The Legacy of Outstanding in the Field

Twenty-three years ago, a lanky food artist named Jim Denevan connected some dots. Having worked with fresh organic produce as chef at Gabriella Cafe, he knew local growers. Heโ€™d walked their fields and enjoyed the magic of wandering through the tender new crops just before harvesting. The closer to the source of the food, he knew, the more connection from farmer to flavor. Why not take diners right out into the fields for their fresh-harvested dinner?

It was an idea that was springing up everywhere, but with Outstanding in the Field, Denevan took it further. From his brotherโ€™s apple orchards, all across the U.S and now in 16 countries around the world, Denevan sets his tables with the wares of local winemakers, farmers, brewers, chefs and fisher folk.

If youโ€™ve never treated yourself to one of these amazing, al fresco, multi-course eventsโ€”performances, celebrations, ritualsโ€”you might consider giving yourself a gift that spits in the face of inflation. A roving restaurant, without borders or limitations of the imagination, Outstanding in the Field is a truly unforgettable extravagance. Tickets are now on sale for the very last tables of Denevanโ€™s 2022 OITF tour, which will require you to get on a plane and head for Africa. On Friday, Nov. 11, the Hendy Farms Mango Orchard hosts the moveable feast in Ghana, and on Saturday, Nov. 19, participants will dine under the olive trees of the Noor Fes Estate in Fez Morocco. I know it means you need to act boldly, but your passportโ€™s up to date and what’s $365 among friends? Think about it. Just don’t take too long! outstandinginthefield.com.

Holiday Toasts

As far as wine tasting goes, thereโ€™s nothing more immediate and exciting than a barrel tasting, where you have a chance to go into the cellar where the wine is busy aging and sample some of the up and coming releases. How smart of Windy Oaks to invite us to a pre-holiday barrel tasting Nov. 18-20โ€”Friday, Saturday and Sundayโ€”at the gorgeous Corralitos estate.

Father and son winemakers Jim and Spencer Schultz will host the tastings, and youโ€™ll also be able to sample newly released 2020 Whole Cluster Pinot Noir, and the new 2018 Brut Rosรฉ of Pinot Noir. Expect to be impressed by handsomely packaged gift bundles of some of Windy Oaksโ€™ top sellers. Nobody wouldn’t love to receive a premium wine from this outstanding producer. There will be live music and Oysters by Parker ($3) on Saturday and Sunday. $30/person each day. windyoaksestate.com.

Homeless Garden Holiday

The annual celebration of the enterprising Homeless Garden Project unfolds on Dec. 1 at the Resource Center for Nonviolence. This popular event gives supporters of the HGP a chance to sample festive small bites and beverages, and check out items created in the HGP training program. Executive Director Darrie Ganzhorn reminded us that this special evening brings the groupโ€™s store of crafts directly to the guests. The opportunity to browse for special items will be wrapped around the screening of Mission: JOY, a visual account shot of conversations between His Holiness the Dalai Lama and Archbishop Desmond Tutu. After the film, stay for the presentation by Douglas Abrams, co-author with the Dalai Lama and Tutu of The Book of Joy, which inspired this behind-the-scenes documentary. The annual benefit offers food for thought, inspiration and a chance to see the handiwork of the Projectโ€™s trainees.

Homeless Garden Projectโ€™s Holiday Celebration is Thursday, Dec. 1, 6:30-9pm, at 612 Ocean St., Santa Cruz. Tickets are $15/$10 at the Homeless Garden Project Downtown Store, 1338 Pacific Ave., Santa Cruz.

Davis Estatesโ€™ 2017 Zephyr Enhances Any Holiday Meal

The 2017 Private Reserve Napa Valley Zephyr ($145) is outstanding. You can’t go wrong with this magnificent wine if you want to enhance your Thanksgiving table or any other holiday event, for that matter.
In Greek mythology, Zephiros (ฮ–ฮญฯ†ฯ…ฯฮฟฯ‚) was the gentle god of the west wind and messenger of spring. He now brings a wine that can be drunk by mere mortalsโ€”not just reserved for Greek gods.
Zephyr is a sensual blend of Cabernet Sauvignon (80%), Cabernet Franc (12%), Merlot (7%) and Petit Verdot (1%). It brings to the table exquisite flavors of blackberry cobbler and brown sugar notes, hints of chocolate and coffeeโ€”with layers of dark cherry and black currant on the palate and bold silky tannins.
โ€œThe full-bodied finish will allow you to lay it down for many years,โ€ winemaker Gary Gott says.
Davis Estatesโ€™ wines are in demand and sell out quickly. If thatโ€™s the case with the 2017 Zephyr, keep an eye out for their next release or try some other estate wines. Beyond the vino, the winery is a beautiful spot to visit. Guests can enjoy incredible scenery, including a 50-foot โ€œnew-antiqueโ€ windmill while relaxing on a porch swing. Davis also offers superb wine and food pairings. Itโ€™s time to pamper yourself!
Davis Estates, 4060 Silverado Trail, Calistoga; 707-942-0700, davisestates.com.

