Itโs been a long and grueling journey for Roland Konickie. For over a decade ago, heโs been pedaling his take-and-bake pizza at local farmers markets. Then, Konickie got his pizza into some of the local Whole Foods and other natural food stores. He even had a mobile business that involved hauling his wood-fired stove all over for catering gigs.
Finally, Konickie has found a permanent home for his pizza joint, Uncie Roโs, at the East Lake Village Shopping Center, sandwiched between the Villager and Carmonaโs BBQ and Catering.
โWeโre just happy to be able to open our doors to Watsonville,โ Konicke says. โWeโre a family-oriented business. Itโs been a long journey.โ
The Uncie Roโs menu features eight pizzas, calzones, small plates (including homemade meatballs), salads and beer and wine.
Property manager Clark Codiga expresses excitement about his new tenant.
โRoland has the experience and knows what heโs doing,โ he says. โHe could do a lot of volume. We gave this place a new modern look but kept its charm.โ
Indeed, the facility has served as a Round Table Pizza and, lastly, Chiliโs Pizza that stretches back 40 years, Codiga says.
Konicke, a single dad with two kids who lives in Davenport, says that his love of cooking largely stems from his motherโs Italian side of the family.
โI come from New York, where pizza is a big part of life,โ he says. โWe emphasize local sources of organic produceโour sausage, meatballs and sauce are homemade. Weโll also feature daily special menus with things like kidโs cheese pizzas.โ
Konicke added that he features local artists on the walls. Currently, eight paintings by Noah Gould are being showcased.
โClark worked really hard to make this happen,โ Konickie says. โIโm excited to get this going.โ
Codiga says he aims to make the center a community hub alongside popular spots like Carmonaโs, Sushi Q, Coffeeville and Fruition Brewery. Uncie Roโs has indoor and outdoor dining options; itโs open Thursday-Sunday, 11:30am-8pm.
On Tuesday, Dec. 13, the Santa Cruz County Board of Supervisors unanimously approved a plan to purchase a mid-county building that will house the Countyโs first residential mental crisis program for youth if it passes inspection.
The new Childrenโs Crisis Stabilization Unit and Short Term Residential Therapeutic Program will be located at 5300 Soquel Ave, a 20-year-old building on the campus of the Santa Cruz County Sheriffโs headquarters and the only remaining property the county does not yet own at that location.
Health Services Agency Director Monica Morales said that the lack of such a facility locally means that children suffering from mental health crises must be placed in out-of-county facilities, away from their friends and families.
โThatโs devastating not only for the youth,โ Morales said. Itโs devastating for the families, and even for the system we have here.โ
Morales said the programโs bilingual staff and mid-county location would allow the county to serve better Latinx youth, which she said are often underrepresented.
โThis is such an amazing opportunity for us to really build the system of behavioral health for our youth in our community,โ Morales said.
The program will include an 8-bed crisis stabilization unitโpotentially offering 2920 slots per yearโand a 16-bed residential program inside the 30,000-square-foot building.
In addition to inspecting, designing and preparing the 20-year-old building, the purchase price is estimated to cost just over $15.2 million. That cost will be covered in its entirety by two grants that total more than $24.7 million. The remaining funds will go toward running the program.
County staff expects to close escrow by May, with the program estimated to begin about one year later.
โThis is a critical need,โ Supervisor Ryan Coonerty said. โWe hear about this all the time from families in crisis.โ
Supervisor Zach Friend said the program would help stop young people suffering from mental health issues from becoming embroiled in the criminal justice system.
โHaving this facility will completely change the trajectory for a number of families in our community, unfortunately for a need that continues to grow,โ Friend said.
County Administrative Officer Carlos Palacios said that building a new facilityโrather than purchasing an existing buildingโwould double the cost for the County.
โIf we were trying to build a building from the ground up, we would still be trying to raise funds,โ he said.
The Santa Cruz County Supervisors bade farewell to two longtime members, who served as city council members in their respective districts before taking their seats on the Board.
Ryan Coonerty joined the Board in 2014 after serving on the Santa Cruz City Council for 10 years. Greg Caput served from 2006-10 on the Watsonville City Council before he was elected to the Board in 2011.
The outgoing supervisors were presented with resolutions signed by their colleagues after all of them gave laudatory speeches.
Greg Caput
Supervisor Bruce McPherson recalled how Caput unseated longtime Supervisor Tony Campos in a surprise upset in 2010, and then beat former Watsonville Police Chief Terry Medina in 2014 and Jimmy Dutra in 2018.
And he did so, McPherson told Caput, because โyou knew your community so well.โ
McPherson described Caput as a โtireless advocate for South Countyโ who made sure the Countyโs resources were spread more equitably.
โI am delighted to serve with such a grounded, community-oriented, professional supervisor,โ he said.
Coonerty said that before Caput voted, he considered the needs of the โaverage person in your district who just wants the government to work for them.โ
โYou brought that value and that community orientation to your decision-making, and Iโve seen it when you made decisions that were unpopular and hard,โ Coonerty said. โI think you landed exactly where your community wanted you to be, and at the end of the day, thatโs the best thing an elected official can often do.โ
Caput recalled a conversation with his then 10-year-old son, who asked whether he was a politician or a public servant.
