Rob Brezsny’s Astrology: April 19-25

ARIES (March 21-April 19): In English, the phrase “growing pains” refers to stresses that emerge during times of rapid ripening or vigorous development. Although they might feel uncomfortable, they are often signs that the ongoing transformations are invigorating. Any project that doesn’t have at least some growing pains may lack ambition. If we hope to transcend our previous limits and become a more complete expression of our destiny, we must stretch ourselves in ways that inconvenience our old selves. I’m expecting growing pains to be one of your key motifs in the coming weeks, dear Aries. It’s important that you don’t try to repress the discomfort. On the other hand, it’s also crucial not to obsess over them. Keep a clear vision of what these sacrifices will make possible for you.

TAURUS (April 20-May 20): Satirical Taurus author Karl Kraus defined “sentimental irony” as “a dog that bays at the moon while pissing on graves.” Please avoid that decadent emotion in the coming weeks, Taurus. You will also be wise to reject any other useless or counterproductive feelings that rise up within you or hurtle toward you from other people, like “clever cruelty” or “noble self-pity” or “sweet revenge.” In fact, I hope you will be rigorous about what moods you feed and what influences you allow into your sphere. You have a right and a duty to be highly discerning about shaping both your inner and outer environments. Renewal time is imminent.

GEMINI (May 21-June 20): In his poem “October Fullness,” Pablo Neruda says, “Our own wounds heal with weeping/ Our own wounds heal with singing.” I agree. I believe that weeping and singing are two effective ways to recover from emotional pain and distress. The more weeping and singing we do, the better. I especially recommend these therapeutic actions to you now, Gemini. You are in a phase when you can accomplish far more curative and restorative transformations than usual.

CANCER (June 21-July 22): After careful analysis of the astrological omens and a deep-diving meditation, I have concluded that the coming weeks will be a favorable time for you to indulge in an unprecedented binge of convivial revelry and pleasure. My advice is to engage in as much feasting and carousing as you can without completely ignoring your responsibilities. I know this may sound extreme, but I am inviting you to have more fun than you have ever had—even more fun than you imagine you deserve. (You do deserve it, though.) I hope you will break all your previous records for frequency and intensity of laughter.

LEO (July 23-Aug. 22): In 1886, Vincent van Gogh bought a pair of worn-out shoes at a Paris flea market. When he got home, he realized they didn’t fit. Rather than discard them, he made them the centerpiece of one of his paintings. Eventually, they became famous. In 2009, a renowned gallery in Cologne, Germany, built an entire exhibit around the scruffy brown leather shoes. In the course of their celebrated career, six major philosophers and art historians have written about them as if they were potent symbols worthy of profound consideration. I propose that we regard their history as an inspirational metaphor for you in the coming weeks. What humble influence might be ready for evocative consideration and inspirational use?

VIRGO (Aug. 23-Sept. 22): Gliding away from the routine for rendezvous with fun riddles? I approve! Delivering your gorgeous self into the vicinity of a possibly righteous temptation? OK. But go slowly, please. Size up the situation with your gut intuition and long-range vision as well as your itchy fervor. In general, I am pleased with your willingness to slip outside your comfortable enclaves and play freely in the frontier zones. It makes me happy to see you experimenting with AHA and WHAT-IF and MAYBE BABY. I hope you summon the chutzpah to find and reveal veiled parts of your authentic self.

LIBRA (Sept. 23-Oct. 22): The German word Sehnsucht refers to when we have a profound, poignant yearning for something, but we quite don’t know what that something is. I suspect you may soon be in the grip of your personal Sehnsucht. But I also believe you are close to identifying an experience that will quench the seemingly impossible longing. You will either discover a novel source of deep gratification, or you will be able to transform an existing gratification to accommodate your Sehnsucht. Sounds like spectacular fun to me. Clear some space in your schedule to welcome it.

SCORPIO (Oct. 23-Nov. 21): Most of us have at some time in the past been mean and cruel to people we loved. We acted unconsciously or unintentionally, perhaps, but the bottom line is that we caused pain. The coming weeks will be a favorable time for you to atone for any such hurts you have dispensed. I encourage you to be creative as you offer healing and correction for any mistakes you’ve made with important allies. I’m not necessarily suggesting you try to resume your bond with ex-lovers and former friends. The goal is to purge your iffy karma and graduate from the past. Perform whatever magic you have at your disposal to transform suffering with love.

