Rob Brezsny Astrology Jan. 31-Feb 6

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Free Will astrology for the week of January 31, 2018.

ARIES (March 21-April 19): In all of history, humans have mined about 182,000 tons of gold. Best estimates suggest there are still 35 billion tons of gold buried in the Earth, but the remaining riches will be more difficult to find and collect than what weโ€™ve already gotten. We need better technology. If I had to say who would be the entrepreneurs and inventors best qualified to lead the quest, my choice would be members of the Aries tribe. For the foreseeable future, you people will have extra skill at excavating hidden treasure and gathering resources that are hard to access.

TAURUS (April 20-May 20): Stories have the power to either dampen or mobilize your life energy. I hope that in the coming weeks, you will make heroic efforts to seek out the latter and avoid the former. Now is a crucial time to treat yourself to stories that will jolt you out of your habitual responses and inspire you to take long-postponed actions and awaken the sleeping parts of your soul. And thatโ€™s just half of your assignment, dear Taurus. Hereโ€™s the rest: Tell stories that help you remember the totality of who you are, and that inspire your listeners to remember the totality of who they are.

GEMINI (May 21-June 20): Author Anaรฏs Nin said, โ€œThere are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone donโ€™t work.โ€ For two reasons, Anaรฏsโ€™s formulation is especially apropos for you right now. First, you should not allow yourself to be seduced, tempted, or won over by sweet gestures alone. You must insist on sweet gestures that are synergized by a sense of wonder and an appreciation of your unique beauty. Second, you should adopt the same approach for those you want to seduce, tempt, or win over: sweet gestures seasoned with wonder and an appreciation of their unique beauty.

CANCER (June 21-July 22): Are you more inclined right now to favor temporary involvements and short-term promises? Or would you consider making brave commitments that lead you deeper into the Great Mystery? Given the upcoming astrological omens, I vote for the latter. Hereโ€™s another pair of questions for you, Cancerian. Are you inclined to meander from commotion to commotion without any game plan? Or might you invoke the magic necessary to get involved with high-quality collaborations? Iโ€™m hoping youโ€™ll opt for the latter. (P.S. The near future will be prime time for you to swear a sacred oath or two.)

LEO (July 23-Aug. 22): In March 1996, a man burst into the studio of radio station Star FM in Wanganui, New Zealand. He took the manager hostage and issued a single demand: that the dj play a recording of the Muppet song โ€œThe Rainbow Connection,โ€ as sung by the puppet Kermit the Frog. Fortunately, police intervened quickly, no one was hurt, and the kidnapper was jailed. In bringing this to your attention, Leo, I am certainly not suggesting that you imitate the kidnapper. Please donโ€™t break the law or threaten anyone with harm. On the other hand, I do urge you to take dramatic, innovative action to fulfill one of your very specific desires.

VIRGO (Aug. 23-Sept. 22): Many varieties of the nettle plant will sting you if you touch the leaves and stems. Their hairs are like hypodermic needles that inject your skin with a blend of irritant chemicals. And yet nettle is also an herb with numerous medicinal properties. It can provide relief for allergies, arthritis, joint pain, and urinary problems. Thatโ€™s why Shakespeare invoked the nettle as a metaphor in his play Henry IV, Part 1: โ€œOut of this nettle, danger, we pluck this flower, safety,โ€ says the character named Hotspur. In accordance with the astrological omens, Virgo, I choose the nettle as your power metaphor for the first three weeks of February.

LIBRA (Sept. 23-Oct. 22): Knullrufs is a Swedish word that refers to what your hair looks like after sex: tousled, rumpled, disordered. If Iโ€™m reading the astrological omens correctly, you should experience more knullrufs than usual in the coming weeks. Youโ€™re in a phase when you need and deserve extra pleasure and delight, especially the kind that rearranges your attitudes as well as your coiffure. You have license to exceed your normal quotas of ravenousness and rowdiness.

SCORPIO (Oct. 23-Nov. 21): In his โ€œCrazy Lake Experimentโ€ documented on YouTube, Harvard physicist Greg Kestin takes a raft out on a lake. He drops a tablespoon of olive oil into the water, and a few minutes later, the half-acre around his boat is still and smooth. All the small waves have disappeared. He proceeds to explain the science behind the calming effect produced by a tiny amount of oil. I suspect that you will have a metaphorically comparable power in the next two weeks, Scorpio. Whatโ€™s your version of the olive oil? Your poise? Your graciousness? Your tolerance? Your insight into human nature?

