Managing the Aftermath of the Benchlands Closure

Last Tuesday, the remaining 24 people who had called the Benchlands at San Lorenzo Park home for the past several months packed up their belongings and dispersed—some heading to local shelters, and others making their way to other parts of the city.

It’s been almost three years since a long series of city encampment closures resulted in the city-sanctioned camp of nearly 300 unhoused people along the banks of the San Lorenzo River that officials, homeless service providers and residents often described as dangerous and lawless. Two months ago, the city started closing down sections of the Benchlands, going zone by zone across seven designated sections. City Homelessness Response Manager Larry Imwalle says that only a third of the campers—81 of roughly 241—took the municipality up on its offer to move into city-run shelters. Those shelters, including the newly established location at the National Guard Armory in DeLaveaga Park, never reached capacity.

Imwalle says the focus will now be on staying in contact with those who declined shelter and connecting them with homeless resources—and making sure no other encampments spring up around the city. 

The city plans to do this by sending its three outreach workers to connect with the campers who have dispersed across the city. There are still about a dozen shelter spots open at the city’s shelter at the Armory, so Imwalle hopes some of the former Benchlands residents might still opt for shelter. Outreach staff will also hold office hours from 11am to 1pm on Tuesdays at the picnic tables behind the Santa Cruz County Government Center. 

“This will be the first time that our outreach team has been doing this work and there hasn’t been the Benchlands,” Imwalle says. “But the outreach team has always done outreach throughout the city, going throughout the city and engaging folks and building those relationships and trying to support the homeless getting connected to services.”

People experiencing homelessness can elect to give personal information to the city and county, so that case managers can more easily reach them. Imwalle says around 170 campers from the Benchlands gave the city some sort of information that he says will make it easier to stay in touch.

Santa Cruz Free Guide Executive Director Evan Morrison says it’s unlikely that three workers will be able to stay in contact with homeless people who have now moved throughout the city. He says most case manager models advise a ratio of one outreach worker for every 20 unhoused persons. Also, because of the transient nature of homelessness and limited access to cell phones, once an encampment disperses, so does a home base to find and stay connected to people, he says.

“[Outreach workers will] be able to keep in touch with some homeless people, but to stay in touch for long enough—through everything that those folks go through—to make a difference, it’s not realistic,” says Morrison, whose organization teamed with the city to establish a “safe sleeping site” at DeLaveaga Park for those who are living out of their cars.

The completed clearout comes amidst Gov. Gavin Newsom’s surprise Nov. 3 announcement that the state will withhold homeless funding grants from cities and counties across the state until recipients come forward with more ambitious plans to reduce homelessness.

The plans cities and counties have currently put forward would collectively reduce statewide homelessness by 2% by 2024, a goal that Newsom says is “simply unacceptable.” At that rate, Newsom says, it would take decades to curb homeless. 

During the pandemic alone, the state’s homeless population grew by 22,500. In Santa Cruz County, according to a preliminary count done in August, data shows an estimated 2,299 people experienced homelessness, a 6% increase since 2019.

Mayors across the state are pushing back against this announcement, saying that addressing homelessness is dependent in part upon ongoing, steady state funding. Santa Cruz County spokesperson Jason Hoppin says that the county shares Newsom’s frustration, but also hinted at the need for steady streams of state funding for homeless solutions.

“The governor’s frustration around this issue is understandable, and it’s a frustration everyone in this field shares. If this is an opportunity to discuss establishing more substantial, ongoing sources of funding we welcome it,” Hoppin says. “The primary obstacle to both preventing and resolving homelessness is housing affordability. The solution to that problem is building more affordable housing, and local jurisdictions do not have the resources to meet the need in that area.”

According to Hoppin, the state gave $6.3 million in homeless grants to the county last year, money that went to Housing for Health Partnership (H4HP), the county’s local Continuum of Care. The program aims to reduce homelessness by just over 25% between January 2019 and January 2024. 

Morrison says he has mixed feelings on Newsom’s action, but ultimately he also wants more drastic results and more effective use of state homeless funds. 

“I don’t know that it’s really clear what money is being spent on,” Morrison says. “Ultimately, I actually do appreciate [Newsom is taking] this action. Programs are at stake. But also, our community has been at stake. This has been an ongoing issue for decades. Let’s take this opportunity to do something about it.” 

Santa Cruz Parklets Get Temporary Extension

Santa Cruz businesses taking advantage of the move outdoors spurred by the Covid-19 pandemic got good news last month, as the city council approved a trio of extensions that will allow them to continue their temporary outdoor operations for at least another year.

According to city officials, the ultimate goal is to convert most of those temporary permits that were set to expire next month to permanent operations before the extensions approved by the city council on Oct. 25 run out.

Businesses with outdoor operations in the public right-of-way will be able to continue through Oct. 31, 2023, while those on private property can continue to operate outdoors through March 31, 2024. In addition, the city council also extended the partial closure of Cathcart Street between Pacific and Cedar streets through March 2023.

The elected leaders approved the moves unanimously.

The city council also got its first look at the city’s proposed permanent parklet program, which outlines various guidelines, permit requirements and fees and operating standards for the outdoor seating areas that sprung up throughout the city over the last two years. 

Those rules were supposed to come back to the council for approval on Nov. 15, but after more than a dozen people voiced concerns about the proposed fees—including an annual $2,000 permit fee for the use of a metered parking space—during public comment, the council pushed the decision to no later than February 2023.

The city council also directed staff to form a subcommittee with local business owners to possibly make alterations to the proposed permanent ordinance.

