Construction Work Hits Seabright Businesses Hard

For Santa Cruz businesses lucky enough to be close to the water, the summer months can bring tourist traffic—unless there are literally obstacles in the way.

In the harbor area, where a seismic retrofit project is closing Murray Street Bridge for months, local businesses have taken a big hit in revenue.

The westbound lane of the Murray Street Bridge has been closed since March. In June the entire bridge was shut down, with the lane expected to reopen in approximately seven months, although construction will remain active for at least three years.

Businesses on both sides of the bridge are feeling the repercussions, and they believe “the city has failed” them.

A possible solution surfaced at the end of July, when Patrice Boyle, owner of La Posta, a popular Italian restaurant on Seabright Avenue, started a petition to consider opening the adjacent rail bridge to foot and bike traffic.

For businesses in the area, help can’t come soon enough. Eric Taillan, a partner at Tramonti, an Italian restaurant on Seabright Avenue, says the closure has created a divide between the two sides of the harbor. “You’ll never push anyone from one side,” he says, “to drive thirty minutes in traffic from 4pm on to go to one place of business rather than staying on their side of town.”

Taillan fears for the future of Tramonti and the businesses and neighborhoods that surround it.

One of these is Betty Burgers, which has a shop just down the street from Tramonti, directly across from Murray Bridge. Laurie Negro, owner of Betty Burgers, says her Seabright Avenue location saw a drop of 20% in revenue when the bridge had one lane closed. Now that the entire bridge is inoperative, business is down 38% compared to last summer.

Negro is looking at closing the establishment two days a week and laying off staff during the winter. She says she has never considered taking these actions in the past. Negro is “very concerned about what happens in October,” when tourists from San Jose and elsewhere stop coming to Santa Cruz in great numbers. “That is when we are really going to feel it,” she says.

“I am really terrified,” says Brady’s Yacht Club owner Karen Madura. She has cut staff hours since bridge construction closed both lanes and has begun picking up shifts behind the bar. The business she is drawing in is equivalent to winter months. “Not having a spike in the summer is really nerve-racking,” she states.

Madura also worries about the length of the project and the long-term influences of the three-year closure. People are “creatures of habit,” she says. “Even if we survive this, if people haven’t been coming here for three years, it’s going to take a long time to get them back.”

All three business owners feel let down by local officials. They were given a couple weeks’ notice before construction began, and they saw tremendous changes to their revenue at the peak of summer. Negro claims that the city of Santa Cruz’s promises to fund promotional events and create clear and long-term signage have gone unfulfilled. The signage that exists now is bright orange with small black lettering and placed behind a chainlink fence.

In addition to the petition to open the railroad trail to bikes and pedestrians, business owners on both sides of the bridge have reached out with suggestions to open the bridge to traffic while it is not being worked on, and to exempt affected businesses from paying the district sales tax.

“I’d love to see the city fight for us, go to bat for us,” Madura says.

That may be happening after all. On Aug. 7, the Santa Cruz County Regional Transportation Commission gave the thumbs up to allow use of the Santa Cruz Rail Line Bridge for a potential temporary walking and biking path, as long as the city of Santa Cruz sought permission from the rail owner. At press time the Santa Cruz City Council was set to consider this course of action at its Aug. 12 meeting.

Santa Cruzan Indicted for Wire Fraud

A federal grand jury has indicted a Santa Cruz man on four counts of wire fraud stemming from alleged misrepresentations to investors about his software company and his purported music streaming service. Hank Risan was arrested Tuesday morning and made his initial appearance later in the day in federal court in San Jose.

According to the indictment filed July 31 and unsealed Aug. 5, Risan, 70, allegedly offered and sold stock and stock conversion in his software company, Media Rights Technologies, Inc., and his music streaming service, BlueBeat, Inc., to investors based on false representations. He allegedly claimed that he owned 2.5 million songs by various well-known artists worth $10,000 each.

In reality, the indictment alleges, BlueBeat did not own the copyrights.

Risan allegedly induced investors to purchase approximately $1,959,187 in stock and stock conversions, and to make payments characterized as “loans.” In total, he obtained approximately $3,165,859 from the charged scheme. Risan allegedly used the fraudulently obtained funds to pay personal credit cards, purchase collectables, and make mortgage payments on his personal residence.

In 2014 Risan was sued by the Beatles’ record label EMI for copyright infringement when he posted his own soundalike versions of Beatles songs online selling them for 25 cents each. He was forced to take them down and pay almost $1 million in fines.

Risan was released on a $100,000 unsecured bond. He is next scheduled to appear in district court in San Jose on Oct. 8, for a status conference before U.S. District Judge P. Casey Pitts.

If convicted, Risan faces a maximum sentence of 20 years in prison and a fine of $250,000 for each count of wire fraud.

If you were an investor, share your story: ed****@*****ys.com.

