Things to do in Santa Cruz

THURSDAY 8/21

GARAGE ROCK

THE DARTS

Drawing comparisons to garage rock legends like The Cramps and Pacific Northwest pioneers The Sonics, all-female Seattle quartet The Darts serve up raw power, a sound rooted in gritty psychedelia, punk and proto-punk.Organist Nicole Laurenne and bassist Christina Nunez launched the group in 2016. The current lineup also features guitarist Meliza Jackson and Mary Rose Gonzales on drums. The band’s wild shows center on original songs exploring empowerment, revenge, lust, and rebellion—in other words, the good stuff. The band’s latest release is the raucous Nightmare Queens. Like-minded San Francisco garage rockers Hot Laundry open the show. BILL KOPP

INFO: 8pm, Moe’s Alley, 1535 Commercial Way, Santa Cruz. $18. 479-1854.

AMERICANA

DALLAS BURROW

Texas-based singer-songwriter Dallas Burrow is part of the musical storytelling tradition. His music draws from outlaw country and folk, and explores resonant themes like struggle, redemption, self-discovery, growth and the musician’s life on the road. He makes a point at each and every show of sharing a personal anecdote about his father. Burrow’s approach is informed by troubadours such as Kris Kristofferson and Townes Van Zandt. A gifted and prolific writer, Burrow has released four albums and four EPs to date. His latest release, Read ’Em and Weep, is a collaborative single with Ray Wylie Hubbard. BK

INFO: 7pm, Ugly Mug, 4640 Soquel Drive, Soquel. $25/adv, $35/door. 477-1341.


Eliza Gilkyson with Nina Gerber

She’s a luminary of the luminous Austin music scene, but singer-songwriter Eliza Gilkyson’s renown extends to the rest of the nation. Her songs have been covered by the likes of Joan Baez and Bob Geldof, and her activist streak can be seen in her new album, Dark Ages, which pulls no punches in commenting on the current efforts of a sitting president to dismantle our Constitution. Adding to the musicality of the evening, prominent folk guitarist Nina Gerber will provide accompaniment. SHARAN STREET

INFO: 7pm, Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35/$45. 427-2227.


EXPERIMENTAL

CYBERPUPPETS The Robopocalypse comes to Felton. PHOTO: Sorrell LaLune

ROBOPOCALYPSE

Puppeteers for Fears return with “Robopocalypse: The Musical!” a two-hour, R-rated cyberpunk puppet odyssey about the rise of artificial intelligence and the plucky teen hacker who accidentally started it all. Set in a neon-drenched near future, the show follows Jolie Daniels (screen name: Ha.G.) as she battles sentient appliances, rogue algorithms, and her own garage-built bot in a synth-scored quest to save the world. Fresh off a national tour, the Oregon-based troupe behind “Cthulhu: The Musical!” levels up with 13 new songs, an all-puppet cast, a Hype Bot Chorus, and plenty of analog weirdness. SONYA BENNETT-BRANDT

INFO: 8pm, Felton Music Hall, 6275 Hwy. 9, Felton. $22. 704-7113.


FRIDAY 8/22

FOLK

VETIVER

Vetiver is the pet project of folk singer, songwriter and guitar strummer Andy Cabic and his merry crew of favorite producers and collaborators. This Friday, Vetiver will commandeer the Garden Stage at Crepe Place to celebrate their latest collection of songs, Up On High. With multiple guitars being strummed, and choruses that invite singing along this is the kind of folk music that lets audience members forget about the fast-moving world outside, and breathe awhile. KEITH LOWELL JENSEN

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $22-$26. 429-6994


ROCK/SOUL

THE BUDOS BAND

The nine-piece Budos band blend Ethiopian-inspired rhythms, 1970s psychedelia and proto-metal, creating a style entirely their own. While blazing horns, driving bass lines and mesmerizing rhythms make up the band’s distinctive musical language, they embrace an approach to traditional music that they describe as “wrong.” After more than two decades of playing together, the Budos are back on the road with their first album in five years, VII. This new album comes with freewheeling confidence, punchy horns, fuzzy guitar and glimmers of electric organ. SHELLY NOVO

INFO: 8:30pm, Catalyst, 1101 Pacific Ave., Santa Cruz. $35-$43. 713-5492


SATURDAY 8/23

JAZZ

DJANGATOS

This skillful swing trio breathes new life into legend Django Reinhardt’s hot club music. Featuring Robert Witmeyer, named “KFOX Best Guitarist in the Bay Area,” leading on guitar, banjo, mandolin and vocals and luthier Ron La France holding it down on rhythm guitar. Djangatos combine swinging rhythms, intricate guitar and walking bass to create and preserve the “Jazz Manouche” sound. In the tradition of “Gypsy Jazz,” the musicians play without a drummer, with unique strumming styles driving percussion. A toe-tapping set is to be expected as the band celebrates the release of their debut album, Roulette. SN

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $33/adv, $43/door. 427-2227


PUNK

ROBSTOCK

Apparently today is the day for music festivals in Santa Cruz. Not only is Felix Fest happening at the Catalyst, but The Blue Lagoon is also the home to the inaugural Robstock. Hosted by Rob Beneshan, Robstock features three local, heavy-hitting bands: Grimpire (the human slaves for local metal monsters, A Band of Orcs), FUX and Outpatient X, the newest to the scene of the trio. Beneshan will also be opening the show with an all-original set of music and local pole dancing troupe Steel & Grimace will leave spectators wanting more. Oh, did we mention the free skateboard giveaway at 10pm? MAT WEIR

INFO: 7pm, Blue Lagoon, 923 Pacific Ave., Santa Cruz. $15/adv, $20/door. 423-7117.


