Last Saturday I stopped by the Westside Farmers Market to inhale the sights, tastes and aromas of high summer harvests. Under the awnings in the parking lot across from the Old Wrigley Building, producers of incredibly fresh items had already spread their wares. I invariably head over to the Companion Bakeshop stand for an infusion of some intriguing gluten-free pastry for my resident non-glutenite. I scooped up a couple of intensely flavorful muffins filled with almonds and cranberries, and then began to stroll. Strawberries are major right now. And the cherry tomatoes in every possible shade of red, orange and yellow are displayed across wide tables. Plums, deep purple Santa Rosas and pale greengages are having a moment. Lots of pretty padron peppers everywhere. I cannot resist potatoes still lightly dusted with the soil from which theyโve been dug. Many of the farm stands now boast brilliant green bouquets of mizunas, kales and chards alongside bundles of cilantro, mint and dill. Itโs all gorgeous to look at, so fragrant, and inspires ideas for the next big pot of bean stew Iโll be cooking. I bought a pretty mixed flower bouquet, and ended up with a supersized almond twist from Adorable French Bakery before heading back to my car. Itโs the start of high season, with so many farmers markets. How lucky we are.
Sustain Supper Returns
Once again, this Saturday in the oceanview fields at Natural Bridges Farm, the tables will be set for a multi-course vegetarian meal featuring produce grown by the Homeless Garden Project programs. Chef Gema Cruz from Gabriella Cafe will join Anna Bartolini of La Balena in Carmel and Jessica Yarr of Chicken Foot in preparing a memorable meal. Join your friends and eco-colleagues at this al fresco gathering that begins with wine and passed appetizers at 4pm, and moves on to a farm tour, dinner and keynote speaker James Beard Award winning chef and author Bryant Terry. Hurryโthis event sells out! Saturday July 23, 4-7:30pm. Shaffer Road and Delaware Avenue, Santa Cruz. $175. homelessgardenproject.org.
Noshing in the Grove
This season up at the Santa Cruz Shakespeare Grove performances youโll be able to enjoy pre-show picnic dinners thanks to the Grille at DeLaveaga Golf Course. Pre-order your meal, Wednesday-Sunday (at least 72 hours before the show you’re attending) and pick up your order at the concessions window behind the Box Office. Charcuterie for two; a DeLa Salad with crostini, dressing and cookie; turkey Sandwich with chips, and more. santacruzshakespeare.org.
Pasta of the Week
The always-luscious Seafood Linguine Puttanesca from Avanti on the Westside is lavish with big prawns, little shrimp, slender tubes of calamari, bits of fish of the day, fat tomatoes, olives and lots of capers ($28). A welcome kick of red pepper in the background, and of course plenty of garlic! The tangle of long succulent noodles offers more comfort than should be legal (and plenty for lunch the next day). A terrific dish when you feel like treating yourself to super-charged Italian flavors.
New at Abbott Square
Vamanos Comida Mexicana is a brand-new dining experience owned by Belly Goat Burgers chefs Anthony Kresge and Brooke Johnson. Kresge also owns Reef Dog Deli in Capitola. Vamanos specializes in various tacos, quesadillas, chile rellenos and enchiladas. Just opened! Go check it out at the always welcoming Abbott Square Market, which is one of my favorite places to rendezvous with friends for coffee or some major lunch, like a quesadilla from Vamanos.
AMY HELM After providing background vocals for Steely Dan and Rosanne Cash, co-founding an acclaimed alt-country band and releasing two solo albums, Amy Helmโs third record, What the Flood Leaves Behindโcaptured at Levon Helm Studios in Woodstock, New Yorkโmarks the most personal work of her career. With some spiritual inspiration from her father, the late great drummer of The Band, Helm delivered her new tunes curbside during the Covid lockdown. Accompanied by two acoustic guitarists and her 12-year-old son on a small drum kit, the Americana singer-songwriter played mandolin during several mini pop-up concerts for her neighbors throughout New York’s Hudson Valley. As a kid, Helm and her father would perform at hospitals and nursing homes. $45/$40; $22.50 students. Wednesday, July 13, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.
โESPERANTOโ Teton Gravity Researchโs latest mountain bike doc showcases some of the sport’s biggest names alongside the unknown, talented up-and-comers. Additionally, the film investigates how people can share their dreams through the universal language of riding, no matter what their native tongue may be. This visual tapestry features next-level riding in extraordinary locations all across the globe. $15. Thursday, July 14, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.
BRASS MAGIC The rabble-rousing Bay Area horn-and-drum collective unleashes a spicy gumbo filled with hip-hop, rock, R&B, soul, world music and electronica. The octet bursts with infectious vigor and has enough energy to share with audiences. Boardwalk shows are on the Colonnade Stage, located on the beachside of Neptuneโs Kingdomโthe dance area is in front of the stage. Free. Thursday, July 14, 8:30pm. The Colonnade at the Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. (Free Movie at the Beach presents The Sandlot on Friday, July 15, 9pm). beachboardwalk.com.