SAGITTARIUS (Nov. 22-Dec. 21): The blues singer-songwriter B. B. King wasn’t always known by that name. He was born Riley B. King. In his twenties, when he began working at a Memphis radio station, he acquired the nickname “Beale Street Blues Boy.” Later, that was shortened to “Blues Boy,” and eventually to “B. B.” In the spirit of B. B. King’s evolution and in accordance with astrological omens, I invite you to identify areas of your life with cumbersome or unnecessary complexities that might benefit from simplification.

CAPRICORN (Dec. 22-Jan. 19): Proboscis monkeys live in Borneo and nowhere else on earth. Their diet consists largely of fruits and leaves from trees that grow only on Borneo and nowhere else. I propose we make them your anti-role model in the coming months. In my astrological opinion, you need to diversify your sources of nourishment, both the literal and metaphorical varieties. You will also be wise to draw influences from a wide variety of humans and experiences. I further suggest that you expand your financial life so you have multiple sources of income and diversified investments.

AQUARIUS (Jan. 20-Feb. 18): It’s challenging to track down the sources of quotes on the Internet. Today, for instance, I found these words attributed to the ancient Greek philosopher Plato: “I enjoy the simple things in life, like recklessly spending my cash and being a disappointment to my family.” That can’t be right. I’m sure Plato didn’t actually say such things. Elsewhere, I came upon a review of George Orwell’s book Animal Farm that was supposedly penned by pop star Taylor Swift: “Not a very good instructional guide on farming. Would NOT recommend to first-time farmers.” Again, I’m sure that wasn’t written by Swift. I bring this up, Aquarius, because one of your crucial tasks these days is to be dogged and discerning as you track down the true origins of things. Not just Internet quotes, but everything else, as well—including rumors, theories and evidence. Go to the source, the roots, the foundations.

PISCES (Feb. 19-March 20): In accordance with astrological omens, I’m turning over this horoscope to Piscean teacher Esther Hicks. Here are affirmations she advises you to embody: “I’m going to be happy. I’m going to skip and dance. I will be glad. I will smile a lot. I will be easy. I will count my blessings. I will look for reasons to feel good. I will dig up positive things from the past. I will look for positive things where I am right now. I will look for positive things in the future. It is my natural state to be a happy person. It’s natural for me to love and laugh. I am a happy person!”


Homework: Make a guess about when you will fulfill your number one goal. newsletter.freewillastrology.com

Sampa is Bringing Authentic Brazilian Dining to Santa Cruz Next Month

Greater Santa Cruz enjoys a lot of international elements, as even the briefest romance with the downtown Wednesday Farmers Market can attest. (Give me all the Eritrean lamb from Nahna and Old England-style fish and chips from Scrumptious.) 

But nothing on the level of São Paolo. 

Admittedly, that’s not a fair fight. 

São Paolo, known as “Sampa” by locals, has more restaurants than Capitola does people.

Sampa, with a population of 23+ million, is considered South America’s culinary capital. 

That’s partly thanks to the massive amount of influences plying their flavor there, including more Portuguese, Spaniards, Japanese and Italians than any other city outside their native lands.

Three siblings from the largest city in the Southern Hemisphere open their epicurean tribute to São Paolo in Santa Cruz as soon as early May by way of Sampa Brazilian Food.

Natasha Reber, Ricardo Malia and Fernando Neto—named in order of their immigration here, prompted by Reber’s arrival to learn English and her talking her brothers into it—have gathered an enthusiastic following with street food-inspired stuff at Woodhouse Blending & Brewing. 

Their new full-service restaurant space sits at the corner of Water Street and North Branciforte Avenue, in a place that locals long knew as Joe’s Pizza (before his brother made it Robbie’s Pizza & Subs).

New floors, reimagined paint and a dog-friendly deck are already in place. 

On the menu will appear dishes that made Sampa an integral part of Woodhouse’s welcoming vibe. Think coxinha chicken croquettes and slow-cooked carne louca tri-tip, plus new dishes like savory hand-pie pasteles and traditional feijoada bean and pork stew.

