Beauregard Vineyards’ 2016 Zinfandel Pops with Wild Berry Flavor

If you’re looking for a good wine for a special dinner, Beauregard Vineyards has something superb—a 2016 Ben Lomond Mountain Zinfandel ($40). With its dark ruby color and a nose of ripe berries, including cherry and wild raspberry and floral aromas of rose petals, this is one terrific Zin.

“The rich palate boasts incredibly soft tannins and luscious wild berry fruit layers into wild herbs, fresh flowers and an earthy finish,” says winemaker Ryan Beauregard, who has mastered the art of winemaking. His talents are revealed in this robust red wine.

The vineyard where the grapes for this Zinfandel were grown was once an apple orchard, planted in the 1900s, and the sandy loam soil produces wines with good minerality and bold acidity. The vineyard—abandoned during Prohibition—came into the family when it was bought by Ryan’s great-grandfather Amos Beauregard in the 1940s.

Beauregard Vineyards, 10 Pine Flat Road, Santa Cruz. 831-425-7777. The Slow Coast Wine Bar, 450 Hwy. 1, Davenport. beauregardvineyards.com

Pop-Up Party for Aptos Vineyard’s New Releases

Sante Arcangeli Winery’s tasting room in Aptos Village will be hosting Aptos Vineyard for a pop-up tasting for their new releases: a 2020 Rosé of Pinot Noir and a 2020 Chardonnay. Wine club members will enjoy bites and complimentary tastings. Aptos Vineyard was started in the ’70s by the late Judge John Marlo but is now owned by James Baker and Tina Cacace. Sante Arcangeli owner John Benedetti is Aptos Vineyard’s winemaker. aptosvineyard.com.

Chardonnay Wine Cruises

Enjoy outstanding local wines and tasty food as you sail across the briny on Chardonnay Sailing Charters. Through October, a different winery is featured every Friday evening with complimentary hors d’oeuvres. Participating wineries through the end of July include Naumann (June 3), Bargetto (June 17), Roudon-Smith (June 24), Storrs (July 1), Silver Mountain (July 8), Roudon-Smith (July 15), Pelican Ranch (July 22) and Wrights Station (July 29). For reservations, visit chardonnay.com.

Capitola Diner & Sports Bar Offers Hearty Meals and Friendly Service

Born in Mexico, Sabina Benitez followed her husband to Santa Cruz, where he had a job opportunity. She’s happy to be here—Benitez fell in love with the community almost instantly, referring to the city as “caring with open arms.”
Capitola Diner & Sports Bar serves bar fare along with a variety of sandwiches—highlighted by the Philly Cheesesteak and the Monterey Chicken, with bacon, jack cheese, avocado and habanero mayo. They also serve killer Mexican food. A couple of house specialties include chicken enchiladas with homemade green sauce and the chiles Rellenos with rice and beans. The diner also serves traditional chilaquiles for breakfast—and all day. Also, the full bar—featuring a signature chavela (Mexican beer with Bloody Mary mix, chili powder and shrimp)—has six televisions.
Hours are every day, 8am-9pm (Friday-Saturday until 10pm). Benitez took some time with GT to talk about a compassionate customer and why she loves Santa Cruz.

Who’s your favorite regular?

SABINA BENITEZ: He is a 93-year-old man, and he gets eggs, bacon, hash browns, an English muffin with strawberry jelly and a fresh cup of coffee every morning. He’s our first customer every day, and sometimes he comes back for dinner with his daughter and usually gets breakfast for dinner. It’s usually big pancakes with lots of strawberries and whipped cream, and also a milkshake and always another cup of coffee too. He always says hi and hugs everyone, and he really makes all of our day. 

Why do you love living in Santa Cruz?

All the people and the weather—the weather is really good. And I also have a great community of friends around me that are always there for me, calling to check in and ask if I ever need anything, especially during the pandemic. I also have two daughters that love going to school and living here, and we really love it and never want to move. 

Capitola Diner & Sports Bar, 1900 41st Ave., Capitola. 831-477-9076; capitoladiner.com.

Jozseph Schultz Highlights New Music Works’ Annual Avant Garden Party

Woking the wok on June 5th at the 43rd installment of New Music Works’ Avant Garden Party will be tireless Jozseph Schultz, former restaurateur and eternal catering maestro. 

In his hands, catering a large gathering of bohemian music lovers looks both delicious and aerobic. If you’ve never attended one of these incredible afternoon garden parties, then make plans immediately. 

In addition to savory foodstuffs by Schultz, the event features a no-host Tiki Island wine and beer bar, Hidden Peak Teahouse tea ceremonies in a quiet garden nook, plus—included in the price of admission—India Joze delicacies. 

