Sierra Snowpack Falls to Lowest Level in 7 Years

Seven years ago today, during the height of the last drought, California Gov. Jerry Brown stood on the barren slopes of the Sierra Nevada, watching as engineers measured the worst snowpack in state history.

Today’s snow measurements aren’t quite so bleak, but they remain devastatingly low: The snowpack — which provides a third of California’s water supply — is 38% of average statewide. And at the same bone-dry spot where Brown stood in 2015, at Phillips Station south of Lake Tahoe, state engineers today found a shrinking patch of snow that contained only 4% of the location’s average water content. 

After the Sierra Nevada’s driest January, February and March for more than a century, the scene painted a picture of a deepening drought. 

“Today is actually very evocative of 2015,” Karla Nemeth, director of the California Department of Water Resources said against a backdrop of brown grass at Phillips Station. 

“You need no more evidence than standing here on this very dry landscape to understand some of the challenges we’re facing here in California,” Nemeth said. 

Worse than last year, worse even than last month, this year’s snowpack is the worst it’s been in seven years and the sixth lowest April measurement in state history. It’s not as bad as the last drought, however: The snowpack contains about eight times more water than in 2015. 

The amount of snow in April is considered critical because it indicates how much water will be available through the summer. The snow, historically at its deepest in April, melts and flows into rivers, streams and reservoirs that serve much of the state.

Sean de Guzman, manager of the state’s snow surveys and water supply forecasting section, held his hand at roughly shoulder height on a survey instrument. “On an average year, our feet should be right here where my hand is,” he said.

As California’s water officials discovered last year, climate change is upending their forecasts for how much melting snow the thirsty state can truly expect to refill its dwindling stores. 

It’s a dismal end to a water year that began with great promise, with early storms in October and December. By Jan. 1, the plush snowpack was 160% of average for that date statewide, and already a little over half the seasonal total. 

“Our great snowpack — the water tower of the West and the world — was looking good. We had real high hopes,” Benjamin Hatchett, an assistant research professor with the Western Regional Climate Center and Desert Research Institute, said in a recent drought presentation.

Typically, the snowpack would continue to build until April.  But a record-dry January, February and March followed by unseasonably warm and dry conditions in March sapped the frozen stores, which by the end of the month were already melting at levels that would be expected in April or May.  

Now, “we would consider this to be deep into snow drought,” Hatchett said.

Reservoir storage statewide is about 70% of average — around half of total capacity, de Guzman said today. 

Though state officials reported that early snowmelt has started to refill foothill reservoirs, the water level in massive Lake Shasta, critical to federal supplies for farms, people and endangered salmon, sits at less than half the average for this date. Lake Oroville is only slightly better, at 67% of its historic average. 

From Andrew Schwartz’s vantage point north of Lake Tahoe at the University of California, Berkeley’s Central Sierra Snow Lab, it still looks wintry, with about three feet of snow, “plus or minus six inches,” he said. 

It’s a far cry from the grassy field further south in the Sierra Nevada, where Brown stood for the survey seven years ago and where state officials found just traces of snow today.

“It’s been a false sense of security when you come up here” to the snow lab, Schwartz said “Statewide as a whole, it’s not looking great.”

There could be a number of consequences to the early snowmelt, Schwartz said. It could result in more water loss as early snowmelt evaporates in reservoirs, disrupting the balance of mountain ecosystems and speeding the start of fire season. 

“Without the snow, once things dry out, it’s just going to be catastrophic again,” Schwartz said. 

Early snowmelt can also complicate reservoir operations if managers need to release water to preserve flood control space, said Nathan Patrick, a hydrologist with the federal California Nevada River Forecast Center.  

California’s water supply will be determined by how much snowmelt continues to flow into major reservoirs versus how much will seep into the soil or disappear into the air. Climate change is already transforming this pattern as the weather swings between extremes, and warmer temperatures suck moisture from the soil and melt snow earlier in the year. 

“The next few weeks are really that critical period to actually watch how much of that runoff will actually make it down into those lakes,” de Guzman said. 

California’s Department of Water Resources is working to overhaul its runoff forecast calculations, an effort that has grown increasingly urgent. Last year, the state’s projections for runoff from the Sierra Nevada overshot reality by so much that water regulators were left scrambling to protect drinking water supplies and preserve enough water in storage

Assemblymember Adam Gray, a Democrat from Merced, has called for a state audit of the calculations. “Has the state learned anything from this disaster?” he asked in a CalMatters op-ed. 

This year, de Guzman and Patrick expect more of the snow to reach reservoirs. 

The soils, for one thing, are wetter — the result of powerful October storms that soaked the state. That means more of the snowmelt may flow into rivers and streams. Generally, Patrick said, “We expect it to be better this year.”

Still, increased runoff can’t make up for a paltry snowpack — particularly in the Northern Sierra.  The snowpack there is the lowest in the state, just 28% the seasonal average, compared to 42% and 43% in the Central and Southern Sierra. 

Patrick sees a trend emerging in the runoff and streamflow measurements over the past three years. “One after another have been below normal,” he said. 

“You can deal with one or two bad years, but when you start to get these compounding, three bad years … it’s hard to recover.” 

House Votes to Decriminalize Cannabis

WASHINGTON — The House passed legislation Friday to decriminalize marijuana at the federal level as Democrats and three Republicans banded together to capitalize on the political resonance of legalized cannabis as an issue of economic growth, racial justice and states’ rights.

The Marijuana Opportunity Reinvestment and Expungement Act, which passed 220-204, is unlikely to secure 60 votes to pass the Senate, despite the backing of the majority leader, Sen. Chuck Schumer, D-N.Y. But supporters of marijuana decriminalization — even some Republicans who voted against the Democratic legislation — said Friday that the vote was a necessary step toward building consensus on something that can become law.

The Democrats’ bill would remove marijuana from the federal government’s list of controlled substances, impose an 8% tax on cannabis products, allow some convictions on cannabis charges to be expunged and press for sentencing reviews at the federal and state levels. It would also make Small Business Administration loans and services available to cannabis businesses while setting standards for them.

The Republicans voting for the measure were Reps. Matt Gaetz and Brian Mast of Florida and Tom McClintock of California. But other Republicans have signed on to a similar bill by Rep. Nancy Mace, R-S.C. (Two Democrats, Reps. Henry Cuellar of Texas and Chris Pappas of New Hampshire, voted against the legislation Friday.)