Live music on weekends will accompany draft beers (anticipate Woodhouse specialties), local wines and satisfying flavors from a country underrated for its delicious pop.

It reminds me of something my world-traveling colleague Hanif Wondir told me when we visited São Paolo: “I had no idea Brazil does food this good.”

PENNY FOR YOUR PLOTS

A Penny Ice Creamery scoop: The local legend is opening new stores in Los Altos and Palo Alto, its first outposts away from home turf. Founders Kendra Baker and Zachary Davis are stoked to take the long-anticipated leap. “For years now, Bay Area guests have been asking for The Penny to open locations over the hill,” Baker says. The debuts are expected at the tail end of this spring. thepennyicecreamery.com

SLICE OF HEAVEN

Speaking of long-anticipated: The Pizza Series is open at 226 Mt. Hermon Road in Scotts Valley for lunch and dinner takeout Thursday-Saturday as it awaits its indoor space remodel completion. Five-star Detroit-style pies, hot honey and vegan options are all in play. thepizzaseries.com

SHOOT FOR THE STARS

UCSC astronomy and astrophysics department chair Puragra Guha Thakurta gets intergalactic gourmet with a star-gazing session and a three-course dinner on April 23 at Chaminade Resort & Spa. From the heavens descend gulf prawn ceviche, Petaluma Farm rack of lamb and Pinkberry opera cake, paired with peeks through Thakurta’s telescope. www.chaminade.com

The Complex and Wonderful M. Mathis 2020 Gruner Veltliner

Marty Mathis is well known around these parts. He’s an excellent winemaker and has been involved in wine for most of his life, learning the trade from his mother, the late Kathryn Kennedy, whose namesake winery continues.

Kennedy was a pioneer winemaker. She established her vineyard “during the wine boom of the early 1970s” and began producing excellent wines. There were not many women making wine back then.

Mathis is the winemaker for Kathryn Kennedy wines, but he also established his label in 2021, M. Mathis Winegrower.

“The M. Mathis Winegrower is my new vehicle to show you what I learned,” Mathis says. “Come on for the ride.” Well, he’s off to a good start with the 2020 Gruner Veltliner (about $30), as the grapes are harvested from the esteemed Alfaro Vineyards in Corralitos. 

“Not a beginner white wine,” Mathis says. “It shows complex and alluring aromas derived from its coastal terroir. It will be more at home at the evening dinner table rather than an outdoor setting or casual picnic.”

Mathis ships out his wines—usually by the case—as he doesn’t have a tasting room. The Gruner Veltliner is sold in batches of three bottles ($72). kathryn-kennedy-winery.obtainwine.com

Santa Cruz Mountains Grand Wine Tasting

Join vintners of the Santa Cruz Mountains with more than 40 wineries in one location, including Marty Mathis pouring the wines of Kathryn Kennedy Winery. Food will be available for purchase or bring your own picnic. Bid on more than 50 exciting silent auction items and check on the bidding from the app on your phone.

Santa Cruz Mountains Grand Wine Tasting is Sunday, April 30, 12:30-4pm. Mountain Winery in Saratoga. $70-170. scmwa.com  

Woodies Café Delivers Retro Vibes, Fresh Seafood and Ocean Views

Lance Haggard worked in aerospace sales until 9/11. After his position was cut, he followed a “traveling itch” and moved to Shanghai, where he helped open several restaurants, including his own. But Haggard missed home too much, so he returned to Santa Cruz, where he had lived as a young adult. He responded to a Craigslist ad seeking a GM for Woodies Café. That was five years ago.
Woodies has the feel of a 1950s diner. Of course, the ocean views are timeless. Haggard defines the menu as “elevated fast-casual American cuisine centered around classic seafood favorites.” The fresh calamari is a palette-awakening favorite, as is the award-winning clam chowder, served in the obligatory sourdough bread bowl. Other options include fish and chips, burgers and the nostalgia-flavored old-fashioned milkshakes.
Hours are 11am-9pm every day. Haggard dished to GT on the clam chowder and his passion for Woodies’ customers. 

What makes Woodies’ chowder so good?