โI said, โI hope Iโm a public servant because thatโs what weโre supposed to do,โโ Caput said. โAnd itโs a term that really means a lot.โ
Ryan Coonerty
Supervisor Zach Friend said that Coonerty had been a strong voice for the county on a local, statewide and national level.
โIt would be hard to find another person within our community that believes so much in public service,โ Friend said. โEven in the face of a lot of the challenges and adversity, we have right now. He is one of the strongest voices for the good that local government and government, in general, can do.โ
Holding back tears, Coonerty said he has watched his children grow up during his time as a Supervisor.
โEight years is a lifetime to them, but itโs only a minute for me,โ he said. As I say goodbye, I am struck by how the crises and the celebrations, the wins and the losses, are just a blur. Public life moves very quickly, except during oral communications.โ
Coonerty compared his time as a leader, a community member and Santa Cruz County in general to something that could be a story from one of the books his family sells at Bookshop Santa Cruz.
โThe Santa Cruz story is a unique and amazing one,โ he said. โI am grateful to the voters for letting me be a character in their story for a little bit, and I canโt wait to hear the next chapter from our new leaders and our chief storytellers, my fellow Supervisors.โ
2022 โPORTER GULCH REVIEWโ READING AND ART SHOW Every spring, David Sullivan’s 1B class at Cabrillo College celebrates the diversity and creativity of our community. The Porter Gulch Review has become an annual tradition: The imaginative collage of literature and arts journal that features prose, poetry and artwork from poets, novelists, photographers, artists and other eccentrics from the Santa Cruz area and beyond (submitters are not limited to Santa Cruz). In addition to the 2,000 print copies given away free of charge, a more extensive version is available online, including student book reviews and critiques. Formal attire is suggested. Free. Wednesday, Dec. 14, 7pm. Cabrillo College, 6500 Soquel Drive, Horticulture Center, Rm. 5005, Aptos. Covid vaccine card or proof of negative test required. cabrillo.edu/porter-gulch-review.
FISHBONE WITH SON ROMPE PERA AND JER โThe story is as real as it could get; itโs our life under a magnifying glass,โ Fishbone bassist and co-founder John Norwood Fisher says of the bandโs definitive documentary Sunshine. โThe stuff with [former member and co-founder] Kendall [Jones] is painful, but I began to understand the nature of perception and reality. I found a space and donโt need to blame him or anybody.โ Beyond the real-life drama, Fishbone remains a dominant source of inspiration for bands and musicians of every ilk. Punk, funk, ska, metal, soul and reggae erupt into multi-sensory journeys of neon, dreadlocks, mohawks, keytars, saxophones and a cyclone where nods to Sly & the Family Stone, the Toasters and Black Flag meet in the center. Songs like โParty at Ground Zero,โ โWhen Problems Ariseโ and โEveryday Sunshineโ sweep listeners into a world thatโs part literal, part social commentary, part imagination and all fun. Openers Son Rompe Pera unleashes Cumbia punk, and Jer does the ska-punk thing. $30/$35 plus fees. Wednesday, Dec. 14, 8pm. Catalyst Atrium, 1101 Pacific Ave., Santa Cruz. catalystclub.com.
GANGSTAGRASS Bluegrass and rap? Who would have thought? Gangstagrass multitalented founder Rench apparently knew the genres would work together like bacon and maple syrup. The mashup works so well the bandโs name has become a genre. โThere are a lot more people out there with Jay-Z and Johnny Cash on their playlists than you think,โ the Brooklyn hip-hop/country producer and singer-songwriter said. It all began with โLong Hard Times to Come,โ a song Rench penned for the popular FX Nuvo-western Justified, which opened every episode with the tune during its six-season run. From there, it was off to the races. MCs R-SON and Dolio the Sleuth trade verses, Dan Whitener on banjo, Brian Farrow on fiddle and Rench on guitar and beatsโfrequent three-part harmonies come barreling into the mix, adding another notch to the bandโs list of endless abilities. Gangstagrass shows are known for spontaneityโthe stage is where the band develops new material and furthers their destruction of the boundaries between two genres that had once been considered incompatible. Gangstagrassโ 2020 No Time for Enemies, featuring “Ride With You,” racked up over a million streams shortly after it went live and eventually reached No. 1 on Billboardโs bluegrass charts. The groupโs current tour marks the first chance fans will experience the songs from No Time for Enemies live. $20/$25 plus fees. Friday, Dec. 16, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com.
!!! (CHK CHK CHK) WITH TOLLIVER The Sacramento-born, NYC-based electronic-punk flavored !!!โdubbed later as CHK CHK CHK for promotional purposesโformed when members of Black Liquorice and Pope Smashers merged during a 1996 tour. The mission has been and always will be, โNever try to repeat yourself, and always keep an innocence,โ de facto frontman Nic Offer told Pitchfork. !!!โLCD Soundsystemโs carefree punk rock nephew with ADHDโis one of the bands who helped ignite the passion of the โmillennial dance-punk craze,โ but theyโve managed to stick around long after that fire went out. The longevity of !!!โs modish zaniness is invulnerable because they do what they do on their terms without worrying about whatโs in or fashionable. The groupโs latest Let it be Blue is nothing like previous records. Their world-funk meets pop is a far cry from their roots. The outfitโs cover of R.E.M.โs teary-eyed homage to Andy Kaufman, โMan on the Moon,โ sounds like Daft Punk and the Pet Shop Boys on a roller rink in San Fernando Valley circa 1979. So far, !!! has stuck to Offerโs vision. $22/$25 plus fees. Saturday, Dec. 17, 8pm. Felton Music Hall, 1 205 Soquel Ave., Santa Cruz. riotheatre.com.