“I’m respecting the process that the Democrats want to go through,” said Mace, who has made marijuana decriminalization a central issue but voted against the Democratic bill. “You can save the federal government $600 million over five years, and it saves lives. It’s an important issue. People care about it; the vast majority of Americans care about it.”

By lowering law enforcement and incarceration costs and imposing new taxation, the bill would save the government hundreds of millions of dollars. The Congressional Budget Office estimated that the act would reduce the federal deficit by nearly $3 billion over the next decade.

Similar legislation passed in 2020 but went nowhere in the Republican-controlled Senate. The vote Friday was the first since Schumer elevated the issue in that chamber. After its passage, he said, “the time has come for comprehensive reform of federal cannabis laws.”

He added, “Of course, we will need Republicans to pass a legalization bill in the Senate, and we will be working hard to try and get them.”

Mace, backed by four other Republicans, has her own bill, with a lower tax rate to discourage an illicit cannabis trade and other measures to discourage youth consumption. And Democratic Sens. Cory Booker of New Jersey and Ron Wyden of Oregon have written a marijuana decriminalization measure with Schumer.

With 47 states and the District of Columbia having relaxed marijuana laws in some way, the federal government is far behind. Thirty-seven states have legalized cannabis for medical use, and 15 have granted adults legal access for purely recreational purposes.

But because cannabis remains a federally controlled substance on par with heroin, banks insured by the federal government have been loath to make their services available to the burgeoning marijuana industry.

Sales in that industry totaled $20 billion in 2020 and are projected to more than double by 2025, according to the bill. But those transactions are by and large in cash, without banking services.

“If states are the laboratories of democracy, it is long past time for the federal government to recognize that legalization has been a resounding success and that the conflict with federal law has become untenable,” said Rep. Jerrold Nadler, D-N.Y., chair of the House Judiciary Committee.

Even as states move forward with legalization, people convicted on marijuana offenses — disproportionately people of color — remain imprisoned. The Congressional Budget Office estimated that the bill’s provision to expunge marijuana convictions and lower sentences would reduce time served by current and future inmates by 37,000 years.

“Make no mistake: This is a racial justice bill,” said Rep. Barbara Lee, D-Calif.

During the debate Friday, House Republicans raised concerns that the bill would expose more children to cannabis and that it ignored mental health issues in adult users. Rep. Andy Biggs, R-Ariz., mocked a Democratic colleague, Rep. Steve Cohen of Tennessee, for mistaking today’s potent strains with those of his youth.

“He’s thinking pot is a drug where people get goofy and eat Cheetos,” Biggs said of Cohen.

But they generally skirted the issue, which is broadly popular in both parties, accusing Democrats of failing to address more pressing topics.

“The left will not let the Democrats do what needs to be done with the inflation problem, the energy problem, the illegal immigration problem on the southern border,” said Rep. Jim Jordan of Ohio, the senior Republican on the House Judiciary Committee. “So what do they do? They legalize drugs. Wow.”

That opposition belied the issue’s popularity with Democratic and Republican voters. Some deeply Republican states like Oklahoma have become marijuana boom states. Kansas is the latest state on the verge of legalizing cannabis for medical use.

Federal law is far out of step.

“This is an issue of individual freedom and basic fairness that clearly transcends party lines,” Schumer, Wyden and Booker wrote in a letter to fellow senators in February. “However, one major hurdle continues to stand in the way of states’ ability to make their own decisions about cannabis — the continued prohibition of marijuana at the federal level.”

Mace said the Democrats with whom she had been negotiating needed to pass their version of a legalization bill before getting serious about talks on a bipartisan bill, with buy-in from the Senate. She has used the issue to distinguish herself from her Republican primary opponent, Katie Arrington, whom former President Donald Trump has endorsed.

“I hope that I can be forgiven for voting against it,” Mace said Friday before casting her vote against the Democrats’ bill. “Because I want to continue. I want to work on this issue, but we have to work on it together.”

This article originally appeared in The New York Times.

‘Housing is Key’ Eviction Protections Extended Through June

Some California renters facing eviction at the end of March got a reprieve Thursday when Acting Governor Eleni Kounalakis signed legislation that extends statewide protections tied to a state-run rental assistance program.

Assembly Bill 2179 extends eviction protections through June 30 for Californians who signed up with the state’s Housing is Key program or who applied for local assistance by March 31.

Kounalakis was filling in for Gov. Gavin Newsom while he was on vacation.

The signing ceremony marked the first time in California history that a woman signed a piece of legislation into law, according to the Governor’s office.

“Today’s action will provide additional time to thousands more who are in the process of acquiring emergency relief,” Kounalakis said. “I am deeply humbled to take this action and to be part of history today as the first woman in state history to sign legislation into law. I remain more determined than ever to ensure that while I may be the first to do so, I will certainly not be the last.”

California’s $5.5 billion Covid-19-related rent relief program is the largest statewide renter assistance program in the country, and covers 100% of past-due rent payments for qualified low-income Californians.

To date, the program has helped more than 220,000 households. Thousands of others have received assistance from local programs.

Community Bridges CEO Raymon Cancino said that, locally, about 4,000 families have applied for the protection. The countywide nonprofit has helped guide many of those families through the program over the past year.

“I think it’s a really exciting thing,” he said. “We’ve been calling on legislators for the past several weeks to make sure that those individuals that were still waiting for the state payments to get there were protected, and we’re really happy that there is now a state policy to make sure that we’re protecting those families.”

Cancino estimates that there are still 2,800 families in need of eviction protection. Those people, he said, should work with their landlords, or seek legal support as they try to remain in their residences. 

“Our goal is to prevent as many evictions as possible, so they are not going on people’s credit reports, and trying to make sure we work with tenants and landlords to find alternatives to court, like mediation,” he said. “We should all be patient with each other during this time in transition, the best thing that can come out of a situation where there’s a disagreement is that we work together and talk together.”

Under the Housing is Key program, tenants can access rental funds directly if their landlord chooses not to participate, and landlords can receive compensation even if their otherwise income-qualified tenants have already vacated a unit. 

But while AB2179 extended the protections baked into the program—landlords, for instance, had to first seek mediation and give their tenants a chance to look for assistance before handing out evictions—the deadline to sign up for Housing Is Key was March 31.

In anticipation of this, local jurisdictions have dedicated funds to help tenants remain housed.