To date, there are a total of 35 active temporary parklets: 26 in downtown, eight in the beach area and wharf, and one on the Westside.

Rob Brezsny’s Astrology: Nov. 9-15

ARIES (March 21-April 19): When you Aries people are at your best, you are driven by impeccable integrity as you translate high ideals into practical action. You push on with tireless force to get what you want, and what you want is often good for others, too. You have a strong sense of what it means to be vividly alive, and you stimulate a similar awareness in the people whose lives you touch. Are you always at your best? Of course not. No one is. But according to my analysis of upcoming astrological omens, you now have extra potential to live up to the elevated standards I described. I hope you will take full advantage.

TAURUS (April 20-May 20): In my experience, you Tauruses often have more help available than you realize. You underestimate your power to call on support, and as a result, don’t call on it enough. It may even be the case that the possible help gets weary of waiting for you to summon it, and basically goes into hiding or fades away. But let’s say that you, the lucky person reading this horoscope, get inspired by my words. Maybe you will respond by becoming more forceful about recognizing and claiming your potential blessings. I hope so! In my astrological opinion, now is a favorable time for you to go in quest of all the help you could possibly want. (PS: Where might the help come from? Sources you don’t expect, perhaps, but also familiar influences that expand beyond their previous dispensations.)

GEMINI (May 21-June 20): Sometimes, life compels us to change. It brings us some shock that forces us to adjust. On other occasions, life doesn’t pressure us to make any shifts, but we nevertheless feel drawn to initiating a change. My guess is that you are now experiencing the latter. There’s no acute discomfort pushing you to revise your rhythm. You could probably continue with the status quo for a while. And yet, you may sense a growing curiosity about how your life could be different. The possibility of instigating a transformation intrigues you. I suggest you trust this intuition. If you do, the coming weeks will bring you greater clarity about how to proceed.

CANCER (June 21-July 22): “We suffer more often in imagination than in reality,” wrote ancient Roman philosopher Seneca. That’s certainly true about me. If all the terrible things I have worried about had actually come to pass, I would be unable to function. Luckily, most of my fears have remained mere fantasies. What about you, fellow Cancerian? The good news is that in the coming months, we Crabs will have unprecedented power to tamp down and dissipate the phantasms that rouse anxiety and alarm. I predict that as a result, we will suffer less from imaginary problems than we ever have before. How’s that for a spectacular prophecy? 

LEO (July 23-Aug. 22): Poet Matt Michael writes, “Sure, the way trees talk is poetry. The shape of the moon is poetry. But a hot dog is also poetry. LeBron James’ tomahawk dunk over Kevin Garnett in the 2008 NBA Playoffs is poetry. That pothole I always fail to miss on Parkman Road is poetry, too.” In accordance with current astrological omens, Leo. I’d love for you to adopt Michael’s approach. The coming days will be a favorable time to expand your ideas about what’s lyrical, beautiful, holy and meaningful. Be alert for a stream of omens that will offer you help and inspiration. The world has subtle miracles to show you.

VIRGO (Aug. 23-Sept. 22): Virgo author Michael Ondaatje was born in Sri Lanka, but as a child moved to England and later to Canada. His novel Running in the Family describes his experiences upon returning to his native Sri Lanka as an adult. Among the most delightful: the deluge of novel sensory sensations. On some days, he would spend hours simply smelling things. In accordance with current astrological omens, I recommend you treat yourself to comparable experiences, Virgo. Maybe you could devote an hour today to mindfully inhaling various aromas. Tomorrow, meditate on the touch of lush textures. On the next day, bathe yourself in sounds that fill you with rich and interesting feelings. By feeding your senses like this, you will give yourself an extra deep blessing that will literally boost your intelligence.

LIBRA (Sept. 23-Oct. 22): You evolved Libras understand what’s fair and just. That’s one of your potencies, and it provides a fine service for you and your allies. You use it to glean objective truths that are often more valuable than everyone’s subjective opinions. You can be a stirring mediator as you deploy your knack for impartiality and evenhandedness. I hope these talents of yours will be in vivid action during the coming weeks. We non-Libras need extra-strong doses of this stuff.

SCORPIO (Oct. 23-Nov. 21): Here are tips on how to get the most out of the next three weeks: 1. Be a master of simmering, ruminating, marinating, steeping, fermenting and effervescing. 2. Summon intense streams of self-forgiveness for any past event that still haunts you. 3. Tap into your forbidden thoughts so they might heal you. Discover what you’re hiding from yourself so it can guide you. Ask yourself prying questions. 4. Make sure your zeal always synergizes your allies’ energy, and never steals it. 5. Regularly empty your metaphorical trash so you always have enough room inside you to gleefully breathe the sweet air and exult in the earth’s beauty.

SAGITTARIUS (Nov. 22-Dec. 21): “I straddle reality and the imagination,” says Sagittarian singer-songwriter Tom Waits. “My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.” I think that’s great counsel for you to emphasize in the coming weeks. Your reality needs a big influx of energy from your imagination, and your imagination needs to be extra well-grounded in reality. Call on both influences with maximum intensity!

CAPRICORN (Dec. 22-Jan. 19): Sometimes, Capricorn, you appear to be so calm, secure and capable that people get a bit awed, even worshipful. They may even get caught up in trying to please you. Is that a bad thing? Not necessarily—as long as you don’t exploit and manipulate those people. It might even be a good thing in the coming weeks, since you and your gang have a chance to accomplish big improvements in your shared resources and environment. It would take an extra push from everyone, though. I suspect you’re the leader who’s best able to incite and orchestrate the extra effort.

