Santa Cruz’s longest city park is a 5-mile loop that stretches from the Tannery Arts Center in Harvey West all the way to the Santa Cruz Beach Boardwalk and back again.
It’s the Santa Cruz Riverwalk, and a new city plan lays out a vision for overhauling the greenspace and levy system, bringing in path improvements, lighting upgrades and accessibility changes to comply with the American Disabilities Act. There would be art installations, overlook plazas and garden spaces. In general, the plan focuses on protecting the river’s natural ecosystems, while also addressing public safety concerns. According to a grant proposal for the project, “petty theft, illicit drug use and car break-ins are common within the project area.”
The plans all hinge on an $8.5 million grant that the city of Santa Cruz applied for earlier this year.
“It might sound like a big-budget number, but we’re going to need every penny of it to make the improvements we want to see out there,” says city transportation planner Claire Gallogly (née Fliesler), who helped put together the grant application.
The opportunity arose from Proposition 68, a $4 billion voter-approved 2018 bond initiative aimed largely at supporting equitable access to parks throughout the state. The measure promised funds to parks that benefit lower-income residents, making the Riverwalk plan particularly competitive, supporters say.
“The lowest-income communities are all along the river, so there’s a parks equity component that matters a lot,” says Greg Pepping, executive director of the Coastal Watershed Council (CWC), a nonprofit that helps steward and advocate for the river.
In fact, 45% of nearby residents live at or below the poverty line, and the median income is about $25,000 lower than the city’s average, according to the grant application filed by the city. Around 13% of people in the area lack access to a vehicle, making Riverwalk paths an important means of transportation.
Path improvements involve basic maintenance, like sealing and repaving, plus making it all look good. “Right now, it resembles more of a maintenance road,” says city park planner Noah Downing. Under the plan, the city would use design features like wayfinding and thematic landscaping to “tell more of a complete story,” he says.
Another key to promoting accessibility on the Riverwalk is what’s known as “centralizing.” That means improving connections to surrounding parks and facing new structures toward the river. Currently, many surrounding businesses face away from the river, which Pepping notes can contribute to a “back-alley” feeling at the Riverwalk.
“We want it to feel like our front yard,” he says.
ON THE SAME PAGE
Before putting together the proposal, the city held 14 outreach meetings to gather feedback on what the community wanted from the space. Gallogly says one theme that came up over and over again from locals was the desire to feel safe.
To that end, the plan calls for more lighting along the entire 5-mile route, and landscaping that ensures clear sightlines for those walking on the paths. Perhaps most importantly, Gallogly says, the city plans to take a sort of safety-in-numbers approach, by building amenities and creating spaces that will attract more visitors. “People feel safer when they see other people,” she says.
Gallogly adds that attracting more visitors doesn’t mean pushing out the homeless and those who already frequent the levy paths. “This is a public space, and public space means public for everyone, not just one group or another,” she says.
Instead of banishing or punishing anyone, the grant application promises efforts to help people share spaces and interact with one another.
“The Riverwalk itself is located right in the heart of the city. It’s an important north-south connection for walking and biking,” says Downing, the park planner. “But it’s also an area that’s important for fish and wildlife habitat.” Several endangered or threatened species like steelhead trout and western pond turtles call the area home.
Currently, the river is sensitive to polluted runoff, which can harm vulnerable populations.
To combat this problem, the city would add environmental features like swales and rain gardens to absorb runoff before it enters the waterway.
Pepping says the full revitalization plan could take as many as 10 years to implement. The city also recently secured a grant for almost $1 million to improve lighting on the Riverwalk next year.
“The San Lorenzo River goes right through the heart of the community, and some of us really love it and enjoy it,” Pepping says. “One of the challenges is that not enough of the community connects with the river. This is the type of investment that can change that.”
ART REVITALIZATION
Environmentalists and city employees agree that when it comes to revitalization, beautifying the space is key. “At the end of this project, as you walk along the river, you’ll get to see opportunities to recreate, opportunities to view nature, and a place you can go to spend a bit more time,” says Downing.
The most recent concept plan includes 11 river-themed art pieces, five wayfinding art pieces and four plaza overlook areas. Downing says that art pieces will highlight the cultural and ecological history of the river.
The plan also includes interactive play structures along the Riverwalk area for children. “People are excited about the youth energy at the river. We like to say the kids are an indicator species for the health of this park,” says Pepping, whose work with the CWC helps teach thousands of students about the river each year.
The CWC is also participating in GT’s Santa Cruz Gives holiday fundraising campaign this year to support its San Lorenzo River Health Days.
At the city, Gallogly is “hopeful” about the grant application and eager to hear back this spring. No matter what, the Riverwalk is in for some artistic upgrades.
Earlier this year, the city approved the “Chinatown Bridge Project,” which is slated for completion in October of next year. The project is largely the brainchild of Pepping and community leader George Ow Jr., 76, who lived in Santa Cruz’s last Chinatown, located right next to the San Lorenzo River, during his formative years.
When complete, the project will feature a mosaic of a water dragon atop a 14-foot Chinese archway. Commemorative plaques will provide information about the history of Santa Cruz’s various Chinatowns.
Kathleen Crocetti, lead artist on the project, notes that despite the deep, impactful history of Chinatowns in Santa Cruz, many people don’t even know they existed. “Unless we make some kind of effort to put this history out there in the public eye, we won’t know it happened,” she explains.
Ow, who walks the river several times a week, says he’s excited to celebrate the natural and cultural history of the river through this project, while honoring the spirits of those who inhabited Santa Cruz’s Chinatowns.
“I believe that the spirits of the people who once lived here are still with us, especially the spirits of the people who had hard and disturbed lives,” says Ow. “By remembering them and honoring them, we can kind of placate the spirits of these pioneers.”
For information on how to donate to the Coastal Watershed Council or any of the other 36 nonprofits participating in Santa Cruz Gives, visit santacruzgives.org.
Update 12/25/2019 2:00pm: This story has been updated to correct an error.
This week, the Santa Cruz Art League will enter territory that no other arts organization in Santa Cruz County has ever ventured—its second century.
In 2019, the Art League marked its centennial year doing what it has always done: hosting gallery shows, curating exhibits and helping neophyte and experienced artists alike get seen.