SPOKEN WORD

STORYTELLING 2025

In this age of computer-generated images, and film budgets soaring into the hundreds of millions of dollars, a persona can still walk out on stage and with nothing more than their voice, share stories of their true (or true enough) experiences and captivate an audience, bringing roaring laughs, tears, and gasps. It’s the oldest art form and its popularity endures with storytelling shows packing theatres, and being shared on public radio as well. Brad Roades directs “NextStage Presents Storytelling 2025” featuring two different casts to give audiences a different show both nights. Performance on Saturday and Sunday. KLJ

INFO: 7pm, SC Actors Theatre, 1001 Center St., Santa Cruz, $15. 431-8666.


WEDNESDAY 8/27

ROCK

POPPING INTO SANTA CRUZ Chicago’s North By North keeps power pop alive. PHOTO: Contributed

NORTH BY NORTH

As a genre, power pop doesn’t get enough respect. Either it’s written off as “too bubblegum” or mildly thought about for a whole two seconds before it’s forgotten when discussing favorite types of music. However, power pop has had an important foothold on the evolution of underground music, particularly punk and new wave. And with bands like Chicago’s North By North keeping it alive, there’s hope the catchy yet crunchy genre might get the respect it deserves in 2025. This week, get a dose of the melody with them at Crepe Place as they are joined by Santa Cruz’s own indie pop group Far West and Americana rockers, Eyes Like Lanterns. MW

INFO: 8pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $10/adv, $12/door. 429-6994.


Corazón de Oro

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This past April 19 life changed for many people in the Santa Cruz area—and beyond—when Felix Lozano passed away suddenly at the age of 51. He was a father and a fiancé, a brother and a son. He was a bartender, a punk rocker and someone who I was lucky enough to call a dear friend and inspiration.

Anyone who knew him can attest to Felix’s love for his community, be it the Chicano community he had pride in, punks or his “guys” (as he called them) with developmental disabilities that he worked with for decades at Hope Services.

And on Saturday, August 23, the local community is showing up to celebrate his life with Felix Fest, a five-band punk show in the Catalyst main room with all proceeds going to his family. In full disclosure, I am one of the central organizers for the show.

In honor of Lozano’s time in local Latino punk band Los Dryheavers and his huge influence on the punk scene organizing shows for bands local and just passing through, Felix Fest is a blast from the past. There are three reunions of punk bands from the 1990s and early 2000s: Good Neighbor Policy (GNP), Here Kitty Kitty and headliners Fury 66. Before the headliners take the stage, there will be a special guest band (who will even have a few but crazy special guests within their set) that doesn’t want to be named but anyone paying attention will likely figure it out.

Opening the show is Fulminate, a self-described “Latin Punk Party” trio—and the only band currently playing regular shows.

“Without Felix and the Dryheavers there would be no Fulminante,” explains singer and guitar player Brenda Martinez. “He inspired a generation of Brown kids to play music and have a voice.”

When asked about her reaction to playing the benefit show, she said there was “no hesitation” from all three members.

“Felix made us feel a part of a community when it’s easy to feel alone,” she says.

This will be the first time Fury 66 has played together in nine years, when they packed out the Atrium for the 27th anniversary of Numbskull Productions.

“It was a no-brainer,” says the band’s lead singer, Joseph Clements, when asked about his reaction to playing Felix Fest.

Clements and Lozano’s friendship expanded over four decades. In the early 2000s Clements’ indie label, Lorelei Records, released both of Los Dryheavers’ full-lengths along with their 7-inch single “Seven Inches Just For You.” When Clements started his Buddhist hardcore project—The Deathless–it was Lozano he asked to play guitar.

Despite all that, Clements says he doesn’t exactly remember the first time he met Lozano (possibly in the early 1990s, when Fury 66 played with Lozano’s first band, STUBB, in King City) but that’s not necessarily a bad thing.

“Felix was one of those people who all of a sudden was my brother,” he states. “We just hit it off with all the stories of the people we knew and our mutual love of music. That’s just Felix. He treated people like you knew him your whole life.”

It’s a sentiment shared by GNP’s guitarist, Chris Jönsson.

“GNP played at The Blue a lot and Felix was always around so we became buddies like 20 years ago,” he explains. “Every time I walked in and Felix was working he would take time to come and talk. We’d have actual, real conversations about life. He always had a real positive but rational way of talking about things. He was just that guy, always.”

Of course, nobody performing knew Lozano better than his sister, Gabby, whose band Here Kitty Kitty will play for the first time in 12 years.

“It really means a lot,” she says while holding back tears. “But there’s also been a lot of emotions coming at me. The fact that people are doing this is so crazy to me because it’s such a huge show.”

Adding an extra touch of love and sentimentality, she will be playing some of the instruments and equipment her brother used during his time in Los Dryheavers.

It’s impossible to express how much Lozano meant to his friends, family and community in only 700 words. I could sit for hours and write pages upon pages, with many dedicated to what he meant to me alone. He touched the lives of everyone who will be on the stage on Aug. 23 and—most likely—a majority if not all of the people in attendance.

That’s just who he was. A person who gave a shit, who showed up for his friends and community and stayed true to who he was, cutting through all the B.S. we—and society—create. It’s my hope that Felix Fest will be a celebration for everyone and one that inspires others to go out and be a positive influence on the lives around them.

“I still get stopped by people who say, ‘Your brother was in Los Dryheavers,’” Gabby says. “And so many kids now are messaging me saying they got into music because of encouragement from my brother or they saw him play and thought, ‘I want to do that.’”

Singing Sweet Songs

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It’s a full day of bands, musical genres and brews as Rock the Soul kicks off Saturday at Woodhouse Blending & Brewing. The all-ages “minifest” is the one-year anniversary of “music, good vibes and unforgettable memories,” says Alexandra Henry, CEO of Soul Good Entertainment, a company that coordinates events, distribution and manages artists.

