Music Picks: Feb. 19-25

Santa Cruz County live entertainment picks for the week of Feb. 19

WEDNESDAY 2/19

FUNK/BLUES

RON ARTIS II AND THE TRUTH

Singer songwriter Ron Artist II has a backing band called the Truth. He also has a song called “The Truth.” On it, he rips through funk music at about twice the speed of James Brown’s “Get on Up”—and his band somehow manages to play it flawlessly and funky. As impressive as his hyperspeed funk is, what’s more amazing is his range. He plays downtempo bluesy tunes, soul, and even strums several easy going acoustic songs that will make you think of Jack Johnson or Ben Harper. AC

INFO: 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854. 

 

CAJUN

MICHAEL DOUCET & SARAH QUINTANA

Arguably the most renowned musician in modern Cajun music, Michael Doucet is not only the recipient of multiple Grammy awards but also the National Endowment for the Arts’ National Heritage Fellowship. On “Water, Water,” the first single from this year’s solo outing Lacher Prise (“Let it Go”), the Louisianian fiddler surrenders to nature’s whims, coaxing a fine mid-tempo groove out of a song about being flooded in bayou water. Doucet is joined by guitarist/songwriter Sarah Quintana, whose soulful voice buoys the spirits of “Water, Water.” MIKE HUGUENOR

INFO: 7:30pm. Michael’s On Main, 2591 Main St., Soquel. $22 adv/$25 door. 479-9777.

 

THURSDAY 2/20

COUNTRY

MIRA GOTO

Whether you call it “California Country” (or “Diet Country” as Mira Goto calls it), there’s no denying that Los Gatos native Goto has a knack for good ol’ fashioned singing, songwriting and storytelling. Currently a resident of Nashville, Goto returns to our neck of the woods. Her music is a staple around these parts and can be heard frequently on KPIG. This homecoming show is also Goto’s record release party for her latest album, Nobody Warned Me. MAT WEIR

INFO: 7:30pm. Michaels at Main, 2591 Main St., Soquel. $10. 479-9777. 

 

FOLK

KRIS DELMHORST

Be careful with your heartstrings around Kris Delmhorst, or they may just get tugged. With a voice like Sarah McLachlan or Nicki Bluhm, Delmhorst sings a kind of forlorn folk populated with heroes straight out of a Willy Vlautin novel: denim-clad dreamers who walk dusty country roads looking for something like home. 2017’s The Wild (her most recent) finds the songwriter opening up sonically, creating spacious soundscapes that evoke an American wilderness living both out there in the land, as well as in the dark interior of the heart. MH

INFO: 9pm. Crepe Place, 1134 Soquel Ave, Santa Cruz. $12/adv, $15/door. 429-6994.

 

FRIDAY 2/21

AMERICANA

THE COWTOWN SERENADERS

The musical saw is the perfect instrument for Arcata’s Cowtown Serenaders. They harken back to the simplicity of early Americana, both in their makeshift acoustic music and their knack for DIY theatrics and vivid storytelling. The group isn’t necessarily a time capsule of this bygone era; they use it as a background for their theatrical performances and push to move Americana into the new millennium. AC

INFO: 8pm. Lille Aeske, 13160 Hwy 9, Boulder Creek. $20/adv, $25/door. 703-4183. 

 

COMEDY

EDDIE PEPITONE

Eddie Pepitone would like to kindly remind you that the rich have been, um, “screwing” us all since the dawn of Capitalism. “They were [screwing] us back then,” he says in a Comedy Central Special, “but now they’ve drugged us, they have us in a trunk, they’re making us dig our own graves.” But that’s not the only screwing going on, because Pepitone couches this social history lesson within an anecdote about losing his virginity to his college history teacher. It’s smart, but it’s also filthy, and screaming at you. What’s not to like? MH

INFO: 7 and 9:30pm. DNA’s Comedy Lab, 155 S River St, Santa Cruz. $20/adv, $25/door. 900-5123.

 

SATURDAY 2/22

HIP-HOP

LEON THE GOD

Some rappers go for that laid-back, weed-soaked sound, but New Orleans emcee Leon the God takes that sound and dials it down another 10 notches. Leon brings literally the lowest key beats you’ve ever heard—but it won’t put you to sleep. He spits clever verses while hyping you up to groove your hips along to the slow-grinding beat. AC

INFO: 9pm. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10. 423-7117. 

 

MONDAY 2/24

ROCK

J.D. SOUTHER

Over his 55 years in the industry, J.D. Souther has floated from behind the scenes to in the public eye to back behind the scenes. Heavily influenced by Roy Orbison, Souther co-wrote some of the Eagles’ biggest hits (“New Kid In Town,” “How Long,” “Best of My Love”) after becoming friends with Glenn Frey. Throughout the ’70s and ’80s, he would cut his own solo albums, scoring his biggest solo hit with 1979’s “You’re Only Lonely,” and collaborating with friends like James Taylor. But throughout it all, Souther continued to pen hit songs for Don Henley, Linda Ronstadt, George Strait and Roy Orbison. MW

INFO: 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $40. 423-8209.

 

JAZZ

STACEY KENT

A gamine singer who combines probing literary intelligence, a good feel for understatement, and a finely calibrated emotional palette, Stacey Kent has honed a fascinating repertoire that includes original songs with her husband, British saxophonist Jim Tomlinson, and celebrated British novelist Kazuo Ishiguro. She sounds glorious on her latest album, I Know I Dream: The Orchestral Sessions, but she’s just as effective in small group settings. ANDREW GILBERT

INFO: 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $47.25/adv, $52.50/door. 427-2227.

Love Your Local Band: The New Horizons

Jimmy Palafox had some impressive teachers—Adolfo “Fito” de la Parra, drummer of Canned Heat, and Jose “Chepito” Areas, percussionist of Santana, who are both family friends. Though primarily a drummer himself, Palafox started writing his own songs on the guitar in 2017, calling the project the New Horizons. Within a few months he found members to round out the four-piece band.

His original songs were highly influenced by the music of his mentors, a mix of Latin music and blues-rock. 

“The band mostly evolved from the Latin and blue stuff that I was playing. Then the new guys brought in their own touch. It kind of created this unique sound,” Palafox says.

