Wi-Fi Wars: Cruzio, Comcast and Local Internet Choice

The internet service arrangement for the 94 new apartments at Five55 Pacific caught the team at Cruzio by surprise, they say.

In late 2017, the Santa Cruz-based internet service provider paid the building developer, Swenson, to have a subcontractor build more than $15,000 worth of infrastructure and a telecommunications vault for the building, which would have allowed Cruzio to offer residents their services.

Swenson officials told Cruzio to work with the telecommunications consultant on next steps, says Cruzio CEO Peggy Dolgenos. The consultant was RealtyCom Partners, a San Rafael-based telecommunications consulting firm that specializes in “identifying, negotiating and maximizing new telecom revenue opportunities for real estate owners,” according to its website. The company negotiated terms, but Swenson made the final decision on which proposals to move forward with.

Dolgenos says Cruzio never got to discuss or negotiate terms with RealtyCom. When the business received an update, Cruzio had been cut out of the deal, despite Swenson’s assurances, Dolgenos says. AT&T and Comcast, which each agreed to pay for parts of their own infrastructure in the building, would be the two companies offering internet services to tenants. It rendered Cruzio’s $15,000 investment little more than a sunk cost, Dolgenos says.

“We wasted that money just planning to serve all the apartments in there,” she says.

Cruzio or any other service provider can still pay for its own infrastructure if it wants to serve residents at Five55, says Jeff Huff, project manager at Swenson. Cruzio would need building-owner approval to carry that out and introduce its service. Reached via email for follow-up, Huff says Swenson probably wouldn’t approve the change “at this point, as it would be too disruptive.”

These kinds of arrangements are not uncommon in the wider telecommunications landscape, experts say. San Francisco passed a law in 2016 that says building owners cannot prevent internet service providers from accessing existing wiring in a building or installing their own wiring so they can offer service to occupants who’ve requested it.

When large telecom players started offering deals to developers in Santa Cruz in recent years, Cruzio staff began a conversation about how something like San Francisco’s law could help ensure consumer choice and a more level playing field for internet service competition. It brought the topic to the attention of city officials including Bonnie Lipscomb, economic development director for the city of Santa Cruz, and Lee Butler, the city’s director of planning and community development. Both are recommending the City Council consider a policy discussion on internet service provider competition.

“When the City Council meets to develop priorities for a new work plan, which should occur in the first half of this year, we expect such an ordinance will be one item that the Council may consider as part of that prioritization exercise,” Butler told Good Times in an emailed statement.  

The arrangement at Five55 also prompted discussions between Cruzio and Swenson about how to work together going forward so Cruzio could offer service in new developments, like the one at Park Pacific downtown. In that building, Cruzio, AT&T and Comcast can all provide internet service, and they are each “providing some portion if not all of the infrastructure from the street to the units,” Huff says.

Jesse Nickell III, senior vice president of construction and development for Swenson, says Swenson decided to ensure Cruzio is in the mix on future projects.  

“We respect them,” he says. “We want them not to get hurt.”

The offers from internet service providers to cover costs in new developments are just what is happening in the marketplace right now, Nickell says.

“They are bringing a lot of sugar to the developers,” he says.

Though federal and state laws prohibit access agreements that are explicitly exclusive, as San Francisco noted in its legislation, the amount of money poured into setting up internet connectivity in buildings and stipulations around ownership can create essentially the same result.

“They are doing these package deals to try to get exclusives on the market, and they are giving a bunch of freebies away to get it,” Nickell says. “And by virtue of doing that you push out the small mom and pop like Cruzio.”

COMPETITION CRUNCH

It wasn’t always like this. Typically—at least locally—developers would pay for the infrastructure that brings internet connections to each apartment, condo or office in a multi-unit building. Lately, though, large internet service providers like Comcast and AT&T have offered to pay for that infrastructure themselves. That can amount to tens of thousands of dollars in cost savings for developers trying to add housing stock at a time when there’s already a significant shortage.

When internet service providers pay for the internet connectivity in a building, they might then stipulate that they own the rights to it for a set period of time or in perpetuity. That means they don’t have to let another internet company use those connections even if a tenant would prefer another provider. It also means that smaller internet service providers find themselves competing with what can be high-cost deals from the large players. If they can’t or won’t pay upfront for the infrastructure that provides internet throughout an entire building, they lose out on those potential customers.

“Some developers may get their palms greased in the middle, but we all lose in the end,” says Robert Singleton, executive director of the Santa Cruz County Business Council. Singleton was a marketing consultant for Cruzio and the company’s Santa Cruz Fiber project until early last year.

James Hackett, director of business operations and development at Cruzio, knows that developers feel a lot of financial pressures. Cruzio, he says, supports the growth that developers enable, because new residents and businesses could be future Cruzio customers.

“The last thing we want to do is put barriers in the way of our developer colleagues and friends and say, ‘We see this is something you can take advantage of and can help you with your projects, but here is why you shouldn’t do it,’” Hackett says. “But those are exactly the types of conversations we do have with them.”

Those conversations happen because he says he believes the costs are ultimately passed on to tenants.

“In so many areas affecting the internet, we think competition is critical and it all comes back to that, really,” Hackett says. “Anything that is going to negatively impact competition is going to ultimately lead to poorer service, higher prices and continued monopolies of those big, national incumbents.”

It’s nothing new for those incumbents to use their weight to try to edge smaller competitors out of a growing market, says Steve Blum, owner and president of Tellus Venture Associates, a Marina-based consultancy specializing in broadband. Blum consults on broadband topics for cities across the state, with local clients including Santa Cruz, Salinas and Watsonville.

Both AT&T and Comcast “have a history of focusing their firepower on small, competitive threats,” Blum says, and he’s “seen this in community after community.”

“That is the way it should work,” he adds, “but when you have the level of market control they have, it is not truly a competitive marketplace.”

AT&T and Comcast might be keeping a closer eye on their competitive edge and market share in Santa Cruz since Cruzio began building its own fiber network, on which the city has considered becoming a partner.