Residents Oppose New Battery Storage Facilities

Members of the community continued to push back against the introduction of Battery Energy Storage Systems (BESS) to Santa Cruz County at a community workshop on July 30.

The workshop—which more than 30 people attended—was held by the Santa Cruz County Commission on the Environment as a way of providing the public with “additional expert testimony,” according to a County of Santa Cruz news release.

Slated to speak at the meeting via a Zoom call were Scott Murtishaw, executive director of the California Energy Storage Alliance, and Michael Nicholas–an energy storage specialist and fire consultant with Hiller Companies.

The California Energy Storage Alliance was founded in 2009. According to their website, CESA’s mission is to “advocate for energy storage as a key resource to achieve a more affordable, efficient, reliable, safe and sustainable electric power system for all Californians.”

Murtishaw said that as of April, California has close to 16,000 megawatts of energy storage. CESA’s goal is to have 52,000 MW stored by 2045.

Much of Murtishaw’s presentation covered emerging energy storage technologies, such as the different types of batteries that BESS facilities can store.

As of now, lithium-ion batteries are widely viewed as the best option for energy storage because of their durability, low cost, high density, and high efficiency.

While Murtishaw did not specifically discuss the BESS sites that are planned for Santa Cruz County, it has been confirmed that the proposed facility on Minto Road in Watsonville will store lithium-ion batteries.

According to the company behind the project, New Leaf Energy (not related to New Leaf Markets), lithium-ion batteries are more stable than the widely used nickel-manganese-cobalt batteries.

The latter type was stored in the Moss Landing facility that erupted in flames last January.

Despite the popularity of lithium-ion batteries, there may be a growing demand for alternative types of energy storage that could be safer.

This summer, China made strides in the energy storage field by creating the first large-scale sodium-ion battery storage facility. Sodium-ion batteries are generally considered more sustainable and safer than lithium-ion batteries, but they don’t have as high an energy density or as long a cycle life, experts say.

Santa Cruz County Environmental Commissioner Kris Damhorst, along with other community members, asked about the viability of sodium-ion battery storage in California.

But according to Murtishaw, they “are not being manufactured for grid-scale use yet.”

New Leaf Energy project lead Max Christian says that sodium-ion products are not currently commercially viable and are therefore not available for use in New Leaf Energy’s proposed project.

“To be commercially viable, a product would need an established track record of years of use in the field and would need to be fully supported by the company through warranty and maintenance services,” Christian said.

One member of the community, John Hasar, suggested the possibility of using flow batteries as an alternative energy source. Hasar said he works for a flow battery manufacturing company.

Flow batteries have their energy stored separately from the battery itself in tanks of liquid electrolytes. The energy from lithium-ion batteries is stored within the battery cell, giving them a higher energy density but also making them more susceptible to fires and thermal runaway.

“I don’t think we should be led to believe that if we don’t have lithium-ion, there is no reliability for the grid. There are other technologies to fill the need,” Hasar said.

But approximately 95% of all BESS facilities do not use FLOW batteries, primarily because they are too slow to react to the real-time needs of the electricity grid to draw power from batteries on an instantaneous basis, according to Christian.

Nicholas attempted to reassure the public that future BESS facilities would be required to meet strict safety regulations and that local fire departments would undergo rigorous training in case of a fire.

Nicholas said there is a “long-term relationship between BESS operators and fire departments.”

He said that local fire departments will be trained prior to the facilities becoming operational and will also complete annual training. Some of the safety measures include designing fire alarm systems, testing explosion prevention, and conducting large-scale burn tests to assess fire resistance and safety.

However, the presentation did little to comfort members of a community that vividly remembers the Moss Landing battery fire.

On Jan. 16, a BESS facility operated by Irving, TX-based energy company Vistra caught fire, a fire that reignited a month later.

People living in the vicinity reported deleterious health effects from the toxic smoke emitted from the blaze for days.

But Christian says the comparison between the Vistra plant and the facility proposed by his company is inaccurate and unfair.

The Vistra plant, he said, involved approximately 100,000 batteries, approximately 80,000 of which are estimated to have burned in the fire.

This was possible because all the batteries were placed together, unseparated and arranged inside an old building.

The BESS facility proposed for Minto Road, Christian said, would have no more than 40 batteries that could possibly catch fire at the same time, thanks to containerization and current safety technology.

“To be clear, we are talking about 100,000 batteries vs. 40 batteries—approximately equivalent to a house fire, in terms of volume of materials burned,” he said.

A handful of people also called attention to an explosion that occurred at a lithium-ion BESS facility in Surprise, Arizona, in 2019.

“This is not an isolated, one-off thing that happened in Moss Landing,” said Becky Steinbruner, an activist who has run for County Supervisor.

“Why [are you] not considering the public health and safety as foremost in this presentation?” Steinbruner said.

Nina Audino said the Moss Landing Fire was a “worst-case scenario,” not an “outlier.”