In 2018, the band—which at the time was Palafox (drums), Owen Drew (lead guitar), Jacob Bayani (rhythm guitar/vocals), and Caleb Riley (bass/vocals)—recorded its first full-length. The songs reflect the diversity of the band—while still rooted in Latin music, psych-rock and blues, it goes into a lot of other areas.

“We don’t like to stick to a genre. We like to play a little bit of everything. You become a better musician if you play more styles and don’t just stick to one specific thing. Blues, rock, reggae, alternative, jazz. We’re constantly learning new genres,” Palafox says.

The group released two of the songs, “No Rich Man” and a cover of Bob Dylan’s “Slow Train” to online streaming services last summer, in the hopes of building the band’s fanbase and raising money to finish their album. The current version of the band still includes Palafox and Bayani, but now has Xai Clayton on bass and Sal Contreras on guitar. They hope to release the album later this year.

INFO: 7pm, Thursday, April 23, Sand Bar, 211 Esplanade, Capitola. Free. 462-1881. 

Film Review: ‘Downhill’

Anyone who has seen the complex, slightly disturbing Swedish cerebral thriller Force Majeure might have been surprised—possibly horrified—to learn it was being remade in the U.S. as a Will Ferrell comedy. That may have been especially true after seeing the trailer for the remake, now called Downhill, that features a lot of comic slapstick action and exasperated yelling from Ferrell and co-star Julia Louis-Dreyfus.

Your faithful critic was one of those skeptics. So it’s a relief to report that Downhill proceeds with a lot more serious intent than you might expect, as befits the story of a family on a ski vacation whose close encounter with a near-avalanche and its aftermath threatens to drive the parents’ marriage off a cliff. Co-produced by Louis-Dreyfus, it does have more of a frenetic undercurrent than the spare, sober original, but the theme of disrupted trust still has a harrowing edge.

An American family—dad Peter (Ferrell), mom Billie (Louis-Dreyfus), and their twin sons (Julian Grey and Ammon Jacob Ford)—is on vacation at a fancy ski resort in the Swiss Alps. On their second day on the slopes, they are having lunch at a cafe on an open terrace when one of the “controlled” mini-avalanches periodically set off at the resort suddenly comes hurtling down the mountain toward them. It takes a couple of minutes for the tourists happily snapping pics on their phones to register the danger and dash inside from the terrace. One of them is Peter—who flees his family in fear.

It’s a near miss; within another few minutes, diners are returning to their meals, trying to laugh it off. But not before viewers experience (along with Billie and the kids and a few others left behind) a moment of complete, paralyzing whiteout. Paralyzing, too, is the gulf of silence that grows between Billie and Peter when he fails to even discuss what happened. It only widens when a co-worker and his girlfriend (Zach Woods and Zoe Chao) join them at the resort.

The issue is not only that Peter ran off in a moment of panic, but also his subsequent behavior. At first acting as if nothing untoward has happened, he then grudgingly begins referring to the “event,” downplaying its significance. In attempting to whitewash the entire incident as no big deal, he not only refuses to acknowledge Billie’s genuine terror in the moment, but also belittles her for having felt it. Worse, he keeps contradicting her account with his alternative version, trying to control the truth after the fact.

Much of the movie is devoted to Peter scrambling to reestablish common ground with the prickly Billie. It’s especially pathetic the way he tries to worm his way back into the illusion of solidarity with her against the frosty resort rep to whom they complain about the incident. (The rep is played by Kristofer Hivju, beloved as the ginger-haired Wilding leader in Game of Thrones. Fun fact: it’s a cameo for Hivju, who co-starred in Force Majeure as the husband’s visiting co-worker.)

Louis-Dreyfus and Ferrell deftly ramp up the tension between them in many small ways. But it’s a bit disappointing when they finally have their inevitable showdown that Billie is most concerned with how much Peter wants to be with the family—extending to him the luxury of making a choice. The real question ought to be how they can regain the necessary trust in their partnership after his prolonged failure to behave with honesty.

Angst aside, there are some more overtly comic touches here, like Billie’s interlude with a handsome Italian ski instructor (Giulio Berruti), and the overbearing Frau Blucher (only more glam) of a hotel concierge (Miranda Otto) who sets them up. But it’s a mistake to market this movie as a typical rom-com for the date-night crowd, who will no doubt find it more perplexing than romantic.

 

DOWNHILL

**1/2 (out of four)

With Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoë Chao, and Miranda Otto. Written by Jesse Armstrong and Nat Faxon & Jim Rash. Inspired by the movie Force Majeure by Ruben Östlund. Directed by Nat Faxon and Jim Rash. Rated R. 86 minutes.

A Superb Sparkling Rose from Equinox

Champagne is for all sweethearts on Valentine’s Day. What would the most romantic day of the year be without a drop of bubbly?!

Although the word “champagne” is used as a generic term for sparkling wine, it refers to a region of France where true champagne is made. All others are sparkling wines–the best ones made in the méthode champenoise style. When you experience superb sparkling wines, such as those made by Barry Jackson–owner and winemaker at Equinox–they sing their own song of quality and flavor.

Equinox’s 2014 Monterey Sparkling Rosé is simply fabulous. Jackson’s tasting notes tell of tight mousse, bright aromatics of strawberry and vanilla, with a mid-palate of raspberry and blood orange. With its “whisper of sweetness” in the finish and gorgeous blush color, this brut (dry) sparkling wine is all you need to share with your Valentine. It’s available in Staff of Life for $45, but you have a wider choice of sparklers if you head to the Equinox tasting room.

Persephone Restaurant in Aptos will hold a winemaker’s dinner on April 26 featuring Jackson and his wines. As well as Equinox sparkling wines, Jackson still makes wines under his Bartolo label.

Equinox Wine, 334 Ingalls St., Unit C, Santa Cruz. 471-8608, equinoxwine.com. Open daily from 1-7pm.

