Street Talk

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How are you celebrating Mother’s Day?

MARIAH with PAISLEY

We’re from Monterey, but this is our go-to. We like to shop and eat. Kianti’s is our traditional place, regardless of what time it is, that’s where we go.

Mariah Drain, 30, with Paisley, 10


WENDY

We come together and visit Santa Cruz. We go to the beach, to the coffee shop—a little of everything. We went to the antique show today for the first time.

Wendy Drain, 55


CHELSEA

Sleeping in! You sleep in and then you text, “I’m awake” and you get breakfast in bed, with flowers and a card, and coffee. Then we went to Davenport and sat on the beach and ate pastries, and then we took a bike ride, and then some quiet time, and then we took another bike ride. And now we’re doing a barbecue tonight.

Chelsea Schultz, 34, Sales


TRISH, right, with Gwen

I make it my daughter’s day, because without her I wouldn’t be a mother. We’re going to the movies, and she gets to choose the movie. She’s seen Sinners already and wants to see it with me, so this is my first time.

Trish Beckwith, 61, CPA, with Gwen, 21, Cook


ARIANNA

Sadly my first-born adult child passed away. I have his ashes with me today, and I’m having some quiet time. I had two sons, so I enjoy time with my living adult child. A tradition from my husband’s grampa is cooking breakfast outdoors—eggs and Portuguese linguiça sausage—and that’s part of our Mother’s Day tradition.

Arianna Bunting, 49, Jewelry Artist / Metal Detecting Treasure Hunter


TIA, right, with Thea

Coming to Santa Cruz. First we went to the ice cream place, then we went to the toy store, and then we ate, and now we’re going to the candy store.

Tia Fechter, 42, Psychometrician, with Thea, 8, Expert Slime Maker


Well-Composed Pride

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New Music Works’ final concert of the season, 50 Years of LGBTQ+ Pride in Santa Cruz, is special for several reasons. First, it’s part of a much bigger month-long celebration (visit santacruzpride.org for details). Second, it showcases a new work commissioned by Tom Ellison—Here to there, then to now—with music composed by Michael McGushin. The piece for choral ensemble came about through an alliance between Ellison’s poetic text and McGushin’s original music.

Good Times: When did your involvement with New Music Works begin?

Tom Ellison: Back in the mid ’90s my husband Larry and I ran into a small orchestra ensemble busking in Santa Cruz. They were quirky and interesting. Turns out it was Phil Collins (not the rock star with the same name) with some of the members of New Music Works ensemble. Knowing my love for contemporary music, Larry encouraged me to connect with Phil. I did, and joined the board in 1995.

Why is this gay pride anniversary personally significant?

TE: When I arrived in Santa Cruz in 1973, I still had one foot inside and one foot outside of the closet. That didn’t last for very long in Santa Cruz. Attending my first Pride in Santa Cruz was a significant milestone in my journey to self-acceptance.

The inspiration for my commission comes from my love for our arts community in Santa Cruz and my rich connection to our dynamic queer community. Two years ago, with the upcoming 50th Anniversary Pride in Santa Cruz, my thought was, how can I bring these two loves of my life closer together? Commissioning a work in celebration of this 50th anniversary was my first thought, and Mickey was the reason I thought this was possible.

Michael McGushin for A+E
MUSIC VOX Michael McGushin says the piece he’s writing tells him where to go. Photo: Contributed

How did you approach composing for Tom’s commission?

Michael McGushin: I started by looking at some of Lou Harrison’s poetry, and talking with Ellen Bass about her work, but somehow nothing seemed right. At some point, Tom sent me in an email something he had put together, sort of thinking about the occasion of the 50th anniversary of Santa Cruz Pride. Not because he wanted me to choose it, but I looked at it and it just fit.

Describe your process from words to music.

MM: I actually have a very long preliminary process where all I do is just read. I read the words out loud, over and over, think about the rhythms in the text, what the text is saying, what things I’ll want to sort of highlight. And so there is a long process before I ever put any music on paper, which is me just living with the poem and thinking the poem. Of course, musical ideas are also percolating.

As I read I start hearing some notes, maybe melodies, but it feels more like sonic architecture, and so in that process of reading, for example, Tom’s text, it has—this is going to be overly simplified—but it’s about emotion from outside in a place that doesn’t feel like home, toward Santa Cruz being a place that feels like home. And so that set a sort of architecture for the piece that is about a journey.

And once that insight occurred?

MM: It began slowly and starts picking up the pace the closer we get to the arrival at the home, so that was the big architecture. I felt like there was this whole thing about moving further and further west and then finding the place where you were going to land.

In this case it was text first before the music emerged?

MM: It’s an age-old question, is it music first or or text first? I tend to be in the text first camp. And I hope that in my musical setting, I’m enriching or creating an environment where that text can be experienced.

How did you choose McGushin for this commission?

TE: I’ve known Mickey since the early ’90s and fortunately got to sing one of the compositions he wrote for the Cabrillo Symphonic Chorus back then. Even today this piece sits in my heart. I’ve known for decades, first hand—through New Music Works, Ensemble Monterey, Cabrillo Stage, the UCSC Chamber Singers, and Ariose Singers—that Mickey is an extraordinarily talented conductor, pianist and composer. So when I decided to move forward with this project, this was an easy choice. My big question when I approached him last year was, would he say yes?

A commission is an honor, but it comes with lots of pressure, doesn’t it?

MM: I’m a recovering perfectionist. So I feel the pressure in the pit of my stomach. [Laughter.] The piece will have a certain visibility. I want to make Tom happy. I want to create something that fits the occasion. Phil [Collins] has placed this piece at the end of the program. I want it to be worth sitting there. So yes, there is also that element of wanting to please the people involved and worrying that somehow I’ll fail.

How do you know when it’s finished?

MM: The piece tells me where it needs to go. People tell me I write good endings, and I think that’s often difficult for people, but I know it’s done when I’ve gone on the whole journey with the text and where the music is taking me, and I come up with a final gesture that feels like it wraps all that up in an effective and meaningful way.

Is this what you were destined to do?

MM: Yes. This is exactly where I wanted to be. My true calling. And it’s been a struggle for me to clear other things that I had to do to make a living. But now it’s all here.