But even though its odometer has now reached triple digits, the Art League is looking to the new decade as a period of rejuvenation, says executive director Val Miranda.
“There is a perception out there in the community that the Art League is only about paintings and other traditional art,” says Miranda, who is approaching her fourth year running the organization. “We’re trying to change that perception and open up even more broadly to the range of arts that are out there.”
Yes, the Art League was founded on a devotion to plein-air landscape painting. But its artistic sensibilities have not languished in antiquity. For example, the League’s current exhibit is a photography show themed on “divergent” travel photography and curated by Allison Garcia, co-founder of the thriving local photography community Open Show Santa Cruz. In the past year, the Art League has hosted gallery shows on metal arts and fiber arts—with plenty of shows aimed at painting, as well.
The Art League was first incorporated in 1919, but the artist community that founded it reaches back even further, to the late 1800s—the golden age of Cezanne and Gaugin. It was during that period that a group of artists known as the “Jolly Daubers” would gather for excursions to paint landscapes in spots all around Santa Cruz County. From that community, artists Fred Heath and Margaret Rogers established what would become the Santa Cruz Art League, which nurtured a handful of accomplished local women painters, most notable among them Cor de Gavere and Leonora Naylor Penniman (Leonora’s grandson Ed Penniman today remains one of Santa Cruz’s most well-known painters).
It was in the years following World War II that the Art League made the canny decision that allowed it to live to 100. In 1949, the Art League raised funds to buy property on Broadway near Ocean Street, and in 1951 it opened the building at 526 Broadway, where it still is today.
“I feel like they were real mavericks,” Miranda says of the Art League’s post-war generation that made the decision to invest in real estate, something well beyond the reach of most arts organizations today. The Art League building consists of a main gallery, a smaller gallery, a gift shop, and the Broadway Playhouse, which has hosted hundreds of theater productions going back decades.
Today, SCAL has a 10-member board of directors and between 400 and 500 member artists. The League still maintains two long-standing art traditions established by their forebears that, taken together, illustrate the Art League’s commitment to the local community and its prominent place beyond the county line. The first is the annual High School Competition, in which local high-schoolers get the chance to display their art at the SCAL gallery. In 2020, the high-school show will mark its 65th year.
The second tradition is more of an indicator of the Art League’s standing among arts organizations across California. It’s the Statewide California Landscape Exhibition, which features landscape art by artists from all over the state. In the spring, the Statewide show will be hosted by the Art League for the 90th consecutive year.
Including those traditional shows, the Art League hosts between eight and 10 exhibitions each year. In recent years, it has worked with art students from UCSC to produce a number of temporary “pop-up” exhibits, which give students experience in curating, planning and installing art shows. The Art League also offers art classes and weekend workshops in a wide variety of artistic pursuits, including watercolor, pastels and figure drawing.
In 2020, says Miranda, the Art League will go forward in establishing visual arts education in a way that it’s never done before with K-12 school and family programs. “There will be lots of kids in the building,” she says.
In January, the Art League’s second century will kick off with another annual tradition: the Members Exhibition, featuring work from SCAL’s member artists.
“I always describe the Art League as being committed to the life cycle of the artist,” says Miranda. “From people who have no experience with art at all to artists who want to develop their skills, so they can be confident enough to get an artwork in the Members Show and have exhibitions in different places all over town.”
The Santa Cruz Art League is open Tuesday through Saturday noon-5pm; Sundays from noon-4pm at 526 Broadway, Santa Cruz. Free admission. scal.org.
Local musician Dale Ockerman—who played with the Doobie Brothers for many years, among other classic Bay Area bands of the ’60s, ’70s and ’80s—recalls when his current group the White Album Ensemble first performed the Beatles album Revolver at the Rio in 2004. There was a look of shock and delight on people’s faces when they performed “Eleanor Rigby” for the crowd.
“All the sudden, everybody walks off stage. The singer sings with a string quartet,” says Ockerman. “It was so un-rock—a big surprise.”
The group started out in 2003 as a way to replicate the Beatles’ behemoth, scatter-brained double-album The White Album, a record the Fab Four released in 1968 as they worked in turmoil and often as separate entities. They never performed the songs live. Ockerman assembled an eight-piece band that included two keyboards, two guitars, bass, drums, and two lead singers who don’t play instruments—the material is too hard to play and sing at the same time.
After a year of sold-out shows, Ockerman thought his project should expand its concept to bring any of the Beatles albums to the stage that were released after the band stopped touring in 1966. They also included Rubber Soul, released in 1965, which had a handful of songs too complex to perform live, like the sitar-laden “Norwegian Wood.” On Dec. 27 and 28, the White Album Ensemble will perform Abbey Road in its entirety at the Rio Theatre.
“It’s the stuff that the Beatles didn’t do because it was too hard,” Ockerman says. “The technology didn’t allow it, either. They didn’t have monitors, they didn’t bring string sections, horn sections—all that stuff. We do.”
It has been an evolving process for Ockerman. In 2004, he and his group first attempted Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour, but found that it didn’t work without an orchestra (and, in the case of Sgt. Pepper’s, Indian instruments like the sitar and tabla). So, the first official non-White Album production of the White Album Ensemble was a double feature of Rubber Soul and Revolver. That one string quartet song, “Eleanor Rigby,” went so well that it seemed worth assembling an even bigger band to do Sgt. Peppers.
Now, 16 years into the band’s existence—which is longer than the Beatles were a band—the White Album Ensemble have performed every Beatles album from Rubber Soul on. Abbey Road, the Beatles final record, has been performed a few times, but this upcoming show is a special performance to celebrate the 50th anniversary of the record.
“On Abbey Road, you see this maturity. George Harrison is coming up with ‘Here Comes the Sun’ and ‘Something.’ Masterpieces!” Ockerman says. “The side two medley, where it’s just songs all tacked together, it was this huge thing. Once you start playing it, you can’t stop. That was a lot of fun. A lot of really good-quality stuff, a lot of really clever songwriting.”
The band that Ockerman has assembled for Abbey Road is mostly a rock arrangement: Ken Kraft (vocals/guitar), Richard Bryant (vocals), Ockerman (keys, guitar), Stephen Krilanovich (guitar, vocals), Endre Tarczy (bass, vocals), Trey Sabitelli (drums, percussion), and Will McDougal (keys). There will also be a four-piece string quartet and some other nuances, like having five singers on the lush “Because,” and some synth parts on “Golden Slumbers,” “She’s So Heavy” and “Here Comes The Sun.”