CHRISTMAS WITH THE CHORALE With director Christian Grubeโemeritus professor of choral conducting at the Berlin University of Artsโat the helm, the Santa Cruz Chorale is in good hands. The talented group of singers will perform a treasure trove of traditional and contemporary pieces, including works by Ralph Vaughan Williams, Eric Whitaker, Dietrich Buxtehude and others. The Chorale will be joined by musicians of the Monterey Bay Sinfonietta and will also perform carols from around the world, including the Ukrainian โCarol of the Bells.โ The concert will be shorter than usual, without an intermission, and since the audience size will be smaller, make sure you get tickets early. $30; $25/seniors; $5/students. Saturday, Dec. 17, 8pm and Sunday, Dec. 18, 4pm. Holy Cross Church, 123 High St., Santa Cruz. Masks and proof of vaccination required. santacruzchorale.org.
SUNDAY AFTERNOON BLUES SERIES: MARK HUMMEL AND JUNIOR WATSON Harp master Mark Hummel and guitar guru Junior Watson have performed together for over 40 years. Theyโve collaborated on multiple blues records, including 1990โs Hard Lovinโ, 1997โs Lowdown To Uptown and 2000โs Blues Harmonica Meltdown One. Both bluesmen are prolific specimens with resumes longer than Crime and Punishment. Watson has toured with Rod Piazza and the Mighty Flyers, Canned Heat, Kim Wilson and many others. More impressively, heโs recorded over 150 sessions with everyone from Jimmy Rogers and Charlie Musselwhite to Big Mama Thornton and Shakey Jake. Hummel, meanwhile, published a book about his musical adventures, Big Road Blues: 12 Bars On I-80; in 2019, he was nominated for his seventh Blues Music Award in the โBest Instrumentalist: Harmonicaโ category; his 2020 tribute to Bluebird/RCA Victor blues musicians of the 1930s and 1940s, Wayback Machine, marked the musicianโs 29th record. Hummel appeared on the 2022 album East Bay Blues Vaults 1976-1988, featuring Brownie McGhee, BBQ Barnes, Sonny Rhodes, Bob Kelton, Paris Slim, Cool Papa and several others. $20/$25 plus fees. Sunday, Dec. 18, 4pm. Moeโs Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.
HARI KONDABOLU WITH KATIE-ELLEN HUMPHRIES A few years back,in Ann Arbor, Michigan, an audience member shouted, โHail Trumpโ during Hari Kondaboluโs set. This person then asked the comedian what his โportfolioโ looked like. Without skipping a beat, Kondabolu responded by thanking the man for writing his future material and telling him, โOh son, Iโve just done a special on Netflix; Iโm doing okay.โ The Bobcat Goldthwait-directed Netflix special, Hari Kondabolu: Warn Your Relatives, hit the streaming giant in 2018 and skyrocketed Kondabolu to one of the most popular socio-political comedians in the game. The trio of subjects fuel his comedy: race, inequity and Indian stereotypes. The former writer for the Chris Rock-produced Totally Biased with W. Kamau Bell used to be an immigrantsโ rights organizer, but he doesnโt force-feed his ideologies to audiences. Kondaboluโs beloved mango bit: โBrown people love mangoes. So much so that we tell stories about the best mangoes weโve ever eatenโnot the exciting or unusual circumstances surrounding the consumption of said mango, but just the taste of mangoes past. The mango is the event.โ New York City-based comic Kate-Ellen Humphries on trying to get some alone time: โI just make plans with friends in Vancouver.โ $25/$30. Tuesday, Dec. 20, 9pm. Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.
COMMUNITY
FLYNN CREEK CIRCUS โWINTER FAIRYTALEโ The โWinter Fairytaleโ is an original holiday circus with a narrative powered by wild acrobatics, uproarious comedy and extreme skill. The Woodsmen, the Fairy and the Spring Sprite, are just a sampling of the imaginative characters you will meet during the Flynn Creek Circusโ magical holiday adventure. The heartwarming tale is an eclectic blend of multicultural folklore that speaks to the โquiet darknessโ of winter and the value of self-reflection. โWinter Fairytaleโ ensures a memorable, family-friendly holiday experience. $23-180. Friday, Dec. 16, 7pm (runs through Jan. 1; days and times on website). Capitola Mall under the Big Top, 1855 41st Ave, Capitola. flynncreekcircus.ticketspice.com/winter-fairytale.
FELTON COVERED BRIDGE HOLIDAY MARKET At nearly 150 years old, the 80-foot-long Felton Covered Bridge is a California Historical Landmark and the National Register of Historic Places. Itโs also a unique setting for a holiday market. Forget Amazon; the Santa Cruz Mountainsโ locale boasts 35 artisans selling one-of-a-kind handmade arts and crafts unavailable online. The Holiday Market is the ideal opportunity to finish any last-minute shopping while supporting local artists. After shopping, stick around for food, drink and live music; the big guy in the red suit might even drop in. Free. Saturday, Dec. 17, 11am-3pm. Felton Covered Bridge, 6265 Hwy 9 Felton. slvchamber.org.