BARRY โTHE FISHโ MELTON BAND Country Joe & The Fish is responsible for one of the most well-known anti-Vietnam War anthems ever that begins with one of the most potent opening lines of any song to come out of the hippie era: โOne, two, three, what are we fighting for?โ โI-Feel-Like-Iโm-Fixinโ-to-Die Ragโ became known as a song that could define an entire generation. As a co-founder of one of the popular bands born out of San Franciscoโs 1960s music scene, Meltonโs career changeโhe became a successful lawyerโmight be shocking to some, but he wanted to infiltrate the system to make some real changes. Now, he’s retired and returned to what he loves doing most: making music. Meltonโs current band features the Blues Projectโs Roy Blumenfeld, Big Brother and the Holding Company founder Peter Albin and the Youngbloodsโ Lowell Levinger. $20. Friday, July 15, 8pm. Michaelโs on Main, 2591 Main St. Soquel. michaelsonmain.info.
DEATH VALLEY GIRLS Mix Ozzy-era Black Sabbath, Detroit proto-punk ala the Stooges Fun Houseโor anything by MC5โand add some Exile on Main Street riffs. Cook on full heat until sludgy. Thatโs how you get Death Valley Girls. โSongs come from beyond and other worlds,โ says DVG guitarist Larry Schemel. โYou just have to tune in to the right radio wave signal to dial them in. Our signal happens to be in a 1970 Dodge Charger Spaceship.โ $15. Saturday, July 16, 8pm. The Crepe Place, 1134 Soquel Ave., Santa Cruz. thecrepeplace.com.
BRYAN MCPHERSON, RUSS RANKIN (GOOD RIDDANCE) WITH HOD AND THE HELPER Bryan McPhersonโs masterful 14 Stories is a personification of the blue-collar Boston neighborhood where he grew up. His aggressively tender folk music, laden with gospel-punk melodies, has garnered opening spots for everyone from the Dropkick Murphys to Chuck Berry. Known as the voice of Santa Cruz punk heroes Good Riddance, Russ Rankin drew from Billy Bragg, Rhett Miller and others to write the poignant tunes for his 2021 solo debut Come Together Fall Apart. $12/$15 plus fees. Sunday, July 17, 7pm. Moeโs Alley (outdoor show), 1535 Commercial Way, Santa Cruz. moesalley.com.
MARTIN COURTNEY WITH JOHN ANDREWS AND THE YAWNS Nearly seven years after Real Estate frontman Martin Courtneyโs debut solo record Many Moons scored acclaim from fans and critics, the New Jersey nativeโs follow-up, Magic Sign, has already garnered equally positive feedback. Courtneyโs lighthearted songwriting is effortlessly satisfying throughout Magic Sign as he revisits his adolescence in the Jersey burbs. $26.25 plus fees. Sunday, July 17, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.
COMMUNITY
UCSC FARMSTAND You will find many delicious organic vegetables, fruit and herbsโthere are beautiful flowers, too. Everything is grown at the UCSC Farm & Garden. Open twice weekly through November 2022. Free. Wednesday, July 13, noon-5pm and Friday, July 15, 11am-3pm. Cowell Ranch Hay Barn, 94 Ranch View Road, Santa Cruz. calendar.ucsc.edu.
FELT STREET FLEA MARKET Find cherished collectibles, vintage clothing, rare books, retro electronics, tools, fishing gear, handmade itemsโyou might even uncover that dayglo velvet Elvis youโve always wanted. Eighteen vendors will be on hand. Free. Saturday, July 16, 9am-2pm. CSL Santa Cruz, 1818 Felt St., Santa Cruz. csl.attractionunlimited.us.
GROUPS
TODDLER STORYTIME The weekly bilingual programโin-personโincludes sing-alongs, nursery rhymes and books that foster early literacy. Free. Wednesday, July 13, 11:30am-12:30pm. Freedom Branch Library (Meeting Room), 2021 Freedom Blvd., Watsonville. cityofwatsonville.org.
OUTDOORS
LICK OBSERVATORY PUBLIC EVENING TOUR The โbehind-the-scenes” walking tourโattendees should prepare to walk a mileโculminates in a special up-close visit to the dome of the immense three-meter Shane Telescope, the largest telescope on the mountain. Also, learn about the history of the worldโs first permanently occupied mountain top observatory, the eccentric California innovator James Lick and the current science conducted at the observatory. $75. Thursday, July 17, 6:30-7:30pm. Lick Observatory, 7281 Mount Hamilton Road, Santa Cruz. lickobservatory.org.
CASTRO ADOBE OPEN HOUSE Explore the interior rooms of the two-story adobe, including the famous fandango room, one of the last remaining indoor cocinas in California and the lush gardens. Learn about the adobeโs ongoing restoration and the meticulous creation of 2,400 adobe bricks. Tours also include the history of the Castro family, the vaqueros who worked the rancho and plenty of background on the Rancho period. Free (registration required). Sunday, July 17, 10:30am-3:30pm. Rancho San Andres Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville. santacruzstateparks.as.me/castroadobeopenhouse.
Los Lobos usually doesnโt have the time to see every band who opens for them. However, the renowned Grammy Award-winners made sure they made time to check out their opening act, Tropa Magica, the last time they performed in Santa Cruz.