Lipscomb wrote in an emailed statement that “other providers began investing in builds and greater access as a result” of those talks.

Representatives for AT&T did not respond to multiple requests for comment about their approach to working with developers on service for new buildings in Santa Cruz.

Joan Hammel, senior director of external communications for the California Region at Comcast, wrote in an emailed statement that “Comcast is always pleased and proud to provide innovative products and services to property owners who choose to have us serve their tenants.”  

WIRE TO WIRE

For now, Santa Cruz offers a two-page document to developers with guidance on “broadband best practices for new construction.” The document is not backed by an ordinance, so the city cannot require that developers follow it.

Hackett says the ideal situation for Cruzio is that developers would own the internet infrastructure inside a building and make it accessible to any provider who wants to use it. If that’s not a cost developers want to shoulder, the next-best scenario might be an arrangement where the infrastructure is jointly built by providers that want to offer internet service in a building, Hackett says. Then they could each serve any tenants who want their services.

He’s optimistic that there’s at least a conversation around internet competition.   

“The local stakeholders all want the same thing,” Hackett says. “It’s just a question of how to get there.”

NUZ: The Alt-Right’s Local Return; Jump Bike Backlash

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Two weeks ago, hundreds of Santa Cruz residents gathered on Pacific Avenue for a Martin Luther King Jr. Day march, united under the slogan “Justice. Equality. Love.” It was just a few days later that a very different type of sign started to show up around town again—the ones saying “It’s Okay to Be White.”

If the phrase at first sounds truly bland, that’s on purpose. Like grown adults flashing the “OK” hand symbol in photos and the online cult of “Pepe the Frog,” the “It’s OK to Be White” (IOTBY) meme was spawned by message board site 4chan last year as an alt-right dogwhistle campaign to convince people irritated by identity politics “that leftists and journalists hate white people, so they turn on them,” as 4chaners put it.

IOTBW signs were first reported on a Martin Luther King Jr. statue at Cabrillo College last year, after which the school sent a message to students saying the signs had been removed to “tamp down this act of micro-aggression against our students… another disturbing example of the divisive climate that our culture faces right now.” Three months ago, Reddit commenters on a UCSC thread wrote that they had also received an email from the school after seeing “It’s OK to be White” drawn in chalk on campus, along with posters saying, “We Built This Country … Don’t Apologize for Your Heritage” and “Be Proud of Who You Are.”

In the meantime, similar IOTBW signs have been photographed at high schools and colleges in several other states across the country. The slogan, which the Anti-Defamation League reports has a long history of use among U.S. white supremacy groups, has also gained global political traction. Last fall, the Australian Senate almost passed a motion to affirm that “it’s OK to be white,” before quickly reversing course. (Here’s where we pause to pour one out for the Internet-literate interns, upon which democracy’s institutions now somehow rest.)

In Santa Cruz, the late January re-emergence of IOTBW signs, which were photographed near the wharf and the downtown library, sent to GT and posted on social media, serve as a timely reminder. Even in a place where pussy hats and “Resist” paraphernalia have become the post-Trump norm, you never know where the next front line will emerge in an increasingly bizarre culture war.

BIKE SAFETY FIRST

News that Santa Cruz’s crime rate had dropped was not news to Nuz.

Violent crime was down 4 percent last year, and property crime decreased 21 percent compared to 2017, which is great. Those numbers are from the Santa Cruz Police Department’s annual Unified Crime Report submitted to the FBI—though the data did include blemish: arson was up 77 percent. Still, overall crime in Santa Cruz dropped 5 percent.

It’s a start for our relatively high-crime area. But the original clue that crime was ticking down came earlier last month. That’s when the Sentinel reported that safety-oriented advocacy group Santa Cruz Neighbors was setting off the alarm bells about the latest threat to our town: the wildly popular electric shared Jump bikes that are available for rent around the city, of course.

Um, OK. We have some questions for these “neighbors.” First of all, you wheelie spoke out on this? What’s the cycle-ology behind this stance?

Seriously, though, let’s be clear: Nuz takes no pleasure in seeing helmet-less 17-year-olds ride against the flow of traffic with friends on the handlebars like second-rate bozos ready to flunk out of clown school. But lousy bike riding was already at pandemic proportions, regardless of what some kids with their first credit cards have started doing when they get out of class.

Consider this a call to action, people of Santa Cruz: Together we can find more pressing items to complain about. Like, maybe, the surge in people setting buildings on fire?

Rob Brezny’s Astrology Feb. 6-12

Free will astrology for the week of Feb. 6, 2019.

ARIES (March 21-April 19): Climbing mountains has been a popular adventure since the 19th century, but there are still many peaks around the world that no one has ever ascended. They include the 24,591-foot-high Muchu Chhish in Pakistan, 23,691-foot Karjiang South in Tibet, and 12,600-foot Sauyr Zhotasy on the border of China and Kazakhstan. If there are any Aries mountaineers reading this horoscope who have been dreaming about conquering an unclimbed peak, 2019 will be a great time to do it, and now would be a perfect moment to plan or launch your quest. As for the rest of you Aries, what’s your personal equivalent of reaching the top of an unclimbed peak?

TAURUS (April 20-May 20): Eminem’s song “Lose Yourself” was a featured track in the movie 8 Mile, and it won an Academy Award for Best Original Song in 2003. The creator himself was not present at the Oscar ceremony to accept his award, however. He was so convinced his song would lose that he stayed home. At the moment that presenter Barbra Streisand announced Eminem’s triumph, he was asleep in front of the TV with his daughter, who was watching cartoons. In contrast to him, I hope you will be fully available and on the scene for the recognition or acknowledgment that should be coming your way sometime soon.

GEMINI (May 21-June 20): While enjoying its leisure time, the peregrine falcon glides around at 50 miles per hour. But when it’s motivated by the desire to eat, it may swoop and dart at a velocity of 220 miles per hour. Amazing! In accordance with your astrological omens, Gemini, I propose that we make the peregrine falcon your spirit creature for the next three weeks. I suspect you will have extraordinary speed and agility and focus whenever you’re hunting for exactly what you want. So here’s a crucial question: what exactly do you want?