SAGITTARIUS (Nov. 22-Dec. 21): In 1989, a man spent four dollars on a painting at a flea market in Adamstown, Pennsylvania. He didnโ€™t care much for the actual image, which was a boring country scene, but he thought he could use the frame. Upon returning home, he found a document concealed behind the painting. It turned out to be a rare old copy of Americaโ€™s Declaration of Independence, originally created in 1776. He eventually sold it for $2.42 million. I doubt that you will experience anything quite as spectacular in the coming weeks, Sagittarius. But I do suspect you will find something valuable where you donโ€™t expect it, or develop a connection with something thatโ€™s better than you imagined it would be.

CAPRICORN (Dec. 22-Jan. 19): In the 1740s, a teenage Capricorn girl named Eliza Lucas almost single-handedly introduced a new crop into American agriculture: indigo, a plant used as a dye for textiles. In South Carolina, where she managed her fatherโ€™s farm, indigo ultimately became the second-most-important cash crop over the next 30 years. I have astrological reasons to believe that you are now in a phase when you could likewise make innovations that will have long-range economic repercussions. Be alert for good intuitions and promising opportunities to increase your wealth.

AQUARIUS (Jan. 20-Feb. 18): When I was in my early 20s, I smoked marijuana now and then. I liked it. It made me feel good and inspired my creativity and roused spiritual visions. But I reconsidered my use after encountering pagan magician Isaac Bonewits. He didnโ€™t have a moral objection to cannabis use, but believed it withered oneโ€™s willpower and diminished oneโ€™s determination to transform oneโ€™s life for the better. For a year, I meditated on and experimented with his hypothesis. I found it to be true, at least for me. I havenโ€™t smoked since. My purpose in bringing this up is not to advise you about your relationship to drugs, but rather to urge you to question whether there are influences in your life that wither your willpower and diminish your determination to transform your life for the better. Now is an excellent time to examine this issue.

PISCES (Feb. 19-March 20): Would you like to shed unwieldy baggage before moving on to your next big challenge? I hope so. It will purge your soul of karmic sludge. It will prime you for a fresh start. One way to accomplish this bravery is to confess your sins and ask for forgiveness in front of a mirror. Here are data to consider. Is there anyone you know who would not give you a good character reference? Have you ever committed a seriously unethical act? Have you revealed information that was told to you in confidence? While under the influence of intoxicants or bad ideas, have you done things youโ€™re ashamed of? Iโ€™m not saying youโ€™re more guilty of these things than the rest of us; itโ€™s just that now is your special time to seek redemption.

 

Homework: Whatโ€™s the best, most healing trouble you could whip up right now? Testify at Freewillastrology.com.

 

Opinion January 24, 2018

EDITOR’S NOTE

A couple of years ago, we wrote about Santa Cruzโ€™s stunning legacy of hip-hop dance, and I am still surprised this community hasnโ€™t embraced it the way we should. Over the hill in San Jose, the Bangerzโ€”who compose the music for the Jabbawockeez, probably the most famous hip-hop dance crew of all timeโ€”are a cultural fixture, wowing crowds at huge downtown festivals and working closely with other arts groups in the area. By comparison, Santa Cruzโ€™s history with the Jabbawockeezโ€”as in, the founder of the group, Gary Kendell, came out of our dance communityโ€”should be the stuff of local legend.

It hasnโ€™t really happened yet, but weโ€™re going to continue to do our part to make it so. The Santa Cruz studio that Kendell taught at, Motion Pacific, turns 20 this year, and Georgia Johnsonโ€™s cover story this week explores how hip-hop was one aspect of how they revolutionized the dance scene here. At the same time, it also goes a little deeper in Kendellโ€™s history than we have before, exploring how his work with the Boom Squad changed a lot of minds about the meaning and possibilities of hip-hop dance.

Iโ€™ve been wowed by many Motion Pacific shows over the years. Congratulations to them on two decades of helping to shape how our community thinks about dance.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

KZSC: Where They Are Now

Re: GTโ€™s KZSC cover (12/6): I knew it was Robin Lewin. I did not know that people were asking. I was the tie-breaking vote that got him in as station manager when he was only a freshman.