Audino is a retired teacher and has organized several meetings since April to rally the community against the county’s planned BESS sites.

Christian says the incidents cited are not parallel to what is proposed by New Leaf Energy on Minto Road.

According to Christian, the Surprise incident involved a single container that exploded when firefighters attempted to enter the container. There was no spread to adjacent containers.

Also, the battery was of the NMC chemistry, not the safer LFP chemistry that is now standard.

Christian says that the incident inspired a number of safety upgrades, including response plans for first responders and a reformatting of containers to make it so that people no longer enter the container, but rather access batteries through cabinet doors that line the exterior of the container.

Moreover, the Netherlands incident did not involve more than one container; there was no propagation from one container to another, he said.

Christian added that New Leaf has worked with local CalFire representatives such as Watsonville City Fire Department and North County Fire Protection District.

In addition, he said, there is no proven data available to indicate any loss of property value that has resulted from the existence of a BESS facility.

“The incident at Moss Landing was truly awful, never should have happened and never will again, thanks to current safety and planning codes,” Christian said.

Former Pajaronian Owner Abruptly Closes

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News Media Corp., the Rochelle, Ill.-based company that owned Good Times sister paper The Pajaronian from 1995–2019, abruptly ceased operations Wednesday, informing employees in an email at its 11 publications in five states that they no longer have jobs.

The company had been in business for 43 years and boasted 600,000 subscribers, with publications in Arizona, Illinois, South Dakota, Nebraska and Wyoming, according to its website.

They had several papers in California and Oregon.

“It is with a heavy heart that I write to inform you that NMC will be closing its doors permanently, effective August 6, 2025,” CEO JJ Tompkins wrote. 

“This decision was not made lightly. Over the past months and years, we have explored every possible avenue to sustain our operations and preserve our team. Unfortunately, due to financial challenges, a significant economic downturn impacting our industry, revenue losses and increasing expenses, and the recent failure of an attempt to sell the company as a going concern, we have reached a point where continuing business is no longer feasible.”

Tompkins said that the employees’ health coverage was also terminated on Aug. 6, and added that the company would “make all reasonable efforts to pay you all remaining compensation you have earned as soon as possible, to the extent permitted by the company’s secured lenders.”

Tompkins did not respond to a request for additional comment.

NMC purchased Pajaronian in 1995, and ran it until Santa Cruz-based Nuz Inc., the company that also owns Good Times, purchased it in 2019. 

San Jose-based Weeklys, which owns Nuz Inc., has four other regional weekly papers, including Metro Silicon Valley, North Bay Bohemian, Pacific Sun and East Bay Express.

In addition, Weeklys has 10 local papers, including the Press Banner in Scotts Valley.

The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

As Downtown Santa Cruz continues its skyward housing boom, there’s a big question planners must ponder: what are all those thousands of new residents going to do at night?

The answer would naturally be go to clubs and find entertainment, which has hit some big bumps in the road. First off, the Catalyst is up for sale and the building hasn’t been maintained in a way that shouts long-term entity. That building holds 800 in the main room and 350 in the atrium.

And just as disturbing, the Civic Auditorium has taken a big slide, as you’ll see in our cover story by Joshua Logan. This was a place that brought in Bob Marley, Bob Dylan, Tom Petty, Bonnie Raitt, Zakir Hussain and Shakti, to name a few. The 2,000- to 2,400-capacity room’s schedule has dwindled to the point where it’s now losing half a million dollars a year.

That building once housed the now-defunct Miss California Pageant and in 1956 it drew national attention when a concert was stopped by police because of what they characterized as the dancers’ “suggestive, stimulating and tantalizing motions.”

There aren’t enough tantalizing motions there now…why? Check out the cover story. This is a problem that needs to be solved.

Speaking of entertainment, hometown hero Lacy J. Dalton is returning for an intimate gig at El Vaquero Winery near Corralitos. I love this quote from her in Richard Stockton’s piece: “Santa Cruz has more musicians than people.” It sure feels that way sometimes. The most confounding thing, if you are a musician, and the most wonderful thing, if you are a fan, is that so many of them are major-league talents, truly outsized for a city and county of our size.

There are dozens of great choices every week for performers to see in intimate clubs.

We’ve also got a good variety of theater performed and written by national and local artists, such as what’s playing at the Mountain Community Theater this weekend. Mathew Chipman writes about the annual New Works Weekend which returns to Park Hall Aug. 15–17, offering three nights of script-in-hand staged readings spotlighting local playwrights. Next week Christina Waters’ thoughtful review of Shakespeare Santa Cruz’s production of Pericles will appear in print, but you don’t have to wait that long: read it now on goodtimes.sc.

Some years back, I’d heard complaints from people who had invested in a local online music company called BlueBeat, which had an office downtown. Now, it looks like the feds are on the case, indicting owner Hank Risan on fraud charges. Are you an investor? Do you have a story to tell about it? Drop us a line at ed****@*****ys.com. I think some people must be relieved that someone has taken action.