The Santa Cruz County Board of Supervisors on March 22 approved the use of $500,000 to kickstart a countywide plan to address the issue and, in a special meeting on Tuesday, Watsonville City Council chipped in $20,000 from the city’s affordable housing fund.

The funds will cover the cost of legal assistance and mediation, flexible financial assistance, tenant rights education and counseling and case management services. 

In a presentation to the council on Tuesday, Watsonville Housing Manager Carlos Landaverry said that the multi-jurisdiction fund will be essential in uniting rental assistance efforts between the county and city. There have been instances in which city staff has had to turn away a person who lives a block outside of city limits. The new program will help all renters and landlords, regardless of where they live.

“It helps if we work together and have one, unified consistent message,” Landaverry said.

The cities of Santa Cruz and Capitola, Landaverry said, were also weighing whether they would contribute funds to the pool.

In all, the state has distributed $3.27 million to Watsonville renters who have fallen behind on their payments because of the pandemic. At the county level, some $17 million has been distributed.

But there have been numerous hiccups with the program, Landaverry said. That includes increased scrutiny and longer processing times from Housing Is Key administrators for applications from undocumented individuals and people renting a room or area of a home—a move officials say is a way to prevent fraud.

Many of those Watsonville tenants have instead received help from the city’s Emergency Rental Assistance Program the council established shortly after the pandemic began. The city kickstarted the program with federal funds from President Donald Trump’s Coronavirus Aid, Relief and Economic Security (CARES) Act.

Along with paying off tenants’ back rent, the program also worked with nonprofits such as California Rural Legal Assistance, the Community Action Board of Santa Cruz County, Community Bridges and United Way to resolve disputes, conduct educational sessions with renters and landlords and help people apply for the state program.

Annieglass Founder Named County’s 2022 ‘Artist of the Year’

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Annie Morhauser, whose Watsonville-based studio, Annieglass, has become a cornerstone of the Santa Cruz County arts community, has been named the 2022 Artist of the Year by the Santa Cruz County Arts Commission.

She has been making her glassware in Santa Cruz County since 1983. The Annieglass studio, originally 400 square feet in the Old Sash Mill in Santa Cruz, is now a manufacturing facility of more than 16,000 square feet in Watsonville. 

Morhauser said she was honored to receive the award.

“At first I assumed they got it wrong and were calling for my son Taylor Reinhold because of his great mural work in Santa Cruz,” she said. “This community has always been the biggest fan of Annieglass. The loyalty has permitted me to live, work and raise a family here. For that I am eternally grateful.”

The studio, which celebrates four decades next year, ships its glass tableware and sculptures to stores worldwide, with her first large-scale customer being luxury retail giant Neiman-Marcus. Her products are also found in Bloomingdales, Barneys and Bergdorf Goodman.

Morhauser studied glassblowing at the College of San Mateo and San Francisco State University before receiving a scholarship to the glass program as a student of Marvin Lipofsky at the California College of Arts and Crafts, now called the California College of the Arts. 

She now serves as an advisor and board trustee at that institution.

She has won numerous accolades for her art and has been featured in the Smithsonian American Art Museum, the Gallery of Modern Art in Scotland and the Corning Museum of Glass in Corning, New York.

Her downtown Santa Cruz store was one of the first to reopen after the 1989 earthquake, despite the destruction of more than four tons of glass in her studio, DeWild said.

Morhauser launched The Craftbar with her daughter, Ava Reinhold. There, they host workshops in arts and crafts. 

The studio also donates to several local nonprofits such as Jacob’s Heart Children’s Cancer Support Services, Girls Inc., Digital Nest, Planned Parenthood Mar Monte, Salud Para La Gente, Watsonville Film Festival, Second Harvest Food Bank and the Museum of Art and History. More than 40 scholarships have been awarded to students in need. 

The Artist of the Year award—now in its 36th year—is presented to local artists for outstanding achievement in the discipline of performing, visual or literary arts who have also made a substantial contribution to the cultural enrichment of Santa Cruz County.

Nominees must be a resident of Santa Cruz County, must have a national or international reputation, must have contributed to the cultural enrichment of the local community and must have created or presented work in Santa Cruz County.

For information, including how to nominate an artist for the award, visit scparks.com

PV Arts Exhibit Highlights Indigenous Stewardship

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A new exhibit will soon open at Pajaro Valley Arts (PVA), aiming to explore people’s relationship with their ancestors, the natural world and themselves. 

“Alma Sagrada: Cultivando Ritmos Naturales” (Sacred Soul: Cultivating Natural Rhythms) opens on April 6 in partnership with the Amah Mutsun Tribal Band (AMTB) and the MILPA Collective of Salinas. The show aims to honor and teach Indigenous stewardship and environmental justice through art and community.

With featured artwork from Jose Ortiz, Natalia Anciso, Abi Mustapha and Hermelinda Vasquez, the show will also include pieces from other local and regional artists as well as Pajaro Valley Unified School District (PVUSD) students. Everything from painting and collage, photography and sculpture, textiles, jewelry and more will be displayed.

“For our open call, the theme was healing—reconnecting with Mother Earth and ourselves, with our rhythms,” said co-curator and member of PVA’s education committee Ana Paula Prado Teeple. “We often celebrate earth in a very general way, but how do we really do this?”

The show will open amidst a local environmental and cultural preservation effort: Protect Juristac, led by the AMTB, hopes to halt efforts to build a 320-acre open pit sand and gravel quarry in the southern foothills of the Santa Cruz Mountains. The Juristac (pronounced “Huris-tak”) was home to Indigenous communities for thousands of years, who held sacred ceremonies at the junction of the Pajaro and San Benito rivers. 

Teeple said that when she first started working on the PVA exhibit with fellow co-curators Josefina Rocha and Ome Garcia, she did not know how well-timed it would actually be.

“I was like, ‘How did we manage to magically make this show happen, right now?’” Teeple said. “It was very timely.”

As with many PVA exhibits, “Alma Sagrada” includes an educational component. PVUSD teachers and students participated in a poster contest, learning about designing and applying through a curriculum developed by Michele Glowa, a volunteer educator in collaboration with the AMTB.

“We had 110 apply and six finalists who will be shown at the gallery,” Teeple said. “It was an incredible response. I’m already so happy with this show because that was my big thing: getting people involved.”

Rocha said the diverse body of artists should make for an interesting, well-rounded exhibit.