My husband, Kevin Monahan, is also in that 1978 picture on your inside pagesโ€”he is the cute one in the middle, left, with a mustache. I was not in that picture, as I had already graduated and was in L.A. working at NBC.

Kevin went on to work at EMU Systems in Santa Cruz, and invented the first sound library for musicians. So much of the โ€™80s music came from Kevinโ€™s sounds. Maybe there should be a follow-up story on all of the sound developments that happened (and are still happening!) in Santa Cruz. The EMU founders are still alive (and working) and many of the ex-EMU people are still working at Universal Audio. Others are at Apple, etc. Our tenant at the original EMU house in Santa Cruz on Broadway, also a later EMU person from England, is presently at Amazon Alexa, for example.

Robin was also in last yearโ€™s 50th anniversary UCSC alumni magazine, along with several of the students from our small little โ€œcommunicationsโ€ group. There were about 20 of us under the guidance of Gordon Mumma, head of the electronic music studio. I was Kresge Town Hall Manager at the time, and assistant teacher to Gordon. A lot of the existing audio people in our industry came out of Gordonโ€™s electronic music studio. I knew Robin as late as 1980, when a bunch of us got together and got a hotel room at the second-ever Billboard Video Music Awards in L.A. I stayed in L.A., started my own company, and won a Billboard Music Video Award in 1986. My ex, Rob Schafer, who also helped maintain KZSC, is still a top engineer at CBS NY, and has been so for about 40 years.

Doing radio shows at KZSC was one of the most fun things in my life. I have been a video editor for almost 45 years, doing a documentary on Jackson Browne right now for the NAMM Awards show in L.A.

But there is nothing like real-time broadcasting for a real continual adrenaline rush.

Kevin and I live in Corralitos and still do video โ€ฆ and support Danny Croftโ€™s โ€™80s show on KZSC with contributions.

Thanks for publishing the info on KZSC.

Denise Gallant |ย Corralitos

Pleasure Point Posse

Hi. Enjoyed the CVB/Cracker article (GT, 12/27). Used to see them when I was playing with Square Roots, way back last century.

Here is a song by Square Roots about where the band lived: Pleasure Point. We were all surfers and wrote about what we knew: Weโ€™re the Pleasure Point Posse/We like to surf it when is glassy/Weโ€™re all locals, weโ€™re not Aussies/We no do cocaine, it too costly.

Most of the Roots are still around. I run the Pleasure Point Horns (โ€œrent-a-horn sectionโ€); band leader/lead singer/drummer Billy Pitrone is the leader/guitarist/vocalist with Bean Creek; bassist Chris Sandman is with Extra Large, etc.

Weโ€™re still contacted by folks worldwide, so our old guitarist put up a Square Roots tribute page: myspace.com/squarerootssantacruz.

Also of note, Iโ€™m playing with a bunch of โ€œkidsโ€ in the prog-funk-rock-jam band Jive Machine. Three-fourths of the band are grads of Musicians Institute in Hollywood and the guitarist studied with Joe Satriani. We just killed NYE at Abbott Square.

Dan Young |ย Santa Cruz


PHOTO CONTEST WINNER

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GOOD IDEA

HOUSE MONEY
A local operation is officially launching its Landlord Incentive Program designed to encourage property owners to accept tenants with Section 8 rental vouchers. The basic concept, covered by GT last year (โ€œVouch for โ€˜Em,โ€ 11/2), offers loss coverage of up to $2,500 per tenant. The program protects landlords if they incur certain expenses within the first year of tenancy. The countyโ€™s low-income renters can spend several years on the waiting list before getting a voucher, and even then, many donโ€™t find a home before it expires.


GOOD WORK

SLAMMER DUNK
A judge in Canada recently banned solitary confinement, relying heavily on testimony from UCSC psychology professor Craig Haney. For decades, Haney has been an expert on the psychological effects of imprisonment, as well as a critic of solitary confinement, and he testified at the trial about the effects of isolation on mental health. His expertise has figured prominently in numerous court decisions regarding the treatment of inmates. Here in America, California and other states have begun limiting the use of solitary confinement.


QUOTE OF THE WEEK

โ€œLet us read, and let us dance; these two amusements will never do any harm to the world.โ€

-Voltaire

What do you think about the homeless camp in San Lorenzo Park?

