County’s Search For Independent Sheriff’s Inspector Begins

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Santa Cruz County will send out a request for proposals (RFP) for an Office of the Inspector General (OIG) that would have independent oversight of the Sheriff’s Office, the Board of Supervisors unanimously voted Tuesday.

Assembly Bill 1185, a state law passed in 2020, allows counties to create an inspector general to act as an independent, neutral third party to review operations of sheriff’s offices, including evidence, policies, procedures and documents. It also allows for reviews of county jail systems.

The law also allows the IG to have subpoena power in investigations involving use of force, critical incidents, and citizen complaints.

The RFP comes after four community meetings held countywide in August and September and attended by roughly 87 people to gather input on what the public wants to see in the OIG program.

Deputy County Administrative Officer Melodye Serino said that, in considering a local model, the County reviewed similar programs in 52 different jurisdictions.

County officials say that creating an independent inspector will foster public confidence in its law enforcement departments, as well as promote transparency in their day-to-day operations.

The OIG would have a wide range of duties, including the ability to audit internal affairs investigations, look into complaints and officer-involved shootings and in-custody deaths. The office would also have subpoena power. 

It is not yet clear what the office will look like when established. The Supervisors will later determine whether it would be a single person or a contracted company.

Many of the speakers who addressed the Board called for it to include citizen’s oversight.

“I strongly believe that for sheriff oversight we should have a civilian board to work with the independent inspector general to increase transparency, trust and accountability,” said Rev. Beverly Brook of Peace United Church of Christ.

Some members of the public have called for a hybrid model, although the Supervisors seemed to reject calls from the public of forming the OIG as a citizen panel.

“I think it’s unquestionable that a civilian oversight board would be susceptible to a significant amount of bias, in particular the bias of those that would be doing the appointing,” Supervisor Zach Friend said. 

Supervisor Ryan Coonerty agreed, pointing out that an entity selected by the Board of Supervisors and the Sheriff’s Office—both publicly elected—means the office would be subject to greater public accountability.

But any discussion of how the OIG will be run was premature, said County Counsel Jason Heath, who pointed out that those details can be hammered out once the Inspector is chosen.

“You’re just approving an RFP,” Heath said. “You’re not approving the language of an ordinance.”

As written, the plan calls for 1% of the Sheriff’s budget—roughly $100,000—to fund the OIG.

Rio Del Mar Walkway Battle Continues

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A Santa Cruz County Superior Court Judge ruled on Oct. 8 that a group of Rio Del Mar property owners can put up temporary fencing blocking public access to a 37-foot-wide, 786-foot-long beachside walkway that runs along their properties.

County officials plan to appeal the ruling to the 6th District Court of Appeal. 

Immediately after the ruling by Judge Timothy Volkman—which he tentatively made in June—the California Coastal Commission told the owners that, despite the verdict, the walkway must remain open under state law.

The walkway in question lies on the seaward side of a strip of homes from 202-300 Beach Drive.

The property owners—part of the Rio del Mar Beach Island Homeowners’ Association—say the walkway is their property.

The situation came to a boil in 2018 when the County removed a fence that blocked public access on one end of the walkway and a brick wall that partially blocked the other. That move followed months of back-and-forth with the County. That included threats of financial penalties.

Since then, the residents say that numerous people per day run, skateboard and bike along the walkway, which runs directly behind their residences. One resident says beachgoers used his patio for a bonfire, says Patrick Richard, an attorney representing the homeowners.

Many people peer into the windows of the residences, the ruling states, leaving residents to worry over their privacy and safety.

“The patio areas are rendered useless, as one cannot safely stand, nor sit in that area, with the presence of cyclists moving through,” it says.

Santa Cruz County spokesman Jason Hoppin says the issue is public access to the beachside walkway.

“These are a small number of wealthy homeowners along Beach Drive who don’t represent the rest of the community or even the rest of the homeowners there,” Hoppin says. “We will continue to fight for the public’s right to access the coast, including the disabled community and all users of this space.”

