Local Agencies’ Conservation Efforts Hope to Help Coho Salmon Populations Rebound

They’re an average of eight pounds, with distinct pink scales, and in this area, they’re officially endangered. Local coho salmon have declined more than 95% from their historic population level, according to the Center for Biological Diversity.

The main culprit is the degradation of spawning grounds, such as low river levels due to water being diverted for human use, or dams that block the way upstream. But two recent initiatives—focused on waterways along the North Coast of Santa Cruz County—have sought to help turn the tide.

In one, the Sempervirens Fund, the state’s oldest land trust, spearheaded the removal of an old dam along Mill Creek in the wake of the CZU Lightning Complex fires. In the other, the Santa Cruz Water Department rejigged its water-taking portfolio to allow more liquid to move through Laguna Creek.

The Mill Creek Dam removal story is about breathing life into a beloved watershed, environmentalists say.

“Watershed health is vital to redwood forests,” said Matt Shaffer, Sempervirens Fund’s marketing director. “Watersheds are really land.”

Four conservation organizations own the 8,852-acre San Vicente Redwoods: the Peninsula Open Space Trust, Save the Redwoods League, Land Trust of Santa Cruz County and the Sempervirens Fund, which notes the entire area was consumed by flames, last year.

Davenport’s water lines were also destroyed, including the portion that ran across the top of an old dam on Mill Creek.

The San Vicente watershed is renowned for its karst formations, where dissolving bedrock has left sinkholes and caves, which causes water to rise up from underground. Where Mill Creek empties into the Pacific Ocean at Davenport Beach (via San Vicente Creek), there’s no sandbar or estuary, which means easy access for salmon and steelhead trout, Shaffer explained.

“The conditions are exceptionally good for this watershed to be a good place for spawning,” he said. “It’s very cold water, which is great for salmon. It’s heavy flowing even in the summer.”

However, there’s been a dam in the way.

It’s unclear when Mill Creek Dam was built or what it was supposed to be used for, but it was likely built to serve a rock-mining town called Bella Vista at the turn of the century.

The earliest reference to it was as the “old dam,” in documents about another, further upstream, Shaffer said.

“The dam never worked as intended,” he said. “It was immediately defunct.”

But for more than a century, it blocked fish from passing.

“It could have failed at any time and fallen apart, which would have been a different kind of problem,” he said.

Over the last decade, the Sempervirens Fund installed 13 different wood structures in the creek downstream, to provide salmon with a place to deposit their eggs.

“They capture downflowing debris and create these sandbars,” he said. “It also helps to create a safe haven.”

The Santa Cruz Portland Cement Company started in Davenport in 1906 and later became part of CEMEX, Inc. When CEMEX sold the land on which the dam sits, it kept the water rights—which includes the pipes. So, after the CZU Complex destroyed Davenport’s water infrastructure, Sempervirens saw an opportunity to take ecological action. It asked the company to change the water pipeline’s path.

“The pipe has already been rerouted,” Shaffer said. “That happened very quickly in December, last year.”

In March, Sempervirens Fund got a $550,000 Open Rivers Fund grant from the Resources Legacy Fund, supported by The William and Flora Hewlett Foundation, which was established by Hewlett-Packard co-founder William Redington Hewlett and his wife Flora Lamson Hewlett.

“That set us on a course to get all the work together and get the dam removed,” Shaffer said, noting they had to race against the clock before winter storm season started.

Prior to the dam removal, the Amah Mutsun Land Trust, an initiative of the Amah Mutsun Tribal Band, an Indigenous organization representing the descendants of native people brought to Santa Cruz and San Juan Bautista missions, invited UCLA researchers to study salmon DNA in the creek.

“The salmon were an important food source for Indigenous people in this area prior to colonization,” said Sara French, the organization’s director of development. “Indigenous people had ceremonies to honor the salmon and had annual ceremonies to call the salmon back each year.”

Shaffer says he’s learned plenty from the way the Amah Mutsun Land Trust approaches conservation. French explained they’re blending contemporary resource management practices with Indigenous ecological knowledge. That means returning to traditional practices like selective harvesting and targeting medium-sized fish instead of just harvesting the big ones.

“The UCLA study is using a cutting-edge tool to track the presence or absence of salmon, and their response to the restoration work that’s happening there,” she said.

Work began with professional ecologists moving about 400 plants, like ferns and berry bushes, elsewhere, according to Shaffer. Next, teams went “e-fishing”—meaning they used an electric wand to stun fish so they could be relocated downstream, he said. And on Sept. 21, small and large excavators moved in to do the heavy lifting.

Crews tried to pump water out of the creek so they could get at the dam but were challenged by the karst system continually replenishing the waterway. Eventually, they made enough progress to attack the old pipe and other material forming the barrier.

“They were actually able to begin to break apart the dam wall,” Shaffer said. “We had to move quickly and get going.”

It took about 90 minutes from the first shovel hitting the top of the dam to eliminate it from the ecosystem.

“It looks like nothing, which is exactly what it’s supposed to look like,” he said. “There’s no way to tell that there was ever a dam there.”

Removing the dam and unlocking the upstream sediment was the missing puzzle piece to create perfect conditions for coho spawning, according to Shaffer.

“It’s exceptionally rewarding to be part of this moment in history,” he said. “It’s a historic moment for a very important watershed in the region.”

French says it’s exciting to see progress like this made.

“We are all about restoring pre-colonization conditions,” she said. “These sorts of steps are really important to restoring the natural way of things in the ecosystem.”

Now it’s up to the salmon.

But just a few waterways south, at Laguna Creek, utility officials announced some early success in the wake of another habitat-restoration initiative.

While coho babies hadn’t been spotted in the Laguna Creek lagoon since 2005, that changed in 2020. Now, biologists have recorded 2-year-old coho there, this year.

Chris Berry, watershed compliance manager with the Santa Cruz Water Department, said it was nice to see the City’s voluntary mitigation efforts working.

“Laguna Creek used to be one of the city’s primary drinking water sources,” he said. “The Water Department’s operations have changed a lot.”

It decided to rely less on water from Laguna Creek and draw more from places like the Loch Lomond reservoir, in order to pump the millions of gallons of water it delivers to 98,000 customers, every day.

It used to divert about 6.5 cubic feet per second from Laguna Creek during winter.

“Now we generally take none unless it is a wet year where there is enough water to meet fish needs,” Berry said, adding the lagoon at the outflow lets salmon bulk up before heading out to sea. “It’s a rough world out there in the ocean.”

Juvenile coho documented in recent surveys were 16 to 19 centimeters long, with coloring indicating they were in the early stage of smolting; this suggested they were about to leave the lagoon and become part of the marine environment, utility officials said in a release.

French explained that, because she lives in Santa Cruz, drawing a bath for her daughter has provided teachable moments on the topic of salmon ecology.

Sometimes her daughter, who is now 4, would ask mom to add extra water.