Thanks for reading and have some good times as summer is heading to a close.

Brad Kava | Editor


PHOTO CONTEST

KICKIN’ IT Hula (13-year-old Yellow Lab) and her Humans decided they needed to get away from the warm weather in Brentwood, where they live, and enjoy some R & R at the Beach. We enjoyed the cooler weather and our morning and evening walks along West Cliff Drive, but Hula’s favorite thing was relaxing at the Santa Cruz Harbor Beach. PHOTO: Bob Damico

GOOD IDEA

Congressman Jimmy Panetta presented the city of Scotts Valley with a ceremonial check for $1 million of federal funds to help complete the planned Town Center project. The money will be used to buy the remaining parcels for the project. For more than 15 years, Scotts Valley leaders have envisioned a large development with shops and affordable housing on a vacant lot between Kings Village Road, Mount Hermon Road and Skypark.

GOOD WORK

Celebrate the reopening of West Cliff Drive
Friday 5-8pm at Lighthouse Point with food trucks from S.C. Eatery, Rollin Snack Shack, and Taquizas Gabriel Taco Truck, music from SambaDá and remarks from city officials and the project team that fixed up the flooded roadway. For those who need directions, it’s at 701 West Cliff Drive. You’ll know it by the big lighthouse!

QUOTE OF THE WEEK

‘Santa Cruz has more musicians than people.’
—Lacy J. Dalton


LETTERS

THANKS, JOHN LAIRD

As California finalized its state budget for this year, Second Harvest Food Bank of Santa Cruz County—your food bank and the first established in the state—extends our deepest gratitude to State Senator John Laird for his steadfast leadership and unwavering commitment to ending hunger in our community and beyond.

Thanks to Senator Laird’s steadfast advocacy, the CalFood program—which supports food banks across California—was funded at $60 million for the 2025–26 fiscal year, a significant increase from the $8 million proposed in the governor’s May revision. This landmark investment underscores Senator Laird’s deep-rooted commitment to food security on the Central Coast and throughout the state.

Working alongside Assemblymember Stephanie Nguyen, Senator Laird helped secure critical funding that enables food banks to purchase fresh, California-grown food—nourishing families while investing in our state’s farmers and food producers. This funding helps us provide not just more food, but better food—nutritious, locally sourced and rooted in dignity.

Erica Padilla-Chavez | CEO, Second Harvest Food Bank | Santa Cruz County


POETRY EVENT

Círculo de Poetas & Writers’ annual conference is at the MAH on Aug. 23 and then online on Aug. 30. You can go to our website for all the details.

I’m hoping Good Times could write about the conference for two reasons—it’s our 10th anniversary, and the first Círculo conference was held at Cabrillo College; then we have a Tribute to a Living Writer series, and this year Lorna Dee Cervantes will be there. I think this would make a great story.

Adela Najarro | Author of ‘Variations in Blue’


ONLINE COMMENTS

REBUILDING AFTER CZU FIRE

I started out after the CZU fire with deep sympathy for the people in planning and building. They also had been through a trauma, there are regulations that they must comply with. They are hard-working people, who are part of our community. Codes are in place to keep all of us safe.

I was in contract with an architect by September 2020, and I manage design projects in my profession. I had enough hubris to think that I could make everything come out okay.

I had to build a bridge to access my land, which was a uniquely challenging barrier to getting started with the cabin. To do this I had to learn how to work with civil engineers, geotechnical engineers and structural engineers. Get approval from Department of Fish and Wildlife, the Army Corps of Engineers, the Water Quality District, and from Planning, Building, Roads, and the fire chief. Then I had to build the darn thing in the three-month period you are allowed to build in a riparian corridor.

Now I have had plans for a cabin in for permit for almost a year. The response time is slow, there is little consistency in the comments. It truly seems like the plan checkers are TRYING to find a way to deny my permit.

The fire was a devastating trauma. But the process of rebuilding is incremental, slow torture.

Kirstin | Goodtimes.sc


PRIMUS

Primus at the UCSC Quarry was truly a magical night—great sound, magical atmosphere in the redwood forest, and a legendary band that still knows how to rock every generation with their unique weirdness.

Retro Bowl | Goodtimes.sc

Things to do in Santa Cruz

THURSDAY 8/14

BLUEGRASS

DELLA MAE

All-woman string band Della Mae packs a punch with powerhouse players: founder and lead vocalist/guitarist Celia Woodsmith, Grand National champion fiddler Kimber Ludiker, guitarist Avril Smith, and two-time IBMA Bass Player of the Year Vickie Vaughn. Della Mae’s playful and high-energy performances inspire audiences to clap and stomp along. It is bluegrass, after all, and they bring twangy finger-plucking, sailing strings and hooky melodies. The band is not only passionate about their performances, but they also advocate for increased opportunities for female musicians through mentorship and programming. SHELLY NOVO

INFO: 7:30pm, The Landing, 251-B Kings Village Rd., Scotts Valley. $35/adv, $45/door. 566-9411.