LANCE HAGGARD: The recipe is over 50 years old; I think the owner actually sleeps with [the recipe] under his pillow. The secret is putting in the highest quality ingredients to get the highest quality product. It’s a thicker style with a lot of clams and fresh potatoes. And we serve it in a fresh-baked bread bowl that is over-proofed, so it gets just the right amount of sourdough tang with a crispy crust and a billowy, soft, cloud-like interior.

What do you love about working on the Wharf?

Working in Shanghai for so many years, I was used to meeting people from all over the world. Working here is similar. The breadth of the different clientele is very rich and diverse. Our guests come from down the street, Asia, Europe and everywhere in between. 

Woodies Café, 25 Municipal Wharf, Santa Cruz, 831-421-9410; woodiescafe.net

Two Members Leave Santa Cruz County Fairgrounds Board

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Santa Cruz County Fairgrounds Board Chair Don Dietrich has resigned his post and interim Fairgrounds Manager Kelley Ferreira has announced his departure, Board Director Nick Calubaquib confirmed Monday.

Dietrich, who made the announcement to his fellow board members last week, did not return a call for comment. His final day is April 21. 

But in an email to the board, Dietrich said he hopes his departure “will help to heal the anger that everyone’s experiencing at every meeting.”

“And he apologizes,” Calubaquib said. “He believed that he’s lost his ability to consider public comment without bias because of all the emotions that have been involved in everything that has gone on over the past several months.”

Ferreira said his role as interim manager always had an expiration date. His last day is May 15.

The departures add yet another chapter in the saga of the Fairgrounds, which began Oct. 4, when the Board fired Manager Dave Kegebein.

That move came after an audit by the California Department of Food and Agriculture showed hundreds of expenditures on a state-issued credit card totaling more than $100,000 were for “various purchases that were personal in nature, unjustified and/or not supported with a receipt or a vendor invoice.”

Roughly $30,000 of these purchases were for fuel for Kegebein’s personal vehicle, the audit shows.

Kegebein handed the board a check for that amount at a later meeting. He says that the fuel was for the truck he used for his work at the Fairgrounds.

In the wake of his dismissal, Directors Jody Belgard and Loretta Estrada were fired without being given a reason about two weeks later in a phone call from the office of Gov. Gavin Newsom.

The board will discuss appointing a new member and hiring a new director at its April 25 meeting.

Board Vice-Chair Stephanie Fontana and Director Tony Campos did not return a call seeking comment.

Calubaquib said he was not surprised to hear the news.

“I mean, there has been so much turmoil with the leadership of the fairgrounds over the past several months,” he said. “With every change there is opportunity. This will hopefully give the opportunity to work on healing and to work on moving forward in a positive way.”

This story will be updated.

Lawmakers Push for Faster Pajaro River Levee Repairs

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A little more than a month after the Pajaro Levee broke and released waves of roiling river water that laid waste to homes, businesses and crops in Pajaro, a group of local, state and federal lawmakers gathered near the river in Monterey County to discuss what is being done to help ensure such a disaster does not happen again.

Tommy Williams, who manages the U.S. Army Corps of Engineers’ (ACOE) San Francisco office, told a gaggle of reporters that temporary fixes are expected to begin in the coming summer.

But Williams also says that a $400 million upgrade to the levee system to provide 100-year flood protection could begin as early as summer 2024. 

This is a significant departure from recent predictions that it would take at least two years—and possibly up to five years—to get started.

But the promise Wednesday from Sen. Alex Padilla and Rep. Jimmy Panetta—along with Pajaro River Flood Management Agency Director Mark Strudley—was clear: officials are working to cut through red tape and streamline the process.

Padilla pointed to the recent acquisition of $400 million in state and federal funds to upgrade the levee system, but says it comes too late for residents who are still out of their homes. Many of those are the same residents who have endured five floods over the past three decades.

“Unfortunately, tragically, mother nature didn’t wait,” he says. “Didn’t wait for the work to get started. It’s now our job to make sure that tragedy doesn’t strike again while funding is in the pipeline. We will continue to work together to ensure the Biden Administration expedites construction funding and protects this community the way it deserves.”

Panetta says he has made fixing the levee system a priority during his time in Congress by putting pressure on federal and state lawmakers and the ACOE.