New Music Works, 50 Years of LGBTQ+ Pride in Santa Cruz also includes pieces by Pauline Oliveros, Anthony R. Green, Henry Cowell, Lou Harrison, Sufjan Stevens and D. Riley Nicholson. The concert begins at 7pm on May 18 at Peace United Church, 900 High St. Santa Cruz, 831-345-9475. $20–$40. newmusicworks.org

Comedy Connoisseur

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Comedy is its own world. From the outside there is a frenetic 24/7 stan culture of ingesting stand-up comedy, where countless hours are spent watching a few minutes of hundreds of comics. Not to mention the sometimes extremely lucrative industry of stand-up-adjacent industry gigs like podcasts, creating content and becoming an online edge lord.

But inside stand-up comedy, it’s a totally different vibe. There are certain ways of doing things, unspoken traditions and a rich culture that is built on the love of comedy, laughter and performing. And every comic has their origin story, but for headliner Brad Williams, who will be performing at the Santa Cruz Civic on May 18, his path to the stage was a singular adventure.

“It’s pretty nuts, man,” says Williams from the backstage of a show in Austin, Texas. “When people say, how did you get into, or how do I break into, stand-up comedy? I go. Well, I don’t know. I can’t tell you to use my path, because that’s never happening ever again.”

The story is legendary in, and outside, the comedy world. Williams was just a regular Joe audience member at a show where Carlos Mencia was headlining. When Mencia told a joke about dwarves, the crowd around Williams, who was born with achondroplasia (a type of dwarfism), went silent. Mencia noticed and invited Williams onstage. “I was working at Disneyland, and I joked that ‘I was not one of the seven.’ And I got laughs,” Williams recalls. He was a natural, and Mencia, ridiculously quickly, invited the human dynamo onto the world stage.

Williams is clear that he is not a political comic. “My father told me that ‘Truly intelligent people know what they don’t know.’ And when it comes to politics. I don’t know what’s happening. I have opinions, sure, but I don’t know. I’m not a college graduate. So you shouldn’t be taking my political advice. I’m just trying to tell my story. I’ll try to cover my point of view and if you like it, great. And you don’t like a joke, just wait 30 seconds and I got another one coming.”

Personally, Williams appreciates all kinds of comedy, no matter the context, and makes sure his opening acts reflect his appreciation of diversity. “Jamie Ball is one of my opening acts.  He’s out of Florida and we worked together in Knoxville [Tennessee]. We spent the weekend with each other. Really funny, really smart comedy and just a great guy to hang out with. So we’re like, ‘Oh, OK, let’s just keep doing this.’ But he and I are so different in terms of our styles of comedy. Some comedians have an opener that’s exactly like them, with the same brand. It’s like you hear two hours of the same style of jokes. No. I want you to have a whole show. I want you to go through the whole thing. So whether it be TJ—or another great comic named Quincy Weekley, who’s gonna be hosting that night—you’re going to see three different comics, three different points of view, and three really good comedians, but they’re all talking about different things.”

Williams carefully crafts jokes; like a master carpenter, he takes his time. “You slowly build. Whenever I have a new bit that I want to try out, I’ll try it up front, knowing I have an hour and half of material that works. Then maybe slide something into the middle. You just keep working it, you just keep massaging it. You can’t just wake up and be like, ‘I’d like to have an hour now.’ You have to slowly build it brick by brick. You know, three to five minutes at a time. Every now and then you’ll strike gold on a bit. It’ll be like, wow, that’s like 10 minutes and it’ll just roll right off your head. But for the most part, it’s slow going,” Williams says.

That’s the wonderful equalizer about stand-up comedy. There is no one shortcut and there’s no piece of advice that’ll make you a good comedian. You just have to do it. It’s trial and error.

“You throw it out there to a live audience. Friends and other comics will lie to you, but an audience laughing? That’s the only real test,” Williams laughs.

Brad Williams performs at 7pm on May 18 at the Santa Cruz Civic Auditorium, 307 Church St, Santa Cruz.  Doors open at 6pm. Tickets: $20-$68. santacruztickets.com

Shining a Light

The idea that “trans people just showed up” is a lie that keeps getting pushed—not only by the right wing, but also by voices in the media. And author Caro De Robertis is pushing back.

“Trans and genderqueer people have always existed throughout time and in every culture,” De Robertis says. “We have always been here, even if our voices have often been systematically silenced. These stories have not been acknowledged as part of our collective cultural inheritance, but they are here.”

In 2022, MacArthur Fellow Jacqueline Woodson launched I See My Light Shining: The Baldwin-Emerson Elders Project, which records the oral stories of hundreds of elders of color from various regions who’ve “witnessed and shaped great change in American life.” Ten writers were chosen as Baldwin-Emerson Elders Fellows, including De Robertis, a creative writing professor at San Francisco State University and author of six books.

De Robertis, who lives in Oakland and uses they/them pronouns, interviewed 30 mostly Bay Area LGBTQ + people of color over the age of 50 for the project. Some of them appear in their new book, So Many Stars: An Oral History of Trans, Nonbinary, Genderqueer, and Two-Spirit People of Color, which they discuss May 15 at Bookshop Santa Cruz.

Next year, De Robertis will co-curate with Tina Valentin Aguirre an exhibit at San Francisco’s Yerba Buena Center for the Arts, featuring art, mixed media and audio interviews based on the book.

“The title of the book comes from my interview with longtime activist and artist Crystal Mason,” De Robertis says. “They said, ‘when you’re in the countryside and you look up at the night sky, you see a sky full of stars, and the more stars there are, the more possibilities there are.’ And that’s what I believe we are doing when we create new language and new words for our experiences.

“What Crystal is advocating for is ongoing, evolving realms of possibilities. I thought that was a really powerful vision, and I wanted the title to hold some of that spirit,” De Robertis explains. “The more stars in the sky, the more we can witness the different ways of being and the more room there can be for all of us to be safe and free.”

The book’s narrators are Black, Latinx, Asian and Native American, and hail from different cities, countries and religions. They’re artists, activists, drag performers, business owners, musicians and tango dancers. They include Ms. Billie Cooper, a transgender woman who ran for supervisor of San Francisco’s Tenderloin district in 2022; Andres Ozzuna, an Argentine-born transgender man who owns the Wooden Table Baking Company; Donna Personna, a 78-year-old drag performer and transgender woman who served as Grand Marshal of 2019’s San Francisco Pride Parade; and KB Boyce, a trangender man who played in the New York punk band Nasty Facts.

De Robertis writes about America’s “gender revolution,” organizing the first-person accounts into chapters that cover family, coming out, defining gender, art and the younger generation.

“I really wanted to create a narrative that wasn’t just about any particular person’s individual story, but a broader story, a symphony or tapestry of narratives, and really convey the prismatic richness of the stories of our communities,” De Robertis says. “So there’s an arc starting with emergence and moving into elderhood, looking back and then looking forward into the future.”