“I say, ‘Nope. We can’t fill it up more. We have to leave it for the salmon,’” she said, adding the message about conserving North Coast streams seems to be sinking in. “She talks about the salmon all the time.”

Do Americans Really Need Boosters? CDC Panel Is Wrestling With the Data

By Apoorva Mandavilli, The New York Times

Struggling to decide which Americans need extra doses of the coronavirus vaccines made by Moderna and Johnson & Johnson, scientific advisers to the Centers for Disease Control and Prevention on Thursday homed in on the efficacy of the vaccines, and the relative advantages of mixing and matching different vaccine types.

In a meeting convened to review the data, the panel heard that in adults younger than 65, even those with chronic conditions, the Moderna vaccine remained highly protective against severe illness and showed only a small decline in effectiveness over time, if at all.

The Johnson & Johnson vaccine showed less efficacy than the Moderna vaccine overall, but the data were too limited to determine whether there might be a decline over time.

The Moderna vaccine was slightly less protective against infection in all age groups more than four months after immunization. But that may be because people may engage in riskier activities after they are vaccinated, rather than because the immunity from the vaccines is waning, experts said.

The purpose of the vaccines is to prevent illness severe enough to require medical attention and not to prevent infection, said Dr. Wilbur Chen, an infectious disease physician at the University of Maryland.

“It might be too much to ask for a vaccine, either a primary series or the booster, to prevent all forms of infections,” he said.

In the first major presentation in the meeting, representatives from Moderna presented evidence in support of a booster of 50 micrograms, half the dose given in the initial rounds.

The smaller dose is enough to rouse the immune system because “the memory immune system is starting from a different place than it was the primary series,” said Dr. Jacqueline Miller, a senior vice president at Moderna who presented the data.

The smaller dose may need to be delivered from the same vials now used for initial immunization, Miller conceded. Some panelists noted that this may increase the risk of contamination and incorrect dosing, and complicate data gathering. (Moderna has been testing vials that deliver smaller volumes to alleviate this problem, according to a former government official.)

The panel also heard data in support of a second Johnson & Johnson dose. Scientists from the company said they had estimated the rate of blood clots following vaccination — a particular concern in young women — at 15.1 cases per million following the first dose and 1.9 cases per million after the second.

“The government’s interpretation is that there’s no indication of an increased risk of these events after the second dose in any age group,” said Dr. Macaya Douoguih, head of clinical development and medical affairs at Janssen, who presented the data.

The panelists peppered the company’s scientists with questions about the validity of the data presented for Americans exposed to the delta variant, and for people who have weak immune systems.

Later, committee members are set to discuss the so-called mix-and-match strategy — whether people fully immunized with one company’s vaccine should be allowed to switch to a different one for their booster.

Scientists at the National Institutes of Health are testing combinations of boosters of the three vaccines. Preliminary data suggest that switching between two vaccine types produces a richer immune response than boosters of the same vaccine received initially.

Moderna boosters, after one of the other two vaccines, produces the strongest immunity, and boosting with Johnson & Johnson the least.

The panelists had discussed this strategy even at their meeting last month, and were full of praise for the study. The results are expected to influence their discussion on the mix-and-match approach Thursday.

CDC scientists said at the meeting that the vaccines are generally safe, with the exception of uncommon and mostly mild heart problems in young men. The risk of the condition — called myocarditis, an inflammation of the muscle — is highest after the second shot of an mRNA vaccine, and highest in males 18-24.

In males younger than 20, the condition may affect more than 100 males in every 1 million vaccinated. Studies have shown that the risk of heart problems after a bout of COVID-19 is much higher.

Some panelists said they worried about the risk of blood clots in young women who get a second dose of the Johnson & Johnson vaccine, and the risk of myocarditis in young men after a third dose of an mRNA vaccine. Perhaps young women should be directed to mRNA vaccines and young men to the Johnson & Johnson vaccine, said Dr. Helen Talbot, an infectious disease expert at Vanderbilt University in Nashville, Tennessee.

“We’re in a different place in the pandemic than we were earlier,” she said. The opportunities to mix and match vaccines “are priceless.”

On Wednesday, the Food and Drug Administration authorized boosters for millions of people who received the Moderna and Johnson & Johnson vaccines, just as it did for recipients of Pfizer-BioNTech shots last month. The FDA also gave the go-ahead for people eligible for boosters to get an extra dose of a different brand from the one they first received.

Despite the scientific intricacies of the discussion, the final recommendations from the panel are unlikely to bring surprises. The committee is expected to endorse additional doses of the vaccines for many Americans and to bring the country closer to fulfilling President Joe Biden’s promise to provide boosters to all adults.

It will not happen without some misgivings, however.

Some of the CDC’s advisers last month voiced strong reservations about a Pfizer-BioNTech booster, saying the science did not support additional shots for anyone other than older adults. A majority voted to recommend boosters for people with certain medical conditions that increase the risk of COVID-19.

The committee did not support boosters for people whose jobs expose them to the virus — but in a highly unusual move, Dr. Rochelle Walensky, the CDC’s director, overturned their decision.

This article originally appeared in The New York Times.

County Moves to Oppose All Sexual Predator Placements

After a significant portion of the Bonny Doon community mobilized to try to keep a man who raped a 21-year-old woman in the 1980s from moving to town, Santa Cruz County is now seeking changes to California law, so it can have additional tools to protect locals.

While “sexually violent predator” Michael Cheek’s placement hearing (originally scheduled for Oct. 14) was delayed by a month, Third District Supervisor Ryan Coonerty introduced a Board of Supervisors measure Tuesday to pressure the State to give local governments more control over where these offenders can live. It was approved unanimously.

Through the initiative, the Board directed County Administrative Officer Carlos Palacios to send a letter to the Department of State Hospitals asking Sacramento to declare Santa Cruz County “off-limits” for Sexually Violent Predator placements until the sex criminal-home hunting program is amended.

It also directed staff to take “all necessary actions to oppose any further placements of Sexually Violent Predators in Santa Cruz County” until California Welfare and Institutions Code 6608 “has been amended to allow a local jurisdiction full participation in the release and placement process, including full veto authority.”

And supervisors directed Chair Bruce McPherson to send a letter to state representatives expressing the County’s concern with that law.

The Santa Cruz County officials say they want their reps to take a leadership role in amending it “to allow a local jurisdiction full participation in the release and placement process, including full veto authority.”

In his item, Coonerty explained that the California Welfare and Institutions Code currently allows Sexually Violent Predators to move into communities “with no process for input or evaluation by local agencies.”

Santa Cruz County District Attorney Jeff Rosell tried opposing Cheek’s proposed Santa Cruz County placement in court, but lost and didn’t appeal further.

The “sexually violent predator” designation is applied to criminals who’ve been convicted of a “sexually violent offense” and have a diagnosed mental disorder that makes them likely to engage in predatory sexual behavior in the future.