AQUARIUS (Jan. 20-Feb. 18): If you have been posing as a normal person for too long, I hope you will create fresh outlets for your true weird self in the weeks ahead. What might that entail? I’ll throw out a couple of ideas. You could welcome back your imaginary friends and give them new names like Raw Goodness and Spiral Trickster. You might wear fake vampire teeth during a committee meeting or pray to the Flying Spaghetti Monster to send you paranormal adventures. What other ideas can you imagine about how to have way too much fun as you draw more intensely on your core eccentricities?

PISCES (Feb. 19-March 20): I suspect you will have metaphorical resemblances to a duck in the coming weeks: an amazingly adaptable creature equally at home on land, in the water and in the air. You will feel comfortable anywhere you choose to wander. And I’m guessing you will want to wander farther and wider than you usually do. Here’s another quality that you and ducks will share: You’ll feel perfectly yourself, relaxed and confident, no matter what the weather is. Whether it’s cloudy or shiny, rainy or misty, mild or frigid, you will not only be unflappable—you will thrive on the variety. Like a duck, Pisces, you may not attract a lot of attention. But I bet you will enjoy the hell out of your life exactly as it is.

Homework: What’s the unfinished thing you most need to finish? newsletter.freewillastrology.com.

The Legacy of Outstanding in the Field

Twenty-three years ago, a lanky food artist named Jim Denevan connected some dots. Having worked with fresh organic produce as chef at Gabriella Cafe, he knew local growers. He’d walked their fields and enjoyed the magic of wandering through the tender new crops just before harvesting. The closer to the source of the food, he knew, the more connection from farmer to flavor. Why not take diners right out into the fields for their fresh-harvested dinner?

It was an idea that was springing up everywhere, but with Outstanding in the Field, Denevan took it further. From his brother’s apple orchards, all across the U.S and now in 16 countries around the world, Denevan sets his tables with the wares of local winemakers, farmers, brewers, chefs and fisher folk.

If you’ve never treated yourself to one of these amazing, al fresco, multi-course events—performances, celebrations, rituals—you might consider giving yourself a gift that spits in the face of inflation. A roving restaurant, without borders or limitations of the imagination, Outstanding in the Field is a truly unforgettable extravagance. Tickets are now on sale for the very last tables of Denevan’s 2022 OITF tour, which will require you to get on a plane and head for Africa. On Friday, Nov. 11, the Hendy Farms Mango Orchard hosts the moveable feast in Ghana, and on Saturday, Nov. 19, participants will dine under the olive trees of the Noor Fes Estate in Fez Morocco. I know it means you need to act boldly, but your passport’s up to date and what’s $365 among friends? Think about it. Just don’t take too long! outstandinginthefield.com.

Holiday Toasts

As far as wine tasting goes, there’s nothing more immediate and exciting than a barrel tasting, where you have a chance to go into the cellar where the wine is busy aging and sample some of the up and coming releases. How smart of Windy Oaks to invite us to a pre-holiday barrel tasting Nov. 18-20—Friday, Saturday and Sunday—at the gorgeous Corralitos estate.

Father and son winemakers Jim and Spencer Schultz will host the tastings, and you’ll also be able to sample newly released 2020 Whole Cluster Pinot Noir, and the new 2018 Brut Rosé of Pinot Noir. Expect to be impressed by handsomely packaged gift bundles of some of Windy Oaks’ top sellers. Nobody wouldn’t love to receive a premium wine from this outstanding producer. There will be live music and Oysters by Parker ($3) on Saturday and Sunday. $30/person each day. windyoaksestate.com.

Homeless Garden Holiday

The annual celebration of the enterprising Homeless Garden Project unfolds on Dec. 1 at the Resource Center for Nonviolence. This popular event gives supporters of the HGP a chance to sample festive small bites and beverages, and check out items created in the HGP training program. Executive Director Darrie Ganzhorn reminded us that this special evening brings the group’s store of crafts directly to the guests. The opportunity to browse for special items will be wrapped around the screening of Mission: JOY, a visual account shot of conversations between His Holiness the Dalai Lama and Archbishop Desmond Tutu. After the film, stay for the presentation by Douglas Abrams, co-author with the Dalai Lama and Tutu of The Book of Joy, which inspired this behind-the-scenes documentary. The annual benefit offers food for thought, inspiration and a chance to see the handiwork of the Project’s trainees.

Homeless Garden Project’s Holiday Celebration is Thursday, Dec. 1, 6:30-9pm, at 612 Ocean St., Santa Cruz. Tickets are $15/$10 at the Homeless Garden Project Downtown Store, 1338 Pacific Ave., Santa Cruz.

Davis Estates’ 2017 Zephyr Enhances Any Holiday Meal

The 2017 Private Reserve Napa Valley Zephyr ($145) is outstanding. You can’t go wrong with this magnificent wine if you want to enhance your Thanksgiving table or any other holiday event, for that matter.
In Greek mythology, Zephiros (Ζέφυρος) was the gentle god of the west wind and messenger of spring. He now brings a wine that can be drunk by mere mortals—not just reserved for Greek gods.
Zephyr is a sensual blend of Cabernet Sauvignon (80%), Cabernet Franc (12%), Merlot (7%) and Petit Verdot (1%). It brings to the table exquisite flavors of blackberry cobbler and brown sugar notes, hints of chocolate and coffee—with layers of dark cherry and black currant on the palate and bold silky tannins.
“The full-bodied finish will allow you to lay it down for many years,” winemaker Gary Gott says.
Davis Estates’ wines are in demand and sell out quickly. If that’s the case with the 2017 Zephyr, keep an eye out for their next release or try some other estate wines. Beyond the vino, the winery is a beautiful spot to visit. Guests can enjoy incredible scenery, including a 50-foot “new-antique” windmill while relaxing on a porch swing. Davis also offers superb wine and food pairings. It’s time to pamper yourself!
Davis Estates, 4060 Silverado Trail, Calistoga; 707-942-0700, davisestates.com.

