Music Picks: Sept. 18-24

Santa Cruz liveย entertainment picks for the week of Sept. 18

WEDNESDAY 9/18

CELTIC

THE TANNAHILL WEAVERS

When Scottish group the Tannahill Weavers formed in the late โ€™60s, the idea of playing traditional music was uncool. The band not only paved a path for hundreds of other Scottish bands wanting to embrace their roots, it was also the first to take the sounds of the highlands bagpipe and put it in the context of a popular ensemble. In sustaining a healthy career with 18 albums and plenty of tours all over the world, the group has watched as the rest of the world realized that playing traditional Scottish music was a very cool thing.ย AARON CARNES

7:30 p.m. Michaelโ€™s On Main, 2591 Main St., Soquel. $18 adv/$20 door. 479-9777.ย 

 

THURSDAY 9/19

PUNK

MIKE WATT

Even if youโ€™ve never heard of Mike Watt,ย  youโ€™ve probably heard the beginning of the song โ€œCorona,โ€ which was used as the theme for Jackass. As bassist and unofficial leader of the Minutemen, Watt and crew wrote some of the most influential punk music of the early โ€™80s by straying from the โ€œshort/fast/loudโ€ model and incorporating elements of funk and jazz into the mix. For the past 13 years, he has been on-and-off touring with the Missingmen, with indie veterans Tom Watson and Raul Morales, a return to his punk-rock-trio roots. MAT WEIR

8:30 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $25 adv/$30 door. 479-1854.

 

FRIDAY 9/20

COMEDY

SHENG WANG

Sheng Wang has great delivery. Even as he talks about the time he โ€œprobablyโ€ pissed his pants (he was drunk), or when he might have accidentally started a new racial stereotype (โ€œEverybody put that online and tag … Asiaโ€) he is consistently understated, his face weirdly stern as he slowly shuffles around the stage. A writer on ABCโ€™s Fresh Off the Boat, Wang recently appeared on HBOโ€™s 2 Dope Queens, where he riffed on the stresses of avocados and his passion for not getting hurt. MIKE HUGUENOR

7 & 9:30 p.m. DNAโ€™s Comedy Lab, 155 S River St., Santa Cruz. $20 adv/$25 door. 900-5123.

INDIE

MATTHEW AND THE ATLAS

Matthew and the Atlas is known to dabble in all types of music, from soft, acoustic contemplations to synth-driven rock dramas. The band has a slight eccentric edge to it, like if Sufjan Stevens, Tracy Chapman and Beirut started a super band, and Neil Young wrote all the lyrics. Founder Matt Hegarty is often dubbed the โ€œBritish Bon Iver.โ€ I donโ€™t really see it, but Hegarty does have quite a unique voice, somehow low and throaty yet high and birdlike at the same time. Itโ€™s those peculiar vocals that tie it together, creating a sound full of dark, preening vitality. AMY BEE

9 p.m. Felton Music Hall, 6275 Hwy. 9, Felton. $12 adv/$14 door. 704-7113.

 

SATURDAY 9/21

HIP-HOP

BLACKALICIOUS

Itโ€™s hard to think of another rapper with the verbal dexterity, wit and emotional vulnerability of Gift Of Gab. But he doesnโ€™t deserve sole credit for his group Blackaliciousโ€™ rabid cult fanbase. He and DJ Chief Xcel have a unique relationship, where they riff off of each other like jazz musicians or a two-piece White Stripes-style rock duo. It creates a flexible, vibrant dynamic. In 20 years, the group has only released four albums. Theyโ€™re all meticulously crafted, vibrant hip-hop masterpieces. The group comes to Moeโ€™s to celebrate 20 years of top-notch underground hip-hop with zero compromises. AC

9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $20 adv/$25 door. 479-1854.ย 

INDUSTRIAL

THIEF

Thief is the brainchild of D. Neal, dulcimer player for black metal outfit Botanist. Itโ€™s a nightmare of industrial sounds mixed with surprisingly danceable beatsโ€”for fans of Sisters of Mercy, early NIN, My Life With the Thrill Kill Kult, or basically anything fierce, electronic and spooky. They will be joined in the dungeons of the Blue Lagoon by local, heavy space surf rockers Cosmic Reef Temple and Oaklandโ€™s surreal post-punk group Silence in the Snow (featuring members of Wolves in the Throne Room and Lycus!) MW

8:30 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $10. 423-7117.ย 

 

SUNDAY 9/22

PUNK

LILACS

The three members in art-punk project Lilacs seem to be inhabiting their own spheres. They pluck and pound on their instruments, eliciting high-pitched growls and guttural roars in three separate microphones, vocals jumbling over each other and fusing into dissonant white noise. Emotive on a gut level like the Slits, but stripped down to the nitty-gritty, Lilacโ€™s lyrics are indecipherableโ€”except to the lizard brain, which completely understands. AB

9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.ย ย ย 

 

MONDAY 9/23

JAZZ

BOBBY McFERRIN

Bobby McFerrin is back. The vocalist extraordinaire cancelled a slew of concerts in 2016 with his management, citing ill health. As several years passed, worries grew about his condition. But the crisis seems to have passed, and heโ€™s on the road with more than two dozen dates booked through the winter. McFerrin returns to Santa Cruz with some of his most trusty vocal companions, including Joey Blake, David Worm and Rhiannon, who were all founding members of his innovative Voicestra. With later Voicestra addition Judi Vinar, McFerrin is performing with a lineup similar to his recent a cappella group Gimme 5 Circlesongs. ANDREW GILBERT

7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $52.50. 427-2227.