“We didn’t want all the same type of music,”  said Colton Cori, bass player for Clay Moon, who performed at last year’s entry and occasionally helps with bookings. “We wanted to give a variety of sounds.”

Utah-based Cassie Wanders opens the show, followed by local vocalist/musician Jo Coleman and Clay Moon. Skinny Hendrix and the Earthtones bring in the hardcore soul funk, and it’s always a high note when the band’s Spanish-speaking lead singer “adds a splash of bilingual” to songs, Henry said.

Woodhouse welcomes back Birdcalls, a tight-knit trio that performed at last year’s fest. And the lineup also includes sets by Jeffrey A Meyers Band (known as J.A.M,), Roadside Honey and Cement Ship.

Growing From Last Year

“We decided we want to make this an annual thing,” says Henry, whose résumé includes hosting 16 shows over the years at Woodhouse and who has brought in 109 different artists to Santa Cruz.

Soul Good puts on ticketed shows at Woodhouse, a wide range in terms of both genres and ethnicities, says Henry, who also is a musician. “For me as an artist I have spent a lot of time in a lot of places playing. Woodhouse was one of the only places in town I actively never received any weird racialness.”

Henry also led promotion behind Soul Good Sundaze, a series of shows and events aimed to celebrate Black artists, feature live music, and foster community engagement. The first Soul Good Sunday opened during Black History Month with an all-Black lineup. “It was not supposed to keep going,” Henry says. “This is not something I had ever done before. We had such an array of musicians that year, including a poet and a yodeler. There was a huge range of Black artists and musicians.”

When it came time to decide on “a space where people look like me, a protected space,” Henry says, Woodhouse hit all the right marks.

Woodhouse brought out “a lot of positive things including making sure the bands get paid what they asked for,” she says. “They just put good energy out there.”

This is the only event that Soul Good is planning for Santa Cruz this year; the company’s other events are primarily in Oakland. “We’re just appreciating other musicians in our community,” Henry adds. “The community needs this.”

A bassist in multiple bands, Cori says, “I wanted to bring more musicians into the show, not only the musicians here in Santa Cruz but also those I know from San Diego as well.

“We were excited to make it a little bigger than last year,” he adds. “Not only to showcase local bands, but also bands from Utah and the Bay Area while maintaining the importance of local music. Woodhouse is a great venue. I also wanted to showcase Woodhouse as, in my opinion, a somewhat underutilized space.”

There’s no need to seek lunch or even dinner arrangements elsewhere, as both food trucks and vendors will be on site throughout the event, including Shockwave Food Truck.

Rock the Soul takes place noon–10pm on Aug. 23 at Woodhouse Blending & Brewing, 119 Madrone St., Santa Cruz. Tickets: $28.52 on eventbrite.com.

TINY SIDEBAR: Robstock Debuts at the Blue Lagoon


why basically?

Circle of Power

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If you’ve ever wished you could craft a poem using only the glossary of DEI words banned by this administration, that’s one of the many opportunities afforded at the upcoming 10th annual Círculo de poetas and Writers Conference held at the MAH on Aug. 23, and online Aug. 30.

“When I saw the list, that there’s actually people in the government scratching off words on documents, I was shocked,” says poet Adela Najarro, who will be leading that particular workshop’s prompt, “Disappearing Words,” during the conference. “What is this, 1984?”

Or 1934.

She decided to use her revulsion for creative exploration and, judging by the other workshop titles—“Poetic Racial Justice: Healing Our Streets,” led by 2025-2027 Watsonville Poet Laureate Dr. Victoria Bañales; “Dealing with Grief Through Poetry,” with Xicana high school teacher Erica Castro and “Flor y Canto: Writing as Collective Medicine for Organizers, Artists, Healers,” with Laura Diaz Tovar—her fellow writers had similar inspirations: use the horrors of this national or personal moment as fertile ground.

The workshop, then, becomes the community garden to tend together.

“It’s a beautiful thing,” Najarro says.

After the nonprofit summons hosts through their newsletter and online channels, applicants fill out a form with their workshop idea pitch, and the winners get a free year membership to Círculo, plus free attendance to the rest of the conference.

“All of our workshops should be one-third presentation discussion, one-third writing, then the last third, the participants share.”

Attendees will have an opportunity to share to a wider audience at the open mics occurring near the end of each conference day, right before closing remarks and “benediciones.”

As the name Círculo suggests, the non-hierarchical nonprofit seeks and speaks in multicultural voices, with primarily Californian Latino membership, but decentralized and international, thanks in part to the pandemic. The first conference was held at Cabrillo College, supported by the English department, as an attempt to keep creative momentum going after writers met in 2015 at a summit of sorts.

“Francisco Aragón of the Latino Studies department at the University of Notre Dame put together a tour of a Smithsonian exhibit called ‘Our America: The Latino Presence in American Art,’ and part of that, he gathered a bunch of Latino writers at the Crocker Museum in Sacramento to spend a weekend writing on the museum pieces and creating a dialogue between art and poetry.”

They realized quickly how crucial it was to be creating with “like-minded people with similar concerns, cultural backgrounds and linguistic ideas. How do you push your Latino poetry to the best it can be by engaging with each other?”

Lucha Corpi, who Najarro calls a “canonical” Bay Area poet along with Francisco X. Alarcón, hosted everyone at her house to begin dreaming up what Círculo could be. She and Alarcón became the “mentors,” instrumental in developing a volunteer board to serve its members, who pay union-like “dues” in order to attend quarterly workshops and the annual conference, which celebrates its ten-year anniversary with an anthology, submissions opening Aug. 24, the day after the MAH event.

Najarro, who serves on that board, insists it doesn’t violate their non-hierarchical design, and that experiential inclusivity is part of why they’ve made it ten years.

“Everybody’s equal,” she says. “Lucha and Francisco, they have published tons of books, have national literary reputations. But they are sitting next to somebody who’s writing their first poem.”