Bread & Butter Pinot Grigio

Balanced and bright, the newly released 2021 Pinot Grigio has classic fresh notes of white floral, lemon and peach. It comes with a screw cap and can be found for under $20. breadandbutterwines.com.

Lúpulo Showcases Tilquin Beers 

Tilquin is one of the most-respected breweries in Belgium. Lúpolo, the only location in California—there are 20 in the U.S.—will host a special event to highlight 10 of Tilquin’s delicious fruit beers. The gathering is open to all—21 and over—on Saturday, Nov. 12, at 11:30am. VIP tickets are sold out.
Lúpolo Craft Beer House, 233 Cathcart St., Santa Cruz; 831-454-8306, lúpolosc.com.

Aptos’ Carried Away Elevates Takeout

Maribel Martinez began working at Carried Away in Aptos while attending Cabrillo College. Coincidentally, her dad and uncle were offered ownership of the longtime restaurant in 2018—they also brought Maribel on as a co-owner. While her father had owned a restaurant before, her uncle, Renee, is the chef and backbone of Carried Away. Maribel, meanwhile, does a little bit of everything, ensuring the business’ success. She says the menu—scratch-made and featuring about 90% organic ingredients—centers around deli fare and comfort food, with three entrée options that rotate weekly. Takeout, as the name implies, makes up a majority of the business.
Some menu favorites include the vegetarian enchiladas and their signature potato artichoke gratin; wild salmon is another popular dish, and the pumpkin turkey chili is always a seasonal standout. For dessert, the top dogs are the strawberry-walnut apple crisp and housemade coconut tapioca pudding.
Hours are Monday-Saturday, 11am-5pm. Recently, Maribel delved further into her restaurant with GT

What is Carried Away’s concept?

MARIBEL MARTINEZ: It is all about comfort food that you would normally cook at home, but you are able to come here and “carry it away” instead. And the place has a lot of history, we’ve been around a long time and we were one of the first restaurants to popularize utilizing organic ingredients. Even though it’s to-go food, it’s not fast food, and we focus on using healthy ingredients for people on the go. And even with rising food costs, we’ve tried to stay competitively priced and keep the quality of the food high.

How has it been going from employee to owner?

As an employee, I would observe our former manager and how she would interact with catering clients. It got me very excited because it was usually for big events like weddings and graduations. Food is how a lot of people come together. I didn’t realize how much work it would take to be an owner, but it’s very fulfilling, and hearing people rave about us is the momentum that keeps us going.

Carried Away, 7564 Soquel Drive, Aptos, 831-685-3926.

Violent, Court-Ordered Removal of Children Sparks Outcry

On Oct. 20, a group of strangers paid a late-night visit to Maya and Sebastian Laing’s grandmother’s house, where they had been staying.

After trying unsuccessfully to convince the kids to come with them willingly, the strangers carried them kicking and screaming to a waiting car. They were taken to an undisclosed location in Los Angeles, 350 miles away.

Because 15-year-old Maya expected this to happen, she had told several friends to be ready for her call. They showed up en masse, bringing families and neighbors with them.

One of them took a video detailing the strangers’ actions, which garnered more than 100,000 views before YouTube removed it. It still exists on Instagram at bit.ly/3NB3Uww and bit.ly/3WyYiay. Be warned, the content is disturbing.

The strangers were “transporters” from Assisted Interventions, Inc., a privately contracted company based in New Jersey that carries out court orders to move children in contentious custody disputes.

Maya and Sebastian’s situation is not unique. These children are often taken to “reunification camps,” where the parent on the other end of the dispute waits, along with counselors and other employees tasked with patching up their relationship.

In the days preceding that event, Maya took to her Instagram account, telling her followers she did not want to live with her mother (bit.ly/3UmGE7J and bit.ly/3hbQcnK).

The video of Maya and Sebastian has thrust a startling phenomenon into public view—one in which aggrieved and so-called “alienated” parents can have children taken away against their will—and with the full concurrence of the court.

A Closer Look

In the video, a man can be seen carrying a struggling 11-year-old Sebastian from behind. That is followed by two men carrying Maya—one grasping her legs and the other her arms—as she screams that she is being kidnapped. Witnesses say that her clothes came partially off during the struggle, and hair was stepped on and her face slammed into a car door.

All of this took place as two Santa Cruz Police Department officers stood watching. But Santa Cruz Police Deputy Chief Jon Bush says that none of what took place in the video was illegal.

The transporters, he says, were duly authorized to take Maya and Sebastian and were doing so under the order of Santa Cruz County Superior Court Judge Rebecca Connolly.

“The order allowed this contracted transportation company to physically take possession of the kids and to transport them to a location in Southern California,” Bush says. 

He stresses that the officers were not there specifically to assist the transporters. Instead, they were called to the scene for a report of a disturbance.

Once there, he says their job was solely to keep the peace.

On their website, Assisted Interventions, Inc. states that the company’s goal is to have children arrive at treatment facilities in a “positive frame of mind” and that it was founded “on the principles of Dignity, Compassion and Safety.”

The company has not responded to requests for comment as of Friday morning.

In a press conference Thursday, Santa Cruz Mayor Sonja Brunner and Santa Cruz County Supervisor Ryan Coonerty vowed to take action to prevent companies from violently taking children from their homes within the county.