REGGAE

DAMIAN & STEPHEN MARLEY

Sons of reggae legend Bob Marley, Damian and Stephen Marley carry on their father’s legacy on their own and together. Stephen Marley is a multiple Grammy winner, earning recognition for his solo work and production of other artists. Starting from a roots reggae foundation, his music is informed by hip-hop, soul and dancehall, all with a Rastafarian perspective. Damian “Jr. Gong” Marley secured worldwide fame with 2005’s Welcome to Jamrock. The record’s title track landed two Grammys. His lyrics often focus on social issues, including poverty and social justice. Together, the brothers Marley continue their musical journeys and embrace Bob Marley’s groundbreaking contributions. BILL KOPP

INFO: 7pm, Quarry Amphitheater, 1156 High St., Santa Cruz. $70-$130. 459-4184.

FRIDAY 8/15

ART

ED PENNIMAN

Through meditative landscapes, joyful seascapes and fresh still-lifes, Ed Penniman creates peaceful mirrors of the natural world. Born and raised in Santa Cruz, his pieces reflect the lush greenery and warm sands of sunny California. Penniman’s love of art began in childhood and came to fruition in the early 1970s. In 1984, Guillain-Barré syndrome left him quadriplegic for three years. During this time, he continued painting and learned to use his mouth to hold the brushes. In his recovery, Penniman developed a deep appreciation for the relationships between humans and nature, and he tenderly depicts this in his art. The exhibit goes until Jan. 25, 2026. SN

INFO: MAH, 705 Front St., Santa Cruz. $10. 429-1964.

ELECTRONIC

IN THE ROUND SESSIONS VOL. 4

Time to go round and round with In The Round Session Volume 4, featuring locals DJ Sardine, MR.EXTRACREDIT, and Joey Aliotti. This immersive night of house music promises to bring party people on a journey with energetic mixes and a unique setup. DJs will be in the middle of the Atrium floor—in the crowd. In other words, they won’t be separated by a stage. This is a special opportunity to connect, jump and dance to the beats as one. Unwind from the stress of the week with these deck demons and go into the weekend with high energy and egalitarian vibes. ISABELLA MARIE SANGALINE

INFO: 9pm, Catalyst, 1011 Pacific Ave., Santa Cruz. $10/adv, $20/door. 713-5492.

SATURDAY 8/16

FOLK, R&B CELLO

BEN SOLLEE

Kentucky-born Ben Sollee is an interesting cat. The phrase “folk R&B cellist” isn’t heard often enough in the popular music pantheon. That he’s an environmental activist who once packed a cello on his back and biked around the country in a tour he called the “Ditch the Vans” tour makes him the most unique R&B cellist ever. That’d be an impressive feat with a guitar, but a cello?! His lyrics are sweet and romantic, delivered in a beautifully sincere and soulful voice. He’s collaborated with My Morning Jacket and Bela Fleck, and his compositions include ballet and indie film soundtracking. Interesting cat indeed. KEITH LOWELL JENSEN

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $20. 429-6994.

INDIE

STRFKR

Portland strikes again, or rather STRFKR strikes again. STRFKR was started by Josh Hodges, who wanted to create music that would inspire dancing but would also serve as just plain ol’ pop music. The lineup currently consists of Shawn Glassford on bass and drums, Keil Corcoran drums and vocals, and Arian Jalali on guitar and keyboards, and literally every member of the band on keyboards at some point. Is STRFKR succeeding with this band? Well, if chart placement, use in shows, ads and other media, and packed concerts full of sweaty, dancing bodies equals success, then yeah, pretty much. KLJ

INFO: 8pm, Catalyst, 1101 Pacific Ave., Santa Cruz. $38. 713-5492.

SUNDAY 8/17

COMEDY

LEWIS BLACK

They say all good things must come to an end and that includes the howling of the dogs of society. With that, famed angry comedian Lewis Black is saying, “Goodbye Yeller Brick Road.” But instead of going back to the plough, the 76-year-old comedian is only quitting the open road, putting away the tour life after 35 years, and will focus on the simpler things in life like his podcast (aka his “Rantcast”), writing and maybe finally becoming the professional golfer he “was born to be.” Black’s comedy is viciously on-the-nose and sharp, especially when dealing with politics or the trappings of modern society. MAT WEIR

INFO: 8pm, Rio Theatre, 1205 Soquel Ave., Santa Cruz. $57. 423-8209.

