Housing Authority’s New Tools For Struggling Renters

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After years on the waitlist for a Section 8 voucher, a low-income renter might sigh with relief when he or she finally secures what seems like a winning ticket to an affordable place to live. But about half the time, that voucher runs out before he or she can find a home that will accept them, says Jenny Panetta, the Housing Authority of Santa Cruz Countyโ€™s executive director.

โ€œItโ€™s really hard to find housing, but if you are homeless and you have a voucher, itโ€™s so much harder,โ€ Panetta told a small crowd gathered at the Homeless Services Center for a discussion sponsored by Smart Solutions to Homelessness.

Midway through Affordable Housing Week, Panetta outlined plans to help people get housing with their new vouchers, as well as the local challenges for Section 8 that lie ahead.

Robyn McKeen, project manager for Smart Path, detailed plans to help the homeless navigate a network of services. Local housing philanthropist Sibley Simon explained his plan to build a 100-unit complex within the footprint of Homeless Services Center.

Panettaโ€”no relation to Congressmember Jimmyโ€”says many of the new Section 8 holders that are just now getting their vouchers have been waiting in line since 2008.

There are 4,500 households using vouchers, she says, and 400 more are currently looking for a place with a new voucher. Those voucher holders get turned away by one landlord after another, in spite of a team of volunteers and staffers working on their behalf to build relationships with landlords.

Panetta says the Housing Authorityโ€™s been working on solutions, including with a new program via the All-In Landlord Partnership called Spruce Up that brings in volunteers to fix up a unit if the landlord agrees to rent to Section 8 tenants in return.

The Housing Authority has also been running a 20-household pilot program that Panetta plans to expand in the new year. Although she and her team are still ironing out the details, the new effort, dubbed the Landlord Incentive Program, operates rather like a guardian co-signing for any other new tenant. The program, with support from the countyโ€™s local governments, guarantees up to $2,500 for a new Section 8 tenant to a landlord for costs that include damage and missing rent.

โ€œWe spend a lot of time convincing landlords that our tenants are as good as free-market tenants,โ€ she says. โ€œNow theyโ€™re better. Ours come with a guarantee. What other tenants come with a guarantee?โ€

Panetta says that in the past there were occasional challenges with Section 8 tenants, but those have since been remedied by better supporting renters and improving dialogue with landlords, she says.

Even before the incentive programโ€™s official 2018 launch, the Housing Authority will be dealing with a surprising twist from U.S. government: against all evidence, the Department of Housing and Urban Development lowered its estimation of fair market rents for Santa Cruz County by a few percentage points, even as a housing crisis ravages through the county. That change reduces the value of each housing voucher. Panetta says the Housing Authority has started crunching the numbers and will appeal the decision by December, hoping to hear back within a few months, adding that sheโ€™ll have more information in the next year.

Each Section 8 voucher pays the established fair market rent to a landlordโ€”not necessarily the listed price for a given unit. The tenant pays 30 percent of their income toward the rent. The voucher covers the rest.

Simon, executive director of New Way Homes, has gotten to know the Section 8 landscape well through 180/2020, a project he helped start to end chronic homelessness. If Section 8 holders keep getting the doors slammed in their faces, he hopes his plans for an apartment complex to prioritize those in need will meet pent-up demand.

โ€œIf Jenny canโ€™t get landlords to accept vouchers for housing,โ€ he says, โ€œIโ€™m going to build the housing.โ€

 

Opinion November 1, 2017

EDITOR’S NOTE

As this issue goes to press, itโ€™s Halloween. When itโ€™s finished, and after I take my kid trick or treating tonight, I plan to watch John Carpenterโ€™s Halloween. Itโ€™s something I do every year; in fact, itโ€™s the only movie that I watch every year, without failโ€”and always around this time, of course. To me, thereโ€™s something about it that embodies not just the eponymous holiday, but also autumn, my favorite season, itself. It might sound ironic, considering itโ€™s a horror movie full of shocks and suspense, but Halloweenโ€”with its famous, ominous tagline declaring โ€œThe Night HE came home!โ€โ€”makes me feel at home.

And itโ€™s not even my favorite of Carpenterโ€™s films. (Thatโ€™s They Live.) I grew up watching them, and he was always one of the horror directors I was most interested in as a film fan and a writer. Considering the bizarre hostility he took from critics over the years for films that would eventually go on to be considered classics (including Halloween!), I always suspected he must be kind of a bitter guy. As youโ€™ll read in my cover story this week, nothing could be further from the truth. He, in fact, considers himself the luckiest guy on the planet. His roll-with-the-punches attitude toward his wild career is what made my interview with him most fascinating to me, but he was also just very, very funny. Heโ€™s coming to Santa Cruz on Sunday for a performance of his movie music at the Catalyst, and two of his best films will be shown at part of the Midnights at the Del Mar series on Friday and Saturday.