County Parks Friends Executive Director Mariah Roberts says that while blocking the walkway would not hinder access to the beach, it would impact people with disabilities.

People who use wheelchairs, she says, would be forced to use the narrow sidewalk on the street side of the homes.

“When you use a wheelchair, you already don’t have access to the sand,” she says. “When we talk about access, we talk about the ability to visit the beach and benefit from the views, the beauty, the places that the public owns.”

If the ruling stands, Roberts says, it could set a precedent that could impact access countywide.

Richard has a different take, saying that historically the strip of land has belonged to the residents.

According to Volkman’s ruling, County officials in 1958 said the County did not possess the title to the walkway and that it should be “abandoned.”

Moreover, property owners have used the area for private purposes since 1968, and the County has not spent any money to maintain the walkway since 1928.

In 2004, the County Assessor said the residents have been paying property taxes based on the area that includes the walkway and, as such, have “implied ownership,” the ruling states. 

“I think the judge saw what anyone who looks at the whole arc of evidence sees, which is ‘wow, what an abuse of power,’” Richard says.

One resident who has owned one of the units since 1985—and who asked not to be named—says that County officials and the Coastal Commission forced her to tear out a patio her husband built that partly blocked the walkway and threatened her with $5,000 per day fines if she did not.

She now worries about safety, with bicyclists speeding by, although those are not the worst things she sees.

“We’ve had cars and motorcycles go up and down here; I’m not kidding you,” she says. 

She says others walking their dogs don’t bother to clean up after them.

Still, she says that most passers-by are amicable, and she doesn’t want more barriers to be built.

“I don’t think they can, I don’t think they will, and I don’t think they should,” she says.

Women on Waves Adds Second Day

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This year’s Women on Waves, taking place in Capitola this weekend on Saturday, Oct. 22 and Sunday, Oct. 23, marks the first time in the contest’s 26-year history that the event is taking place over two days rather than one. 

The change came about primarily because of popular demand; however, it was also partially in response to last year’s controversy over a “backwash heat.” A midday high-tide of over five feet had women competing to catch “waves” created by the water hitting the cliffs and wall, heading back out to sea. While contestants met the unusual challenge with good spirits, it wasn’t ideal. “There could be amazing waves during high tide,” co-organizer Marisol Godinez says, “but you never know. Above all, we wanted to be able to have more participants.”

This year, there are also high tides to contend with, but the contest being spread out over the full weekend, plus the promise of more swell, means greater opportunities for participants to surf good waves. The contest’s spirit of equity and inclusion is also high: raffle boards include contributions from two surfboard makers from communities that would have been marginalized by traditional surf industry and media: BIPOC and LGBTQ+, respectively. 

A longboard is up for the raffle from longtime WOW organizer Godinez, who now brings her design skills to fledgling local women’s surfboard brand Sol y Mar (Marisol spelled backwards, as well as “Sun and Sea” in her native Spanish). And Mando, a nonbinary shaper from Monterey, shaped a twin-fin fish to contribute to the raffle. Both Sol y Mar and Mando will have booth presences at Women on Waves, along with many other local artists and vendors such as swim and surfwear by co-organizer Aylana Zanville and art by Danyelle Carpenter of BabelRose.

Other new updates include the training and participation of more female judges, co-organizer Godinez says: “We’re trying to accomplish this because this is an event that’s been going on for so many years. We have to train new generations to take over since it should be happening for many years to come.”

This year’s theme, also new, is Sea Happiness, meant to raise awareness of the mental health benefits the ocean brings. The contest’s beneficiary is always connected to the theme,  and co-organizers Godinez, Zanville, and Corey Grace selected the organization Sea Hugger this year, an organization that protects and heals the ocean from plastic pollution “through action and education to drive systemic change that addresses the root cause of the issue,” per the organization’s mission statement. A healthy ocean means a future where people can continue to reap its health benefits in turn. To go along further with the Sea Happiness theme, a water meditation session led by therapist Jody Priestly-Wilfong will cap off the weekend of community, competition, celebration, and support.