Bread & Butter Pinot Grigio

Balanced and bright, the newly released 2021 Pinot Grigio has classic fresh notes of white floral, lemon and peach. It comes with a screw cap and can be found for under $20. breadandbutterwines.com.

Lรบpulo Showcases Tilquin Beers 

Tilquin is one of the most-respected breweries in Belgium. Lรบpolo, the only location in Californiaโ€”there are 20 in the U.S.โ€”will host a special event to highlight 10 of Tilquinโ€™s delicious fruit beers. The gathering is open to allโ€”21 and overโ€”on Saturday, Nov. 12, at 11:30am. VIP tickets are sold out.
Lรบpolo Craft Beer House, 233 Cathcart St., Santa Cruz; 831-454-8306, lรบpolosc.com.

Aptos’ Carried Away Elevates Takeout

Maribel Martinez began working at Carried Away in Aptos while attending Cabrillo College. Coincidentally, her dad and uncle were offered ownership of the longtime restaurant in 2018โ€”they also brought Maribel on as a co-owner. While her father had owned a restaurant before, her uncle, Renee, is the chef and backbone of Carried Away. Maribel, meanwhile, does a little bit of everything, ensuring the businessโ€™ success. She says the menuโ€”scratch-made and featuring about 90% organic ingredientsโ€”centers around deli fare and comfort food, with three entrรฉe options that rotate weekly. Takeout, as the name implies, makes up a majority of the business.
Some menu favorites include the vegetarian enchiladas and their signature potato artichoke gratin; wild salmon is another popular dish, and the pumpkin turkey chili is always a seasonal standout. For dessert, the top dogs are the strawberry-walnut apple crisp and housemade coconut tapioca pudding.
Hours are Monday-Saturday, 11am-5pm. Recently, Maribel delved further into her restaurant with GT

What is Carried Awayโ€™s concept?

MARIBEL MARTINEZ: It is all about comfort food that you would normally cook at home, but you are able to come here and โ€œcarry it awayโ€ instead. And the place has a lot of history, weโ€™ve been around a long time and we were one of the first restaurants to popularize utilizing organic ingredients. Even though itโ€™s to-go food, itโ€™s not fast food, and we focus on using healthy ingredients for people on the go. And even with rising food costs, weโ€™ve tried to stay competitively priced and keep the quality of the food high.

How has it been going from employee to owner?

As an employee, I would observe our former manager and how she would interact with catering clients. It got me very excited because it was usually for big events like weddings and graduations. Food is how a lot of people come together. I didnโ€™t realize how much work it would take to be an owner, but itโ€™s very fulfilling, and hearing people rave about us is the momentum that keeps us going.

Carried Away, 7564 Soquel Drive, Aptos, 831-685-3926.

Violent, Court-Ordered Removal of Children Sparks Outcry

On Oct. 20, a group of strangers paid a late-night visit to Maya and Sebastian Laingโ€™s grandmotherโ€™s house, where they had been staying.

After trying unsuccessfully to convince the kids to come with them willingly, the strangers carried them kicking and screaming to a waiting car. They were taken to an undisclosed location in Los Angeles, 350 miles away.

Because 15-year-old Maya expected this to happen, she had told several friends to be ready for her call. They showed up en masse, bringing families and neighbors with them.

One of them took a video detailing the strangersโ€™ actions, which garnered more than 100,000 views before YouTube removed it. It still exists on Instagram at bit.ly/3NB3Uww and bit.ly/3WyYiay. Be warned, the content is disturbing.

The strangers were โ€œtransportersโ€ from Assisted Interventions, Inc., a privately contracted company based in New Jersey that carries out court orders to move children in contentious custody disputes.

Maya and Sebastianโ€™s situation is not unique. These children are often taken to โ€œreunification camps,โ€ where the parent on the other end of the dispute waits, along with counselors and other employees tasked with patching up their relationship.

In the days preceding that event, Maya took to her Instagram account, telling her followers she did not want to live with her mother (bit.ly/3UmGE7J and bit.ly/3hbQcnK).

The video of Maya and Sebastian has thrust a startling phenomenon into public viewโ€”one in which aggrieved and so-called “alienated” parents can have children taken away against their willโ€”and with the full concurrence of the court.

A Closer Look

In the video, a man can be seen carrying a struggling 11-year-old Sebastian from behind. That is followed by two men carrying Mayaโ€”one grasping her legs and the other her armsโ€”as she screams that she is being kidnapped. Witnesses say that her clothes came partially off during the struggle, and hair was stepped on and her face slammed into a car door.

All of this took place as two Santa Cruz Police Department officers stood watching. But Santa Cruz Police Deputy Chief Jon Bush says that none of what took place in the video was illegal.

The transporters, he says, were duly authorized to take Maya and Sebastian and were doing so under the order of Santa Cruz County Superior Court Judge Rebecca Connolly.

โ€œThe order allowed this contracted transportation company to physically take possession of the kids and to transport them to a location in Southern California,โ€ Bush says. 

He stresses that the officers were not there specifically to assist the transporters. Instead, they were called to the scene for a report of a disturbance.

Once there, he says their job was solely to keep the peace.