Liberty Healthcare has sought to place Cheek at a residence in the Santa Cruz Mountains along Wild Iris Lane. Area residents argue that putting a convicted sex predator in a place like that is a terrible idea, since it can take upwards of half an hour for Sheriff’s Office officials to respond to emergencies, and poor telecommunications coverage means electronic monitoring might not work properly.

“Liberty promotes SVP placements that are terribly inappropriate, like the one to put Michael Cheek in Bonny Doon,” Bonny Doon Union Elementary School District Board President Michael Geluardi said at the meeting. “Amending the SVP law to increase local participation is a solution, and counties must lead the fight.”

San Diego County is already making this case with the State, he added.

“Your action also sets the tone for vigorous opposition should Liberty propose another site for Mr. Cheek somewhere else in our county, as is likely,” he said. “And follow up by encouraging your State representatives to support a legislative solution to an out-of-control corporation who would destroy family neighborhoods in Santa Cruz for profit.”

Cheek’s next hearing has been set for Nov. 15.

Things To Do in Santa Cruz: Oct. 20-26

A weekly guide to what’s happening.

ARTS AND MUSIC

ANNUAL LIVE OAK GLASS PUMPKIN PATCH The Live Oak Glass Pumpkin Patch at Live Oak Grange Returns with golden leaves and autumn breezes! Beautiful hand-made glass pumpkins and gourds created in the glass blowing studio of local glass artist Chris Johnson. A dazzling array of colors, in all sizes and for every budget. We are delighted to again be in the heirloom fruit garden at historic Live Oak Grange on 17th Ave. Five percent of all proceeds will be donated to the Grange to sustain their awesome work in the community. No purchase required—all are welcome to enjoy the outside garden of beautiful art glass! Come early for the best selection. Each pumpkin is one of a kind. See you at the Patch! Saturday, Oct. 23; Sunday, Oct. 24. 10am. Live Oak Grange Hall, 1900 17th Ave. Santa Cruz, Santa Cruz.

BANFF CENTRE MOUNTAIN FILM FESTIVAL VIRTUAL FESTIVAL Bring the adventure home! Fluff up your couch cushions, grab a snack of choice, and make sure you have a good internet connection because the Banff Centre Mountain Film Festival World Tour is Virtual! Travel to the most remote corners of the world, dive into daring expeditions, and celebrate some of the most remarkable outdoor achievements, all from the comfort of your living room. Films can be purchased individually or as a bundle. Banff will also be screening Award Winners: Monthly Film Series; join us online for a mixed program of award winners from the 2020, 2019 and 2018 Banff Centre Mountain Film and Book Festivals. Catch up on missed films or relive some of the best that Banff has to offer. Just announced is the Encore Classic Films from the past 10 years. Audience favorites. Don’t miss out! Screening until Oct. 24, 2021. Visit riotheatre.com for more information about the online programs and how you can support your local screening. You may also go directly to the Banff affiliate link for the Rio filmfest.banffcentre.ca/?campaign=WT-163945. Rio Theatre, 1205 Soquel Ave., Santa Cruz.

SANTA CRUZ COUNTY 2021 ARTIST OF THE YEAR: YERMO ARANDA PROFILE PERFORMANCE Multi-media artist Yermo Aranda has been named 2021 Artist of the Year by the Santa Cruz County Arts Commission. Yermo will be honored for his work and contribution to the arts in Santa Cruz County on October 23, 3:00 PM. At a live-streamed Profile Performance, Yermo will be speaking about his work, and the Whitehawk dancers will also perform. Please note: this event will be virtual only, not in-person. Please use the Zoom link below to join the event: us02web.zoom.us/j/87872723001?pwd=eTZkM2xPUGh6T2gzRXJ1QU44aG9UUT09. Passcode: 644488. Saturday, Oct. 23, 3-4:30pm.

SHE ADVENTURES FILM TOUR Born out of a desire to showcase the strong, inspirational, adventurous women of the outdoor world, the She Adventures Film Tour presents a carefully curated selection of short films that will entertain, inspire and enlighten. Showcasing a two-and-a-half hours program of the most heartfelt, inspiring and entertaining films celebrating adventurous women from independent filmmakers around the globe. Featuring a unique selection of films of varying lengths and styles, covering topics relevant to women in the outdoors, the She Adventures Film Tour will connect with both the avid adventurer and the armchair adventurer alike. The 2021 tour will take you around the globe by bike in an attempt for the speed record, longboarding in the French Alps, getting big air and grinding rails. Dive into the world of Sri Lanka’s first competitive female surfer, push the limits with the uniquely French-Canadian sport of ice canoeing and join Lucy Barnard on her walk around the world. Ride the trailers with some rad mountain bikers in Vermont and run the muddiest known time in remote Australia.These amazing stories of courage, grit, determination, and outdoor inspiration are focused on bringing the female adventure experience under the spotlight. With eight inspiring films in the line up, this year’s tour is full of adventure and trailblazing female adventurers. Rio Theatre, 1205 Soquel Ave., Santa Cruz.

COMMUNITY

CELTIC TEEN BAND PROGRAM Teenage musicians ages 12-19 play in an ensemble, developing musicianship, flexibility, and musical creativity. Participants work on music from Ireland, Scotland, Brittany, Norway, Sweden, and the United States, in addition to modern and more quirky pieces. Instruments welcomed include fiddle, viola, flute, tin whistle, pipes, cello, upright bass, guitar, mandolin, banjo, dulcimer, autoharp, ukulele, Celtic harp, accordion and percussion. Students must have at least two years experience on their instrument, and must be able to read sheet music and chord symbols. The group meets twice a month Wednesday afternoons from 3:30-5pm at the London Nelson Center with fiddle teacher John Weed. Cost is $0-$10 per session on a sliding scale. Potential students are welcome to come for a session and see if they like it—no obligation! More information and registration at CommunityMusicSchool.org/teenband. Wednesday, Oct. 20, 3:30pm. London Nelson Community Center, 301 Center St., Santa Cruz.

COAST FUTURA STREETCAR DEMO IN SANTA CRUZ Take a ride on the Coast Futura! This free demonstration of a clean-energy, affordable, accessible streetcar on the Santa Cruz Branch Rail Line is happening in Watsonville and Santa Cruz. For the first time, our community will get to experience a rail vehicle that you can see, touch and ride in. The demonstration event is happening in Santa Cruz from Thursday to Sunday, Oct. 21-24. The route will start at Boardwalk, heading through Live Oak towards Capitola. Tickets are required to ride the streetcar. For your free ticket visit: coastfutura.org. The schedule includes hourly departures for rides that will last about 40 minutes. Each ride will include about 30 passengers. And all rides will be free! All health mandates will be followed, including masks. Thursday, Oct. 21, 9am-7pm. Friday, Oct. 22, 9am-7pm. Saturday, Oct. 23, 9am-7pm. Sunday, Oct. 24, 9am-7pm. Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz.