Oh, and there’s provocative music, including chamber music, jazz, African marimbas, sambas and deeply surreal electric slide pieces from guitarist Cary Nichols and Stan Poplin on double bass. Hot licks! The amazing Lars Johannesson accompanies on flute, and much, much more. Sunday June 5th from 3-6pm at 2888 Sandy Lane, Live Oak Lagoon. Tickets are $15-35 at brownpapertickets.com/event/5331023. For more info, call 831-536-5603.

Non-Pizza Bantam

Wood-fired pizza may be the big draw at Bantam, but it would be a mistake to miss the amazing non-pizza dishes (and cocktails) turned out by this terrific kitchen. Consider this: creamy burrata topped with a crown of tart, sweet kumquat slices and olive oil. Nestling next the snowy white burrata was a pool of beet puree, topped with thick, impeccably cooked asparagus spears. Little slabs of chioggia beets, toasted hazelnuts, fresh sprigs of feathery infant dill and nasturtium blossoms added more eye candy and flavor discovery ($17). 

Seated outside in one of those spacious-yet-cozy booths, Jenny and I started out with one of those quarter-loaves of housemade bread and salted butter that is required (in my book) to get things going at Bantam. 

Jenny always opts for a white wine, but I’m continually intrigued by the inventive cocktails. Case in point was a Byrrh spritz with a huge spiral twist of orange suspended in the tall glass ($10). More on this excellent and refreshing drink in a minute. 

Our other shared plate was a tour de force of broccolini and king trumpet mushrooms, surrounded with squashes, almonds and goat cheese. The foil for these outrageous veggies was a generous side of wild rice ($20). It was a satisfying light dinner without meat, poultry or fish.

Back to the Byrrh, an amaro that hails from the foothills of France bordering Spain. A port-like creation, Byrrh sits on a backbone of quinine (the basis of tonic water) and takes well to clear mixers such as gin and champagne. The Bantam version offered Prosecco as the addition to the pale-peach-colored Byrrh, and the effect was of an incredibly refreshing orange-rhubarb flavored spritz. Tuesday-Saturday, 5pm-9pm. bantam1010.com.

Pinot Time

Looking for a few great pinot noirs made in the Santa Cruz Mountains winegrowing district? Look no further than the June 24 Taste of Terroir winemaker dinner plus tasting. Seven wineries will be on hand pouring Pinot Noir and rosé of Pinot Noir at the Cooper-Garrod Estate Vineyards. A tasting salon begins at 6pm, followed at 7:30pm by a four-course winemaker dinner created by Ross Hanson of Oak & Rye. Tickets are $170 (15% discount for SCM wine club members). https://winesofthesantacruzmountains.com.

New Chef at New Venus

John Harry will be developing the menu at the new Venus Spirits Cocktails & Kitchen Beachside (that’s the new Rio del Mar location). Venus spokesperson Lauren Long revealed that the wildly popular signature Brussels sprouts appetizer will migrate from the Westside Venus to the Beachside Venus. But we can expect new dishes from Chef Harry. 

Meanwhile, Chef Gabrielle Molina stays on as Chef de Cuisine at the Delaware outpost of Venus delights. Thank you, Sean!

California Wants to Force Insurers to Reward Homeowners for Fireproofing Homes

From calmatters.org

When Ashley Raveche and her husband bought their home in Mill Valley, they thought they were doing everything right. The 1,300 square foot house already had vents with screens that make it harder for embers to get in and a tar and gravel roof, top-rated for fire safety. They installed double-paned windows, which are less likely to explode under extreme heat. They cut down four trees within 10 feet of their house. They kept the gutter and roof clear, and the local fire marshal performed an annual inspection. 

But their efforts — totaling more than $10,000, by Raveche’s estimation — weren’t enough to insure their home in Marin County. In February, their insurance company said it wouldn’t renew the policy because the “risk is unacceptable” 

“I panicked,” she said. “I was just like, ‘This is too much, we are doing absolutely everything we possibly can.’”  

It was the second time an insurance company had declined to renew her home insurance coverage in five years, she said. 

When Ashley Raveche and her husband bought their home in Mill Valley, they thought they were doing everything right. The 1,300 square foot house already had vents with screens that make it harder for embers to get in and a tar and gravel roof, top-rated for fire safety. They installed double-paned windows, which are less likely to explode under extreme heat. They cut down four trees within 10 feet of their house. They kept the gutter and roof clear, and the local fire marshal performed an annual inspection. 

But their efforts — totaling more than $10,000, by Raveche’s estimation — weren’t enough to insure their home in Marin County. In February, their insurance company said it wouldn’t renew the policy because the “risk is unacceptable” 

“I panicked,” she said. “I was just like, ‘This is too much, we are doing absolutely everything we possibly can.’”  

It was the second time an insurance company had declined to renew her home insurance coverage in five years, she said. 