On their website, Assisted Interventions, Inc. states that the companyโ€™s goal is to have children arrive at treatment facilities in a โ€œpositive frame of mindโ€ and that it was founded โ€œon the principles of Dignity, Compassion and Safety.โ€

The company has not responded to requests for comment as of Friday morning.

In a press conference Thursday, Santa Cruz Mayor Sonja Brunner and Santa Cruz County Supervisor Ryan Coonerty vowed to take action to prevent companies from violently taking children from their homes within the county.

โ€œWe regulate taxis and lots of other kinds of services, so this will be another business we want to make sure is operating consistent with our values,โ€ Coonerty said. 

While the court system falls outside the Countyโ€™s authority, a local ordinance setting standards for how minors are treated, Coonerty said, could give law enforcement officials more power to intervene in similar situations.

Coonerty also said the county would urge state lawmakers to pass policies to regulate these businesses.

Kiersten Dungy, 16, who has known Maya for two years and attended Pacific Collegiate School with her, hopes that whatever policies local leaders pass includes a โ€œno-touching policyโ€ for private transportation companies.

โ€œSo that kids who are court-ordered to be sent to reunification camps can be treated as human beings in their travels,โ€ she says.

The kidsโ€™ mother, Jessica Laing, referred calls for comment to her attorney, who declined to talk on the record.

Their father, Justin Laing, declined to talk about the details of the legal case. But he said in a text message that โ€œmy heart is breaking for my kids.โ€

โ€œWhat happened to them is not OK,โ€ Justin wrote. โ€œI will pursue every legal avenue to make this right for them.โ€

Reunification Camps

Tina Swithin, an internationally known blogger who advocates for change in the family court system, describes the industry surrounding reunification centers as โ€œsomething out of a sci-fi movie.โ€

โ€œI know parents who havenโ€™t seen their kids in two years after they are taken away to these camps because what essentially the court orders give full rights to the people who own the camps, and they are making a lot of money off these things,โ€ she says.

And a lucrative business it is. Danielle Pollack, a policy manager at George Washington Universityโ€™s National Family Violence Law Center, says that a single day at one in โ€œreunification treatmentโ€ can cost as much as $10,000.

The idea stems from โ€œparental alienation,โ€ a concept first defined in the 1980s as one parent engaging in a system of behaviors designed to alienate the other parent from their children. This can include maligning that parent to the kids, or keeping the other parent from seeing their children entirely. Alienation can also come from children who stop communicating with a parent because they are angry about a divorce.

Often, courts in those cases will employ counselors to try to seek an amicable familial resolution.

But parents can also weaponize the concept, using it as a counterclaim when their ex-spouse accuses them of abuse, saying the other is simply being vindictive and angry and attempting to separate them from their kids. 

In these cases, children are taken to a reunification camp, a catch-all phrase that can include hotels, nature retreats, or, in the case of Maya and Sebastian, the home of Los Angeles-based psychologist Lynn Steinberg.

Usually, Swithin says, the children are restricted from contacting anyone for at least 90 days.

โ€œTheyโ€™re not allowed to reach out to anybody,โ€ Swithin says. โ€œWhich is part of what makes it so hard to grasp that they can do this.โ€

Steinberg did not respond to numerous requests for comment.

Pollack says that this strategy often works. Mothers frequently lose contested custody cases where they allege abuse, and fathers cross-claim โ€œalienation,โ€ she says.

โ€œIn 73% of these cases, mothers who allege abuse lose custody to the accused when the courts believe she is an โ€˜alienatorโ€™ sometimes even when courts acknowledge the father has abused the mother or children,โ€ she says. โ€œItโ€™s an effective legal strategy. It really tears down the credibility of the person alleging the abuse.โ€

Pollack describes the concept of parental alienation as โ€œjunk scienceโ€ that has nevertheless garnered legitimacy in court hearings since people purporting to be alienation experts testify during hearings.

โ€œPart of the reason why itโ€™s so effective is there is a large cottage industry serving the accused abusers,โ€ she says. โ€œThey come in, and they testify as โ€˜alienation experts,โ€™ as if their junk science theories were scientific and valid and are diagnosable. In fact, itโ€™s not scientifically supported.โ€

Perhaps the most terrifying aspect of the industry is that it is largely unregulated, Pollack says. Pollack says that they are considered โ€œeducationalโ€ and therefore do not need the licenses required for psychological or counseling services. 

โ€œEvery valid area has a licensing board,โ€ she says. โ€œBut these guys duck it.โ€

Once in the campsโ€”stays could last a few days to several monthsโ€”the children are forced to spend time with the parent with whom they are resisting contact. Pollack says that the children are also forced to interact with โ€œreunification counselorsโ€ who try to convince them that the abuse they are alleging did not happen.

She says that children in the camps are forbidden to talk about the past and their parentsโ€™ divorce.

Parents are similarly forbidden to discuss cases with their kids in some places. Others have employees called โ€œgreen shirtsโ€ who come to sit between the parents to change the subject if such conversations occur, Pollack, says.

A minorโ€™s desire to stay with one parent frequently does not factor into a judgeโ€™s ruling, says Pollack.

โ€œIt matters very little,โ€ she says. 