CANCER (June 21-July 22): Now and then, the sun shines and rain falls at the same time. The meteorological name for the phenomenon is “sunshower,” but folklore provides other terms. Hawaiians may call it “liquid sunshine” or “ghost rain.” Speakers of the Tangkhul language in India imagine it as “the wedding of a human and spirit.” Some Russians refer to it as “mushroom rain,” since it’s thought to encourage the growth of mushrooms. Whatever you might prefer to call it, Cancerian, I suspect that the foreseeable future will bring you delightful paradoxes in a similar vein. And in my opinion, that will be very lucky for you, since you’ll be in the right frame of mind and spirit to thrive amid just such situations.

LEO (July 23-Aug. 22): A study by the Fidelity financial services company revealed that in 43 percent of all couples, neither partner has an accurate knowledge of how much money the other partner earns. Meanwhile, research by the National Institute of Health concludes that among heterosexual couples, 36 percent of husbands misperceive how frequently their wives have orgasms. I bring this to your attention in order to sharpen your focus on how crucial it is to communicate clearly with your closest allies. I mean, it’s rarely a good idea to be ignorant about what’s going on with those close to you, but it’ll be an especially bad idea during the next six weeks.

VIRGO (Aug. 23-Sept. 22): Torre Mayor is one of the tallest skyscrapers in Mexico City. When workers finished its construction in 2003, it was one of the world’s most earthquake-proof buildings, designed to hold steady during an 8.5-level temblor. Over the course of 2019, Virgo, I’d love to see you erect the metaphorical equivalent of that unshakable structure in your own life. The astrological omens suggest that doing so is quite possible. And the coming weeks will be an excellent time to launch that project or intensify your efforts to manifest it.

LIBRA (Sept. 23-Oct. 22): Multitalented Libran singer and actor Donald Glover uses the name Childish Gambino when he performs his music. How did he select that alias? He used an online random name generator created by the rap group Wu-Tang Clan. I tried the same generator and got “Fearless Warlock” as my new moniker. You might want to try it yourself, Libra. The coming weeks will be an excellent time to add layers to your identity and expand your persona and mutate your self-image. The generator is here: tinyurl.com/yournewname. (P.S.: If you don’t like the first one you’re offered, keep trying until you get one you like.)

SCORPIO (Oct. 23-Nov. 21): Leonardo da Vinci’s painting Salvator Mundi sold for $450 million in 2017. Just 12 years earlier, an art collector had bought it for $10,000. Why did its value increase so extravagantly? Because in 2005, no one was sure it was an authentic da Vinci painting. It was damaged and had been covered with other layers of paint that hid the original image. After extensive efforts at restoration, the truth about it emerged. I foresee the possibility of a comparable, if less dramatic, development in your life during the next 10 months, Scorpio. Your work to rehabilitate or renovate an underestimated resource could bring big dividends.

SAGITTARIUS (Nov. 22-Dec. 21): We can behold colors because of specialized cells in our eyes called cones. Most of us have three types of cones, but a few rare people have four. This enables them to see far more hues than the rest of us. Are you a tetrachromat, a person with super-vision? Whether you are or not, I suspect you will have extra powerful perceptual capacities in the coming weeks. According to my analysis of the astrological omens, you will be able to see more than you usually do. The world will seem brighter and deeper and more vivid. I urge you to deploy your temporary superpower to maximum advantage.

CAPRICORN (Dec. 22-Jan. 19): There are two kinds of minor, boring little tasks. One is when you’re attending to a detail that’s not in service to a higher purpose; the other is when you’re attending to a detail that is a crucial step in the process of fulfilling an important goal. An example of the first might be when you try in vain to scour a permanent stain on a part of the kitchen counter that no one ever sees. An example of the second is when you download an update for an existing piece of software so your computer works better and you can raise your efficiency levels as you pursue a pet project. The coming weeks will be an excellent time to keep this distinction in mind as you focus on the minor, boring little tasks that are crucial steps in the process of eventually fulfilling an important goal.

AQUARIUS (Jan. 20-Feb. 18): Can you sit on your own head? Not many people can. It requires great flexibility. Before comedian Robin Williams was famous, he spontaneously did just that when he auditioned for the role of the extraterrestrial immigrant Mork, the hero of the TV sitcom Mork and Mindy. The casting director was impressed with Williams’ odd-but-amusing gesture, and hired him immediately. If you’re presented with an opportunity sometime soon, I encourage you to be inspired by the comedian’s ingenuity. What might you do to cinch your audition, to make a splashy first impression, to convince interested parties that you’re the right person?

PISCES (Feb. 19-March 20): Twitter wit Notorious Debi Hope advises us, “Before you diagnose yourself with depression or low self-esteem, first make sure that you are not, in fact, just surrounded by assholes.” That’s wise counsel for you to keep in mind during the next three weeks. Let me add a few corollaries. First, stave off any temptation you might have to believe that others know what’s good for you better than you do. Second, figure out what everyone thinks of you and aggressively liberate yourself from their opinions. Third, if anyone even hints at not giving you the respect you deserve, banish them for at least three weeks.

Homework: What is the best gift you could give your best ally right now? Testify at freewillastrology.com.

Tabby Cat Cafe Keeps Quirky Coffee Alive

If you felt at home in the retro living room ambience of Cafe Bene for all those years, then you’ll love the coffee house’s reincarnation as Tabby Cat Cafe, which was opened a few weeks ago by former Bene barista Lisa Curran and Jeb Purucker.

The ambience is matchless, the coffee is exceptional, and I might even be willing to say that the macchiato I had at T-Cat this week was the best I’ve had in Santa Cruz. Strong, smooth, without bitterness, and served in a beautiful miniature coffee mug.

Light floods the vintage space, lending the front alcoves and main reading room a welcoming vibe. I once wrote film reviews in an office above Tabby Cat, and have fond memories of this location, close to downtown yet tucked away from the crowds.