ROCK

MEATBODIES

This psychedelic rock band hails from Los Angeles and is spearheaded by one Chad Ubovich. A longtime bass player for famous psych acts like Ty Segall and FUZZ, Ubovich started Meatbodies in 2011 around the same time FUZZ also formed. While the latter would have more of the indie media spotlight, Meatbodies became a favorite in the psych underground earning a fanbase with their fuel-injected live performances, catchy beats and lo-fi heavy sounds. Over the years they’ve released four albums, with last year’s Flora Ocean Tiger Bloom as their latest and definitely most diverse work to date. MW

INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $18/adv, $22 door. 479-1854.

MONDAY 8/18

JAZZ

RAUL MIDÓN

Grammy-nominated guitarist and singer-songwriter Raul Midón is known for his distinctive guitar sound and his skillful combination of influences from pop, R&B, Latin and jazz. Blind since childhood, New Mexico-born Midón developed a trademark guitar style that incorporates rhythmic hand percussion and improvisation. His second major-label release (2005’s State of Mind) featured Jason Mraz and Stevie Wonder as guest artists. Midón has also collaborated with Herbie Hancock, Mike Stern, Lalah Hathaway, Queen Latifah and many others. His vocal “trumpet solos” are a popular element of recordings and live performances. Midón’s most recent studio album, Lost & Found, was released in 2024. BK

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $40-$42. 427-2227.

Wine, Woman & Song

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Lacy J. Dalton claims that living in Santa Cruz was the best time of her life, and one reason was because the musical community here pushed her to keep getting better. She says, “Santa Cruz has more musicians than people.”

Lacy J.’s love and connection with Santa Cruz is mutual. KPIG jock, musician and writer Michael Gaither believes Dalton ties into our hometown pride. “Santa Cruzans are proud of the fact that Lacy started here, developed here, and after big success in Nashville, she has always claimed Santa Cruz as her own. She’s still writing songs, and we play her stuff on KPIG. We feel like she is ours.”

Dalton will be back in the area this Saturday, and fans can catch her at El Vaquero Winery in Corralitos.

Dalton, 78, is one of the most instantly recognizable voices in music. People magazine called her “country’s Bonnie Raitt.” In March 2017 she was inducted into the North American Country Music Association International Hall of Fame, and in 2022 she was awarded a Lifetime Career Achievement Award from the Josie Music Awards. Known for her gritty, powerful vocals, she had hits in the 1980s that included “Takin’ It Easy,” “Crazy Blue Eyes” and “16th Avenue,” known as the anthem for Nashville songwriters.

Dalton’s Santa Cruz bona fides go deep; she wrote one of her biggest hits, “Crazy Blue Eyes,” in her 20s when she lived in Ben Lomond on Alba Road, during a period she says was one of the happiest times of her life. She laughs, “The cabin was so funky that when the rains came, I had to get up on the roof and put big plastic tarps down.”

She met her first husband there, the father of her son, who later became quadriplegic. Dalton found out a couple weeks after he broke his neck that she was going to have his baby. “It was the last child in his family line. I never was into the whole trad wife thing, but he could never have any more children, and I thought, ‘Okay, I’m going to have this baby.’ I brought my husband and my baby home from the hospital the same day.”

From ‘Black Sheep’ to Reno Pops

Dalton recently played two dates in July and August with the Reno Pops Orchestra, with selections of her original hits scored for orchestra. “It’s amazing to hear your hillbilly songs set to symphonic music. What an honor. One of the songs was a tune I wrote with Santa Cruz’s Ginny Mitchell,” Dalton says.

Arguably one of Lacy’s most requested and controversial songs is “Texas Taliban.”

One thing’s got me troubled, boys, I’ll never understand         

The pinhead politicians of the Texas Taliban

Dalton, a fierce advocate for women’s rights, says that there are so many people she loves in Texas—she speaks of wonderful years there touring with Willie Nelson and Waylon Jennings—but feels the politicians have taken treatment of women back one hundred years. “I think the Taliban would be perfectly comfortable moving to Texas. If Texas disappeared tomorrow, I would not grieve.”

Dalton says she generally doesn’t do political songs live but is considering doing “Texas Taliban” because so many Santa Cruzans say it’s their favorite song. She says the predominance of patriarchy is tilting the world out of balance. “I wouldn’t be surprised if the world tipped on its axis. Women are so strong—how dare anyone tell them they are less than. It offends my spirit.”

I suggest that her support of women’s rights flows through many of her songs. Lacy agrees and says one of those that she will perform at El Vaquero is “The Devil by a Different Name,” from her new Black Sheep album.

I am a woman, I am strong
But I’ve been told that I am less-than for so long
Eve ate an apple, they say we’re to blame
That’s just a devil by a different name, boys
The devil by a different name

Black Sheep has one song called “Everybody Loves to Hate.” Dalton asserts, “I don’t remove myself from that equation. We all have that in us, and we need to overcome it.”

It will be a trio at El Vaquero Winery: Dalton will be bringing guitar player Dale Poune and bassist Bill Laymon with her. Fans can drink fine wine and hear her sing starting at 5pm.