Part of that, she says, is due to who represents children in court.

Usually, kids are represented by a guardian ad litemโ€”also known as a โ€œbest interest attorneyโ€โ€”who forms an opinion about whatโ€™s best for them. 

While this was meant to shield the kids from the often traumatic process, it usually does not represent what the children want since the guardian must consider all facts of the case.

โ€œSo, the voice of the child over the past 20 years has really gone out of the process in many ways,โ€ Pollack says.

Community Response

The fact that what happened is legal is cold comfort for the people who know the kids and saw them being taken against their will.

โ€œWe want to spread awareness to whatโ€™s going on,โ€ says Dungy.

Dungy helped organize an Oct. 27 candlelight vigilโ€”which drew about 50 peopleโ€”and a protest the next day in front of the County Courthouse in Watsonville, where family court is held. 

She also placed herself between the transporters and Maya to stop them before police officers told her to stop interfering.

โ€œWe want to end reunification camps because no human should have to go through what Maya and Sebastian and all these other kids have gone through,โ€ Dungy says. 

Friends at the candlelight vigil described Maya as a quiet, bright, friendly, selfless and thoughtful girl. Friends said that she is adventurous and athletic, plays volleyball, participates in theater, and is a student government leader.

Sebastian is described as a smart, funny boy who hopes to go to Pacific Collegiate School with his sister next year.

Family friend Matt Berlin said the childrenโ€™s father has no idea where they are.

โ€œHe doesnโ€™t know if theyโ€™re safe, he hasnโ€™t seen pictures of them, he has no idea the status of his kids, and he is heartbroken,โ€ Berlin says. 

Berlin said his friend is โ€œan amazing parent.โ€

โ€œHe is one of the best fathers Iโ€™ve ever met in my entire life,โ€ he says. โ€œHe loves his kids so much. He would do anything for them.โ€

Things to Do in Santa Cruz: Nov. 2-8

ARTS AND MUSIC

MARGO PRICE BOOK TALK AND SIGNING Thereโ€™s nothing conventional about Margo Price or her rise as an acclaimed country musician, which made her a perfect fit for Jack Whiteโ€™s Third Man Recordsโ€”Priceโ€™s debut Midwest Farmer’s Daughter was the labelโ€™s first country release. โ€œHard work, stick-to-it-ivness, grit and pristine musicality drenched in real life experience from the school of hard knocksโ€”thatโ€™s Nashville,โ€ Third Man notes. โ€œThat’s country music. That, ladies and gentlemen, is MARGO PRICE.โ€ Priceโ€™s music is an unapologetic dive into her life story, but the singer-songwriterโ€™s new memoir Maybe We’ll Make It delves deeper into the struggles, the tragedies and the subsequent success of one of the most talented singer-songwriters making music. Free. Wednesday, Nov. 2, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. bookshopsantacruz.com.

MORTON MARCUS POETRY READING FEATURING NATASHA TRETHEWEY The annual poetry reading is a tribute to poet, teacher and film critic Morton Marcus. โ€œShe’s the stain on the wall the size of her shadowโ€”the color of blood, the shape of a thumb.โ€ This line from the poem โ€œKitchen Maid with Supper at Emmaus, or The Mulataโ€ was written by Natasha Trethewey, this yearโ€™s guest. The two-time U.S. Poet Laureate is one of the most distinguished U.S. contemporary poets. In addition to five poetry collections, including 2018โ€™s Monument, which was longlisted for the National Book Award, sheโ€™s received fellowships from the Academy of American Poets, the National Endowment for the Arts and the Guggenheim Foundation. The list of accolades goes on, but you get the idea. Trethewey is a Board of Trustees professor of English at Northwestern University. Free (registration required). Thursday, Nov. 3, 6pm. Merrill Cultural Center, UC Santa Cruz. thi.ucsc.edu.

SON LITTLE WITH MOOREA MASA & THE MOOD Son Littleโ€™s recent release Like Neptune was born in a cabin overlooking the Delaware River in upstate New York. The record emits freedom and self-acceptance and transforms self-doubt into a striking opus about overcoming generational distress. โ€œIโ€™ve always felt as though I was making music because I had to; something inside compelled meโ€”fueled me,โ€ Little says. โ€œThis is the first time in a long time Iโ€™m making music for the pure joy of creating.โ€ Throughout his career, the musician has collaborated with Portugal. the Man, the Roots and RJD2, but his latest record is a spotlight on his artistry without any guests. Little describes the 12 new tracks as his โ€œinner R&B boy band.โ€ $20/$25 plus fees. Saturday, Nov. 5, 9pm. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

BOOKER STARDRUM WITH SAMANTHA BOUNKEUA, GENOA BROWN AND MIRANDA JAVID Booker Stardrum has collaborated, toured and recorded with a slew of notables, including Lee Ranaldo, Carl Stone, Wendy Eisenberg and Weyes Blood. Heโ€™s a composer, percussionist, producer and educator who describes his work as โ€œcarved from the dense layering of instruments and manipulated samples, a pan-tonal harmonic sense and an intuitive approach to rhythm.โ€ During his three-day residency at Indexical, Stardrum will perform with several local musicians, including Samantha Bounkeua (violin) and Genoa Brown (saxophone). But this will be more than a straightforward performance; the result will be a new composition incorporating live electronics, acoustic instruments and live video projection, courtesy of artist Miranda Javid. $16; $8/members. Saturday, Nov. 5, 8:30pm. Indexical at Tannery Arts Center, 1050 River St., Studio #119, Santa Cruz. indexical.org.