New fire insurance guidelines

The proposed rules, rolled out in February, require insurance companies to do several things, including:

  • Make the models or tools they use to assess wildfire risk public, and require that companies send individual policyholders their wildfire risk scores on a regular basis
  • Explain to policyholders what specific factors influenced each consumer’s score, what they could do to lower their score, and how much they can expect to see their premium go down if they take the actions outlined by the insurance company
  • When setting prices, insurers would have to take into account whether a homeowner or commercial property owner has reduced a property’s wildfire risk by taking specified steps, including clearing vegetation from under decks and installing fire-resistant vents
  • When setting prices, insurers would have to take into account whether a home is in one of three types of fire risk-reduction communities, such as Firewise.

The state Department of Insurance also proposed giving policyholders the right to appeal their wildfire risk scores.

Part of the goal is to provide incentives to more people to protect their properties from wildfires. “Money is tight for most people,” said Amy Bach, executive director of United Policyholders, a consumer group. “If I have a choice between spending money on taking out my favorite tree, and, like, buying a new flatscreen, I’m going to buy a new flatscreen, right?” There has to be a compelling reason for people to do things they don’t want to do, she said. 

“Home hardening” is aimed at reducing a house’s risk of burning during a blaze. There’s evidence to suggest it works, too: A 2020 study from the National Association of Insurance Commissioners found that “structural modifications can reduce wildfire risk up to 40%, and structural and vegetation modifications combined can reduce wildfire risk up to 75%.”

California already regulates insurance more than a lot of other products. Insurers, for example, can’t just increase their prices whenever they want to — they have to submit their pricing plans to the insurance department for approval. But, says Bach, that’s in part because they have an advantage most industries don’t: People must buy their product in order to get a mortgage. 

“They sell economic security,” said Bach. “They have a special obligation.”

That’s why it’s stressful for homeowners when an insurance company decides it will no longer cover them. 

When homeowners can’t find a private company to cover them, they can turn to the state-created FAIR Plan, which offers bare bones coverage, often at higher cost. Coverage through the FAIR Plan is intended as “a temporary safety net” until a homeowner can find other coverage. 

“A loophole that can swallow the rule”

Steve Poizner, who lives 15 minutes from the San Jose airport, said he took some extra steps to protect his home after an insurance agent came out to inspect the property. He said he upgraded his fireproof vents and cleared vegetation around the house, and the company gave him a policy. 

“That was that. For years,” Poizner told CalMatters. Then, he said, early this year he got a letter. His insurance company wouldn’t renew his coverage, he said, and he was “stunned.” Poizner is no naif: He was California’s insurance commissioner from 2007 to 2011. 

The number of Californians who are not renewed by their insurance companies each year increased in 2019, according to insurance department data, after especially damaging wildfires in 2017 and 2018. It’s a small share of policyholders: less than 3%, according to the department. The numbers are higher in areas with greater fire risk. Temporary bans on non-renewals in areas hit by wildfires, imposed by Insurance Commissioner Ricardo Lara, have helped, although the issue is still a key part of the election race for insurance commissioner.

It’s far from certain the numbers will stay low. The number of California properties facing severe wildfire risk will grow sixfold over the next 30 years, according to projections from First Street Foundation, a nonprofit. 

Three consumer groups — Consumer Watchdog, Consumer Federation of America and Consumer Federation of California — sent feedback to the insurance department, pointing to what they see as a loophole: The rules require insurers to take home-hardening efforts into account when setting prices, but not when deciding whether to cover someone or renew a policy.

“A homeowner could literally rebuild their home in concrete, in the middle of a concrete field, and still be non-renewed by an insurance company,” said Carmen Balber, executive director of Consumer Watchdog. 

“It is a loophole that can swallow the rule,” she said. 

Insurance department spokesperson Michael Soller rejected the term “loophole.” He pointed to the department’s initial reasoning for the rules and expected benefits, which says insurance companies “may become more comfortable writing and retaining policies for properties with completed mitigation actions, even if the property is located in an area with a higher overall risk of wildfire.”

Not wading into coverage decisions may also have been a pragmatic decision for the department. Insurers would be more likely to sue over rules that mandate coverage, since the department’s authority to regulate coverage decisions is not clear cut, said Michael Wara, a lawyer and climate scholar at Stanford Law School. A suit could keep the rules from going into effect for years.

“This may be a situation where you kind of have to choose between doing something that’s sort of pretty good — maybe even really good — but not perfect,” said Wara.

Insurers want to protect their risk tools

Consumer groups aren’t the only ones pushing back against the proposal. Trade organizations representing insurers have their own set of concerns. 

One is that the science on wildfire mitigation is still developing, said Mark Sektnan, vice president for state government relations for American Property Casualty Insurance Association, a trade group. That means there may not be good data on exactly how much one strategy — or several — reduces a homeowner’s fire risk, and insurers need data to decide how much of a discount to offer. 