โWe look forward to hearing [Tropa Magica] play and meeting the band,โ Los Lobos multi-instrumentalist Steve Berlin said before their show at the Rio Theatre last April. โIโm a huge fan.โ
Tropa Magica founders, brothers David (guitar, vocals) and Rene Pacheco (drums, vocals), have felt a connection with Los Lobos since they first heard them on the La Bamba soundtrack. Both bands are also products of East L.A., which tightens the bond.
โ[Opening for Los Lobos] was a milestone marker for us,โ David says. โWe’ve been fans since we were kids, so it was super awesome to perform with them and meet them. It’s so cool.โ
Tropa Magica may not sound like Los Lobos, but their approach to music is quite similarโlike a stone soup, both bands use various ingredients, or influences, to create something uniquely their own. And rules need not apply.
โKoopaCabras,โ the closer on Tropaโs 2018 self-titled debut, drops like a flying saucer in the middle of the Mohave. The intergalactic desert rock is charged by Davidโs Fender Jazzmaster reverberating extraterrestrial dissonance and Reneโs machinegun chops on drums.
With elements of psych-rock, cumbia, stoner rock, Bossa nova, grunge, surf and even sprinklings of disco here and there, itโs challenging to define Tropa. Thankfully, the Pacheco brothers have done it for us.
โWe call our music psychedelic cumbia-punk,โ David says. โThereโs not any category [of music] that we fit into.โ
Adds Rene, โBeing in L.A., it was easy to get influenced by psych-rock and adding Latin rhythms and cumbia just melds together nicelyโitโs very drum-driven and heavy on the bass and guitars. Tropa Magica is a sound that we’ve cultivated over 10 years.โ
Every Saturday, within a three-block radius of the Pacheco brothersโ house, there were birthday parties, weddings, quinceaรฑeras or get-togethers, and DJs would blast mostly contemporary cumbia music like Kumbia Kings and Selena Quintanilla.
โThereโs a nostalgic feeling of kids running around while the parents are partying it up dancing,โ David says. โWe might not have even known whose party it was, but that adds to the environment where we live. Despite the rent going up or other things, [East L.A.] is always a very celebratory environment.โ
Thematically, David and Rene never need to venture far for inspirationโthe sights and sounds of their childhood memories and neighborhood course through their songs. Those sights and sounds arenโt always joyous, though, especially in the political climate that surrounded them throughout their teenage years.
โWe saw a lot of harassment during the Bush era and many deportations,โ Rene recalls. โSometimes, we would see street vendors harassed by immigration officers, and you would see them running by with their carts and everything they were selling. On Whittier Boulevard, [immigration] would just start confiscating their goods. Then, other [vendors] would begin to see what was happening and run away. It was pretty nuts.โ
Rene and David directed their anger and frustration into their music, namely punk and grunge. Tropaโs 2019 7-inch Smells Like Cumbia features a spacy cumbia rendition of Nirvanaโs โCome as You Are.โ The unexpected marriage of East L.A. and Seattle works very well.
โThere was this angst aspect in music in the โ90s, and many bands like System of a Down and Rage Against the Machine have that, but something about Nirvana is so beautifulโtheir melodies combined with a nice scream,โ David says. โIt is easy to relate to.โ
Tropaโs sophomore record, Tripiando Al Infinito En Mi Recรกmara, (Tripping to Infinity in my Bedroom) could be the bandโs first masterpieceโof many to come. The 2020 album flourishes with clarity, conviction and a couple of oddball homages: the ballad โLou Reedโs Speedoโ expresses feelings of love and hate towards the late Velvet Underground frontman, sung in English and Spanish. The album bookend, meanwhile, โIf John Lennon Could Fly,โ is a minute-long instrumental that sounds like it could be a long-lost ending to โFor the Benefit of Mr. Kite.โ A second pressing of the vinyl was recently released.
โFeels Like Tijuana,โ the albumโs single, driven by a swirling melody and punch-drunk accordion, can only be defined as โpsychedelic cumbia-punk.โ Like a Pogues song, the upbeat rhythm is nothing more than melancholy in disguise: โEs sombra lo que soy cรณmo el dรญa si en sol,โ David sings. Translation: โI am like the shadow on a sunny day.โ
โSurfinโ Brainโ is a viciously wonderful juxtaposition to โFeels Like Tijuana.โ The bright harmonies and toothy instrumental smile equate to the adoration of Brian WilsonโTropa moves from English vocals to Spanish midway, bringing Latin flavor to the stark white Beach Boysโ sound.
After nearly 12 years of nonstop touring, the Pacheco brothers are beginning to see the pay-off of their labor. Tropa has had some songs picked up for the Netflix series Gentefied and the popular comedy special Felipe Esparza: Bad Decisions. Additionally, the 805 beer company recently signed the group to the second year of sponsorship.
Tropaโs third full-length album, III, dropped in the spring of 2022, only adding more depth to the groupโs repertoire. โSonora Distanceโ transports listeners to oldtown Bogotรก in another dimensionโthe fusion of traditional cumbia with Davidโs resounding guitar solos picks up where Tripiando Al Infinito En Mi Recรกmara leaves off. ยกQuรฉ buena noticia!
Tropa Magica plays Friday, July 22 at 9pm. Moeโs Alley, 1535 Commercial Way, Santa Cruz. ยฟQiensave? opens. $16/$20 plus fees. folkyeah.com.