CAFE VERNACULAR. THE ART OF TOM BOTTOMSโ€™ BOOK LAUNCH Cafรฉ Vernacular is full of color illustrations featuring the rare oil paintings of Tom Bottoms; celebrated local painter Frank Galuszka provides commentary in English and Italian. โ€œFamiliar objects, earthy colors and tangible moments unfold on every page, rewarding art lovers and travelers alikeโ€”the book offers vernacular vistas, appetizers for the eye.โ€ Galuszka will read selected vignettes from the book at the release event. Wine will be available for purchase. Attendees who stay for dinner wonโ€™t be disappointed by Bad Animalโ€™s killer new menu. Free. Sunday, Nov. 6, 3-5pm. Bad Animal, 1011 Cedar St., Santa Cruz. badanimalbooks.com. **EVENT CANCELED**

ANTONIO SรNCHEZ AND BAD HOMBRE WITH THANA ALEXA, BIGYUKI AND LEX SADLER Four-time Grammy Award winner Antonio Sรกnchez began playing drums in Mexico City when he was five. He hasnโ€™t stopped since. Sรกnchezโ€™s professional career kicked off when he was just a teen, which led to a degree in classical piano at the National Conservatory in Mexico, then Berklee College of Music and New England Conservatory, where he graduated Magna Cum Laude in Jazz Studies. The prodigy has recorded about a dozen albums as a band leader and solo. Sรกnchezโ€™s recent projects include the critically acclaimed The Meridian Suite, the star-studded album Three Times Three and the Grammy-nominated Bad Hombre. SHIFT, the musicianโ€™s latest, features a collection of songs by various guests, including Trent Reznor. Dave Matthews and Pat Metheny. $36.75/$42; $21/students. Monday, Nov. 7, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

ROOTSTOCK SANTA CRUZ This unique wine eventโ€”proceeds all benefit MAHโ€”focuses on craft and regionality. โ€œWine from the Santa Cruz Mountains can compete with the best bottles in the world,โ€ writes Wine Enthusiast. From Ser to Equinox to Bargetto, itโ€™s about time the wine world noticed the goodness produced in the SCM. The program begins with a history panel discussion, moderated by John Locke of Birichino, with a tasting, followed by a โ€œGrand Tasting,โ€ featuring wineries and varietals reflective of our โ€œdistinctive California appellation.โ€ Industry archive collections will also be on display. Downtown Dinner Partners, Gabriella Cafรฉ and Oswald, will donate a portion of Nov. 5 sales to MAH. $75/$150. Saturday, Nov. 5, 1-5:30pm. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. santacruzmah.org/rootstock.

SANTA CRUZ SEA GLASS AND OCEAN ART FESTIVAL Art is everywhere! Just take a stroll on the beach and look down. Thereโ€™s potential in the natural surroundings wherever we are. Thatโ€™s what the annual Santa Cruz Sea Glass and Ocean Art Festival is all about. The genuine sea glass and artist-made creations for sale also benefit the local marine environment. There will be over 50 sea glass artists plus ceramics, fabric art, mosaics, resin art and more. Admission includes a chance to win a unique gift basket. A percentage of the entry fee goes to ocean conservation and whale entanglement abatement through the Monterey Bay Sanctuary. Since the festivalโ€™s 2009 debut, $11,000 has been raised. Full bar and food will be available for purchase. $5; kids free. Saturday, Nov. 5, and Sunday, Nov. 6, 10am-5pm. Cocoanut Grove, 400 Beach St., Santa Cruz. santacruz.org.

GROUPS

WOMENCARE ARM-IN-ARM Led by Sally Jones and Shirley Marcus every Monday, the longtime group for women with advanced, recurrent or metastatic cancer is a safe place for those going through similar hardships to find support in one another. Free (registration required). Monday, Nov. 7, 12:30pm. WomenCare, 2901 Park Ave., A1, Soquel. 831-457-2273. womencaresantacruz.org.

OUTDOORS

EARLY BIRD TOUR Amateur and expert birders will be led by Steve Johnston and Robert Horn, who alternate leading walks, sharing the life histories of the birds that call Elkhorn Slough home and giving tips on identifying species. Participants should be prepared to walk around two or three miles on gravel and dirt trails. The tours last about three hours. Guests may leave before the tour ends if needed. Free (first come, first serve). Saturday, Nov. 5, 8:30-11am. Elkhorn Slough, 1700 Elkhorn Road, Watsonville. elkhornslough.org.


Email upcoming events to Adam Joseph at least two weeks beforehand

Or, submit events HERE.