But these elders dig deeper into their personal—sometimes harrowing—lives, discussing such topics as being an immigrant, child abuse, serving in the military, religion, drugs, transitioning, living with HIV and the AIDS crisis.

Bamby Salcedo, for example, a transgender woman originally from Mexico, recalls surviving gangs, addiction, sex work and incarceration before becoming an activist and founder of the L.A.-based TransLatin@ Coalition. She’s even spoken at the White House and starred in a 2016 HBO documentary, The Trans List, which also featured Caitlyn Jenner and actress Laverne Cox.

Since Trump’s reelection last year, De Robertis says they’ve spoken to their subjects about the administration’s policies targeting transgender and non-binary people.

“Like in many communities, especially in marginalized communities, there’s a lot of pain and sorrow, and some fear,” De Robertis says of the new administration. “There’s also seeds of hope and possibility, and ongoing commitment to a better future, even if it seems against the odds. We have so many tools in our communities. We know how to advocate for each other, protect each other’s safety and advocate for social change. And we have those tools because they were hard won by previous generations. As horrifying and terrifying as these times are, it’s incredibly important to remember that and remember that we are still here.”

Caro De Robertis will be in conversation with author Jaime Cortez (Gordo) at 7pm on May 15 at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. RSVP at bookshopsantacruz.com.

Mountain Time

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In the current political climate, “diversity” has become a hot potato—but it’s a word that’s still heartily embraced by local theater companies. And this weekend Mountain Community Theater takes on one very specific angle.

“At a time when the very concept of diversity is being undermined in some places, recognizing the challenges and potential of a person who would now be labelled as “neurodiverse” is important to us,” the Mountain Community Theater states in its press release for The Curious Incident of the Dog in the Night-Time.

Curious Incident—which opens May 16 and runs through June 8—was written by Simon Stephens, based on the novel by Mark Haddon. The production, directed by Simon Hayward, embraces this inspiring and challenging story of an autistic teenage boy learning about the complexities of life.

The play was first produced by the National Theater in the United Kingdom; on Broadway, it won the 2013 Tony Award for Best Play. Curious Incident focuses on 15-year-old Christopher, who has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers.

Christopher’s discovery of the neighbor’s dog, Wellington, speared with a garden fork, sets him on a journey of “detecting” that goes well beyond who killed Wellington. He uncovers his family history, learns his strengths in surprising ways, and also reveals how difficult it can be to live with someone who doesn’t fit our expectations of “normal” behavior.

And there’s more than one reason for curious culture mavens to head to the hills this weekend. On both Saturday and Sunday, the San Lorenzo Valley Art Tour will provide entertainment during the day, showcasing the work of 27 artists.

The Curious Incident of the Dog in the Night-Time runs May 16–June 8 with shows Fridays and Saturdays at 8pm and Sundays at 2pm in Park Hall, 9400 Mill St, Ben Lomond. Tickets: $20–$20. mctshows.org

The San Lorenzo Valley Art Tour takes place 11am–5pm on May 17–18. Free. For details, visit slvarttour.org.

Free Will Astrology

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ARIES March 21-April 19

What may appear to be slow or static is actually moving. The developing changes are imperceptible from day to day, but incrementally substantial. So please maintain your faith in the diligent, determined approach. Give yourself pep talks that renew your deeply felt motivation. Ignore the judgments and criticism of people who have no inkling of how hard you have been working. In the long run, you will prove that gradual progress can be the most enduring.

TAURUS April 20-May 20

The most successful people aren’t those who merely follow their passion, but those who follow their curiosity. Honoring the guidance of our passions motivates us, but it can also narrow our focus. Heeding the call of our curiosity emboldens our adaptability, exploration and maximum openness to new possibilities. In that spirit, Taurus, I invite you to celebrate your yearning to know and discover. Instead of aching for total clarity about your life’s mission, investigate the subtle threads of what piques your curiosity. Experiment with being an intrigued adventurer.

GEMINI May 21-June 20

Gemini author Huston Smith was a religious scholar who wrote 13 books. But he was dedicated to experiencing religions from the inside rather than simply studying them academically. Smith danced with Whirling Dervishes, practiced Zen meditation with a master and ingested peyote with Native Americans, embodying his view that real understanding requires participation, not just observation. In the spirit of his disciplined devotion, I invite you to seek out opportunities to learn through experience as much as theory. Leave your safety zone, if necessary, to engage with unfamiliar experiences that expand your soul. Be inspired by how Smith immersed himself in wisdom that couldn’t come from books alone.

CANCER June 21-July 22

More than 2,000 years ago, people living in what’s now the Peruvian desert began etching huge designs of animals and plants in the earth. The makers moved a lot of dirt! Here’s the mystery: Some of the gigantic images of birds, spiders and other creatures are still visible today, but can only be deciphered from high above. And there were, of course, no airplanes in ancient times to aid in depicting the figures. Let’s use this as a metaphor for one of your upcoming tasks, Cancerian. I invite you to initiate or intensify work on a labor of love that will motivate you to survey your life from the vantage point of a bird or plane or mountaintop.

LEO July 23-Aug. 22

You now have extra power to detect previously veiled patterns and hidden agendas. That’s why I urge you to be alert for zesty revelations that may seem to arrive out of nowhere. They could even arise from situations you have assumed were thoroughly explored and understood. These are blessings, in my opinion. You should expect and welcome the full emergence of truths that have been ripening below the surface of your awareness. Even if they are initially surprising or daunting, you will ultimately be glad they have finally appeared.

VIRGO Aug. 23-Sept. 22

Renowned Virgo author Nassim Nicholas Taleb has called for the discontinuation of the Nobel Prize in Economics. He says it rewards economists who express bad ideas that cause great damage. He also delivers ringing critiques of other economists widely regarded as top luminaries. Taleb has a lot of credibility. His book The Black Swan was named one of the most influential books since World War II. I propose we make him your inspirational role model for now, Virgo. May he incite you to question authority to the max. May he rouse you to bypass so-called experts, alleged mavens and supposed wizards. Be your own masterful authority.

LIBRA Sept. 23-Oct. 22

I predict that your usual mental agility will be even more robust than usual in the coming weeks. Although this could possibly lead you to overthink everything, I don’t believe that’s what will happen. Instead, I suspect your extra cognitive flexibility will be highly practical and useful. It will enable you to approach problems from multiple angles simultaneously—and come up with hybrid solutions that are quite ingenious. A possibility that initially seems improbable may become feasible when you reconfigure its elements. PS: Your natural curiosity will serve you best when directed toward making connections between seemingly unrelated people and fields.