Unlike the turmoil of the White Album, the Beatles recorded Abbey Road aware that it would be their final album, which eased some of the tension. It’s one of the group’s most cohesive records. It was a farewell to an era, and a sneak peak of what was to come in rock ‘n’ roll.
“It was a chaotic time. Altamont, Vietnam, the ’60s are over. The ’70s—we don’t know what it is,” Ockerman says. “They really got ahead of everyone else: Elton John, Led Zeppelin. It was pretty advanced. I wouldn’t call it prog-rock. It was nothing like Genesis or Yes. It had really beautiful symphonic tones. It was hard to describe. Great rock ’n’ roll. Really sophisticated. Not really trying to prove anything.”
The White Album Ensemble will perform ‘Abbey Road’ at 8pm on Friday and Saturday, Dec. 27 & 28, at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25. 423-8209.
Calamari is so easy to love—and so hard to cook perfectly.
It’s turned up in quite a few of my favorite dishes of the year. A platter of tender grilled squid adorned with English peas and bits of rich pork belly made one lunch at Avanti Santa Cruz an enduring memory. But perhaps the most memorable calamari of the year was a tapas dish at Barceloneta in downtown Santa Cruzfilled with succulent morsels of grilled Monterey squid, fideos pasta and finely diced chorizo, all bathed in black squid ink with spicy little peppers and piquant aioli. I could eat three plates of it right now.
At the chic bookshop-café Bad Animal, a glass of one of the house bubblies, Crémant de Bourgogne from Céline & Laurent Tripoz, was a lively partner to an earthy and authentically French paté served with dijon mustard, cornichons and outstanding sourdough bread. This dish made sense of a crazy world. And the sparkling wine didn’t hurt.
Bantam is always welcoming, a serious restaurant disguised as a neighborhood pizza joint. On one of my trips to the intimate bar—for something with gin in it, plus an appetizer—I found culinary salvation. An elegant creation of a single plump, grilled scallop arrived astride a miniature landscape of black lentils surrounded by avocado cream. The scallop was perfect—tender inside, golden and crisp outside. Crimson Jimmy Nardello peppers joined the shellfish, and everything shimmered with an intense citrus oil. A spectacular constellation of flavors and textures.
The Kitchen at Discretion Brewing offers plenty of gastronomic seduction, but it was that plate of tempura eggplant with a soy-citrus reduction and aioli all dusted with red pepper togarashi that had us well and truly enchanted. Thanks Santos Majano! I would drive from the Westside, even during rush hour, for this dish.
From chef Tom McNary’s kitchen at Soif came a gorgeous small plate of Vietnamese-style grilled quail accompanied by rosy butter leaf lettuce, pickled onions and slices of spectacularly ripe tomatoes. The glazed quail was tender-chewy wonderful, especially dipped into a tart and fiery vinegar sauce laced with chilis and shallots.
From La Posta’s kitchen came an elegant dessert of barely sweet ricotta pear tart, embedded with almonds and glazed pear and served with a housemade Meyer lemon gelato. An adult dessert made with flair, filled with dazzle.
At the Homeless Garden Project’s Sustain Supper last autumn, I swooned over an ensemble of desserts from chef Laci Sandoval of Wind & Rye. All were beautiful, but for sheer sex appeal, nothing topped her densely creamy chocolate espresso tart inflected with candied orange zest and sea salt. Brilliant combination of sensations.
The ethereal GF Carrot Cake from Manresa Bread—available at Verve locationsthroughout Santa Cruz—always knocks me out. Light and addictively flavorful, this buttery little tea cake is shaped into a miniature round studded with carrots, spices and walnuts. A spectacular achievement in gluten-free sin.
At Oswald, the drinks are perfection and the bar food sophisticated. Along with an evening special gin cocktail with pomegranate juice, blood orange and lime, I was transported (and not for the first time) by an appetizer of Dungeness crab layered with avocado and lemon zest. Great service, great food, and the chance to see everybody in town. One of the great dining moments of 2019. I look forward to many more in the New Year!
Can’t get a ride on Santa’s sleigh? Don’t worry, get a lift to the North Pole the next best way. And by “North Pole,” we mean the amazing Santa Cruz Mountains. It’s the Santa Cruz Holiday Lights Train, with spiced cider and holiday carols to spark up the cheer. Kids, neighbors, grandmas, friends, friends we haven’t met yet—all aboard!
INFO: 5 and 6:30pm through Monday, Dec. 23. Leaves from the Santa Cruz Beach Boardwalk, Neptune’s Kingdom, 400 Beach St., Santa Cruz. roaringcamp.com. Adults $34/children $28.
Art Seen
Toy Trains
Destined to delight both the young and young at heart, the MAH’s annual Toy Trains exhibit is a marvel of astonishingly lifelike trains and landscapes to inspire any age group this holiday season. The event showcases model trains through history, from the 1920s to today, and includes steam engines, electric trains and all of the bells and whistles to boot. Members of the Golden State Toy Train Operators will be on hand to help young engineers master the controls and answer questions. Bring your own toy train to put on the track.
INFO: Show runs Friday, Dec. 20-Sunday, Dec. 29. Museum of Art and History, 705 Front St., Santa Cruz. Free.
Saturday 12/21
‘Christmas with the Chorale’
The Santa Cruz Chorale will open this season with their traditional December holiday concert Christmas with the Chorale. As always, the Santa Cruz Chorale will be joined by the Monterey Bay Sinfonietta. The centerpiece of the concert will be Dietrich Buxtehude’s Magnificat for choir and instruments, presented alongside a cappella “Magnificat,” with settings by Anton Bruckner, Max Reger and Arvo Pärt, whose famous “Magnificat” was composed especially for Christian Grube and his Berlin boys’ choir. A special treat in the program is the world premiere of a piece by Estonian Pärt Uusberg. Conductor Christian Grube has also selected a variety of pieces that express the many meanings of Christmas, from composers like Kodaly, Vaughan Williams, Tavener, and Paminger. The Christmas program will close with carols from around the world.