COMMUNITY PILATES MAT CLASS Come build strength with us. This very popular in-person community Pilates Mat Class in the big auditorium at Temple Beth El in Aptos is in session once again. Please bring your own mat, small pilates ball and theraband if you have one. You must be vaccinated for this indoor class. Suggested donation of $10/class is welcome. Thursday, Oct. 21, 10am. Tuesday, Oct. 26, 10am. Temple Beth El, 3055 Porter Gulch Road, Aptos.

CUÉNTAME UN CUENTO Acompáñanos para una hora de cuentos, actividades y canciones en español. Este programa es para niños de 0-8 y sus familias. La hora será miércoles a las 4:30pm. Nos reuniremos en el porche exterior. Cuéntame un Cuento se llevará a cabo en Capitola durante el período de construcción de Live Oak. En caso de mal clima, se cancelará la hora de cuentos. Join us for Spanish Storytime, activities, and music! This program is best suited for kids ages 0-8 and their families. Storytime takes place on Wednesday at 4:30pm. We will meet on the outside porch. Storytime will take place at Capitola during Live Oak’s construction period. In the event of bad weather, storytime will be cancelled. Capitola Library A Santa Cruz City County Public Library Branch, 2005 Wharf Road, Capitola.

GREY BEARS BROWN BAG LINE Grey Bears are looking for help with their brown bag production line on Thursday and Friday mornings. Volunteers will receive breakfast and a bag of food if wanted. Be at the warehouse with a mask and gloves at 7am. Call ahead for more information: 831-479-1055, greybears.org. Thursday, Oct. 21, 7am. California Grey Bears, 2710 Chanticleer Ave., Santa Cruz.

INTRO TO TAROT: MAGIC IN THE CARDS It’s the perfect, spooky season for tapping into the magic of tarot cards! Learn a short history of the tarot, basic meanings of the 78 cards, how to ask them questions, and a special card spread for checking in with our thoughts and feelings and learning to make empowered decisions. The best part? You’ll learn that the magic’s all in you! Join Sarah from Hawthorn Mountain Tarot for this free class for teens. This program will be capped at 10 teens; first come, first serve. Saturday, Oct. 23, 2pm. Felton Branch Library, 6121 Gushee St., Felton.

KNITTING AT THE FELTON LIBRARY Join us every Monday afternoon at the Felton Branch for a knitting party. All you need to do is bring some yarn and knitting needles. All ages are welcome. Monday, Oct. 25, 12:30pm. Felton Branch Library, 6121 Gushee St., Felton.

LA SELVA BEACH PRESCHOOL STORYTIME Join us for a fun interactive storytime. We’ll read books, sing songs and use rhythm and movement. This event is suitable for children ages 3-6 years. There will be an arts and crafts project to take home. This event will be held outside on the back patio. Please bring something to sit on and dress for the weather. Masks will be required. Repeats weekly. Tuesday, Oct. 26, 11am. La Selva Beach Branch Library, 316 Estrella Ave., La Selva Beach.

PRESCHOOL STORYTIME IN THE SECRET GARDEN Join us in the Secret Garden in Abbott Square at the MAH for storytime! We’ll share stories, songs and rhymes in a safe environment! This 30-40 minute program is intended for children aged 2-6. Do it yourself craft kits will be provided every week. Every other week we will feature STEM-related stories and concepts. Tuesday, Oct. 26, 11am. Abbott Square, 118 Cooper St., Santa Cruz.

R.E.A.D.: REACH EVERY AMAZING DETAIL R.E.A.D. is one-on-one reading comprehension instruction for readers second through 12th grade. Instructors are California credentialed teachers. Sessions are 25 minutes long. By appointment only. Contact SCPL Telephone Information if you have any questions: 831-427-7713. Wednesday, Oct. 20, 3pm. Capitola Library A Santa Cruz City County Public Library Branch, 2005 Wharf Road, Capitola.

GROUPS

COMPLEMENTARY TREATMENT FORUM Complementary Treatment Forum is an educational group, a safe place to learn, for women with a cancer diagnosis. Meets every fourth Saturday, currently on Zoom. Registration required, call WomenCARE at 831-457-2273. Saturday, Oct. 23, 10:30am-12:30pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

ENTRE NOSOTRAS GRUPO DE APOYO Entre Nosotras support group for Spanish speaking women with a cancer diagnosis. Meets twice monthly. Registration required, please call Entre Nosotras 831-761-3973. Friday, Oct. 22, 6pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

FELTON TODDLER TIME Join Librarian Julie on our beautiful Felton patio for Toddler Time. Toddler Time is a weekly early literacy program for families with children ages 0-3 years old. Music, movement, stories, fingerplays, rhymes, and songs are a fun way for your child to learn. Let’s play and learn together! Make sure to bring something to sit on. We ask that adults please wear a mask. Repeats weekly. Wednesday, Oct. 20, 11am. Felton Branch Library (NEW), 6121 Gushee St., Felton.

S+LAA MENS’ MEETING Having trouble with compulsive sexual or emotional behavior? Recovery is possible. Our small 12-step group meets Saturday evenings. Enter through the front entrance, go straight down the hallway to the last door on the right. Thursday, Oct. 21, 6pm. Sutter Maternity & Surgery Center, 2900 Chanticleer Ave., Santa Cruz.

WOMENCARE ARM-IN-ARM WomenCARE Arm-in-Arm Cancer support group for women with advanced, recurrent, or metastatic cancer. Meets every Monday, currently on Zoom. Registration is required, call WomenCARE at 831-457-2273. All services are free. For more information visit womencaresantacruz.org. Monday, Oct. 25, 12:30pm.

WOMENCARE TUESDAY SUPPORT GROUP WomenCARE Tuesday Cancer support group for women newly diagnosed and through their treatment. Meets every Tuesday currently on Zoom. Registration required, call WomenCARE 831-457-2273. Tuesday, Oct. 26, 12:30-2pm. 

WOMENCARE: LAUGHTER YOGA Laughter yoga for women with a cancer diagnosis. Meets every Wednesday, currently via Zoom. Registration is required, please call WomenCARE at 831-457-2273. Wednesday, Oct. 20, 3:30-4:30pm.

OUTDOOR

CASFS FARMSTAND Organic vegetables, fruit, herbs and flowers are sold weekly at the CASFS Farmstand, starting June 15 and continuing through Nov. 23. Proceeds support experiential education programs at the UCSC Center for Agroecology & Sustainable Food Systems. Friday, Oct. 22, Noon-6pm. Tuesday, Oct. 26, Noon-6pm. Cowell Ranch Historic Hay Barn, Ranch View Road, Santa Cruz.