Visit Círculo’s website and the lattice of member thumbnail photos sit next to each other in the same equality. Click on each and up pops author bios, reflecting different successes, vocations and locations, with brief writing samples below. A playwright from Glasgow, Scotland. A humanities professor in San Antonio, Texas. A poet from Mumbai, India, who will be leading a workshop for the online conference.

This is the third time the MAH has hosted their in-person conference after Covid forced them online but broadened their participant base, and Najarro says the hope is their stay is indefinite.

“The space is so amazing, and people like [Rentals and Events Manager] Jessi Bond so supportive, that we just decided: ‘let’s make this a tradition.’”

That tradition continues in the format they have developed: meet en masse in the morning; break off into breakout groups for workshops; lunch; more workshops; dinner; reunite and bring it home with an open mic. Time is also carved out for their Tribute to Living Writers series, an opportunity to honor one selected elder, or “veteranx,” for their contributions to the art form. This year, it’s Chicana and Chumash poet Lorna Dee Cervantes.

While the solo work of being a writer can be invigorating, Najarro wants potential attendees and future Círculo members to know the next process, publishing, doesn’t have to be so lonely. The organization has affiliations with small presses, and the mastheads will be in attendance.

Círculo is all about linking arms to increase everyone’s reach.

“Especially now in our political climate, if you can create a circle of community where we learn from each other, that is the power.”

For more info on the Círculo Summer conferences, including the full schedule, visit circulowriters.com. Doors are at 9:30 for the in-person conference at the MAH on Aug. 23. The reading at 6pm is open to the public. Zoom starts at 10am PST on Aug. 30. Círculo’s next quarterly writing workshop is Oct. 15.

Summer Bummer

Time-honored neighborhood nexus Seabright Social (519 Seabright Ave. Santa Cruz), formerly Seabright Brewery, closes Sept. 1, as the three-year Murray Street Bridge retrofit has made maintaining slim profit margins impossible.

Purchased by Jason and Keiki McKay and Jon Bates during the pandemic in 2020, Seabright Social won’t go out with a whimper, but a band. Sons of Surf play 6pm on Sunday, Aug. 31, preceded by DJ Pabulem 7pm Saturday Aug. 30.

And there is some progress at work to support the two dozen Santa Cruz Harbor and Seabright restaurants affected by the ongoing bridge repair. A petition calling for pedestrian and bike access approaches 2,000 signatures as I have to file this column.

“We, the undersigned, respectfully request pedestrian and cyclist access across the Santa Cruz Harbor via the Murray Street Rail Bridge for the duration of the…closure,” it reads. “This temporary access is crucial for the survival of small businesses and the well-being of the two neighborhoods that have been severely impacted by the closure.”

More at change.org/open-the-rail-bridge.

Other modest morsels of uplift merit mention. One, SeaSosh’s sister spot Cantine winepub (8050 Soquel Drive, Suite B, Aptos) still flows a great time—and just celebrated its 10th anniversary, cantinewinepub.com.

Keiki McKay helps steer things over there, and at the Wines of the Santa Cruz Mountains collective, where she is executive director.

As Laura Ness reports for Edible Monterey Bay, in a quiet but potentially transformative vote, county supervisors unanimously backed the new Santa Cruz Mountains Wine Improvement District earlier this month.

By pooling a 1% fee on winery sales, the region’s vintners hope to use the funds to elevate their profile, attract more visitors and cement the AVA’s identity as a standout wine destination.

That move gains contextual import as it hits the same month Monterey County Vintners and Growers Association discontinued its own grower group’s advocacy and education efforts—after more than four decades—citing flagging funds and hinting at a reinvention in another format.

DOUBLE TROUBLE

A second serving of tough news arrives direct from the source: “After 15 years of flipping burgers and sharing laughs, Betty’s Eat Inn will be closing our Downtown Santa Cruz location [1222 Pacific Ave.] on Aug. 17,” its team reports on social media. “It’s a tough call, but like many small businesses in the area, we’ve been feeling the effects of reduced foot traffic, fewer visitors, and a downtown environment that’s been harder and harder to thrive in.” The good news: Other Betty Burgers outposts remain open in Aptos, on 41st Avenue and in Seabright, though the latter ranks among the many nearby restaurants wrestling with the effects of limited access.

NIMBLE NIBBLES

Campaign for Organic & Regenerative Agriculture hosts a rally around organic farming near schools and residences 3-5pm Sunday, Aug. 24, at Barrios Unidos (1817 Soquel Ave.), parlaying a short film and great speakers on converting Watsonville to more regenerative farming practices, followed with a show by the Chicano All Stars. farmworkerfamily.org/cora…Downtown S.C.’s Summer Sunset Series continues 5-8pm every Thursday evening through Sept. 18, stocked with artisans, farmers, businesses, local food vendors, downtown restaurants and live music, downtownsantacruz.com/do/sunset-market…Boulder Creek Fire Department Summer Dance & BBQ gets smokin’ 5:30-11pm Saturday, Aug. 23, at Boulder Creek Firehouse (13230 Highway 9, Boulder Creek) with live music from Neon City Limits and Bootleg Country Band and James Durbin, bpt.me/6672301…downtownsantacruz.com/do/sunset-market rumble on 5-8pm at Skypark (261 Kings Village Road, Scotts Valley) with dope curated rolling foodie options, live music and beer + wine garden to benefit local schools…This feels like a good column for Buddha to breathe us out on: “It is not enough to be compassionate. You must act.”

A+ Aura

General Manager Sean Fyock, at the helm of Aptos gem Mentone for the last two years, had an upbringing that was geographically and culturally eclectic. Born in Mountain View but raised in Japan from age three, Japanese was his first language. Fyock then lived in Arizona as a teenager, where he started his restaurant career as a dishwasher. From there he went to Los Angeles to attend music school before moving to Santa Cruz and ascending from food runner to manager at an iconic fine dining spot.