SCORPIO Oct. 23-Nov. 21

You’re ready to go to the next evolutionary stage of a close alliance. Although you may not feel entirely prepared for the challenge, I believe you will be guided by your deeper wisdom to do what’s necessary. One way I can help is to provide exhilarating words that boost your daring spirit. With that in mind, I offer you a passage from poet William Blake. Say them to your special friend if that feels right, or find other words appropriate to your style. Blake wrote, “You are the fierce angel that carves my soul into brightness, the eternal fire that burns away my dross. You are the golden thread spun by the hand of heaven, weaving me into the fabric of infinite delight. Your love is a furnace of stars, a vision that consumes my mortal sight, leaving me radiant and undone. In your embrace, I find the gates of paradise thrown wide.”

SAGITTARIUS Nov. 22-Dec. 21

In ancient Egypt, mirrors were composed of polished copper. To remain properly reflective, they required continual maintenance. Let’s take that as a metaphor for one of your key tasks in the coming weeks. It’s high time to do creative upkeep on your relationships with influences that provide you with feedback on how you’re doing. Are your intended effects pretty close to your actual effects? Does your self-image match the way you are perceived by others? Are you getting the right kind of input to help you stay on course?

CAPRICORN Dec. 22-Jan. 19

Chances to initiate creative transformations will come from unexpected sources in the coming days. I guarantee it. But will you be sufficiently receptive to take maximum advantage? The purpose of this horoscope is to nudge you to shed your expectations so you will be tenderly, curiously open to surprising help and inspiration. What sweet interruptions and graceful detours will flow your way if you are willing to depart from your usual script? I predict that your leadership qualities will generate the greatest good for all concerned if you are willing to relinquish full control and be flexibly eager to entertain intuitive breakthroughs.

AQUARIUS Jan. 20-Feb. 18

For many Indigenous people of California, acorns were part of every meal. Nuts from oak trees were used to create bread, soups, dumplings, pancakes, gravy and porridge. But making them edible required strenuous work. In their natural state, they taste bitter and require multiple soakings to leach out the astringent ingredient. Is there a metaphorical equivalent for you, Aquarius? An element that can be important, but needs a lot of work, refinement and preparation? If so, now is a good time to develop new approaches to making it fully available.

PISCES Feb. 19-March 20

When Pisces-born Jane Hirshfield was a young poet, she mostly stopped writing poetry for eight years. During that time, she was a full-time student of Zen Buddhism and lived for three years at a monastery. When she resumed her craft, it was infused with what she had learned. Her meditative practice had honed her observational skills, her appreciation of the rich details of daily life, and her understanding that silence could be a form of communication. In the spirit of the wealth she gathered from stillness, calm and discipline, I invite you to enjoy your own spiritual sabbatical, dear Pisces. The coming weeks will be an excellent time to relax into the most intriguing mysteries.Homework: What do you want more than anything else but fear you’re not worthy of? Newsletter.FreeWillAstrology.com

Things to do in Santa Cruz

THURSDAY 5/15

INDIE-FOLK

DEVENDRA BANHART

Devendra Banhart has lived all over the globe. That might be why he has the unique ability to be rootsy, with roots in many different soils, and other worldly all at once. Guitar, shakers, and other sounds you expect to hear in Americana and folk slide up against bells and drones that one would expect to hear in a tantric chill playlist, like Tom Waits if he drank less and meditated more. His background in visual arts—he’s an SF Art Institute dropout—comes into play and his live shows are an experience for all the senses. KEITH LOWELL JENSEN

INFO: 8pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $37. 423-8209.

FRIDAY 5/16

AWARDS

2025 NEXTIES

May is here and that means it’s time to celebrate the best of Santa Cruz. Presented by Event Santa Cruz, Santa Cruz Vibes Magazine, and Woodhouse Brewery, the 2025 NEXTies is this year’s hottest ticket to who’s who in the world of local movers and shakers. Past winners included Jesse Daniel, Double Meat Please, Alwa Gordon, Martijn Stiphout, and Coffee Zombie Collective. This year is bigger and better than ever, which is only appropriate to commemorate the likes of Gabi Bravo, The Neighbor’s Pub, Ryan Coonerty, Wendy Frances, and the Emerald Mallard. Be a part of Santa Cruz’s biggest party of the year. MAT WEIR

INFO: 5:30pm, Woodhouse Brewery, 119 Madrone Way, Santa Cruz. $33-$53. 313-9461.

JAZZ

BILL FRISELL

Nominally a jazz musician and composer, guitarist and Grammy winner Bill Frisell boasts a body of work that spans multiple genres. He moves from style to style with seeming effortlessness, and his work is characterized in equal parts by its taste and authenticity. A prolific artist, Frisell has recorded acclaimed and influential albums for Blue Note, Okeh, Savoy, Nonesuch, and ECM. For these performances, Frisell leads his Good Dog quintet, featuring pedal steel guitarist Greg Leisz, drummer Kenny Wollesen and bassist Tony Scherr. BILL KOPP

INFO: 7 & 9pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $47-$58. 427-2227.

SATURDAY 5/17

CHOIR

CHORALE SINGS PALESTRINA

Time travel back to the epicenter of the Italian Renaissance with the Santa Cruz Chorale and Palestrina’s Mass for Pope Marcellus. This masterpiece, by the composer who perfected polyphonic music, is sculpted by the rich interplay of six-part vocals. Sopranos, altos, tenors, and basses enter and exit the complex architecture of sound and text, building chord structures that repeat, echo, and vanish. The effect is stunning, with each line threading through the deepest voices, crowned by the high sopranos at the top. Palestrina’s 500-year-old music is interspersed with haunting works by modern composers, including two compositions by Randall Thompson and a mesmerizing Gregorian chant variation by Estonian composer Arvo Pärt. Come be refreshed by beautiful a cappella music in the superb acoustics of Holy Cross Church. It is also on Sunday at 4pm. CHRISTINA WATERS

INFO: 8pm, Holy Cross Church, 210 High St., Santa Cruz. $5-$30. 427-8023

CLASSICAL

PATTERNS IN A CHROMATIC FIELD

Cellist Tyler Borden and pianist Mari Kawamura come together to present a rare performance of Morton Feldman’s Patterns in a Chromatic Field. A prime example of his late work, this piece is characterized by unpredictable repetition, lengthy pieces, complex melodies, and vagueness. Feldman intentionally made parts ambiguous to force the performers to decide how to interpret the music. Borden specializes in modern, experimental music, while also examining the strengths and failures of his instrument and himself. Kawamura is an agile pianist who gives explosive and expressive performances. Her curiosity draws her to pieces that utilize the full potential of the piano. ISABELLA MARIE SANGALINE

INFO: 7:30pm. Indexical, 1050 River St. #119, Santa Cruz. $20. (509) 627-9491.