“We regulate taxis and lots of other kinds of services, so this will be another business we want to make sure is operating consistent with our values,” Coonerty said. 

While the court system falls outside the County’s authority, a local ordinance setting standards for how minors are treated, Coonerty said, could give law enforcement officials more power to intervene in similar situations.

Coonerty also said the county would urge state lawmakers to pass policies to regulate these businesses.

Kiersten Dungy, 16, who has known Maya for two years and attended Pacific Collegiate School with her, hopes that whatever policies local leaders pass includes a “no-touching policy” for private transportation companies.

“So that kids who are court-ordered to be sent to reunification camps can be treated as human beings in their travels,” she says.

The kids’ mother, Jessica Laing, referred calls for comment to her attorney, who declined to talk on the record.

Their father, Justin Laing, declined to talk about the details of the legal case. But he said in a text message that “my heart is breaking for my kids.”

“What happened to them is not OK,” Justin wrote. “I will pursue every legal avenue to make this right for them.”

Reunification Camps

Tina Swithin, an internationally known blogger who advocates for change in the family court system, describes the industry surrounding reunification centers as “something out of a sci-fi movie.”

“I know parents who haven’t seen their kids in two years after they are taken away to these camps because what essentially the court orders give full rights to the people who own the camps, and they are making a lot of money off these things,” she says.

And a lucrative business it is. Danielle Pollack, a policy manager at George Washington University’s National Family Violence Law Center, says that a single day at one in “reunification treatment” can cost as much as $10,000.

The idea stems from “parental alienation,” a concept first defined in the 1980s as one parent engaging in a system of behaviors designed to alienate the other parent from their children. This can include maligning that parent to the kids, or keeping the other parent from seeing their children entirely. Alienation can also come from children who stop communicating with a parent because they are angry about a divorce.

Often, courts in those cases will employ counselors to try to seek an amicable familial resolution.

But parents can also weaponize the concept, using it as a counterclaim when their ex-spouse accuses them of abuse, saying the other is simply being vindictive and angry and attempting to separate them from their kids. 

In these cases, children are taken to a reunification camp, a catch-all phrase that can include hotels, nature retreats, or, in the case of Maya and Sebastian, the home of Los Angeles-based psychologist Lynn Steinberg.

Usually, Swithin says, the children are restricted from contacting anyone for at least 90 days.

“They’re not allowed to reach out to anybody,” Swithin says. “Which is part of what makes it so hard to grasp that they can do this.”

Steinberg did not respond to numerous requests for comment.

Pollack says that this strategy often works. Mothers frequently lose contested custody cases where they allege abuse, and fathers cross-claim “alienation,” she says.

“In 73% of these cases, mothers who allege abuse lose custody to the accused when the courts believe she is an ‘alienator’ sometimes even when courts acknowledge the father has abused the mother or children,” she says. “It’s an effective legal strategy. It really tears down the credibility of the person alleging the abuse.”

Pollack describes the concept of parental alienation as “junk science” that has nevertheless garnered legitimacy in court hearings since people purporting to be alienation experts testify during hearings.

“Part of the reason why it’s so effective is there is a large cottage industry serving the accused abusers,” she says. “They come in, and they testify as ‘alienation experts,’ as if their junk science theories were scientific and valid and are diagnosable. In fact, it’s not scientifically supported.”

Perhaps the most terrifying aspect of the industry is that it is largely unregulated, Pollack says. Pollack says that they are considered “educational” and therefore do not need the licenses required for psychological or counseling services. 

“Every valid area has a licensing board,” she says. “But these guys duck it.”

Once in the camps—stays could last a few days to several months—the children are forced to spend time with the parent with whom they are resisting contact. Pollack says that the children are also forced to interact with “reunification counselors” who try to convince them that the abuse they are alleging did not happen.

She says that children in the camps are forbidden to talk about the past and their parents’ divorce.

Parents are similarly forbidden to discuss cases with their kids in some places. Others have employees called “green shirts” who come to sit between the parents to change the subject if such conversations occur, Pollack, says.

A minor’s desire to stay with one parent frequently does not factor into a judge’s ruling, says Pollack.

“It matters very little,” she says. 

Part of that, she says, is due to who represents children in court.

Usually, kids are represented by a guardian ad litem—also known as a “best interest attorney”—who forms an opinion about what’s best for them. 

While this was meant to shield the kids from the often traumatic process, it usually does not represent what the children want since the guardian must consider all facts of the case.

“So, the voice of the child over the past 20 years has really gone out of the process in many ways,” Pollack says.

Community Response

The fact that what happened is legal is cold comfort for the people who know the kids and saw them being taken against their will.

“We want to spread awareness to what’s going on,” says Dungy.

Dungy helped organize an Oct. 27 candlelight vigil—which drew about 50 people—and a protest the next day in front of the County Courthouse in Watsonville, where family court is held. 

She also placed herself between the transporters and Maya to stop them before police officers told her to stop interfering.

“We want to end reunification camps because no human should have to go through what Maya and Sebastian and all these other kids have gone through,” Dungy says. 

Friends at the candlelight vigil described Maya as a quiet, bright, friendly, selfless and thoughtful girl. Friends said that she is adventurous and athletic, plays volleyball, participates in theater, and is a student government leader.

Sebastian is described as a smart, funny boy who hopes to go to Pacific Collegiate School with his sister next year.

Family friend Matt Berlin said the children’s father has no idea where they are.

“He doesn’t know if they’re safe, he hasn’t seen pictures of them, he has no idea the status of his kids, and he is heartbroken,” Berlin says. 