Wanting a change, he saw that Mentone was looking for a general manager and applied, clicking with world-renowned chef/owner David Kinch over a cup of coffee before being hired.

Fyock says Mentone has modern high-ceiling energy with collage-style décor on the walls featuring pictures, paintings, posters and menus from Kinch’s world travels.

The cuisine is decidedly French/Italian, well-exemplified by the fried eggplant appetizer tossed in Calabrian pesto and topped with fromage blanc, mint and lemon zest. Fyock says the menu changes often, the dessert favorite is housemade gelato, and they also feature a full bar with specialty cocktails and European wines.

Tell me about working with such an accomplished chef.

SEAN FYOCK: David Kinch is a three-Michelin-star chef who also has an Emmy from the show Mind of a Chef, so his reputation is unparalleled locally. His style is to encourage his chefs to taste the food constantly throughout the shift and he feels like every plate is a culinary lesson. He also encourages frequent trips to the farmer’s markets to locate not only quality ingredients, but also great farms and farmers. I am deeply grateful for the opportunity to work for chef Kinch and be a part of what we do here.

Tell me about Mentone’s private functions.

Periodically, we offer unique events inspired by the creative mind of chef Kinch, where he will personally cook a coursed off-menu meal for guests. We’ve had wine-driven tasting course menus, meals accompanied by special guests—like a fourth-generation Italian tailor, as well as flying in an Italian chef to teach pesto making. These are a good way to provide an experience that locals cannot find elsewhere, curated and cooked by a world-class chef.

174 Aptos Village Way, Aptos, 831-708-4040; mentonerestaurant.com

Mind and Body

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In a town known for its abundance of alternative health offerings—from somatic therapy to sound baths to sacred cacao ceremonies—it takes something truly unique to stand out. Until recently, I hadn’t heard of Breema, a gentle bodywork and self-care practice centered around presence, touch and harmony. But as someone always curious about new ways to reconnect with mind and body, I was intrigued when a fellow wellness maven invited me to join her for a group session last spring.

Our drive took us through the single-lane roads just outside of Santa Cruz to a quiet compound under a canopy of trees. The setting was serene. An iron get led us up a long gravel driveway, passing vibrant rows of grape vines along the way. Passing several more buildings, we came to what appeared to be a converted barn. Inside, the large open space was flanked with dark grainy wood covered in oriental carpets. Despite the lofty ceilings, the space was warm and inviting: plush rugs, natural wood beams, soft lighting. But the real invitation wasn’t just in the ambiance—it was the quiet, the invitation to slow down.

At first, the practice itself felt foreign to a newbie. The instructions were minimal, more like a demonstration of slow, synchronized movements performed with partners. Some of the attendees were couples; others, like me and my friend, paired up with people we didn’t know but opted to work with.

Together we practiced giving and receiving through grounded, nonjudgmental touch. While Breema wasn’t exactly love at first self-hug for me, I left with the sense that something deeper was happening—something worth revisiting.

Months later, I got my second chance. Dr. Alexandra Johnson, a local integrative physician and long-time Breema practitioner, invited me to experience a private session like those she incorporates into her medical practice. I immediately said yes.

I walked into an atypical doctor’s office that mirrored the peaceful aesthetic of the group space, with another well-loved rug anchoring the floor and soft natural light filling the room. Dr. Johnson welcomed me with an ease that made it easy to settle in. I lay fully clothed on a padded surface as she gently moved my limbs and head, applied light stretches and used rocking motions to help my body unwind. The movements were subtle, yet deeply calming. Something shifted.

“It’s not massage,” Dr. Johnson clarified when I asked her to explain what she had done. “It’s not reiki or structural alignment. Breema is energy work, guided by the body’s innate wisdom.” Her words were grounded, precise—and often punctuated with a warm laugh that made me feel instantly at ease.

Dr. Johnson first discovered Breema at 19 while training as a doula. “I wanted something that could support women during pregnancy and birth,” she shared. “But I also noticed that when I gave Breema, I felt better too. It’s not just for the recipient. It supports the giver as well.”

That mutual benefit is one of the practice’s foundational elements. Breema isn’t a technique to be mastered; it’s a presence practice, built on what Dr. Johnson calls “the Nine Principles of Harmony”—concepts like No Judgment, Body Comfortable, and Mutual Support. “It’s how the body moves when we’re present,” she says. “Breema helps align the body, mind and feelings so we can stay connected to ourselves.”

In her integrative medical practice, Dr. Johnson uses Breema as both a diagnostic and therapeutic tool. “When a patient comes in, I absolutely want to help relieve their pain,” she says. “But I also hold a Breema perspective, which says: however this person is showing up today—that’s their starting point. They don’t need to be fixed. They just need support to take the next step.”

Her approach feels especially relevant in a post-pandemic world where anxiety, burnout and chronic stress are more common than ever. “Many of my patients are health care professionals themselves,” she reveals. “They’re tired. They’re overwhelmed. Breema helps them reconnect with a sense of vitality.”

Dr. Johnson speaks from experience. Years ago, while living in Africa, she developed chronic fatigue syndrome. “It was debilitating,” she recalls. “But Breema helped me come back to balance—not just physically, but emotionally and spiritually.” That lived experience now shapes how she helps others navigate their own healing journeys.

Breema sessions can be one-on-one or practiced in a group. During a session, you remain fully clothed and rest on a soft surface while the practitioner uses rhythmic movements tailored to your body. The practice also includes Self-Breema, a form of guided movement you can do on your own, and a range of accessible classes—many of them online.

So what would she say to someone who’s curious but unsure? “Start with a class,” Dr. Johnson encourages. “Try a free session online at Breema.com. Just one class can help you experience what it feels like to be more present in your body, without judgment.”