La Luz Unleashes Surf Rock Without Boundaries

The Los Angeles outfit La Luzโ€™s 2021 self-titled fourth record opens with โ€œIn the Country.โ€ Theremin, tubular bells, retro reverberated guitar riffs and Beach Boys-flavored layered harmonies are like old friends for singer-songwriter/guitarist Shana Cleveland, bassist Lena Simon, keyboardist Alice Sandahl and drummer Audrey Johnson. Itโ€™s like the Byrdsโ€™ California country sound of โ€œOne Hundred Years from Nowโ€ making love with their LSD-sodden โ€œEight Miles Highโ€โ€”a perfect overture for the rest of the album.

โ€œโ€˜In the Countryโ€™ encapsulates the mood of the whole record,โ€ Cleveland says. โ€œThe pandemic has been a psychedelic time. Itโ€™s this big shift in everything we thought we knew about our society. I think that contrast of unease with this place where I live, which is in this little bubble of peacefulness within this wider world of insanity, was creepy.โ€

An unsettling soundscape isnโ€™t new for La Luz. Cleveland doesnโ€™t think sheโ€™s ever made an album that isnโ€™t creepyโ€”their 2015 Ty Segall-produced Weirdo Shrine was inspired by Charles Burns’ graphic novel Black Hole, about teenagers spreading an unusual sexually transmitted disease in 1970s Seattle.

โ€œAlso, having recently gone through the experience of giving birth was super creepy and intense and beautiful and terrible, while living in the middle of nowhere [Grass Valley]โ€”it was all those things that contributed to the inspiration for the [La Luz] album,โ€ Cleveland explains. โ€œThese isolating factors in my life made for this situation where I felt like I was writing with deeper intimacy and wanted to explore that in the record.โ€

As they recorded in rural Grass Valley, producer Adrian Younge and the rest of the band didnโ€™t have difficulty locking in with Clevelandโ€™s vision. Midway through the record, โ€œGoodbye Ghostโ€ appears like an apparition of Syd Barrett transmitting a lost track from Pink Floydโ€™s Piper at the Gates of Dawn. Then comes the cinematic instrumental โ€œYuba Rot,โ€ a blend of Ennio Morricone spaghetti-western escapade with Claudio Simonetti psych-prog thriller. The well-placed interlude makes for an ideal time for the band and listeners to take a collective breath before going forward. 

While the trioโ€™s 2012 debut Itโ€™s Alive is catchy and fun, Cleveland admits that the band was initially born out of self-indulgenceโ€”it was a genre-oriented platform she built so she could play guitar like all the garage rockers who inspired her.

A decade in, La Luzโ€™s development and the overall mentality of the group have shifted, and Cleveland and her bandmates let it unfold naturally.

โ€œ[Our music] has become a weird creature,โ€ Cleveland says. โ€œAll of the ways that the band has evolved are fun. I feel like it’s harder to put your finger on [the type] of music we play. The best Beatles records are the weirder ones, like the White Album. You can’t say that it’s just rock โ€™nโ€™ roll, but it brings you into [another] universe and tells a story.โ€

When the band is going to a gig by car or flying to a gig, Cleveland is often asked at security checkpoints what kind of music they play. 

โ€œI always say rock because I donโ€™t know what to say,โ€ she says. โ€œI like how it’s been a progression to get to this record, and I think the records we’re making invite you into their unique universe without being as easy to pinpoint in terms of genre.โ€

 The secret to a bandโ€™s longevity, aside from being able to churn out music that people want to hear, is โ€œboring,โ€ according to Cleveland. Some of the best bands have trouble lasting for five years, let alone a decade. After 10 years, La Luz still has a lot of music in them and, more importantly, the desire to stay together. 

โ€œWe all like each other,โ€ she says. โ€œWeโ€™re respectful, kind people. I think we have a good time and enjoy each otherโ€™s company; weโ€™re also diehard musicians. Once you get to the point where you’re making a lot of money, you can be a little more comfortable and get nice hotel rooms every night and travel on a bus. Everything gets a bit easier, but at the level that we’re at, you have to love what you’re doing because it’s not going to be comfortable.โ€

 La Luzโ€™s ability to create an ever-changing smorgasbord of tender and potent music might be stimulated by their ability to overcome adversity and endure discomfort. While on tour in 2013, the bandโ€™s van slipped on black ice and crashed into a highway divider; a semi-trailer truck slammed into them. The group suffered significant injuries, and their equipment was destroyed. Most recently, Cleveland was diagnosed with breast cancer, which led to canceling most of their tour dates this year. 

โ€œAs the days fly by/ Just remember I am here on earth to love you,โ€ Cleveland croons on โ€œHere on Earth.โ€ The dusty Ry Cooder-esque lament is an obvious love letter to the singerโ€™s 3-year-old boy, but it also echoes the bandโ€™s perseverance. 

La Luz with Naked Giants performs Sunday, Nov. 13, at 9pm. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $28/$32 plus fees. folkyeah.com.

Deep Roots Fest Reimagines Global Dance

Every week, hundreds of people throughout Santa Cruz County participate in world dance classesโ€”from traditional African forms to Cuban Salsa.

However, says Tannery World Dance and Cultural Center (TWDCC) Executive and Artistic Director Micha Scott, many students do not realize just how contemporary their instructors are.

