery system. 

Charles Maier, who also owns the Crow’s Nest, Gildas on the Wharf and Santa Cruz Diner, stepped in to purchase the retail arm of Palace.

The Business Solutions portion will now expand, thanks to the merger.

“We’re thrilled to be able to work with them and their customer base,” says Palace Business Solutions President and CFO Lori Scott. “We’re really honored to work with them.”

Zarko Radich, who owns Jack’s Cigars next door, said he has been neighbors with the Taylors’ business for four decades.

“You can have a brother living on the other side of the planet, but your neighbor is right next door, and that’s so important,” he said.

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Opinion: All the Red Tape You Can Eat

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Measure D Opponents Celebrate on Election Night

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How Santa Cruz County’s Underground Chefs Hope to Go Legit

From sidewalk vendors to home cookers to kitchen incubators, a culinary revolution is coming together

What We’re Learning from New Underwater Tech

World Oceans Day reminds us how much more there is to explore

After 70 Years, Watsonville’s Taylor’s Office City Will Close its Doors

The longtime Main Street business will become part of Palace Business Solutions
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