EVERGREEN AT DUSK: CEMETERY HISTORY TOURS Welcome back to our second year of Evergreen at Dusk historical tours. We invite you to discover the stories and secrets found within Evergreen Cemetery, one of the oldest public cemeteries in California, on a self-guided or private tour of the grounds. Bring your curiosity as you explore the final resting place of Santa Cruz’s early settlers. The 45-minute tour uncovers the stories and tombstones of the people who made Santa Cruz what it is today. Designed for the daring, the curious, and the history-loving. This tour is great for all ages! Each tour should take 30-45 minutes to complete. The time you select is when your group/household tour begins, we recommend arriving five-to-ten minutes early to ensure you can begin right on time. Upon arrival, find the MAH table near the iconic Evergreen Arch. We will give you the printed map and guide with a brief introduction to Evergreen. Following the welcome, you are then free to follow the scavenger hunt like map and travel back in time uncovering the stories buried across the grounds. Go at your own pace and begin your adventure. We’ll be there on-site to help you get from tombstone to tombstone if assistance is needed. This tour will be led by a MAH staffer and is available to two households per night. Dig deeper into the stories and history of the cemetery. This tour has to be on your Santa Cruz Bucketlist. Please be sure to wear your mask if you are not vaccinated and maintain a six-foot distance when around other explorers or MAH staffers. Thursday, Oct. 21, 4-7pm. Evergreen Cemetery, 261 Evergreen St., Santa Cruz.

GUIDED COASTAL WALK On this two-and-a-half mile family friendly walk, we’ll explore the plants, animals, and geology of our coastal bluffs. Bring water, hat, closed toe shoes, layered clothing, and binoculars if available. Meet next to the park map in Wilder Ranch main parking lot. Rain cancels. Vehicle day-use fee is $10. For more information, call 831-426-0505. Spaces are limited and early pre-registration is recommended. Attendees are required to self-screen for Covid-19 symptoms when pre-registering. Masks and social distancing are also required at all programs. To register, visit: santacruzstateparks.as.me/schedule.php. Saturday, Oct. 23, 11am. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz.

HISTORIC RANCH GROUND TOUR Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, barns and other historic buildings. The vehicle day-use fee is $10. For more information, call 831-426-0505. Spaces are limited and early pre-registration is recommended. Attendees are required to self-screen for Covid-19 symptoms when pre-registering. Masks and social distancing are also required at all programs. Saturday, Oct. 23, 1-2pm. Sunday, Oct. 24, 1-2pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz.

SUNSET BEACH BOWLS Experience the tranquility, peace and calmness as the ocean waves harmonize with the sound of crystal bowls raising vibration and energy levels. Every Tuesday one hour before sunset at Moran Lake Beach. Call 831-333-6736 for more details. Tuesday, Oct. 26, 6:30-7:30pm. Moran Lake Park & Beach, East Cliff Drive, Santa Cruz.

YOU PICK ROSES We are growing over 300 roses, deeply fragrant, lush and in every color, and we want to share them with you! Get out of the house and enjoy cutting a bucket of roses for your pleasure or to share with family and friends. Visit birdsongorchards.com to make a reservation. Once you have made a purchase, you will be sent a calendar link to pick a time for your reservation and directions to our farm in Watsonville. Friday, Oct. 22, 11am. Sunday, Oct. 24, 11am.

New Doc ‘Foodie for the People’ Showcases Local Culinary Innovator Jozseph Schultz

Controlled chaos. That’s what it feels like on the streets of Santa Cruz this warm and inviting Friday evening in mid-October. I am sitting on the sidewalk table outside of India Joze restaurant on Front Street with a covey of old-time locals taking in the scene. You can feel the energy building, the Indian-summer light turning into a golden glow before darkness settles (what the Spanish call el anochecer), the chaotic social dissonance around us slowly but surely coalescing into a critical mass.

My friend and fellow writing love bug Wallace Baine is among the crew, as is Jon Silver, another longtime pal and filmmaking partner who has just finished a fascinating and informative feature-length documentary, Foodie for the People, on India Joze and its kinetic and talented impresario Jozseph “Joe” Schultz, a fixture in the local culinary scene for 50 years.

Silver’s film, hot out of the kitchen, will get its World Premiere next Wednesday evening at the Del Mar Theater (show time is 6pm), with a follow-up screening on Wednesday, Nov. 3 at the Del Mar at 6pm.

In homage to Schultz’s extensive volunteer work of feeding those experiencing homelessness, Silver has made it so that both screenings will be free (with proof of vaccination required for admission). Advance tickets to both screenings are available at eventbrite.com (search for “foodieforthepeople”), while a handful of seats will be held back and issued the night of the show. They promise to be sold-out affairs.

Out on the sidewalk, the conversation focuses loosely on the film and food. Two of Schultz’s longtime colleagues—Sasha Childs, the restaurant’s artistic director (and Schultz’s current “life partner”) and Lynne Basehore Cooper, with whom Schultz made a two-year trip around the world in the mid-1980s—are hustling back and forth from the lobby, taking orders, delivering dishes and engaging customers as they go.

Cooper stops momentarily and reminds me of a connection we had with a common friend in the late 1980s, just after she returned to Santa Cruz from her global sojourn with Schultz. We joke about the various social complexities at the time. “We were young,” she says with a smile. She references her work with the Homeless Garden Project and her belief that those without resources and shelter deserve the opportunity to grow their own food.  

Food, politics, culture and shared history are central themes at Joze.

Finally, Schultz himself comes out, delivering Silver one of his signature dishes—Basa Djawa, which he learned at the Royal Palace in Indonesia—and I get the opportunity to tell the celebrated chef how great he comes off in the film, and to thank him for his magnificent body of work and his commitment to community over the past five decades. I have been eating at Schultz’s various eateries since high school, when I worked as a delivery boy on Soquel Avenue and his first establishment was a few blocks up the street, where the Crepe Place is today.

Dressed in his trademark dark hat and rough-hewn leather apron, with the tools of his trade at his side, Schultz expresses gratitude for my comments about his performance—or more accurately, his presence—in the film. But he is genuinely humble about the role he has played at the restaurant, and tries to deflect the spotlight somewhere else.

“I really shouldn’t be the focus,” he says. “That’s a little hard. So many people have been part of the process. So many people have played a role. It’s really a collective effort.” He points to Childs and Cooper, and then mentions the inimitable artist and graphic designer extraordinaire Beth Regardz, who Childs calls “the mother goddess co-founder” of the restaurant.

Schultz is not only the subject, but also the soul of Silver’s documentary, which touches upon the history of the fabled restaurant (which once contained 250 seats), from the International Calamari Festival to the Chickpea and Mushroom festivals that shaped and defined Santa Cruz culture during the 1980s and ’90s.

And while Schultz is clearly the star of Foodie for the People, the nomination for best actor in a supporting role in the film goes to Good Times’ own Christina Waters, a veteran food writer and truly a pioneer in chronicling the culinary scene in Santa Cruz (and, really, the West Coast) since the 1980s. Her commanding presence provides a critical meta-commentary to the film and places Schultz’s art and career in a broader context than simply the familiar sidewalks and streets of Santa Cruz.