 

TUESDAY 9/24

SYNTH-POP

HOT CHIP

Hot Chip has never sounded as smooth as it does on this yearโ€™s A Bath Full of Ecstacy. Sure, the group has been fusing indie rock with big, dancey, synth-pop hooks for decades now, but this time around, it seems to have fully embraced the dance and left almost all the angularity of indie rock behind. Lead single โ€œHungry Childโ€ channels โ€™90s New Order with a pulsing dance beat, swirling synths and those oh-so-sensitive vocals. The heavily autotuned title track is likewise smooth as velvet as it promises โ€œthe cure, the pure remedy.โ€ MHย ย 

9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $35. 429-4135.

Avantiโ€™s New Look and New Menu

With a robust California-Mediterranean menu and buffed interior, Avanti is settling into its 21st-century identity.

New owners Jonathan and Tatiana Glass have made some attractive decisions. The side patio is now fully enclosed, lined with ferns and holds its own as a separate party room. An emerald moss sculpture stretches across the far back wall, overlooking curved wood seating, grey upholstery and white walls free of artwork. Slight-but-significant changes give the new Avanti (note, no more โ€œRistoranteโ€ in the name) a breezy, coastal-modern feel. And, as we discovered at lunch last week, the food has never been better,

We started with one of the special drink options, a Cucumber Cooler ($8), utterly refreshing with cucumber, elderflower and lime muddled with Seedlip n/a gin and soda. A mocktail for late summer sophisticates. With it, we shared an appetizer special of plump salmon fritters, a crunchy trio perched on house marinara with a freshly made mayonnaise dipping sauce and a wedge of lime ($13). My companion was busy taking in the details of the stonework around the windows and alcoves that give the interior distinction. Skylights keep the room suffused with soft light.

Our entrees were excellent. I always have loved one of the house classics, the confit of Liberty Duck ($19), served with roasted potatoes and a sautรฉ of baby carrots, onions and fresh green beans, the market vegetables of the day. This dish has it all, with the sensory contrasts I expect of a classic: the intensity of duck fat and crisp, salty skin; the earthiness of potatoes; the sweetness of the beans and carrots. Terrifically satisfying.

Jack went for a gorgeous plate of lamb meatballs with red pepper-laced marinara arranged atop a trio of grilled polenta cakes ($13). A generous grating of parmigiano reggiano and chopped parsley dusted every item on the long, rectangular stoneware plate. Trying not to grin while he ate, my companion inhaled a third of this dish before he came up for air. My fork reached over and gave it a try. I started grinning, too. The sensitivity to design of the new interior was echoed by the sensitivity to textures and design of the food. The marinara sauce, pungent with fresh herbs and the depth of slow-cooked tomatoes, was almost addictive. The kind of thing you might happily put on corn flakes.

Jack approved. This is the perfect place to meet for lunch, he agreed. There are still plenty of Italianate entrรฉesโ€”lasagne, ravioli, pappardelle, gnocchi, even clams and linguineโ€”to keep the old-school regulars content. Appetizers are getting creative. Lots of calamari specials and market garden salads. Checking out the dessert menu, I noted with pleasure that the insanely decadent butterscotch budino with salted caramel sauce was still available. No matter how full you are, once youโ€™ve had a single bite of this semi-legal dessert, you cannot stop eating. So I made sure to try something new. I almost caved at the very idea of mascarpone mousse cake with nectarine glaze, or (upon the high approval rating by savvy hostess Christi Caviglia) the chocolate olive oil cake. But I decided on homemade peach pie with almond crumble and vanilla gelato ($10). Two spoons. A luxurious, pampering pie, it was plump with fresh peaches and festooned with almondy bits of crumbled butter, brown sugar and more almonds. At the side, providing contrast, was an austere, barely sweet scoop of vanilla gelato. I kicked myself that I hadnโ€™t ordered an espresso to pair with this lavish made-for-two dessert. But of course, thereโ€™s next time…

Avanti Restaurant, 1917 Mission St., Santa Cruz. Lunch Monday-Friday 11:30 a.m.-2 p.m.; dinner nightly from 5 p.m. 427-0135, avantisantacruz.squarespace.com.

ย 

Love Your Local Band: Alwa Gordon

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In 2016, local rapper Alwa Gordon was working on his song โ€œMotown.โ€ He found himself singing over the beat.ย 

โ€œIt wasn’t a conscious decision,โ€ says Gordon. โ€œI started to play beats, and it wasnโ€™t rap that was coming to my mind.โ€ย 

He had been rapping for over a decade but suddenly found himself wanting to take his music career more seriously. โ€œMotownโ€ landed on 16 Summers, which was released on May 15. The whole EP reflects his newfound diversity, and stretches beyond strictly hip-hop.ย 

โ€œItโ€™s very hard to put 16 Summers in a category,โ€ Gordon says. โ€œItโ€™s hip-hop. Itโ€™s pop. Itโ€™s got soul. Thereโ€™s some surf guitar, Santa Cruz vibes in there.โ€

He explores himself deeper than before, as a person and an artist, but also as a product of Santa Cruz, something full of contradictions. On โ€œBefore I Go,โ€ he talks about seeing success on the horizon, but also acknowledges issues in Santa Cruz that contradict the townโ€™s reputation for positivity, like racism, homelessness and drug addiction.ย 

โ€œItโ€™s kind of a love-hate dynamic,โ€ says Gordon.

A major struggle here is the lack of a hip-hop scene. Big acts come through town and headline the Catalyst, but thereโ€™s not much space for up-and-coming artists. Local emcee Khan has been doing his part by throwing quarterly events at the Crepe Place called โ€œDigginโ€™ In The Crepe,โ€ and Gordon has played most of them.