 

Posy Pop-Up for Valentines

It’s that romantic time of year when flowers are in big demand. Renowned florist Teresa Sabankaya will hold a fun Posy Pop-Up flower boutique–by her Bonny Doon Garden Company–at the delicious Buttercup Cakes and Farmhouse Frosting store in downtown Santa Cruz. The Pop-Up will be held from 9am-9pm, Feb.10-14, and will feature a full Valentine’s Day gift boutique with candles, body-care products, flowers, and more, making it a one-stop visit for Valentine’s Day gifts.

For more info visit farmhousefrosting.com; teresasabankaya.com; bonnydoongardenco.com.

 

Valentine’s Day

Chocolate the Restaurant has created some sexy specials for Valentine’s Day, including a to-die-for Valentine’s Dessert Orgy. Also, Burrell School Vineyards will hold a Valentine’s dinner on Feb. 14. 

chocolatesantacruz.com; burrellschool.com.

Opinion: Feb. 12, 2020

EDITOR’S NOTE

Though it’s gone almost unnoticed everywhere except here in the pages of GT, Santa Cruz has played a major part in the podcast revolution. The producers and stars of such blockbuster podcasts as Serial, Bullseye, Undisclosed and more got their start up at KZSC on the UCSC campus, or at local radio stations like KSCO and the gone-but-not-forgotten KUSP.

This week, Jacob Pierce takes a look at two more Santa Cruz connections to the podcast world. The subject of his cover story, Ezra Klein, hosts a couple of popular podcasts, and now the former UCSC student and co-founder of Vox Media has a new book about the intense political polarization in our country. Pierce profiles Klein, and explores in a sidebar story how that same polarization has trickled down to local politics, as well.

In the news section, he also has a Q&A with KUSP alum Sean Rameswaram, whose podcast Today, Explained has risen to rival NPR’s Up First and the New York TimesThe Daily as America’s daily-news podcast of choice. We plan to stay plugged in to the rapidly evolving podcast industry and this area’s surprisingly strong connection to it.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

DCC DOES LISTEN

Re: “Berner Accounts” (GT. 1/29): The DCC does actively listen and encourage everyone to vote in our community. The DCC has over a decade of accumulated fundraising dollars earned by hard-working volunteers that is utilized for staffing offices in Santa Cruz and Watsonville during election seasons. The DCC races have appeared on the last two presidential primary ballots because there were more candidates than seats. The number of seats is determined by Santa Cruz County Elections Department based on voter registration. The DCC’s agenda for the monthly meetings include an informative report on Affordable Housing. The DCC have members that support the Green New Deal and the DCC provides Green New Deal yard signs. Did you read about the DCC’s role in the incredible 2nd Civics Summit giving high school students the opportunity to meet and talk to our electeds? Yes, it’s true, Democrats have a big tent. The DCC members are a diverse group that support our local unions, support Swing Left and support the five active members that are local Sanders supporters. We invite the public to the monthly meetings and to help with flipping districts to blue.

Carolyn Livingston, Treasurer, Democratic Party of Santa Cruz County

 

Manu Up

Re: “Jet Plane Wrong” (Letters, GT, 2/5): I’ve lived in Soquel more than 40 years. My Supervisor is John Leopold. I voted for him three times but I can’t vote for him again. I no longer believe he represents the best future for my community. 

Leopold has been thoughtless in regards to development in the mid-county; ignoring the voices of his constituents, favoring wealthy out-of-town developers. He supports a billion-dollar train to Davenport without having the money to pay for it. Likely to be funded by increased parcel and sales taxes, used largely for transporting freight through our neighborhoods and offering little relief to traffic congestion.

Manu Koenig’s candidacy feels fresh and has a vision for the future. While he supports policies to mitigate traffic and encourage alternative means of transportation, Leopold just voted (ignoring community opposition) to build a car dealership at the busiest intersection in the mid-county, irrevocably changing the nature of the mid-county community. He disregarded years of planning by Sustainable Soquel for building a walkable, livable community. He betrayed our community.

Honestly, do we need more cars in Santa Cruz? 

We are choking in traffic. 

While Manu Koenig is creatively and progressively planning a better future, John Leopold has tied himself to the old, worn out values that no longer work and no longer serve us. Manu is willing to listen and learn. Leopold has demonstrated that he will not and does not.

If John Leopold was able to solve our problems, he’d have done so by now.

It’s time for a change.

I’m voting for Manu Koenig

Michele D’Amico | Soquel

 

YES SHE DID

Is it just goodwill on the part of Melissa Etheridge, recipient of the first non-retail cannabis license approved by the county supervisors, for giving a concert and meet-and-greet in support of John Leopold’s campaign? Surely the value of Melissa’s “contribution” to John’s campaign must exceed the state Fair Political Practices limit of $500? Or is this just a “thank you” in the bank in case her business needs other county supervisory approvals?

Nadene Thorne | Santa Cruz

 

CORRECTION

Last week’s music story (“Queue the Music,” 2/5) misreported the day of the week of the band Hawktail’s upcoming show at Michael’s on Main. The show is Saturday, Feb. 15.


PHOTO CONTEST WINNER

Taken on a stroll along Rio Del Mar Beach in Aptos. Photograph by Shelly Fukushima.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

ART COUNTS

The Santa Cruz County Office of Education has announced a student art contest to raise awareness about the 2020 Census. Entries must include the text of the theme, “Everyone Counts!” and/or “¡Todos Contamos!” They must be delivered to Audrey Sirota at the County Office of Education, and the back of each artwork must include the student’s name, school, grade, teacher, phone number and email. Artwork must be between 8.5 and 12 inches wide and between 11 and 18 inches long. The deadline is Feb. 21.


GOOD WORK

ABOUT CHASE

Santa Cruz police responded to a report about a suspected DUI driver near Seabright Avenue at approximately 5:30 pm on Sunday, Feb. 9. As an officer attempted to conduct a traffic stop, the driver sped off. The pursuit ended with the driver striking several parked cars and a street sign. The driver fled on foot, but rangers detained him. The driver was wanted for robbery and had a DUI warrant from Morgan Hill. The convicted felon had a loaded and stolen handgun in his center console.


QUOTE OF THE WEEK

Journalism will kill you, but it will keep you alive while you’re at it.