In a world full of wellness trends and quick fixes, Breema invites us into something simpler. Something slower. Something that begins with the belief that we are not broken—we’re just out of sync. And there’s always a way back.

Cushion Revolution

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As the world seems to grow more and more chaotic on the outside, now is the perfect time to take a dive on the inside. While it’s impossible for us to completely control what’s happening in life, we do have the power to control our actions. We can choose to respond instead of simply reacting.

This is the path of mindfulness, a tool that has been used by Buddhists for thousands of years and—more recently—has been at the center of modern Western movements in psychology, therapy and trauma studies.

Now, Santa Cruz has a new meditation and mindfulness center, located near the Tannery Arts Center. The Sit. Feel. Heal. Meditation Center is owned and operated by mindfulness teacher Joe Clements and is part of a growing community based out of his Sit. Feel. Heal Meditation Group.

“It has a sense of being home,” Clements says. “There’s a big sense of gratitude and being supported.”

In under two months Clements, his family and community volunteers transformed an old workshop off River Street into a fully functional, beautiful sanctuary. Woodwork adorns one wall as newly renovated beams crisscross throughout the ceiling. Soft lighting is decorated with sacred geometric designs, illuminating the rows of chairs and meditation cushions.

GETTING CENTERED Until the River Street location came along, Joe Clements says, ‘We were the nomad Buddhist meditation group.’ PHOTO: Mat Weir

On one wall is a community altar for members to leave tokens of appreciation or remembrance of loved ones since passed from this life. Across the way sits a contemplation chair and a free library with books on trauma-based mindfulness along with Buddhist teachings. Outside plants and a fountain provide an inviting oasis in the heart of an area locals know to be loud, congested with traffic and people.

“It happened quickly and really took on a life of its own,” explains Jessica Escobedo, a teacher at the center. She originally met Clements through a mutual meditation instructor and the two formed a quick bond.

“[Clements] poured so much of himself into the vision and the building. It’s been really beautiful to watch him—and the community—blossom and take on a lot of life and energy.”

‘We want people to make a connection with each other that’s going to ripple out into the community.’

—Joe Clements

A teacher of mindfulness and the dharma—the teachings of the Buddha—Clements began the Santa Cruz Meditation Group in 2023 upstairs at the Downtown Santa Cruz Veterans Memorial Building. It was his first “return to home” with the Vets Hall, in a way, having played the venue throughout the 1990s and early 2000s as lead singer for local hardcore outfit Fury 66.

Clements started his practice in the 1990s but “it never really stuck,” according to him. So he marked the start of his true journey of mindfulness in 2010 while in recovery, after years of living the punk rock lifestyle.

“About a year into recovery I was feeling really fucking agitated and angry,” he remembers. “Then my kid was born and I wanted to be a perfect dad while all this life stuff was happening. And I was just bitter. I felt like I was being pulled everywhere and it was everyone’s fault. I call it my ‘blame thrower.’”

Clements felt hopeless. He knew drugs and alcohol wouldn’t ease any of his problems after a “lifetime” of trying.

“So in 2012 I was desperate enough to reach out to those friends who were still meditating and offering groups and asked, ‘What’s up with this meditation shit?’” he laughs. “I was able to find relief, my nervous system relaxed, and from then on I was all in.”

Over time he would begin teacher training, often going on full-scale retreats around the state, country and world to learn the Middle Path of Buddhist dharma.

In 2018, however—after a scandal hit Against the Stream, the Buddhist-oriented recovery program based on the teachings of Noah Levine—Clements felt lost and adrift once more. (Levine, a Santa Cruz local turned Angeleno, was accused of sexual misconduct with female practitioners, which he denies.) So Clements decided to forge his own path, offering one-on-one lessons and teaching in local juvenile and adult jails, saying he was “disheartened in everything but my own practice.”

But during the 2020 lockdowns, he noticed something was missing.

He started working closely with good friend and fellow dharma practitioner and teacher Vinny Ferraro and realized the forgotten ingredient from his practice: community. Sangha—the Pali language word for “community”—is one of the “three gems” that Buddhism teaches to seek refuge in. The others are Buddha (the enlightened one) and dharma (teachings).

“I’ve been let down by community and teachers who were my friends,” he says, explaining the need to build a new community. “So there was a huge responsibility of how to hold space without a power dynamic but still knowing your role. We all have a longing for belonging, but I had put these communities on a pedestal.”

So Clements set out to start a new kind of sangha. One that contained the same things that drew him in: like-minded, tattooed people, some in recovery, others not, who aren’t shy of a little cursing and don’t have to fit inside a certain cultural box. The result was the Santa Cruz Meditation Group. While Clements is a practicing Buddhist, his teachings are what he likes to call “buddhish,” based in Buddhist philosophy but for a secular audience devoid of the heavy religious aspects.

SERENE SANCTUARY In under two months Clements, his family and volunteers transformed the old workshop completely. PHOTO: Mat Weir

“We like to have practice and hold space outside of traditional norms,” Escobedo explains. “We teach mindfulness which comes from a Buddhist lineage, but we also incorporate other teachings and modalities, offering it in a secular way,” she says. “We’re not teaching Buddhism.”

Community leader and Sit. Feel. Heal. facilitator J.P. Parvis puts it another way.

“It focuses on ethical, mindfulness-based living without any godspeak,” Parvis explains.

Parvis began his mindfulness journey during the Covid lockdowns of 2020 through recovery as well. He’s been with Santa Cruz Meditation Group since the very first meeting and now facilitates the Sunday Sits at 9am at Sit. Feel. Heal.

“It’s all-inclusive and can help people especially who are adverse to those practices,” he says.