We ordered a macchiato and a regular house blend coffee, plus one of those cranberry scones from Black China Bakery that I always loved when I visited in the past, then took a seat at a corner table marked “Reserved” for the Santa Cruz French club. We would be gone before their meeting time.

We glanced at the newspapers and watched the large-scale industrial action across the street while awaiting our coffees. As regulars came in—and it seems that Tabby has inherited a full roster of fans from the previous administration—they were personally greeted. It feels like you’ve entered the front parlor of a private home, calm and mellow. The atmosphere is a welcome alternative to the hipster frenzy of many other downtown coffee spots. Conversations are possible, and so is reading and writing—those arts from the pre-iPhone era.

The new owners are clearly at home behind the eclectic front counter. Posters still cover the cabinet wall beside the condiment table. And regulars still stash their favorite mugs on a high shelf. In the larger room, mismatched couches offer old-school coziness for interviews, meetings and just hunkering down for a morning coffee. Not designer, but not generic, the old footprint—brick floors, wainscotted walls—provides a funky elegance that is pure, 100 percent Santa Cruz.

A large assortment of bagels and toppings, plus an array of inviting quiches and soups, make it a great lunch option, as well as a morning caffeine mainstay. A good Wi-Fi connection, too.

Tabby Cat Cafe, 1101 Cedar St., Santa Cruz. Soft opening hours 7 a.m.-4 p.m. weekdays, 9 a.m.-6 p.m. weekends.

New Avanti

I met new Ristorante Avanti co-owner Jonathan Glass last week at my first lunch since a change in the ownership lineup.

Now we can look forward to a special sandwich and a burger added to the lunch menu. Last week, it was a robust version of the East Coast Italian meatball sandwich. Rita and I loved our beautiful plate (new plates, too!) of seared scallops with crisp roast potatoes and arugula salad. The lunch scene looks, and tastes, familiar. Updates are already underway, with ergonomic new chairs and patio dining enhancements. Wishing Jonathan and Tatiana Glass good luck with their Westside venture.

Ristorante Avanti, 1917 Mission St., Santa Cruz, ristoranteavanti.com.

New Leaf

If you’ve got a product for the shelves of the new Aptos location of New Leaf Community Market, make sure you hit the vendor fair planned for next Wednesday.

New Leaf plans to join the Aptos community this spring with a store in Aptos Village. Interested vendors will want to come to New Leaf’s corporate office.

Feb. 13, 9 a.m.-2 p.m. New Leaf office, 1101 Pacific Ave., Suite 333, Santa Cruz. newleaf.com/vendorfair.

The Festival of Losar: Risa’s Stars Feb. 6-12

Losar (the Tibetan word for “new year”) is an ancient new year’s festival predating Buddhism and celebrated in Tibet, Bhutan, Nepal, and India. It begins on the first day of the lunisolar Tibetan calendar (Feb. 5) and lasts for 15 days. Like Chinese New Year, 2019 is the year of the yin (female) earth pig or boar. Losar is a fragment of the winter-incense-burning custom of the ancient Bon religion (8th century), when the people of Tibet gathered at a spring and made offerings to Naga (water spirits), a ritual of gratitude to the water element/spirits.

At Dharamshala (Dalai Lama’s palace in India) during Losar, the Dalai Lama consults the Oracle, a trained medium able to communicate with spirits and see the past, present and future. The Oracle is responsible for the health, healing and protection of the Dalai Lama.

The rite of the Oracle, mediating between two worlds, is ancient, and involves detailed preparation of evocative (calling in) invocations (responses), fanfare, dance, sounds, drums, horns, mudras and mantras to invoke the Oracle (non-physical spiritual being in the Buddhic field). The sounds and movements allow a spiritual being to temporarily enter the physical mind/body of the medium, providing wise and insightful counsel, prophetic predictions and precognition of the future—a form of divination.

In Tibetan homes during Losar, flowers decorate the rooms, walls are painted with sun, moon and the wheel of life symbols. Cedar and juniper branches burn for incense. Debts are settled, quarrels resolved, new clothes acquired, and special foods (kapse—sweet bread, shaped into twists) and drink (chang—barley beer) are offered. In the fields, peach trees are beginning to bloom. Before the measurement of time, the people knew it was Losar when the peach trees budded. Tashi Delek (Tibetan for happy new year) everyone.

ARIES: Recognizing the vital and initiating work you are to bring forth, it’s time to learn how to participate in groups with intelligent and heartfelt cooperation. You are to help fashion part of the new era, culture and civilization. Are you aware of this? Are you conscious of the needs of humanity? You’re called to awaken again for the time when those who plan and lead boldly, take risks and see into the future. Working with both heart and mind, you will be summoned. Prepare.

TAURUS: The architecture of your participation in life is changing. Previously you dreamed big dreams and pondered many realities, not concerned if anything took shape. Now you’re competently leading boards and groups, preparing the components of the new world era. Taurus has an enlightened mind that can see humanity’s present/future needs. You know that in a breakdown phase, seeds of the new must be sowed. You’re synthesizing all realities so others can understand.

GEMINI: Many forces are at work in your life. As a Gemini, you always attempt to resolve polarities—higher/lower, here/there, light/dark, self/others, soul/personality. This is a vital and difficult task accomplished by the proper cultivation of the mind principle (calming the emotions) and the right course of study that allows no illusions, distortions, confusions or maya. So you can walk the Path with others. Aquarius calls you to develop all seven levels of your mind. The Soul is on the mental plane.

CANCER: Always we feel some form of conflict. Know that conflict and chaos are useful. They give us the ability to observe tensions and to express hurts, needs and fears. For some, there is a great battle going on between the soul and personality. The soul calls us to right relations, right action and right service. Many times, we don’t know what these words mean. Ask the soul. The answers will be released into your mind. When asking, we always receive.