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“The campgrounds are definitely needed in this community, and I think we should have more. Thereโ€™s still land available.”

Joe Forst

Felton/Boise
Retired Drug and Alcohol Counselor

“I think visually it looks bad, and I also want the homeless to have a place to go, and resources to help those who need it. ”

Elizabeth Taylor

Santa Cruz
Mother

“They obviously need a place to go, but Iโ€™m concerned with the proposed move to the Harvey West area, because there are residents in that area.”

Ian Thornburgh

Santa Cruz
Audio Engineer

“The homeless population is out there for the Santa Cruz community to see. We need to do something about affordable housing in Santa Cruz.”

Stephanie Howe

Santa Cruz
Nurses Aid

“When society wonโ€™t make space for somebody, they will carve out their own niche.”

Lindsley Britton

Santa Cruz
Archeologist

Film Review: โ€˜Phantom Threadโ€™

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No one could accuse filmmaker Paul Thomas Anderson of a lack of ambition. His new movie Phantom Thread aspires to present an insiderโ€™s look at the ritzy, exclusive world of international haute couture, grafted onto a battle-of-the-sexes melodrama about a cranky artiste and his stubborn muse struggling for control of their fractious relationship. There are moments of intrigue and interestโ€”mostly in the pleasure of watching star Daniel Day-Lewis actโ€”but Anderson never manages to stitch all of the pattern pieces into a seamless whole.

Set in London in the postwar 1950s, the story revolves around fashion designer Reynolds Woodcock (Day-Lewis), whose clients include celebrities, royalty, and obscenely wealthy dowagers. An โ€œincurable bachelorโ€ of a certain age, Reynolds is a man of strict routines; the business of the formidable House of Woodcock is handled by his crisply efficient sister Cyril (a terrific Lesley Manville), who maintains the atmosphere of peace and quiet that Reynolds needs to work. Her duties include giving her brother a gentle nudge to move on whenever his current mistress becomes tiresome.

After delivering an important gown to a countess, Reynolds motors down to his country house for some R&R. In a seaside cafe, he meets fresh-faced, ever-so-charmingly-gauche Alma (Vicky Krieps) waiting tables. He asks her out to dinner, a bizarre first date that includes him taking her home, stripping her to be fitted for a gown-in-progress, and taking all of her most intimate measurements. Turns out sheโ€™s his โ€œperfect shapeโ€ (not too busty). Next thing we know, heโ€™s moving her into his London townhouse.

Here, the mechanics of the plot start to get a little hazy; Alma models in his private showroom sometimes, but otherwise, she wanders around in the same antiseptic white uniform his staff of seamstresses wear. The points by which her position is gradually upgraded to new mistress are ticked off cleanly enough, but we never feel an emotional connection between them. Which becomes a problem when, once sheโ€™s ensconced, persnickety Reynolds starts finding fault with everything she does, from consuming her breakfast too noisily to arguing with him about his taste.

The problem with this so-called love story is that we have no idea who Alma isโ€š or what she wants, and neither does Anderson. She has a vaguely European accent (Krieps is from Luxembourg), but sheโ€™s given no backstory, and apparently has no family or friends, or life of her own. Compliant at first (almost all she says in her first few scenes is โ€œyesโ€), she only starts to grow a spine when itโ€™s convenient for Anderson to set her up in opposition to Reynoldsโ€™ perfectly ordered world.

Reynolds, of course, has plenty of backstory, from the deceased, adored mother, to whom he still feels spiritually connected, to his habit of sewing secret messages into the lining of his gowns. But beneath his veneer of elegant charm, heโ€™s also vicious and belittling. Itโ€™s never clear what Alma is getting emotionally from this abusive match-up; by the time she finally exclaims sheโ€™s tired of โ€œwaiting around for you to get rid of me,โ€ the audience canโ€™t figure out why sheโ€™s still there. The solution she dreams up to her dilemma does give the story sort of a nifty, perverse kick in the late innings, but itโ€™s not really enough to justify all of the effort weโ€™ve put into it.

Meanwhile, Anderson mines the haute couture milieu to try to keep our attention. Thereโ€™s tactile pleasure in the way the camera fawns over antique lace and voluptuous fabrics, or noses among the corps of veteran seamstresses hand-sewing an extravagant gown. (Itโ€™s a nice touch that Anderson casts many now-matronly women who actually did sew for the great fashion houses of the โ€™50s as Reynoldsโ€™ seamstresses.)