-Horace Greeley

5 Things To Do in Santa Cruz: Feb. 12-18

Wednesday 2/12 

‘A Celebration of Ray Manzarek’

Ray Manzarek, co-founder of The Doors and keyboard legend, would have been 81 this year. In his memory, the Del Mar is hosting “Break on Thru,” a hybrid live concert and documentary capturing a 2016 tribute performance in Los Angeles by surviving Doors members John Densmore and Robby Krieger on what would have been his birthday.

INFO: 7 pm. Del Mar Theatre, 1124 Pacific Ave., Santa Cruz. $15. 

 

Wednesday 2/12 

‘Succulent Poaching and Dudleya Conservation’ 

In this talk Emeritus Director of Research of UCSC Arboretum, Stephen McCabe, will focus on recent poaching of the native succulent Dudleya plants from the California coast, as well as other succulent poaching that is a side effect of the current succulent plant craze. In one bust alone, officials seized around $600,000 worth of poached plants. The talk will cover some of the steps people are taking to protect the succulent commons and the many rare and endangered species of succulent plants.

INFO: 7pm. UC Santa Cruz Arboretum & Botanic Garden, 1156 High St., Santa Cruz. Free. 

 

Saturday 2/15 

KSQD First Birthday Bash

In celebration of KSQD’s first year around the sun, join the station hosts, donors and listeners who love community radio. There will be food, cake and of course lots of music including the Paris Quartet Classical Music, Andy Fuhrman and Friends, Heather and the Hepcats Jazz Quartet and more. Plus, the name-that-DJ game for the KSQD frequenters. 

INFO: 2-6pm. Holy Cross Parish Hall, 170 High St., Santa Cruz. Free, donations accepted. 

 

Saturday 2/15 

Celebration in Memory of Ram Dass 

Ram Dass, who left his body in December 2019, defined a generation of inner explorers and seekers of truth, love and wisdom. He left an indelible imprint on the fabric of spirituality in the West. The film Becoming Nobody is a portal to his life and teachings. The benefit screening of the film is a fundraiser for the completion and continuation of his dream, the Sri Neem Karoli Baba Ashram Hanuman Temple in Taos, New Mexico. 

INFO: Doors at 6pm, show at 7pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. nkbashram.org. $25. 

 

Sunday 2/16 

Green Fix 

Katie and Tommy Zaferes Q&A 

World Champion Triathlete and Olympian Katie Zaferes and professional sports photographer Tommy Zaferes are coming to Santa Cruz. Join them in a Q&A session as they share stories and answer questions about training, racing, nutrition, mental tactics, travel, and more.

INFO: 5pm. Sunday, Feb. 16. Family Cycling Center, 914 41st Ave., Santa Cruz. 475-3883. Free. 

 

Sunday 2/16 

Art Seen 

Santa Cruz Makers Market

The second Market of the year is this Valentine’s Day weekend. The stretch of Pacific Avenue between Water and Locust Streets becomes a pedestrian mall for the Makers Market—one of the best regular exhibitions of local makers around this time of year. There will be more than 40 local Santa Cruz County artists and crafters, plus live music by Lauren Wahl & Simply Put. Can’t make it this time? Don’t worry, the event happens every third Sunday monthly.

INFO: 10am-5pm. Sunday, Feb. 16. Pacific Ave., Santa Cruz. scmmakersmarket.com/markets. Free. 

 

Lessons on Polarization from Journalist Ezra Klein

When journalist Ezra Klein thinks back on his time at UCSC, he misses the laid-back sense of possibility that surrounded him—the space and freedom. “The fact that, as a college student, you get to run around in this grove of redwoods in a dorm room that overlooks the ocean—it’s just a privilege wasted on the young,” says Klein, who co-founded the news website Vox in 2014, at age 29. “It’s just an incredibly beautiful place to be, with wonderful values and fascinating people.”

School, he admits, never felt like a great fit socially or academically, although he had a better experience after he graduated from high school in Irvine. He spent two years at UCSC before transferring to UCLA.

Early in his freshman year at UCSC, Klein applied for an internship at City on a Hill Press, the school’s student-run newspaper. He didn’t land the gig, but shortly after getting rejected, he started his own political blog. The writing process drew him in, and by the time he graduated from UCLA in 2005, Klein says he was pretty much “a full-time blogger.”

After college, his journalism career took him to the left-leaning magazine The American Prospect, and later to the Washington Post, where he managed the paper’s online “Wonkblog.” He’s served as a columnist for Bloomberg and as a frequent guest on MSNBC. He became the founding editor of Vox, for which he now serves as editor-at-large. Klein, who recently moved from DC to Oakland, oversees projects like Netflix’s Explained show—while hosting at least a couple podcast episodes per week, and covering beats like politics, impeachment and health care.

While at the Washington Post, Klein’s work often focused on the nerdier inside-baseball questions of politics—breaking down how things get done in the Capitol or showing how to craft good healthcare policy.

At Vox, his mission broadened to explanatory journalism intended for a wider audience. Vox’s calling card has been explainer stories like “Why the Iowa Caucuses Matter” and “What Trump Has Done to the Courts, Explained.” But at a certain point it becomes impossible for news junkies like Klein and his colleagues to explain much of anything in American politics without exploring the system’s underlying dysfunction. And the central ill of the country’s political system, he’s come to find, is political polarization.

In late January, Klein released his first book. The meticulously sourced Why We’re Polarized, which debuted at number five on the New York Times bestseller list, burst on the scene, somewhat presciently, in the midst of the impeachment trial of President Donald Trump. Senate Republicans quickly acquitted Trump without bringing in any witnesses, despite the fact that the president repeatedly obstructed congressional investigations, and despite clear evidence that he and his administration withheld foreign aid in order to pressure Ukraine to launch a politically motivated investigation. The ordeal, as Klein has argued on his nascent podcast project Impeachment, Explained has been a crash course in polarization.

“There are moments in this whole process where I feel I can’t communicate how crazy what we’re seeing actually is, where I can’t quite convey that we are out of the realm of abnormal partisan conflict,” Klein said on the final episode of his impeachment show.

This country, he says, has veered into something much more dangerous.

TUG IN THE SYSTEM

For most of the 21st century, the U.S. wasn’t really polarized at all.