โ€œMost of these dance teachers from Santa Cruzโ€”the public knows them as traditional artists,โ€ Scott says. โ€œI donโ€™t think thereโ€™s a comprehension that they are truly contemporary dancers as well.โ€

Recently, the Tannery hosted the first segment of the 2022 World Dance Festival at its headquarters in Santa Cruz. The free festival included performances by a number of local and regional dance groups, as well as artisans and other vendors selling crafts, wares and food.

On Nov. 19, a second segment of the festival will be held at Cabrillo Collegeโ€™s Crocker Theater, also highlighting world dancers, but this time with a contemporary spin. The Deep Roots Dance Fest: A Reimagining of Dance from the African Diaspora will feature dance and musical groups performing works from Brazil, the Congo, Cuba and Haiti.  

Scott says the idea for the performance came after she saw a Tannery artist performing a contemporary routine using his traditional world dance background. 

โ€œIt really struck me,โ€ she says. โ€œI had never experienced or seen that before. I started meeting choreographers and discovering they are very modern, contemporary artists. I thought, this is the time to give them a platform for them to show their works.โ€

TWDCC received a grant from the City of Santa Cruz after they took over the World Arts Festival, formerly known as the Cultural Arts Festival. This, along with another grant from the California Arts Council, allowed the organization to reimagine and expand it into a two-part event.

โ€œAs dancers, artists in general, weโ€™re always looking to progress the art form, take those traditions and flip them, spin them and turn them on their head,โ€ Scott says. โ€œThere are so many incredible creative artists in Santa Cruz and we want to highlight them. Let everyone know that theyโ€™re here.โ€

While most of the groups performing on Nov. 19 will be professionals, the event will also include a group of dancers from TWDCCโ€™s youth programs. 

โ€œWeโ€™ve opened this up to all Black and brown youth dancers in Santa Cruz,โ€ Scott says, โ€œall of them could participate in the residency for free. โ€œIt can be very hard and isolating being an โ€˜otherโ€™ in their community. I know a lot of dancers who feel ostracized, lonely and separated. We wanted to invite them into something that was for them.โ€

Scott says that events like the World Dance Festival are a chance for performers of color to be elevatedโ€”something that is often missing in Santa Cruz County.

โ€œIt is so important for the community to bear witness to these artists,โ€ she says. โ€œThere have been quite a few very divisive racial topics, especially within the Black community in Santa Cruz, certainly over the past few years. This is a way for Black and brown artists to say, โ€˜we are here, and we have something valuable to say.โ€™โ€

The Deep Roots Fest will feature sponsored artists in the Diaspora Performance Project, a project launched in 2018 that aims to support local artists of the African Diaspora, including providing work opportunities. Artists include Vivien Bassouamina, Arnaud Loubayi, Ramon Ramos Alayo and Shawn Merriman-Roberts. Guest Artist in Residence Gervais Tomadiatunga and local icon Dandha Da Hora will also take the stage.

Prior to the performance, there will be musicians, artisans and more set up in the lobby of the Crocker Theater. Following the show will be an Artists Talk, where the artists will discuss their backgrounds and processes, and the audience can ask questions.

โ€œI want to create an immersive experience,โ€ Scott says. โ€œMy goal is that itโ€™s not a typical thing where you show up, you wait in the lobby until they open their doors, go in and sit down and wait for the show to start.โ€ 

Scott says they hope to make the performance an annual part of the festival. 

โ€œAnd the great thing is, it doesnโ€™t have to be specific to the African diasporaโ€”it can change every year, focusing on another region of the world. This can go far and wide.โ€

The Deep Roots Dance Fest happens Nov. 19 at 7pm at Cabrillo Collegeโ€™s Crocker Theater, 6500 Soquel Drive, Aptos. $20/$30. cabrillovapa.universitytickets.com.

Opinion: Vote on Nov. 8

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

Election coverage used to be so much simpler. Well, okay, it was never simple. But it was a good deal more compact back in the day. Weโ€™d have some stories in the lead up to November, for sure, but most of the coverage of races and measures and propositions would be stuffed into an Election Issue that came out the week before voters went to the ballot.

That would be this issue, and if you flip through you can see that it doesnโ€™t have rundowns on every ballot category. Thatโ€™s because over the last several yearsโ€”and especially since the pandemicโ€”weโ€™ve had to get election information out earlier and earlier, as more people shift to mail-in ballots and the window for voting expands into most of October. We began running those stories more than a month ago, and you can find them all at goodtimes.sc.

However, you will find plenty of election coverage in this issue, from Tony Nuรฑezโ€™s cover story on the battle between Measure Q and Measure S in Watsonville to one last look at the races around the county. Remember, if you are mailing in your ballot, make sure itโ€™s postmarked on or before Election Day. If not, get yourself out to the polls and vote on Nov. 8!

STEVE PALOPOLI| EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

BEAK HERE NOW A black-crowned night heron at the Santa Cruz harbor. Photograph by Robin Lynn Lord.