I also wanted to mention that I will be in conversation with Jason Segel on Friday, Nov. 3 at the Veterans Memorial Building in Santa Cruz. Most people know Segel as an actor in films like Forgetting Sarah Marshall and TV series like Freaks and Geeks and How I Met Your Mother. But heโ€™s also built quite a career as a writer, and has just released his first YA novel, Otherworld, a trippy, Black Mirror-type trilogy-starter that he co-wrote with Kirsten Miller. Weโ€™ll be talking about his new book, his films and the general state of Jason Segel-ness. Tickets are almost sold-out, so get them quick; more info at bookshopsantacruz.com!

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Seeing Green? No,ย Seeing Red

Reporter Mat Weir points out that there has been โ€œa surprising lack of controversyโ€ over the Countyโ€™s Cannabis Draft EIR (GT, 9/27). I submit that the document itself is so formidable (636 pages) that most folks wonโ€™t read it unless they have a stinky grow or explosive hash oil lab next door. The legislation is so onerous to growers that I doubt most will clear licensing hurdles. As cited in your article, only 25 out of roughly 760 registered cannabis growers so far have paid the $2,500 application fee. (And thatโ€™s just the folks who dared to walk out of the shadows.)

The crux of the issue is enforcement. ย Nowhere in the humongous document is the fact that the county intends to enforce whatever law it decides upon. (It doesnโ€™t want to get sued?) Under Section MM AT-1.3b, page 6-3, you will note the term โ€œmitigationโ€ for the licensed growers and โ€œmonitoringโ€ for unlicensed growers with annual reports to supervisors. Once the annual reports are presented (a two-year process at best?), maybe a budget for โ€œenforcementโ€ will be considered. โ€œMitigationโ€ and โ€œmonitoringโ€ are not the same as enforcement. The lack of enforcement from the beginning is unconscionable.

Currently, enforcement against illegal growers depends upon private parties who must report the perpetrator to the Planning Department. We are told by government reps โ€œno one will find out who reportedโ€”it would take a lot of money and time to do that.โ€ ย Hello? The illegals have enough cash to pay their lawyers for their time. Therefore, the illegals go unreported because the reporter fears reprisal to body or property or both. The system is broken.

Voilร ! The county gets money and oversight jobs without fear of litigation. The legal (licensed) growers get to sell their goods in the county stores. The illegal (unlicensed, unmitigated) growers get a perpetual slap on the collective hand and continue sales on the lucrative black market. The rest of us tax-paying, non-growing, non-using citizens get nothing but the status quo: fear of fire in the hills; fear of poisonous environmental degradation; fear of doped-up drivers running us off our โ€œprivateโ€ roads, for which the โ€œbad dudesโ€ do not pay their road assessments, but transport all of their supplies, goods, and workers.

It appears that the cannabis industry has done a terrific job, with its well-oiled and monied PR machine, of keeping the lid on any news which has a whiff of negativity. ย (Witness the Cannifornian hosted on the Sentinelโ€™s website and advertised as a โ€œproductโ€ of the Bay Area News Group and other digital outlets who have visions of golden geese dancing in their heads. And, of course, the โ€œwarm and fuzzyโ€ ads hosted by Good Times.) ย There is no controversy because there is no light on the subject.

Mary Comfort

Aptos

Online Comments

Re: Business Closures

Great article Jake! When all that is left is chain stores and chain restaurants, Santa Cruz will be just like any other town. โ€œNothing to see here folks โ€ฆ same stores, same restaurants, different town.โ€ E-commerce doesnโ€™t appeal to all of us, and there is no personality in a computer screen. Virtual dining out, anybody? A resident of Santa Cruz County for more than 25 years, I finally decided that my paycheck was more valuable to me if I could save some of it, or better afford gas and foodโ€“instead of giving it all to a landlord. Certainly the problem is complex. But a big piece of the puzzle is a lack of housing inventory. People who buy homes with cash with no intention of living in them, and the vacation homeowners who usurp local housing inventory contribute to the crisis. Maybe after theyโ€™ve bought everything out from under whatโ€™s left of the middle class, theyโ€™ll wonder where all the nice restaurants and wait staffs went, or why there is a teacher shortage. And it isnโ€™t just service people and minimum-wage workers being affected or forced out. Even doctors canโ€™t afford to live here. Or if they can, they choose not to because of the extremely high cost of living. This is not a โ€œtip of the icebergโ€ warning. There is a hole in the hull of our community.