“We found a theme to focus on this year that would integrate the therapy part of the water and the ocean,” Godinez says, “how it brings us joy, and to have this therapy meditation session to share with the participants is really cool.”

Women of Waves happens Saturday, Oct. 22 and Sunday, Oct. 23 at 9am. Capitola Beach. $40-85. womenonwavessurfcontest.com.

Ceremony Rings in New Watsonville Community Hospital Ownership

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Watsonville Community Hospital has been up and running under its new leadership–the Pajaro Valley Healthcare District (PVHD)–since Sept. 1.

It has been business as usual since then.

On Monday, however, a group of state and local elected officials, the PVHD board and a sizable contingent of nurses and doctors gathered in the hospital’s parking lot for a ribbon-cutting ceremony to ring in the new era of South County health care.

And to be sure, getting from looming bankruptcy and possible closure one year ago to new ownership and leadership was an accomplishment worthy of ceremony, said Board Secretary Jasmine Nájera.

“To see everyone be able to come together and work together across different sectors, across different communities, to see folks come together to support saving the hospital has been incredibly refreshing, and it gives me a ton of optimism and hope for our ability moving forward to ensure that we do have the right services in our Pajaro Valley for the community,” she said.

The story that brought the crowd together Monday began in 1998 when an out-of-town corporation called Community Health Systems (CHS) bought it. That company created a spinoff called Quorum Health Corporation in 2016, which sold the hospital to Los Angeles-based Halsen Healthcare in 2019. 

Halsen’s reign ended when the hospital’s Board of Directors ousted Halsen after the company could not pay its bills.

Pajaro Valley Healthcare District Project (PVHDP) was formed to purchase the hospital after its leadership announced it was facing imminent closure.

When the hospital announced it was facing imminent closure unless a buyer stepped forward, PVHDP did just that, having been formed in October 2021 for that very purpose.

But that required forming a healthcare district, a process that takes state intervention and legislators’ approval in both the Assembly and Senate. 

That came from Sen. John Laird, who authored Senate Bill 418, which made its way through the byzantine legislative process in three weeks when most bills can take seven months or more.

He says he turned down offers to honor him for that work, which he said sometimes took daily talks.

“I said, ‘all I want is to be able to come to this ceremony when we celebrate it,’” he said.

He added that he did the work despite knowing it would be difficult.

“I knew from the beginning we wanted to save this hospital,” he said. “It was just that desire and that knowledge that we just had to save it; that failure was not an option.”

Assemblyman Robert Rivas, who authored the bill with Laird, said saving the hospital has been a “monumental effort” at the local, state and regional levels.

“And this is something of which we all must be extraordinarily proud,” he said. 

Strike Ends as Union and City of Santa Cruz Reach Agreement

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Two days after a historic strike shut many services in the City of Santa Cruz, causing trash and recycling to begin piling up, Service Employees International Union Local 521 has reached a tentative agreement with the City.

Under the agreement, employees will get a 12% raise over three years and an $1,800 payment, as well as pay increases that bring many positions closer to market rate.

It also includes a “furlough moratorium” for that three-year duration, the union says, referring to the 10% furlough members agreed to in 2008 and 2020.

A majority of union members rejected a previous offer by the City of a 12% increase and a $1,100 payment. 

“We strongly believe this settlement will begin to address our demands of bringing city positions up to meet market comparison, with additional commitments by the City to continue meeting to bring other classifications up to parity,” Chapter President Ken Bare said. “The support from our community was incredible, Santa Cruz City workers were strong and resilient, and their sacrifice to strike was historic. We will finally get the respect and dignity we fought for and deserve.” 

Santa Cruz City Manager Matt Huffaker did not immediately respond to a request for comment late Wednesday.

Suspect Arrested for Watsonville Church Fire

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Police have arrested a man suspected of starting a fire in St. Patrick’s Catholic Parish in Watsonville that caused $100,000 in damage.

Alberto Melgoza, 36, is also suspected of setting a fire at Ave Maria Memorial Chapel in June, Watsonville Police Department spokeswoman Michelle Pulido said.