“There’s some well-seasoned artists here, but also a lot who have never shown before, and never thought they would,” she said. “One artist came in here to drop off his work and was like, ‘Are you sure you want my art in here?’ Also my sister. She submitted something, and she never thought she could. There are so many people who don’t have the opportunity to show what they can do, what they want to express. That’s so important.”

A number of events will be hosted in conjunction with “Alma Sagrada.” The first will be a virtual Meet the Authors event on April 9, featuring acclaimed author, poet and teacher of Native American literature Stan Rushworth. Rushworth will speak about his book “We are in the middle of forever:  Indigenous Voices from Turtle Island on the Changing Earth,” which was co-edited by Dahr Jamail.

Rushworth is a contributor to the exhibit as well, installing a large photography collage in the front room of the gallery.

“When he was telling us [the collage’s] story we were like ‘Wow, we still have so much to learn,’” Teeple said. “But he told us, ‘What you guys are doing here is really, really important.’ This is actually the first time in Santa Cruz County where you’ll see representation from all the Indigenous groups in one place. It is a big moment.” 

A free opening reception, sponsored by the Community Foundation Santa Cruz County, will be held on April 10 from 1-4pm at PVA. The gallery will be open, with a blessing by White Hawk Ixtatutli, tacos by My Mom’s Mole and Areperia, and live music from Son Jarocho. An environmental justice resource fair will allow guests to connect with local nonprofits including the Campaign for Organic and Regenerative Agriculture, CoRenewal, Esperanza Community Farms, FoodWhat?!, Friends of Juristac, Regeneración, Tierras Milperas and more.

“We invite everyone to the opening reception,” Rocha said. “There’s going to be a lot of great people, some who are here for the very first time. It’s going to be an amazing event.”

In addition, the gallery will hold an Art Salon on April 13, a Mother’s Day Paint and Sip event on May 8, a virtual book discussion (about “We are the Middle Forever”) on May 11 and an in-person poetry reading on May 21.

Organizers say they hope the exhibit will shed light on the ongoing efforts of Project Juristac. In mid-April the Santa Clara County Planning Department plans to open a 60-day public comment period regarding the proposed quarry. A petition at protectjuristac.org has already gathered more than 14,000 signatures.

Rocha said she is excited to amplify the project and similar justice movements through art.

“I’m all for compassion towards others and building community, and if we can do that through art, it’s a wonderful thing to see,” she said. “I’m super looking forward to it.”

“Alma Sagrada” runs through May 22 at PV Arts’ gallery, 37 Sudden St., Watsonville. Gallery hours are Wednesday-Sunday 11am-4pm. For information and to register for the virtual events visit pvarts.org. For information about Project Juristac, visit protectjuristac.org.

States Close Mass Test and Vaccine Sites, but Uptick in Virus May Loom

As Americans shed masks and return to offices and restaurants, local and state officials are scaling back the most visible public health efforts to address the coronavirus pandemic.

States like Illinois are shuttering free COVID-19 testing sites after nearly two years of operation. Arizona, Nevada, Hawaii and Ohio have stopped releasing daily data on virus hospitalizations, infections and deaths. And, perhaps most notably, some places are diminishing their campaigns to vaccinate residents even as federal authorities announced Tuesday that people 50 and older could get a second booster shot.

The slowing of state and local efforts comes as the virus in the United States appears, at least for now, to be in retreat, with cases falling swiftly in recent weeks.

But the cutbacks also arrive at a moment when a more transmissible version of the omicron variant of the coronavirus, known as BA.2, is spreading through Europe, Asia and is now the dominant version of new virus cases in the United States. New coronavirus infections are edging upward once again in several states, including New York.

And Americans are still lagging behind many other countries in vaccination. Only about 65% of Americans have received initial shots, and less than one-third of Americans have had a first booster shot.

If another surge in the pandemic is ahead, public health officials said, it could be a challenge to quickly ramp up the vaccination and testing sites and other measures that are now being shut down.

“We have to be cautious in how we move forward,” said Dr. Ben Weston, chief health policy adviser for Milwaukee County, Wisconsin, where he has kept vaccine clinics open. “Imagine that we’re a boat at sea and we just got off the largest tidal wave we’ve ever been on. It would be a strange time to throw out the life jackets.”

Some health officials said that they were merely shifting their efforts in the face of dwindling demand for both COVID tests and vaccines, with fewer than 225,000 shots administered across the country each day.

Dr. Allison Arwady, Chicago’s top health official, said that two popular vaccination initiatives — a $50 gift card incentive and a program to vaccinate Chicagoans in their homes any day of the week — would be pared down in April.

“It’s definitely the time to be pulling back on some resources,” Arwady said.

Demand for vaccines has waned, she explained, and she is trying to save money as she anticipates cuts in federal funding because of an impasse in Washington over COVID spending.

In San Antonio, with a majority of residents already immunized and case numbers at a low, demand for vaccines at the mass site outside the city’s Alamodome has dropped, said Miguel Cervantes, the city’s public health administrator. The site closed Friday after 15 months of continuous operation and more than 200,000 COVID-19 vaccine doses. At its peak, it administered roughly 3,500 vaccinations a day. Last week, it averaged fewer than 50.

“We haven’t seen the numbers to support a need for a site,” Cervantes said.

The high price of maintaining the site’s staffing and equipment is a less cost-effective use of those resources than smaller, community-based events, he added. And with the 64,000-seat Alamodome stadium now hosting a full slate of sports and concerts, the parking lot has returned to its prepandemic use.

“If people aren’t walking in the door, it burns a lot of cash to have a fully staffed testing center,” said Andrew Noymer, a public health professor at the University of California, Irvine. “So I can understand why states and localities are closing them. We’re going to have to find a way to be flexible.”

Federal dollars for the COVID pandemic have been dwindling in recent days, as a fund designated to reimburse tests and treatment for the uninsured is no longer accepting claims. State and local officials, alarmed by debates in Washington over the future of COVID funding, have anticipated that they will face tighter budgets in the near future if federal funds are cut.

Targeted, community-based events are more effective at reaching those who remain unvaccinated, said Dr. Desmar Walkes, medical director for the city of Austin, Texas, which has shut down all but one of its mass vaccination sites.

“We’re at that point where the one-on-one conversations and having the ability to have community partners go in and educate on the safety of vaccine and answer questions is giving us a little better acceptance,” Walkes said.

Her department is seeing a higher rate of uptake through mobile clinics at long-term care facilities, schools, workplaces, and even soccer games than at mass vaccination sites, she said.