โ€” Brooks


PHOTO CONTEST WINNER

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GOOD IDEA

PLANE TO SEE
Veterans Day comes early this year with a free screening of Honor Flight, a documentary chronicling an effort to fly thousands of World War II veterans out to Washington D.C. to see a monument built in their honor. Hospice of Santa Cruz County is sponsoring the 7 p.m. showing on Wednesday, Nov. 8, at the Del Mar. Local veteran James Peterson is in the film. Tickets are required for the free event, and can be reserved at hospicesantacruz.org.


GOOD WORK

GIFT OF GIVING
The holiday gift shop at Ben Lomondโ€™s Valley Churches United Missions (VCUM) opens for the season on Wednesday, Nov. 1. The shop is open every dayโ€”on weekends from 11 a.m. to 4 p.m., and weekdays from 10 to 5โ€”until Christmas Eve, when it closes at noon. The winter wonderland display has brand new toys, jewelry, accessories, home goods and ornaments. All proceeds directly benefit the VCUM programs for those in need. For more information, call 336-8258.


QUOTE OF THE WEEK

โ€œGet a new president!โ€

-Kurt Russell as Snake Plissken, โ€˜Escape from New Yorkโ€™

Whatโ€™s your favorite band that nobodyโ€™s heard of?

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“Giant Panda Guerilla Dub Squad. I grew up watching them in upstate New York. ”

Elijah Cooper

Santa Cruz
Recreation Therapist

“Big Lazy. Theyโ€™re an instrumental guitar trio from New York. Kind of spaghetti-surf, a really great sound.”

David Pierce

Zayante
Bon Vivant

“Ibibo Sound Machine. I saw them live, and they are funky, innovative and great to dance to.”

Caylie Soon

Santa Cruz
Explorer

“Goober and the Peas. They are a cowboy punk rock band and theyโ€™re awesome.”

Jessica Strahm

Happy Valley
Happiest Person On Earth

“Human Furniture Company. Theyโ€™re from Santa Cruz and they play hard hitting rock โ€™nโ€™ roll. If you ever have a sanding project, they are the best band to listen to.”

Jenna Oโ€™Connell

Santa Cruz
Entrepreneur

5 Things to Do in Santa Cruz Nov 1-7

Event highlights for the week of November 1, 2017.

Art Seen

12×12 Show

popouts1744-art-seen12 inches by 12 inches isnโ€™t a large size for a canvas, but youโ€™ll be surprised what artists can do within this simple square. Cabrilloโ€™s 12×12 exhibit and fundraiser is back again, featuring work that is no larger or smaller than 12×12. The show is open to any and all California artists, so there is sure to be a wide variety of work from across the state. Make sure to cast your vote for your favorite piecesโ€”three will win the popular vote awards.

INFO: Opening reception 4:30 p.m. Sunday, Nov. 5. Show runs Monday, Nov. 6-Friday, Dec. 8. Cabrillo Art Gallery, 6500 Soquel Drive, Aptos. cabrillo.edu. Free.

 

Green Fix

โ€˜The Cat That Changed Americaโ€™

popouts1744-greenfixLast year more than 100 mountain lions were hit by cars, and as urban sprawl increases, so does the need for safer passages connecting wildlife habitats. The new documentary The Cat That Changed America follows mountain lion P22โ€™s journey across Los Angelesโ€™s busiest freeways in search of a habitat. He now lives in Los Angelesโ€™ Griffith Park, unable to safely roam, secluded from the rest of his species, and with little hope of finding a mate. The film focuses on the detrimental impacts of urbanization on mountain lions and other native species, and how the spread of rodenticides harms the environment and wildlife.

INFO: 7 p.m. Saturday, Nov. 4. Rio Theatre, 1205 Soquel Ave., Santa Cruz. nativeanimalrescue.org. $15. Proceeds benefit Native Animal Rescue. Photo by Miguel Ordenana.

 

Saturday 11/4

Voices of Muslim Identity

popouts1744-muslimidentityItโ€™s no secret that the nation and world are in dire need of more open communication, education and understanding of Islamic culture and identity. Join the Resource Center for Nonviolence and Santa Cruzโ€™s Muslim Solidarity group for a night showcasing Arabic art, music and food, in an effort to build more understanding and compassion for the Muslim culture and experiences. Local band Caravan El Noor (pictured) will be performing and there will be a Muslim American community member panel and Q&A to follow.