But thatโ€™s part of his duality. As a rapper in a town that has no rap scene, heโ€™s been able to stretch and grow in unexpected ways.

โ€œIโ€™ve done shows with bass artists, DJs. Iโ€™ve made music with [folk-hip-hop group] Driftr. Iโ€™ve done acoustic stuff with just a guitar. Itโ€™s made it so Iโ€™ve had to get out of this whole thinking that itโ€™s just hip-hop, so I had a space to share my gift,โ€ Gordon says. โ€œNow I love it, because I can exist in so many different worlds.โ€ย 

9 p.m. Saturday, Sept. 21. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $20 adv/$25 door. 479-1854.

Film Review: โ€˜Ad Astraโ€™

Director James Grey tries out a Terence Malick style in Ad Astra to crack the enigmatic calm of a Neil Armstrong type.

Brad Pitt, bewitchingly cool and handsome in a space suit, plays near-future astronaut Major Roy McBride. He is a famous man and a stranger to himself. In voice over, he muses over the lack of emotion thatโ€™s caused his wife (Liv Tyler) to leave him. Heโ€™s honored at Space Command for a resting pulse that never breaks 80. Roy is cool under pressure, even when he plummets from a stratosphere-piercing antenna, nearly blacking out before his parachute opens … and then the chute is pierced by falling debris.ย ย 

Roy has one nerve, and the story twists it. Royโ€™s father Clifford (Tommy Lee Jones) was a renowned astronaut who abandoned his family on a mission. Though he never came back, Clifford may still be alive, living in Neptunian orbit; inexplicable pulses from that direction are zapping the earth, killing tens of thousands. Perhaps itโ€™s from the anti-matter generator Clifford took with him into deep space. Has he succumbed to space madness? In one last gamble, the Command sends Roy to Mars to deliver a secret personal message to Clifford. Theyโ€™ve pre-written it for him.

Heart of Darkness parallels increase as Roy approaches. As we hear in the endless and mostly redundant first-person narration, the moon has been turned into a tourist destination, complete with an Applebeeโ€™s and alien-masked buskers. Towering over the moon base is a replica of the cowboy Vegas Vick neon sign, the Las Vegas landmark. This is scolding stuff, compared to the fun Paul Verhoeven had with Mars as a carnival planet in Total Recall. A lunar dune buggy chase through the moonโ€™s unpacified zones is interesting enough, but Grayโ€™s not an action director. You know how Roy feels: it doesnโ€™t raise the pulse.ย 

In Marsโ€™ underground tunnels, Roy meets an executive born and raised on the red planet; sheโ€™s played by Ruth Negga, togged out in a handsome set of black pajamas. Like Donald Sutherland, who turned up earlier as a wary Space Command officer, Negga gets dropped from the movie, perhaps for the crime of being too distracting from Greyโ€™s fathers-and-sons thesis.

In the Belt, Ad Astra has a passage illustrating the matter of whether our species belongs off-world, through a fatal encounter with a floating lab doing experiments on animals. Itโ€™s similar to the business of the abandoned ship of feral dogs in Claire Denisโ€™ High Life, where the fate of poor Laika the Soviet space dog was multiplied to a thousand. Ad Astra frets over the problem of human contagion of the pristine emptiness, of sending us apes where we donโ€™t belong.ย ย 

And like the bloody encounter with an ape in the abandoned ship, the most exciting moments are the most traditional science fiction movie incidents. Itโ€™s Roy breaking into a rocket from the outside just as the countdown from T-minus-10 has begun.ย  Later, in a haunted space station, some deceased crewman left the TV on, and itโ€™s playing something strange and eerily beautiful: the Nicholas Brothersโ€™ dance to โ€œI Got a Gal in Kalamazooโ€ from Orchestra Wives (1942).ย ย 

Gray endeavors to give this drama the sweep and detail of TVโ€™s The Expanse. The over-explaining desiccates Ad Astra, despite both its 2-billion-mile scope, and Hoyte van Hoytemaโ€™s glowing photography. There may be a reasonable explanation for the constant comments, even at their most redundant. Roy sees a frightened fellow officer and thinks aloud, โ€œHeโ€™s scaredโ€โ€”is Roy, then, like a man with Aspergerโ€™s, always having to read other peopleโ€™s emotions?ย ย 

Pittโ€™s humanity, so evident in Once Upon a Time in Hollywood, keeps one hooked through this. The lost-father drama can be tedious in the deftest hands. But this time, the celestial backdrop adds some allegorical freshness to the subject of fathers so obsessed with their business, so closed off from their families that they might as well be in ice-cold orbit around one of the outer planets. Jones is terrific at demonstrating that lack of regret, the inner deadness of one of these technical geniuses. But he also demonstrates flashes of the weakness and willfulness of a father on the edge of senility. Still, in the end, just like High Life, all Ad Astra can do is helplessly endorse the beauty and preciousness of Earth.ย 

AD ASTRA

Directed by James Grey. Starring Brad Pitt, Liv Tyler and Tommy Lee Jones. (PG-13) 122 minutes.

Is Santa Cruz Ready For Fire Season?

From Shasta to San Diego, Yosemite to Santa Cruz, there is a sense of foreboding, maybe even dread, as summer turns to fall.

Fire season is here.

The last couple of years have seen some of the most devastating wildfires in the stateโ€™s history. Taken as a whole, the fires of 2017 and 2018 are unprecedented, as measured by damage and death. The Camp Fire, which all but destroyed the foothill town of Paradise in 2018, is now classified as the deadliest blaze in California history, and the most lethal fire in the U.S. in a hundred years.

