What advice would you give to a friend that has no job, no ambition, and still lives with mom?

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“Find something that you really love doing, that you would do for free. Maybe that would encourage you to find something you are passionate about, which could lead to something that actually pays you.”

John Mockus

Pacifica
Photographer

“Get out and travel the world.”

Jeph Folkins

Oakland
Cameraman

“Cool! And don’t forget to take out your mama’s trash.”

Nick Mitchell

Pacifica
Fairyland

“You mean my son? Hey, if your mom’s good with it, fine. But otherwise it might take some tough love to boot him out the door.”

Tami Ball

Santa Cruz
Staff Aid

“Get a job.”

Anthony Perez

San Jose
Welfare Department/Eligibility

Best Live Music in Santa Cruz This Week

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The best in live music in Santa Cruz this week…

 

WEDNESDAY 1/18

COUNTRY

MICHAELA ANNE

Brooklyn-to-Nashville transplant Michaela Anne is an outlier country artist whose tender take on the genre offers a unique and often-overlooked female perspective. Her songs range from energetic honky-tonk to bittersweet ballads, with a flexible poignancy. Michaela’s raw emotion shines with confidence and intensity; her expert country-rock songwriting calls to mind influences like the Eagles, Emmylou Harris and Linda Ronstadt. The singer has achieved new creative heights with the catchy, complex songwriting of her latest release, Bright Lights and the Fame. KATIE SMALL

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

 

THURSDAY 1/19

CUMBIA

CELSO PIÑA

Cumbia is currently huge in Mexico, but it’s originally Colombian music. Mexican pop music also tends to encompass a blend of tropical and Caribbean styles. On both of these fronts, Celso Piña was a pioneer. He started playing cumbia in the ’80s, when no one in the country cared. (Hence his nickname, “El Rebelde del Acordeón”—“the rebellious accordionist.”) His fondness for fusion music inspired a whole generation of Mexican pop artists to broaden their genre palettes. AARON CARNES

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

JAZZ

BRUBECK BROTHERS QUARTET

The Brubeck Brothers features bassist/trombonist Chris Brubeck and drummer Dan Brubeck touring intermittently with guitarist Mike DeMicco and pianist Chuck Lamb. The brothers have been playing together since childhood, and first gained attention in the early 1970s performing with their legendary father, pianist/composer Dave Brubeck (and older brother Darius, on piano). They play some of their father’s standards, but Chris is a renowned composer in his own right (who’s received numerous symphonic commissions), and Dan’s latest album is the gorgeous two-disc live project Celebrating the Music and Lyrics of Dave and Iola Brubeck, which includes some lesser-known gems. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27/adv, $32/door. 427-2227.

 

SATURDAY 1/21

POP-ROCK

GREG KIHN UNPLUGGED

A legend of Bay Area rock, Greg Kihn took to music early, playing Baltimore coffee shops when he was still in his teens and winning a radio songwriting contest—which netted him a typewriter, a stack of records and a Vox guitar—when he was just 17. He was originally inspired by the Beatles, but his career has seen him walk a winding music road that includes punk, disco and ’80s pop. He and his band landed on the pop charts with “The Breakup Song (They Don’t Write ’Em)” and “Jeopardy.” On Saturday, Kihn goes acoustic with the help of guitarist and vocalist Robert Berry. CAT JOHNSON

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $20/adv, $25/door. 335-2800.

 

SUNDAY 1/22

CHRISTIAN ROCK

SWITCHFOOT + RELIENT K

Switchfoot and Relient K are searching for America again, according to the name of their co-headlining tour. I’m not sure what that means, but the important thing is that these are two of the biggest Christian crossover rock acts in the world. Both started in the ’90s, and had mainstream success in the early 2000s. Lyrically, these bands aren’t beat-you-over-the-head preachy, more like inspirational and spiritual in their messaging. Switchfoot can best be described as arena rock with epic choruses, while the members of Relient K play polished emo punk. Catch this double bill while you can, as I doubt there’ll be a “Searching For America Part III”—if they can’t find it after two tours, they should probably just give up. AC

INFO: 8 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $36/adv, $38/door. 429-4135.