Melgoza was arrested at about 9:30am near Center Street, about 12 hours after the fire broke out at the church, Pulido said.

Fire crews and several nearby fire agencies responded to the church shortly after 10pm on Monday. 

Video surveillance footage helped investigators identify and arrest Melgoza.

He was booked into the Santa Cruz County Jail on felony arson charges, including vandalizing a place of worship. He was being held Tuesday without bail, jail records showed.

Deacon David Ford, Vice Chancellor of the Diocese of Monterey, said that Sunday mass would be held in the gymnasium of Moreland Notre Dame School across the street.

Church member Monica Fernandez said the news of the fire saddened her, mainly when she saw the damage for herself.

“I had to explain to my 8- and 9-year-old boys that there was a fire inside the Parish, and we would not be able to attend mass for some time,” she said. “In our heart, we hoped that the parish would be up and running again. My 8-year-old is enrolled in the second year catechism. News like this is devastating to children and adults of the community.”

Pastor Jason Simas said on the church’s social media page that the fire occurred in the section of the wall between the piano and the organ. 

The blaze damaged two stations of the cross, one stained glass window, the organ console and potentially the digital piano.

Additionally, there was water damage from efforts to quell the flames, requiring a restoration company to remove the carpet.

A leaking sprinkler will also have to be repaired, as will a hole in the roof made by firefighters to get water into the blaze.

Simas predicts it will be at least two weeks before services can be held, with a complete restoration possibly taking months.

Daily services will be held in the Serra Center, and weekend services will be held in the gym, Simas said.

Things to Do in Santa Cruz: Oct. 19-25

ARTS AND MUSIC

TIM SNIDER & WOLFGANG TIMBER WITH ANDREW DUHON When Tim Snider was 3 years old, his life forever changed after watching Itzhak Perlman perform on Sesame Street. The classically trained violinist is educated in jazz, flamenco, salsa and Afro-Cuban rhythms, plays a mean guitar and picked up songwriting chops from Ben Harper. Snider has sat in with everyone from Steel Pulse to Robert Randolph, but during the pandemic, he started his own thing: Tim Snider & Wolfgang unleashes a cornucopia of jazz, rock and world music. The outfit’s full-length debut Let Go, Jump in the River jams with an unpredictability that latches on to you and doesn’t let go. $18/$23 plus fees. Wednesday, Oct. 19, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

JUDY COLLINS The songstress’ 55th album Spellbound may be the most introspective and impressionistic work of Judy Collins’ career. The Grammy Award-winning folk musician’s 2022 record marks her first of all original tunes—12 recently penned contemporary folk songs plus a bonus track, “The Blizzard.” The record unfolds as if it was a curated museum exhibit of Collins’ life—check out “When I Was a Girl in Colorado” and “Grand Canyon.” The legendary musician unapologetically exposes herself, revealing some of the most intimate details of her 83 years on this planet. $35/$50 plus fees. Thursday, Oct. 20, 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

KANEKOA “Why haven’t I come across this group sooner?” That’s a typical response after learning about the “ukulele-powered Hawaiian jam band” that’s been at it for 25 years for the first time. They’re currently on the cover of Ukulele Magazine, and the band is playing the Kennedy Center in March 2023. Vince Esquire, the lead ukulele player, is arguably one of the best in the world and was a close friend of Gregg Allman. Grammy Award-winning producer and Los Lobos multi-instrumentalist Steve Berlin produced the outfit’s 2021 release Songs from the Great Disruption, which features a slew of special guests, including G Love, Jake Shimabukuro and John Cruz. They’re heading back to the studio with Berlin for a new album and putting together a 2023 tour with Bill Nershi (The String Cheese Incident). $25/$30 plus fees. Wednesday, Oct. 19, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com.