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

WELL VERSED

Pulitzer-prize-winning poet, essayist and bestselling memoirist Natasha Trethewey will be this yearโ€™s honored guest speaker at the annual Morton Marcus Poetry Reading.  The event honors its namesake, the poet, author, teacher and iconic local literary figure who passed away in 2009. The event is free, but register at news.ucsc.edu.


GOOD WORK

TAKE A DAY FOR YOURSELF

Catherine Sergurson, the longtime Santa Cruz artist and videographer who founded the Catamaran Literary Reader, is being honored for her artistic contributions to the community. Last week, the Santa Cruz City Council announced that Oct. 21 will be known as Catherine Segurson Day. The Catamaran just celebrated its 10-year anniversary this month; read it at catamaranliteraryreader.com.


QUOTE OF THE WEEK

โ€œDemocracy is the only system that persists in asking the powers that be whether they are the powers that ought to be.โ€

โ€” Sydney J. Harris

Letter to the Editor: Not Just a Lot

Santa Cruz is at a crucial turning point regarding โ€œplace-keeping,โ€ a concept related to โ€œplace-makingโ€ which considers what should be preserved as a community changes. Those who say, โ€œBut Lot 4 is just a parking lotโ€ seem willfully blind to the potential of that central downtown location. We already have a library which is ideally located. There is no reason the city cannot offer the Farmers Market the improvements on Lot 4 that they are offering on Lot 7.  

This quote from How to Turn a Place Around by Projects for Public Spaces resonates with those of us who support Measure O: 

โ€œFor far too long, the shaping of public spaces has been left to architects and urban planners, who plan from the top down. Placemaking ensures that changes to a space will reflect the needs of the entire community, and it boosts that communityโ€™s sense of ownership in a project.”  

Lot 4 presents an opportunity for a community-led process to create a well-loved public space that can connect us and enrich our lives far into the future. Losing this space will be an irreversible mistake. Yes on Measure O! 

Judi Grunstra 

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโ€”not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

Letter to the Editor: Vote for Change

I find myself completely baffled and disheartened to know that we live in one of the most expensive places in a country which is one of the wealthiest in the entire world, and the housing crisis seems to be getting worse. I walk by so many of our neighbors suffering and struggling each day and it breaks my heart. I get off work in downtown Santa Cruz and see many folks huddled in doorways or hear them screaming in the streets. Why canโ€™t we guarantee that everyone has a place to live? With all the abundance surrounding us, what is preventing that abundance from being shared? If we housed everyone living by the levy, in parks, in their vehicles or on friendโ€™s couches, we would all live in a more peaceful, beautiful community. As for myself, I spend nearly half of my income on rent and have almost zero hope of ever being able to afford to buy a home in California, the state I was born and raised in. And I am one of the lucky ones, with a masterโ€™s degree, a stable job and a supportive family.  

If everyone had a home, they would have trash service provided by the city. If everyone had a home, less people would need to stay up all night so they wouldn’t get robbed or attacked. Can we imagine a Santa Cruz where everyone had a safe place to rest their head at night? What do we value as a community? Do we value caring for one another and basic human rights, or do we value some people having so much, more than they need, and so many having so little?  Letโ€™s also think about how much money we truly need to have a purposeful life. As far as we know, we cannot take anything with us when we die, so what is all this wealth and power hoarding about?  

Since housing is a human right, and that human right is not being protected by the city or state, we must take matters into our own hands. That is why I support Measure N, also known as the Empty Home Tax. It gives homeowners who have more than they need the opportunity to give back and invest in affordable housing. And for those who prefer not to pay the tax and rent out their extra homes, then that frees up more housing. It is a step in the right direction as the city and county figure out what they are willing to do to get all of our neighbors housed.

Erin Wood

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโ€”not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

The Legacy of Outstanding in the Field

Distinguished chef Jim Denevan is behind one of Santa Cruzโ€™s loftiest food events of the year

Davis Estatesโ€™ 2017 Zephyr Enhances Any Holiday Meal

The Napa Valley blend of Cabernet Sauvignon, Cabernet Franc, Merlot and Petit Verdot is nectar for the gods

Aptos’ Carried Away Elevates Takeout

Mid-County restaurant takes a gourmet approach to to-go

Violent, Court-Ordered Removal of Children Sparks Outcry

Two Santa Cruz County children forcibly moved to reunification camp by โ€˜transportersโ€™

Things to Do in Santa Cruz: Nov. 2-8

Margo Price Book Signing, Antonio Sรกnchez, Rootstock Santa Cruz and More

La Luz Unleashes Surf Rock Without Boundaries

A near-death experience, creepy graphic novels, birth and surviving cancer, make up the arsenal of inspiration that fuels the Los Angeles trio

Deep Roots Fest Reimagines Global Dance

The Tannery World Dance and Cultural Centerโ€™s Deep Roots Dance Fest showcases talented contemporary dancers from around the world

Opinion: Vote on Nov. 8

November 8 election
Get informed, and get in your ballot

Letter to the Editor: Not Just a Lot

A letter to the editor of Good Times

Letter to the Editor: Vote for Change

empty-home-tax
A letter to the editor of Good Times
17,623FansLike
8,845FollowersFollow