A CAPELLA CHOIR

LADYSMITH BLACK MAMBAZO

best live music in santa cruz - Ladysmith Black Mambazo
Ladysmith Black Mambazo

For more than 50 years, the voices of Ladysmith Black Mambazo have combined the intricate rhythms and harmonies of their native South African musical traditions with the sounds and sentiments of Christian gospel music. Formed in 1964 by Joseph Shabalala, the all-male singing troupe hails from the Ladysmith district of South Africa—their isicathamiya harmonies reflect the traditional music of the Zulu people. Dubbed “South Africa’s cultural ambassadors to the world” by Nelson Mandela, the group’s lineup continues to change, but their message of peace, love and harmony does not. With more than 50 albums under its belt, Mambazo is now touring its most recent CD, Walking In The Footsteps Of Our Fathers. This latest album also marks the group’s 17th Grammy Award nomination. KS

INFO: 7:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $35/gen, $55/gold. 423-8209.

BLUES

MARK HUMMEL’S ULTIMATE HARMONICA BLOWOUT 2017

East Bay harp ace Mark Hummel isn’t afraid of a little competition. He’s been organizing the Blues Harmonica Blowout for more than a quarter of a century, showcasing the world’s greatest harp players—which means he’s always on the hot seat as a player. This year’s lineup ranks amongst the best, with a brilliant multi-generational cast including harp innovator Howard Levy (best known for his work with Bela Fleck), Duke Robillard (whose credits range from Roomful of Blues to Bob Dylan), Chicago harp icon Corky Siegel, and Jason Ricci, a vocalist and highly sought-after harp player who is a rare out gay man on the blues scene. Canadian harp star Son of Dave, aka Benjamin Darvill, who gained notoriety and three Grammy Award nominations as a founding member of Crash Test Dummies, is also on the bill. AG

INFO: 7:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

ROOTS/POP

DIRTY CELLO

When’s the last time you heard a cellist play bluegrass? Or the blues? Or rowdy covers of pop songs? Perhaps the last time Dirty Cello was in town? This outstanding Bay Area outfit, led by classically trained cellist Rebecca Roudman, will inspire you to toss everything you think you know about the instrument out the window with its blend of roots and modern music, genre-defying instrumentation, and the top-notch musicality of its members. Prepare for a night of unforgettable music and entertainment. Sharing the evening’s bill is Café Musique, a Central California five-piece that plays gypsy, swing, tango, folk, and “wild classical” music. CJ

INFO: 7:30 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/gen, $32/gold. 427-2227.

 

TUESDAY 1/24

NOISE-ROCK

NO AGE

There is an art to writing good noise-rock songs. The process isn’t as simple as “write pop songs then slather a bunch of feedback over the top and call it a day.” OK, some bands do that, but not No Age. If there’s any doubt as to the thoughtful artistry of the noise in the band’s songs, check out its lackluster third LP, An Object, an experiment in which they stripped all extraneous noisy sounds away. Fortunately, that appears to be a blip on the radar. The couple of EPs and singles they’ve since released are full of noise, and god bless these two L.A. boys for it. AC

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15. 429-4135.


IN THE QUEUE

SANTA CRUZ REGGAE ALL-STARS

Members of Animo Cruz, Soulwise, Ancestree and more. Wednesday at Moe’s Alley

STICK MEN

Prog-rock legends Tony Levin, Markus Reuter and Pat Mastelotto. Friday at Kuumbwa

THE LEFTOVERS

Santa Cruz reggae-rock. Saturday at Crow’s Nest

HOLLY NEAR

Singer-songwriter and activist. Saturday at Kuumbwa

TRIBAL SEEDS

San Diego-based reggae-rock outfit. Tuesday and Wednesday at Catalyst

Be Our Guest: Tommy Igoe Groove Conspiracy

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Drummer Tommy Igoe’s range extends to jazz, rock, pop, Broadway and more. An award-winning artist who was chosen top jazz drummer of 2014 by Modern Drummer readers, Igoe splits his time between the Bay Area and the East Coast. His West Coast group, the Groove Conspiracy, consists of 15 Bay Area music veterans and features Santana vocalist Tony Lindsay and Drew Zingg, former lead guitarist for legendary rock band Steely Dan. On Jan. 30, Igoe and company pay tribute to Steely Dan with a performance covering the band’s entire catalog.


INFO: 7 p.m. Monday, Jan. 30. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $27/adv, $32/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, Jan. 23 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Tsunami

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Local rock group Tsunami plays lots of festivals and events, and they’ve gotten used to promoters asking them for a one-sentence description. What they’ve come up with is: “Out-the-gate, on-your-feet rock ’n’ roll band.”