As recently as 1976, only 54% of Americans thought Republicans were more conservative than Democrats, and 30% said there was no ideological difference between the parties. The reasons, though, for the depolarized time of yesteryear are not pretty, Klein says.  

That political landscape had roots in the legacy and influence of southern Democrats, known as Dixiecrats. The Dixiecrats ran as Democrats, but often functioned as a third party, supporting not only many progressive programs, but also segregationist Jim Crow laws that oppressed African Americans. So in the early 1960s, the Democratic Party included everyone from South Carolina Senator Strom Thurmond, one of the Senate’s most conservative members, to Minnesota Democrat Hubert Humphrey, one of its most liberal. Likewise, Republicans also had a range of conservative and liberal members.

For all its problems, the nation essentially had a multi-party system. What worked about this setup was that it allowed for collaboration and dealmaking. The Constitution’s founders, after all, never imagined that political parties would gain a foothold. As such, they did not build political institutions equipped to function amid party gridlock. In the early 20th century, however, what may have looked to white America like a flourishing democracy was, on another level, a repressive regime stepping on the rights of minorities. 

Oftentimes, the alternative to polarization is suppression,” Klein says. 

In 1950, the American Political Science Association advocated for a change. In a 98-page paper, some of the nation’s leading political scientists argued that the country’s two political parties were too similar. Voters couldn’t tell the two groups apart, and it was time for two political parties that were more ideologically sorted. The bipartisan period began falling apart over the next two decades—partly thanks to the Civil Rights acts of 1957 and 1960 and 1964, followed by the Voting Rights Act of 1965. Eventually, the South switched from blue to red.

Although polarization itself was likely inevitable, Klein says, there are several ways polarization could have gone. “I don’t think it’s crazy to even imagine the Republican Party being the party of civil rights, [with] the Democratic Party, given its very powerful Dixiecrat wing in the mid-century period, being the party of racial inequality,” he tells me.

Ezra Klein's new book hit the bestseller list after coming out at the height of the media frenzy over impeachment.
Ezra Klein’s new book hit the bestseller list after coming out at the height of the media frenzy over impeachment.

SPLITTER EFFECT

At the heart of Why We’re Polarized is the concept of identity. 

Citing a robust assortment of social science literature, the book shows that it is human nature for people to sort into groups, developing an alarming level of distrust for anyone who appears to be outside their own group along the way. 

And although the right often uses “identity politics” as a pejorative to describe the priorities of millennial social justice warriors, Klein shows that identity politics are long-held American traditions. The interests of white, Christian American men often seemed somehow too mainstream for pundits to refer to them as identity politics. But they are, he writes. 

Klein explains that white identity politics rear their head when triggered—whether by the election of the nation’s first black president, or by slower demographic changes of a diversifying America. Anxiety is polarizing, especially when the emotion is shared by two opposing groups—each with a deep-seated fear that the other is undermining their core principles.

A citizen’s sense of self has always played a role in how he or she votes, but now, the way that Americans experience and form identities is changing—the parties aren’t just sorted politically or ideologically or racially or geographically. More than ever, an individual’s politics are predictive of whether they choose to drive a Prius or a pick-up, whether they eat at Cracker Barrel or shop at Whole Foods, how many guns they own, their musical tastes. And with the divisions between these two political coalitions sharpening, voters have stacked their identities one on top of the other to form what Klein calls “mega-identities.” In 2020, to offend one of these identities is to offend them all.

Other forces are accelerating polarization, including a changing news landscape, social media and the weakening of political parties, which used to serve as gatekeepers. Interestingly, some of the forces that gave rise to President Trump, Klein argues, are a reflection of some of the ones propelling the popularity of Sen. Bernie Sanders (I-Vt.), although Klein doesn’t say that the two men are morally equivalent.

As Americans grow more ideologically sorted, they end up forcing the country’s institutions to become more polarized, as well. That further polarizes Americans, creating a vicious cycle. But hard-line partisanship is more extreme on the right than on the left, Klein writes. That’s partly because the Democratic Party’s diversity serves as a moderating force in the party. So too does a political map with features that are quickly turning into what are essentially built-in Republican advantages, like the electoral college. In much of the country, Democrats often see incentives to be more moderate, in order to compete. The country’s rural areas, meanwhile, are growing more conservative, and the nation’s most populous states, of which there are fewer, are becoming more liberal. 

The result here, according to a FiveThirthyEight analysis, is that the average state is six points more Republican than the average voter. And a recent social science paper cited in Why We’re Polarized forecasts that Republicans can expect to win 65% of the presidential contests in which they lose narrowly in the popular vote. 

That creates a distance between the voters’ public will and the nation’s political outcomes. 

Given that the president and Senate are in charge of picking Supreme Court judges, the country could be headed for a crisis, one in which half the country views all three branches of government as illegitimate. The idea scares Klein, and not just because of low representation for Democrats.

“There’s also a power-begets-power dynamic, where Republicans or any political party that has power but sees the future turning against it begins using its power to maintain power,” he says, “so that’s Supreme Court decisions or legislative decisions around gerrymandering and the Voting Rights Act and Citizens United. You’ve seen a number of Republican states like Wisconsin and North Carolina—when Republicans lose power—begin changing the Constitution to, say, empower Republican legislature and disempower an incoming Democratic governor. We can go on a path in this country towards democracy. But another way, countries like ours sometimes go in conditions like these is towards disenfranchisement. And disenfranchisement is a scary thing for a political party to play with. I mean, it won’t be the first time in American history it’s happened, but it’s still scary. And I don’t think we have a real defense against it right now.”

POLAR SYSTEM

Why We’re Polarized offers a few ideas for solutions to polarization—not out of any particular confidence from Klein that the fixes are easy. 

Klein’s solutions come from a sense of responsibility to offer some sort of path forward. He proposes structural reforms and rule changes, like abolishing the Senate filibuster to allow the legislature to better function amid polarization. He suggests voters consider taking up mindfulness practices to be more aware of the assumptions they make. 

He also suggests activists get more involved in their own communities. That doesn’t mean that cities are immune from partisanship internally.

Not unlike D.C., Klein says that local communities can be quite polarized.