Several months before that, the Mendocino Complex fires became the largest wildfire event by acreage in California history. Add to that the almost-as-tragic Carr Fire in Shasta County, the Tubbs Fire which devoured large parts of Santa Rosa, the Wine Country Fires which killed 44 people across Northern California, and the Thomas Fire which laid waste to huge chunks of Ventura and Santa Barbara counties, and itโ€™s clear that the past two fire seasons could one day be remembered a particularly terrifying period in state history.

That is, if weโ€™re lucky.

Although this yearโ€™s wildfires have not come close to the impact of 2017 and 2018, thatโ€™s thanks in part to significant rainfall, and itโ€™s also still quite early. Most of the deadly fires of the last two years took place in October and November. The 2017 Thomas Fire in Southern California didnโ€™t begin until December.

This could be the ideal moment for an event like โ€œCalifornia On Fire: The Past, Present and Future of Fire Ecology in the Golden State,โ€ sponsored by the Santa Cruz Museum of Natural History. The lecture/panel discussion comes to the Rio Theatre on Thursday, Sept. 19. San Francisco State University biologist and plant ecologist Thomas Parker will give the keynote presentation. Following Parkerโ€™s lecture will be a panel discussion featuring the countyโ€™s Emergency Services Manager Rosemary Anderson, chairman of the Amah Mutsun Tribal Band Valentin Lopez, and former Cal Fire Director Ken Pimlott.

Pimlott retired at the end of last year, after eight years leading the state agency. He says that the nightmarish recent years were the culmination of an almost decades-long period in which fires were made increasingly deadly because of the years-long drought in California. He remembers the devastating but โ€œalmost forgottenโ€ Valley Fire of 2015 that consumed much of the small town of Middletown in Lake County in less than 24 hours.

โ€œThat was in 2015,โ€ he says, โ€œand I remember we were all asking ourselves, how could it possibly get worse? But it did.โ€

While most of the media coverage and public conversation surrounding catastrophic wildfires comes from the context of the human cost, keynote speaker Parker focuses on the California landscape. From his perspective, fire ecology is about the role fire plays in various landformsโ€”forests, oak grasslands, chaparral, etc.โ€”and how native and non-native vegetation adapts to the threat of fire.

Fire, Parker says, has been a part of the local landscape for millions of years. But human intervention and changes in climate have altered the nature and the severity of fires in recent years. Rainfall, or the lack of it, obviously plays a big role in fire season, but there are other factors.

He says that recent California autumns that have seen more frequent high-pressure systems coming from the east, the kind that drive high-wind events. โ€œAnd when thereโ€™s an ignition during those high-wind events, like what happened in Santa Rosa two years ago and Paradise last year, thatโ€™s when you get the devastating fires,โ€ he says.

If thereโ€™s good news here, itโ€™s that, in the aftermath of the historic fire seasons, Californians may be paying more attention to fire preparation, says former Cal Fire Chief Pimlott. โ€œIn 2017, we issued red-flag warnings about critical fire conditions. But, by that time, it had become like white noise to the public,โ€ he says. Pimlott now lives in the fire-prone Sierra foothills where, he says, โ€œpeople are now hyper-aware about fire. Theyโ€™re scared, and theyโ€™re listening to what other people are saying. It really has improved, as long as people maintain their attention.โ€

Santa Cruz County is, of course, far from immune from fire devastation. As the countyโ€™s Emergency Services Manager, Rosemary Anderson has a wide-ranging purview that includes earthquakes, floods, tsunamis, fire, and other potential disasters. Anderson says that, when the unthinkable strikes, local residents should take action instead of waiting for an authority to tell them what to do.

She notes that many local communities already have plans in place through the Community Emergency Response Team (CERT) program. Through CERT trainings, Anderson is trying to build a culture of self-relianceโ€”about preparedness and how neighbors can take care of one other.

โ€œIn lots of neighborhoods, people donโ€™t even know each other, because theyโ€™re not home most of the time,โ€ she says. โ€œHow do you get these people engaged in some kind of response post-incident? The people who you are going to rely on the most are the people who live right next door to you. Thatโ€™s been the case in every post-disaster weโ€™ve had in Santa Cruz County.โ€

Santa Cruz Museum of Natural History presents California On Fire on Thursday, Sept. 19, at 7 p.m. at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. $5 Museum members; $10 general; $25 Gold Circle. santacruzmuseum.org/california-on-fire.

A Taste of Uruguay in Artesana Tannat 2015

Every time I taste an interesting Tannat wine from Uruguay, I am so glad itโ€™s available locally at Soif.

The Santa Cruz restaurant and wine bar is not just about good food and enjoying a glass of wine to go with your dinner. This well-stocked establishment also carries a select inventory of wines from all over the world, including the Tannat 2015 ($24) from Uruguay. Blended with 30% Merlot and 15% Zinfandel, these two robust wines add an abundance of flavor and depth.

Considered the โ€œnational grapeโ€ of Uruguay, Tannat is less familiar in the U.S., and many people havenโ€™t even heard of it. Grown historically in southwest France, it is now one of the most prominent grapes in Uruguay. Deeply aromatic, this delicious Tannat blend is suffused with black raspberry, cedar and spiceโ€”coalescing in a velvety mouthfeel. It is handcrafted by award-winning women winemakers.

Artesana is a small-production estate winery in the acclaimed Canelones region of Uruguay specializing in Tannat, Tannat blends and Zinfandel (the only Zinfandel produced in Uruguay). It is imported by Leslie Fellows (one of the owners), who has family at the winery. Although she lives locally, she heads to Uruguay often. Artesana is just outside the capital city of Montevideo and well worth a visit.