The proposed rules, for example, would require companies to take into account whether a home is in a “Fire Risk Reduction Community,” a new certification created by the state Board of Forestry and Fire Protection. The criteria for the certification was finalized last month, according to Edith Hannigan, the Board’s executive officer, and the list of the communities that meet the requirements is yet to be released. There hasn’t been any significant analysis on how much safer certified communities are, since it’s brand new, Hannigan said. 

That’s problematic, said Seren Taylor, senior legislative advocate for Personal Insurance Federation of California, another insurance industry trade group,  because everything in insurance “is about understanding risk and having data.”

The new program was “established with the expertise of the Board of Forestry, with consideration of community programs like Firewise,” said Michael Soller, a spokesperson for the Department of Insurance.

Another concern Taylor cited has to do with intellectual property. Many insurers rely on models, often provided by separate companies, to assess the risk of wildfire to a particular home or area, taking into account factors like the slope a home is on, or the kind of roof it has. The rules require insurers to make those models public. 

“These companies spend tens of millions of dollars building complex computer models,” said Taylor, and they want to create models that are more accurate than their competitors. 

“What our folks are concerned about is that these modelers will say, ‘Well, we’re not going to use our most innovative new models, because why would we invest in that technology if we’re just going to have to hand it to our competitors? So we’ll give you version 2.0, but you’re not going to have version 4.0,’” Taylor said. 

Still, he said, the federation completely agrees with the goals of the proposed rules — they point in the direction some insurers are already heading. 

Currently 20 insurance companies voluntarily give homeowners some kind of discount for reducing their wildfire risk, according to the insurance department

Still trying in Mill Valley

Raveche’s community, meanwhile, is using some cutting edge measures to prepare for wildfire.

More than 250 Mill Valley residents piled into their cars to simulate an evacuation, with Google researchers standing by and gathering data to model traffic flow. Her community partnered with NASA, so fire officials can access high-quality satellite images during an active fire, she said. Raveche, who is a board member of her fire district, just wrote a guide for short-term rentals so that visitors can figure out evacuation routes and sign up for emergency alerts.

After her insurer declined to renew her policy in February, she was able to get coverage from another company. But despite her many efforts, she’s not optimistic it will last. 

“I think it’ll probably be covered for two years, maybe three,” she said. “And then I see them dropping us.”

Things To Do in Santa Cruz: May 25-31

ARTS AND MUSIC

ARTS AND OPPRESSION COMICS EXHIBITION Promoting freedom of expression, combating censorship and building diversity, equity and inclusion through arts, the exhibit features artwork from Art Professor Dee Hibbert-Jones’ comics student awardees and see sneak previews from the newest limited edition Slug Comic featuring Thought Drinker by Amy Gerstler and Elektro by Ivan Brandon. Each work celebrates graphic works as a medium of resistance. Free. Wednesday, May 25, 4-5:30pm. McHenry Library, Special Collections and Archives (third floor), UC Santa Cruz. Face covering required while inside the gallery, and be prepared to show proof of vaccination. calendar.ucsc.edu.

(CANCELED) INTIMATE STARES WITH KING TIDE With multi-instrumental Seaside musician James Findlay at the helm, Intimate Stares deliver engaging noise rock in the vein of Dinosaur Jr., Hum and Fu Manchu. Meanwhile, the genre-defying Oedipus & The Motherfuckers’ Steve “Acidhorse” Zero and Kage “Space-Hobo” O’Malley “have no influences” and have “never even heard their own music, so please write them and tell them what you think.” $10. Friday, May 27, 8pm. The Crepe Place, 1134 Soquel Ave., Santa Cruz. thecrepeplace.com.

CAPOLOW AND DB.BOUTABAG WITH FREDOBAGZ Straight outta East Oakland, Capolow’s Bay Area hip-hop reached the masses in the 2010s with “Outta Sight” and “Drip.” But Capo truly made a name for himself in 2018, racking up millions of views with “Highway Robbery” and “Vomit.” His 2019 mixtape, Sandman, is considered a concise collection of the rapper’s “brag-centric, Bay Area trap.” Most recently, Capo teamed up with Kamaiyah for the collaborative tape, Oakland Nights. $20-25 plus fees. Friday, May 27, 8pm. The Catalyst Atrium, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

JERRY’S MIDDLE FINGER Since 2015, the Los Angeles-based outfit “delivers the best Jerry Garcia Band tribute experience in the world—performing and celebrating the music of JGB with unparalleled sound and energy.” The quintet’s wholehearted enchanted dance parties have no end in sight, so “whether you saw Jerry 500 times or were born after his time on earth, this much is true: JMF will make you feel like he’s still here.” $25 plus fees. Friday, May 27, 8pm. Felton Music Hall, 6275 Highway 9, Felton. feltonmusichall.com. 