For the past 30 years, Community Music School (CMS) has been providing music education and enrichment opportunities for artists across Santa Cruz County.
CMS was created by Shelley Phillips as a direct response to the defunding of public-school music programs that started in the 1990s. At first a two-week summer music camp for children, the organization has expanded over the years to also include programs for teenagers and adults. It now hosts an annual Harp Festival and offers resources to connect music students and teachers.
โA lot of students have to play by themselves,โ says Susan Willats, who has been at the helm of CMS for the past four years. โThey practice at home by themselves, or with a teacher. Our niche is that they can come and play in groups, and get to understand how it is to play in an ensemble.โ
This year, CMS is joining a number of other local nonprofits for Santa Cruz Gives (SCG), GTโs annual digital giving campaign. Each participating nonprofit is given a section of the SCG website where they explain what they do and the project they want to fundโtheir โBig Ideaโ for the future. People can donate directly from the website to the nonprofits of their choice.
โItโs our first year with Santa Cruz Gives,โ Willats says. โWeโve very excited. We are a very small nonprofit. Itโs just me, 10 hours a week, and a Board. One of the benefits of being involved with this campaign is that a lot more people will learn about us and what we do.โ
Willats calls the recent passing of California Proposition 28, which funds school-based arts and music education throughout the state, โa game-changer.โ However, the funding still has a limit, she says, which is why organizations like CMS are eager to keep up and running.
โRight now, even if schools have music itโs usually only 45 minutes once a week,โ she says. โThatโs not enough to learn an instrument. We recognize that our programs are mainly for those who already know instruments. But there are a lot of kids who don’t have that. Our โBig Ideaโ is to fund beginning music classes in underserved neighborhoods.โ
CMS has already launched a pilot program in partnership with Community Bridges, which offers music instruction after school. They hope to expand the program in 2023.
โItโs a small program, but with a deep impact,โ she says. โWith it, we are trying to help balance the distribution of music wealth and resources throughout the county.โ
While it is CMSโs first year with SCG, another nonprofit has been part of the campaign since it launched in 2015: Senderos, an arts and culture group aiming to create successful pathways for the Latino community of Santa Cruz County.
At Senderos, Latino culture and history are taught and celebrated through dance and music classes, with public performances held throughout the year. The organization also offers tutoring, scholarships and more.
โWe strongly believe in what weโre doing,โ says Fe Silva-Robles, Senderos co-founder and program director. โThis is important work, especially now after the pandemic. Our community was impacted by Covid in a serious way. So we are very happy now to come back, to once again be performing in our community.โ
Silva-Robles says the organizationโs โBig Ideaโ this year is to secure funding for its free dance, music and tutoring programs. The group is also preparing for 2023 events, including its annual Vive Oaxaca Guelaguetza, an authentic cultural festival with food, music, dance, music and crafts. The event is scheduled to return April 16 at San Lorenzo Park.
โWe are grateful for Good Times to continue to give us the opportunity to raise money through Santa Cruz Gives,โ Silva-Robles says. โWeโre a small nonprofit, run by volunteers. Itโs really made an impact being part of this.โ
Meanwhile, El Sistema aims to foster positive child development and promote social change by expanding access to high-quality music instruction, free of charge, to students from historically excluded communities in Santa Cruz County. They hope to grow their Watsonville Youth Symphony, launched in March 2022. With students graduating from its pre-orchestra program with the skills and qualifications required to perform in an orchestra, El Sistema started a youth symphony that reflects the full diversity of the community.
Another music-oriented Gives project is from Santa Cruz Barrios Unidos, which is looking to increase funding for its Audio and Visual Engineering program. The group needs to upgrade its music studio, purchase updated computers, mixing boards and cameras. In the longer term, they would like to expand and offer this education to our local community.
To donate to these groups, or see a full list of participating nonprofits, visit santacruzgives.org.
There are a few tell-tale signs that the holiday season is in full effect in Santa Cruz. For some, itโs Pacific Avenue decorated in festive lights. For others, itโs the holiday parade or seasonal music greeting them in shops.
But for punks, metalheads and rockers, itโs seeing the iconic Misfits Crimson Ghost decked out in Santa’s robes, plastered on show fliers.
Yes, Santa Cruz, the annual Christmas With the Misfits (CWTM) show at the Catalyst Club returns this weekend for a ninth year, with a new bag full of Misfits covers and plenty of presents for all the naughty boils, ghouls and nonbinary bodies.
โWe want it to be a nice break away from the holidays,โ says Nick โAnchorheartโ Apodaca, founder of the annual event. โMore than just a show, we want this to be a full-on event.โ
Put on by Numbskull Presentsโwhere Apodaca has worked for more than two decadesโChristmas With the Misfits is a punk rock way of giving back to the community. Every year, proceeds from ticket sales are donated to local charities like Grind Out Hunger, Imagined Support Living Services and the Santa Cruz Animal Shelter, where this yearโs proceeds will be given.
Raffle tickets can also be purchased for $1 each, with proceeds donated to a second charity, World Strides Educational Student Travel. Itโs an organization that sends middle and high school students on educational trips throughout the U.S. and the world. The raffle features prizes such as skate decks, tattoo gift certificates and more.