“But boy, have we seen lately that more pressure is needed,” he says. “Pressure not just to start this project but to start it right now.”

Strudley says that he is taking action now to fast-track the temporary repairs, making sure the needed funding is secured and eliminating the regulatory and administrative burdens that could delay the project.

“We are ready, willing and able to start building new levees,” Strudley says.

The ‘What’s Home?’ Project Engenders Creative Connectivity

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The San Lorenzo flows steadily behind the Tannery Arts Center, clear for the first time in months. Away from the river’s sycamores, the concrete holds the heat of the day. Artistic Director of What’s Home? Creative Listening Across Difference Andrew Purchin and Cynthia Strauss sit in the shade of the Tannery’s Radius Gallery. They lean towards one another, animated in conversation. Their postures anticipate the topic at hand: creative listening. 

At its core, What’s Home? is a community documentary project that puts housed and unhoused Santa Cruz residents in conversation. In the documentary, artists ask participants about their relationship to home and how housing scarcity has impacted them. During discussions, artists also facilitate creative activities—like music-making, drawing, or crocheting. The project has been years in the making. 

“This chapter started in 2020 when I brought my creative listening project to the Benchlands encampment here in Santa Cruz,” Purchin says. 

The San Lorenzo Park Benchlands encampment served as a city-sponsored camping place for people experiencing homelessness from 2020 to November of last year. Purchin would paint at the Benchlands and have conversations with passersby. These types of conversations—generative, meandering, curious—typify creative listening. 

Before 2020, Purchin practiced live painting and creative listening nationally, at the 2008 inauguration of President Obama and the 2012 Republican and Democratic National Conventions.

“I’d start a painting at the Republican National Convention, and then I’d bring it to the Democratic National Convention, and the people would go, ‘Oh, that’s us,’ and I’d say, ‘No, that’s the Republicans,’ and I’d finish the painting over there,” Purchin says. “I’d have conversations with the easel in front of me. It’s like having a puppy. It gets conversations going.”

Strauss—a dancer and interviewer in What’s Home? —emphasizes that other artists have swiftly and widely adopted creative listening. Strauss participated in Purchin’s project to bring 1000 artists to the 2012 presidential inauguration and perform site-specific, creative listening projects more locally. 

“Other artists jumped on it. For instance, I did a dance on a bridge [to San Lorenzo Park] where someone was beaten up. There have been many more artists who have brought this concept to other places,” Strauss says. 

Purchin proposed the What’s Home? project to the City Arts Recovery Design program in 2021, ran a successful pilot with musician Michael Levy and received a grant. Now, What’s Home? uses creative listening to understand the often heavy stories of Santa Cruz residents experiencing homelessness. 

“If you are deeply listening, people reveal what they wouldn’t necessarily be willing to reveal otherwise. You see the quality of listening through the person who is talking. That’s what I noticed when I was interviewing,” Strauss says. “I don’t need to do anything more than allow the space to grow for them to say what they need to say. I’m here to hear your story. I can hold it. They are heavy stories, some of them.”

Artists are uniquely poised to have these meaningful conversations because they have what Purchin calls “mixing boards.”

“On that mixing board, we might ask, [about someone’s experience] what is like from far away? What’s it like from up close? What’s it like in the middle? What would it be like in black and white? In color and what color? What colors do you see your childhood as?” Purchin explains.

Strauss finds these sorts of nuanced questions, particularly poignant for matters related to housing and homelessness. 

“I’m fascinated with that tipping point, that spectrum,” Strauss says. “For me, as a mover, we have all these pedestrian movements, and when do they become dance? When does rocking become a dance form? I realized that this applies to everything. Like when is a person considered housed or unhoused? Is it when you’re on your friend’s couch because you have nowhere to go? Or is it when you are definitely on the sidewalk? Those shades of grey are constant, and then, all of a sudden, it tips.”

In addition to the documentary, the What’s Home? project has engendered a suite of creative projects, set to premier this Saturday at The 418 Project. During the show, A Night of Creative Listening Across DifferenceStrauss will dance to an original score by their husband and fellow artist Ken Bewick. The show will also include a thirty-minute, one-act play, musical acts, and clips from the What’s Home? documentary. 

Strauss and Purchin agree that art is vital to addressing issues like housing and homelessness. 