If demand for vaccines, testing and treatment increases amid a looming wave of the BA.2 subvariant, health officials say, they can easily restart these programs. It would take just a few days to do so in Austin, Walkes said.

But some experts expressed doubt that resuming operations at testing and treatment sites could happen as quickly as needed in the event of a surge.

Adriane Casalotti, the chief of government and public affairs for the National Association of County and City Health Officials, said that during lulls when cases are low, health departments could be taking the time to plan and prepare for what is next. Shuttering larger-scale efforts like testing sites follows a certain logic — but leaves a community vulnerable.

“In a situation where you don’t have long testing lines, people think, We can get rid of this testing site,” she said. “That might work for this week and next week, but ramping something like that back up — if the situation changes on the ground — is really hard.”

Public health experts worry that Americans have moved on from the pandemic before it is over and that the United States could be unprepared for another wave. The virus is still causing the deaths of more than 700 Americans each day.

“We’re in this phase of the pandemic where we’re transitioning,” said Aubree Gordon, an infectious disease epidemiologist at the University of Michigan. “It’s still really critical that testing is readily available — you can’t know what’s going on if you’re not looking at it.”

At the same time that vaccination and testing efforts are falling increasingly on community health centers and local clinics, these providers are seeing their funding disappear. For months, Kintegra Health, which operates health centers across central North Carolina, has relied on money from Health Resources & Services Administration. A federal program, it provides reimbursements for COVID-19 testing, treatment and vaccine administration for uninsured patients, facilitating thousands of tests and vaccinations a day, primarily in mobile clinics.

But officials said that program would stop stop accepting claims because of lack of funding, forcing the health center to halt its mobile clinics.

“I’m concerned about what’s next, because when I shut it down and all these people go find other jobs and the next variant comes along, will I be ready?” said Robert Spencer, chief executive of Kintegra Health.

In many states, services that local and state governments administered are shifting to traditional health care providers.

By mid-April, pharmacies and health care providers will deliver all vaccines in Vermont as the state government winds down its vaccine sites. Demand for vaccines from the state-run sites has plummeted by 77% in the past 30 days. The only providers that reported a modest uptick in vaccinations were primary-care offices.

“The reintegration back into the health care system of vaccination is really the path forward,” said Dr. Mark Levine, commissioner of the state’s Department of Health. “People aren’t going to those other sites; they’re showing drop-off. And they’re going to the health care system, where they belong and where immunization has always occurred.”

In Vermont, the state has also transitioned its state-run testing sites primarily into distribution centers for rapid at-home tests, rather than PCR tests. That means that the state has a blurrier picture of the number of COVID cases in the state, but Levine said state health officials had already moved away from focusing on case counts, relying instead on wastewater surveillance and genome sequencing to keep track of the virus.

The state still posts a report of new daily COVID cases five days a week on its website but is planning to soon follow the lead of many other states in posting a weekly report instead.

Many states have switched to weekly from daily reporting of new cases on public dashboards. Officials say that it is time-intensive to publicly update data every day and that daily variation in the data makes it less meaningful than weekly reports. Instead, some are releasing it on public dashboards only once a week, in keeping with reports on other ailments, like the flu.

In Chicago, Arwady said the city was still trying to vaccinate every Chicagoan — keeping its at-home vaccine option open four days a week instead of seven, telephoning residents who are eligible for boosters and tracing contacts in high-risk settings such as prisons and nursing homes.

Even at a time when COVID infections are low, she worries that cuts in federal funding could be detrimental in the long run and threaten the country’s ability to face future surges of the pandemic.

“I am concerned about this idea that ‘COVID’s over, we can stop funding public health,’” she said. “That will put us right back where we were.”

This article originally appeared in The New York Times.

Pajaro River Levee Project at the ‘Cusp of Reality’

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The Pajaro River levee restoration is one of four projects nationwide receiving funding from the federal government, with $67 million from President Joe Biden’s administration coming to help with the long-awaited renovation.

Biden made the announcement on Tuesday. The funding is part of the Infrastructure Investment and Jobs Act that was supported by Congressman Jimmy Panetta and signed into law by Biden in the Fall of 2021.

“I’m very excited that the President has made us one of the top four projects in the nation,” said Watsonville-Santa Cruz-Aptos Adult Ed Director Nancy Bilicich, who co-chairs the Pajaro Regional Flood Management Agency (PRFMA).

Bilicich says that the project is fully funded, and now hangs on the approval of a property tax assessment for residents who live near the levee system. That would pay the estimated $1.2 million in annual maintenance and operations costs, Bilicich says.

The assessment would add around $192 to the annual property tax assessments for residents of neighborhoods in the river’s flood plain.

Once complete, the levee would offer up to 100-year flood protection to the communities around the levees, which have seen numerous devastating floods in 1955, 1958, 1995 and 1998, when Pajaro was severely damaged and acres of cropland were destroyed.

If the assessment does not pass, it would place the project on the back-burner, county officials have said.

“Now we have the opportunity to have this taken off our plates and not worry,” Bilicich said. “I think we have to remember the significance of the protection for the rest of our lives.” 

Santa Cruz County Supervisor Zach Friend, the other chair of the PRFMA, and who has made the project a cornerstone of his time on the board, says the funds have brought the project—six decades in the making—to the “cusp of reality.”

“On the eve of Cesar Chavez Day, equity and fairness won,” Friend said. “The voices and needs of the residents of Watsonville and Pajaro, many of whom have been waiting for generations to receive the flood protection they deserve, have been elevated in an unprecedented and historic way.”

Getting to this point, Friend says, has taken “a monumental effort.”

“But like all things meaningful it has been worth every trip, every call, every meeting and every effort,” he said. “For years it has felt like playing a chess game with only a few pieces at our disposal. But over time the effort began to level the playing field and today the White House invested in equity in a way that hasn’t been seen on this project before.”

Panetta, who has worked to push the project forward on the federal level, says he worked with the White House Office of Management and Budget and the U.S. Army Corps of Engineers.

The $67 million will be used for the first phase of construction of the project in Santa Cruz and Monterey counties, Panetta said.   

“This substantial amount of federal funding for the Pajaro River project represents not only a significant step towards its completion, but also a major commitment by the federal government to this local project,” Panetta said.