ROCK

THE LOVED ONES

On their original run, Oakland’s The Loved Ones burned brightly and quickly, lasting only a few years. During that time, they turned out two well-regarded albums, 1993’s The Price for Love and Better Do Right (1994). Their group’s style drew from ’60s R&B, using vintage gear. That age-old bane of musicians—creative differences—spelled an early end for the group, but their music left a lasting impression on the Bay Area. They reunited briefly a decade ago, and are doing it again, this time with a handful of U.S. and European dates, and a new album to come. Lunchbox opens. BK

INFO: 9pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $25. 429-6994.

SUNDAY 1/18

PUNK

COCKNEY REJECTS

Oi! Oi! Oi! The Cockney Rejects are still at it, or at least a version of them put together last year by lead reject Jeff Geggus, aka Stinky Turner. This current lineup includes Olga from The Toy Dolls bashing the strings. Starting with the inaugural class of British punks in ’78, The Cockney Rejects gave Oi! its name, showed that punks could pen football anthems as well as anyone, and reflected the urban and suburban blight that was the reality for UK working-class youth heading into Thatcher’s ’80s. Their gleeful defiance is just as relevant in 2025 America. KLJ

INFO: 5pm, Vets Memorial Building, Santa Cruz, $29-$41. 454-0478.

POP

BROOKE ALEXX

A vocal powerhouse with girl-next-door charm, Brooke Alexx brings “The Big(ger) Mouth Tour” to the Catalyst.With candid lyrics that feel like sneaking a peek into the intimate and embarrassing details of someone’s diary, Brooke offers a blunt look at her 20s. Her angsty earworms and summery riffs tell stories of vacation breakups, catching up with exes’ moms, and the not-so-secret wish to be thought of as hot, not just cute. Jump around to Brooke’s rich, resonant voice and her fierce, all-female band with songs to make you laugh and cry, and maybe feel a little less alone. SHELLY NOVO

INFO: 8pm, Catalyst, 1101 Pacific Ave., Santa Cruz. $23. 713-5492

TUESDAY 5/20

R&B

ANNA MOSS

When it comes to music, it doesn’t get more American than multi-instrumentalist Anna Moss. Born in the Ozarks, Moss mixes the soul of New Orleans with the music of R&B and folk for a sound that defies the boundaries of genre. Her success began as one half of pop-folk duo Handmade Moment with partner Joel Ludford. However, when the 2020 pandemic kept everyone in lockdown, Moss found herself in a funk. She got out of it the only way she knew how, by writing music for what would be her first solo act, Anna Moss and the Nightshades. Last year she released her album Amnesty, featuring the track she recorded for NPR’s Tiny Desk, “Slow Down Kamikaze.” MW

INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $20/adv, $25/door. 479-1854.

Upper Level

The faux bookcase door that adds to the speakeasy feel of the pocket-sized gem that is Ulterior bar, tucked upstairs at 110 Pearl Alley, won’t be enough to keep this revelation quiet.

The things chef Donnie Suesens is doing in its modest kitchen are simply too fun and flavorful.

The former owner-operator of popular Cafe Sparrow in Aptos, which shuttered in April 2024, is drawing praise for his indulgent burger, loaded with bacon-cherry jam, Gruyère, smoked onion and (in an Australian twist) local beet, but there’s more going on here, namely a lot of crave for a super short menu.

Other whoa-level items (all $11-$17): an “elote dawg” with a cheesy Bavarian frank, corn, Japanese aioli and Tajín; a pork sausage wrapped Scotch egg; Nashville hot honey cheese sticks; and an inspired “crunchwrap supreme” with multiple cheeses.

Given his tagline, the fact his limited menu is generating a lot of buzz makes sense. That motto: “remember to break bread and let the food talk!”

AWAY WE GO

One of the area’s better restaurants has a baby sister on the way. Chef Brad Briske and his partner Linda Ritten are adding a casual spinoff of their acclaimed Soquel restaurant Home with Home Away, in the former VinoCruz/Adorable French Bakery location (4901 Soquel Drive, Soquel). The working blueprint: Open doors by the end of June, with a strong to-go section, lunch like soup, salad and cheesy focaccia, then wine and housemade charcuterie, patés, pickles, cheeses and sausages, plus crudo and ceviches prepared at the raw bar—and even some creative empanadas from Briske brother-in-law Diego Felix of Fonda Felix—with hours midday to 8pm Wednesday to Sunday, homesoquel.com.

HUMBLE RUMBLE

The burgeoning dynasty that is Humble Sea Brewing just launched its newest chapter: HSB San Francisco opened last Friday on iconic Pier 39. As Surf City takes over the big city, more pier beer cracks open closer to home, as HSB’s Wharf Beer Garden is back open for summer, with new hours 3-9pm Monday-Thursday and noon-9pm Friday-Sunday. GOAT sunset rides also return 5:30pm and 6:30pm Wednesdays. And Cococ Food Truck rolls up Tuesday-Sunday dishing tacos and bowls with concinita pibil, chicken mole, carnitas rancheras and rajas con elote and five fresh salsas, humblesea.com, cococthefoodtruck.com.

READY FOR MARKET

“So much anticipation. A million conversations, ideas, visions built and scratched.” So reads an exuberant statement from Nicole Zahm, comms and programs manager of Santa Cruz Community Farmers’ Markets, announcing the May 21 debut of the new location of the Downtown Farmers Market at the corner of Cedar and Church, ahead of its eventual permanent home in the Civic District of the downtown corridor. From 1-5pm Wednesday, May 21, she adds, “We will be staffed up and bolstered, rolling out a festive first day for you,” with bike-blender smoothies, Santa Cruz Public Libraries activities, fun zone, Annie Rye and the Wild Flour String Band, free short-term parking for market-goers and more, santacruzfarmersmarket.org. [Editor’s note: Market reopening delayed to June 4.]