Santa Cruz Meditation Group stayed at the Vets Hall for over a year but had to move when practices for A Christmas Carol happened at the end of last year. From there it moved to the London Nelson Center, which—according to Clements—was a fine spot but didn’t feel quite like home. Plus, by then the group had grown from less than ten practioners at the start to more than 30 at most meetings.

“We had a tote I’d carry in my car—this box with all the bells, statues and spiritual stuff,” he laughs. “We were the nomad Buddhist meditation group.”

That’s when Clements and wife Makela, who he claims “definitely wears the pants in the family,” decided it was time for a forever home. They looked at several locations throughout Santa Cruz but didn’t find anything they either liked, or could afford. However, things soon turned around when Makela decided to put an offer on the Suncoast Awning building at 907 River St., a place they drove past every day and had been on the market for some time.

“She called me one day and said, ‘Uh, they took our offer,’” Clements explains.

Since officially opening on May 30, the Center has hosted a number of events, such as half-day mindfulness retreats, sound bathing ceremonies and two “Rest and Reset” meetings at noon on Mondays and Fridays, in addition to weekly events. Currently, a meditation group meets there every Thursday night at 7pm and there is an early morning 30-minute meditation every Sunday at 9am. Each Wednesday night of the week is a rotating meeting, with once-a-month affinity groups for women, LGBTQ+, BIPOC and men.

Clements plans on building the schedule to include daily meditation sessions along with community-building activities, such as a movie night.

“We want people to make a connection with each other that’s going to ripple out into the community,” Clements says. “That’s what lasts longer than the teachings or the guided meditation, a connection of coming together. We practice not only for our own wellbeing but for the wellness of all beings.”

Sit. Feel. Heal. Meditation Center is located at 907 River St., Santa Cruz. Email in**@************ts.com or use the contact form on JoeClements.com.

Find other Santa Cruz meditation centers listed here.

Huge Local Donation to Fight Cancer

Sutter Health Receives $30 Million Kvamme Foundation Gift to Transform Cancer Care in Santa Cruz 

FROM A PRESS RELEASE

The Jean and E. Floyd Kvamme Foundation has committed $30 million to Sutter Health to establish a new, state-of-the-art cancer center in Santa Cruz.

This historic gift, one of the largest philanthropic gifts in the community’s history, will serve as the cornerstone of a $50 million campaign to revolutionize cancer care and research for residents across Santa Cruz and the greater Monterey Bay Area. 

“This extraordinary gift from the Kvamme Foundation will make a generational impact on healthcare and cancer care in Santa Cruz,” said Warner Thomas, president and CEO of Sutter Health. “We are honored to build on the Kvamme family’s legacy of compassion and innovation, and to create a center that reflects the heart of this community.” 

The forthcoming Jean and E. Floyd Kvamme Advanced Cancer Center, scheduled to open in 2030, will be located at 2260 Soquel Drive, the former site of Santa Cruz’s popular flea market and Skyview Drive-In—symbols of the city’s rich local culture.

Now, this community landmark will take on a new life, offering hope and healing to thousands of people battling cancer. The Kvamme Foundation, based in Aptos and led by E. Floyd Kvamme, has a long-standing legacy of charitable giving across Northern California and beyond.

For the Kvamme family, this donation is deeply personal. Jean Kvamme, a devoted mother, philanthropist and community member, courageously battled cancer and passed away in 2020 after more than 60 years of marriage to Floyd. The exceptional care she received made a lasting impression on the family and inspired this landmark gift. 

“We are honored to make this commitment and investment in memory of Jean and in support of all families affected by cancer,” said E. Floyd Kvamme of the Kvamme Foundation. “We did not want to sit on the sidelines when we can be part of the solution. Our hope is that this center not only brings comfort and care to those in need but also helps accelerate the journey toward a cure. Jean’s spirit will live on through every life touched by this facility.” 

Ken McNeely, chair of Sutter Health’s Board of Directors added: “This gift from the Kvamme Foundation is a powerful testament to what’s possible when philanthropy and purpose align. The new cancer center will not only elevate the standard of cancer care in Santa Cruz—it will serve as a beacon of hope for families across the region. We are deeply grateful to the Kvamme family for their vision and generosity.” 

The 44,000-square-foot Jean and E. Floyd Kvamme Advanced Cancer Center will unite cutting-edge services—including radiation oncology, medical oncology, infusion therapy and advanced imaging to treat early- through late-stage cancers—under one roof. 

“The Kvamme family’s commitment to advancing cancer care is both humbling and inspiring,” said Palo Alto Foundation Medical Group’s Matthew F. Hansman, a surgeon based in Santa Cruz. “When it opens, the Jean and E. Floyd Kvamme Advanced Cancer Center will allow us to deliver truly comprehensive, compassionate care—right here at home. It’s a milestone moment for our patients, clinicians and community.” 

Approximately 115,000 patients from Santa Cruz County and surrounding areas rely on Sutter Health’s integrated network of patient-centered primary and specialty care, which includes the nationally acclaimed Sutter Maternity & Surgery Center of Santa Cruz, a 30-bed acute care hospital, and Palo Alto Medical Foundation outpatient clinics and medical offices in Santa Cruz, Watsonville, Soquel, Aptos, Capitola and Scotts Valley. 

 Sutter Health is further enhancing access to care in the Santa Cruz area with the expansion of its Watsonville Care Center on Green Valley Road. The expanded Watsonville center will provide space for five additional primary care physicians as well as rotations for specialists in obstetrics, nursing and behavioral healthcare.

Challenge Accepted

1

Bravo to a director who refuses to condescend. I refer to Charles Pasternak, director of SCS’s production of Pericles. A director who trusts the intelligence of his audience and offers us the rarely performed curiosity of a late Renaissance genius. The language may be 400 years old, but the situations—well, some of them—are as fresh as AI.