“What’s special about Jozseph’s food is that you sense the living presence of the man in every single dish,” Waters elucidates. “The flavors are unbelievable—you have no idea what you’re eating and how it got that way.”

Waters, who has written about Schultz for a variety of publications over the years, succinctly sizes up her subject. “He believes in the people,” she declares, “and there are no pretensions about him. He would far rather cook in the dirt over a campfire than sit at a white tablecloth restaurant.”

It’s both a keen and illuminating observation that provides the basic cartography to Schultz’s career and a narrative arc to the film.

When I asked documentarian Silver one morning several weeks ago why he decided to make a film about Schultz and his culinary career in Santa Cruz, the answer spun on for literally two hours over coffee and pastries.

I should at this point, I suppose, issue an official disclaimer: Silver and I have been friends and colleagues and occasionally activists together for the better part of 40 years, and we have had a running conversation going on a variety of subjects—most often film and politics (and the San Francisco Warriors)—for the duration. We have also worked together—at UCSC, on each other’s films, and in various community venues—so that in terms of film production, cinematic construction, and visual aesthetics, we speak the same filmic vernacular. I am also a fan of his work.

Born in the Bronx, raised in Harlem and Queens and coming of age during the era of the Clifford Glover riots in South Jamaica (NY), Silver has forged an impressive documentary film career since he moved out west to complete his education, first in Sonoma County and then at UCSC in the late 1970s and early 1980s.

He’s made literally scores of documentaries since —the majority focusing on class conflict, environmental destruction and educational issues—several of which have received national recognition. His feature-length film, Watsonville On Strike, which chronicled the 18-month walkout by mostly Latinx cannery workers in South County during the mid-1980s, won a Silver Hugo award at the Chicago International Film Festival and was also featured at the New York Documentary Film Festival. His celebrated short Dirty Business, which revealed the horrific environmental and workplace impacts of the maquiladora system along the border of Mexico, was named Best Documentary Short at the U.S. Environmental Film Festival.

In a certain sense, Foodie for the People would seem a departure from Silver’s highly charged collected oeuvre. But as he explains his reasoning behind the production, it becomes clear that the film is as rooted in his leftist political worldview as any of his others.

Silver, a longtime resident of Watsonville, moved back to Santa Cruz roughly a half dozen years ago to live with his current partner, Christine Sippl, a director of public health programs in the county, and the two gradually discovered the culinary creativity of Joze, eventually becoming regulars.

“It’s got the best food in town,” Silver opined, “and it’s affordable. Healthy. Plus we loved the feel of the place. It’s colorful. Interesting. There are rotating art shows. At some point, Sasha redid the design and aesthetics of the place. You have hundreds of people passing through to attend the Dance Church at the 418 Project [located behind the restaurant]. The dynamics were very engaging.”

He also loved the fact that the clientele was multi-generational, from “old hippies” and Baby Boomers to Millenials and even members of so-called Generation Z, all of whom, Silver observed, “love the place” and “sort of claim it as their own.” He heard stories about people who have been coming to Joze for years—who had birthday and wedding and graduation celebrations there over the decades. He realized that much of the history of Santa Cruz from 1970 on had been woven into the place. “I mean, it’s an institution,” he noted with emphasis.

Then there was Schultz himself. Silver gradually learned his story—how he started cooking while a student at UCSC, dropped out and traveled the world in search of culinary expressions, in the Mediterranean, Asia, the Middle East, all the while gathering recipes and insights in the people and cultures he engaged.

But what sealed the deal for Silver, still an ardent critic of mainstream American politics, was the way that Schultz and the restaurant were committed to social justice movements throughout the community. “Look, they’re not corporate, they’re not mainstream,” he observed. “And Joe just doesn’t say no to political causes. He gives so much of himself and of the restaurant to so many organizations, including those that address homelessness.”

The idea for a documentary slowly gathered momentum. “Three years ago,” Silver says, “I thought, holy crap, it would all make for an interesting film.” He shared his idea with Sippl, and she agreed with his cinematic instincts. At first he thought about making a five-minute short and putting it on YouTube. But the more he filmed, the more he realized the breadth and depth of the India Joze story. The film expanded to 15 minutes, then to 20. The first rough cut I saw was a half-hour. Covid shut down the operations for several months, but it also gave the production space to breathe and maturate into a feature length work.

Silver also deftly incorporated music from two Santa Cruz musical treasures: Eli Mabanza, from the Congo, who leads the band Mokili Wa; and Santa Cruz native Kaethe Hostetter, who heads up Qwanqwa. Their cumulative soundtrack is absolutely delightful.

One aspect of Silver’s filmmaking that I have always appreciated is his ability as a cinematographer to capture and honor what Marxist theorists call the labor process—human beings at work, using their minds and hands and bodies—from line workers in Watsonville’s canneries to strawberry pickers in the fields of the Pájaro Valley.

In Foodie for the People, Silver captures Schultz’s remarkable artistry in the kitchen with pots and pans and knives all moving like an ornate dance performance while flames flare up around him. It all makes for some compelling documentary cinema.

It also provides a telling contrast to current trends in documenting the “foodie movement” by mainstream media.

Like many in recent years, I’d come to appreciate the various culinary explorations by Anthony Bourdain of cuisines and food culture around the world. Bourdain was both irreverent and witty in his various writings and television series—most notably No Reservations (the Travel Channel) and Parts Unknown (CNN)—up until the time he tragically took his life in 2018.

I enjoyed a large body of his work, but I also felt that some of his profiles felt like hit-and-run filmmaking—at times shallow and staged and the narrative forced—and as I watched a late rough-cut of Foodie for the People I thought about the differences between the two models of culinary documentation.

Silver spent three years on his work; Bourdain and his production team would often spend only a few hours, then leave for their next destination.

In Bourdain’s best-selling book Kitchen Confidential, he made the following observation: “Cooking is a craft, I like to think, and a good cook is a craftsman—not an artist. There’s nothing wrong with that: the great cathedrals of Europe were built by craftsmen—though not designed by them.” This coming from a man who left the world of restaurants for that of celebrity TV. He was always on the run.

As I sat outside India Joze the other day, Grant Wilson, another longtime local activist, came by and reminded me of his quote in the film about Schultz being an artist, like the Jackson Pollock of our community.

Wilson is right, of course. Schultz is both a craftsman and an artist. He both builds and designs his magnificent cuisine. Sometimes, Bourdain’s cynicism simply got the best of him.

Silver is an artist, too. He has produced a delightfully executed homage to a culinary genius—and an iconic institution—in our community. Foodie for the People is a timely and impactful work of art.

The world premiere of ‘Foodie for the People’ will be presented on Wednesday, Oct. 27, at 6pm at the Del Mar Theatre, 1124 Pacific Ave, Santa Cruz. Free/voluntary donation at the door. Reserve a ticket on eventbrite.com.