There are moments of sly, subversive wit, as Reynolds and Alma bait and challenge each otherโ€”on the rare occasions when heโ€™s not insulting or demoralizing her (and sometimes when he is). But we never become invested in these prickly characters, their relationship, or their insular world.

 

PHANTOM THREAD

**1/2 (out of four)

With Daniel Day-Lewis, Lesley Manville, and Vicky Krieps. Written and directed by Paul Thomas Anderson. A Focus Features release. Rated R. 129 minutes.

 

Vine and Dine: Boisset Family Estates

Exploring different wine regions always means coming across new and vibrant places. On a three-day trip to Napa last month, my husband and I ventured into Boisset Family Estates tasting roomโ€“also known by the ownerโ€™s initials JCB, for Jean-Charles Boisset. And what an amazing place it is! Be prepared for a sensory overload of leopard-print curtains and bar stoolsโ€“and thousands of dollarsโ€™ worth of Baccarat crystal, including a simply mesmerizing chandelier as a middle-of-the-room showstopper.

I recommend a flight of four bubblies at $30 per person for a fascinating JCB experience. These gorgeous sparklers are incredibly well-made and delicious, and tasting them becomes a celebration. The sparkling Rosรฉ Wine No. 69โ€”named for the year of Boissetโ€™s birthโ€”is a Pinot Noir Brut bubbly packed with flavor and style. As well as sparkling wines, other wines are available to taste as well.

A tour of JCBโ€™s private salon followedโ€”a room so over-the-top fabulous, itโ€™s hard to take it all in. Backs of chairs covered in white feathers, a ruby-red grand piano, a glass-topped table with gold leaf underneath that moves with the heat of your handโ€”and so much more.

JCB, 6505 Washington St., Yountville, 707-934-8237. jcbcollection.com

 

Bargetto at Bridal Expo

You donโ€™t have to be planning a wedding to visit the Bridal Expo on Sunday. Itโ€™s an opportunity to check out photographers, caterers, reception venues and more. But if youโ€™re interested in the latest wedding trends, then the Cocoanut Grove is the place to be. Bargetto Winery will be at this yearโ€™s expo to provide a wine tasting as well as detailed information about weddings, rehearsal dinners, and private events at their winery in Soquelโ€”and booths galore are set up for you check out vendorsโ€™ goodies. Joyce Anderson (of Anderson Productions) is putting on fashion shows at 12:30 and 2:30 p.m. featuring Bridal Veil Fashions, Seabreeze Bridal Boutique, Menโ€™s Wearhouse, Jewels on Pacific, and DJ Trevor Williams of Santa Cruz DJ Company. The Expo is 11 a.m. to 4 p.m. Sunday, Jan. 28 at the Cocoanut Grove, 400 Beach St., Santa Cruz. For more info visit beachboardwalk.com/bridal-expo.

Jack and the Beanstalk Will Change Your Mind About Tofu

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Tofu may be the most misunderstood food in America. Maybe its useful but creepy ability to be anything and everything is what has made this anemic-looking block of curdled and pressed soy milk a pre-packaged punchline. Just add it in front of the name of any popular food: tofu cheesecake, tofu smoothie, tofu burgerโ€”doesnโ€™t sound fun.

It doesnโ€™t help that, because tofu is loaded with protein and iron, Western culture forced it into a meat-shaped mold, and the results are confusing. The embodiment of this is the tofurky, whose reappearance every year around the holidays as a bloodless centerpiece is heralded by inexplicably strong emotional reactions ranging from cultish devotion to patriotism-flecked disgust.

The biggest problem for me was that I thought tofu was boring. For that reason, I avoided it for pretty much all of my life, convinced that this weird looking sponge tasted exactly how it lookedโ€”like nothing.

Then, on what turned out to be a very fateful evening, a friend served Jack and the Beanstalk tofu, and a surprising thing happened: I reached for a third helping. And I suspected that I may have only ever eaten bad tofu, because this tofu was unbelievably tasty.