Prepare to be fooled. Prepare to be shocked. Prepare to jump right out of your seatโmore than once. Thatโs exactly what Deathtrap, the Jewel Theatre season finale, intends to make you do. So hold on tight and enjoy the ride.
Written in the late 1970s by Ira Levin, Deathtrap ran on Broadway for a whopping four years, and from where I sat at last weekโs Jewel opener, itโs easy to see why. Okay, some lines that were fresh when they were written might seem a bit dated today. Never mind. The scenery-chewing thriller still packs a grisly comic punch, and I wasnโt alone screaming out loud on opening night at some of the stunning plot reversals.
Clever and then some, the play balances on a self-referential premise: itโs all about the devious scheming that goes into writing the exact play that weโre watching unfold before our eyes. And during the course of two hours of terrorizing, flattering, extorting, drinking, betraying and lying, youโll laugh and gasp and wonder just how the hell the whole thing will end. Unless youโve seen the play, or the stylish 1982 film version starring Michael Caine, you wonโt guess what ultimately happens even at the very end.
On an inviting set (kudos to Rick Ortenblad) we meet playwright Sidney Bruhl (Rolf Saxon), a former stage legend who hasnโt had a hit in over a decade. As the play opens, Bruhl confesses to his wife Myra (Julie James) that a student has sent him a manuscript that has โBroadway blockbusterโ written all over it. Reminiscing about his past triumphs, Bruhl surveys the mementos of previous thrillers heโs writtenโantique guns and knives, axes and crossbows mounted along the walls. What could go wrong? As he tells his wife (whose personal wealth has been keeping the couple financially afloat for many years) about this manuscript, he becomes intrigued by the idea of collaborating with its author. Bruhlโs career would be thereby revived, and the young novice would have his first theatrical credit.
Enter the young playwright, Clifford Anderson (Shaun Carroll), who is flattered by the veteran writerโs interest, and discussion about a future alliance begins. As the conversation started to take a woozy turn, opening nightโs audience got its first taste of the playโs โthings are seldom what they seemโ sleight of hand.
Oh, and there are two other characters, a snoopy next-door neighbor who happens to be a Scandinavian psychic, played for very broad and well-placed laughs by Diahanna Davidson, and the Bruhlโs attorney, neatly played by Kurt Meeker. As the psychic prowls around the premises, she immediately predicts future disaster. The thunder and lightning special effects echo that sentiment. We all know something ominous is in store, ominous despite moments of outrageous humor. We just donโt know just how and when disaster will erupt.
The first actโs pacing will pick up after a few more performances, but opening night gained both mystery and momentum in the second act when absolutely nothing is what it seems to be. And the breakneck reversals cascade into even more reversals.
Since the entire play depends upon shock and surprise, thereโs little I can reveal. But hereโs what I can tell you: all the actors in this wickedly funny whodunit are terrific. Expert physical comics, they spar and sparkle their way through the twists and turns, while we’re all holding our breath. For my money, the play belongs to the virtuoso sarcasm of Rolf Saxon. His Sidney Bruhl is mordant, brilliant, drinks too much and fantasizes wearily about future success. But heโs not too weary to stop inventing puns and jokes that he relishes as much as we do. In big, burnished tones Saxon wraps his mouth around his words and exhales them in acid-drenched pronouncements. He is completely delicious. Not too proud to scheme, his character convinces us all to follow him into fiendishly well-written mayhem.
Deathtrap is a gem of comic suspense and the Jewel Theatre production is loaded with the actors, the set and the wicked props to deliver. Donโt miss it!โDeathtrap,โ by Ira Levin. Directed by Nancy Carlin. Playing at the Jewel Theatre through July 31. JewelTheatre.net
While I appreciate that the Good Times conducts in-depth reportage on critical local issuesโlast weekโs coverage of our hard-fought-for Empty Home Tax ballot initiative being an exampleโI was initially dismayed at the bold, misleading โEmpty Promiseโ headline. My alarm was that those readers casually leafing through the paper would take away a nagging skepticism about the new ballot measure.
I read your lengthy piece on the June 27 City Council meeting regarding the Empty Home Tax ballot initiative, which will be decided by city voters in November, with the scrutiny of someone who had attended and been intrigued by the meeting. Pleased that reporter Aiyana Moya conscientiously detailed and brought in both sides of the issue, I am hopeful that Good Times will avoid the use of misleading headlines in the future.
I witnessed at the meeting that city staff presented a start-up budget that quickly proved to be misleading and bloated. Start-up costs for the program were projected to be $607,000โeven though, as Sandy Brown pointed out, we have concrete data from Oakland whose voters passed a similar measure in 2018. Oakland expended $100,000 to launch their programโwhich now, in its third year, is expected to bring over $15 million dollars into their city coffers! In the end, our City Council voted unanimously to require staff to come back to them with a projected budget based on actual facts, while I wondered how and why staff presented such erroneous figures.
Your article illustrates that the Empty Home Tax Initiative, which will create a fund dedicated to the construction of truly low-income housing, is full of promise as a pathway toward a more accessible and equitable Santa Cruz. The reality, as reflected in your article, is that administration costs are low, homesโincluding ADUsโoccupied more than three months of the year are not taxed, enforcement protocols and penalties align with what is already in place for other city programs and the program will provide millions of dollars to build affordable housing.