Yup, that pretty much sums it up.

The group plays covers from the ’60s, ’70s, and sometimes ’80s. Danceability is important, and they like to add some surprises, like give a Carole King song a reggae flair. It’s tricky sometimes, but they feel like they’ve created something distinct.

“We try to keep it new. We rehearse a lot to bring in new material,” says singer Cynthia Larson. “We like the ’60s and ’70s; that’s kind of our era. Not too many bands go back that far. There are a lot of people that love that music.”

One thing they bring to the music is a never-ending fun spirit, not to mention lush harmonies. Three of the members of the group provide not just backing vocals, but lead.

“There’s three lead singers in the band. I’m one of them,” says Larson. “For us, it’s almost like another instrument in the band. We trade off vocals. There’s usually always some kind of harmony in there, sometimes three-part, sometimes just two-part. It definitely adds a whole other dimension.”


INFO: 8 p.m. Friday, Jan. 20. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

Why D-League Players Make Less than $30K

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As they hunt for a playoff spot, the Santa Cruz Warriors are traveling this week to rainy Mississauga, Ontario, a suburb just outside Toronto, where the skies are forecast to be just above freezing.

Needless to say, the squad, led by young players like point guard Phil Pressey, isn’t there looking for vacation weather, but for wins in their two games as part of the D-League Showcase, the annual basketball summit.

Over the course of 22 games, sports writers and scouts will descend on the showcase or watch it over Facebook Live to get a close look at the athletes one step from the NBA—most of whom play on a salary of $19,000 a year. It’s a number that sounds low to casual fans of the Development League, which is owned by the NBA, even though players are getting paid more on average than they were last season. While out of town, they’ll also be getting a per diem for meals. That’s a usual for road trips, and one of the perks that come with the job—not the least of which is an opportunity to follow their dreams. Even if a player only gets called up to big leagues once during a whole season, he can more than double his salary during that 10-day contract.

Hopes and aspirations aside, this money is modest compared to what an ESPN news junkie might imagine.

“It’s still quite a paltry amount of money to make to be a professional athlete,” says Santa Cruz’s Adam Johnson, editor of D-League Digest, a blog that covers the organization.

Generally, fans and players sometimes offer vague ideas about how the league can improve. Some of the more candid Warrior players even mulled over salaries aloud at the team’s media day in November. Shooting guard Cameron Jones, who had spent a couple years playing overseas, said that although he was happy to be back in Santa Cruz, it was difficult talking himself into what he knew would be smaller paychecks than the ones he cashed when in Russia, Greece and Israel.

“The D-League has so much potential. The players are good, but the travel and the pay—the NBA can do better,” Jones said, before quickly acknowledging he isn’t exactly sure how he would make changes. All-Star Carmelo Anthony said in October that the league needs to “rebrand” and do a better job of developing talent.

In the D-League there are two salary tiers—$19,000 and $25,000. Until last season, there was an additional lower tier of just $13,000 that has since been eliminated, bumping up the salary cap of each team. The D-League, instead of individual teams, pays all player salaries.

Chris Murphy, president of the Santa Cruz Warriors, says that although it is true these players aren’t going to get rich while in the D-League, money doesn’t tell the whole story. The Santa Cruz Warriors, he notes, have free lodging at a hotel on Beach Street, across the road from the ocean. They get fed after games and are given a few free meals a week through partnerships with local restaurants, not to mention health insurance.

“I’m not trying to justify the amount that they get,” Murphy says. “They’re here for five and a half months. I think everyone looks at things as an annual salary, and everyone sees the type of money that the NBA players make, so everybody just assumes that everyone makes a lot of money.”

On a Friday January night, sitting in the front row of Kaiser Permanente Arena, Johnson is carefully taking notes on a fast-paced, physical game against the Grand Rapids Drive, while keeping an eye on Twitter and working on articles for his website, a hobby he devotes himself to when he isn’t selling medical supplies for work or spending time with his two young sons.

One possible way to increase salaries, as Johnson has written about for the Digest, would be for the players to unionize. It might require help from the National Basketball Players’ Association, which so far has shown only tepid interest, at least publicly, in getting too deeply involved.