INFO: 8pm. Holy Cross Church, 126 High St., Santa Cruz. 427-8023, santacruzchorale.org. $30.
Thursday 12/19
Dem Debate Watch Party
The sixth of 12 Democratic presidential debates will be broadcast live from Loyola Marymount University in Los Angeles. The Santa Cruz County Democratic Central Committee is hosting a special Dem debate watch party, which is also a good place to go to commiserate about that one time you stood in line for hours to see Bernie in Santa Cruz and didn’t actually get into the venue.
INFO: 5-8pm. Santa Cruz County Democratic Party, 740 Front St. #165, Santa Cruz. 427-2516, cruzdemocrats.org. Free.
Saturday 12/21
Oberufer ‘Shepherds’ Play’
This special show has been performed every year since medieval times by people around the world. An annual holiday tradition, the Oberufer Shepherds’ Play is a unique community Christmas event that tells the Christmas story from the point of view of the shepherds in a unique, humorous and warm-hearted way. Featuring amateur and professional local actors and musicians, this year’s play will be one night only. The cast is drawn from the Santa Cruz Waldorf School, the Anthroposophical Branch and the Camphill Communities California.
INFO: 6pm. Louden Nelson Community Center, 301 Center St., Santa Cruz. 212-1947. $12 general/$8 children.
Our art director Tabi Zarrinnaal was reading over this week’s Year in Review cover story when she suddenly looked up from one of the items and said, “Wait, did this really happen?” For the GT writers that put this together every year, that’s music to our ears. Because yes, every story we included did really happen—we promise. But in a lot of cases, we picked them because we ourselves still can’t really believe they did, so if we can write about them in a way that effectively conveys that quality of sheer head-shaking, face-scrunching defiance of reality, we’ve done our job. Do you believe in crazy squirrel? Do you believe in the flier bandit? Do you believe in Highway 17 goats? Well, you should, because they’re all real, even if they have no right to be.
Of course, we’ve also gathered Santa Cruz’s strangest political news stories into our rundown, too, but honestly, none of that stuff even surprises us anymore.
Just one more holiday surprise: we are soooo close to our Santa Cruz Gives goal of raising $300,000 for local nonprofits this year. Read about some of our participating groups—like how Second Harvest Food Bank, Food What?!, and Mesa Verde Gardens are helping local residents left behind by the ever-more-ridiculous rules of government food-assistance programs (page 11) and what drives Grey Bears volunteers to bring healthy food to seniors each week (page 60)—and then go to santacruzgives.org and be part of the solution to our area’s biggest problems.
Oh, OK, one more holiday surprise: it’s Best of Santa Cruz voting time. Your local favorites need your vote; go to goodtimes.sc and give it to them!
I just got home, sat down and read the story “Sex, Booze and Downtown Streets Team’s Toxic Culture” (GT, 12/11). It isn’t possible to register the shock I felt about the cavalier tone of what GT probably thought was an exposé of “sex and booze”—but inadvertently revealed a story of unfair labor practices that should be labeled “slave labor.” Eileen Richardson’s project should not be held up as an example of “best practices” or “innovation.” We’ve done this before in this country—it was called slavery!
Described as “a successful venture capitalist … Richardson brought her change-the-world ethos to the charitable sector.” Me thinks it’s the other way around—Richardson brought the rapacious capitalist ethic to the charitable sector.
The stunning revelation is the claim that “under the DST model, local governments and business associations hire a team of homeless people to clean up streets in exchange for gift cards and case management.” That the writer did a bit of eliding, too, and just barely revealed slavery right here in Santa Cruz raises my eyebrows.
The article says clearly that “DST’s ‘win-win-win’ system of hiring the homeless, cleaning up trash and benefiting the broader community garnered renewed acclaim for the elder Richardson. Since its inception, DST has blossomed from a cash-strapped experiment in Palo Alto to a burgeoning enterprise spanning a dozen cities in two states with an $8 million annual budget.” It adds that “Richardson … makes upward of $200,000 in base pay as president and CEO of DST,” and that DST is “like a high-tech startup rather than a social service—action-oriented versus service-oriented.” To that end, she said, “We improvised, tried new ideas and constantly corrected our course.”
What kind of course correction is needed? You have slave labor, and you are making a profit! Did they have health care benefits, dental benefits, social security deduction from the “gift certificates” they got?
Presumably the other employees who boozed it up and are suing will get good lawyers or simply file with the Industrial Welfare Commission, but maybe they got their comeuppance for participating in a venture that essentially used slave-like labor, and took advantage of homeless people who likely have no understanding that they as employees of this nonprofit could have filed with the Industrial Welfare Commission or gotten a labor lawyer to sue this scandalous venture. The photo of the boozing employees says something about them—something best left to readers. The word “complicity” should be somewhere in here for their part in exploiting the homeless.
I cannot even begin to say what I think and feel about city officials, here and elsewhere, who actually thought this use of economically vulnerable people as unpaid laborers (gift certificates are not pay) was a good idea. They ought to be voted out of office at the next election.
Chris Nunez | Santa Cruz
An Artist’s Gift
Wallace Baine’s piece on Jory Post (12/11) gave us a glimpse into the spirit, wit, and heart of a remarkable human. For many reasons, our community is grateful for the reminder that education takes many forms, and our approach to self-discovery evolves over time. This piece continues to be a gift to us all, as does Jory himself—just as he was to all of his former Happy Valley students, parents, and families.
Les Forster
Capitola
PHOTO CONTEST WINNER
Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
Local Chinese-medicine school Five Branches University announced last week that Professor Janice Walton-Hadlock, DAOM, may have found the underlying cause of intrinsic asthma, also known as non-allergic asthma. The Journal of Chinese Medicine published the results of Walton-Hadlock’s preliminary research on asthma patients in October. The acupuncturist looks to further her findings by hosting free asthma clinics on Tuesdays from Jan. 7 to April 14, from 4:30-7:30 p.m., at Five Branches University, 200 7th Ave, Santa Cruz.
GOOD WORK
Las Posadas is a Latin American Christmas-time tradition of reenacting Mary and Joseph’s search for a place to stay. Local activists are celebrating it this year in Santa Cruz with an eye toward the global refugee crisis, every night at 6:30pm until Monday, Dec. 23. The event will be at the downtown Boys and Girls Club on Wednesday, the Hub for Sustainable Living on Thursday, Sycamore Street Commons on Friday, in the Canfield neighborhood Saturday, at Nueva Vista Community Resources on Sunday, and at Beach Flats Park on Monday.