“I just think they’re different,” he tells me. “They don’t break down on the same red-blue lines. You know, the fights over affordable housing in San Francisco often pit progressives against progressives in very sharp and conflictual ways. It’s not that everybody’s in agreement. And it’s not that there isn’t polarization.” 

Nonetheless, there’s inherent value, he says, in logging off of Twitter to engage in different issues, ones that have the potential to make a real difference in people’s everyday lives. 

“A lot of the ways people participate in national politics is functionally following politics as a form of infotainment—even if it’s not very fun—versus being actually involved in a local community, which is about organizing, and it’s about making connections with neighbors,” Klein continues. “And I just think that’s going to be healthier and more nourishing. But it doesn’t mean that you’re not going to go into community politics or local politics and find fighting or very real arguments.”

I know that, personally, when I watch local government meetings here in Santa Cruz, I see political identities flaring up and driving discussions, like they do at the national level. But they are different. Voters engage with city and county leaders as landlords and tenants, as Eastsiders and Westsiders, as locals and students. 

In Santa Cruz, just as in San Francisco, observers have watched the rise of anti-development “not in my backyard”—or NIMBY—politics, as well as the YIMBY (for “yes in my backyard”) movement that’s sprung up in response.

Broadly speaking, Klein says that each group has a different way of understanding their local community and what makes it special. Anti-development “neighborhood defenders,” as he calls them, view themselves as the real residents of a community. “And their identity is as the guardians of the place in which they live,” he says.

Similarly, the other side sees something at stake. As with the neighborhood defenders, the pro-development crowd feels a real concern that the community is at risk of losing something special. It isn’t just affordability, either. 

Klein says YIMBY activists believe their community has a moral responsibility to be welcoming—just as it once welcomed in them when they first arrived. 

“It has to be open,” he says, articulating that point of view. “It has to be inclusive.” 

 


The Localization of Polarization

Political polarization has made its presence known in Santa Cruz County over in recent years—with rent control, with the future of the rail trail corridor, with Highway 1 widening, even with a possible mixed-use library and parking garage. There’s also the divisive effort to recall controversial Santa Cruz City Councilmembers Drew Glover and Chris Krohn on ballots this March. 

In his book, Klein shows that the most voracious news consumers are also the most polarized. I’ve seen in my own work that journalists can spend as much time as they want avoiding ideological talking points in their coverage, pushing conversations in constructive directions. But many readers will still interpret any articles about contentious topics in polarized—and polarizing—ways. 

My sense of curiosity has long been my best motivator, fueling the inquisitive part of my job that I enjoy most. As Good Times’ news editor, I’ve found that political fights with no insights whatsoever—just two sides exaggerating their talking points—are no fun for me, or for the reader. If there’s nothing to think critically about, the story probably isn’t going to change anyone’s mind, anyway, so it might not be worth spending GT’s limited resources on it.

And so when I’m being honest with myself, I often find writing within a polarized environment to be emotionally draining, weak on intellectual stimulation, isolating and even rather boring. 

In many ways, I’m fortunate to be reporting in a small city. I don’t feel compelled to respond to the scrutinizing whims of Twitter—which has little following in Santa Cruz right now—in the way that Klein’s colleagues do. But whereas a national reporter’s greatest critics might be internet trolls, many of mine are valued community members, who I might run into at Shopper’s Corner.

I ask Klein, in general, how he approaches journalism in an era of deep partisanship. 

It’s tricky, he says, partly because the digital age’s poor incentives tend to push news organizations to chase clicks and go in other “bad directions.” Journalists, he says, need to learn to rise above all the noise. Trump supporters, for instance, don’t want to hear that Trump is a liar. Sometimes it needs to be said, anyway.

“At least part of the problem is polarization and people not wanting to hear things they don’t already believe,” he says. “Our job is to try to tell people things that are true, whether or not that’s what they believe.” 

Santa Cruz Public Radio Alum Sean Rameswaram Explains the News

Sean Rameswaram looks back fondly on his days as a reporter, and producer host at Santa Cruz’s now-defunct public radio station KUSP.

Rameswaram made $13 an hour at the station back in 2011. On the phone with me last month, he couldn’t help wondering if he might’ve been able to hang on for a little longer, so long as it meant living in paradise. Rameswaram knows that he probably made the right call in deciding to move away, seeing as how KUSP went bankrupt in 2016—the station’s spiritual descendent, the volunteer-run KSQD, is celebrating one year this week—and Rameswaram is the host of his own show, the podcast Today, Explained. The podcast is coming up on 500 episodes on Thursday, Feb. 13, and hits its two-year anniversary on Wednesday, Feb. 19.

Part of the Vox Media Podcast Network, Today, Explained fits into the explanatory news brand, envisioned in part by the outlet’s original Editor Ezra Klein, a former UCSC student and host of The Ezra Klein Show. The concept behind the show, as Rameswaram puts it, is “that news comes at you fast. Join us at the end of the day to help you understand it.”

Sprinkled within many of the episodes is the tongue-in-cheek flair of Rameswaram and his scrappy team. Notable episode titles include “UN-for-Greta-ble” (covering Greta Thunberg’s speech to the U.N.) and “To Bibi or Not to Bibi?” (about Benjamin Netanyahu’s re-election race). Other highlights: “Son of a Biden,” “A Mueller Walks into a Barr” and probably my personal favorite, “Let’s Talk About Tax, Baby. Let’s talk about AOC.” Some episodes end with a clever surprise, like a masterfully produced parody song on the theme of the episode.

Recently, Rameswaram had Sen. Cory Booker (D-NJ) on the show—which gets more than a million downloads a week—to talk about why his presidential bid had faltered. Toward the end of their chat, Rameswaram casually invoked a conversation the two of them had in 2016. At that time, Kanye West had just “announced” that he was running for president in 2020. So Rameswaram had asked the senator back then if he would support West’s candidacy. Rameswaram played the tape. “If Donald Trump could do it, so could Kanye West,” Booker said in response, at the time, “and Kanye West might do it with a lot more style and a better haircut.”

When Rameswaram asked if Booker still thought West should run, Booker almost cut him off. “No,” Booker said with a laugh. “Hell no.”