Still, Johnson says that eliminating the lowest salary tier was a step in the right direction—so too are the two-way contracts that found their way into the NBA’s new collective bargaining agreement between the league and the players’ union. The new agreement allows NBA teams to create two new roster spots for less developed players—the types who would normally get cut from teams—who will make closer to $70,000 a year and split their time between their NBA team and its D-League affiliate.

The D-League has been growing steadily, having added three teams during the past offseason, and now boasts 22 total, enough that more than two-thirds of NBA teams have a D-League affiliate. Johnson suggests, however, that if the league continues growing without increasing pay, the talent pool might begin to dwindle.

But once the league gets to 30 teams, and each NBA team has an affiliate, Johnson hypothesizes it will suddenly become plausible for teams to start contributing to their players’ salaries because each franchise is making the same investment—thereby creating bigger paydays.

“Then every team can contribute their portion toward the D-League if they have to increase their salaries,” he says. “Meaning once everyone’s bought in, it’s an equal share to everyone that’s donating. When you don’t have everyone buying in, then not everyone’s contributing the same amount.”

Murphy is skeptical of such a path, noting that, with the way the league is set up, an NBA team can nab a player on any D-League team at any time—provided they’re not already under contract with another NBA team—and sign them. It would be heart-wrenching, for instance, if the Santa Cruz Warriors pay good money to a talented young guard for months, only to have him signed suddenly by the Los Angeles Clippers. He adds the Warriors are part of the majority of D-League teams that are not profitable.

Murphy thinks the organization can stay competitive, provided it grows slowly. That, he feels, will give players who would otherwise make more money overseas the chance to see that they could have big role in the D-League and have a more direct path to the NBA.

That’s probably why players like Jones, who wrestled over whether or not to get a bigger paycheck overseas, often end up opting for the D-League route.

Alex Hamilton, who’s had some impressive games as the Warriors’ backup point guard, said in November that he originally didn’t want to go into the D-League, mostly because of the pay. “As time went on,” he continued. “I really started to think about it. It’s not all about the money. You really have to put yourself in the best situation for you to succeed and take a bigger step.”


For information on how to watch games online, visit dleague.nba.com.

MAH Collects Spoons for Sculpture

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When we heard the museum was asking for cutlery, the mysteriously spooky Tom Waits spoken-word piece “What’s He Building in There?” came to mind.

The Santa Cruz Museum of Art & History (MAH) staff announced on Friday, Jan. 13, that they are looking for … spoons. Not just any spoons—nay, that would hardly be artistic enough—but used spoons. Turns out it’s for a sculpture in the secret garden in the newly improved Abbott Square, which is scheduled to be unveiled this spring. Apparently, the art piece is inspired by Scotts Valley’s zany former Tree Circus, which once caught the attention of Ripley’s Believe it or Not, before many of the trees were sold, due to financial hardship, to a garden and amusement park in Gilroy, where some of them remain today. (Apparently, money does not grow on strangely shaped trees.)

The spoons will be strung together, as if to make long vines hanging from a canopy.

The museum is also still taking suggestions on what to do with the nearby and recently vacated Octagon. Applications for residency in the historic eight-sided building are due Sunday, Jan. 22.

Visit santacruzmah.org for more information.


STRIKE OUT

The J20 General Strike protesting the inauguration has finalized its schedule for Friday, Jan. 20, complete with teach-ins and workshops. “I’m really excited about the range,” says Andrew Smith, who’s been attending strike committee meetings. “We have UCSC grad students talking about securing and encrypting your phone, and we have people focusing on the mental health aspect.”

After an 11 a.m. march leaving from UCSC, workshops will go from 1:30 to 5 p.m. with venues like Sub Rosa, Santa Cruz Public Library and the Galleria. At 4 p.m. protestors at the clock tower will knock down a symbolic fake brick wall. 

Laughter Yoga Evaporates Stress

There are many counterintuitive things about laughter yoga. For one, you don’t need a yoga mat. “The word ‘yoga’ means union. That’s what we’re going to be doing tonight. We’re going to unite laughing with deep breathing,” says Carla H. Brown, a health and wellness expert and laughter and levity professional for the past 10 years. Wearing a satsuma-orange shirt and a beaming smile, Brown is leading the Wednesday evening laughter yoga class at the Tannery, which consists of a dozen or so attendees standing in a circle—some of them veterans, and some self-conscious virgins like myself.