Other projects that received funding:

  • $77 million for the Upper Ohio River in Pennsylvania for new lock chambers at Emsworth Locks and Dams that will allow cargo ships to pass through the upper Ohio River system. 
  • $92.6 million for the McClellan–Kerr Arkansas River Navigation System, which moves 12 million tons of agricultural products annually farmers, and provides flood control to many communities in Arkansas and Oklahoma along the Mississippi River.
  • $350 million for the Adams and Denver to reduce flood risk, and an aquatic ecosystem restoration project, which will serve disadvantaged communities surrounding the area.

Luna Y Sol Center Aims to Help Youth

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A new community center opened in Watsonville on Wednesday, with the goal of supporting local at-risk youth and their families.

The Luna y Sol Familia Center at 15 Madison St. is a program of the Community Action Board of Santa Cruz County (CAB) that aims to provide children and young adults (ages 12-24) with basic needs, health and education support, employment assistance, community engagement and more. Youth on probation, who have spent time in juvenile hall or are considered “high-risk” of, among other things, using drugs and alcohol, joining a gang or not receiving the academic help they need are welcome at the center. Their families are also welcome.

“Especially with Covid, and all the isolation … it’s really affected people’s lives,” said CAB Programs Director Maria Rodriguez. “There is a lot going on. We’ve had stabbings, a rise in crime … We are really committed to this community, to be able to have a safe space for youth to go to. To be understood. We don’t judge here. We’re an open space for families to come and connect.”

In 2020, CAB received a grant from the Board of State and Community Corrections (BSCC) to create a service center for youth and their families to receive “wrap-around” services—or the process of surrounding a child who has serious emotional and behavioral issues with day-to-day services and interventions from providers as well as their friends, family and others within their community. 

The nonprofit had applied in early 2020, when Covid-19 hit the county, and was approved for the funding that July. They were able to hire staff, and by October started working through case management one-on-one services, by appointment only or via Zoom.

But the center itself had to wait.

“Through the pandemic, we were looking for spaces to rent,” Rodriguez said. “We faced a lot of challenges. There were spaces available that were open for businesses and retail, but not nonprofits.”

Finally, they found a home at the First Christian Church, on the corner of Madison Street and East Lake Avenue. The owners allowed CAB to do some remodeling, removing carpets and redesigning rooms and offices inside the two-story building.

“It was a nice place, and the rent was doable,” Rodriguez said. “Most of the furniture, the desks, chairs, game tables, were all donated to us. The response from the community has been great, there is so much support.”

On the first floor is the Youth Drop-In Center, which includes homework and computer stations, and a “hangout” lounge with games. There is also a gymnasium, which will host indoor events and athletic activities.

The second floor holds offices and the Community Room, which includes a space for families to meet for programs such as the Cara y Corazon Parent Engagement Group. And outside in the courtyard, youth can hang out during programming and participate in outdoor recreation. 

Before the center’s grand opening, CAB had been gradually inviting youth and their families to check out the space. 

“We’ve been doing a soft opening,” Rodriguez said. “We’ve been bringing our clients in, getting them used to it. We just held our first in-person Cara y Corazon session … Families said they felt really comfy being here, which is great. It’s so phenomenal to see things come together.”

The center will be able to provide outreach to 150 youth per year, including wrap-around services for 75, working in tandem with the Santa Cruz County Juvenile Probation Department, CAB’s Alcance program, the Day Worker Center of Santa Cruz County, Pajaro Valley Unified School District’s Family Engagement Wellness Center and many others.

“We have youth here who are very high-risk, who deal with gangs, child abuse, mental health … some of the cases are really intense,” Rodriguez said. “It’s so important for us to be here and help them however we can. Even if they just need a haircut, or need to buy shoes … Our staff is here to help support them, to navigate systems. And sometimes youth are more comfortable reaching out to someone who is not in their family.”

Alexander Zarazua, an employment specialist at CAB, said that centers like Luna y Sol can change people’s lives. One such program did that for him in high school.

“I grew up in Watsonville, with a single mom,” Zarazua said. “My brother and other family was affected by gangs. I needed a lot of guidance, especially (with) avoiding gangs. It would’ve been easy for me to go that way. I was just surrounded by it, I didn’t know any better.”

Zarazua said it was a high school working program that kept him busy and on the right path.

“I got some income and could help my mom,” he said. “It gave me the skills, the confidence to go to college and apply for jobs. It’s so important for youth to have a center like this because I can see the great things one did for me.”

Zarazua said they have already helped several young people find employment. 

“So far we’ve had a really good success rate,” he said. “We placed eight out of nine of our youth into employment … They’re so happy, excited to have their first job.”

Wednesday’s grand opening included a ceremonial ribbon cutting, food, resource tables, games and raffles, as well as speeches and testimonials from youth. Guests were also invited inside for small group tours. Masks will be required.

Rodriguez said she was optimistic about the future of Luna y Sol, but recognized that as a nonprofit, they will need the community’s support.

“We’ll need to work strategically with our board of directors, executive director [MariaElena De La Garza] and our partners to make sure we will continue to get funding, beyond this initial grant,” she said. “We can’t do this alone. It has to be a partnership.”

For more information, call 831-322-9041 or visit cabinc.org.

Things To Do in Santa Cruz: March 30-April 5

A weekly guide to what’s happening.

ARTS AND MUSIC

GUIDED BY VOICES Indie rock greats Guided By Voices had a major productivity itch during the pandemic: Robert Pollard and the rest of the gang released six full-length records while live music was on hold—most recently, Crystal Nuns Cathedral. Also, since getting back on the stage, the outfit’s delivered some epic shows. One of their rescheduled New York City concerts clocked in at over three hours and featured 55 tunes, including tons of favorites, from “Teenage FBI” to “Hot Freaks.” $29.50. Wednesday, March 30, 9pm. The Catalyst, 1011 Pacific Ave., Santa Cruz. catalystclub.com.

3.2 FEATURING ROBERT BERRY Prog rock favorite, Hush, kicked off Robert Berry’s lengthy career that has morphed into what’s now “3.2.” Joined by Andrew Colyer on keys, Jimmy Keegan on drums and Paul Keller on guitar, the Bay Area-based musician revisits the tunes that span the 30 plus years he’s been a performer. Berry has played with everyone from ELP’s Keith Emerson and Carl Palmer to the Sammy Hagar Band during those years. Attendees will also be treated to some of the rocker’s stories. $25. Friday, April 1, 8pm. Michael’s on Main, 2591 Main St., Soquel. michaelsonmainmusic.com.