Berlin said his friend is “an amazing parent.”

“He is one of the best fathers I’ve ever met in my entire life,” he says. “He loves his kids so much. He would do anything for them.”

Things to Do in Santa Cruz: Nov. 2-8

ARTS AND MUSIC

MARGO PRICE BOOK TALK AND SIGNING There’s nothing conventional about Margo Price or her rise as an acclaimed country musician, which made her a perfect fit for Jack White’s Third Man Records—Price’s debut Midwest Farmer’s Daughter was the label’s first country release. “Hard work, stick-to-it-ivness, grit and pristine musicality drenched in real life experience from the school of hard knocks—that’s Nashville,” Third Man notes. “That’s country music. That, ladies and gentlemen, is MARGO PRICE.” Price’s music is an unapologetic dive into her life story, but the singer-songwriter’s new memoir Maybe We’ll Make It delves deeper into the struggles, the tragedies and the subsequent success of one of the most talented singer-songwriters making music. Free. Wednesday, Nov. 2, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.

MORTON MARCUS POETRY READING FEATURING NATASHA TRETHEWEY The annual poetry reading is a tribute to poet, teacher and film critic Morton Marcus. “She’s the stain on the wall the size of her shadow—the color of blood, the shape of a thumb.” This line from the poem “Kitchen Maid with Supper at Emmaus, or The Mulata” was written by Natasha Trethewey, this year’s guest. The two-time U.S. Poet Laureate is one of the most distinguished U.S. contemporary poets. In addition to five poetry collections, including 2018’s Monument, which was longlisted for the National Book Award, she’s received fellowships from the Academy of American Poets, the National Endowment for the Arts and the Guggenheim Foundation. The list of accolades goes on, but you get the idea. Trethewey is a Board of Trustees professor of English at Northwestern University. Free (registration required). Thursday, Nov. 3, 6pm. Merrill Cultural Center, UC Santa Cruz. thi.ucsc.edu.

SON LITTLE WITH MOOREA MASA & THE MOOD Son Little’s recent release Like Neptune was born in a cabin overlooking the Delaware River in upstate New York. The record emits freedom and self-acceptance and transforms self-doubt into a striking opus about overcoming generational distress. “I’ve always felt as though I was making music because I had to; something inside compelled me—fueled me,” Little says. “This is the first time in a long time I’m making music for the pure joy of creating.” Throughout his career, the musician has collaborated with Portugal. the Man, the Roots and RJD2, but his latest record is a spotlight on his artistry without any guests. Little describes the 12 new tracks as his “inner R&B boy band.” $20/$25 plus fees. Saturday, Nov. 5, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

BOOKER STARDRUM WITH SAMANTHA BOUNKEUA, GENOA BROWN AND MIRANDA JAVID Booker Stardrum has collaborated, toured and recorded with a slew of notables, including Lee Ranaldo, Carl Stone, Wendy Eisenberg and Weyes Blood. He’s a composer, percussionist, producer and educator who describes his work as “carved from the dense layering of instruments and manipulated samples, a pan-tonal harmonic sense and an intuitive approach to rhythm.” During his three-day residency at Indexical, Stardrum will perform with several local musicians, including Samantha Bounkeua (violin) and Genoa Brown (saxophone). But this will be more than a straightforward performance; the result will be a new composition incorporating live electronics, acoustic instruments and live video projection, courtesy of artist Miranda Javid. $16; $8/members. Saturday, Nov. 5, 8:30pm. Indexical at Tannery Arts Center, 1050 River St., Studio #119, Santa Cruz. indexical.org.

CAFE VERNACULAR. THE ART OF TOM BOTTOMS’ BOOK LAUNCH Café Vernacular is full of color illustrations featuring the rare oil paintings of Tom Bottoms; celebrated local painter Frank Galuszka provides commentary in English and Italian. “Familiar objects, earthy colors and tangible moments unfold on every page, rewarding art lovers and travelers alike—the book offers vernacular vistas, appetizers for the eye.” Galuszka will read selected vignettes from the book at the release event. Wine will be available for purchase. Attendees who stay for dinner won’t be disappointed by Bad Animal’s killer new menu. Free. Sunday, Nov. 6, 3-5pm. Bad Animal, 1011 Cedar St., Santa Cruz. badanimalbooks.com. **EVENT CANCELED**

ANTONIO SÁNCHEZ AND BAD HOMBRE WITH THANA ALEXA, BIGYUKI AND LEX SADLER Four-time Grammy Award winner Antonio Sánchez began playing drums in Mexico City when he was five. He hasn’t stopped since. Sánchez’s professional career kicked off when he was just a teen, which led to a degree in classical piano at the National Conservatory in Mexico, then Berklee College of Music and New England Conservatory, where he graduated Magna Cum Laude in Jazz Studies. The prodigy has recorded about a dozen albums as a band leader and solo. Sánchez’s recent projects include the critically acclaimed The Meridian Suite, the star-studded album Three Times Three and the Grammy-nominated Bad Hombre. SHIFT, the musician’s latest, features a collection of songs by various guests, including Trent Reznor. Dave Matthews and Pat Metheny. $36.75/$42; $21/students. Monday, Nov. 7, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

ROOTSTOCK SANTA CRUZ This unique wine event—proceeds all benefit MAH—focuses on craft and regionality. “Wine from the Santa Cruz Mountains can compete with the best bottles in the world,” writes Wine Enthusiast. From Ser to Equinox to Bargetto, it’s about time the wine world noticed the goodness produced in the SCM. The program begins with a history panel discussion, moderated by John Locke of Birichino, with a tasting, followed by a “Grand Tasting,” featuring wineries and varietals reflective of our “distinctive California appellation.” Industry archive collections will also be on display. Downtown Dinner Partners, Gabriella Café and Oswald, will donate a portion of Nov. 5 sales to MAH. $75/$150. Saturday, Nov. 5, 1-5:30pm. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. santacruzmah.org/rootstock.