You also don’t need a sense of humor: “The laughter is going to start off fake and simulated,” Brown tells us. “But it’s going to become contagious, because that just happens with humans.”

The point is to laugh for no reason at all other than because we can. And that’s exactly what we do for the next 45 minutes, as Brown leads us through various exercises that transform the group into children—or primates, really—doubling over in laughter as all of the cares and worries of daily life evaporate into guffaws, gesticulations and a wild, ridiculous display of silliness. Because, while the mind knows the difference between real and simulated laughter, the body doesn’t—and the physiological effects of an evening spent forcing laughter are immense. Most notably, it’s a powerful tool for mediating stress.

“In our world, we get a lot of cortisol, but we don’t always get to run or walk it off. So it continues to run in our system, and it keeps affecting us for a longer period of time,” says Alicia Kosman, a former hospice nurse and trained laughter leader for the past two years.

Indeed, the stress hormone cortisol is a known cause of many diseases, and a mounting body of evidence has shown laughter to decrease its levels in the body.

“When we are laughing, we’re also breathing,” says Brown. “And when we stress out, we stop breathing, we cut off our oxygen supply to our brain, we become stupid, we go into fight or flight, we release cortisol, which is also an aging hormone.” says Brown. When we laugh, blood flow increases—while stress constricts blood vessels—and feel-good chemicals like dopamine, serotonin, and oxytocin are released. Blood pressure is lowered after a good laugh, and the immune system gets a boost. We become present, alive, and connected with our bodies.

But even while no yoga poses are employed in laughter yoga, it’s a legitimate exercise.

“Ten minutes of deep belly laugh—they call it hearty belly laughter in the industry—is like 30 minutes on the rowing machine,” says Brown. Laughter also invigorates the internal organs, and maintains a healthy endothelium, reducing the risk of cardiovascular disease, heart attack and stroke. By the time we’ve reached the final savasana stage of deep relaxation—following a three-minute climax of straight laughter—lying on the floor, bathing in those feel-good chemicals, I am physically and emotionally spent.

“There’s a lot of people for whom the e-word, exercise, is loaded with shame and guilt. But if we can disguise it with something playful, they’re still getting the movement,” says Brown, noting that the practice has been excellent for seniors as well as for helping Parkinson’s sufferers relieve their pain.

Conceived by Madan Kataria, M.D., a physician in Mumbai, India, in 1995, laughter yoga as a “wellbeing workout” has expanded from just a few people in a park to an international phenomenon with thousands of social laughter clubs sprouting up in more than 65 countries. “The first time I tried it, I thought it was the stupidest thing I’d ever done,” says Brown. “I did it for 10 minutes, and it changed my entire day, but I still thought it was stupid.”
Now she’s at the forefront of a growing laughter yoga movement, locally and beyond, leading weekly classes at the Tannery, and bi-weekly sessions for women with cancer in WomenCARE, as well as multiple-week class series through Parks and Rec and trainings for corporations and businesses.

“It changed my life,” says Brown, who says her laughter practice helped her counter the stress of her life as a former perfectionist and control freak. “Your life is worth more than the stress that you give yourself and feed yourself every day—whether you’re in a career, or you’re parenting, or you’re caring for someone, or your own life is just filled with a ton of stress that you didn’t expect. In the long term, in five years, you will not remember the circumstance, but your body will. So the more that you invest your time and energy in cultivating joy and aliveness through things like laughter yoga, the more you can enjoy your life while we still have it.”


Brown will lead six-week laughter yoga series ‘Hardwire Happiness with Laughter Yoga’ ($88) at Louden Nelson Community Center, 5:30 p.m. on Thursdays beginning Jan. 26 and April 27; and ‘Laughter Meditation for Mindfulness’ ($98) beginning March 9. Brown leads regular classes at 5:30 p.m. Wednesdays at the Tannery ($10-13), at 12:30 p.m. on first and third Thursdays for members of WomenCARE (Free), and will be participating in the MAH’s Power Hour from 7-8 p.m. on Friday, Jan. 20. For more information visit Laughter Yoga Santa Cruz on Facebook, meetup.com/Santa-Cruz-Laughter-Yoga, or call Carla H. Brown at 806-392-5768.