Certified organic and made in nearby Salinas, Jack and the Beanstalk exposed me to how delicious and versatile well-made tofu can be, and now I eat it all the time. On its own, it has a pure, sweet, fresh taste and a silky texture. When cooked, the innocuous flavor complements the other ingredients and doesnโ€™t, as I assumed, just absorb whatever flavoring you add. Itโ€™s delicious sliced cold with green onion and drizzled with soy sauce and sesame oil. The cubes get delightfully puffy when baked and thrown in grain bowls or salads. I love fishing out chunks of it in curry or soup, or frying slices for quick snack or a banh mi.

Available at Staff of Life, New Leaf Markets and served at Charlie Hong Kong.

Did the Sentinelโ€™s Owner Delete a Local Story?

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At first blush, a Santa Cruz Sentinel column that mentioned the paper being owned by hedge fund Alden Global Capital looked bold and edgy.

Wait … did our local daily just throw shade at the big boss?

When you think about it, though, it makes perfect sense. Sure, in her touching Editorโ€™s Notebook piece profiling outgoing Editor Don Miller, the paperโ€™s Managing Editor Kara Meyberg Guzman did touch on the uncomfortable topic. And yet, what made the mention surprisingly refreshing was the way she approached itโ€”with a sense of optimism and acceptance.

โ€œMany blame the hedge fundโ€™s financial greed for gutting its newspapersโ€™ budgets and staff, but Miller said thatโ€™s not the whole picture,โ€ Guzman wrote, breaking down the recent history of ownership. โ€œThe newspaper chain the Sentinel belongs to had gone through a bankruptcy prior to the sale, and the hedge fund had to bail out MediaNews Group.โ€

Weโ€™re well into the 21st century, and everyone already knows that big corporations own most daily newspapers. Itโ€™s a fact of life, one that leaves some of Americaโ€™s oldest institutions teetering somewhere between a local communityโ€™s public interest and the profit-sucking objectives of CEOs or their henchmen. So, counterintuitively, one could posit that the idea of plainly referring to the Sentinelโ€™s ownership actually sounds like a surefire way to establish some credibility and win some of that all-important communityโ€™s trust.

The Watsonville-based radio station KPIG appears to understand this. Theyโ€™ve been talking frankly about their ownership for years.

โ€œWeโ€™re doing what we do. And theyโ€™re to do what they do, which is get their money,โ€ says DJ John Sandidge, who explains that the owners know to keep their hands off programming. โ€œThey invested a lot of money, and their job is to get money back out. All corners are cut. Or were. There are no corners left.โ€

That kind of straight talk makes a listener want to turn up the volume, and itโ€™s probably part of what helps KPIG outperform other stations. Which, of course, makes Mapleton more money. What the hell do they care what a DJ who calls himself โ€œSleepy Johnโ€ is telling Santa Cruz locals?

Guzmanโ€™s honesty about Alden Global Capital came off that same wayโ€”at least to meโ€”in her moving reflections on a paper going 161 years strong, and on Miller, the man who lead the operation for the past decade. Surely, no executive got their feelings hurt by that โ€ฆ right?

Whatโ€™s interesting is that the story has disappeared from the internet. The link to the article has gone dead. No amount of googling or perusing the Sentinelโ€™s website seems to be fruitful.

Is it possible that the story disappeared in some other way that doesnโ€™t involve an administrator scrapping it?

Well, if the story simply got lost on the back end, the editors should have the power to repost itโ€”something the Sentinel has done in the past.

Guzman tells us she canโ€™t comment. Sentinel publisher Gary Omernick never got back to us, nor did Digital First Media, the part of the Alden news organization to which the Sentinel belongs.

Ken Doctor, a media expert based in Aptos who writes the blog Newsonomics, says readers generally expect a newspaper to be transparent about its own operationsโ€”especially because reporters are always sticking their noses into everyone elseโ€™s business. Still, he said it was โ€œsurprisingโ€ to see Aldenโ€™s shoutout in print.

โ€œIt didnโ€™t surprise us that they pulled it in that way, because DFM is a very sensitive company,โ€ says Doctor, a Sentinel subscriber, who enjoyed Guzmanโ€™s column and remembers it being well-received for its frankess. โ€œThey would say, โ€˜Why would we want to see our own write about us in print?โ€™โ€

We hate to sound preachy, but journalism is a public service, especially with the meager wages reporters are making these days. And for a decent journalist, nothing is more important than their integrity and independence. Both are difficult to develop, especially once theyโ€™ve been compromised.

And yet, until someone explains what the heck happened with last monthโ€™s column, it looks like the Sentinelโ€™s owners are placing their own ego above all else.