DEAD TONGUES WITH JOE KAPLOW When Ryan Gustafson finished recording Transmigration Blues, his fourth under the Dead Tongues moniker, in 2019, he slumped into a depression. For two decades, Gustafson had made many albums with various bands, but this one left him momentarily empty. He couldn’t write songs, concentrate or summon any enthusiasm. “The deeper wells of my being had run dry,” he recalls how he felt when he returned to his mountain cabin, deep in a North Carolina holler. “There was just this big, open space.” $15. Friday, Oct. 21, 8pm. The Crepe Place ,1134 Soquel Ave., Santa Cruz. thecrepeplace.com.

‘BIKINI WEREWOLF MASSACRE: THE MUSICAL’ “At Blood Cove High, you’re either popular, or you’re dogmeat.” It sounds like a tagline direct from the campy arsenal of Troma, home to Surf Nazis Must Die and several like-minded cult classics that are enjoyably ridiculous. Bikini Werewolf Massacre is set in the aptly named beach town Blood Cove and centers around high school hooligans Lillian and Cal, who are all that stand between a blood-thirsty pack of werewolves and their classmates. The horror musical comedy is full of gratuitous gore, but it’s all in good fun. Warning: Some seats are located in the “splatter zone.” $25-125 plus fees. Friday, Oct. 21 and Saturday, Oct. 22, 7:15pm. The 418 Project, 155 S. River St., Santa Cruz. the418project.org.

TOKIMONSTA WITH CAKES DA KILLA AND BAD TUNER In 2019, Jennifer Lee, aka TOKiMONSTA, scored a Grammy nod for “Best Dance/Electronic Album” for Lune Rouge. The classically trained pianist’s third studio record marked something more special than acknowledgment from the world’s largest music award platform. The Los Angeles musician/producer was diagnosed with a rare brain disease that caused her to lose her ability to speak and hear. It wasn’t until her memory returned—another symptom related to the ailment—that she began writing what became Lune Rouge, which Lee described as “a playlist of songs for one person.” The record sparks with influences spanning various musical genres and erupts with vocals from MNDR, Selah Sue and Isaiah Rashad. Lee’s 2020 follow-up Oasis Nocturno shows the talented artist’s exponential growth as a musician and person—it’s contemplative yet pops with personality. Lee “continues to find new portals to immerse the listener and offer them a beachhead to momentarily and seamlessly disappear,” reads her website. $24-32 plus fees. Saturday, Oct. 22, 9pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

BOB JAMES TRIO In 1963, Quincy Jones discovered Bob James at the Notre Dame Jazz Festival, the same year he recorded his solo debut Bold Conceptions. 58 records, a heap of awards and countless collaborations followed. James refined his skills by working on albums for artists like Hank Crawford and Grover Washington, Jr, among others. The keyboardist is recognized as one of the innovators of “smooth jazz” but has also become known for his music’s role in hip-hop history. According to whosampled.com, James’ “Nautilus” and “Take Me to Mardi Gras” have been sampled in 43 hip-hop jams by everyone from the Beastie Boys to Eric B. & Rakim. Bassist Michael Palazzolo and drummer James Adkins will join James for this concert date. $47.25/$52.50; $26.25/students. Monday, Oct. 24, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

UNCORK CORRALITOS The Rotary Club of Freedom is pleased to present the first Uncork Corralitos. This event is an excellent way for locals and out-of-towners to experience top-notch local wines, craft beers, ciders, live music and delicious food of the area and enjoy a beautiful stroll through Alladin Nursery & Gift Shop while supporting a social cause. All proceeds will benefit Pajaro Valley Shelter Services for Women and Children in Watsonville. $40. Saturday, Oct. 22, 1-4pm. Alladin Nursery & Gift Shop, 2905 Freedom Blvd., Corralitos. ma****@*2i.me.

GROUPS

WOMENCARE ARM-IN-ARM Led by Sally Jones and Shirley Marcus every Monday, the longtime group for women with advanced, recurrent or metastatic cancer is a safe place for those going through similar hardships to find support in one another. Free (registration required). Monday, Oct. 24, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

SCIENCE AND NATURE AT SWANTON RANCH Did you know that California has thousands of species found nowhere else in the world? Following an easy hike throughout the beautiful but fire-scarred terrain at Swanton Ranch, participants will be divided into teams to collect soil and water samples. Then, learn how to log and submit your data. Free. Thursday, Oct. 20, 10am-1pm. Swanton Pacific Ranch, 125 Swanton Road, Davenport. ucedna.com.