Pericles, Prince of Tyre (played by the always astonishing Paige Lindsey White), is a master of bad choices. Discovering that the woman he loves has been in an incestuous relationship with her father, Antiochus King of Antioch, Pericles abandons his romantic ambitions and flees his kingdom Tyre, leaving its governance to a servant.

A shipwreck beaches him in Tarsus, where he wins a joust (in this production, a rousing testosterone-driven dance contest) that results in his marriage with a lovely royal. Corey Jones, cast as the incestuous Antiochus and the sly King Simonides, is a commanding presence in both roles.

One year later Pericles sets out on a return voyage to Tyre, this time with his pregnant wife, Thaisa (Lily Kops). Enter another storm, during which Thaisa gives birth, but appears not to survive the ordeal and is buried at sea. Pericles next abandons his baby daughter Marina, leaving her in the care of foster parents while he attempts to lose his grief in wandering. Special praise for Desiree Rogers, whose compelling vocal work powers her Dionyza. Many echoes of King Lear in this play, the rhyming riddles and songs spun by the king’s Fool come to mind. The lost daughter, the rash judgments, the tearful reunions, the betrayal of family—and of oneself.

THE COURAGE OF CHARLES PASTERNAK The Santa Cruz Shakespeare director tackles an unfamiliar work with two dozen characters played by 11 actors. PHOTO: Shmuel Thaler

Fast forward 16 years to Act 2, wherein the foster parents sell the teenage Marina (Allie Pratt) to a brothel, (it’s complicated) run by the excellent and very funny Mike Ryan, with help from a jaded and foul-mouthed madam—another terrific comic turn by Lily Kops, whose range appears inexhaustible. Wild comedy ensues surrounding the hilarious though repellant situation of the brothel denizens attempting to dispatch Marina’s virginity so that she can be of use in the trade. But Marina’s virtue wins out and she spends the rest of her time in the suburbs giving music lessons. Until rescued by pirates (let that sink in for a moment).

Shakespeare ultimately brings the two wandering souls together. As Marina and Pericles share their stories they discover that they are in fact father and daughter. And there’s more wonderment, but I won’t spoil the various theatrical miracles. Let’s just say that a major reunion ensues, filled with poetic lines and moving work by the entire ensemble.

Although at this point White’s charismatic voice and consummate skill simply overwhelm every other character on the stage. Would that her underwhelming garments were a match for her character’s power and rapture. Her character, a king, deserved better. Costumer Erin Reed Carter’s style can be described as part vintage grunge, part Asiatic-postmodern. But I grant that it has to be minimal enough to put on and take off on the fly.

Two dozen characters played by 11 actors! Gives new meaning to the word “repertory!” Pasternak handles all this by having actors literally changing into another character while still saying the lines of the previous one. But if you blink, it can blur into soft focus. Here’s where repertory may have been stretched to its limits.

In one of his smartest directorial moves, Pasternak has put the words of the narrator/Chorus (originally portrayed by an onstage character called John Gower) into the mouths of the entire cast. When the scenes change, the actors face the audience and explain to us what has transpired between the last episode and what we are about to see. It’s an excellent and effective device to help keep us in the loop of a complex set of events and locations.

Kudos to fearless director Charles Pasternak for daring so much and throwing the ball into our court. Here’s a chance to savor a rarely produced artwork. No true devotée of Shakespeare will miss it.

Pericles, by William Shakespeare and George Wilkins, directed by Charles Pasternak. Performed by Santa Cruz Shakespeare at the Audrey Stanley Grove through Aug. 30. santacruzshakespeare.org

Things to do in Santa Cruz

Good Times Calendar The Darts
The all-female Seattle quartet The Darts serve up raw power, a sound rooted in gritty psychedelia, punk and proto-punk. Thursday 8/21 at Moe's Alley

Corazón de Oro

Felix Fest A&E photo
On Saturday, the local community will celebrate the life of Felix Lozano with Felix Fest, a five-band punk show in the Catalyst main room with all proceeds going to his family.

Singing Sweet Songs

Rock the Soul minifest photo
It’s a full day of bands, musical genres and brews as Rock the Soul kicks off Saturday at Woodhouse Blending & Brewing, an all-ages “minifest.”

Circle of Power

Círculo de poetas and Writers Conference gathering
While the solo work of being a writer can be invigorating, Najarro wants potential attendees and future Círculo members to know the next process, publishing, doesn’t have to be so lonely.

Summer Bummer

Row of glasses with window in background
Time-honored neighborhood nexus Seabright Social closes Sept. 1, as the Murray Street Bridge retrofit has made slim profit margins impossible.

A+ Aura

foodie file photo of Mentone's pizza
Entrée highlights at Mentone are rotating handmade pastas, wood-fired Neapolitan-style pizzas, roasted chicken and a French-inspired local black cod.

Mind and Body

wellness breema feature photo
Breema sessions can be one-on-one or practiced in a group. During a session, you remain fully clothed and rest on a soft surface while the practitioner uses rhythmic movements tailored to your body.

Cushion Revolution

Santa Cruz has a new meditation and mindfulness center, located near the Tannery Arts Center. The Sit. Feel. Heal. Meditation Center.

Huge Local Donation to Fight Cancer

Sutter Health Receives $30 Million Kvamme Foundation Gift to Transform Cancer Care in Santa Cruz  FROM A PRESS RELEASE The Jean and E. Floyd Kvamme Foundation has committed $30 million to Sutter Health to establish a new, state-of-the-art cancer center in Santa Cruz. This historic gift, one of the largest philanthropic gifts in the community’s history, will serve as the cornerstone...

Challenge Accepted

Two actors facing each other, dressed in period costumes
Bravo to a director who trusts the intelligence of his audience and offers us ‘Pericles,’ the rarely performed work of a Renaissance genius, writes theater critic Christina Waters.
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