Film Review: ‘Elle’

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Paul Verhoeven knows a thing or two about sex and violence. The Dutch-born filmmaker, perpetrator of Basic Instinct and the notorious Showgirls, has made a career out of exploring our darker impulses—where they come from, where they lead, how they spill over into our everyday lives, and how they might filter down through the generations. All of these themes converge in Elle, Verhoeven’s intense drama of violation and vindication, featuring a typically poised-yet-fearless performance from Isabelle Huppert.

The film is scripted by David Birke, from the novel, Oh …, a contemporary French thriller by author Philippe Djian. After decades in Hollywood, Verhoeven returned to his Dutch roots a few years ago for the brilliant and intricate World War II thriller Black Book. In Elle, he is working for the first time in France, and in the French language. But nothing is lost in translation in this perverse morality play about perpetrators and targets, and the shifting lines between them.

Michele LeBlanc (Huppert) is the boss at a Paris company that produces popular, excessively violent fantasy video games. One night, she herself is violently raped by a masked intruder who breaks into her home. Reacting with what we think of as ridiculously French aplomb, she cleans up, takes a bath, orders take-out, and talks with her visiting grown son, Vincent (Jonas Bloquet). The next day, she has all the locks changed and the doors repaired, but she never goes to the police, or tells anyone—until she mentions it casually at dinner a few nights later, to the horror of her ex-husband, Richard (Charles Berling), her best friend and business partner, Anne (Anne Consigny), and Anne’s husband, Robert (Christian Berkel).

At work, we glimpse her dynamic with her young, mostly male employees, including one surly game designer who’s always clashing with her, and the nerdy one with a crush on her. Her daily routine also brings her into contact with the young stud hired for sex by her aging mother (Judith Magre), and the friendly young couple next door (Laurent Lafitte and Virginie Efira). As Michele stocks up on pepper spray and weaponry, it’s clear that she (and Verhoeven) are lining up potential suspects.

But Elle is far from the typical revenge melodrama. There are complications, beginning with the horrifically violent games on which Michele’s empire depends. (We see one early in the movie, in which a giant, many-tentacled monster brutalizes a human female.) Michele, herself, has a matter-of-fact approach to consensual sex. And a dark incident from Michele’s childhood gradually comes into play, involving her long-estranged father, for which she might be seeking absolution.

None of these factors (or all of them) may have anything to do with the crime done to Michele, but it sets up the context in which the psychological game of cat-and-mice plays out. Although not quite as innovative as the original Girl With the Dragon Tattoo films, Elle echoes a similar view of damaged men acting out. As different as their personalities are, Richard and Robert are interchangeably ineffectual. Hapless Vincent is henpecked by his domineering girlfriend. Threatening texts and obscene digital images ramp up the stakes.

But there’s also a lot of wry, unexpected humor, with witty dialogue and droll observations. When Richard, who writes middling literary fiction, tries to pitch a scenario for Michele’s game company, she explains that her customers are the wrong demographic. “The demographic oblivious to quality,” he mutters.

Huppert has gotten a lot of buzz for her performance (and has already won a Golden Globe). One thing is the sheer stamina required: she’s onscreen in practically every frame, in a part far more rich and complex than most actresses ever get, especially over age 50. But Huppert never chews the scenery. In a part that’s decidedly not warm and cuddly, in an often disturbing film, it’s her subtlety, craft, presence, and her ability to surprise us—along with her almost supernatural cool—that keeps the viewer riveted.


ELLE

(***)

With Isabelle Huppert. Written by David Birke. Directed by Paul Verhoeven. A Sony Classics release. Rated R. 130 minutes. In French with English subtitles.

Chef Mazi on How To Cook Mushrooms

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The Santa Cruz Mountains are flush with wild fungi, if you know where to look. And if you don’t, locally foraged mushrooms are also plentiful this time of year at natural food stores and farmers markets. Slowly simmered in a stew, coated in cream and twirled around your fork in a pasta dish or piled on top of homemade ramen, they are an earthy, satisfying component to almost any winter dish.

But how can a home cook be sure they’re doing right by these delicate forest blossoms? Texture is hugely impactful to the flavor, and seemingly easy to get wrong. I’ve seen many friends swear they detested mushrooms, only to pull a 180 when they were prepared by a skilled chef. With so many varieties available to locals, how should we be cooking them, and what are we doing wrong?