QUOTE OF THE WEEK
“Bad news travels fast. Good news takes the scenic route.”
It’s well worth the drive to Loma Prieta’s mountain-top tasting room—if only to taste their award-winning Pinotage. There are very few wineries worldwide making Pinotage, a grape most people haven’t heard of, says Amy Kemp, proprietor of Loma Prieta Winery.
Her late husband Paul Kemp became obsessed with making it when he discovered it in a Lodi vineyard when he was sourcing Viognier. Pinotage lovers now flock to Loma Prieta’s tasting room in the Los Gatos hills because they know they will find gold … well, at least gold-medal-winning Pinotage!
The 2015 Pinotage ($45) is from Karma Vineyard in Lodi. Rich, ripe and robust, it possesses great texture. “It’s packed full of flavors of red plum, soy, smoked duck, prosciutto, brown-sugared ham, and even sarsaparilla,” say the winemakers. This luscious 2015 Pinotage won three silver medals from California to Florida.
“Most people have never heard of Pinotage,” says Kemp. So don’t fall into that category and head to the tasting room to try some.
Loma Prieta Winery, 26985 Loma Prieta Way, Los Gatos. 408-353-2950, lomaprietawinery.com.
Tasting of Sante Arcangeli Wines at Seascape Sports Club
One of the best winemakers in the area is John Benedetti, owner of Sante Arcangeli Family Wines. Don’t miss a tasting of his wines—complete with heavy hors d’oeuvres—from 6-7:30 p.m. on Friday, Dec. 20, at Seascape. Cost is $20, and event is open to non-members. Should you miss it, Benedetti has opened a tasting room in the new Aptos Village complex. Your cup runneth over!
For five years now, Paula Selsted has been driving bags of fresh groceries to seniors in need.
We caught up with her this past Thursday, just after she finished her deliveries. Selsted’s spirits were high. On her route, she had, for the first time, met an elderly woman who she’d been delivering to for six months. The woman’s son was pushing her wheelchair as the two got ready to take a stroll. “They were out, and he was getting ready to take her for a walk and push her in a wheelchair,” Selsted says. “I love meeting people for the first time.”
Grey Bears is participating in GT’s Santa Cruz Gives community giving campaign.
How much time do you spend volunteering a week?
PAULA SELSTED: I usually get there between 7:30 and 8:00 on Thursday morning. It varies. I can be done by 12, or sometimes I’m not done until 2 or 3. It depends on if the people I’m delivering to are up and about, and if I go in and chat with them and talk or do a puzzle or find out what’s going on in their life. Then, it can take me all day.
Why do you do it?
I don’t care what anyone tells you, it’s not really altruistic. You always get something back, and I have discovered that I love seniors. Now, I’m about to turn 65 next year—so I’m considered, quote, “a senior”—but I have had the pleasure of getting to know and become friends with people in their nineties—97, 99. I had a delivery go to someone who was 101. People have such wonderful life stories, and they become your friends. Who doesn’t need extra friends?
Do you have a favorite fruit or vegetable?
It would have to be peaches. I have a degree in fruit industries. And I always wanted to become a farmer, but back when I was going to school, women weren’t allowed to manage farms. I at least got the nickname “Peaches.”
To learn more about Grey Bears, visit greybears.org. To learn more about the 37 nonprofits participating in Santa Cruz Gives, visit santacruzgives.org. Donations accepted through Dec. 31.
Our Year in Review issue takes on ninja squirrels, Google money, PG&E blackout madness and more
JANUARY
ARSONIST GYM EMPLOYEE PRACTICES SPRINTING FROM COPS
A24 Hour Fitness employee was arrested after allegedly starting a fire in the gym early one Tuesday morning. He also threw a fire extinguisher through the window and ran away from responding officers. At a gym as grimy as 24 Hour Fitness, this is actually the most reasonable way to burn calories.
G.O.A.T. AT STOPPING TRAFFIC: GOATS!
There are many annoying causes for traffic jams on Highway 17—reasons like landslides, fallen trees,protesters, and crashes due to Tesla owners zipping around like they’re Dale Earnhardt Jr. on meth. But the cutest reason for backed-up traffic on Santa Cruz County’s mountainous four-lane highway this year was definitely goats, and namely the two that pranced around with their adorable little horns, wooing commuters who spent 15 minutes of their time corralling the fuzzy animals and tying them to a guard rail. Note to protesters: Next time you block traffic in the name of choking off the arteries of capitalism, try bringing a couple goats with you. All the haters will be like, “‘ARRRRR!’ I mean, ‘Awwwww.’”
FEBRUARY
FEDS BUST FRESHMAN FOUNDER OF WORLD’S GROSSEST-SOUNDING APP
A UCSC freshman from Sunnyvale was selling cocaine, meth, shrooms, MDMA, and “special requests” through his Banana Plug mobile app, which was available in Apple’s App Store. Unsure if they had the resources to arrest an 18-year-old on their own, UCSC Police decided to call in Homeland Security officers, who arranged four meetings through the app and on Snapchat to buy cannabis, cocaine and more than 5 grams of methamphetamine. A federal grand jury indicted the student on drug distribution and possession charges. We still don’t know what a banana plug is, nor do we want to.
RECALL NEWS: PLEASE MAKE IT STOP
Mayor Martine Watkins called out fellow councilmembers Drew Glover and Chris Krohn,acknowledging “perceptions” that the two men had been bullying her. Honestly, to anyone who had witnessed the way Krohn and Glover mansplained their way through City Council meetings, this sounded plausible. It helpedkickstart an investigation in which Krohn and Glover were each found to have violated the city’s Respectful Workplace Conduct policy, due to complaints from other employees. Watkins’ complaints weren’t substantiated. Regardless,a recall campaign had begun, so a bunch of Glover and Krohn apologists started playing defense by attempting to justify everything that Glover and Krohn had ever done.Recall supporters, for theirpart, started exaggerating Krohn and Glover’s violations—allegedly spreading outright lies and pretending that the two politicians had committed heinous crimes. After the report on the matter came out, Glover held a meeting with a staffer that escalated quickly and got quite heated. A subsequent memo stated that Glover was no longer allowed to talk to the vast majority of city staffers. Glover violated the city’s conduct policy again in November, and on and on. Why do we get the nagging sense thatthe recall—no matter its outcome—won’t make Santa Cruz any better off?