Available at Soif Wine Bar & Merchants, 105 Walnut Ave., Santa Cruz. artesanawinery.com.

 

Farmhouse Culture

Kathryn Lukas is the guru of sauerkraut. Her Central Coast company Farmhouse Culture is extremely successful, and her products sell far and wide. The organic โ€œgut shotโ€ health drinks are superb. I especially love the Classic Caraway and the Ginger Beet.ย 

Lukas has now co-authored a book with her son, master fermenter Shane Peterson, titled The Farmhouse Culture Guide to Fermenting: Crafting Live-Cultured Foods and Drinks with 100 Recipes from Kimchi to Kombucha. Lukas and Peterson will be presenting their new book at 7 p.m. on Thursday, Sept. 12, at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. 423-0900, bookshopsantacruz.com.ย 

Copper Moon Apothecary Adapts to Changing Climate

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Itโ€™s been a year of unpredictable weather. We saw record levels of snow in the Sierrasโ€”nearly double the annual average in some placesโ€”while peaches in Georgia froze and tornadoes touched down in Massachusetts.ย 

Climate change and this yearโ€™s unusual weather are making things a bit more unpredictable for growers everywhere, including those in south Santa Cruz County.ย 

โ€œEverything this year is late,โ€ says Katy Thompson, owner of Copper Moon Apothecary. โ€œIโ€™m seeing a lot of green growth, but not a lot of fruit or blooms. Things are really taking their time. Iโ€™m seeing some changes with the herbs this year. Everything is a little smaller.โ€ย 

Since starting Copper Moon more than 10 years ago, Thompson has grown most of the herbs she needs, including comfrey, calendula, plantain, and elder, on her 9-acre property in the Larkin Valley. She makes lotions, soaps, bath soaks, cleansers, and live face masks and scrubs by hand using homegrown herbs and locally sourced products.ย 

โ€œAt first, I tested everything on my poor friends. I remember selling my first bar of soap at the farmers market. I was so excited,โ€ Thompson says. โ€œThe business grew, and thatโ€™s all I wanted to talk about and do. I was collecting seeds and growing herbs and wildcrafting, and I created this big, beautiful monster.โ€

As we move into citrus season, Thompson says she will start looking to fallโ€™s citrus to make fresh products, like bath and shower scrub. Because she sources everything from her fields and nearby areas, Thompson says the late bloom will affect how she operates this year. โ€œIโ€™m fine for now, but itโ€™s really going to hit me in December and January when I may not have the backstock of dried herbs.โ€ย 

Other community members have expressed similar concerns about weird weather patterns this year. โ€œWe are all buzzing around and talking about it in the ag community,โ€ Thompson says. In her case, she may need to buy herbs from other suppliers.

Depending on the farmers market, website and wholesale orders, Thompson will figure out how much to make per week. This week, sheโ€™s making all of the products for markets and incorporating herbs that are prime for use, like calendula.ย 

โ€œIf you buy a bar of soap from me this weekend at the farmers market, you are going to have big, green flecks of lemongrass because itโ€™s in season right now,โ€ she says. โ€œSo fresh lemongrass will go into the soap. But come December or January, there is no fresh lemongrass, so Iโ€™ll have to rely on everything I have harvested and dried months ago. The appearance will change dramatically.โ€ย 

Thompson already ships in sandalwood oil and ylang ylang (a tropical flower), since they donโ€™t grow here, and she tries to use them sparingly.ย 

Lately, Thompson has been weighing the prospect of getting extra help. She doesnโ€™t want to outsource anything. โ€œIf I do that, itโ€™s no longer handcrafted by me, and I donโ€™t necessarily know whatโ€™s going into the product,โ€ she says. โ€œI want to keep it small and keep it crunchy.โ€ย 

Copper Moon Apothecary currently sells to markets all over Santa Cruz, including Staff of Life and The Herb Room, and runs weekly Santa Cruz Farmers Market booths. Sheโ€™s also working on a โ€œskin salvationโ€ face serum and wants to experiment with frankincense and a new oil, called Kuss, originating from India. Between managing orders, saving up stock for the winter months and experimenting with new products, Thompson has her hands full.

โ€œThere are limitations. People want their product to smell like bubblegum, but it doesnโ€™t,โ€ Thompson says. โ€œPeople are so used to the bubbles of Dove and other commercial products. This stuff isnโ€™t that. Itโ€™s made to order for them. Itโ€™s natural and homegrown and good for you, good for the planet.โ€

coppermoon.net

Opinion: September 11, 2019

EDITOR’S NOTE

We were saddened here at GT to hear of the passing of longtime friend of the paper Angelo Grova in July. With his groundbreaking FashionArt shows, Angelo obviously had a huge impact on Santa Cruz culture. But he changed how we wrote about fashion here in the alternative press here, too. Back in the day, the annual โ€œfashion issueโ€ was a joke. We always seemed to end up writing some variation on the tired clichรฉ about how Santa Cruz had no fashion. Iโ€™m sure it was as much of a drag for readers as it was for us.

But Angelo changed all that with FashionArt. Suddenly, there was something exciting to write about in the world of Santa Cruz fashion. There were bold, eye-grabbing photos of pieces by local designers and artists. That talent may always have been here, but Angelo gave it a showcase.