LIFE FORCE

Staff of Life celebrates 56 years as a locally owned natural foods store Friday-Sunday, May 16-18, by stoking its client base with a weekend’s worth of demos and tastings. Friday 11am-2pm the activity includes their famous cheeseburgers, sausage sandwiches and hand-cut fries, followed by SmartChicken teaching and tasting, plus noon-6pm wine and beer sampling. Saturday means more wine-and-beer tasting noon-4pm, more food demos, deals on hot and salad bars, and $2 off smoothies and juices. Sunday piles on more demos, discounts, wine-beer sips and $4 gelatos. “What started as a small local organic bakery has grown into a community hub rooted in sustainability, wellness and trust,” owner Gary Bascou says. “This anniversary is not just about looking back, it’s about celebrating the people, farmers and customers who’ve supported us every step of the way.” staffoflifemarket.com.

Spore Lore

Growing up in Point Reyes, Elena Laughlin always had a passion for the wilderness and specifically mushrooms, intrigued especially by how the fantasy-inspiring Amanita contributed to the magical quality of nature.

Attending college in Santa Cruz, her first experiences at Far West Fungi were as a customer, where she fell in love with the food and vibe of the place. She found herself deeply drawn to work there, not only to learn more about mushrooms but also to educate, and has now been a cook/server/café attendant for two years.

Laughlin says the family-owned Far West Fungi’s motto is “there’s a mushroom for everyone” and the store’s aura is relaxing with “obscure nice music” playing amid well-lit rustic earth tones, plenty of mushroom-themed décor and a growing community of houseplants. The retail side of the store features gifts, cooking items and mushroom swag, complementing the all-vegetarian mushroom-centric menu, handmade and prepared in-store to order with eclectic multicultural influence.

Popular small plates include a mushroom and cheese empanada and a mushroom chowder with lobster, oyster and clamshell mushrooms. Laughlin’s personal favorite is the vegan Nashville hot fried lion’s mane sandwich featuring a crispy mushroom cutlet between a brioche or sesame bun with red cabbage slaw, housemade pickles and vegan mayo.

Tell me about the incredible staff.

ELENA LAUGHLIN: We all have similar interests and passions, and all get along really well. We love to socialize and make connections with people in the community, and share a deep appreciation for nature, music and art. And, I should say that we are all very fashionable but also down-to-earth, funny and don’t take life too seriously.

Do you have an all-time favorite mushroom?

Yes, I do. It’s the black trumpet mushroom nicknamed the “poor man’s truffle.” It’s a super flavorful mushroom that is perfect for people who say they don’t like mushrooms because of their spongy and gummy texture. These, in contrast, are thinner and not squishy, and add a wonderful flavor profile to dishes like pasta, rice bowls and Asian stir frys. I add these mushrooms to everything.

224 Laurel St., Santa Cruz, 831-226-2626; farwestfungi.com

Go Fish

The tour started pleasantly, under a blue-overcast morning sky.

To our right, the Santa Cruz Boardwalk formed a stoic background in its wakefulness.

A slight urban hum was overpowered at times by nowhere-near-ferocious waves folding onto the city’s most popular tourist beach.

On this Wednesday—April 30—it was empty. But as we were about to learn, though July 4th crowds were but a memory, there were still globally significant ecological and geological processes at play, beneath the surface.

“I want to introduce the watershed to you,” said hi-viz-vested Chris Berry, who, as watershed compliance manager for the City of Santa Cruz, was probably the right person to make the introduction between the San Lorenzo River mouth and the group of water quality professionals from around the state. “You’ve got listed species in the lagoon.”

Renowned coastal geomorphologist David Revell, of Integral Consulting, stood to Berry’s right, in a black Patagonia puffer over a turquoise shirt featuring a sea turtle with an ocean sunset body.

“We’re lowering the water, but not letting all of the lagoon habitat out,” he said, referring to the complex dance city engineers—with the blessing of local voters—are doing to mitigate the impact of steps taken in the 1960s to sculpt the beachfront to mid-century tastes. “It really does take a village.”

It was Day 2 of the four-day Salmonid Restoration Federation Conference, the premier gathering concerned with salvaging and promoting salmon habitat in California, if not the United States.

salmon cover story photo
COMPLEXITY BOOST The watershed tour visited Newell Creek, just downstream of Loch Lomond, Santa Cruz’s only freshwater reservoir. Photo: Drew Penner

Today, the environmental officials were heading out into the field on a series of explorations of the Santa Cruz County landscape, before heading back for a couple academic days of workshops and presentations.

I was at the conference by chance: I’d randomly grabbed a newsletter from a local nonprofit that had an article about steelhead counts on the front. I casually mentioned my reading material in passing to Coastal Watershed Council Executive Director Laurie Egan, on my way into the Good Times office we share.

She brought up the salmon summit and said she might still be able to get me in.

Days later, over in Los Gatos with my Los Gatan editor hat on, covering their annual Town-sponsored environmentally focused Spring into Green event, I met Joshua Lopez, of the South Bay Clean Creeks Coalition.

Even though it was a completely different watershed—divided by the Santa Cruz Mountains ridgeline—I suggested he might be interested in the salmonid conference that was about to kick off.

Lopez told me he was already planning to attend—he was looking forward to harvesting important knowledge that could help with a fish ladder project they’re working on for Los Gatos Creek.

We’d loaded up into vans at the Resource Center for Nonviolence on Ocean Street.

I was joined by Rachel Couch, of the Oakland-based State Coastal Conservancy, and Don Allan, a volunteer board member with Baduwa’t Watershed Council.

Allan recounted the history of how the waterway his group looks after in Humboldt County was named the “Mad River” because of a crazy-seeming altercation between explorers back in the 1800s.

They used to be the “Mad River Alliance,” but their organization was renamed, in consultation with the Wiyot Tribe, two years ago.

“We consulted with the Wiyot Tribe,” he said. “We had their blessing to do it.”

“I can’t wait to learn about the San Lorenzo River,” said Couch, as the van pulled up to East Cliff Drive and parked at Seabright Beach.

The San Lorenzo River occupies a key space in the local psyche—for example, it’s part of the mural at the Wild Roots grocery store in Felton and is the central feature of the Press Banner T-shirt I wore that day.

In the 1923 silent film Soul of the Beast, an elephant squirts villain Caesar Durand, played by Noah Beery, with water from the river, at Junction Park in Boulder Creek.

In 1851, “TRAI-PAX-E, chief,” “HABITO” and “CO-TOS” were among the members of the “Si-yan-te” tribe to walk all the way from their home in the mountains here to Camp Fremont, near the Little Mariposa River, to sign “Treaty M” with the United States government.

The treaty was never ratified.