“We [artists] can explain it in ways that aren’t necessarily cognitive,” Strauss says. “People can access it in a different way. Because sometimes it is too painful, but maybe I can see something crocheted by someone housed and unhoused and have a different feeling.” 

Purchin adds, “Art is relationship building, and we need to make relationships across differences—between housed and unhoused people—so that people are enrolled in making a better community. Art brings us together.”

To those who might suggest that a more urgent, direct aid approach is appropriate in addressing the housing crisis and homelessness, Purchin says, “They’re not wrong. And, artists, as cultural workers, can shift the consciousness.”

Purchin’s painting from the San Lorenzo Benchlands encampment sits against the wall in the Radius Gallery, soon to hang with the work of other What’s Home? artists. The painting is a vibrant, layered amalgamation of tarps and tents. A sycamore leans in its corner. It looks familiar, like home. 

Night of Creative Listening Across Difference, Saturday, April 15 at 7pm. Sliding scale entrance fee. The 418 Project, 155 S. River St., Santa Cruz. 

What’s Home? Multimedia Exhibition, Sunday, April 16 at 2pm (opening reception). The exhibition runs through May 7. Free. Radius Gallery, Tannery Arts Center, 1050 River St., Unit 127, Santa Cruz. whatshome.org

Opinion: Writing on the Wall

EDITOR’S NOTE

Over 45 years ago, Rob Brezsny came across a message scribed in a bathroom stall at a Roy Rogers in North Carolina: “I got Santa Cruzified and Californicated, and it felt like paradise,” it read. “You know you’ll never become the artist you were meant to be until you come live in Santa Cruz.” The unconventional sign inspired the younger Brezsny to go west and settle in Santa Cruz. Mark C. Anderson’s cover story is a window into Brezsny’s wisdom and those roads less traveled—many of which have led to good things—you’ll understand why sometimes the unconventional, unexpected or downright destitute route might be best.
Brezsny’s early years in Santa Cruz weren’t easy: He rotated between living in a room with a shared bathroom in the original St. George Hotel and a sleeping bag in San Lorenzo Park. He lived on food stamps, which never lasted a month, even when he stuck to a diet of mostly rice and veggies.

Brezsny’s rickety old bike was his means of transportation—it was a challenge to scrounge up enough for bus fare—so he was devastated when his one-speed jalopy was stolen. He now sees it as a blessing; it led him to the classified pages of Good Times, where he saw an ad that the paper was looking for a new horoscope writer. 

Before the horoscope column, Brezsny lived in “squalor and deprivation.” After his column launched on Jan. 26, 1978, life remained unchanged. Good Times paid him $15 per week. So, along with his guaranteed monthly resources, including food stamps, his total monthly earnings amounted to less than $150. Brezsny supplemented his income with temp jobs, which included weeding senior citizens’ gardens and volunteering for medical experiments.

Brezsny delves deeper into his early days in Santa Cruz in his forthcoming book, Astrology Is Real: Revelations from My Life as a Horoscope Columnist, (release date: TBD). Not including his books, his Free Will Astrology column has accounted for 70,000 words for each of the 45 years it’s run—it appears in 90-plus publications in North America, Italy, France, Japan, the Netherlands and beyond. That message in the North Carolina bathroom stall eventually led Brezsny to a comfortable life in Marin. More importantly, as Anderson relays in his story, it led to Brezsny’s understanding of how he’s constructed on a molecular level. “I’m made of Santa Cruz,” he says. “I’m Santa Cruz taken to the world at large.”

Adam Joseph | Editor


PHOTO CONTEST WINNER

budding talent
A 15-year-old photographer showcases the intricate beauty of a flower in Live Oak. Photograph by Daniel Floro.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

This Saturday, the Resource Center for Nonviolence (RCNV) will hold a free discussion with two prominent Santa Cruz activists to inspire future activism. The “Stories of Resistance” event will feature Bella Bonner and Joy Flynn, local Black Lives Matter organizers. Flynn initiated the first Black Lives Matter protest in downtown Santa Cruz right after George Floyd was murdered. Bonner organized the largest Black Lives Matter march in Santa Cruz later that summer. rcnv.org


GOOD WORK

UCSC will host its first Land Acknowledgement event Wednesday, April 12. The event will recognize the Amah Mutsun Tribal Band, the Indigenous people who originally inhabited the land, and discuss the tribe’s relationship with their homelands. The event aims to answer the community’s questions about land acknowledgments and will be hosted online and in-person, beginning at 3pm at Stevenson Event Center. Register at calendar.ucsc.edu/event


QUOTE OF THE WEEK

“I don’t believe in astrology; I’m a Sagittarius and we’re skeptical.”