SANTA CRUZ SEA GLASS AND OCEAN ART FESTIVAL Art is everywhere! Just take a stroll on the beach and look down. There’s potential in the natural surroundings wherever we are. That’s what the annual Santa Cruz Sea Glass and Ocean Art Festival is all about. The genuine sea glass and artist-made creations for sale also benefit the local marine environment. There will be over 50 sea glass artists plus ceramics, fabric art, mosaics, resin art and more. Admission includes a chance to win a unique gift basket. A percentage of the entry fee goes to ocean conservation and whale entanglement abatement through the Monterey Bay Sanctuary. Since the festival’s 2009 debut, $11,000 has been raised. Full bar and food will be available for purchase. $5; kids free. Saturday, Nov. 5, and Sunday, Nov. 6, 10am-5pm. Cocoanut Grove, 400 Beach St., Santa Cruz. santacruz.org.

GROUPS

WOMENCARE ARM-IN-ARM Led by Sally Jones and Shirley Marcus every Monday, the longtime group for women with advanced, recurrent or metastatic cancer is a safe place for those going through similar hardships to find support in one another. Free (registration required). Monday, Nov. 7, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

EARLY BIRD TOUR Amateur and expert birders will be led by Steve Johnston and Robert Horn, who alternate leading walks, sharing the life histories of the birds that call Elkhorn Slough home and giving tips on identifying species. Participants should be prepared to walk around two or three miles on gravel and dirt trails. The tours last about three hours. Guests may leave before the tour ends if needed. Free (first come, first serve). Saturday, Nov. 5, 8:30-11am. Elkhorn Slough, 1700 Elkhorn Road, Watsonville. elkhornslough.org.


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La Luz Unleashes Surf Rock Without Boundaries

The Los Angeles outfit La Luz’s 2021 self-titled fourth record opens with “In the Country.” Theremin, tubular bells, retro reverberated guitar riffs and Beach Boys-flavored layered harmonies are like old friends for singer-songwriter/guitarist Shana Cleveland, bassist Lena Simon, keyboardist Alice Sandahl and drummer Audrey Johnson. It’s like the Byrds’ California country sound of “One Hundred Years from Now” making love with their LSD-sodden “Eight Miles High”—a perfect overture for the rest of the album.

“‘In the Country’ encapsulates the mood of the whole record,” Cleveland says. “The pandemic has been a psychedelic time. It’s this big shift in everything we thought we knew about our society. I think that contrast of unease with this place where I live, which is in this little bubble of peacefulness within this wider world of insanity, was creepy.”

An unsettling soundscape isn’t new for La Luz. Cleveland doesn’t think she’s ever made an album that isn’t creepy—their 2015 Ty Segall-produced Weirdo Shrine was inspired by Charles Burns’ graphic novel Black Hole, about teenagers spreading an unusual sexually transmitted disease in 1970s Seattle.

“Also, having recently gone through the experience of giving birth was super creepy and intense and beautiful and terrible, while living in the middle of nowhere [Grass Valley]—it was all those things that contributed to the inspiration for the [La Luz] album,” Cleveland explains. “These isolating factors in my life made for this situation where I felt like I was writing with deeper intimacy and wanted to explore that in the record.”

As they recorded in rural Grass Valley, producer Adrian Younge and the rest of the band didn’t have difficulty locking in with Cleveland’s vision. Midway through the record, “Goodbye Ghost” appears like an apparition of Syd Barrett transmitting a lost track from Pink Floyd’s Piper at the Gates of Dawn. Then comes the cinematic instrumental “Yuba Rot,” a blend of Ennio Morricone spaghetti-western escapade with Claudio Simonetti psych-prog thriller. The well-placed interlude makes for an ideal time for the band and listeners to take a collective breath before going forward. 

While the trio’s 2012 debut It’s Alive is catchy and fun, Cleveland admits that the band was initially born out of self-indulgence—it was a genre-oriented platform she built so she could play guitar like all the garage rockers who inspired her.

A decade in, La Luz’s development and the overall mentality of the group have shifted, and Cleveland and her bandmates let it unfold naturally.

“[Our music] has become a weird creature,” Cleveland says. “All of the ways that the band has evolved are fun. I feel like it’s harder to put your finger on [the type] of music we play. The best Beatles records are the weirder ones, like the White Album. You can’t say that it’s just rock ’n’ roll, but it brings you into [another] universe and tells a story.”

When the band is going to a gig by car or flying to a gig, Cleveland is often asked at security checkpoints what kind of music they play. 

“I always say rock because I don’t know what to say,” she says. “I like how it’s been a progression to get to this record, and I think the records we’re making invite you into their unique universe without being as easy to pinpoint in terms of genre.”

 The secret to a band’s longevity, aside from being able to churn out music that people want to hear, is “boring,” according to Cleveland. Some of the best bands have trouble lasting for five years, let alone a decade. After 10 years, La Luz still has a lot of music in them and, more importantly, the desire to stay together. 

“We all like each other,” she says. “We’re respectful, kind people. I think we have a good time and enjoy each other’s company; we’re also diehard musicians. Once you get to the point where you’re making a lot of money, you can be a little more comfortable and get nice hotel rooms every night and travel on a bus. Everything gets a bit easier, but at the level that we’re at, you have to love what you’re doing because it’s not going to be comfortable.”