Chef Zachary Mazi of Ulterior is a foraging veteran and an authority on preparing wild fungi. He is currently working on a book on the art and science of cooking mushrooms, which will explore the nuances of different edible varieties. He advises, first, to not wash mushrooms until you’re ready to use them. Doing so degrades enzymes found in mushrooms, and they’ll begin to break down.

He also suggests cooking mushrooms on low heat. “The same enzymes that break these mushrooms down when washed also convert some of the molecules in the mushroom into the flavors we love. This is why drying them intensifies the flavor,” explains Mazi. “For that same reason, when cooking fresh mushrooms, the flavor will be intensified by slow and low heat first, as high heat denatures the enzymes.”

For particularly delicate varieties, like Black Trumpets (Craterellus cornucopioides), Mazi recommends drying them dirty, at which point they become more durable and can be rinsed in cold water and rehydrated in boiling water. Be sure to reserve the hydration liquor for sauces and soups!

He also recommends drying the delightful maple-flavored Candy Cap mushroom (Lactarius rubidus), which intensifies their sweetness. One can then makes an alcohol extract in rum or brandy to be used for baking, making simple syrups, and as a substitute for vanilla extract.

Cab Franc from Burrell School Vineyards

I was driving home from Anne Moulton’s memorial in Campbell and stopped at the Summit Store in Los Gatos to buy a bottle of Burrell School wine. Anne, who founded Burrell School Vineyards with her husband Dave Moulton, passed away recently and I wanted to pay a tribute to her by writing about their wine.

Curtis Cooke, the wine, spirits and craft-beer buyer at the Summit Store, helped me choose a bottle. It turned out he had also been to Anne’s memorial.  

Burrell School makes an excellent Cabernet Franc and their Estate Pichon Vineyard 2012 Cab Franc is no exception. It sells at the Summit Store for about $28–affordably priced for such a luscious wine. Dave Moulton says this is the eighth Cabernet Franc made from their Pichon Vineyard, located on the slopes of Mount Umunhum near Lexington Reservoir. It’s a “sleek, spicy wine,” as Moulton calls it, with red berry and cherry flavors. It pairs well with chicken, roast pork, pasta, meatballs in tomato sauce, and a variety of cheeses.

Burrell School’s tasting room will be open Saturday for the quarterly Passport event (see below), a golden opportunity to try their excellent wines.

All Moulton’s wines have a school theme in their names—in honor of the historic 1890 school house where he handcrafts distinctive wines—and this Cabernet Franc is called Extra Credit.

Burrell School Vineyards, 24060 Summit Road, Los Gatos, 408-353-6290, burrellschool.com.


Passport Wine Tasting

The first Passport event of 2017 is from noon to 5 p.m. on Saturday, Jan. 21. The purchase of a Passport allows you a complimentary tasting at participating wineries. Visit scmwa.com for more info.


Hunter Hill Vineyards & Winery Still For Sale

The beautiful estate of Hunter Hill is up for sale for $2.3 million. On the books for some time now, the price includes the house, swimming pool, tasting room, vineyards, and all the wine-making equipment. Visit hunterhillwines.com to see the listing.

Best Live Music in Santa Cruz This Week

best live music in santa cruz - Switchfoot
Music highlights for the week of January 18, 2017

Be Our Guest: Tommy Igoe Groove Conspiracy

Tommy Igoe
Win tickets to Tommy Igoe on Monday, Jan. 30 at Kuumbwa Jazz

Love Your Local Band: Tsunami

Santa Cruz band Tsunami
Tsunami plays Friday, Jan. 20 at Don Quixote’s

Why D-League Players Make Less than $30K

d-league players make less - Santa Cruz Warriors
Some are calling for changes to the D-League, although there isn’t a clear path ahead

MAH Collects Spoons for Sculpture

MAH spoon sculpture
Why the Museum of Art and History is asking for cutlery

Laughter Yoga Evaporates Stress

laughter yoga santa cruz
Laughter Yoga grows in popularity, as both a powerful stress antidote and exercise

Film Review: ‘Elle’

Elle film review
Controversial director Paul Verhoeven returns with intense and disturbing ‘Elle’

Chef Mazi on How To Cook Mushrooms

Chef Zachary Mazi, How to Cook Mushrooms
Mushrooms are plentiful this time of year, but are you cooking them correctly?

Cab Franc from Burrell School Vineyards

Burrell School Vineyard
Estate Pichon Vineyard 2012 Cabernet Franc from Burrell School Vineyards is sleek and luscious
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