Bookshop Santa Cruz Presents Laura Davis’ ‘The Burning Light of Two Stars’ Virtually

When Laura Davis joined author Ellen Bass to write The Courage to Heal in 1988, she had no idea it would have the impact it did.

The self-help book focused on recovery from child sexual abuse, aiming to help survivors overcome their symptoms. Davis, a creative writing student of Bass at the time, drew upon her own experiences of childhood sexual abuse for the book. 

It ended up launching an international movement of incest survivor empowerment, and became a bestseller in North America and Europe. The two authors were thrown into the limelight, and things became even more complicated when the text was deemed controversial, with some readers and critics criticizing the book’s advice and approach to healing.

“It made me famous for the worst thing that ever happened to me,” Davis said. “It catapulted me into a position of being a role model for healing at a time when I was still deep into my own healing process. I was in this big public arena when I was still struggling internally, coming to terms with what had happened.”

Now, Davis is back with a new book: a memoir that she describes as both a sequel and a prequel to The Courage to Heal. It is her seventh book, and her first in 19 years.

The Burning Light of Two Stars: A Mother-Daughter Story follows Davis’ journey of reconciliation with her mother after decades of estrangement.

“It’s the story of our determination to love each other, and the dramatic, surprising collision course we ended up on at the very end of her life,” she said. “I really did think at one point in my life that I would never speak to my mother ever again. And yet I was the one at her deathbed. It was quite a journey.”

Davis says she has been working on the book for the past 10 years. It has not been easy, she says, to once again dive into the past—both for her, and some on her side of the family.

“When I wrote A Courage to Heal, I was disowned by my mother’s side of my family,” she recalls. “It was painful for me, as I’m sure it was for them. I had partially made peace by not bringing up the subjects that had caused the rift. I had healed enough that I didn’t need their validation. We held that stance for two decades. But writing this new book means bringing those things into the public again.”

Davis has lived in Santa Cruz County for 32 years, working as a news reporter, radio talk show host, blogger, columnist, featured speaker and teacher. All the while, she has continued to write and aimed to inspire others’ creativity.

“I’ve been in love with words my whole life,” she says. “I’ve used them as a way to understand myself, a way to find answers, seek the truth. To break silence, confront, grieve—to make important decisions. I love being part of the writers community here.”

Writing a memoir has been a completely new challenge, Davis says. Her first six books were nonfiction information texts. This time, she needed to tell an actual story.

“I had to learn about being a storyteller and what it takes to hold an audience in the palm of your hand,” she says. “I had to level up my craft in a new direction. It’s been terrifying and exciting, at this stage in my career, to have to learn a whole new set of skills.”

Davis said she hopes readers will connect with the story, especially those who are in similar situations.

“Millions of people are in the same position I was in,” she says. “Maybe not to the same extent … but where there’s a rift, an estrangement, a betrayal between someone and a parent. And yet then they’re in the position of deciding whether to step in, to take care of that person at the end of their life. It’s a really complicated, challenging situation.”

On Oct. 26, Davis will host a virtual event with Bookshop Santa Cruz, where she will do readings and hold a Q&A session. Guests can also pre order a copy of the memoir, which comes out Nov. 9. When released, it will be available in paperback, audiobook and ebook.

“I hope readers are gripped by the story, and find it a surprising page-turner,” Davis said. “I hope it makes them rethink their relationships … their own mothers, daughters, family members. Right now in our culture there are so many divisions between family members. We’re all looking for ways to heal this divide.”

To register for the Oct. 26 event, go to bookshopsantacruz.com. For information and to preview the first five chapters of “The Burning Light of Two Stars: A Mother-Daughter Story,” visit lauradavis.net.

Community Rallies Behind KPIG DJ Ralph Anybody After a Fallen Tree Destroys his Home

In January, KPIG personality Ralph Anybody (real name Jeff Juliano) was on air during a particularly heinous storm. He commented how terrible it was that trees were falling in residential areas.

At around 7:30am, his wife Ellen called and told him one of those trees had fallen on their house. The large oak had gone through the porch roof and split the living room walls. She smelled gas, so she grabbed the dogs, and left through the back door.

At that moment, there wasn’t a lot Juliano could do—he still had two hours left on the air.

“I was freaked out because now I want to go, but I couldn’t get anyone to come in and finish my shift,” he says.

He did manage to leave a little early. When he got home, the damage didn’t appear as bad as he expected. The bay windows weren’t even broken. However, once he got inside and gave it a closer inspection, he quickly saw that it was very bad. The tree broke the bedroom closet off the house, leaving behind a gap in the living room walls. And the doors didn’t close, because the entire structure had shifted.

“Walking around the back of the house, you can see that it was like four inches off where it should normally be sitting,” Juliano says. “I said, ‘That’s not good.’”

His insurance company came out and assessed the damages, but the payout has been slow, and other expenses have since accumulated, like rent and tree removal. To help out, local promoter John Sandidge of Snazzy Productions has organized a benefit for Juliano at the Kuumbwa on Oct. 23. As far as Sandidge is concerned, Juliano is a vital part of Santa Cruz County culture.

“He has been a mainstay for more than 25 years on the KPIG radio team. He helps lead one of the most influential commercial radio stations in the country,” Sandidge says. “Many people in this community wake up and spend the first part of their day with Ralph and his good humor and wonderful choices in music and comedy. He is there to help you start your day in a positive direction.”  

Juliano is one of the most recognizable personalities associated with KPIG. Throughout the past few decades, he has had nearly every shift one can have at the station. During the past 15 years, he’s been the early morning guy, signing on at 6am. He loves it, even though he is not a morning person.

“It’s like free therapy for me. You get to play all that great music and stuff,” Juliano says. “I was always a night person. I try to fool myself into believing it’s still nighttime because it’s dark out. Like, no, it’s four in the morning.”

The Kuumbwa benefit will feature several local artists like Michael Gaither, Carolyn Sills Combo, Patti Maxine, Anthony Arya, Mira and Anthony Goto, and more. And the show has a specific theme: covers of songs by artists who have passed away.

“You can’t go wrong with John Prine and Billy Joe Shaver and people like that,” Juliano says.

This isn’t the first benefit show Sandidge has put together. He’s helped out many other members of the community, like a show in 2015 to help raise funds for the Pajaro Valley Unified High School Scholarship Fund, and a more recent one to help local resident Fleet Montgomery pay for his mounting medical expenses.

“Snazzy Productions has been doing benefits for community members and community organizations for decades,” Sandidge says. “It’s part of our culture.”  

The benefit for Ralph Anybody will be held at 7:30pm on Saturday, Oct 23, at Kuumbwa, 320 Cedar St., Santa Cruz, $25/general. $40/gold circle. 831-479-9421.