 La Luz’s ability to create an ever-changing smorgasbord of tender and potent music might be stimulated by their ability to overcome adversity and endure discomfort. While on tour in 2013, the band’s van slipped on black ice and crashed into a highway divider; a semi-trailer truck slammed into them. The group suffered significant injuries, and their equipment was destroyed. Most recently, Cleveland was diagnosed with breast cancer, which led to canceling most of their tour dates this year. 

“As the days fly by/ Just remember I am here on earth to love you,” Cleveland croons on “Here on Earth.” The dusty Ry Cooder-esque lament is an obvious love letter to the singer’s 3-year-old boy, but it also echoes the band’s perseverance. 

La Luz with Naked Giants performs Sunday, Nov. 13, at 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $28/$32 plus fees. folkyeah.com.

Deep Roots Fest Reimagines Global Dance

Every week, hundreds of people throughout Santa Cruz County participate in world dance classes—from traditional African forms to Cuban Salsa.

However, says Tannery World Dance and Cultural Center (TWDCC) Executive and Artistic Director Micha Scott, many students do not realize just how contemporary their instructors are.

“Most of these dance teachers from Santa Cruz—the public knows them as traditional artists,” Scott says. “I don’t think there’s a comprehension that they are truly contemporary dancers as well.”

Recently, the Tannery hosted the first segment of the 2022 World Dance Festival at its headquarters in Santa Cruz. The free festival included performances by a number of local and regional dance groups, as well as artisans and other vendors selling crafts, wares and food.

On Nov. 19, a second segment of the festival will be held at Cabrillo College’s Crocker Theater, also highlighting world dancers, but this time with a contemporary spin. The Deep Roots Dance Fest: A Reimagining of Dance from the African Diaspora will feature dance and musical groups performing works from Brazil, the Congo, Cuba and Haiti.  

Scott says the idea for the performance came after she saw a Tannery artist performing a contemporary routine using his traditional world dance background. 

“It really struck me,” she says. “I had never experienced or seen that before. I started meeting choreographers and discovering they are very modern, contemporary artists. I thought, this is the time to give them a platform for them to show their works.”

TWDCC received a grant from the City of Santa Cruz after they took over the World Arts Festival, formerly known as the Cultural Arts Festival. This, along with another grant from the California Arts Council, allowed the organization to reimagine and expand it into a two-part event.

“As dancers, artists in general, we’re always looking to progress the art form, take those traditions and flip them, spin them and turn them on their head,” Scott says. “There are so many incredible creative artists in Santa Cruz and we want to highlight them. Let everyone know that they’re here.”

While most of the groups performing on Nov. 19 will be professionals, the event will also include a group of dancers from TWDCC’s youth programs. 

“We’ve opened this up to all Black and brown youth dancers in Santa Cruz,” Scott says, “all of them could participate in the residency for free. “It can be very hard and isolating being an ‘other’ in their community. I know a lot of dancers who feel ostracized, lonely and separated. We wanted to invite them into something that was for them.”

Scott says that events like the World Dance Festival are a chance for performers of color to be elevated—something that is often missing in Santa Cruz County.

“It is so important for the community to bear witness to these artists,” she says. “There have been quite a few very divisive racial topics, especially within the Black community in Santa Cruz, certainly over the past few years. This is a way for Black and brown artists to say, ‘we are here, and we have something valuable to say.’”

The Deep Roots Fest will feature sponsored artists in the Diaspora Performance Project, a project launched in 2018 that aims to support local artists of the African Diaspora, including providing work opportunities. Artists include Vivien Bassouamina, Arnaud Loubayi, Ramon Ramos Alayo and Shawn Merriman-Roberts. Guest Artist in Residence Gervais Tomadiatunga and local icon Dandha Da Hora will also take the stage.

Prior to the performance, there will be musicians, artisans and more set up in the lobby of the Crocker Theater. Following the show will be an Artists Talk, where the artists will discuss their backgrounds and processes, and the audience can ask questions.

“I want to create an immersive experience,” Scott says. “My goal is that it’s not a typical thing where you show up, you wait in the lobby until they open their doors, go in and sit down and wait for the show to start.” 

Scott says they hope to make the performance an annual part of the festival. 

“And the great thing is, it doesn’t have to be specific to the African diaspora—it can change every year, focusing on another region of the world. This can go far and wide.”

The Deep Roots Dance Fest happens Nov. 19 at 7pm at Cabrillo College’s Crocker Theater, 6500 Soquel Drive, Aptos. $20/$30. cabrillovapa.universitytickets.com.

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Santa Cruz Parklets Get Temporary Extension

Local businesses with outdoor spaces built during the pandemic can continue operating through March 2023

Rob Brezsny’s Astrology: Nov. 9-15

Astrology, Horoscope, Stars, Zodiac Signs
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The Legacy of Outstanding in the Field

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Aptos’ Carried Away Elevates Takeout

Mid-County restaurant takes a gourmet approach to to-go

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Things to Do in Santa Cruz: Nov. 2-8

Margo Price Book Signing, Antonio Sánchez, Rootstock Santa Cruz and More

La Luz Unleashes Surf Rock Without Boundaries

A near-death experience, creepy graphic novels, birth and surviving cancer, make up the arsenal of inspiration that fuels the Los Angeles trio

Deep Roots Fest Reimagines Global Dance

The Tannery World Dance and Cultural Center’s Deep Roots Dance Fest showcases talented contemporary dancers from around the world
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