The broad coalition involved in supporting this campaign is ready to step up and fight for the future of our community. We are property owners, renters, seniors, students, new residents and people like me, who have been here for decades. We believe an empty home tax is a step in the right direction!
Sheila Carrillo
Santa Cruz
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโnot copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
To PG&E: You turned our power off on Tuesday (6/14/22), and Monday (6/13/22) for a total of six hours.
Last summer, you turned off our power for 10 days, and 200 hours with the excuse that your new โsmartโ sensor detected that something touched the power line feeding the San Lorenzo Valley. We waited as your crews did an eight-hour walk down the line, and found no fires.
Your approach is not working, so please go with a program that I call HELO (Helicopter Electric Line Observation). When you get a sensor report, keep the power on as you make the 15-minutes flight along the line looking for smoke, or a roasted squirrel.
For readers, please cut out this letter, and mail it to John Laird, State Senator, at 701 Ocean Street #318A, Santa Cruz CA, 95060. Our complaint is named SOS (Stop Our Shutoffs).
I teach leadership, and PG&E needs a serious lesson in leadership because it is failing at its job to provide electric power to its customers.
Curtis Panasuk
Ben Lomond
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโnot copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
My first-ever cover story for Good Times, back when I worked for this paper as a young journalist in the โ90s, was about the fifth anniversary of the Monterey Bay National Marine Sanctuary. The main things I remember from reporting on it in 1997 were that 1) a lot of people were still stunned that then-Congressmember Leon Panetta and a large group of passionate advocates had been able to pull off this, since environmentalists had been pushing for it for more than two decades (and Ronald Reagan, while president, had nearly killed the effort entirely in 1983); 2) some people were still a bit fearful that this incredible new guarantee of protection for our coastline was somehow going to be yanked away; and 3) scientists were totally upfront about the fact that we had barely scratched the surface of what there was to learn from the vast habitat we were protecting.
As Erin Malsburyโs cover story this week reveals, a lot has changed in 25 years. The Monterey Bay as a national marine sanctuary is a way of life. But I think itโs interesting that though we know a lot more about the waters off our coast now, there is still the feeling that thereโs so much more to discover.
I also urge you to read Leonie Shermanโs companion piece in this issue, about the proposed Chumash Heritage National Marine Sanctuary. Between them, these stories are not only a commemoration of how weโve protected our coastal waters in the past, but also an important look at how we need to expand those protections today.
I also want to send out our best hopes for healing to our dear colleague Matt Scott, who has written the โLocal Talkโ column for many years. Read this weekโs โGood Ideaโ and please donate to his Go Fund Me. Thank you.
STEVE PALOPOLI | EDITOR-IN-CHIEF
PHOTO CONTEST WINNER
A youth sailing class in the bay. Photograph by Susan Japinga.
Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
HELP MATT SCOTT
This oneโs personal: we ask you to support a beloved member of both the Good Times extended family and the larger Santa Cruz community, Matthew Cole Scott. Scott, who many locals will know from his years photographing and writing GTโs โLocal Talkโ column before the pandemic, was severely injured in a motorcycle accident on July 1, and airlifted from Dominican Hospital to Natividad Trauma Center in Salinas in critical condition. According to family friends, he was still on a ventilator as of last weekend. Donate at https://gofund.me/b3c7cc86.
GOOD WORK
CABRILLO ROBOTICS
Last week, Cabrillo College Robotics Club announced that it won first place in the MATE ROV Competition, a worldwide underwater robotics competition. Ciaran Farley, Isaac Wax, and Spencer Koontz represented Cabrilloโs robotics club at this yearโs 20th Championship. The team won First Place Overall in the Pioneer Division, as well as the Engineering Presentation Champion award and the Technical Documentation Champion award.
QUOTE OF THE WEEK
โThe worldโs finest wilderness lies beneath the waves.โ
Giant kelp forests are sometimes called the underwater counterpart to the redwoods. But almost 5,000 feet deeper, another forest gently sways in the cold, dark currents.
Sunlight never reaches these depths, but if it did, it would illuminate towering pink corals, neon yellow sponges, orange anemones and animals yet to be discovered.
This deep-sea habitat lies within the Monterey Bay National Marine Sanctuary (MBNMS), which stretches from Marin to Cambria along the California coast. It runs nearly 13,000 feet deep and includes beaches, rocky shorelines, estuaries, kelp forests and landscapes never before seen.
This September, the sanctuary will mark its 30th anniversary, while the National Marine Sanctuary Act commemorates its 50th. The celebration includes a nationwide photo contest and the issuance of 15 USPS stamps at a ceremony in Santa Cruz on August 5.
Over the decades, MBNMS has provided inspiration, research and recreation to local communities and visitors from around the world.
The study of whales has produced some of the most fascinating research to come out of the Monterey Bay National Marine Sanctuary.
Off the Hook
In the early 1980s, President Ronald Reaganโs secretary of the interior, James Watt, proposed bidding the entire continental coastline to oil companies. But the 1969 Santa Barbara oil spill had demonstrated the environmental risks of offshore drilling, and Santa Cruz County wanted no part in it.