EDGE OF THE WEST The self-proclaimed “cosmic honky tonk” outfit is piloted by singer-songwriter/guitarist Jim Lewin. Lewin has performed with Great American Taxi, Todd Snider, Lacy J. Dalton and Frank Wakefield. One thing is always consistent no matter who he’s playing with: his ability to remain musically open a la the Grateful Dead. “Instead of learning how to play Grateful Dead tunes, I learned how to play like the Dead,” Lewin says. $10. Saturday, April 2, 7pm. Brookdale Lodge, 11570 Hwy 9, Brookdale.

GARCIA PEOPLES AND BAD MAPS Straight outta New Jersey, the sextet Garcia Peoples’ trio of guitarists, including founders Tom Malach and Danny Arakaki, unleashes an orchestral sound that meshes with sprawling organized chaos. Known for extensive improvisational live shows, the band has grown a large following through their growing presence on the Live Music Archive. GP released a pair of studio records over the last few years, showing another, more polished and produced side to their overall vision. According to the band, “songs have started to expand, jam suites have grown and experiments have been undertaken.” The long strange trip is getting longer—and stranger. Santa Cruz Mountains’ product Bad Maps uncorks psych bluegrass intertwined with Zachary Handl’s original prose. $18/$22. Proof of vaccination or negative Covid test required. Saturday, April 2, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

EARTHLESS Don’t waste time trying to pigeonhole Earthless—the San Diego trio bounces from Krautrock to electric jazz to heavy psych to ’70s era classic rock with the velocity of an Aroldis Chapman fastball—and the transitions are seamless. The group has dedicated most of its time to live performances and experimentation throughout their two-decade run. In 2021, they live-streamed five “multimedia concert experiences from the natural amphitheater of California’s Mojave Desert,” which was recently released as Live in the Mojave Desert, Vol. 1. The follow-up, Night Parade of One Hundred Demons, features only two songs, but the record is over an hour long. “It’s like a soundtrack for a book or a movie in my mind,” guitarist Isaiah Mitchell told Relix. $20/$24 plus fees. Proof of vaccination or negative Covid test required. Saturday, April 2, 8pm. Felton Music Hall, 6275 CA-9, Felton. feltonmusichall.com.

REBIRTH BRASS BAND It’s a New Orleans party wherever and whenever Rebirth plays. The group, headed up by the Frazier brothers, started in 1983, delivering impromptu performances around the French Quarter, which led to a standing Tuesday night residency at the Maple Leaf. After 40 years, the Grammy Award-winners have honed a sound that’s a gumbo of traditional brass band music, funk and a bit of hip-hop for extra spice. “It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing, anyone can cut loose,” writes The New York Times. $25/$30. Proof of vaccination or negative Covid test required. Sunday, April 3, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

RODNEY CROWELL AND LISA MORALES Two Grammys, five No. 1 hits and six Americana Music Association Awards, including a Lifetime Achievement for Songwriter award—that’s the tip of Rodney Crowell’s iceberg-sized career. The Nashville Songwriters Hall of Famer also penned a widely praised memoir, Chinaberry Sidewalks, in 2012. Crowell’s 2021 Triage, released on his label, RC1 Records, marks his 18th studio record; it’s a deep dive into mortality, love and making amends. $50/$60. Proof of vaccination or negative Covid test required. Sunday, April 3, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

GARY NUMAN AND i SPEAK MACHINE No one really knew what to make of Gary Numan’s bizarro, post-apocalyptic art rock when he unveiled The Pleasure Principle to the world in 1979—a freaky one-person operation churning out tunes like “Cars,” propelled by synths alongside mechanized vocals. The pasty-skinned Brit’s weirdness has remained intact for four decades now. A tall order for the 64-year-old who manages himself, books his shows and even designs all of his concert posters. The self-proclaimed “one-man-band” also continues to release records, and as far as his position on the U.K. pop charts, Numan’s 18th studio record, Intruder, marked somewhat of a renaissance. His vocals are less robotic than his earlier work, but the music still sounds like it comes from an undiscovered planet. $27.50/$32. Sunday, April 3, 8pm. The Catalyst, 1011 Pacific Ave., Santa Cruz. catalystclub.com.

DIANNE REEVES The renowned songstress’ voice commands attention. “She has one of the most powerful, purposeful and accurate voices of this or any time,” Wynton Marsalis said of the singer. Need proof? She’s picked up five Grammys for “Best Jazz Vocal Album,” an honorary doctorate from Juilliard and was the National Endowment of the Arts 2018 Jazz Master. 7pm $73.50/$78.75/$39 students; 9pm $52.50/$57.75/students $29. Proof of vaccination or negative Covid test required. Tuesday, April 5. Kuumbwa Jazz, 320 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

CARA BLACK The bestselling Bay Area author returns to celebrate the release of Murder at the Porte de Versaille, the latest book from her beloved series that centers on Parisian private investigator Aimée Leduc. Free with registration. Wednesday, March 30, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com/cara-black-2022.

HISTORY OF CALIFORNIA SURF The event name says it all. Free. Thursday, March 31, 6:30pm. Santa Cruz Hostel, 321 Main St., Santa Cruz. Email in**@sa*************.org (subject line: Surf California).

BOOCHES FOR POOCHES Shake your moneymaker to the music of Alex Lucero, quench your thirst with Boochcraft, fill your tummy with burgers and support a worthy cause—10% of all food and drink sales go to the Santa Cruz SPCA. Free. Sunday, April 3, noon-5pm. burger, 7941 Soquel Drive, Aptos. lo******************@gm***.com.

A UKRAINIAN CULTURAL FUNDRAISING EVENT We may be thousands of miles away; however, we can still offer some assistance and learn more about the country’s culture. Traditional Ukrainian folk dancing, music, food, storytelling, art, giveaways and more. 50% of all wine and cider purchased during the event will support humanitarian efforts in Ukraine. Free. (Additional packages available). Sunday, April 3, 2-6pm. Hallcrest Vineyards, Felton. 

GROUPS

GANJA YOGA SANTA CRUZ Cannabis, yoga and community come together to relax and elevate your soul. Javi’s classes blend slow vinyasa flow, chill vibes, grounded spirituality and a touch of Latino spice. All levels welcome, weed welcome (vapes only), masks optional. Free (first class). Thursday, March 31, 6pm. Green Magic Yoga, 738 Chestnut St., Santa Cruz. greenmagicyoga.com/ganja-yoga-santa-cruz.