Lacy J. Dalton plays 5–8pm on Aug. 16 at El Vaquero Winery, Tickets: $20. reservations.elvaquerowinery.com

Reading Rainbow

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As our coveted Santa Cruz summer winds into its third month, we have a lot to be grateful for: late sunsets, movies at the beach—and a weekend of original one-acts performed in the heart of the redwoods.

Mountain Community Theater’s annual New Works Weekend returns to Park Hall Aug. 15–17, offering three nights of script-in-hand staged readings spotlighting local playwrights.

Produced by Ian Dyer, this year’s lineup features new one-act plays by Gail Borkowski, Steve Capasso and Harvey Landa, each sharing deeply personal work coming from their hearts, souls and experiences as Santa Cruz locals.

At the heart of the weekend is Borkowski’s Rain Walk—A Short Play, helmed by Maia Yates, who makes her directorial debut with the project.

“I’ve been part of theater in this valley since I was five—that’s 35 years,” Yates says. “To be directing a piece written by someone from this same community means everything. It’s personal. And it makes the work even more meaningful because it’s rooted in where we live.”

Borkowski premiered Rain Walk as a table read last summer with 36 North, a Santa Cruz playwrights’ collective. The script has since evolved and moved into the hands of a director and a cast, to explore new angles beyond the page.

“Submitting to New Works meant letting go, trusting that someone else would direct the piece with care,” Borkowski says. “That moment of surrender wasn’t easy, but it was freeing. And then meeting Maia made me feel like, yes, this is going to be in good hands.”

Rain Walk doesn’t promise a tidy resolution, but it does offer truth: Even if we get through this, there will always be something else as life moves on, like the wind and rain.

Rain Walk is about a mother and son navigating their way toward acceptance—of each other, and of who they are right now. They’ve already been through a lot, and now they’re facing something new together. It’s not a ‘happily ever after’ kind of story. It’s messier, more human, and that’s what makes it real,” Borkowski says.

“When the audience walks out of the theater and imagines what happens next, that’s when I know the story did its job. That’s what creativity is. Not answering everything, but opening the door to possibility,” Borkowski adds.

Rain Walk is only one of the three spotlighted works: also included are Neighbors, written by Steve Capasso and directed by Scottie Tsubota, exploring the moral complexities of a crime gone wrong; and Where Imagined Things Belong, written by Harvey Landa and directed by Sue Ann Guildermann, examining the choices that made us who we are.

Each performance will be followed by a talkback session, allowing audiences to discuss the work directly with the writers, directors and cast.

New Works Weekend runs at 8pm on Fri.–Sat., Aug. 15–16, and at 2pm on Sun., Aug. 17, at Park Hall, 9400 Mill St., Ben Lomond. Tickets: $10. mctshows.org

Free Will Astrology

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ARIES March 21-April 19

Rama is the star of the ancient Hindu epic story, the Ramayana. I love him! He’s one of my favorite legends! His heroic journey isn’t fueled by a greed for power or personal glory. Unlike 90 percent of modern action heroes, he’s not pumped up with anger or a lust for vengeance. Instead, he is animated by a sense of sacred duty. Against all odds, and in the face of bad behavior by weird adversaries, he acts with exemplary integrity and calm clarity. During your upcoming exploits, Aries, I invite you to be inspired by his exalted and unwavering determination. As you proceed, ask yourself, “Is this in rigorous service to my beautiful ideals? Are my decisions and words in alignment with my deepest truths?” Be motivated by devotion as much as by hunger. Aim not just for novelty and excitement, but for generosity of spirit.

TAURUS April 20-May 20

In the Mexican festival of La Noche de Rábanos—Night of the Radishes—giant radishes are carved into elaborate altars and scenes. Humble roots become fancy art. I think you’re engaged in a metaphorically similar process, Taurus: sculpting with uncommon materials. Something you’ve regarded as modest—a small breakthrough or overlooked strength—is revealing unexpected value. Or perhaps a previously latent or indiscernible asset is showing you its neglected magic. Celebrate your subtle but very tangible luck. Take full advantage of half-disguised treasures.

GEMINI May 21-June 20

In Zen archery, the aim is not simply to hit the target. Instead, it’s to align one’s body, breath, mind and bow so fully that the arrow releases itself naturally and effortlessly. It shoots itself! I would love for you to adopt this breezy attitude in the weeks ahead, Gemini. See if you can allow an evolving project, relationship or vision to reach a new maturity, but not through pushy effort. Rather, trust life to bring you the precise guidance exactly when you need it.

CANCER June 21-July 22

In ancient Rome, the priestesses known as the Vestal Virgins tended an eternal flame. They never let it be extinguished, not even for a moment. Their devoted focus on nurturing the fire was both a religious practice and a symbol regarded as essential for the well-being, prosperity and survival of the Roman state. I propose, Cancerian, that you engage in your own version of Vestal Virgin-like watchfulness. Assign yourself the role of being the keeper of a sacred promise or resource. What is it, exactly? Identify this repository of spiritual wealth and dedicate yourself to its sustenance.