If Alden Global Capital is willing to erase their own local reporting, it may be difficult for us to read the Sentinelโ€”or any Digital First Media paperโ€”the same way.

Love Your Local Band: Whiskey West

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Last October, just before Whiskey West was about to go on stage at Moeโ€™s Alley, acoustic guitarist/singer Eric Winders was telling upright bassist Devon Pearse about a song about redneck hippies. Pearse responded: โ€œIsnโ€™t that what we are?โ€

They both laughed, but itโ€™s kind of true. The four-piece band, which also includes Liz Smith on fiddle/vocals, and Steve Tatowicz on drums, plays a mix of traditional bluegrass and outlaw country, but thereโ€™s a healthy dash of Santa Cruz hippiedom in their laid-back vibe and breezy feel-good sound.

โ€œWe love that thing country music providesโ€”we associate it with the redneck world. Real country music has a beautiful simplicity to it,โ€ Winders says. โ€œAlso, I grew up with the Grateful Dead and the Allman Brothers. I think that influences us all to a certain degree.โ€

Whiskey West formed a couple of years ago, but had a different lineup. The current lineup came together last April, and clicked immediately. Since then, theyโ€™ve been gigging and having a good time, playing feel-good country dance music for folks in Santa Cruz. Theyโ€™ll be releasing their debut EP at their upcoming Catalyst show. Itโ€™s got four originals and one traditional song.

โ€œA lot of the music we play is about suffering, vengeance, drinking, and heartbreak,โ€ says Winders. โ€œWe try to counter that by putting on a good fun show that will put smiles on peopleโ€™s faces.โ€

 

INFO: 8:30 p.m. Saturday, Jan. 27. Catalyst, 1011 Pacific Ave., Santa Cruz. $8/adv, $10/door. 429-4135.

Giveaway: Junior Reid

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Reggae and dancehall artist Junior Reid was frontman and lead vocalist for the legendary Jamaican group Black Uhuru for three albums, Brutal, Positive and Black Uhuru Live in New York. Heโ€™s also the vocalist behind the song โ€œItโ€™s Okay (One Blood),โ€ a worldwide reggae anthem reminding listeners that wherever we come from, humans are all of one blood. On Feb. 10, Reid makes a much anticipated return to Moeโ€™s Alley, along with his One Blood Band band. The evening includes performances by his sons Yung JR and Juju Reid. Also on the bill: Woven Roots and DJ Spleece.ย 

INFO: 9 p.m. Saturday, Feb. 10. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Thursday, Feb. 1 to find out how you could win a pair of tickets to the show.

Music Picks Jan. 24-30

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Our picks for the best live music in Santa Cruz County for the week of January 24-30, 2018.

 

WEDNESDAY 1/24

METALCORE

CONVERGE

After its peak in the early-to-mid 2000s, โ€œmetalcoreโ€ has become something of a dirty word. That is, unless youโ€™re talking about Converge. Since 1990, this Massachusetts band has torn down convention and experimented with the strange to create a fierce sound all their own. Itโ€™s an intricate blend of heavy metal and hardcore punk played in the controlled chaos of jazz theory, and brings together music aficionados from all walks of life. MAT WEIR

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20. 429-4135.

THURSDAY 1/25

FUNK/R&B

NEW ORLEANS SUSPECTS

New Orleans is a hotbed of musical styles, including funk, jazz, R&B, soul, brass band and zydecoโ€”and the New Orleans Suspects have a handle on all of them. An all-star outfit comprising โ€œMeanโ€ Willie Green of the Neville Brothers on drums, Jeff Watkins from the James Brown Band on saxophone, Jake Eckert of the Dirty Dozen Brass Band on guitar and vocals, CR Gruver of Polytoxic on keyboards and vocals, and Eric Vogel of the Nigel Hall Band on bass guitar, the Suspects play high-energy songs full of life, Crescent City soul and irresistible grooves. CJ

INFO: 8:30 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

FRIDAY 1/26

INDIE-JAZZ

TOMMY GUERRERO MEETS MATTSON 2

In 2003, former pro skater Tommy Guerrero had an unexpected hit with his third solo album Soul Food Taqueria. Itโ€™s a sample-based, chilled out collection of easy guitar melodies and laid-back beats. Guerrero spent the next 15 years creating equally experimental music veering into distinct territories like Latin, jazz, and alt-rock, while generally staying in the downtempo vibe. Heโ€™s teaming up with L.A. Jazz duo Mattson 2 to create some new, entirely interesting music. Considering that the duo worked with Toro y Moiโ€™s Chaz Bundick last year to deliver a phenomenal record, hopes are high that this collab with Guerrero will blow a few minds. AC

INFO: 9 p.m. Michaelโ€™s on Main, 2591 S. Main St., Soquel. $25. 479-9777.