LEO: Relationships are vitally important at this time, so often you feel disconnected to anything or anyone. You’re in a place of balancing and choosing, an interlude state. Your inner beliefs about relationships and how you function in them are being modified so that you can display right relationships while still expressing your unique creativity. Allow opposing forces to flow through you. A greater awareness then emerges. Love flows unobstructed once more. Love is your gift.

VIRGO: New revelations stream into your mind concerning how to order and organize daily life. How we function in daily life prepares us for the new dimensions and structures slowly emerging in the new Aquarian era. Receive with devotion and acceptance all new ideas impressed upon your mind. Be aware if pain or remembrances or weariness occur. As you ponder upon these things, your perspectives shift, change and are uplifted.  

LIBRA: Although, under the veil of Libra’s charm, you are a strong and powerful force, a greater level of love/wisdom must begin expressing itself through you. It begins with acceptance and gratitude for everyone and everything (small and great, childhood to present) that has occurred in your life. Here is your new mantra to recite unceasingly: “Love expresses itself through me always, and wisdom follows.” Then your life and relationships proceed with protective love and healing care.

SCORPIO: Notice times of solitude when you think things great and small. Create an environment that nurtures in all ways the physical, emotional, mental and spiritual aspects of yourself. Be in touch with the kingdoms—mineral, plant, animal, human, Soul. Love must be combined with your great intelligence. This will form a foundation for the new life emerging all around you. It begins where you live. Later you’ll be asked to explain this time to others.

SAGITTARIUS: You should have a very good year. Especially if you blend two realities—your personality and soul.  This produces harmony for a time. Then the soul leaves and divine will enters, and your personality harmonizes with will. Not easy. Will is a fire. Your career rises and falls and sometimes makes a big splash. In these ups and downs, always be thoughtful, or you will lose much. Remember each day that “wisdom is knowledge gained through experience and implemented by love.”

CAPRICORN: Whatever it is you hope for, radiate it with love from your Ajna (third eye) center. This is where a diamond light of direction streams forth. Then new life takes root expressed as harmony, beauty and peace (a process). Your love eases any disharmony and conflict whenever it arises. You remember that harmony always attempts to emerge through conflict and chaos, yes? Harmony is the shadow of the object.

AQUARIUS: This year, you have great energy and potential. As new sources of income and ways of living are sought, be sure to control impatience. If you’re not aware, you could be thought of as thoughtless toward others. Remember to be courteous and kind, and show sympathy to those who have less than you. A new self-identity continues to emerge. Be sure it includes goodness, generosity and love. We experience that which we offer others.

PISCES: You have begun the arduous task of observing, noting and understanding feelings, thoughts, aspirations, actions, and vulnerabilities. Much of your life has been treading the pathway of service and sacrifice. A new beneficent cycle has begun, expanding your courage and strength of character. This may not be acceptable to some. Maintain privacy, walk away from disharmony, don’t believe criticism. The stars protect you.

Film Review: 2019 Oscar-Nominated Short Films

All you have to do to know there’s something rotten in the state of the world is look at this year’s slate of Oscar-nominated short films. Endangered children, old age and regret, racism, irresponsible parenting, and random homicide all figure in the five live-action shorts nominated for a 2019 Academy Award. The companion program of animated short films is not all that more upbeat, touching on themes of dysfunctional psychiatry, dementia, divorce, and death, among other things.

Call it a sign of these dire times, but grim seems to be the pervading tone among this year’s crop of fledgling filmmakers singled out by Academy voters.

As in recent years past, once the Academy nominations are announced, the contending short films are packaged for theatrical release. There are two separate programs (with two separate admissions), one for the five live-action shorts, and one for the five animated shorts (with a couple of bonus films thrown in to stretch out the animated program to feature-length).

But unlike years past, there’s only one overt comedy in all 10 nominated shorts, the animated psychiatry satire Animal Behavior. Funny animals (including a timid leech and an ape with anger-management issues) attempt to sort out their problems with an avuncular, bespectacled dog therapist in this cheeky effort by Alison Snowden and David Fine. The gag wears a little thin, but crisp dialogue keeps it amusing.

In the live-action program, Marguerite, by French filmmaker Marianne Farley, is a beautifully acted tale of the bond between an elderly woman and the younger woman who is her visiting caregiver. It’s an oasis of tenderness and compassion amid a bunch of films devoted to violence and perversity.

The program begins with Vincent Lambe’s harrowing Detainment. Written largely from police transcripts, this true story follows the events that led two 10-year-old Liverpool schoolboys to become the youngest defendants ever convicted of murder in the UK. Marvelously well-acted (especially by its young stars) and discreet about how much of the crime it chooses to show onscreen, it nevertheless drags viewers along in an atmosphere of non-stop dread.

This is followed immediately by Jeremy Comte’s Fauve, another tale of two boys (French Canadian, this time) running amok out in the countryside that comes to an abrupt and horrifying conclusion. (After that double-whammy, distressed viewers might be forgiven for going out for popcorn and never coming back.) Films are presented alphabetically, and yet it’s questionable to lead off this program with two films so similar in their bleak nihilism.

Rodrigo Sorogoyen’s Madre is a taut mini-thriller about a woman grappling with a cell phone call from her 6-year-old son in jeopardy. The filmmaking is crisp and intense, but Sorogoyen has no exit strategy; the story just stops. And the final live-action entry, Skin—set in America’s pick-up-driving, shotgun-toting yahoo country—explores deeply ingrained racism and its consequences in a manner better suited to The Twilight Zone.

The animation program is more user-friendly. Louise Bagnall’s lyrical, emotionally stirring Irish entry Late Afternoon, beautifully rendered in fluid pastel watercolors, features an older woman diving deep into the well of memory to piece together fragments of a life she’s forgotten. One Small Step, from Andrew Chesworth and Bobby Pontillas, charms with its tale of a plucky Asian girl in San Francisco and her cobbler single dad who does everything he can to support her dream of becoming an astronaut.

The annual Pixar/Disney entry, Bao, by Domee Shi, is a metaphorical fable about a a Chinese woman who forms a maternal attachment to a dumpling. And Trevor Jimenez’s Weekends is an artfully constructed tale of a young boy shuttled back and forth between his divorced parents during a year of changes.