MARCH
THIS IS ‘US’
The shortest-titled hit movie since Oliver Stone’s W. burst into American theaters, and the biggest star (other than the magnificent Lupita Nyong’o) was the Santa Cruz Beach Boardwalk. Us, director Jordan Peele’s horror-movie follow-up to his landmark Oscar-winner Get Out, suggested that the Boardwalk was a mysterious nexus of enslaved doppelgangers, at the same time paying subtle tribute to the last movie that portrayed Santa Cruz as a supernaturally creepy place, 1987’s The Lost Boys. Us quickly became the biggest box-office draw in the country, but the Boardwalk had to endure lots of social media buzz, and a feature story or two, declaring that the film would scare tourists away. Turns out, the opposite was true. The film ended up grossing more than $255 million worldwide, the Boardwalk got a big pop-culture boost, and locals learned a valuable lesson: don’t go underneath the Boardwalk, because your Tether doppelgänger is just waiting to pull the ol’ switcheroo on you.
IT’S WATER UNDER THE BRIDGE
Margaret Bruce, who had served on the San Lorenzo Valley Water District board for seven years, resigned after a bizarre controversy the previous month that saw fellow board member Bill Smallman censured for saying that anyone who used glyphosate pesticides “is both really stupid and lazy, and probably gay.” That class of pesticides has been banned by the SLVWD. Bruce publicly criticized Smallman’s homophobic comment, for which he later apologized, saying he had become “addicted” to online debate and would undergo diversity training. Bruce did not indicate whether her resignation was related to Smallman, who also resigned three months later.
APRIL
ROSS CAMP REIGNITES ‘PUBLIC SAFETY’ CULTURE WARS
For a fleeting moment this spring, it seemed like there might be another path forward on homelessness. After years of shuffling tents from park to park, organizers of a central encampment between the Ross discount store and the mouth of Highway 1filed a civil rights lawsuit that demanded local officials provide a humane alternative before they dismantled the camp criticized for drug sales and poor sanitation. Finally, an end to reactionary Band-Aids like issuing camping fines to people with no money? Nah. The court injunction passed and occupants were evicted, withwitnesses reporting ugly instances of groups in cars throwing rocks at people in the camp.
BACKYARD BEEKEEPERS FLY INTO BUREAUCRACY’S CLUTCHES
At long last, in the spring of 2019, Santa Cruz seized the opportunity to confront the city’s many vexing social issues by cracking down on … backyard beekeepers. In April, Midtown resident Donna Gardnerspoke with GT about her ordeal after eight years of maintaining an active hive, when she was suddenly fined around $700 and told she needed some expensive new permits. “I spent at least the first two weeks crying and not sleeping at night,” Gardner said. OK, we’re not sure why she’s so into bees, but we can say that as long as those stingers aren’t terrorizing unassuming passersby, the city would probably be better served by buzzing off.
MAY
WAVE, GOODBYE
Douglass Thorne’s amazing Santa Cruz life came to a close in May at 90 years old. He was an educator who served at all three of Santa Cruz’s high schools, and as a U.S. Navy reservist for 40 years. But the local surf community will forever remember him as one of the last surviving members of the Santa Cruz Surfing Club, the Big Bang of Santa Cruz’s now world-famous surf culture. Thorne was surfing the local breaks as a kid in the years leading up to World War II and spent a significant portion of his life in, on and around the ocean. He was a founding member of the Surfing Club’s Preservation Society—which, among other things, came to the rescue of the Santa Cruz Surfing Museum at Steamer Lane when it was on the verge of closing. At a memorial service on West Cliff Drive, Thorne’s body was driven past his favorite surf spots one final time, per his request.
CHIP OFF THE OLD BLOCK
Santa Cruz never had A-listers like Cher or Bono or Madonna, and now we’re not even scraping the bottom of the one-name-celebrity barrel, thanks to the departure of Chip, the longtime executive director of the city’s Downtown Association. In May, the weird guy who everyone had to pretend they wanted to say hi to as he aimlessly wandered the downtown streets every day announced he was leaving his position in Santa Cruz for a similar position in another hipster-friendly college town: Boulder, Colorado. Chip emerged in Santa Cruz 20 years ago from the local theater community, and as head of the DTA, he had been one of Pacific Avenue’s most recognizable faces for a decade, sadly.
JUNE
THINGS ARE LOOKERING UP
Nerds of Santa Cruz rejoiced in June, when Google announceda 10-figure acquisition of local “business intelligence” startup Looker. What does that even mean? That’s not really for normals to know, but all the hype about Big Data was enough to help drive the price of selling out to Silicon Valley up to $2.6 billion. Another thing the deal inspired among local luddites: anxiety about what the official arrival of Google money—on top of Amazon and others—might mean for non-techies looking to hang onto housing and office space. Oh, and lots of sick burns about man buns.
BOOTS AND REBOOTS
Way up in the Santa Cruz Mountains, where pretty much everyone is either unnervingly knowledgeable about crystals or an aspiring Amerciana musician, this summer brought yet another big change to the local entertainment scene. After a weird and expensive stint as steakhouse-meets-music venue Flynn’s Cabaret, the former Don Quixote’s wasbought and reopened by longtime Catalyst booker Thomas Cussins and his Ineffable Music Group. The newly rechristened Felton Music Hall is booking a wide range of roots, reggae and rock music at a time when the mountain towns are seeing major growth, thanks to that more affordable, salt-of-the-Earth land.
JULY
GODDAMN CRAZY SQUIRREL IS CRAZIER THAN WE THOUGHT
It was almost cute at first. Almost. The problem was that Emily the squirrel would not stop biting whomever walked past the Maple Street tree she called home. (Is this what Take Back Santa Cruz members mean when they say they don’t feel safe going downtown anymore?) After Emily nipped at six victims, Santa Cruz got fed up and sent two fire engines, an animal-services officer and a wildlife handler to haul her away. The eastern gray squirrel landed in the custody of the Native Animal Rescue, only to chew her way out of her plastic blue box of a jail cell and escape. She ran across 17th Avenue and bolted along fences lining the Live Oak Grange garden. We’re eagerly awaiting Emily’s forthcoming memoir about her travels, which we hope will either be titled On the Rodent or The Electric Kool-Aid Rabid Test.