Leon Panetta, who was serving as the Central Coastโs congressional representative, organized a meeting with Mendocino representative Don Clausen to convince Watt to exempt certain areas from the bidding. During the meeting, they displayed photographs of beautiful coastline.
โWatt got up and walked over to one of those photographs with this wry smile on his face and pointed to this area where the waves were crashing and said, โYou know, this would be a perfect place for an offshore drilling rig,โโ Panetta tells GT. โAnd I thought, โOh man, this is going to be tougher than I thought.โโ
Panetta drafted a drilling moratorium and attached it as an amendment to an appropriations bill, which fund government operations annually. Funding would not be available to the administration if it proceeded with bidding.
โIt was not easy,โ Panetta says. โWe were facing opposition, obviously, from oil states.โ
But a delegation of coastal states came together to support the moratorium, which passed in the House and Senate. Still, it was no permanent solution.
โI was worried that if we faced a gas situation like weโre facing now, where thereโs gas shortages and people are paying high prices, that ultimately the moratorium was likely to be defeated,โ says Panetta.
He knew a marine sanctuary would provide longer-term protection. In 1992, Panetta and cosponsors made it a reality.
โWe could make a unique case that this was an area that requires special protection, and so that’s what led to the bill being included in the sanctuary reauthorization,โ says Panetta. โItโs always been one of my proudest achievements as a congressman, working with the community and being able to look out at that coastline and know that it is protected.โ
Anacapa Island off the coast of California is part of the Channel Island National Park. The proposed Chumash Heritage National Marine Sanctuary would extend from the southern end of the Monterey Bay National Marine Sanctuary to the Channel Islands National Marine Sanctuary.
Serengeti of the Sea
โWhen you look at the shape of the sanctuary, you can see that it really protects the Monterey Bay Canyon,โ says Lisa Wooninck, the MBNMS Superintendent.
The Monterey Canyon is the largest of its kind along the West Coast. It begins at Moss Landing and extends out onto the abyssal plain two-and-a-half miles below the sea surface.
In the spring and summer, offshore winds push warm water away from the coast, and cold, nutrient-rich water rises from the deep. This process, called upwelling, supports life in the bay.
โThatโs the engine for the amazing productivity that we have in this area,โ says Wooninck. The whales, the birds, the fish and turtlesโโwe often call it the Serengeti of the sea because of the amount of wildlife that comes through to enjoy the amazing food,โ she says.
In addition to preventing offshore drilling, the sanctuary prohibits harmful discharges and the disturbance of wildlife.
These protections make it an ideal location for studying marine life.
โThe Monterey Bay is the best place to do marine science in the whole world,โ says Andrew DeVogelaere, who oversees the sanctuaryโs research program and has worked within MBNMS for 27 years. โWe have the highest density of marine science institutes, and we have an amazing intellectual capability.โ
DeVogelaere watched the sanctuary change over the years. Technological advances made exploration easier, collaborations grew stronger and habitats and marine life rebounded. But the problems changed, as well. Climate change and microplastic pollution threaten the sanctuary in new ways. And to better protect the oceans, we need to learn more about them.
โWeโre impacting the deep sea before we even know how it functions,โ says DeVogelaere.
As we spoke, he was preparing to board a Monterey Bay Aquarium Research Institute (MBARI) ship to visit Davidson Seamount. The undersea mountain was added to the sanctuary in 2008 because of its remarkable deep-sea corals. One of the most striking types, called bubblegum coral, often stretches over eight feet tall.
But another phenomenon also draws researchers back. In 2018, scientists from the sanctuary and the Ocean Exploration Trust discovered over a thousand octopus mothers brooding eggs on the seamount.
โWe protected Davidson Seamount and added it to the sanctuary in 2008 mostly for the deep-sea corals, and it turns out thereโs also this other interesting and important habitat,โ says DeVogelaere. โSo you donโt always know what youโre protecting when you protect an area of the seafloor.โ
The Deep End
Future discoveries remain hidden in the depths of MBNMS.
โWeโve mapped it all, but we havenโt gone down with the remotely operated vehicle and actually explored very much of it. Iโd say probably less than 10%,โ estimates George Matsumoto, senior education and research specialist at MBARI.
โAnytime we go to a new location, we usually find something new,โ he says. โItโs remarkable just how biodiverse the canyon is.โ
MBARI works closely with sanctuary scientists and uses technology like underwater robots, deep-sea microphones and environmental DNA collection to learn about life in MBNMS.
โWeโre fortunate to be working with a sanctuary that is so interested and concerned about the marine ecosystem,โ says Matsumoto. โTheyโre very engaged in research and outreach.โ
The sanctuary has a resource protection team, a research team and an outreach and education team. But with only 12 full-time staff members, 12 contractors and a handful of summer interns, they rely on partnerships.
The current budget for managing all 15 national marine sanctuaries and two national monumentsโa total area the size of Alaskaโis $61 million. President Biden recently requested that Congress increase that amount to $87 million.
โUsing that, we could invest more into research, raising stewardship and connecting others to the sanctuary,โ says Wooninck.
MBNMS has two visitor centersโone in San Simeon and one in Santa Cruz. The Sanctuary Exploration Center in Santa Cruz closed in March of 2020 and just reopened in June.