INFO: 6:45-9 p.m. Resource Center for Nonviolence, 612 Ocean St., Santa Cruz. rcnv.org. Free, donations kindly requested.

 

Thursday 11/2 and Sunday 11/5

Celebrating Women Composers of the Past

popouts1744-Women-ComposersWhat do Bach, Mozart and Beethoven all have in common? Yes, they are famous composers, and they are also all men. Female composers are often overlooked, underrepresented and go uncelebrated. Clara Schumann, Amy Beach, and Germaine Tailleferre are some of the more prominent female names in classical music, but chances are you havenโ€™t heard much about them. Now is your chance toโ€”itโ€™s never too late to celebrate and support women composers and performers, past or present.

INFO: 7:30 p.m. Thursday, Nov. 2. Peace United Church, 900 High St., Santa Cruz. 3:00 p.m. Sunday, Nov. 5 Christ Lutheran Church, 10707 Soquel Drive, Aptos. Tickets available at the door. Adults $25, children and students $10.

 

Saturday 11/4

โ€˜Dรญa de los Muertosโ€™ Community Festival

Join the Museum of Art and History in celebrating the Day of the Dead, Dรญa de los Muertos, the Mexican holiday remembering and respecting those who have died. Closely followed by All Saintsโ€™ and All Soulsโ€™ Day, Dรญa de Los Muertos is traditionally celebrated by dedicating altars or ofrendas to loved ones, and decorating them with marigolds and calaveras (sugar skulls). The celebration features live music, face painting, dance performances and an altar contest. The event begins on Cooper Street and in Abbott Square and will continue through downtown Santa Cruz to the Evergreen Cemetery. Feel free to join in and follow the procession at the start, or meet them along the way.

INFO: 12:30-6 p.m. Begins at 118 Cooper St., Santa Cruz. santacruzmah.org. Free.

 

Black Market Cannabis: How Hard Should Officers Crack Down?

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When Southern California Congressmember Ted Lieu (D-Torrance) introduced an amendment earlier this year to slash funds to the Drug Enforcement Administration (DEA) devoted to cannabis eradication, he had Colorado in mind more than California.

Lieu, a frequent and outspoken critic of President Donald Trump, offered his budget amendment to address โ€œa pretty idiotic scenarioโ€ in Colorado, says Lieuโ€™s chief of staff, Marc Cevasco.

โ€œYou have taxpayers who are paying to fund two sides of a battle over marijuana,โ€ says Cevasco. The legalization-leader state of Colorado is angling to reap a pot-tax bonanza even as the federal government has set out to kill the very plant that would contribute to state tax coffers.

Trump, Cevasco says, has ceded the question of a cannabis crackdown to Attorney General Jeff Sessions, adding that Sessions โ€œhas been kind of militant about it. And it seems like itโ€™s getting worse and not better.โ€

The enforcement-agencies-at-odds dynamic plays out in California, too, highlighting an irony in the post-Proposition 64 era of a state where pot politics and eradication priorities are decidedly in flux. Some counties in California have continued to accept DEA eradication monies, but now that same cash is helping support the California push toward legalizationโ€”even as the DEA is committed to holding up a federal ban on medical and recreational cannabis.

Prop 64 legalized recreational use of cannabis in California last November, and itโ€™s gearing up for full implementation in the new year with a newly regulated marketplace.

But in order for that regulated market to thrive, law enforcement will need to eradicateโ€”or at least substantially trim backโ€”black market cannabis. And generally speaking, the price of legal cannabis canโ€™t be higher than that on the black market, for the simple reason that people will buy cheaper weed where they can.

Although Santa Cruz County has not been taking federal anti-cannabis money or working with the feds on eradication, many other California counties do.

Recently, the DEA was a lead agency in a series of Sacramento raids that yielded 7,500 illegal plants, plus some weapons, as reported by the Sacramento Bee. And officials from a variety of federal agencies helped with major busts over the summer in the counties of Mendocino, Lassen and Calaveras. Additionally, the Santa Clara County Sheriffโ€™s Office receives cannabis eradication funds from the DEA and, until recent years, the Sonoma County Sheriffโ€™s Office did too.

So this all begs the question: Is the DEAโ€™s presence in California actually helping the state clear out its illegal grows to make way for legalization?