POTENTIAL PIZZAGATE DEFEATED BY COMMON SENSE AND TASTY MUFFINS
When Whale City Bakery was tagged in a social media post that—without a shred of evidence—accused it of being complicit in a human trafficking scheme, Outrage Twitter immediately went on the attack. But the backlash from supporters was swift, as they pointed out the story had more holes than a box of bagels. Within 48 hours, the controversy had gone stale, and everyone went back to enjoying their eggs Florentine and mimosas. Incredibly, the original tweet received 12,800 likes before the accuser’s Twitter account was justly deleted.
AUGUST
WE LIKE AFFORDABLE HOUSING; JUST DON’T PUT IT THERE OR THERE OR THERE, OR DEFINITELY NOT HERE!
Santa Cruz City Council’s “liberal” majority took flak for voting down an environmentally friendly process to allow for increased housing density along Santa Cruz’s busiest streets. Councilmember Chris Krohn wrote a letter to GT in which he renamed the plan “Bonzo,” a weird Ronald Reagan reference that we still don’t understand the intended meaning of in this context. Is this where we say “OK, boomer?”
IT’S NOT ABOUT THE MONEY, WE SWEAR
Some Santa Barbra lawyers filed a draft legal complaint arguing that Santa Cruz’s elections aren’t providing for adequate Latino representation. The evidence was less than overwhelming, but lots of cities have been getting hit with these cases—which are expensive to fight, so city councils often settle quickly. If Santa Cruz had folded, the prosecuting lawyers would have made an easy $30,000 and forced a big election change, without ever having to prove that district elections will make Santa Cruz, its residents or Latinos better off. The lawyers eventually pumped the brakes, though, because their chosen plaintiff, a local Latino “voter,” wasn’t actually registered to vote here.
SEPTEMBER
WE HEAR HE HAS SOME LEADS ON A PLACE THEY COULD MOVE INTO
A “flier bandit” spent months grabbing every home-listing flier that he could from around Santa Cruz, and emptying out brochure boxes in the process. The police got involved in September—not because the man was doing anything illegal, but because the cops actually show up whenever rich people call. The bandit informed authorities that he was in a cult and participating in a contest through the end of October that involved collecting fliers, so that he could win the biggest prize: his very own bride.
WE’RE ONLY WRITING ABOUT INTERNET INFLUENCERS FROM NOW ON
YouTuber Louie Castro put Santa Cruz County on the social-media map, when our Sept. 4 cover story about him became the most popular story of the year on goodtimes.sc. Hey Louie, wanna plug our City Council coverage?
OCTOBER
LOCAL GOOD SAMARITAN FULFILLS JUMP BIKE’S LIFELONG DREAM OF SWIMMING WITH DOLPHINS
Theysay you can park a Jump Bike anywhere when you’re done with it, but guess where you can’t park it? The ocean! That’s what one woman discovered when she was arrested early in the morning of Oct. 26 on Cliff Drive, after throwing her Jump Bike into the sea. Deandra Perez was booked on a vandalism charge and released on $5,000 bail. The Jump Bike was later recovered after Percy Jackson, son of the Greek god Poseidon, was spotted riding it to a Santa Cruz Warriors game.
PG&E IS DUMB
Sure, the “Public Safety Power Shutoffs” in October were a dystopian nightmare, but if there was one good thing that came out of them, it was that after all the criticism Pacific Gas & Electric received, you can rest assured that there won’t be a sudden blackout when you’re typing on your computer and you’ve almost finished your sen
THIS IS NOT THE WORST RASH YOU CAN GET IN COLLEGE
UCSC police announced on Halloween that they were seeking the public’s help in the investigation of a “rash of thefts” that took place from mid-to-late October on campus. The rap sheet included burglaries in the campus facilities parking lot, grand theft from the McHenry Library and a half-dozen other locales, as well as several incidents of petty theft around campus, including the College 8 Dining Hall. Instructors report that for a minute there, “a series of microaggressions against my backpack” briefly eclipsed “my dog ate it” as the number one excuse for not turning in homework.
NOVEMBER
30 FREE OR IT’S MINUTES
Order those organic edibles and CBD dog treats now, unless you want to—gasp!—drag your ass to a dispensary to buy your own weed accoutrement. In November, California’s Secretary of Statejumped into a legal battle between Santa Cruz County and Salinas dispensary East of Eden about whether the company (and others without a local license) should be allowed to deliver their wares to locals who prefer cannabis delivery to in-person shopping. Don’t worry: The internet says that as of now, I can still get that cartridge of Island Sweet Skunk delivered to my door in under an hour.
DECEMBER
SO IT’S JUST A COINCIDENCE THAT I DO HAVE SEVERAL WARRANTS OUT FOR MY ARREST?
Earlier this month, the Santa Cruz County’s Sheriff’s Office warned residents about a phone scam targeting locals that went something like this: You get a call from someone claiming to be a Sheriff’s deputy telling you that you have several warrants out for your arrest, including a $2,000 fine. No doubt this helpful deputy would love to assist you in taking care of that last item right there on the phone, but at least one smart cookie who reported the scammer to the Sheriff’s Office ended the conversation there and reported the incident instead. When deputies put in a follow-up call to the (local) number given out, they heard a voice message telling them that they had reached the Santa Cruz County Sheriff’s Office, but their first clue that that was untrue was the fact that they themselves were calling from the Santa Cruz Sheriff’s Office. So meta! The VOIP number couldn’t be traced, but all of the deputies want to remind you that they do not call people with warrants and ask for payment or personal information. In other news, you do not have a relative who has had an accident in a foreign country and needs you to wire money immediately; the IRS does not need your social security number, because they already have it; and Nigeria does not have a prince.