HARRY AND THE HITMEN WITH MAMMATUS From a tradition of improvised rock and years of experimentation behind tight arrangements, Harry and the Hitmen unleash the best of Stax and Motown and original blue-eyed soul. Don’t be fooled by the suits; the longtime sextet is made up of perpetually evolving musical risk-takers who deliver “one-of-a-kind dance parties wherever needed!” For Mammatus, ear protection is recommended. The psych-stoner-desert rockers—think Hawkwind meets Blue Cheer while liquified peyote rains down on them—play loud, in a hurts-so-good way. Since 2005, the Santa Cruz outfit has gone on a few hiatuses here and there, but they are psyched to be working their way back into the public’s consciousness. $15/$20 plus fees. Friday, May 27, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

‘THE FAIRY QUEEN’ Henry Purcell’s The Fairy Queen celebrates the return of fully-staged, live opera at UCSC. Considered a “semi-opera,” the work was initially written as “incidental” music for Shakespeare’s A Midsummer Night’s Dream. In this version, the beautiful vocal and instrumental movements are blended with dialogue from the play. Visalia’s Sequoia Symphony members join UC Santa Cruz singers and actors. Bruce Kiesling conducts, and Sheila Willey directs. (Read this week’s cover story). $15-32/Free for students. Friday, May 27, and Saturday, May 28, 7:30pm. Quarry Amphitheater, UC Santa Cruz. calendar.ucsc.edu.

MARIACHI WOMEN WARRIORS The all-female Mariachi Divas de Cindy Shea has recorded 17 albums and scored two Grammys and 11 Grammy nods. Since 2003, the collective has been the official mariachi outfit of Disneyland. Formed by trumpet talent Cindy Shea, the band is one of the world’s most accomplished all-female mariachi groups. Also on the bill, all-female trio Ellas developed a unique fusion of mariachi and modern music using guitar, guitarron (bass), violin and their captivating harmonies, their debut Ellas #primerafila hit No. 7 on iTunes’ Latin charts. Each member has earned Grammys in their individual musical careers—inevitably, they’ll soon be taking home the award as Ellas. Presented by the Mariachi Women’s Foundation. $27-57. Saturday, May 28, 7pm. Henry J. Mello Center, 250 E. Beach St., Watsonville. mariachiwomen.org/mwc-2022.

JAMS AND VISIONARY ART SHOW BENEFIT FOR WYLDER LEE Tatiana & Treetop Band—special guest Matt Hartle—offer original tunes inspired by a plethora of genres and “serendipitous experiences.” The Santa Cruz group jams hard from Americana to Afro-Latino grooves while driving an improvised odyssey into the unknown. As word spread, the six-piece has become increasingly noticed—recently, they opened for the California Honeydrops. There will be live painting from Hana Stanke, Tess Elation, the Letter Mermaid and others, and a silent auction. $15. Saturday, May 28, 7:30pm. Michael’s on Main, 2591 S. Main St., Soquel. michaelsonmainmusic.com.

JASON KAHN WITH MINISTRY OF APATHY Each Jason Kahn performance is different because the music is improvised. Still, the source material relates directly to each venue he plays in. This twisted conglomeration of Kraftwerk and Brian Eno also features chaotic feedback and a purposely overloaded synthesizer, resulting in momentary collapse. Additionally, a variety of contact microphones, electromagnetic inductors and the synthesizer’s output via a mixing board are used to modulate the synthesizer’s parameters. The result is difficult to control but allows Kahn to achieve grandiose expressivity. $8/$16. Saturday, May 28, 8pm. Indexical, 1050 River St. #119, Santa Cruz. Proof of vaccination is required. indexical.org.

JOSHUA RAY WALKER WITH BEN CHAPMAN Texas singer-songwriter Joshua Ray Walker’s new album—his third full-length record in three years—See You Next Time is an accurate depiction of a honky-tonk dive and the loners who inhabit it: “barflies and wannabe cowboys, bleary-eyed dreamers and hopelessly lost souls.” It’s the final installment in a trilogy launched with Walker’s 2019 debut Wish You Were Here and the praised follow-up Glad You Made It, which made No. 5 on Rolling Stone’s “Best Country and Americana Albums of 2020” list. $20/$35 plus fees. Sunday, May 29, 8:30pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

ARTEMIS Celebrate Kuumbwa Jazz’s belated 45th anniversary with Artemis, an all-star group featuring six of the world’s top jazz performers: pianist and musical director Renee Rosnes, trumpeter Ingrid Jensen, clarinetist Anat Cohen, saxophonist Nicole Glover, bassist Noriko Ueda and drummer Allison Miller. Named after the Greek goddess of the hunt, forests and moon, Artemis is a cooperative of artistry at its best, unleashing unforgettable performances fueled by mind-blowing musical interaction. $68.25/$73.50; $36.75 students. Tuesday, May 31, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