โ€œItโ€™s a fair point, an interesting development,โ€ says Cevasco, with a laugh. โ€œIn an ideal scenario, weโ€™d all be rowing in the same direction. If the DEA is actually assisting the state of California to set up a legal marketplace, [Lieu] would approve of that. In a weird, ironic way, this is kind of divine justice.โ€

Lieuโ€™s amendment sought to extract $16 million in cannabis eradication funds, says Cevasco, out of a Department of Justice (DOJ) budget that comes in at around $300 million annually.

While Lieuโ€™s effort was essentially a symbolic exercise in futilityโ€”given the DOJโ€™s discretion in how it spends its budgetโ€”a similar amendment from him passed the House in 2015 with backing from liberal Democrats and right-leaning, self-identified โ€œstrict constitutionalistsโ€ and even support from Paul Ryan, (R-Wisconsin). Itโ€™s โ€œa strange alliance,โ€ Cevasco says, that has yielded some nonbinding victories for pro-cannabis constituents.

Cevasco says that in the best available light, the effort may build some momentum for next yearโ€™s budget fightโ€”which will take place after California has launched full-throttle into legal cannabis.

Locally, Sgt. Chris Clark says deputies from the Santa Cruz County Sheriffโ€™s Office are keeping in step with a larger statewide trend of cannabis enforcement, and it will take a balanced approach, he says, for โ€œthe legalization of marijuana to function properly.โ€

State lawmakers, such as Senator Mike McGuire (D-Healdsburg), whoโ€™s supported the thrust of Prop 64, have pushed for an end to illegal grows. McGuire has many such grows in his Northern California district, which includes the so-called โ€œEmerald Triangleโ€ of Mendocino, Humboldt and Trinity counties. The illicit grows pop up on occasion along the banks of creeks that support endangered species, most notably coho and steelhead salmon.

Santa Cruz County is knee-deep in similar environmental issues, with an environmental impact report (EIR) on cannabis cultivation currently underway. Cannabis advocates say that if the countyโ€™s Board of Supervisors doesnโ€™t take the right approach, overly cumbersome regulations will send growers into the same black market that sheriffโ€™s deputies have been trying to uproot. Comments on the draft EIR were due last month. A more permissive regulatory option outlined in the document would allow for grows in areas like Bonny Doon near the coast, where they might otherwise be prohibited.

With 2018 quickly approaching, the marketplace has begun taking shape. The Board of Supervisors began paving the way for legal cannabis sales last week, when it became one of the only counties in California to approve draft regulations letting county dispensaries sell recreational herb in the new year.

But no matter how thoughtful the new rules, there will likely still be those who will skirt the law to avoid getting into the regulatory weeds. For better or for worse, cannabis attorney Trevor Luxon says, some growers will decide that they donโ€™t have the means to create a legal business, and try to do things their own way instead.

โ€œThere are thousands of people in the Santa Cruz Mountains that have relied on cannabis for income for yearsโ€”their entire lives, in some casesโ€”and thatโ€™s not going to go away,โ€ Luxon says. โ€œA lot of them are not in the position to jump into the legal marijuana market, because itโ€™s going to cost a lot to set up a legal marijuana business.โ€

Additional reporting by Georgia Johnson.

 

Music Picks Nov 1-7

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Our picks for the best live music in Santa Cruz County November 1-7, 2017.

WEDNESDAY 11/1

AFRICAN

HABIB KOITร‰

Malian guitarist Habib Koitรฉ never formally learned how to sing or play guitar as a child. As he tells it, he just watched his parents play and sing, and it โ€œwashed offโ€ on him. Eventually, he studied music at the National Institute of Arts in Bamako, Mali, where he graduated at the top of his class. Koitรฉ has since grown into one of Africaโ€™s most popular and recognized musicians, and a presence on the international music stage. His style blends the popular danssa rhythm from his native city of Keyes with Malian traditions and the global influences of his travels and collaborations. โ€œUsually, Malian musicians play only their own ethnic music,โ€ he has said, โ€œbut me, I go everywhere. My job is to take all these traditions and to make something with them, to use them in my music.โ€ CJ

INFO: 7 & 9 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

FRIDAY 11/3

R&B

JACOB BANKS

โ€œChain smoking your love/Canโ€™t be good for my sanity/Canโ€™t be good for my lungs.โ€ If thatโ€™s not a brilliant metaphor for what it feels like to be in an unhealthy relationship, I donโ€™t know what is. It also touches on the insightful but simple lyrical style that British singer Jacob Banks spins into his song with a diverse blend of roots rock, soul, pop and just a hint of hip-hop. The songs are dark, moody, and downright dramatic at times, but Banksโ€™ guttural and passionate voice holds them together like a rolling paper holds in tobacco. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $15/adv, $18/door. 429-4135.