โOne of the things weโre focusing on moving forward is connecting with different audiences and trying to reach communities we didnโt traditionally reach,โ says Wooninck. โItโs amazing when you find out how many kids who live just five or ten miles from the ocean have never been to the ocean.โ
The sanctuary recently secured a $300,000 grant from California State Parks to connect students to the sanctuary.
โWe have a four-year grant, and weโre going to be specifically working with Watsonville schools fourth and fifth-graders,โ says Wooninck.
โWeโre trying to reach more underrepresented communities, indigenous communities adjacent to the sanctuaryโnot just our sanctuary, but all sanctuariesโand are really trying to expand our reach and help people to connect more with the ocean.โ
In 1990, when Monterey Bay was nominated for consideration as a National Marine Sanctuary, some of the more radical supporters proposed a boundary extending almost to Point Conception. Three decades later, that vision may become a reality. And the effort is led by Chumash Natives, the Central Coastโs original ocean stewards.
The proposed Chumash Heritage National Marine Sanctuary (CHNMS) would stretch from the southern end of the Monterey Bay National Marine Sanctuary to the Channel Islands National Marine Sanctuary, creating an unbroken protected marine area of almost 15,000 square miles. The National Oceanic and Atmospheric Administration (NOAA) hopes to complete designation by the winter of 2023.
โThe idea of calling it the Chumash Heritage National Marine Sanctuary is a form of recognition for all those people, both past and present, who have not been recognized before as natives by the federal government,โ explains Bear Clan elder Michael Khus-Zarate. โIf the proposed sanctuary is designated, it will be a magnet for further revitalization of Chumash people throughout the Central Coast. Itโs a way of confirming our continued existence as well as our continued responsibilities and obligations to be caretakers of the land and water.โ
The tribeโs territory once reached from roughly Morro Bay to Malibu, and their advanced ocean-going crafts allowed them to travel along the coast and to the Channel Islands. โThe Chumash have a maritime culture and tradition,โ explains Khus-Zarate. โOur relationship with the ocean is primarily one of respect and reverence. The ocean helps us understand our proper place in the world, helps us feel humble โฆ We donโt own the land or the waters, itโs not ours to give away or share, itโs ours to caretake.โ
Creating a National Marine Sanctuary requires patience and dedication. For over 40 years, marine sanctuaries were proposed by state or federal agencies. In 2015, NOAA opened the process to local communities. After six months of meetings and paperwork, the Northern Chumash Tribal Council nominated the CHNMS; NOAA asked for more detail. Six months later, the NCTC submitted a revised proposal, which was accepted.
โThat just put us in the inventory, a little file that says at some point in the future NOAA can decide to start the designation processโor not,โ explains PJ Webb, legal advisor to the NCTC.
The CHNMS nomination sat inactive during the Trump administration. After five years, NOAA needed to review it. โWe worked hard and got 14,000 comments during the public comment period, with no paid staff, no monetary resources, just blood sweat and tears,โ Webb says. โThose comments were overwhelmingly in support of the sanctuary. It kind of blew NOAA out of the water, sometimes there are only 5 or 55 or 100 comments.โ
Violet Sage Walker, the chairperson of the NCTC and nominator of the CHNMS, carries on the work of her late father, Fred Collins, who worked to protect Chumash waters for decades. โMost indigenous people feel obligated to continue the traditions of their ancestors,โ she explains. โThis is not something we can take a break from. We donโt, like, clock out after 40 hours. We are obligated to do this forever, until designation is secured, and then we are obligated to co-manage. We will work on this until we die.โ
Sage Walker believes this indigenous perspective was critical in moving forward with the sanctuary. โWe bring something to the table nobody else brings,โ she explains. โWe can talk about spirit and how the ocean is important for peopleโs spiritual health. This isnโt just about biodiversity, itโs about our soul, our happiness, our healing, our ancestors. Thatโs what made our nomination stand out among all the other ones.โ
Public scoping began November 10, 2021. โNOAA asks for very specific scientific criteria, which only marine biologists can satisfy, but we did our best to translate that into lay persons language,โ explains Webb. โThe deadline for the scoping process was extended; people who opposed the sanctuary thought it was too short.โ In just under three months, between 25,000-30,000 comments were generated. โThe overwhelming majority, over 90%, were in support of the sanctuary,โ says Webb. โAnd that happened in the middle of a pandemic, over Christmas and New Years.โ
The main opposition comes from people in the fishing industry who worry about how sanctuary status and federal oversight will affect their livelihoods. But fishing regulations inside a marine sanctuary are identical to regulations outside of a sanctuary, and the federal government already oversees the oceans.
โWe are facing a campaign of misinformation,โ says Sage Walker with a frustrated sigh. โPeople need better education. There is no local control of the ocean. The federal government already controls everything from mean high tide out to the high seas. The marine sanctuary will not change that.โ
โThere is no reason not to designate the marine sanctuary, there are no drawbacks,โ continues Sage Walker. โThere are no competing interests, we all want to protect the ocean. I donโt think fishermen or wind energy should be opposed to conservation. No users of ocean or land should be oppositional. We all have the same interests, to prolong our quality of life on this planet.โ
The Chumash pushing for marine sanctuary status join marginalized communities all over the planet working to enhance life on Earth. โIndigenous people, people in third world countries, people of color, we will be the first displaced by climate change, so we are the most committed to fighting it,โ says Sage Walker. โBecause we are protecting our heritage, our ancestors, our families, our homeland, our way of life. We have more skin in the game than anybody else, so we have to fight harder than anybody else. Itโs because we love it that we have to do this. And not a single one of us is backing down from the challenge.โ
Santa Cruz Countyโs new Public Defender office began operations on July 1, and the departmentโs roughly 60 employees celebrated the occasion with a barbecue in the backyard of its May Street headquarters.