ANNUAL SANTA CRUZ LONGBOARD UNION MEMORIAL DAY SURF CONTEST It’s an annual tradition: Nearly 200 contestants compete every Memorial Day weekend in the longest-running longboard surf contest on the West Coast. The Santa Cruz Longboard Union’s mission is to “preserve, promote and perpetuate the values, belief and essence of surfing.” No better spot than Santa Cruz to assemble. Free for spectators. Saturday, May 28, and Sunday, May 29, 7am-4pm. Steamer Lane at West Cliff Drive, Santa Cruz. santa-cruz-longboard-union.com (competitor sign-ups).

VETERAN SURF ALLIANCE MEMORIAL DAY PADDLE OUT The Santa Cruz nonprofit creates fellowship and community among veterans through surfing as an activity to ease the transition from military service to civilian life. The VSA’s Memorial Day gathering and paddle out in Capitola honor fallen service members. The memorial paddle out follows the color guard presentation. All veterans, community members and visitors are welcome. Free. Monday, May 30, 9am-noon. Capitola Beach and Esplanade, Capitola. veteransurfalliance.com.

GROUPS

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, May 30, 12:30pm. 831-457-2273. womencaresantacruz.org.

LAUGHTER YOGA Having fun, feeling good and relaxing. That’s what Laughter Yoga is all about. Laughing is a form of stress relief. The group laughs as a form of exercise, and through eye contact and childlike playfulness—fake laughter becomes genuine and contagious. The body doesn’t know the difference between fake laughter and the real thing, so chemicals (dopamine, serotonin) are released, easing our minds and bodies. Free. Tuesday, May 31, 3:30-4:30pm. Inner Light Ministries (Fireside Room), 5630 Soquel Drive, Soquel. sa-cc.org.

OUTDOORS

COASTAL BIRDING WALK Nothing like a mellow 2.5-mile hike to soothe the soul. There will be many stops to view the birds, plants and scenery. Bring binoculars if you have them and good walking shoes. Meet in Wilder Ranch’s main parking lot next to the park map. Rain cancels. Masks required. $10 (day-use parking fee). Friday, May 27, 9am-noon. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz. santacruzstateparks.as.me/schedule.php.

SEASONAL WILD PLANT WALK WITH JESSICA TUNIS The “learning journey” delves into the abundant world of wild plants. Local naturalist Jessica Tunis leads the mile-long excursion, identifying wild plants and their unique properties. Learn about local plants’ healing and nutritional properties and the symbiotic relationships to the ecosystems that support them. Additionally, learn what makes a plant invasive. The walk concludes with tea, tastings, picnic snacks made from some of the wild edibles identified and a Q&A. $60; $10/children (7-12 years old with paying adult). Saturday, May 28, 11am-1pm. Quail Hollow Ranch, 800 Quail Hollow Road, Felton. pe********@***il.com.

The Jewel Theatre’s ‘An Iliad’ Reimagines an Epic

Possibly the greatest story ever told about human folly, Homer’s Iliad sings of the entwining hubris and rage that led to the Trojan War three millennia ago. In the Jewel Theatre’s production of An Iliad, by Lisa Peterson and Denis O’Hare, a lone poet recounts, reenacts and refreshes the ecstatic energy of the 10-year conflict between the Greek hero Achilles and the Trojan’s great warrior Hector. Deeply flawed and deeply human, the mythic characters have been drawn from the highly readable Robert Fagles translation, and reimagined.

As the play opens, a lone poet takes the stage and calls upon the Muses for help to once more sing the song of rage, a song sung across the ages. As performed by a spectacular Patty Gallagher, the tale becomes as shocking and vivid as footage of the current war raging in Ukraine. This is a part Willem Dafoe would kill for. But I can’t imagine he could do it as well.

We see the endless armada of ships in that wine-dark sea, the tens of thousands of soldiers battling on blood-soaked shores, the bickering of Achilles and his general, the atrocities on both sides. It is Homer’s epic poem come to life through the extraordinary physical skills of Gallagher and her treasury of gestures, but it’s also a tour de force punctuated with asides in contemporary language, inflected with humor and visual puns. Lighting design by David Lee Cuthbert becomes an effective player in what is essentially a one-person show. As Gallagher points, lights flash. As the battlefield blooms with corpses, the air glows blood red.

The success of this bold theater piece depends entirely upon the central player, and in this case Gallagher delivers a master class in full-body acting. She is not only vocally flawless, but infinitely inventive in giving new voices to each character described. Shifting accents, changing walks, stances, pitch, volume. But more than that. Gallagher—in league with director Kirsten Brandt—unleashes an arsenal of gestural leitmotifs, much as Richard Wagner does for his mythic opera themes and characters. Death has its own choreography, as does the forging of armor and the hacking of limbs. So do Achilles, Hector, Hecuba, Priam and on and on. The motifs help to keep each mythic character distinct to the audience.