FRIDAY 11/3

ROCK

RICK DERRINGER

In 1956, a nine-year-old Rick Derringer received his first guitar. By 17, Derringer had recorded โ€œHang On Sloopyโ€ with the McCoys, knocking the Beatlesโ€™ โ€œYesterdayโ€ out of the No. 1 spot on the charts. Derringer would then join Johnny Winter to form Johnny Winter And, recording on and/or producing all of Johnny and Edgar Winterโ€™s platinum and gold records. Did we mention he also recorded the classic jammer, โ€œRock and Roll Hoochie Koo,โ€ co-wrote Hulk Hoganโ€™s โ€œReal Americanโ€ theme song, used to hang out with Andy Warhol and produced โ€œWeirdโ€ Al Yankovicโ€™s first album? Now thatโ€™s rock โ€™nโ€™ roll! MAT WEIR

INFO: 8 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $30/adv, $35/door. 479-1854.

SATURDAY 11/4

SOUL

BERNHOFT

Reggie Watts wowed the world with his incredible one-man-band looping powers years ago. But now, looping is commonplace, and songs that employ the technology have to deliver beyond the gee-whiz factor. Norwegian soul singer Jarle Bernhoft, who performs under the moniker Bernhoft, has toured relentlessly with his pedals and feel-good songs for a while. He experiments, but thereโ€™s always a groove, and he frequently jumps into a falsetto voice that can go up against any โ€™70s AM radio singer. AC

INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $18/adv, $22/door. 479-1854.

SUNDAY 11/5

FOLK/ROOTS

JOLIE HOLLAND AND SAMANTHA PARTON

The Be Good Tanyas is one of the most underappreciated roots acts of our time. Formed by Frazey Ford, Trish Klein, Samantha Parton and Jolie Holland in Vancouver, B.C. in 1999, the group has quietly released a string of enduring tunes like โ€œThe Littlest Birdsโ€ that capture the heart of the folk tradition and the working-person vibe of the outfitโ€™s Vancouver roots. On Sunday, Parton and Holland, who has become one of the most well-known and versatile roots artists around, showcase their current collaborative efforts, including a new album, Wildflower Blues, featuring originals and covers of tunes by Bob Dylan, Townes Van Zandt and more. CJ

INFO: 8 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $16. 335-2800.

MONDAY 11/6

BENNY GREEN TRIO

On his website, pianist Benny Green declares that โ€œjazz is my life,โ€ but it would be just as true to say that Green is the life of jazz. A joyously swinging player with a deep feel for the blues, Green embodies the hard bop ethos of grit, grease and grace. He hits Santa Cruz at the end of an SFJazz residency with a prodigious trio featuring monster bassist Dezron Douglas, a protรฉgรฉ of alto sax legend Jackie McLean, and drummer Kenny Washington (not to be confused with the great Bay Area vocalist of the same name). Washington has contributed to several hundred albums, and is particularly associated with piano masters such as Tommy Flanagan, Cedar Walton, Walter Bishop Jr., and most prolifically Bill Charlap. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

MONDAY 11/6

ALT-COUNTRY

NOVEL IDEAS

Of the five players that comprise Bostonโ€™s Novel Ideas, three of them contribute to the songwriting. If I were to guess, Iโ€™d say they were Emmylou Harris, Jackson Browne and James Taylor. OK, not really. The group is comprised of childhood friends from Boston, all relatively new to the music scene, but damn if they donโ€™t channel those great โ€™70s country-folk singer-songwriters. The songs are melancholy, gorgeous, and punctuated by absolutely lush harmonies. The latest record, which is self-titled, isnโ€™t a big departure for the band, but theyโ€™ve really honed whatโ€™s good about their folksy formula. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

TUESDAY 11/7

ROCK

HARD WORKING AMERICANS

In 2013, the supergroup Hard Working Americans made a big splash in the roots-rock music world. Comprising singer-songwriter Todd Snider, Dave Schools from Widespread Panic on bass, Neal Casal of Chris Robinson Brotherhood on guitar and vocals, Chad Staehly of Great American Taxi on keyboards and Duane Trucksโ€”younger brother of Derekโ€”from Widespread Panic on drums, the band covered other artistsโ€™ tunes on its self-titled debut. But on the 2016 follow-up, Rest in Chaos, the band flexed its own songwriting chops, dropping an album that featured all originals, plus one cover: the late Guy Clarkโ€™s โ€œThe High Price of Inspiration.โ€ CJ

INFO: 8:30 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $31.90. 423-8209.