You can see Angeloโ€™s legacy in this weekโ€™s cover story by Susan Landry on Pivot: The Art of Fashion. Rose Sellery and Tina Brown, who both worked with Angelo on FashionArt before starting Pivot, have long been two of the most innovative fashion mavens in this area. And they are fostering new talent, like 18-year-old designer Josie Harris, whose โ€œAmerican Gothicโ€ in this yearโ€™s show is both a wearable art piece and a political statement on gun violence. That Santa Cruz can now have something as edgy and challenging as her work in its largest fashion show is a testament to what Angelo started here, and this fashion issue is dedicated to his memory.


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Louie, Louie

Louie, Louie, Louie, thank you so much for going where no one has gone before (with such LGBT glamour) in the history of the Ville. YouTube!

Some may question the need for a video on how to dance at quinceaรฑeras, but you filled a need long empty in our social knowledge. As a retired teacher who has been invited to many quinceaรฑeras, I often struggled to decide how I should dance at this occasion. Do I bust a move, or behave as society deems appropriate in the role of teacher?

Best wishes to you from a 66-year-old gay Latino admirer from the Ville. I do believe you were at Pajaro Pride in August at the YWCA.ย 

We look forward to your comedy routines on YouTube and elsewhere.ย 

Thank you for your courage and the ganas to be who you are. You are helping to end homophobia in Watsonville.ย 

Steve Trujillo
Watsonville

Compromised By Anonymity

Name Withheld By Requestโ€™s letter (GT, 9/4) makes some interesting points about local government, but their argument, complete with apocalyptic sign-off, is fatally compromised by their anonymity. Good Times should require public identification of such writers or not publish their letters. Democratic discourse depends on accountability, and Name Withheld, like Antifa vandals and Klansmen under their hoods, should come out and make their case openly, not hide behind a cowardly disguise. The same goes for any replies.ย ย 

Stephen Kessler
Santa Cruz

Courage, Not Cowardice

No wonder the anonymous letter writer from last week refused to be identified. I too would be embarrassed to put my name to such a letter. This person obviously feels passion for the cause, whatever it is, but is too cowardly to let others know that they subscribe to these beliefs.ย 

As someone who has received hate mail and lost business because of the letters I have written, I understand why someone might not want to publicize their beliefs, but I have never asked for a newspaper to publish my letters without attribution. I believe that this newspaper erred in publishing a letter withoutย  disclosing the author. I think that we should know who writes these letters. Is it from a disgruntled city employee? Could it be from one of the councilmen who is subject to the recall petition? Perhaps it is from an escapee from a psychiatric ward. Donโ€™t you think the readers should know?

As far as the content of the letter, it is hard for me to comment without knowing the expertise and knowledge of the writer. On itโ€™s face, it seems to be an off-the-wall ranting of someone who has some knowledge of democracy and city government and a lot of anger that they are not getting their way, but maybe there is something to the allegations. Context would help.

Democracy needs people of courage who are not afraid to take a stand. Someone who criticizes public officials anonymously falls far short of this.ย ย 

I strongly urge the Good Times not to publish letters without identifying the writer. The phrase โ€œConsider the sourceโ€ is appropriate here.ย 

Gil Stein
Aptos


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GOOD IDEA

Ah, at long last, how we have waited for this moment! We now bid adieu to the days when readers of the Santa Cruz Sentinelโ€™s online edition used to lose their voices screaming at their computer screens. Thatโ€™s because the local daily announced on Thursday, Sept. 5, that it was finally doing away with its online comment section, at least for now. In an editorial, the paper argued that it did not have the resources to make a staffer sit on the page full-time to โ€œbabysitโ€ forums rife with bigotry and name-calling.


GOOD WORK

Speaking of local media, the new upstart media company Santa Cruz Local finished its first-ever membership drive on Wednesday, Sept. 4. Launched by two Sentinel alumni this year, the group has been releasing free podcasts, with extra perks available to those who join. Santa Cruz Local has now reached 150 members, and the company hopes to reach 350 members by Dec. 31. Memberships range from $9 per month to $1,000 a year. For more information, visit santacruzlocal.org.


QUOTE OF THE WEEK

โ€œIn difficult times, fashion is always outrageous.โ€

-Elsa Schiaparelli

5 Things To Do In Santa Cruz: Sept. 11-17

A weekly guide to what’s happening

Green Fix

Shop on Your Bike Workshopย 

Itโ€™s a true luxury that here in Santa Cruz, many of us can do our grocery shopping on bikes. In anticipation of bike to work day on Oct. 3 (mark your calendar for free breakfast on the way to work at Aptos and Westside New Leaf locations), the new Aptos New Leaf Community Market is hosting a free workshop with Matt Miller, program specialist at Ecology Action and cycling enthusiast, that will cover all of the basics of how to efficiently grocery shop on a bike. Basket or panniers? How do you pack supplies and distribute weight? How much is too much? Meet in the parking lot.ย 

INFO: 6-7:30 p.m. Tuesday, Sept. 17. Aptos New Leaf Community Market, 161 Aptos Village Way, Aptos. 685-8500, newleaf.com. Free, online registration recommended.

Art Seenย 

Nancy Lynn Jarvis Reading

Pumpkins and Halloween decor are starting to pop up around town, and nights are also getting longer, which means itโ€™s a great time to settle in with a new mystery novel. Santa Cruzโ€™s queen of mystery Nancy Lynn Jarvis will be reading and signing her latest book The Glass House, a haunted mystery story about a librarian who gets a lot more than she bargained for at a glass-forming class. Who knew glass forming and murder go hand-in-hand?ย 

INFO: 1-3 p.m. Saturday, Sept. 21. Kellyโ€™s Books, 1838 Main St., Watsonville. 728-4139. Free.ย 

Friday 9/13-Thursday 10/10

โ€˜Each Beachโ€™

Two years ago, local artist Erika Perloff decided to paint each and every beach between Santa Cruz Main Beach and Pigeon Point to document the beauty of this stretch of coastline and highlight the need to protect it. She has painted over 50 views of our beloved beaches, working from life and from her plein-air sketches. A selection of the paintings will be on display all month at Hotel Paradox. All work is for sale, and Perloff will donate proceeds from art sales to Save Our Shores to support work in ocean education and stewardship.ย 

INFO: Artist reception 6-9 p.m on Friday, Sept. 13. Hotel Paradox, 611 Ocean St., Santa Cruz. Free.