LEO July 23-Aug. 22

In medieval Europe, pilgrims traveling to the shrine of Saint James in Spain often wore scallop shells. These were badges to signify they were on a sacred path in quest of divinely inspired transformation. The shell also had practical uses. It was a scoop for food and water, underscoring the humility and simplicity embraced by wayfarers on the road. I invite you to acquire and wear your own equivalent of this talisman, Leo. You have begun a new chapter in your self-perception, and life is asking you to proceed without pretense. You don’t need definite answers. You don’t have to rush to the end of the journey. The becoming is the point. I hope you seek out inspirational symbolism and generous companions to help nurture your brave transformations. (PS: Your best conversations may be with people who will lovingly witness your evolution.)

VIRGO Aug. 23-Sept. 22

In ancient Greek drama, the peripeteia was a term for the moment when everything turns. The pivot doesn’t happen through force, but through the revelation of what was always true. I see the coming weeks as your peripeteia, Virgo. There may be no fireworks or grand announcements. Just a soft spiraling crackle that signifies a realignment of the system, a cathartic shift of emphases. Confusion resolves. Mysteries solve themselves. You might say, “Oh, yes, now I see: That’s what it all meant.” Then you can glide into the future with a refined and more well-informed set of intentions.

LIBRA Sept. 23-Oct. 22

In coastal Portugal, there’s a lighthouse called Farol do Cabo da Roca. Built on a cliff where land ends and the Atlantic Ocean begins, it marks the westernmost edge of continental Europe. We might say it’s a threshold between the known and unknown. I believe you will soon be poised at a metaphorically similar place, Libra. An ending is at hand. It’s not catastrophic, but it is conclusive. And just beyond it are shimmers, questions, and a horizon that’s not fully visible. Your job is to finish your good work, even as you periodically gaze into the distance to see what’s looming.

SCORPIO Oct. 23-Nov. 21

I Invite you to channel the spirit of Kali—not in her form as the destroyer, but as the fierce liberator. She has the power to burn away stagnation, neutralize the poison of old lies, and slice through illusion with a sword of compassion—and so do you. I believe you are ready to sever a bond that has secretly (or maybe not-so-secretly) limited you. Don’t be afraid of the emptiness that results. It may appear to be a void, but it will quickly evolve into a fresh sanctuary. Into this newly cleared room, you can pour your strongest longings and most rebellious love. What are the wildest versions of your truths?

SAGITTARIUS Nov. 22-Dec. 21

In some early maps of the cosmos, Sagittarius wasn’t just an archer. Your sign was symbolized by a centaur with wings: part horse, part bird, part god. I bring this to your attention because I suspect your own hybrid nature is extra wild and strong these days. A part of you wants to roam, and a part wants to ruminate. A part wants to teach, and a part needs to learn. How should you respond to the glorious paradox? I say, don’t force harmony. Let contradiction become choreography. Maybe liberating joy can arise through a dance between apparent opposites.

CAPRICORN Dec. 22-Jan. 19

In Sardinia, there are tombs carved into rock called Domus de Janas—“houses of the fairies.” People once left offerings there to court the help of beings they couldn’t see. They truly believed that fairies are real and can exert effects in this world. In modern times, fewer Capricorns actively consort with invisible presences than any other zodiac sign. But I hope you will take a short break from your usual stance. Mysterious and mythic influences are gathering in your vicinity. You’re being nudged by forces that defy explanation. What do you have to lose? Why not have fun making room to be delighted and surprised by miracles and wonders?

AQUARIUS Jan. 20-Feb. 18

Thou shalt embrace the confounding contradictions, Aquarius. That’s the first commandment. Here’s the second commandment: Thou shalt caress the tricky incongruities. Third: Thou shalt whisper endearments to the mysterious ambiguities and invite the mysterious ambiguities to whisper endearments to you. Fourth: Thou shalt rumble and cavort with the slippery paradoxes. Commandment number five: Thou shalt chant spicy prayers of gratitude to the incongruities, paradoxes, contradictions and ambiguities that are making you deeper and wiser and cuter.

PISCES Feb. 19-March 20

In early medieval gardens, there was sometimes a space called the hortus conclusus. It was a walled sanctuary that protected plants and herbs from harsh weather and predation by animals. It comprised a microclimate and provided a private, peaceful space for contemplation, prayer and study. Sometime soon, Pisces, I would love for you to create your personal equivalent of a hortus conclusus—even if it’s metaphorical. You will harvest maximum benefits from surrounding yourself with extra nurturing. The insights that would come your way as you tend to your inner garden would be gently and sweetly spectacular.

Homework: What’s crucial for you to learn next? Newsletter.FreeWillAstrology.com

© Copyright 2025  Rob Brezsny

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Week of August 14
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