Letter to the Editor: Why We Can Surf

I enjoyed your feature article about Capitola’s Women on Waves (“Surf’s Uplifting,” GT, 9/29) and felt proud to live in a place where women are taking the initiative, using their voices and creating an event that benefits women all over the world and at the same time fosters ocean conservation. I couldn’t help but think about one reason we could host such a surf competition here is because our beaches are not contaminated with oil like they are in Southern California. We can thank our predecessors for keeping oil rigs out of the beautiful Monterey Bay, but now it’s our turn to take action to prevent more dire consequences from our use of fossil fuels. Economists and scientists agree that we need to charge fossil fuel companies a fee on the oil and gas they take out of the ground to cover the damage those products do to our environment. Using that money to give a dividend back to people will help with the expense of the transition to cleaner sources of power. This carbon fee and dividend approach is finally getting traction in Congress, so this is the time to call and write our representatives, senators and the president to express our support and to encourage them to include this strategy in the reconciliation bill they’re creating right now.

Donna Ramos

Santa Cruz


This letter does not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc.


Letter to the Editor: Article Asks the Wrong Question

Jacob Pierce’s article “Embarrassing Development” (GT, 9/29) is a crass distortion of the issues, and falsely conflates opposition to indebting the City over $80 million for an unneeded parking garage to somehow not being serious about affordable housing. The City of Santa Cruz has committed insignificant funds to affordable housing to date, but wants to incur a debt of $80 million to build a multi-level parking structure that can only accommodate 100 housing units on top (but hasn’t actually secured a commitment from anyone to build those units). Every two parking spaces (including associated ramp space) is one less residential unit, and yet none of the advocates for building this giant structure have advocated for reducing the number of parking spaces. According to multiple consultants, we have a surplus of parking downtown. Wouldn’t it make more sense to incur some debt to construct more affordable housing, instead of more parking spaces? And why just downtown Santa Cruz? What about the rest of the city? Why don’t we have a city-supported housing trust in Santa Cruz like other cities around the country? Why don’t we make it simpler to divide single-family homes into duplexes or triplexes? Why don’t we convert our widest boulevards into standard width with an extra row of small homes? Why do we keep on committing precious land area to more roads and parking lots? Stopping the “Taj Garage” will not harm affordable housing prospects in Santa Cruz—it will actually allow us to direct funds where we will get more bang for the buck. This article just adds to confusion, and contributes nothing to a better vision for our city.

Len Beyea

Santa Cruz


This letter does not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc.


Opinion: A Quick Primer on Restaurant Week

EDITOR’S NOTE

Despite a few touch-and-go moments of, “Is Santa Cruz Restaurant Week even going to happen?” last year, it turned out to be quite a success, and a boost for our dining scene when it needed it most. As a result, SCRW is back bigger and better this week for its 13th year.

For the uninitiated, here’s how it works: from Oct. 20-27, GT brings you a fabulous slate of local restaurants that will offer special three-course menus all week for $25, $35 or $45. The pullout section in the center of this issue is your guide to all the participating restaurants and what they’ll be offering. You can also check out the story inside by Andrew Steingrube, who got all of the chefs, owners and staff talking about the state of the dining scene and what they’re most excited about for Restaurant Week. You can also go to santacruzrestaurantweek.com for more information and giveaways.

Also in this issue is the SCRW-adjacent story by Geoffrey Dunn about the new documentary Foodie for the People. As a huge fan of the film’s subject, Jozseph Schultz, I’m thrilled that his groundbreaking work is getting the attention it deserves. And I love the line Dunn includes from our own food writer Christina Waters, who is interviewed in the documentary, about Schultz: “He would far rather cook in the dirt over a campfire than sit at a white tablecloth restaurant.” It reminds me of when I asked Schultz to cater my wedding several years ago, and he came out to look at the Happy Valley meadow where it was going to be held in a bomber jacket and scarf, looking like some kind of iconic World War I flying ace as he surveyed the property. On the day of the ceremony, he brought his own one-man cooking setup and wowed everyone by whipping out his amazing creations right there in the field—proving Waters’ point. A lot of longtime locals have their own Schultz memories, and I’m certain more will be made when the film shows at the Del Mar on Oct. 27 and Nov. 3.

Lastly, just a reminder that the Pivot fashion show comes to the Tannery on Saturday, Oct. 23. See you there!

STEVE PALOPOLI | EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

BREAKING THE SILENCE

October is Domestic Violence Awareness Month, and the city of Santa Cruz is launching a Healing Campaign to reduce the stigma around domestic violence. According to Monarch Services, an organization providing services to abuse survivors, need for its services doubled in the past year. The Healing Campaign will uplift stories of survivors to remind them they aren’t alone, and provide a space to share their story. For more information, email ja***************@gm***.com. If you need support, call the crisis hotline at 888-900-4232


GOOD WORK

MURAL IMPERATIVE

Huge congrats to Guillermo “Yermo” Aranda, who was named Artist of the Year for Santa Cruz County. Aranda is a multimedia artist who has worked on projects around the county. He also supports the next generation of artists in the community through mural projects with students. Throughout his career, he has uplifted Chicano artists and Indigenous art forms by co-founding organizations that bring together Latinx artists like Toltecas en Aztlan and El Centro Cultural de La Raza. Learn more at https://www.scparks.com.


QUOTE OF THE WEEK

“The sign of a civilized society is a regular dining schedule.”

-Philippa Ballantine

Local Agencies’ Conservation Efforts Hope to Help Coho Salmon Populations Rebound

Coho babies hadn’t been spotted in the Laguna Creek lagoon since 2005, but biologists have recorded 2-year-old coho there, this year

Do Americans Really Need Boosters? CDC Panel Is Wrestling With the Data

covid-vaccine
Scientific advisers to the Centers for Disease Control and Prevention home in on vaccine efficacy, advantages of mixing different vaccine types and more

County Moves to Oppose All Sexual Predator Placements

Convicted violent sexual predator Michael Cheek’s placement hearing inspires Santa Cruz County to seek changes to California law

Things To Do in Santa Cruz: Oct. 20-26

Live Oak Glass Pumpkin Patch, Santa Cruz County Artist of the Year Yermo Aranda Performs, Tour a Historic Dairy Ranch and more

New Doc ‘Foodie for the People’ Showcases Local Culinary Innovator Jozseph Schultz

foodie-for-the-people
Filmmaker Jon Silver’s feature-length documentary will have its world premiere at the Del Mar

Bookshop Santa Cruz Presents Laura Davis’ ‘The Burning Light of Two Stars’ Virtually

laura-davis
The Santa Cruz author’s new memoir focuses on reconciling with her mother

Community Rallies Behind KPIG DJ Ralph Anybody After a Fallen Tree Destroys his Home

The Kuumbwa benefit will feature Michael Gaither, Carolyn Sills Combo and many more

Letter to the Editor: Why We Can Surf

A letter to the editor of Good Times

Letter to the Editor: Article Asks the Wrong Question

A letter to the editor of Good Times

Opinion: A Quick Primer on Restaurant Week

How to get the most out of the annual Santa Cruz dining event
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