There are many lovely and intriguing moments in both programs— especially the animated offerings—but there’s not one E-Ticket item here that just grabs you by the lapels and leaves you awestruck. Maybe next year.

OSCAR-NOMINATED SHORT FILMS: LIVE-ACTION (Not rated) 109 minutes. (**) ANIMATION (Not rated) 80 minutes. (***)

Sister Brothers Brings Folk Classics to Santa Cruz

Clear as spring water and and mellow as Kentucky bourbon, their voices take us back to a time and place somewhere in the American heartland. Working in close harmony through vintage bluegrass, Appalachian folk songs and classics by masters like Hank Williams, Bill Monroe and the Stanley Brothers, Sister Brothers casts a sweet spell.

Although their public concerts are rare, they’ve already won a cult following for a broad and haunting folkloric repertoire. Experience has produced the effortless harmonies of Dan Landry, Heidi Rentería and Jim MacKenzie—Landry singing with the Ariose Singers, and Rentería in countless singing camps and the UCSC Concert Choir. MacKenzie, who met Landry while singing Gregorian chants, started playing guitar and singing in barbershop quartets and trios as a teenager. At an Oregon singing camp in 2011, Landry and Rentería discovered how well their voices worked together.

“We invited Jim to come over and sing the following year,” Rentería recalls. “The trio format, supported by Jim’s guitar, quickly clicked, and the Sister Brothers were born.”

The three singers focus on music rooted in backcountry traditions where close, three-part harmonies are key—and, as Landry puts it, “full of memories of the singing of friends and family.” They work arrangements out collaboratively by ear. “Each of us takes turns at singing lead, and who sings which harmony part, above or below the melody line, changes from song to song,” says Rentería, who says she loves this music “most of all for the fabulous lyrics.”

“There’s such real emotion, because it’s about universal feelings,” she says. “It’s about feeling lonesome and blue and hearing a train at midnight. But some of the songs we sing are lighthearted, witty, even funny. I am really amazed that as different as our individual voices are, we have found that we can blend beautifully.”

MacKenzie, who plays guitar with the group, explains the vocal range spanned by the trio. “Dan sings the really high vocals. My range is bass through baritone to middle tenor. It’s a pretty broad range, but I can’t really reach that super-high vocal range that bluegrass singing especially calls for.” As for the versatile Rentería, “sometimes I’m singing the lowest part, sometimes the middle, more frequently the top line. We think that including solo and duet parts, passing around the lead and the harmony parts, and varying the accompaniment keeps our audience from getting bored.”

The music they make together is undeniably powerful. “I think the appeal of our music stems both from the emotional content of the songs we select to sing and from our close vocal harmonizing,” MacKenzie says, “As an adolescent and well into my 20s, I sang in duos and trios and loved it. Being able to do that again now has been an extremely gratifying and fulfilling experience,” he adds.

“Giving close attention to these songs and discovering new ways to use the voice,” says Landry, “reveals how flexible and expressive it can be.” Renteria sums up the joy of singing harmonies as “the physical breathing together, the intense being in the moment, listening to each other and to ourselves, trying different ways of treating a line or a word or a note, constantly influencing each other. Singing harmonies, you know you’re alive!”

All three singers bring fierce discipline, energy and miles of insight to this music that burrows deep into the heart of the American experience. And each agrees that it is the emotional depth of even the simplest tunes and plainest lyrics that casts Sister Brothers’ lingering spell.

Sister Brothers will perform a sit-down concert of American songs from the mid-1800s through the first half of the 20th century from songwriting masters like the Delmore Brothers, Bill Monroe, the Everly Brothers and more. Feb. 9, 3 p.m. r.blitzer Gallery, 2801 Mission St., Santa Cruz. Free. rblitzergallery.com.

Preview: Steve Gunn at Moe’s Alley

Long before recording began, guitarist-songwriter Steve Gunn knew he wanted his new album The Unseen in Between to have a vibe similar to early Dylan and Neil Young records. “They all have that feeling like you’re in the room with them. It’s loose, spontaneous and it gives the music a kind of heightened energy,” Gunn says by phone from his Brooklyn home.

But there was a problem. Neil Young had Crazy Horse. Dylan had the Band. When Gunn and his producer started talking through the album, he didn’t even know who was going to play on it. It’s one thing to want a “loose, live” energy for an album, and another entirely to have the band to pull it off.

Though he rose to attention as the guitarist for Kurt Vile’s band the Violators, Gunn’s solo work (now a staggering 15 albums deep) has long been in the tradition of artists like Dylan and Young, a breed of folk music that is pensive, kaleidoscopic, full of soft psychedelia and a subtle, unfurling melodicism. And while 2016’s Eyes on the Lines had a certain breezy looseness to it, what Gunn was looking for this time was something more visceral.

That’s when an unlikely encounter with a guy named Tony Garnier, who was hanging around the studio, led to what is arguably Gunn’s strongest work to date.

“There was another session happening before we started working on the record, kind of like a ‘who’s who’ of folk music doing this compilation of songs,” Gunn says. “And Tony, one of the bass players, was in there for a few of the days.”

Garnier, though far from a household name, has an impressive resume. In 1989, after a stint in the Saturday Night Live band, he joined Dylan’s band as bass player. As of 2018, he is now the longest-running collaborator of Dylan’s career, having become the band’s unofficial musical director.

“We just started shooting the shit, and he was just like, ‘Hey man, if you need a bass player, I’m around. I would love to come in.’”

Recorded over a few isolated sessions in 2018, The Unseen in Between—which was released last month—is calm, confident and made up of Gunn’s best songs thus far, the whole thing buoyed by the assured performances of Garnier and drummer TJ Maiani.

“We didn’t want to overthink it—it’s not this complicated thing. It’s all about the feel. They weren’t necessarily that familiar with the music, but they were like, ‘What’s the key,’ played it a few times, and kind of got the feel for it,” Gunn says, describing—almost to the letter—the kind of session he had always intended for the album.