Today, the City of Santa Cruz has ongoing restoration work along Zayante Creek (named for these Awaswas-speaking people)—which flows into the San Lorenzo.

It now works with the Amah Mutsun Tribal Band, which represents the descendants of native Ohlone people who attended missions San Juan Bautista (Mutsun) and Santa Cruz (Awaswas).

In The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area, Malcolm Margolin notes that traveling Europeans were often given gifts of salmon, sturgeon and mussels by the residents.

“From so much water the Ohlones gathered an immense harvest of fish and waterfowl,” he writes in his ALMOST AMPHIBIOUS chapter. “The Ohlones fished constantly using seine nets, dip nets, harpoons, weirs, basketry traps, hooks, and fish poisons.”

A 2022 State Office of Environmental Health Hazard Assessment report prepared by Mike Grone, of the Amah Mutsun Land Trust, noted climate change is now putting additional “physical, cultural, and spiritual” pressure on the Indigenous people—and on salmonids.

“Rising temperatures and drought have decreased water flows and led to warmer waters in culturally important fish habitat and unfavorable spawning conditions,” it reads. “Salmon populations are impacted by nutrient availability, drought, temperature, and freshwater/saltwater interfaces, all of which are affected by climate change.”

The tribe has been working with Michigan State University researchers to study ancient and modern salmon and steelhead genetics, and has a DNA monitoring program for species of ecological and cultural importance with UCLA.

In Superman’s Not Coming: Our National Water Crisis and What WE THE PEOPLE Can Do About It,” Erin Brockovich looked at environmental rollbacks under the first Donald Trump Administration, as he postured with coal miners in front of the Environmental Protection Agency headquarters.

“Why do we have to choose between environmental protections and economic development?” she asks.

She points to research from economist W. Reed Walker that found the 1990 Clean Air Act amendments found the average worker who lost their job due to the increased regulations had an average earnings drop of about 20 percent and caused total wage losses of $5.4 billion; the EPA said the overall health benefits amounted to $5.4 trillion.

In an Oct. 25 appearance on the Joe Rogan Experience, Donald Trump said environmental tools and regulations are the biggest impediment to the growth he’d like to see to help eliminate the national debt.

“If you looked at it purely as an asset value, we have oil underground, we have water, we have mountains—I mean, the assets are so enormous,” he said, looking back on his career as a developer. “Of all of it, to me the toughest thing was the environmental. Because they could stop you cold with the environmental impact study stuff…it’s a morass—it’s horrible.”

“Right, but there are legitimate concerns about environmental impact, correct?” Rogan pushed back, bringing up the BP oil spill. “There’s a lot of things that do happen that are environmentally devastating, and you want to mitigate that as much as possible.”

“Sure,” Trump said, quickly switching to brag mode. “During our four years we had the cleanest air and the cleanest water.”

He didn’t point to any particular statistic to back up these claims.

Health and Human Services Secretary Robert F. Kennedy Jr. gets praise for his environmental legacy, particularly in forcing polluters to clean up New York’s Hudson River.

But Trump told the top podcaster not to expect Kennedy to expand that watershed activism nationwide.

“The only thing I want to be a little careful about with him is the environmental, because, you know, he doesn’t like oil—I love oil and gas,” he said, with a smile. “I said, ‘focus on health.’”

Meanwhile Brockovich has been gathering participants for a class-action lawsuit following the fire at the Moss Landing energy-storage plant that spewed heavy metals from giant batteries into the air for two days earlier this year, from its perch at the edge of the Monterey Bay.

Afterwards, marine researchers reported elevated levels of nickel, cobalt and manganese in the Elkhorn Slough.

Though smoky conditions blanketed the Santa Cruz Mountains on the second night, authorities were divided on whether any of that could’ve drifted all the way up to the San Lorenzo Valley, given the eastward direction of the main plume.

For the second stop, the tour group arrived at the levee next to Good Times, where Coastal Watershed Council river ecologist Kaiya Giuliano-Monroy explained she drew inspiration from her work with the Amah Mutsun Land Trust for a seeding initiative here.

“I saw it could work,” she said.

LEARNING The Fall Creek fish ladder project was designed to help lamprey and salmon move further upstream. A prior retrofit created problems, such as water seeping beneath the concrete. Photo: Drew Penner

The riverbanks that had once been largely barren, due to rampant homeless encampments, now billowed with bushes and scattered wildflowers.

“They have worked hard,” she said of the 27 unhoused volunteers who joined in the effort, many of whom “got poked with a lot of Himalayan blackberries.”

We walked upriver, toward the pedestrian bridge to downtown, and gazed at what used to be a tent city, full of old bicycle parts, strewn garbage and drug deals going down right in the open.

Here at the San Lorenzo Riverlands (a park for more than a century, formerly known as the Benchlands), the grass on what once was dirt is so thick it has to be mown by a large machine.

Jeremy Leonard, a City outreach worker, said they do a pass along the levees once or twice a day and try to offer support services to the homeless.

“We see a lot of impacts on our watershed,” he said. “It’s a highly politicized topic we work within.”

That’s only been exacerbated by the recent—and looming—federal funding cuts.

For example, they have a $2.8 million grant from NOAA to reimagine the Riverlands (in partnership with the Amah Mutsun), from an outdoor event space to something more natural.

City officials have been getting word that money’s safe, for now, but say other dollars could be on the chopping block.

Next up, we popped a few blocks over to the Branciforte flood control channel.

Justin Gregg, principal hydrologist for Environmental Science Associates, said they’re trying to modify the man-made water-routing structure to encourage coho salmon to swim further upstream.

“You want to roughen the channel and provide resting pockets for fish,” he said.

Scientists say they have to learn more about salmon habits if they want the region to remain vibrant.

“We know so much, and so little at the same time,” said William Ware, project coordinator with the nonprofit California Trout.

One thing’s for sure, he said, what happens on the agricultural and residential land upstream can impact the journeys of the salmon down here.

The tour learned that this aspect of San Lorenzo River conservation has been imperiled by Trump Administration cuts.

We headed up to Boulder Creek a little before noon.

Just down the bend from Junction Park, where an elephant had its celluloid moment, you’ll find a partially dismantled dam that dates to the same era.

There you’ll find a watering hole with people going for a swim, playing fetch with their dog alongside their daughter, or sitting on the concrete that juts into the river.

Recreation officials say the manmade waterfall and defunct fish ladder is too much of a barrier for salmon.

But there’s been pushback from community members who aren’t exactly eager for change. Some say the needs of salmon—and river health—should win out. Others don’t want to lose a key recreation asset, or would prefer a homegrown solution, instead of one imposed by County officials and consultants.