It is such a dazzling—and yes, epic—performance that one wonders why so much stage space was squandered. The only other figure on the stage plays the poet’s Muse, sitting at the piano and plunking out tuneless sounds. He then takes up a guitar and plays what are intended to be mood-inducing sounds. Not speaking, nor adding any substance. Another instrument—a single guitar or double bass—would have been more effective and less distracting. Same for the square banners dangling from the ceiling. Visually distracting. Ditto the sheer scrim, and wires and ropes. All in all, the set felt cluttered. A bare stage, one or two places to sit, and this single actor could, like Homer, have kept us spellbound the entire time.

As the play lengthened I began to realize that I was watching Homer tell the great poem embodied within and by Gallagher. In an era before screens or books, live storytelling enthralled listeners. History unfolded before their very eyes. And so Patty Gallagher became Homer, using only the human voice, body and such intense focus that time dissolved and we were witnesses to the very spectacles of the Trojan War. And other wars as well.

So brilliant is Gallagher, and her astonishing memory, that I wished there might have been more room/space for her anecdotes and colorful episodic narrations to unfold. It is the fault of the play that not only does it continue on a full 15 minutes after the magnificent denouement, but that it tries to fit in so much granular detail that there’s no room to breathe. We can’t fully enter the picture the poet has just painted for us before we are hustled out into the next episode, and then the next. More breathing space would have allowed the full impact of each spoken scene to penetrate our imaginations, and our hearts.

But I was in tears more than once, moved by Gallagher’s utter conviction, her own heartbreak over the picture that she as poet/player was materializing.

It’s a virtuoso performance, never more so than in the long, astonishing strands of monologue that only Homer himself might have equalled. (This production will have you running for your copy of The Iliad, the magnificent translation by Robert Fagles whose text inspired the play.) An Iliad is theater at its most powerful, and a remarkable evening of one-person magic by an epic storyteller.

Jewel Theatre’s ‘An Iliad,’ by Lisa Peterson and Denis O’Hare, directed by Kirsten Brandt and starring Patty Gallagher, runs through June 12 at the Colligan Theatre on the Tannery campus, 1010 River St., Santa Cruz. jeweltheatre.net.

Letter to the Editor: No Deception in D

Re: “A County Divided” (GT, 6/18): I would much rather have a beautiful, peaceful greenway along that publicly owned scenic corridor, with separate paths for vehicles and pedestrians, than an industrially ugly and dangerously disruptive narrow partial path next to a train line that will never be built. 

There is nothing “deceptive” about railbanking, a federal designation to preserve the possibility of building a new train line there (the old rails are coming out regardless) if you can ever sell the public on an incredibly expensive and unwise proposal for that. (Electric light rail for transportation should go down the middle of the freeway, paid for by the feds and the state.) The reason why railbanked old freight lines are rarely turned back into trains is because people around the country love greenways (I enjoy them when I visit my friends in New York). 

Steven Robins

Felton


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Letter to the Editor: Not Rocket Science

Re: “A County Divided”: We are the neighbors of Silicon Valley, home of the brains, ingenuity and visionary leadership of the technological world right now. 

Here in our precious and gorgeous coast side land, with a wee bit of delight and real political will, we could install an electric passenger train running on our tracks in just a few years. We could be riding in quiet style and connecting to the larger rail network.

It’s not rocket science. With a clear vision, coupled with our amazing thinkers, leaders and the current technology, all of our needs could be satisfied. The train would be safe, useful, link us to buses, trains, and be adjacent to a lovely pedestrian and bicycle trail. 

We are leaders. This is our opportunity to create a positive future and set an example of how to quickly advance this world into non-fossil fuel transportation. Concern for public welfare, desire to mitigate the climate crisis, and improve the public transportation system all can invigorate us.

I am proud to be a Watsonville resident and applaud our Council members who took a stand. After studying the issue, the City of Watsonville voted unanimously in opposition to the measure D initiative.

Let’s wow the world. We can have the trail and build a wonderful public transportation system.

Judy Gittelsohn

Watsonville


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Letter to the Editor: Rail for Mom

Re: “A County Divided”: My mother was known as the Mother of California Bike Trails for her early and successful advocacy to use part of the gas tax to support bikeways. Her first bike advocacy project connected our semi-rural community to the more urban areas, giving cyclists a safe path far from the high-speed traffic. She wanted everyone to be safe on their bicycle, not just those accustomed to watching over their shoulder for speeding vehicles. 