โI have a child thatโs in 8th grade,โ Apodaca explains. โWe know how hard it is for parents to afford, and want to help send these kids on an educational tour.โ
Just like the Grinchโs heart that grew three times its size, this punk rock party has a third charity itโs donating to: the pediatric ward of the Natividad Medical Center in Salinas.
Concert goers are encouraged to bring a new, unwrapped toy or book with each item worth five raffle tickets.
โWith the donations, a lot of the time we have enough to give a child something every day,โ explains Natividad nurse Hanna Bozorg. โSometimes we even have enough toys to continue giving throughout the beginning of the next year.โ
Natividad Medical Center has been the staple charity for the CWTM event since its inception. Even during the lockdowns of 2020 when live shows were nothing but a distant memory, Apodaca held the toy drive for Natividad. Last year, Santa Cruzans gave so much he says it all barely fit inside his Dodge Caravan.
โI love anything that gets me more into the Christmas spirit,โ states local musician Emilio Menze. This year, his band Dark Ride will make its CWTM debut, but itโs Menzeโs sixth time gracing the annual stage. A lifelong Misfits fan, Menze discovered the band in the perfect wayโdigging through his brotherโs CD collection.
โWhether youโre in punk, rock or metal, I think a majority of those musicians all have a certain appreciation for the Misfits,โ he says. โTheir lyrics are pretty brutal and macabre, but the melodies are catchy and infectious.โ
Along with Dark Ride, this yearโs line-up includes CWTM veterans Five:25, Midnight Mass, The Fiend WolvesโApodacaโs bandโand newcomers Beautiful Deception. Each band is entered in a round-robin, choosing three Misfits songs based on the order they signed up for the show. This way, each set is different and the audience doesnโt have to mosh through five versions of the same tune. The bands are also encouraged to make the covers their own, whether thatโs keeping true to the original or going full experimental.
โI love Danzig-era Misfits,โ exclaims Jackie Kohls, singer and guitar player for Beautiful Deception, who will be dressing their set to reflect their signature melodic-metal sound.
Kohls and her sister originally started the band in 2015, but reformed after 2020. She tells GT sheโs excited to play for the benefit, noting that the Misfitsโ music means so much for so many people.
โโWe Are 138โ is my sister and Iโs special song,โ she says. โWeโve had good times yelling that song in the car.โ
Beyond the charity, beyond the children, beyond the giving holiday spirit, the bloody heart of this event is about moshing along with tattooed, studdedโand probably tipsyโfriends, screaming at the top of your lungs, having a horrifically jolly time.
Christmas with the Misfits is Saturday, Dec. 17, 8pm at the Catalyst Club, 1011 Pacific Ave., Santa Cruz. $15. catalystclub.com.
The last few years are when many of us heard of the Amah Mutsun tribe for the first time. Suddenly it seemed like the tribe had a presence at local events, cultural groups like Santa Cruz Shakespearebegan acknowledging that their own events were taking place on land once inhabited by the tribe, and the involvement of tribal members was being sought on forward-looking projects in Santa Cruz County.
Thank you, Denver Riggleman, for having integrity and courage, and for your book. I could hardly believe my eyes when I turned on CNN and saw what was happening on Jan, 6, 2021. I immediately called my Congressman, Jimmy Panetta. To my surprise, he answered the phone. I said: โJimmy, what the hell is going on back there?โ He said he sent all his staff home, and they were under siege.
As a former American government teacher of high school seniors, nothing in my 36-year career in the public schools of California could prepare me for this.
When you idolize human beings, you forget that they are human. We did that for four years. It nearly cost us our nation.
The same can be said for Juan Rodriguez Cabrillo. The first college board of trustees gave our community college his name without doing any investigation or public comment. I was proud to vote to change the name. I was proud to campaign on it as an issue when I was elected in 2020. Cabrillo was the Putin of 16th century California.
Mark Twain said it best: โThere is never a wrong time to do the right thing.โ
And for those who accuse me of being โwoke,โ I say to you: โBetter to be woke than comatose.โ
The City Council has known for more than 20 years that the Lighthouseโthe cityโs logoโis on land being eroded from the waves and it is in danger of falling into the ocean. Theyโve discussed what to do, but thatโs all theyโve done is discuss it. Anyone who uses that area knows that itโs being eroded and the fence moves closer to the lighthouse every year.
I hope that the lighthouse is included in the plan this article talks about โฆ and I hope the sidewalk falling doesnโt distract from fixing the land the lighthouse is on.
โ Whitney
PHOTO CONTEST WINNER
A DROPโLL DEW YA This is from a series called โRaindrops Masquerading as Ornaments,โ taken in the photographerโs backyard in Scotts Valley. Photograph by Robin Lynn Lord.
Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
GIVE AND WIN
A stay at the Chaminade, a Chromebook, $100 in gas: these are just a few of the prizes you could win in the raffle to help Second Harvest Food Bank reach its hefty goal of providing 5 million meals. With every $5 you donate to the Second Harvest Food & Fund Drive, youโll earn one ticket to win one of those and other prizes. The food drive ends Jan. 15. scccu.org.
GOOD WORK
ENERGIZING WORKER PROTECTION
A fire at the Elkhorn Battery Storage Facility in Moss Landing in September resulted in a 12-hour shelter in place due to concerns about dangerous fumes. With incidents such as these on the rise as we transition to cleaner energy, Senator John Laird introduced Senate Bill 38 last week, in the hopes of enacting legislation to protect the workers with better safety procedures at battery storage facilities.