Ralph Macchio on the ‘Karate Kid’/‘Cobra Kai’ Miyagiverse

There have been hundreds of bad sequels to good films. Most remain a stain on the legacy of the original forever, while a few later develop their own cult followings for one reason or another. But only a handful ever get the kind of genuine cultural redemption that The Karate Kid Part 3 has found thanks to the hit series Cobra Kai.

For those who have not immersed themselves in the “Miyagiverse”—named after Pat Morita’s character Mr. Miyagi, the handyman martial-arts master who trained Ralph Macchio’s Daniel LaRusso in The Karate Kid and its sequels—The Karate Kid Part 3 was released in 1989, five years after the original blockbuster from director John G. Avildsen, and three years after the well-received and successful Karate Kid Part 2. Part 3 basically recycled the plot of the first movie (Avildsen later called it “a horrible imitation of the original”), with vicious Cobra Kai sensei John Kreese (Martin Kove) enlisting the help of Terry Silver (Thomas Ian Griffin) and Mike Barnes (Sean Kanan) to try to get revenge on Daniel and Miyagi. Meanwhile, Daniel develops a very platonic friendship with Jessica Andrews—her love-interest angle was changed due to the age of the actress, Robyn Lively, who was 16 during filming. The film landed with a thud, was critically reviled and earned Razzie nominations for Worst Picture, Worst Director, Worst Screenplay and Worst Actor. 

And yet, when all of those core characters from Part 3 returned for season 4 and 5 of Cobra Kai, fans loved it. That’s the power of the unique cultural phenomenon that the show has become since it debuted on YouTube Red in 2018, before moving to Netflix. Cobra Kai creators Josh Heald, Jon Hurwitz and Hayden Schlossberg have dug deep into the original films to build the mythology of the Miyagiverse. Macchio, who returned to the role of Daniel for the show, says Part 3 is—to his surprise—a crucial part of that world-building.

“These writers love Karate Kid Part 3,” Macchio tells me in a phone interview. “I debate with them all the time—I still think it’s a bad movie. It is a bad move. But even the shortcomings bear fruit in the future with this franchise, that’s how blessed it’s been. Cobra Kai has its own tone that is probably more similar to what Karate Kid Part 3 was, just with better storytelling. It’s a little broader, you know? Everything has little elements of superhero, if not total superhero.”

Of course, the original film gave us quotes like “Strike hard, strike fast, no mercy,” “Sweep the leg” and “Get him a body bag” (a line which has a darkly ironic payoff in Cobra Kai).

“So it’s still larger than life,” Macchio says. “Miyagi rubs his hands together and fixes all injuries. But that’s wish fulfillment, that’s just great storytelling. But there’s still the groundedness, and the heart, which is peppered throughout Cobra Kai. And that’s a credit to the writers, to not let go of that. It’s really interesting to have a series where you’re going so big, then you have these heart-and-soul moments of fathers and sons and mentorship and bullying and overcoming obstacles and single parenting. And that is what the Karate Kid themes were.”

Besides being the star at its center, Macchio has also become the unofficial historian of the Miyagiverse with his new book Waxing On: The Karate Kid and Me, which comes out this week. He proves himself the right person for the job, mixing interesting stories from his four-decade-long history with the franchise with a very clear-eyed view of what has aged well and what hasn’t. 

For instance, he expresses how proud he is of the film for being the first mainstream movie to address the internment of Japanese Americans in World War II, and calls learning about that dark chapter in American history “one of the richest experiences I had while making this film.” 

His co-star Morita, the son of Japanese immigrants, was incarcerated along with his family at the Gila River camp in Arizona, and the Tule Lake War Relocation Center in California.