Adding to it all is Gunn’s own performance, which was captured entirely live.

“The way I made albums before, it was always like adding other guitar parts after the fact, doing vocals after all the tracking was done,” he says, describing the normal process for most contemporary musicians.

This time, however, Gunn sang and played the songs in a single take with his band, putting on tape the song exactly as it was played.

“We did overdubs, of course, but the core of the songs, it’s like a performative approach. Before the sessions, I was going to my little studio and sitting for a full day and playing. Playing and playing and playing. Getting them up to speed, and getting them ready.”

As a result of that preparation, the playing on The Unseen in Between is close to impeccable. Diverse in mood and feel (and, at times, spare), there is a vitality to the performances on the album that lifts Gunn’s already distinctive songwriting, in a live, loose sort of way. On songs like opener “New Moon,” Gunn’s pendulous baritone emerges from within the performance, bobbing to the top of the mix like another instrument. “New Moon” is followed by “Vagabond,” which plays like a New York folk version of the Smiths’ “There is a Light That Never Goes Out.” A descending lick Gunn plays on the acoustic at the end of each phrase of the verse is worth the price of admission alone.  

“All releases adhere to kind of a schedule now,” Gunn says, before we hang up. “It’s been a lot of waiting, but now I’m ready. It’s exciting for me and the band to get out there and play.”

Steve Gunn performs at 9 p.m. on Sunday, Feb. 10 at Moe’s Alley, 1535 Commercial Drive, Santa Cruz. $15 adv/$20 door. 479-1854.

UCSC Predicts Self-Driving Car Gridlock

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For UCSC’s Adam Millard-Ball, it all started with a thought experiment. The associate environmental studies professor asked himself how a self-driving car might find parking within a downtown area in the coming decades, and he wondered how the resulting changes might affect traffic.

He believes the cars of the future will be programmed to find the cheapest parking options available, and will have no need to park near their destinations after dropping their owners off. So will an autonomous vehicle drop off its passenger in a busy downtown metropolis and then park somewhere on the city’s outskirts for free? Will it drive back home, only to return downtown to pick up its owner again later in the day? Or will it simply seek out a two-hour parking spot and then move just before the two hours is up?

Millard-Ball found that the answer to each of those questions is yes, after using game theory and a traffic simulation model to come up with his predictions. What surprised him, however, was the most common scenario the cars would choose, according to his experiment. Millard-Ball found that many cars will simply “cruise” around nearby until their owners finish with their downtown errands. The cars will coast around the streets, instead of looking for a spot, and create massive traffic jams in the process. His report argues the cars would “have the incentive to seek out and exacerbate congestion—even gridlock—in order to minimize costs to their owners.”

Unless mitigated by significant changes in transportation or urban planning policy, he says that traffic could be disastrous for the quality of life in cities, like San Francisco, as well as university campuses like UCSC.

Millard-Ball’s experiment created quite a stir on the internet on Friday. Someone posted a UCSC press release about the news to Reddit, where it catapulted to one of the site’s top three posts, quickly earning more than 70,000 upvotes via the forum’s science tab. The top commenter wrote, “Instead of parking lots, there will just be a giant ‘lazy river’ of cars.”

Millard-Ball likes the analogy. “That’s a really great description of what I’m modeling,” he says. Although several publications have blogged about his findings, he says GT was the first to call him up for an interview.

He notes that, generally speaking, some urban planners have started to call for cities to start thinking about converting some downtown parking lots to higher uses, like housing, in light of autonomous cars and other expected transportation changes. But Millard-Ball believes it’s time to start thinking about how to mitigate the resulting traffic problems that he says are also coming.

To be sure, it’s still unclear just how quickly self-driving cars will hit the streets—or how, exactly, the future of cars will look. A chart known as the Gartner Hype Cycle maps the level of enthusiasm that many tech trends tend to follow. According to that theory, interest spikes early, with a bump known as the “peak of inflated expectations,” and it’s followed by a cratering “trough of disillusionment.” Things pick up, the theory goes, after that, as innovations then start trickling in, perhaps a little later than expected—ultimately leading to a slow, steady stream of breakthroughs before progress plateaus.

Although many transportation experts are optimistic, self-driving cars could follow a similar trajectory. As the Washington Post reminded everyone recently, Tesla CEO Elon Musk said that one of his cars would be able drive itself across the country by 2018. This past fall, one crashed backing out of a garage.

Millard-Ball has a solution for the downtown traffic jams that he’s predicting. It’s called congestion pricing, the process of charging drivers per mile that their cars travel on busy metropolitan streets.

He foresees two challenges to doing that. The first is technological, although he believes barriers will go away once autonomous vehicles become widespread. The second is political. That’s why he says that government officials should act now to implement new regulations, at least on self-driving cars before they start popping up everywhere at once.

”People don’t like paying for something that they’ve been used to getting for free,” he says, “and that’s just as true for roads as it is for anything else.”

Update – Feb. 5, 2019: This story has been corrected to reflect the accurate spelling of Millard-Ball’s last name.

 

Music Picks: January 30-February 5

Live music highlights for the week of Jan. 30, 2019

 

WEDNESDAY 1/30

AMERICANA

AMIGO THE DEVIL

After a hard day at the office, nothing beats uncorking a bottle of wine, lounging in the bathtub and listening to songs about serial killers, gruesome spousal abuse and necrophilia. If that sounds like you—particularly if you imagine banjo-plucking murder ballads—then Amigo the Devil is your new Elvis. Don’t get me wrong, Amigo doesn’t glorify the darkest of human impulses. He approaches his subjects with the kind of deep curiosity you might get from a gripping Netflix true-crime docuseries. AC

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $13 adv/$15 door. 423-1338.