FRIDAY 1/26

SOUL

ORGONE

California soul band Orgone has a sound that pulls from โ€™60s and โ€™70s funk and groove styles, but the group adds a 21st century flair by infusing hip-hop and electronic elements. Hailing from Los Angeles, the eight-piece formed in the late-โ€™90s and performed as a backing band for hip-hop groups. It made a splash on the pop music scene with a cover of โ€œFunky Nassauโ€ by the Beginning and the End. These days, the band takes center stage with an infectious blend of deep funk, Latin jazz, Afro-beat and blues originals, as well as a healthy dose of classic soul covers. CJ

INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

FRIDAY 1/26

ROCK

MICHAEL NESMITH

Remember the Monkees, that โ€™60s band that was made for TV, that didnโ€™t write their own songs, and didnโ€™t even play their own instruments? That was the how the Monkees started, anyway. Eventually, the band took over songwriting duties, and showed that they werenโ€™t just four pretty faces. Michael Nesmith was an extremely talented member of the group, having penned the hit โ€œMary, Mary,โ€ among others. Post-Monkees, he wrote some more hit singles, like the top 40 โ€œJoanneโ€ for country-rockers First National Band. Nesmith coming through town is a rare treat that shouldnโ€™t be missed. AC

INFO: 8:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $48.92/gen, $69.52/gold. 423-8209.

SATURDAY 1/27

HIP-HOP

JOYNER LUCAS

For three years, Joyner Lucas has been solidifying his name in the hip-hop world. With the โ€œRoss Capicchioniโ€ track off his 2015 mixtape, Along Came Joyner, he bewildered critics and fans alike. How many other artists can say their track made legendary lyricist Busta Rhymes exclaim that he was so amazed, โ€œI canโ€™t even put it into wordsโ€? Lucas released his fourth mixtape, 508-507-2209, last June, hitting number seven on the Billboard Heatseeker Albums chart, with three new singles going viral. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $20-$75. 429-4135.

SATURDAY 1/27

EXPERIMENTAL

SUNWATCHERS

Music is a healing force. This is the credo of experimental New York group Sunwatchers. And considering how unhinged and dissonant the music is, you have to wonder a little about what they are healing if the antidote is songs by a wailing-saxophone-led avant-rock band. If you take the time to read the groupโ€™s long biography, itโ€™s clear theyโ€™ve thought long and hard about this. Seeing themselves less as overt political commentators, they see the surreal, hard-edged instrumental music they play as an alternative form of communication, one that doesnโ€™t rely on the trickery of words. Tapping into that magic is indeed a healing force. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

MONDAY 1/29

JAZZ

KATIE THIROUX TRIO

A Los Angeles native with deep ties to the Monterey Bay area, Katie Thiroux is a triple threat, a rapidly rising bassist, composer and vocalist whoโ€™s earned distinction in all three pursuits. Her second album, 2017โ€™s Off Beat, made several Top 10 lists, and sheโ€™s been growing by leaps and bounds as an accompanist with the likes of reed virtuoso Ken Peplowski and pianists Helen Sung, Tamir Hendelman and Eric Reed. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $27/door. 427-2227.

TUESDAY 1/30

CELTIC

JIM MALCOLM

Dubbed the โ€œultimate Scots troubadour,โ€ Jim Malcolm travels the world performing traditional and reworked Scottish ballads and folk songs, as well as his own original music. A master of his craft, Malcolm is a renowned vocalist, and an impressive fingerpicking guitarist and harmonica player. Considered one of the finest singers in Scotland, he has 10 albums under his belt and is a presence on the international Celtic scene. On Tuesday, Malcolm performs at a house concert in Soquel. The concert is presented by the Celtic Society of the Monterey Bay. CJ

INFO: 7:30 p.m. House concert, Soquel. $20. Information: celticsociety.org. 464- 9778.

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