What comes through above all else over the course of the book is the warmth and tight bond he feels with the extended Karate Kid family of actors, directors and crew he’s worked with over the years.

“It’s because I look back at it and realize the impact of this little movie from 1984 that struck such a chord, and has continued to be relevant—even, you know, in the late ’90s, the 2000s, they did the SNL sketches and the parodies. It never went away,” says Macchio. “And obviously Cobra Kai, it’s incredible how big it is. It’s tough not to embrace all of that and know that every instrument in the orchestra helped make the music. That’s how I look at it.”

Ralph Macchio will discuss his new book “Waxing On: The Karate Kid and Me” in conversation with Steve Palopoli at 7pm on Friday, Oct. 21, at the Rio Theatre, 1205 Soquel Ave. in Santa Cruz. The event is sold out. bookshopsantacruz.com.

Bettina Aptheker Lets Queer Radicals Out of the Closet

With her pioneering work in Feminist Studies over the last 40 years, and her role as a Distinguished Professor Emerita at UCSC, Bettina Aptheker is a famed academic. The title of her latest book, Communists in Closets: Queering the History 1930s-1990s, might make you think of academia, too, and its focus on institutional analysis and the surveying of eras.

But Aptheker doesn’t think like an academic, and her new book—like its predecessor, the memoir Intimate Politics: How I Grew Up Red, Fought for Free Speech and Became a Feminist Rebel—doesn’t read like an academic book. Because what Aptheker really cares about is telling people’s stories.

Several of the book’s chapters are named for the LGBTQ+ members of the American Communist Party who she spent years researching, and you can feel the connection that Aptheker (herself a closeted Communist for many years) feels to them in her prose, like in the chapter on Harry Hay (subtitled “A Communist, Radical Faerie in a Revolutionary Quest”) where she writes, “I sat in the archives with Harry Hay for weeks. I first ‘met’ him at the ONE Archives in Los Angeles, then in the San Francisco Public Library, where the bulk of his papers are housed, and then in the Manuscript Division of the New York Public Library, where I listened to hours and hours of his oral history on cassette tapes, recorded by gay historian John D’Emilio. I felt myself transported into his life, in ways that deeply resonated with both my understanding of the [Communist] Party, and what seemed to be his sheer joyous open heart.”

This research often led to some unexpected developments, like when a former student of Aptheker’s now working as an archivist at Smith College reached out to her because she knew Aptheker was researching closeted members of the Communist Party (which officially banned gays and lesbians from 1938 to 1991). That’s how Aptheker discovered Elizabeth “Betty” Millard, a queer Communist who wrote the groundbreaking 1948 Marxist-feminist book Woman Against Myth—and has her own chapter in the new book. After finding out it was Millard’s niece Olivia who had donated her aunt’s papers to Smith College, Aptheker tried in vain to find her—and finally gave up.

“And then I get a phone call from Olivia Millard,” Aptheker tells me. “So I answer it—and she lives in Watsonville. She’s an activist, and she was calling to ask me for something that she needed. I’m holding the phone like, ‘Oh, my gosh.’ So I said, ‘Yeah, I’ll help you. But listen, your aunt was Betty Millard.’ She says, ‘Oh, yes.’ And I told her about the book I was writing, and she said, ‘Come on over to the house.’ I mean, it’s 20 minutes away. So I went to her house multiple times. And she had saved a lot of material from Betty that she didn’t put in the archive. She said, ‘You can have it. You can do whatever you want with it.’”

The people who inspired Aptheker’s book were her people—and she understood the need for it after what she thought would be a small event in 2010 at NYU, where she was delivering a paper on the subject of gays and lesbians in the Communist Party.

“And all these people showed up,” she says. “I mean, the place was packed; they were all either ex-Communists, Socialists, ex-Socialists, radicals. A lot of them were gay or lesbian. And they started talking. I was standing up at the podium, I was just taking notes. They were talking amongst themselves. This happened, that happened—‘No, no, it was this way.’ They’re arguing, because Communists have to argue. And then they came up to me afterwards and said, ‘This is a book. You have to write the book.’”