―Arthur C. Clarke

Letter to the Editor: Community Spirit

Brookvale Terrace Mobile Home Park in Capitola marks 30 years of resident ownership this April, and more than 50 years as a mobile home park. A potluck with residents on April 15 will celebrate the small community, its memories and the success of privately owning and managing a mobile home park.

“As residents of Brookvale Terrace, we enjoy our natural surroundings, the community of nice neighbors and having private control of our land and mobile home park. It’s truly an honor to volunteer on the board and serve my community. Our celebration will be an old-fashioned potluck with plenty of time for remembrances and socializing,” the Board of Directors President Sheryl Colson says.

Brookvale Terrace was constructed in the early 1970s by John Minges of Scotts Valley and his partners, according to The History of Noble Gulch and Brookvale Terrace Mobile Home Park, written by resident Stephanie Kirby. The Gulch and surrounding land were initially inhabited by the Ohlone native people and given to Maria Matina Castro Lodge in 1833 by the Mexican government as part of the Rancho Soquel land grant, according to Kirby’s history.

Much of the land was later sold to Frederick Hihn, and the Castro-Lodge homestead area on top of Hill Street to Augustus Noble in 1856. Thus, Kirby writes that Peck Gulch, named for a Castro-Lodge heir, became Noble Gulch. Due to the extensive rose gardens fed by vast nearby springs, Gulch called his estate Rosedale.

In the intervening decades, increasing conflict over rent increases in Capitola led to rent stabilization ordinances and lawsuits with park owners. Abraham Keh bought the park in 1981, and battled with the residents and Capitola over rent and maintenance, as detailed by Kirby. In 1993, residents bought the 20-acre property for $6.8 million with the help of a bond established by Capitola and established the Brookvale Terrace Property Owners Association.

Today the park is overseen by a volunteer Board of Directors and is one of the county’s most desirable mobile home parks. brookvaleterrace.com

Stacey Vreeken | Capitola


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Santa Cruz Shooting

A man was shot while riding in a car just before 2pm in Santa Cruz at the heavily traveled intersection of Ocean Street and San Lorenzo Boulevard.

As Santa Cruz Police raced to the scene, the victim was rushed to Dominican Hospital in a private vehicle.

The suspect is still at large, and considered armed and dangerous.

This article will be updated.

Rob Brezsny’s Astrology: April 19-25

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of April 19

Sampa is Bringing Authentic Brazilian Dining to Santa Cruz Next Month

Sampa Brazilian Food
Experience the best of São Paolo cuisine at Sampa, set to open in May

The Complex and Wonderful M. Mathis 2020 Gruner Veltliner

M. Mathis
Marty Mathis carries on the legacy of winemaker pioneer Kathryn Kennedy

Woodies Café Delivers Retro Vibes, Fresh Seafood and Ocean Views

woodies cafe Santa Cruz
1950s diner charm meets one of the best bowls of clam chowder in town

Two Members Leave Santa Cruz County Fairgrounds Board

Their departures mark another blow to an already beleaguered board.

Lawmakers Push for Faster Pajaro River Levee Repairs

Officials say construction on permanent repairs to the Pajaro River levee could begin this summer.

The ‘What’s Home?’ Project Engenders Creative Connectivity

Mayor Fred Keeley
The exhibit will feature film, music, dance and more inspired and created by unhoused and housed artists.

Opinion: Writing on the Wall

Rob Brezsny in Marin California
How a message on a bathroom wall led Free Will Astrology’s Rob Brezsny to Santa Cruz

Letter to the Editor: Community Spirit

Brookvale Terrace Mobile Home Park
A letter to the editor of Good Times

Santa Cruz Shooting

Man shot near downtown Santa Cruz; suspect at large
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