IN THE QUEUE

STEEL WHEELS

String band out of Virginiaโ€™s Blue Ridge Mountains. Wednesday at Don Quixoteโ€™s

DANIEL CAESAR

Canadian soul and R&B singer-songwriter. Saturday at Catalyst

SAN GERONIMO

Rock and psych outfit from Marin. Saturday at Crepe Place

WAKE THE DEAD

Celtic music-infused โ€œSummer of Love party band.โ€ Saturday at Don Quixoteโ€™s

SELWYN BIRCHWOOD BAND

Tampa, Florida-based blues guitar sensation. Sunday at Moeโ€™s Alley

Giveaway: Renรฉ Marie

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Jazz vocalist Renรฉ Marie is a world-class singer in the style of her heroes, Ella Fitzgerald and Dinah Washington. But Marieโ€™s craft doesnโ€™t begin and end with jazz. She stretches across genre divides and pulls from folk, classical, blues, country, pop and more to create a vivid musical tapestry. Marieโ€™s latest offering, the Grammy-nominated 2016 Sound of Red, features all-original material and sees the artistโ€™s compositional and songwriting skills on display. The album adds a new dimension to Marieโ€™s already-impressive resume and further establishes her as one of the great contemporary jazz vocalists.


INFO: 7 p.m. Monday, Nov. 13. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Tuesday, Nov. 7, to find out how you could win a pair of tickets to the show.

Love Your Local Band: 7 Come 11

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When Gianni Staiano got his clavinet back just a week before his group 7 Come 11 recorded their new EP, it was newly equipped with a whammy bar. The clavinet looks like a keyboard, but it has guitar strings under the keys. Stevie Wonder made it famous on his โ€™70s records. The whammy bar bends notes and makes everything sound awesome.

โ€œIt completely changed the direction of the record. Totally different idea than when we went in. We ended up raging, rocking out just for fun. Itโ€™s always nice when that happens,โ€ Staiano says.

This new EP, Universe Out Of Time, is an aggressive rager. Staiano also plays the organ and a moog, and runs them through effects pedals. The clavinetโ€™s whammy, though hugely influential of the new recordโ€™s sound, wasnโ€™t the only reason the songs came out harder-edged, particularly when compared to 2016โ€™s dance party record Light It Up.

โ€œThose were the Obama years. It was still pretty good back then. Weโ€™re always going for the dance vibe, but things werenโ€™t quite so fucked,โ€ Staiano says.

The groupโ€™s songs like โ€œNobody Winsโ€ do address the divisiveness of the current political climate. โ€œThe only way forward is if we can all get along. We got to heal the wounds, and heal the divide. We got to come together,โ€ Staiano says.


INFO: 9 p.m. Tuesday, Nov. 7. Crepe Place, 1134 Soquel Ave., Santa Cruz. $6. 429-6994.

Film Review: โ€˜The Florida Projectโ€™

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Itโ€™s interesting that the new movie by up-and-coming indie darling Sean Baker is called The Florida Project. In showbiz lingo, productions are often referred to as โ€œThe (So-and-So) Projectโ€ in place of an actual title, to indicate their status as a work-in-progress, not yet completed. This pretty much sums up Bakerโ€™s movie. Itโ€™s a great idea for a story thatโ€™s been plucked too soon and put up on screen before the details in the script had a chance to ripen.

Baker is making a name for himself with his offbeat experiments in guerrilla filmmaking. (His last feature film, Tangerine, was shot entirely on cell phones.) The idea here is full of promise: a view of life as lived on the outer margins of society in the most ironic location possibleโ€”a cheap motel in the shadow of Disney World in Orlando, Florida. Baker presents a plucky band of underclass kids making up their own adventures just outside one of the most celebrated, commercial Meccas ever created for children. But as desperately as Baker wants to say something profound and insightful about the lives he depicts, the movie doesnโ€™t quite live up to its own ambitions.

Co-scripted by Baker and longtime collaborator Chris Bergoch, the movieโ€™s central location is a garish purple stucco motel called the Magic Castle. Tourists occasionally book a room as an alternative to the pricey accommodations at the park itself, but most of its denizens are semi-permanent. Among these is six-year-old Moonie (Brooklynn Prince), who lives with her young, sporadically employed single mom Halley (Bria Vinaite), hardly more than a child herself, in the room they rent week-to-week.