“I think he got a kick out of it,” Rameswaram tells me. “Obviously, you try and go into an interview thinking about how you can have some real moments with him, not just a canned answer. So I’m glad we got one.”

In our talk, Rameswaram discussed his start in Santa Cruz, the behind-the-scenes workings of the podcast and much more. 

How’s life in Washington D.C.?

SEAN RAMESWARAM: When you move to D.C. from New York, which I did, people sometimes ask you about life in D.C., as if a close family member had died or something. “Are you OK? How are you keeping? Do you need anything?” And to those types of gestures, I always just tell people everything’s fine. I have a community pool a block away from my house that has a water slide. It’s never busy. D.C. is beautiful. It’s chill. It’s basically dead on weekends. The tourists all hang out in one part of town. There’s free museums as far as the eye can see. You could spend your life trying to discover them all and fail. There’s good restaurants. People are nice. You can have community really easily. There’s a tennis court near my house that’s totally free, whereas in New York it costs like $300 to play tennis every season on public tennis courts. D.C. life is good!

I emailed your old boss, J.D. Hilliard, who now works at UCSC. He asked me to ask you, ‘Did your time in Santa Cruz affect the way you approach stories of national significance?’

I don’t think so. But, ironically, what he may not realize is my time at KUSP taught me quite a bit about everything I do in my job—which is cover stories of national significance. So I don’t think something about my time in Santa Cruz has so much affected the way I see the world, so much as my time in Santa Cruz taught me so much about journalism. Shout outs to J.D. Shout outs to Robert Pollie, the host of the great KUSP weekly magazine “Seventh Avenue Project” and Johnny Simmons, the legendary host of “Morning Edition” at KUSP, who’s still a dear friend of mine, and who taught me so much about being on the air and called me every time I made a mistake on the air to chew me out [laughs].

What’s a typical week like for you at Today, Explained?

A typical work week starts on Sunday morning. The first thing I do when I wake up is I spend a couple hours trawling through the news, the news of the weekend, breaking news developments on stories we’ve been covering. We always usually have a plan going into a week for that first Monday’s show. But oftentimes, that plan is upset by news that is broken—Friday night, Saturday, Sunday, especially in this particular news climate. So after doing that for a couple of hours, I’ll touch base with producers on the show. We usually have one producer who’s on call on Sunday. We’ll come up with a plan. And then we’ll hit the ground running on Monday with an interview first thing in the morning. The team and I will make edits to that interview, put the whole thing together, and then the show comes out at 4. And then Mondays are usually really crazy because we’ll start planning ahead for Tuesday’s show and Wednesday’s show. And so typically on Mondays, there’s lots of interviews to do. And then we kind of think about the week as a whole. What are the most important stories? And what are the stories we can explain the best?

You did an episode about taxation without representation in D.C. You live in a city with as much concentrated power as anywhere else in the world. And yet the city’s residents don’t have any votes in the electoral college or any U.S. senators. Your representative in the House can’t vote on many matters. What’s that like? Do you have strong feelings about it?

Weirdly, I don’t. And I try to keep my own personal feelings out of the episode, but I was very interested in it as an issue. It seems pretty obvious that everyone in D.C. should have federal representation. We’re citizens of this country. I think similar arguments can be made for a place like Puerto Rico, but I think our politics is such that it’s unlikely to happen any time in the near future, so I guess I’ve kind of accepted it. I wouldn’t choose the situation I’m in, but here I am in it. It’s hard to find someone who lives here who thinks they shouldn’t have representation in the United States Senate or a voting member in the House of Representatives. But, you know, a lot of voting members in the House of Representatives and a lot of United States senators feel differently.

 You often call your mom for the podcast. Does your mom enjoy the show and being a part of it?

Mom 100% enjoys the show. I don’t know how much she actually enjoys me calling her, because I usually don’t give her any advance notice.

That’s the way it sounds! But you often can’t tell with podcasts.

That’s the real deal. Yeah, I don’t want it to sound rehearsed. So I just don’t tell her.

And so how did this project first start? Did Vox want to create a competitor to The Daily from the New York Times, and did they just go out and find you?

Yeah, I think they went out and talked to a lot of people. They liked me the most.

I can’t decide which I find more confusing—the fact that The Daily has a way bigger staff than you, and still manages to create a more boring show, or the fact that The Daily creates a way lousier product and nonetheless dominates the Apple charts. Which do you find more puzzling?

Jake, that’s a loaded question. Living in Washington D.C. has made me a better politician. And I’ll just say I am so proud that we make a show that—with its limited resources—can exist in the same conversation as a show with as many resources as The Daily from the New York Times. I’m incredibly grateful to that show for existing, because it’s the reason I have my job. And I’m so proud of the work we do.

 Do you find yourself pretending like you don’t understand certain things in order to get good answers?

You might be surprised. I think a lot of times I’m asking genuine questions. I don’t like to pretend I know stuff that I don’t know. And I don’t like to pretend that I don’t know something that I do. I will sometimes ask what happened next when I definitely know what happened next. But I justify that by thinking, I’m the go-between—in the middle of the audience and the guests. What we’re really shooting for is understanding. And what sets us apart is that NPR is shooting for getting you a bunch of news, and I think The Daily’s shooting for how the New York Times told this story. And so I really do think our show is a different thing. And I like to think that I’m well-suited to bring that thing to people, because I’m curious and I don’t know.

You left KUSP to go out and make it as a journalist. Do you have any advice for young journalists?

That search took a very long time. I eventually moved back home and at various points felt very discouraged. I almost gave up on journalism and went to grad school to study environmental science. And I think a thing that saved me is—it must have been, like, 18 months or so between when I started looking for a job and when I landed my next job after KUSP—is that I always was making stuff. I was making podcasts for no one. I was making radio features for no one. I was pitching NPR like it was my job. And they constantly said no. But along the way, people were also encouraging, but I was applying for jobs that I thought I was totally qualified for. And I couldn’t even get an email back. I couldn’t work. I applied for a job at WAMU, a place where I was still temporarily employed. And I flew out to D.C. to interview for it, even though they told me they wouldn’t cover it. I paid for it myself. And I found out I didn’t get that job through a company-wide email. They didn’t even personally write me to tell me, ‘You didn’t get the job,’ and I worked there as a part-time employee. There were so many discouraging things that happened along the way. But I think, finally, when I had the interview for the right job at the right place at the right time, the thing that helped me get the job was the fact that like, in that in all those months and months and months of discouraging job-hunting, I was always making stuff.