QUOTE OF THE WEEK
โWhen you are in doubt, be still, and wait; when doubt no longer exists for you, then go forward with courage.โ
Re: โFall Thoughtsโ (GT, Letters, 12/7): Kathleen must not have looked down. She was standing on a paved parking lot, which will be turned into the first floor of a library with a beautiful room for children. In a few years, sheโll be able to gaze through a large window on children enjoying books and programs while she stands under one of the dozens of new trees planted on site.
Vivian Rogers, Santa Cruz
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโnot copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
The passage of Measure Q by voters shows that Watsonville citizens want to see the city grow in an orderly manner, which does not involve willy-nilly searching around for nice flat pieces of farmland, to put up a Costco or Walmart for city revenues or to build out a nice big subdivision with โsingle-family homesโ that some City Council members think will be so good for our population.
The community can work together on growth issues that can be addressed as the city embarks on the 2050 General Plan. City Council members knew since 2018 that some people in the community were talking about Measure U expiring and what that would mean. We reached out to the city, with meetings with the city manager and councilmembers, but they stonewalled us, when they could have initiated the โcommunity processโ that they accused us of ignoring.
Now there is a real opportunity for a community process. With a new city manager and new city council, we can move forward on these important growth issues: get started on understanding the Downtown Specific Plan; get community committees working on the 2050 General Plan; look at the Industrial area along Walker Street for mixed-use potential; take another review of existing vacant and under-utilized sites throughout the city.
People on all sides of the recent vote to renew our Urban Limit Line have a lot in common in their visions for Watsonville in the future.
The future is now; letโs work together and move forward.
Sam Earnshaw, Watsonville
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Mary โSisโ Carrier tells me that growing up, the little she was told about her Native American heritage seemed to revolve around reparations from the federal government.
โAs a child, all my grandmother said was just to sign up for the BIA (Bureau of Indian Affairs),โ says Carrier, as we stand beneath a flowering pomegranate tree in Bonny Doon. โThey didn’t want to talk about our history. The settlers took our land, our livelihood, and we got $600.โ
Carrierโs native identity was lostโor, more accurately, suppressedโin favor of security and safety, she says. Her indigenous traditions and culture were sacrificed in the name of survival.
It would take Carrier and her daughter Lisa Carrier decades to uncover their ancestral roots. They paid for online ancestral trees, sought out birth certificatesโthe originals of which were often lost due to name changes made to assimilate their familyโand used other government documents to lead them back in time throughout their familyโs history.
This intensive process cost them thousands of dollars and hours, and eventually led them to the realization that they were descendants of tribes that were held at two missions: San Juan Bautista and Santa Cruz. Descendants of these tribes now constitute the Amah Mutsun Tribal Band.ย
Despite officially joining the Amah Mutsun tribe in the โ90s, the two Carrier women will tell you they were born into their tribe. Everyone in the tribe that I speak with repeats this idea to me, when I ask how and when they joined the Amah Mutsun tribe.
I was born into my tribe, they correct me.
โThe traditions were always there, they just weren’t spoken about in the terms of โThis is part of our tribal history,โโ says Lisa Carrier. โWhether it’s the storytelling, or the fact that music was such an important part of our family โฆ But so much had to be denied, or had to be swallowed and put away someplace, because there was just a lot of negativity around being Native. So everything was hidden.โ
Suppressing culture and heritage was a common refrain among the tribal members I spoke with. But they all also expressed an innate familiarity with their tribeโs indigenous culture, a familiarity that transcended the physical distance separating members.
The Amah Mutsun tribe has not claimed its own land since the 1790s, when the Spanish started the missions of San Juan Bautista and Santa Cruz. During this time, the Spanish forcibly removed the Indians from their villages and brought them to Mission compounds.
After the Mission period, robbed of their ancestral land, tribal members dispersed throughout California. Now, Amah Mutsun tribal members are located around the state, and likely throughout the country.
Throughout the tribeโs history, members have attempted to have it federally recognized, but never succeededโwhich has made land ownership for the Amah Mutsun impossible.
โWe do not have any of the benefits that federally recognized tribes have,โ says Carrier. โWe have no federal income coming in, we do not have our own land. We have to be completely self-sufficient.โ
But finally, that has changed. Today, on a cold but sunny day in November, Carrier leads me around 1.5 acres in the hills of Bonny Doon that is the first piece of land the tribe has been able to call its own since the 1790s.
The property is stunning, and as we walk past gardens and play structures, Carrier and Ally Arganbright, who is one of the tribeโs native stewards, explain plans for the future of the property.ย
Soon, it will be filled with herbs and produce that constituted the diets of their indigenous ancestors, and there will be spaces for the dances and ceremonies that the tribe plans on holding for members across the state. The house on the property has 10 rooms, two kitchens and a large open living room space, and will accommodate tribal members who are traveling from other cities, and children who will participate in educational programs.
It was with the help of generous donors, the Community Foundation Santa Cruz County, and furious fundraising effortsโa whopping $3 million needed to be raised in the space of a weekโthat the tribe was able to purchase this property.ย
โThe tribe was so dispersed, and this purchase is a way to have a home on their land,โ says Susan True, the CEO of the Community Foundation. โYou can’t heal, you can’t create cultural identity, you can’t create spiritual connections across generations or teach language without having a place, without a home.โ
A Brief History
Before the Spanish missions, the indigenous peoples of south San Francisco and north-Monterey Bay area were collectively referred to as โOhlone.โ There were over 20 different Bands, villages and communities, who spoke similar languages, traded and intermarried.