The new office includes an increased number of attorneys, in addition to a team dedicated to giving clients the extra help they need in a so-called holistic model of defense.
The countyโs takeover of public defender services began in 2020, when the Board of Supervisors approved the plan. The contract for Biggam, Christensen and Minslof (BCM)โthe law firm that filled that role for 45 years, expired.
Santa Cruz County was one of the last in the state to move to a county-run model. County officials touted the plan as a way to give public defenders access to county services such as the Health Services Agency, and the Human Services and Probation departments.
That relationship is a key difference in the new department, says Public Defender Heather Rogers, who heads up the office.
Under this new โholisticโ model, clients can now receive services such as mental health, drug treatment and housing services, in addition to legal defense.
Offices that practice this model also employ civil, family and immigration lawyers.
This, Rogers says, will help defendants once their sentences have been completed.
โWe want to make sure that folks get the resources they need to lift themselves up and out of the system, rather than the revolving door of recidivism that Iโve experienced as a PD for 20 years,โ she says. โYou see the same clients, and no matter what you do for them in their defense, if you donโt address what brought them to the system, theyโre just going to keep going back. Itโs frustrating.โ
This philosophy is increasingly being adopted by criminal defense attorneys as providers shift focus to addressing the root causes of the crimes, rather than punishing them after the fact.
This is an important distinction, since a vast majority of criminal defendants receive services from public defenders, according to a 2019 study in the Harvard Law Review.
While the study found that a holistic approach has neither a positive nor a negative outcome on recidivism, it has been shown to reduce the likelihood of a jail or prison sentence by 16% and expected sentence length by 24%.
But those results are likely to evolve, since the holistic philosophy is still in its relative infancy, the study shows.
โI think that itโs a better model for the population that we serve, because by working together with other county and community partners, we can get this right, and we can make truly collaborative relationships,โ Rogers says. โWeโre trying to go upstream to prevent downstream consequences.โ
Rogers, who turned 48 on Saturday, was admitted to the State Bar of California in 2003. She has spent the bulk of her career in criminal defense.
She began that year as a Judicial Law Clerk for the 9th Circuit Court of Appeals in San Diego, and then served for three years as an Assistant Federal Defender. She then hung out her shingle, running her eponymous practice in San Diego for nearly two years before joining the Monterey County Public Defender Office as Felony Trial Team Leader.
She served as Assistant Federal Defender in San Jose before joining BCM in April 2012. The Santa Cruz County Board of Supervisors confirmed her to lead the new office in Sept. 2021.
โI am incredibly honored to do this work, to be able to build a model Public Defender agency in Santa Cruz County, which is my home,โ she says.
The new office is set in a newly remodeled and refurnished building, which is decorated with art by incarcerated artists.
The office includes community rooms for workshops such as teaching people about their legal rights, clean slate programs, how to support incarcerated youth and participatory defense.
โWe just really want to make sure that the community understands their rights before someone in their family gets in trouble so itโs less scary and frightening,โ Rogers says.
Many of the departmentโs attorneys come from BCM, taking with them the old firmโs ongoing cases, of which Rogers estimates there are roughly 5,500.
Assistant County Administrative Officer Nicole Coburn says that all the public defense attorneys now working for the county are paid the same as those in the District Attorneyโs Office, in a step-and-column system that ranges from just over $90,000 to around $190,000 annually.
The $14.9 million budget is higher than the roughly $10 million contract for BCM, an increase that reflects the officeโs new vision, and includes hiring additional attorneys, Coburn says.
The lionโs share of the budgetโ$12 millionโgoes to the Public Defenderโs Office, while $2.9 million is for Page and Dudley Law, the firm contracted to handle cases that have more than one defendant, also known as conflict cases.
โThis office is unlike anything weโve done so far with public defense services in the history of the county,โ Coburn says of the new department. โWeโre just really excited that weโre joining other counties in having our own public defenderโs office and trying to modernize what we do for people who are involved in the criminal justice system.โ
Michelle Lipperd, who heads up the Collateral Consequences and Reentry Team, will also be in charge of immigration and Clean Slate cases, in addition to Californiaโs new resentencing laws, which potentially affect hundreds of currently incarcerated people.
She says the shift to a county-run model will be a change for the attorneys as they adapt to the stricter rules and more formal structure, as well as the benefits county employees receive.
This includes pensions and pay parity with attorneys working in the District Attorneyโs Office.
But the best change, she says, is the new way of helping clients, with such issues as drug abuse and childhood trauma.
โWeโre not just focusing on one aspect of this personโs life and dealing with the criminal stuff,โ she says. โIt is wrapping them up with services, not just in the beginning, not just in the middle, but all the way through.โ