BLUES

CATFISH KEITH & PREACHER BOY

For a century, the blues has weaved its way in and out of pop culture, avoiding exact definition. So when we say Catfish Keith and Preacher Boy are the real deal, playing their time-honored and fine-tuned mix of country and Delta acoustic blues, we aren’t messing around. Combined, Catfish and Preacher Boy have nearly 65 years of experience, endless stories and non-stop finger flying pickin’ that will knock the dust of any regular Wednesday. MAT WEIR

INFO: 7:30 p.m. Michael’s on Main, 2591 Main St., Soquel. $12 adv/$15 door. 479-9777.

 

THURSDAY 1/31

AMERICANA

MARGO CILKER

Margo Cilker’s soft and soulful country-acoustic meanderings portray a being craving the familiarity of comfort and a longing for change. Or maybe the longing for comfort and familiarity of change? This tinge of grass-is-greener runs through all of her songs, as well as hues of regret and shades of sorrow. All these conflicting aspects are wound up in her expert singing-vagabond hands. But does every hopeful homecoming inevitably include a fond farewell? AMY BEE

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.  

 

FRIDAY 2/1

R&B

JAMES HUNTER SIX

In 2016, Mojo magazine declared James Hunter the UK’s “greatest soul singer.” The 56-year-old singer has been working hard in British clubs since the mid-’80s, even sparking a friendship (and collaborative relationship) with Van Morrison. But it wasn’t until Hunter’s incredible and high-energy R&B 2006 album People Gonna Talk that he broke through to a larger audience. In the tradition of a lot of Daptone artists, he’s a lost gem of old-soul purity that we were all lucky enough to have emerge in his later years and add a little sunshine to our lives. AARON CARNES

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25 adv/$30 door. 479-1854.

 

SAT 2/2

ELECTRONIC

RJD2

Swaggering and cool, RJD2’s production work has seeped into many cracks in the American consciousness. Emerging on El-P’s Def Jux label in the early 2000s, his beats were forward-thinking with classic NY cool, mixing jazz, cinema scores and world music in ways that always found their leading edges. Since then, L.A. has become a more pronounced influence on his work, as on 2016’s Dame Fortune, which charts a journey across hip-hop, EDM, prog rock, and soundscape. Also, he wrote the theme for Mad Men. MIKE HUGUENOR

INFO: 9 p.m. The Catalyst, 1011 Pacific Ave., Santa Cruz. $20 adv/$25 door. 429-4135.

AMERICANA

BLAME SALLY

Hot take: Sally didn’t do anything wrong. I’m a Sally supporter. Why? Because if Sally did something to bring about SF Americana quartet Blame Sally, I say we should thank her, not blame her. Sally, thank you. Thank you for almost 20 years of the transcendent and ruggedly femme rock of Blame Sally. Thank you for the effortless guitar playing of Renee Harcourt, and for the cajon-rocking rhythm of drummer Pam Delgado. MH

INFO: 7 p.m. Kuumbwa, 320-2 Cedar St., Santa Cruz. $35 adv/$40 door. 427-2227.

FUNK

KATDELIC

San Francisco’s Katdelic is so much more than a funk band. Led by Grammy-winning artist Ronkat Spearman (ex-Parliament/Funkadelic), Katdelic is a musical experience with booty-shaking beats, choreography, interstellar jams and even some EDM mixed in. If Parliament brought us the funk on the Mothership Connection, then Katdelic opens the doors and guides us to explore their sensual sounds of interstellar bass. MW

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10 adv/$15 door. 479-1854.

 

SUNDAY 2/3

COUNTRY

BUCK MEEK

Country music has always had an element of the rascally and mischievous, but is it capable of surprising with the unexpected? After listening to Buck Meek’s self-titled album, I’d say yes. His pared-down melodies are an odd composition, his vocal notes willy-nilly with lyrics both absurd and poetic, with no easy-access hook in sight. One might completely miss the country part of Meek’s songs if it weren’t for his unmistakably nasally Texas twang. Meeks brings vivid, half-told stories and strange one-liners to life by refusing to decrypt whatever muse is keeping him up at night. AB

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.  

 

MONDAY 2/4

JAZZ

BEN WENDEL SEASONS BAND

As a founding member of the influential and creatively fecund band Kneebody, tenor saxophonist Ben Wendel has earned a vaunted reputation as an improviser with a sleek, ingratiating sound and surfeit of ideas. Last October, he displayed both attributes on The Seasons, a remarkable series of 12 compositions inspired by Tchaikovsky’s compositions. “The Seasons is not only a representation of the passage of time but a statement on how technology has changed the way artists communicate and share art,” Wendel writes. Wendel performs with pianist Aaron Parks, guitarist Gilad Hekselman, drummer Eric Harland, and bassist Matt Brewer. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $31.50 adv/$36.75 door. 427-2227.

Wi-Fi Wars: Cruzio, Comcast and Local Internet Choice

Cruzio Wi-Fi Local Internet
How large internet providers and developers squeeze out smaller competitors—and what might change

NUZ: The Alt-Right’s Local Return; Jump Bike Backlash

Nuz
A slogan spawned by 4chan resurfaces in Santa Cruz, plus a confusing crusade against Jump bikes

Rob Brezny’s Astrology Feb. 6-12

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Feb. 6, 2019

Tabby Cat Cafe Keeps Quirky Coffee Alive

Tabby Cat Cafe
Downtown Santa Cruz’s former Cafe Bene gets new life

The Festival of Losar: Risa’s Stars Feb. 6-12

risa's stars
Esoteric Astrology as news for week Feb. 6, 2019

Film Review: 2019 Oscar-Nominated Short Films

Detainment
A remarkably bleak bunch of live action and animation shorts

Sister Brothers Brings Folk Classics to Santa Cruz

Sister Brothers
Tight-knit trio will play r.blitzer Gallery on Feb. 9.

Preview: Steve Gunn at Moe’s Alley

Steve Gunn
Kurt Vile collaborator Steve Gunn looks to Dylan and Neil Young for new dimensions

UCSC Predicts Self-Driving Car Gridlock

self-driving car
Associate Professor Adam Millard-Ball's experiment blows up online

Music Picks: January 30-February 5

Margo Cilker
Live music highlights for the week of Jan. 30, 2019
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