Tannery Talks Shine Light on Art, Environment and Social Justice

The Radius Gallery at the Tannery Arts Center has evolved into more than just a nice clean space to contemplate art. For the Tannery community, the Radius has become a de facto meeting hall and performance space.

It makes sense, then, that the gallery is the site for Tannery Talks, a mini-lecture series designed to bring together the artists who live and work at the Tannery with some of the activists, businesspeople, and academics shaping Santa Cruz culture.

The Tannery Talks series resumes on Feb. 20 with an exploration of the social justice aspects of environmentalism and how those aspects surface in artists’ work. Maha Taitano, the event’s moderator, says environmental activism cannot be seen in isolation from topics like social justice in marginalized communities. “There’s an intersectionality about all of that goes hand in hand,” she says. “So, it’s not just a race fight or a gender fight or an environmental fight. It’s a combination of them all.”

Taitano will lead a panel discussion on that point where arts, environmentalism, and social justice meet. Included in the discussion will be spoken-word and hip-hop performer Joseph Jason Santiago LaCour, activist Karen Ross, Santa Cruz mayor Justin Cummings, and UCSC Ph.D. candidate Paloma Medina, the co-author of Looking for Marla, a new children’s book based on Pixar’s Finding Nemo and centered on the clownfish’s ability and habit to transition from male to female.

The event is free and open to the public.

“You can’t erase the social justice connection from environmental activism,” Taitano says. “The urgency to maintain a cleaner, healthier, more vibrant environment drops when there is a lack of money or when you’re dealing with people of color or queer communities.”

Environmentalism is the broad theme of this year’s Tannery Talks season, which includes four monthly events and wraps up in April. The season kicked off in January with a panel discussion on the social justice issues involved in the ongoing stewardship of the San Lorenzo River. That event included UCSC filmmaker Elizabeth Stephens, Congressional candidate and water activist Adam Balaños Scow, businessman and philanthropist George Ow Jr., and Laurie Egan of the Coastal Watershed Council. It was moderated by activist and artist Wes Modes.

The Tannery Talks series will continue with an event on March 19 focused on the efforts of young people in social-justice and environmental activism. “March is going to be all about youth,” says series co-director Margaret Niven. “We’re going to get together four or five teens, from 13 to 18. I’ve been very inspired by [Swedish teen activist] Greta Thunberg and how active teens have been. We’re going to bring a group together to have a conversation from that point of view.”

On April 16, for the season’s final event, Valeria Miranda of the Santa Cruz Art League will lead a discussion on the positive impacts of artists and their work in the community. “That will be about how artists are creating or offering solutions [to environmental problems] through their practice,” Niven says.

Tannery Talks is co-directed by Taitano and long-time Tannery artist Niven. It is a continuation of a Tannery tradition that began back in 2010 when Niven and the late Stephen Lynch began an ambitious lecture series that held 10 events per year (“It was  overwhelming,” Niven says of the original series). That series was discontinued in 2013. But, Niven says, she was approached by Arts Council Santa Cruz County to revive the series. The series returned in 2019.

“So now the Tannery Talks are supported by the Arts Council, with some funding and some staffing,” Niven says.

She says the January event convinced her that the community thirsted for the kind of engagement that the Tannery Talks delivered. “I was really blown away,” she says. “It was pouring rain and we had about 75 people there. For the Radius Gallery, that’s a good-sized group.”

The Tannery Talks are also part of the mission to get more people from the greater community to visit the Tannery campus. Invited speakers from, say, UCSC or the Watershed Council tend to bring their own constituencies to the event.

“We hope we can reach more diverse audiences,” says Niven, “by getting people to reach out to their own networks. But it’s definitely bringing people in who do not work or live here.”

The next Tannery Talks event takes place Thursday, Feb. 20 from 7 to 8:30pm at the Radius Gallery, 1050 River St., No. 127, Santa Cruz. The event is free. For more information, go to tanneryartscenter.org/tannery-talks.

What’s your favorite podcast?

0

“Bert Kreischer, he’s super silly and fun.”

Candace Romaine

San Francisco
Hair Stylist

“I listen to a 12-step podcast.”

Sandra Rich

Capitola
Retired Teacher

“Joe Rogan’s podcast. I think he has a lot of cutting-edge thoughts and brings great people on.”

Patrick McNett

Santa Cruz
Bartender

“Fresh Air on NPR because the questions that are asked are thought-provoking and the people are very interesting, humorous and deep.”

Peg Shemaria

Capitola
Retired Psychologist

“The Spurious Universe. Two Australians, semi-scientist dudes who talk about paranormal anything and everything. They’re awesome! ”

Matthew Pinck

Santa Cruz
Music Director

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The New Horizons play at the Sand Bar on Thursday, April 23.

Film Review: ‘Downhill’

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A Superb Sparkling Rose from Equinox

sparkling rose
The 2014 Monterey Sparkling Rose from Equinox is perfectly sweet for Valentine's Day

Opinion: Feb. 12, 2020

Plus letters to the editor

5 Things To Do in Santa Cruz: Feb. 12-18

Makers Market, KSQD first birthday bash, and more

Lessons on Polarization from Journalist Ezra Klein

What Santa Cruz and the rest of the nation can learn from “Why We’re Polarized”

Santa Cruz Public Radio Alum Sean Rameswaram Explains the News

Former KUSP reporter’s “Today Explained” podcast is celebrating two years and 500 episodes

Tannery Talks Shine Light on Art, Environment and Social Justice

Second talk set for Thursday, Feb. 20

What’s your favorite podcast?

“Bert Kreischer, he’s super silly and fun.” Candace Romaine San Francisco Hair Stylist “I listen to a 12-step podcast.” Sandra Rich Capitola Retired Teacher “Joe Rogan’s podcast. I think he has a lot of cutting-edge thoughts and brings great people on.” Patrick McNett Santa Cruz Bartender ...
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