NO RESIGNATIONS WERE FORTHCOMING
It’s only been 143 years since Santa Cruz swore in its first mayor, and already we have an African American man in the office. If that sounds sarcastic, it’s because it totally was! But Justin Cummings was sworn in at the Dec. 10 meeting of the Santa Cruz City Council, and the discussion leading up to his selection produced our favorite GT tweet of the year, from the previous City Council meeting: “Robert Norse doesn’t like Cummings. Elise Casby says she doesn’t like Meyers or ‘fascism.’ Dave Willis doesn’t like anyone except Drew Glover, who he says should be mayor. He calls on the rest of council to resign. He says he never sees Cummings at cmmty meetings, saw him @ bar once.”
In the flatlands of south Santa Cruz County, winter’s short days and blustery cold have already taken their toll on the area’s famous farmland. Fields that just weeks ago offered a bounty of lettuce, tomatoes and strawberries are picked-over, muddy and mostly dormant.
The lean season has arrived, and this year, it may be felt more acutely inside hundreds of local homes where residents already struggle to find enough to eat.
Upwards of 600 households in Santa Cruz County—many including children, seniors or disabled individuals—could see their monthly government food assistance benefits wiped out early next year if a new federal rule to alter work requirements for food stamp recipients goes into effect as expected, county officials tell GT.
“We’ve been looking at what’s coming out and the impacts on our community,” says Joel Campos, director of community outreach for Second Harvest Food Bank Santa Cruz. “It’s excluding people.”
The so-called “able-bodied” work rule change, which would require food stamp recipients to be employed at least 20 hours per week year-round, targets adults age 18-49 and is expected to hit seasonal workers in industries like agriculture and construction particularly hard, Campos says.
It’s also just one of several proposed changes to food stamp programs—known in California as CalFresh—that have tested the county’s social safety net in recent months. Nonprofits like the food bank and food justice group Food What?! say that other proposals to increase immigration status checks and alter enrollment rules for those receiving other government benefits are already having a chilling effect.
Nationwide, estimates are that as many as 5 million people could see food stamp benefits reduced or cancelled as a result of changes currently winding through federal bureaucracy. In Santa Cruz County, where the local 27% child poverty rate is already second-highest in California, the effects could be dire for residents scrambling to keep up with rising costs of living and stagnant wages.
“It’s a huge issue, because food stamps in this county are no different,” says Kayla Kumar, development director of Food What?! “It’s the number one way the government kind of addresses poverty.”
Kind of, Kumar says, because nonprofit groups like Food What?!, Mesa Verde Gardens and others already help many residents left behind by government benefit programs grow or buy their own food at reduced rates.
Santa Cruz County residents skipped about 21.5 million meals in 2017, even after local food assistance programs provided about 28.2 million meals, according to a recent joint report by UCSC and Second Harvest Food Bank. Government programs including CalFresh provided 72% of those meals, while Second Harvest and other community groups served the rest.
As it stands, some 645 households in the county could join the ranks of the hungry, since their current monthly CalFresh benefits could be denied or discontinued if the new federal rules are fully implemented, says Leslie Goodfriend, senior health services manager for the county. Those households include 413 children and 263 seniors or disabled adults, she tells GT.
Any decrease in federal dollars to support CalFresh, Goodfriend warns, could also have local economic ripple effects. With more local businesses and farmer’s markets now accepting payment by food stamps with EBT cards, cuts would also be passed onto vendors.
“It does more than just offer food assistance,” Goodfriend says. “When you spend your CalFresh dollars at a grocery store, that directly helps that grocery store. It helps our economy.”
BEYOND BAND-AIDS
More than 1 in 10 U.S. households ran out of food in 2018, according to federal estimates. While long-term studies have shown that child development, academic performance and adult health can all be negatively impacted by food scarcity, many households who might qualify for government assistance do not apply.
In Santa Cruz County, a single person making $2,024 or less per month may be eligible for food assistance, or up to $4,184 for a family of four. Still, in an example of what researchers call the “SNAP gap,” it’s rare, even in areas of the county where the majority of residents are low-income, for more than 20% of people who are eligible for food benefits to apply for them.
“These rules don’t make any sense on purpose,” Kumar says. “It’s not for lack of education. It’s deliberately confusing.”
One big problem, says Campos of Second Harvest, is that local residents who have family members with legal temporary U.S. residency or mixed immigration statuses have been increasingly wary of seeking food assistance in the current anti-immigrant political climate. Walk-in traffic for residents inquiring about government assistance at the food bank has already plummeted to about half the usual level, he says, thanks to fear and confusion about the future of food stamps.
“It’s dropping off on the CalFresh program, but that means it increases here at the food bank,” Campos says. “We don’t ask them any questions.”
About 20% of the county’s nearly 275,000 residents go to the food bank for help each month. The nonprofit provides tens of thousands of meals and bags packed with groceries for Santa Cruz County residents.
PUTTING DOWN ROOTS
While Second Harvest focuses on immediate hunger, Food What?! employs dozens of local youth each year to grow food on two plots at UCSC and in Watsonville. Participants get to take home a share of produce each week, and the long-term goal is for marginalized communities to build their own sustainable food systems.
“Yes, food stamps are helping as a Band-Aid, but also what food stamps really do is subsidize businesses to pay lower wages,” Kumar says. “We’re more interested in combating poverty directly.”
One example is the nonprofit’s new “prescriptive produce” program, where doctors at the clinic run by fellow nonprofit Salud Para La Gente (Health for the People) can prescribe vouchers for healthy food to patients struggling with diet-related issues, such as diabetes. Those prescriptions can be redeemed at a Food What?! farm stand outside the clinic. Since it started over the summer, the program has distributed some 3,000 pounds of food, Kumar says.
Other ingrained dynamics may be harder to change. While Santa Cruz County routinely ranks highly on national lists for the most expensive places to live, it’s also a hub for low- and middle-wage jobs in hospitality, agriculture and construction with income swings that can be hard to weather. It’s these seasonal workers that stand to be hit especially hard by changes to food stamps, Campos says.
“Once they stop working, they will start asking them to continue finding work,” he says. “Especially farmworkers; they might be off work five months.”
The irony of locals growing the nation’s food only to be left hungry themselves isn’t lost on Kumar.
“It’s a particularly heartbreaking paradox,” Kumar says. “It’s not acceptable.”
Second Harvest Food Bank, Food What?! and Mesa Verde Gardens are among the 37 local nonprofits participating in this year’s Santa Cruz Gives holiday fundraising drive. Donate through Dec. 31 at santacruzgives.org.