Her commitment to safety and access led her to write three popular trail guides to Bay Area trails and take countless community members on hikes where she was known for her kind smile and welcoming manner. She was a visionary environmentalist who helped save thousands of acres of the Santa Cruz mountains from development, leading to parks we all enjoy now.

My mom passed on recently at 101, leaving three generations of the family in Santa Cruz Co. As she aged, she watched carefully as the Santa Cruz County rail corridor project came into being, excited about the possibilities, and I think of her perspective now as we weigh our options.

Will we give future generations the option of clean light rail and have a trail next to it, or make a path that would be mostly recreational while condemning our neighbors in South County to ever-longer commutes?

Will we keep open the possibility of connecting commuter rail to our bus system and increasing ridership by 150%, or eliminate all possibility of even planning for rail transit and build an extra-wide bike path that won’t help small children, people with disabilities, or those carrying packages get from one town to the next?

My mom was committed to preserving the beauty of our region for future generations, and to making the best our community can provide available to everyone, not just a few. She loved the idea of rail and trail, a simple choice to keep our options open, serve our people and safeguard our climate. Let’s listen to her wisdom, and Vote NO on D.

Kaki Rusmore

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Opinion: A Different Kind of Opera

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

Claude Debussy said, “In opera, there is always too much singing.” Surely tongue-in-cheek coming from a composer who thought Tristan und Isolde was the greatest piece of art ever made, but as someone who likes my stage drama talky, I actually agree. So UCSC’s new “semi-opera”—a phrase I had never heard until reading Christina Waters’ cover story this week—is kind of perfect for me. And best of all, the spoken dialogue of The Fairy Queen, a fascinating 17th century work from composer Henry Purcell, is from Shakespeare’s A Midsummer Night’s Dream. Between this and Santa Cruz Shakespeare’s upcoming premiere of local playwright Kathryn Chetkovich’s The Formula—based on the same work—it’s going to be a Midsummer summer around here. I won’t give away any more about what Sheila Willey and UCSC Opera have in store with The Fairy Queen; be sure to read Christina’s cover story to find out.

We also have more election coverage this week, and will wrap it up in next week’s issue. I’ve been buried in reader response to last week’s Measure D issue; thank you to everyone who wrote in and commented online. I will get as many of those letters in as possible before the election!

STEVE PALOPOLI | EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

DEFENSE STRATEGY In case you were wondering why puppies can get away with everything. Photograph by Kira Lee Martin.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

RACE INFORMATION

The June 7 election is coming up, and time is running out to learn more about the candidates vying for a spot on the County Board of Supervisors—luckily, Community Bridges is hosting a free forum to get you caught up. Hear about the 3rd and 4th District Santa Cruz County Supervisorial candidates’ views on Santa Cruz County support for food security, health care, early childhood education, fire recovery and other important issues. The forum is on May 25. To participate, contact in**@******es.org.


GOOD WORK

BIG SMILESTONE

Dientes Community Dental Care, the nonprofit offering access to low-cost oral health care, just hit a milestone. On May 19, Dientes officially celebrated 30 years of providing affordable and high-quality dental care for patients who are on public insurance or uninsured. The nonprofit has helped 50,000 patients, many who live at or below the poverty level. Having good teeth is an important part of being healthy and having confidence, so huge thanks to Dientes for making oral healthcare more equitable.


QUOTE OF THE WEEK

“No good opera plot can be sensible, for people do not sing when they are feeling sensible.”

— W.H. Auden

Beauregard Vineyards’ 2016 Zinfandel Pops with Wild Berry Flavor

Also, Aptos Vineyard’s pop-up tasting and Chardonnay wine cruises

Capitola Diner & Sports Bar Offers Hearty Meals and Friendly Service

From Philly Cheesesteaks to chiles Rellenos, the longtime Capitola favorite does it all

Jozseph Schultz Highlights New Music Works’ Annual Avant Garden Party

Plus, Taste of Terroir winemaker dinner, Bantam’s non-pizza options and Venus brings on John Harry as chef of its new Rio Del Mar location

California Wants to Force Insurers to Reward Homeowners for Fireproofing Homes

California’s Department of Insurance wants to require insurers to take homeowners’ efforts to reduce wildfire risk into account when setting premiums

Things To Do in Santa Cruz: May 25-31

Mariachi Women Warriors, Artemis, Annual Santa Cruz Longboard Union Memorial Day Surf Contest and more

The Jewel Theatre’s ‘An Iliad’ Reimagines an Epic

The theatrical reimagining of Homer’s masterpiece erupts with a renewed energy

Letter to the Editor: No Deception in D

A letter to the editor of Good Times

Letter to the Editor: Not Rocket Science

A letter to the editor of Good Times

Letter to the Editor: Rail for Mom

A letter to the editor of Good Times

Opinion: A Different Kind of Opera

Shakespeare’s fingerprints are all over this summer’s stage productions
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