Matt Weld, a civil engineer with Waterways Consulting who grew up nearby, said they’ll have to consider a range of factors to solve the puzzle.

“The easy barriers are already dealt with,” he said. “This is a remodel.”

There are currently 37 structures along the San Lorenzo River, including 18 “high,” six “medium” and three “low” barriers to salmon passage, a Resource Conservation District of Santa Cruz County official told us.

We cruised back down the hill, past the landfill in Ben Lomond to Newell Creek, arriving at the historic Nelson House, where the City of Santa Cruz hosts outings for students.

Newell Creek is the pathway for water from Loch Lomond—Santa Cruz’s only drinking water reservoir—to the San Lorenzo River.

Here Chris Hammersmark, a director and ecohydrologist at CBEC Eco Engineering, showed off a “large woody debris mitigation” project they’d worked on.

“The guidance was to improve 500 feet of stream,” he said. “It was really more like, let’s get some more wood in the stream.

The constraints included anticipating intense rainfall and periodic landslides. The benefits? Not having to go to the hardware store for lumber.

“There was a lot of material available,” Hammersmark said.

So, they “chopped and dropped,” assembling 20 or so trunks and branches into helpful patterns.

We were able to see how they’d engineered more pooling areas, creating chill places for fish—and the bugs they like to eat.

City officials say the costly improvements will be quite the nice amenity for the resident trout. And they’re hoping to start seeing fish from the ocean here soon.

Then, it was on to another salmon ladder—this time just outside of Felton at Fall Creek, a half mile from where it enters the San Lorenzo.

A $1.1 million California Department of Fish and Wildlife grant paved the way for the most recent construction.

Officials drew on efforts to help lamprey and salmon up the mighty Columbia River.

It’s important to do the job right, we learned, as an earlier retrofit at this San Lorenzo Valley Water District intake point actually caused some issues—such as sub-concrete seepage.

And the edges of the structure were so sharp that lamprey had trouble using their suction abilities.

A negotiation played out with State and federal regulators, and project officials were able to move forward with a one-foot jump height requirement, instead of the six inches they were initially supposed to use to accommodate juveniles.

Next, we headed up to Frenridge Road to see the results of an Environmental Protection Agency “319” grant. (“We probably won’t see too much of that in the future,” mused Berry.)

The group hiked for a few minutes through gentle understory, beneath the towering second-growth redwoods, and came upon Zayante Creek.

Here logs seemingly tumbled into the bend at multiple points. Water bugs zipped this way and that. And—if you knew where to look—you could see baby steelhead in quiet, yellow-green water pockets.

These tiny creatures would dart quickly in one direction, then hover as if frozen in time.

Lisa Lurie, executive director of the Resource Conservation District, said the habitat in this particular reach had been simplified and pools weren’t forming.

They wanted to make sure there was enough sediment.

But now, the logs we climbed and rested against had been locked into place with a metal pin. Others were affixed to a large tree.

Project officials said they were thankful the landowners had been so supportive.

“It’s really important that you’re keeping everyone moving together,” Lurie said, emphasizing the value of a coherent public communication strategy.

One of our guides shared that they have multiple clients now trying to “put wood into systems” that previously paid to have this type of material ripped out.

Betsy Stapleton, a project development and permit specialist with the Scott River Watershed Council, based up in Siskiyou County, said she was finding the tour quite beneficial.

“It’s very easy to get insular and just think about your own issues,” she said, adding it was a joy to connect with her peers.

FALL CREEK Midway through the tour, attendees gathered for a group photo at the site of a recent San Lorenzo Valley Water District fish ladder project. Photo: Drew Penner

Invasive species alert

Our van got lost on the way to the edge of Henry Cowell Redwoods State Park.

Once our contingent caught up to the tour, a Santa Cruz County official was exhibiting a wild river section where the pond turtle—a listed species—lives.

We learned that we were standing at “ground zero” for a new invasive “shothole borer” (Euwallacea interjects—originally from Southeast Asia).

The California Department of Food and Agriculture’s Pest Detection Labs describes it as a “shothole borer beetle-pathogen complex.”

It’s still unclear how far the infestation—that affects box elders, California sycamores, coast live oak, arroyo willow, red willow and black cottonwood—has spread.

Lopez, the guy I’d met at Spring into Green in Los Gatos, was drinking it all in.

“It’s like an information dump,” he said. “I got to learn the other side of the mountain—and the challenges these river systems are going through.”

At every stop, a different approach to improving stream health had been deployed, he remarked.

“In our project, the City of Campbell didn’t want to remove the drop structure…The solution to that is to put in a series of boulders that raise the riverbed up,” he said, giving the tour a positive review. “I really enjoyed this and would do it again.”

We dropped down to the base of the mountain, stopping just before Santa Cruz periphery—another former tent city.

Now those campsites were nowhere to be seen, the discarded syringes in the parking lot the only immediate reminder of that recent era.

Down the Sycamore Grove trail, by the graffitied-concrete ruins of an old smokestack, Ryan Wall, chief ranger with the City, commented on the ecological progress.

“It’s been quite successful,” he said of their efforts to dismantle homeless settlements, noting they’d just finished cleaning up a section along Redwood Creek.

Decades ago, this had been home to an actual sanctioned campground, Berry noted.

“San Lorenzo was a huge fishery back in the day,” Berry said.

We also got a lesson in what happens when the City accidentally pollutes the river.

The City had been directionally drilling and ended up spilling fracking material—in this case, bentonite (clay)—into the river, contaminating .3 acres.

To compensate, the City removed trash from this portion of Pogonip, completed a half-acre project along East Zayante Road and conducted a .2-acre habitat restoration in another location.

The projects were hit-or-miss in terms of effectiveness, in part because unhoused individuals kept ripping out plantings, according to the City, but ultimately CDFW decided they’d “overmitigated,” and gave them the thumbs-up.

Max Ramos, a restoration engineer who works for the Yurok Tribe, said the educational outing covered familiar territory, since he grew up in Santa Cruz.

However, he said it was helpful to learn the particulars of what’s going on environmentally in his hometown, as he moves forward with a blockbuster remediation up north.

The experts in my van told me he’s involved in “the most significant” river health project in California.

Last year, the Yurok removed four dams along the Klamath River. Chinook salmon were spotted upstream pretty much right away.

“It’s been the quickest response to large scale dam removal in the Lower 48,” Ramos said. “It’s been awesome.”


Street Talk

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Upper Level

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