Thursday 9/19ย 

Gravity Water Presentationย 

Danny Wright grew up in Santa Cruz living the outdoor life surfing, hiking and fishing, all while gaining a deep appreciation for water in all its forms. After receiving a B.A. in environmental studies and a masterโ€™s degree in international water management, he created a nonprofit that has since won recognition from National Geographic and MIT. His organization Gravity Water aims to bring clean drinking water to over 25 communities in Nepal, Vietnam, Indonesia, Puerto Rico, and Costa Rica. Folks from Gravity Water will be explaining and presenting their efforts in providing EPA-rated safe water to over 10,000 children every day with a system that can be built, managed and maintained 100% by local community members.ย 

INFO: 7 p.m. Live Oak Grange, 1900 17th Ave., Santa Cruz. 476-6424. Free.

Wednesday 9/11- Saturday 9/14ย 

Santa Cruz Folliesโ€™ โ€˜Fascinatinโ€™ Rhythmsโ€™

Similar to the Ziegfeld Follies, the Santa Cruz Follies are a group of seniors who combine the Broadway show with a more elaborate, high-class Vaudeville show. Like the Ziegfeld Follies, they have their own beautiful dancing girls and fantastic singers, with everyone decked out in fancy-dancy costumes. Celebrating their 64th birthday this year, the Follies presents Fascinatinโ€™ Rhythms, a collection of American popular music through the ages as directed by Jo Luttringer.ย 

INFO: 1 p.m. Wednesday, Sept. 11- Saturday, Sept. 14. 7:30 p.m. show on Friday, Sept. 13.ย  Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. 423-6640, santacruztickets.com. $22 general.

Pivotโ€™s Runway For Political Protest

For 18-year-old designer Josie Harris, a gun is a far more apt symbol of the state of American culture than a pitchfork.

Thatโ€™s why she made her wearable art piece โ€œAmerican Gothicโ€ entirely out of shotgun shells, bullet casings and string.ย 

The Santa Cruz High graduate hopes her work will spark a conversation about the reality of gun violence. โ€œI want to bring attention to how scary it is to be in school, and how scary it is to go to church, or a nightclub, or a garlic festival, or anything like that, because youโ€™re not safe,โ€ she says.ย 

Harris was compelled to create the piece after hearing about the mass shooting at the Tree of Life Synagogue in Pittsburg. โ€œIt was such a violent attack on such a peaceful community,โ€ she says. โ€œI donโ€™t always have the ability to stand up and talk for myself, so I tried to make an art piece to show my opposition against this horrible, horrible violence that has been corrupting our country.โ€ย 

โ€œAmerican Gothicโ€ will be one of the pieces showcased in this yearโ€™s Pivot: The Art of Fashion show on Saturday, Sept. 21, at the Rio Theater. Itโ€™s her second time at Pivot, but the young designer has participated in Santa Cruzโ€™s FashionTEENS since the sixth grade.ย 

While this is her first political piece, Harris is far from conventional. Almost all of her work is made with non-traditional materials like tea bags, coffee filters and even old soy milk containers. This year, she collected the shotgun shells and bullet casings from a friendโ€™s father.ย 

โ€˜American Gothicโ€™ by artist Josie Harris.
โ€˜American Gothicโ€™ by artist Josie Harris.

Pivot is known for its fun, extravagant and other-worldly designs, but founders Rose Sellery and Tina Brown say deeper messages are part of what makes the show so special.ย 

โ€œThe thing thatโ€™s really different about our show is itโ€™s not just fashion,โ€ says Brown. โ€œThe wearable art pieces are usually one of a kind, and they tend to run from a serious social piece to a tongue-in-cheek piece. People think fashion can be surface, right? But we really dive a little bit deeper than that.โ€ย 

The duo founded Pivot in 2015 to sew their love of fashion to their dedication to supporting local artists and designers. โ€œWeโ€™re giving them a platform, a space to do what they do best,โ€ says Brown. โ€œThatโ€™s why we created the show.โ€ย 

Harris will join three other youth artists at Pivot this year. For Sellery and Brown, who will be taking over FashionTEENS this year, working with youth is how they give back to the community. โ€œIt is fantastic to see these young people who have created something wear it on the runway,โ€ says Sellery. โ€œThey just beam.โ€ย 

While not always known for its fashion-forward thinking, Brown says Santa Cruzโ€™s will to be weird and embrace the unexpected make it the perfect location for their avant-garde event.ย 

โ€œItโ€™s not a typical runway show,โ€ says Sellery. โ€œWe like to mix it up and make it as dramatic as we can.โ€ย 

Pivotโ€™s eye-popping designs and dynamic performances will be presented at the Rio this year. The aisles will become runways, and performers will pop out from all across the auditorium. One of them is the accordion-playing Great Morgani, whoโ€™s teaming up with local jazz singer Lori Rivera for a duet.ย 

โ€œThe audience isnโ€™t going to know when any of that is going to happen,โ€ says Brown.