The arrival of the Spanish colonists marked the start of a dark and deadly time for tribes. Throughout the Mission period, 19,421 Indians died at Mission San Juan Bautista. After the Spanish missions, and throughout the 19th century, Indians around the country continued to face the threat of danger based on their heritage.
โWhen I started school, the grandmothers or aunties said, โAlways say you’re Mexican, never say you’re Indian,โโ says Valentin Lopez, the Chairman and President of the Amah Mutsun tribe. โMy grandparents were alive when they would scalp you for being Indian. So, they gave us Christian, Hispanic names. That’s how they survived, by denying they were Indians.โ
The tribeโs re-emergence in the early 1900s can be attributed to one woman: Ascencion Solorsano de Cervantes. Cervantes’ house became a gathering space for indigenous hailing from the missions, and members gathered at her house on a daily basis. It was largely due to Cervantes that the Amah Mutsun history and traditions were preserved.
This home on 1.5 acres of property in the hills of Bonny Doon that is the first piece of land the tribe has been able to call its own since the 1790s. PHOTO: Erin Malsbury
Although her leadership coincided with a time when members were able to practice their culture publicly, the tribe remained landless with many members living transient lives.
Lopez, born in 1952, recalls moving from ranch to ranch alongside other tribal members, spending the first five years of his life picking prunes, grapes, string beans, packing his belongings alongside the changing seasons, just to reassemble them on a different farm.
As these ranches transformed into ranchettes and later orchards, the tribal members separated, adjusting as their former livelihood became unviable. Still, the tribe tried to maintain some semblance of community.
In 1991, after decades of unofficial gatherings, the tribe formally coalesced. But even after it created its constitution and formed its government, it remained out of the public eye. That changed in the early 2000s, when the tribe was at the center of a forgery scandal. At that time, the tribeโs then-Chairman Irenrie Zwierlein was at the heart of repeated controversies, including one that called into question her management of more than $130,000 in federal grant monies intended to advance the tribeโs recognition efforts. After resigning from her position as chairman, Zwierlein went on to create her own tribe, splintering off from the Amah Mutsun and causing a chasm within the tribe.ย ย
The Amah Mutsun elders in the tribe called on Lopez to replace Zwierlein and take the role of chairman, the tribeโs leader. Although Lopez was surprised at the move, he said he had to rise to the occasion: in Mutsun culture, saying no to the elders is not an option.
The scandal threatened to derail the group’s fight for federal recognition, and damaged the tribeโs reputation.
โ[Zwierleinโs] actions were embarrassing to our ancestors,โ says Lopez. โAnd it created a lot of confusion with the public. They didn’t know who the legitimate tribe was. And we canโt afford attorneys. We canโt afford public relations firms. We have to do everything ourselves.โ
In the years following the scandal, Lopez was tasked with reinforcing the tribeโs credibility, and raising public awareness of the tribe and its history. He brought the tribe’s families together for reunions. He petitioned the Catholic Church to apologize for atrocities committed against his people. His grandmother was the last known person to speak the Mutsun language, and he endeavored to learn and help the tribe revitalize the dead language.
As Lopez and the tribe delved deeper into the ancient practices of their ancestors, it became more apparent that to make the difference they wanted, they first needed the thing that was taken from them: land.
โOur creation story tells us that we have a responsibility to take care of mother earth and all living things,โ says Lopez. โBut our tribe owns no land and does not have rights to any of the lands in the territory, since the time of the missions.โ
So in 2012, the tribe created the Amah Mutsun Land Trust, as a way to preserve and protect cultural sites and care for the territory that belonged to the tribe’s ancestors, despite the tribe not owning any land.ย ย ย
Shortly after it was created, the AMLT partnered with UC Berkeley and California State Parks to ย explore how Native groups lived on the coast of northern Santa Cruz County and rediscover indigenious practices. It was this partnership that started to bring respect and recognition to the tribe from the community, especially in regards to land stewardship, says Lopez.ย
โIn most of the public’s eye, the indigenous people were simply hunters and gatherers,โ says Lopez. โThis research was showing that our ancestors were very deliberate and effective stewards of the land. And so when that story started to be told, people started to listen.โ
It was frustrating, Lopez says, that it took the credibility of other institutions for people to acknowledge the wisdom of Native practices. Lopez points to the use of controlled burnings, which indigenous tribes have historically used to prevent wildfires.
โWe have said all along that the use of fire is a really important way to manage landscapes,โ says Lopez. โBut whenever we were talking about fire before the research, and before the CZU fires to be honest, people just did not believe us.โ
Ironically, it was in part the CZU Lightning Complex fires that led the tribe to the land purchase and the property in Bonny Doon. The fires displaced AMLTโs land stewards who were living on the state park Cascade Ranch in San Mateo County, caring for the property using Native traditions. After the fires forced the stewards to move, AMLT was left scrambling, as there was no home base to offer them. For months, the stewards lived in tents, and it was around this time that the tribe reached the Community Foundationโs radar.
Together, the foundation and AMLT worked to finally find a property that the tribe could own.