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, April 4, 12:30pm. 831-457-2273. Womencaresantacruz.org.

OUTDOORS

FREE TUESDAY AT UCSC ARBORETUM What’s not to love about Community Day at the UCSC Arboretum? Explore the biodiversity of the lush gardens, the birds or just take some time for yourself on a quiet bench in the shade. Free. Tuesday, April 5, 9am-5pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. calendar.ucsc.edu.

SUNSET BEACH BOWLS AND BONFIRE Do you want to break free from the collective conscious energy of fear, chaos, anger, trauma and stress of everyday life? Raise your vibration and energy levels with sound meditation. Free. Tuesday, April 5, 6:30pm. Moran Lake Beach, Pleasure Point, Santa Cruz. 831-333-6736.

Punk Legend Bob Mould Plays Solo at Felton Music Hall

What I love most about Husker Du is how they helped force a huge shift in punk rock that certain hardcore purists had been trying to hold off for years.

Although the Ramones had shown the way back in 1976 with “I Wanna Be Your Boyfriend”—one of the sweetest punk rock songs of all time—a lot of true believers didn’t want punk to get real when it came to matters of the heart. To sing about everyday life and relationships was seen as awfully bougie, and certainly not edgy enough to be truly punk. (As much as I like Television Personalities’ 1978 anthem “Part Time Punks,” it’s a perfect example of this kind of ridiculous thinking: Ordinary people can’t be punk! They’re so … ordinary!) Certain punk icons were getting passes—Bad Brains’ “Sailin’ On,” Patti Smith’s “Free Money,” pretty much every song by X—but mostly the gatekeepers were doing a lot of mental gymnastics in the late ’70s and early ’80s, like labeling anything that got too emotional (or too brainy, for that matter) “new wave.”

Would many people in 2022 argue that Blondie’s debut album or Talking Heads’ 77 aren’t punk classics? Probably not, but it was a different time, with a much narrower understanding of the music.

When I first heard “I Apologize,” written and sung by Bob Mould on Husker Du’s 1985 album New Day Rising, it was a revelation. Here was a song that was so undeniably punk, a sonic wall of hardcore sound, with the lead singer not only talking about taking out the garbage and doing the dishes, but being emotionally vulnerable enough to say he was sorry.

“Yeah, not so many people apologizing in punk rock songs,” Mould agrees, in an interview from San Francisco, where he’s now living full-time again after splitting his time between NorCal and Berlin until the pandemic.

He understands why it was a big deal back in the day, as Husker Du barreled from the sheer assault of their 1981 debut, Land Speed Record (17 songs packed into less than 27 minutes), to the bruised complexity of their double-album masterpiece, Zen Arcade.

“Around that time, ’83 or so, as we were getting ready to do Zen Arcade, we were already sort of moving away from, I don’t know, the restrictions, a lot of the rules or the codes of hardcore punk, where everything was very aggressive and very anti-government. We weren’t digging it so much,” he says. “We wanted to be a pop group as much as we were a hardcore group, really bringing in a lot of melody and more sensitivity, and writing more from a personal, emotional perspective, as opposed to that personal political perspective—which is also cool.”

Mould and fellow Husker songwriter and vocalist Grant Hart continued to explore the contrast of noisy chaos and sincere lyrics until the band fell apart in 1987. After that, Mould surprised everyone with an acoustic solo debut, 1989’s Workbook, then returned to crunching guitar on 1990’s Black Sheets of Rain and his criminally underrated 1996 self-titled album. Over the years, he’s experimented with electronica, the sleek distortion of his popular side project Sugar, and albums blending all of his favorite sounds.

A decade ago, he kicked off a string of popular albums (Mould describes it as “a rebirth I didn’t see coming”) that recalled Husker Du more strongly than any of his previous solo work. They brought with them some of his best heart-on-sleeve punk anthems ever, from “The Descent” on 2012’s The Silver Age to Patch the Sky’s “Hold On” in 2016 to “When You Left” on 2020’s Blue Hearts.

And while his emotionally vulnerable songwriting was a big deal to the punk world, it  never really was to him. 

“That’s just how I view the world,” says Mould. “That’s how I write music. You know, I like melody, I like noise, I like intelligent lyrics. I like to share my observations and my personal struggles with people. That’s what my life’s work is. It’s just sort of the way that I see things. It’s who I am every day when I get up.”

Most often, Mould tours with bassist Jason Narducy and drummer Jon Wurster, but when he performs at Felton Music Hall on April 9, he’ll be playing a solo electric show, which he says allows him to pull from his vast back catalog more freely.

“The three of us, we don’t rehearse much, because we live in different cities,” he says. “So when we get ready to tour, we need to whittle down to a manageable list of songs. For solo shows, anything I can remember is fair game, anything I think I can present properly. And I have a lot more flexibility—you know, I can take a punk rock song and sort of present it in a country style, I can add a little bit of blues to things that I wouldn’t normally do with the power trio.”

But he’s still the world’s most sincere punk rocker at heart. 

“Having said that, the shows are still really aggressive. I’m actually trying to tone them down a little bit, because sometimes I just go into my sort of default rage mode. That’s a lot for an hour and a half.”

Bob Mould performs solo-electric on Saturday, April 9, 8pm at Felton Music Hall, 6275 Highway 9, Felton. $30, 21 and over. feltonmusichall.com.

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‘Housing is Key’ Eviction Protections Extended Through June

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Annieglass Founder Named County’s 2022 ‘Artist of the Year’

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As states close mass testing and vaccination sites, experts question scaling back these services.

Pajaro River Levee Project at the ‘Cusp of Reality’

Once complete, the levee would offer up to 100-year flood protection to the surrounding communities.

Luna Y Sol Center Aims to Help Youth

A new community center opened in Watsonville on Wednesday, with the goal of supporting local at-risk youth and their families. The Luna y Sol Familia Center at 15 Madison St. is a program of the Community Action Board of Santa Cruz County (CAB) that aims to provide children and young adults (ages 12-24) with basic needs, health and education support,...

Things To Do in Santa Cruz: March 30-April 5

Guided By Voices, History of California Surf, A Ukrainian Cultural Fundraising Event and More.

Punk Legend Bob Mould Plays Solo at Felton Music Hall

How the Husker Du icon brought emotion, sincerity and dishwashing to punk rock.
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