Bettina Aptheker will read from and discuss “Communists in Closets” at 7pm on Tuesday, Oct. 25 at the Cowell Ranch Hay Barn at UCSC. Presented by the Humanities Institute at UCSC and Bookshop Santa Cruz, the event is free but space is limited, so register at bookshopsantacruz.com. Masking is required.

Big Basin Inspires Historical Reenactment

Tourists from around the world make visiting Henry Cowell State Park a bucket list item. Locals and travelers alike admire and appreciate the natural beauty of the sprawling meadow, the cool air beneath the towering redwoods, the clover-covered forest floor and the trails that lead throughout the park, which features a 40-acre grove of old-growth redwood trees, including one that’s approximately 277 feet tall, about 16 feet wide and around 1,500 years old. 

While the self-guided tour provides insight as to the indefatigability of these trees and the benefits they provide to the fragile Santa Cruz ecosystem, few have studied the history around the park as thoroughly as Traci Bliss, author of Big Basin Redwood Forest: California’s Oldest State Park.

A portion of Bliss’ book is set to come to life on Oct. 21. In partnership with the Mountain Parks Foundation, the Rotary Club of Santa Cruz will present a historical reenactment of Rotary International honoring the ancient redwoods. 

Attendees will witness a free performance featuring the 1938 dedication of The Rotary Tree on the Redwood Loop Trail. The event will feature members of four area Rotary clubs: San Lorenzo Valley, Santa Cruz, Scotts Valley and Sunrise Santa Cruz.

In the reenactment, Assemblymember Mark Stone, an avid environmentalist and 20-year member of Scotts Valley Rotary, will be playing the role of Paul Harris, founder of the Rotary Club in 1905. County Supervisor Bruce McPherson, who has been a member of Santa Cruz Rotary for 40 years, will be playing the role of then-Rotary International President Maurice Duperrey.

Period costumes from the ’20s and ’30s will be worn, and Bliss says there will be a couple of “real life villains” as part of the family-friendly play. Bliss expects the reenactment to last about 45 minutes.

“It’s a very moving story, but there are aspects that are humorous and entertaining,” says Bliss. “It’s the true story of how the park became Henry Cowell Redwoods in the 1950s.”

Bliss’ book, the product of 10 years of research and interviews, focuses on the efforts of women in the early 1900s to preserve the trees at Big Basin, and tangentially at Henry Cowell State Park.

“As I dug deeper into the subject, the story got bigger and bigger and bigger,” Bliss says. “At that time, the old newspapers started to become available online, and I’ve been able to tell the story thanks to digital newspapers and other resources.”

The book outlines the story of women who were part of the San José Women’s Club (SJWC) in California. In 1896, women lost their attempt to get suffrage. That loss spurred a huge statewide network in support of suffrage, and the SJWC came together around the cause of preserving Big Basin.

Santa Cruz County took control of the park land in 1930, and named it Santa Cruz Big Trees County Park. In 1954, an adjacent parcel of land donated by Samuel “Harry” Cowell was combined with the property to create Henry Cowell Redwoods State Park named for Samuel’s father. 

Within a few months of its founding, Santa Cruz Rotary led the preservation of our local redwood forests and establishing them as public parks. Subsequently, one of the tallest trees in Henry Cowell Redwoods State Park, the Giant, was dedicated to Rotary. It stands at about the halfway mark in the Redwood Loop.

Bliss says she’s buoyed by this remarkable story of peoples’ resilient commitment to the common good, unselfishness and refusal to give up.

“These individuals have inspired me in so many ways. They had no playbook; in fact, no one in the United States had ever done this before,” she says. “Their sheer determination, unselfishness and commitment is so inspiring. It’s truly a privilege to write about them.”

‘Rotary to the Rescue’ will be held on Friday, Oct. 21, 11:30am-2pm at Henry Cowell Redwoods State Park in Felton. Free with $10 parking (RSVP required). bit.ly/3EBjlT8

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