โWe didnโt know anything about fundraising, or writing grants,โ says Lopez. โAsking for help from the outside world, we surely didn’t know how to do that. That was difficult for us.โ
But with the foundationโs help, AMLT was able to use donor funds to purchase its own land.
โThey care for this land, and they need a place to build cultural identity as they heal from all the historic trauma, and that place can’t just be temporary,โ says True. โIt needs to be a foothold for the tribe to heal and for the tribe to build relations through the generations.โ
In recent years, acknowledgment of historical wrongs against Native Americans have also become more common in the political sphere. Just three years ago, California Gov. Gavin Newsom formally apologized for Californiaโs dark history of violence, mistreatment and neglect of Native Americans, saying it amounted to genocide.
UCSC Assistant Professor Dr. Caitlin Keliiaa, a historian in Native American Studies and a member of the Washoe tribe, says these actions mark a turning point in how society acknowledges indigenous history, in ways that will ultimately be beneficial to the whole community.
โWhen we talk about land back, I think some of your average people will be concerned that well, wait a minute, what are you going to do, give up my house, or kick me out,โ says Keliiaa. โBut they’re interested in having a relationship with the land that was actually taken from them. When we return land back to Native people, they steward and take care of that land in a way that hasn’t happened for some time.โ
As we start to acknowledge tribal authority of their ancestral land, indigenous people arenโt only receiving reparations, they are also at the forefront of the fight against climate change, Keliiaa says.
This past October the state announced that five California tribesโAMLT among themโwill manage coastal land significant to their history, with a first-of-its-kind program backed by $3.6 million in state money.
The tribes will use traditional practices to protect more than 200 miles of coastline in the state, will monitor salmon after the removal of a century-old defunct dam in the Santa Cruz Mountains, while also educating future generations on ancestral culture.
While land stewardship is an important part of many tribal missions, land ownership presents a unique opportunity to embrace culture, and have a central location that facilitates doing so.
โPeople think once a tribe has access to land, they’re going to build a casino,โ says Keliiaa. โI would never challenge that decision, they have their sovereign right to do what is in the best interest of their people. That being said, a lot of tribes actually get the chance to create wonderful cultural resources. Look at the Amah Mutsun, they are building gardens, they’re making medicine there, having workshops on language and culture, and dance and song. On land that their ancestors had been doing that on for thousands of years. I get chills when I think about that.โ
Clarissa Luna, who is in charge of AMLTโs food sovereignty program, explains that the land in Bonny Doon will also allow the tribe to reclaim their culture and heal tribal trauma through another important channel: food.
โFood sovereignty means to cultivate a healthier relationship with food and what you consume,โ says Luna. โBut it also surpasses that. When these traditional foods are made available to you, and your body receives proper nourishment, you’re also healed from many of the nutrient deficient illnesses that the tribal community suffers from.โ
When the European colonizers arrived, the indigenous diet was disrupted. Europeans brought with them livestock and crops from their continents, and indigenous foodsโstaples drastically different from the European dietโwere lost as tribal members were forcefully relocated to the missions.ย ย
Now, part of the propertyโs mission will be to grow indigenous plants, and focus on ancestral diets as another avenue to help tribal members reconnect with their culture.
โWe had so many kids early on in the Land Trust history, who had never even been to the beach, been to the coast,โ says Lisa Carrier. โSo to bring back the palette of fish into our diets is extremely important. Because you know, we suffer from all the same things: high blood pressure, diabetes, you know, high cholesterol, all of that is a part of who we are. And so trying to help our tribe make that shift, and now we have a place to do that, we didn’t have before, so it’s a big deal.โ
Looking Ahead
When Lisa Carrier was in the third grade, her teacher tasked the class with an assignment that was meant to be fun, easy and celebratory: bring to school an item from your culture.
For Carrier, it was a frustrating and confusing assignment, one that left her feeling isolated from her classmates and her history.
โI couldn’t point to anything, I didn’t have a necklace, anything dance related, or my language or anything, so I couldn’t share,โ says Carrier. โAnd that was very hurtful.โ
Carrier hopes that the children in her tribe will never feel uncertain about their culture or their history in that way, and she sees the property in Bonny Doon as critical in making sure every Amah Mutsun child has knowledge of where they come from and who their ancestors are.
Thatโs why the house will serve in part as a learning center, and many of the programs she plans on focusing on will be children-oriented: things like a summer camp, cooking and gardening workshops. Already, one tribal youth group came and visited the property.
โOne of the kids from the youth group said, โOh, the house is really elegant,โโ says Carrier. โI want it to be nice, because I want them to understand that while we don’t value material things, it’s okay for things to look nice to be decorative to appreciate our flowers and bouquets. And we’ve been poor for so long, we don’t have to constantly think that the only way we live is in poverty.โ
More than anything, having a central property will make all other events so much easier, Carrier says.
โIt’s that sense of place. We have power now,โ says Carrier.
While the tribe will continue to fight for federal recognition, itโs no longer a priority. Chairman Lopez says he does not expect to see the tribe recognized federally during his lifetime, and while disappointing, itโs okay with himโhe doesnโt need federal recognition to know who he is, he says. He points to how much the tribe has already been able to accomplish.
โThey’re not sitting around having to wait for the government or any federal institution,โ says Keliiaa. โThey’re just making it happen.โ