Sellery and Brown revel in keeping the audience on its toes and making the element of surprise a central tenet of the showโ€”even for themselves. โ€œThereโ€™s like 100 people backstage, and youโ€™re trying to wrangle them all in, but you just have to let it all go when the show starts,โ€ says Brown. โ€œWhat happens out there happens.โ€

โ€˜Loopholesโ€™ by artist the Great Morgani. Photo: Jana Marcus
โ€˜Loopholesโ€™ by artist the Great Morgani. Photo: Jana Marcus

The two say it helps to expect the unexpected when dealing with wearable art, which is often so ornate that it can present real logistical challenges, like, โ€œItโ€™s gonna take four people to lift that up and get it on herโ€”do you think sheโ€™ll be able to walk?โ€ says Sellery.

Brown says thatโ€™s what keeps the show exciting. โ€œWe love the ones that are like, โ€˜So you think you could manage stairs in that? How are we gonna get that on stage?โ€™ Thatโ€™s the kind of problem solving we like to do.โ€ย 

Practicality is what helps distinguish this yearโ€™s 16 artists from 12 featured designers. While art pieces in their own right, the designersโ€™ work represents things people can wear on the street, or in day-to-day life. โ€œYou can actually sit in them and relax,โ€ says Brown. โ€œThatโ€™s sort of the line in my head. But really, we do like to blur those lines.โ€ย 

Helping to blur them is Pivot veteran Ellen Brook, who says her line of hand-painted silks is an attempt to mix elegance and ease. โ€œIโ€™m creating very wearable pieces,โ€ says the 55-year-old designer. โ€œMy line is under this tagline of luxuriously down to earth.โ€ This year, Brookโ€™s six-piece collection, dubbed โ€œSuper Californialicious,โ€ will pair her hand-painted silks with leathers, linen and denim to emphasize wearability and honor the laid-back California lifestyle.ย 

โ€œI believe what we wear can be a vital form of personal and soulful expression,โ€ says Brook. โ€œIf it takes one piece thatโ€™s a killer, unusual, exciting statement that helps people step out in the world with a little more flair and confidence, I just love that.โ€ย 

On the opposite end of this yearโ€™s wearability spectrum sits Haute Trash, a nonprofit designer collective that upcycles trash into extravagant wearable art pieces, including this yearโ€™s featured โ€œWired For Sound,โ€ a dress crocheted entirely from colorful phone wires and speakers.ย 

Executive Director Kathan Griffins says the purpose is to โ€œeducate people about sustainability in a fun manner.โ€ The collective will feature 12 designs this year in an ode to โ€œslow fashion,โ€ which Sellery and Brown say is โ€œpivotalโ€ to their event.ย 

โ€œItโ€™s different than going to a department store and buying a T-shirt for $6, where a week later the threads come out,โ€ says Sellery. โ€œThe nuances are professional and elegant, not mass-produced and slammed out the door and then into the dump.โ€ย 

Designer: IBBayo Model: Danay Weldega Hair/make up: The Cosmo Factory Photo: Jana Marcus
Designer: IBBayo; Model: Danay Weldega; Hair/make up: The Cosmo Factory; Photo: Jana Marcus

This yearโ€™s show will see the return of several seasoned Pivot artists and designers, including IB Bayo, Charlotte Kruk, and Sellery herself, but there will also be a palpable absence in the room. Angelo Grova, founder of the pioneering FashionART event that Sellery and Brown worked on for years before starting Pivot, died in July.ย 

โ€œWithout Angelo, we wouldnโ€™t have gotten started, and I wouldnโ€™t have had an avenue to continue to explore wearable garments,โ€ says Sellery. โ€œHe had this great, upbeat, โ€˜Letโ€™s do itโ€™ energy. He was a wonderful man.โ€ย 

Inspired by his memory, the two say they hope to keep pushing forward, supporting their community of artists and having a great time while doing it.ย 

โ€œWeโ€™re thinking about whatโ€™s going to be fun, what are they going to enjoy?โ€ says Sellery. โ€œDamn, we love it.โ€ย 

Now, with the artists finalized, venue booked, and show only weeks away, only one question remains: โ€œWhat are you going to wear?โ€

At 7:30 p.m. on Sept. 21, โ€˜Pivot: The Art of Fashionโ€™ returns to the Rio Theatre,1205 Soquel Ave., Santa Cruz. pivot-artfashion.com. $25 general/$60 Gold Circle.ย 

Music Picks: Sept. 18-24

Blackalicious
Santa Cruz County live entertainment picks for the week of Sept. 18

Avantiโ€™s New Look and New Menu

Westside Italian staple drops the โ€˜Ristorante,โ€™ goes coastal-modern

Love Your Local Band: Alwa Gordon

Alwa Gordon
Alwa Gordon, a rapper in a town that has no rap scene, plays Moe's Alley Saturday, Sept. 21

Film Review: โ€˜Ad Astraโ€™

Ad Astra
A heady, spaced-out take on โ€˜Heart of Darknessโ€™

Is Santa Cruz Ready For Fire Season?

fire season Kim Pimlott
An event on Thursday, Sept. 19, explores the past and future of California fires

A Taste of Uruguay in Artesana Tannat 2015

Artesana Tannant
International winery has Santa Cruz roots

Copper Moon Apothecary Adapts to Changing Climate

Copper Moon
Local natural beauty business keeps it crunchy

Opinion: September 11, 2019

Plus letters to the editor

5 Things To Do In Santa Cruz: Sept. 11-17

Gravity Water
From bike shopping to a Broadway-style show

Pivotโ€™s Runway For Political Protest

Pivot Josie Harris
From gun violence to the avant garde at โ€˜Pivot: The Art of Fashionโ€™
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