Moonie is a wild child who rackets around the neighborhood with her pal Scooty (Christopher Rivera) and a couple of other kids, gleefully getting into trouble. They spit on parked cars from the balcony, throw the switch that cuts off power, and vandalize a tract of abandoned, candy-colored housesโ€”laughing all the way. That their destructive behavior is meant to signify spontaneous youthful joy in the midst of bleakness is the movieโ€™s first mistake; their antics are soon more obnoxious than charming.

Halley and Moonie are fiercely devoted to each other, despite Halleyโ€™s utter lack of parenting skills. That default role falls to motel manager Bobby (Willem Dafoe), whose crusty demeanor conceals his genuine concern for these at-risk kids, running around unsupervised all day. Bobby gives us someone to root for, chasing off a potential pervert from the kidsโ€™ play area, and making exasperated attempts to instill a sense of responsibility in footloose Halleyโ€”even as her attempts to earn and scam rent money become more dangerous.

Baker wants to make visible those struggling to survive at the deep end of the 99 percent, but he offers a chronicle of their day-to-day activities uncomplicated by any particular insight or resonance. The script feels mostly improvised; it sounds authentic, but lacks dramatic shape. And the plot tends to meander, with Baker repeating the same, or similar shots over and over again, or lingering over them forever, as if trying to make up in accumulated visual details what he lacks in storytelling chops.

Baker does capture the milieu of small, tourist-oriented mom-and-pop businesses all hoping a little overflow Disney magic will rub off on themโ€”motels called the Arabian Nights, or Futureland; a gift shop sporting a wizardโ€™s gigantic head, hands, and pointed hat; the orange-shaped juice stand called Orange World. But these things already exist in the streets, juxtaposed alongside Disney World, with no additional commentary provided by Baker.

Newcomers Vinaite (Baker found her on YouTube), Prince, and Valeria Cotto (as Moonieโ€™s new BFF) make their characters seem real enough, but not especially engaging. (Although Mela Murder makes a strong impression as Halleyโ€™s waitress friend and neighbor, Scootyโ€™s mom, who worries Moonie is becoming a bad influence.) Like Moonie and her pals, the movie desperately needs an authoritative voice to give it some direction.

 

THE FLORIDA PROJECT

**1/2 (out of ย four)

Willem Dafoe, Brooklynn Prince and Bria Vinaite. Written byย Sean Baker and Chris Bergoch. Directed by Sean Baker. An A24 release. Rated R. 115 minutes.

Donnelly Chocolateโ€™s Outrageously Delicious Frozen Treat

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Few frozen treats approach ice cream nirvana like the Donnelly Chocolate salted caramel ice cream bar. And while thereโ€™s never a wrong time to enjoy ice cream, the heat wave last week was definitely a good excuse.

Chocolatier Richard Donnelly has been offering his hand-crafted chocolates at his workshop on Mission Street since 1988, when he returned from cooking school in Paris. Deeply inspired by the fine chocolates he tasted while in France, he returned home determined to make the best chocolate he could. Since then, heโ€™s been named one of the Ten Best Chocolatiers in the World by National Geographic and recognized internationally for his impeccably textured French and Belgian chocolates with flavors like coffee, chipotle and saffron.

Step into the shop and Richard or his brother Henry, who joined the business in 2001, will likely offer you a sample while you place your order. Their best seller by far is the salted caramel chocolates. โ€œWeโ€™re as much caramel makers as we are chocolate makers,โ€ says Richard. โ€œWe make caramel every single day.โ€ Slowly perfecting his recipe over many years, the brothers insist on working in small batches to ensure freshness. The result is a divine, creamy, vanilla-scented caramel, perfectly accented by a few flakes of sea salt.

Fifteen or so years ago, the Donnelly brothers created their ice cream bar. Like a conspiracy plot of deliciousness, each layer is intriguing on its own and mind-blowing when you see how all the pieces come together. โ€œItโ€™s really hard not to eat one every single day,โ€ says Richard.

A creamy square of Marianneโ€™s Ice Cream vanilla ice cream makes up its core. Then, a layer of the beautiful caramel, which instead of seizing up when frozen remains magically gooey. The bar is then dipped in Donnellyโ€™s dreamy chocolate and finished with sea salt or sea salt and crushed almond.

The entire creation is transcendent. I felt like from the time I started eating it to the time the last precious drop had dripped down my hand, chocolate and caramel smeared on the corners of my mouth, I was a different person. A happier person, more confident in my life choices, certain that everything that had happened in my life, however turbulent, had led me to this moment, so I must be doing something right.

 

1509 Mission St., Santa Cruz. 458-4214.

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