California’s New Benefits for Undocumented Immigrants Not Enough

Paula Cortez Medrano has worked in the agriculture industry since she arrived in the U.S. over 25 years ago.

She has labored in the heat of Fresno summers, picking onions, tomatoes, grapes, and garlic and in the freezing temperatures of local produce packing houses, where she would wear two layers of pants to stay warm while assembling frozen fruits and vegetables to be sold in grocery stores across the country.

She contracted COVID-19 during the pandemic and was sent home from work with only two weeks of paid sick leave. It took her 40 days to recover, but when she returned to her packing house job, she was turned away.

“They told me that they had no more work for me, that it was really slow,” she said in Spanish in an interview with The Bee.

The 66 year-old said she thinks she was turned away because of her age; they never called her back to work. Today, she sells tamales as a street vendor in central Fresno, earning an average of $80 a day, much less than the $15 per hour she earned in the packing house.

Because of workers like Cortez Medrano, California Democratic lawmakers want to extend unemployment benefits to undocumented workers, a proposal backed by a new report by the UC Merced Community and Labor Center which makes the case for why the California economy, workforce, and families would benefit.

Introduced last month by Assemblyman Eduardo Garcia, a Democrat from Coachella, and currently under review in the legislature, AB 2847 would create the Excluded Workers Pilot Program, a two-year program that would provide funds to undocumented workers who lose their job or have their hours reduced during the calendar year 2023. The proposal, estimated at $597 million, plus administrative costs, would allow qualifying, unemployed individuals to receive up to $300 a week for 20 weeks.

The report, released Thursday, argues that undocumented workers play a key role in California’s economy, contributing an estimated $3.7 billion in annual state and local tax revenues. Additionally, these workers hold one in 16 jobs in the state, many of whom were deemed “essential workers” during the COVID-19 pandemic because of the risks they took working in the agriculture fields, meatpacking houses, and other key industries.

An estimated 2 million undocumented individuals live in California with about 1.1 million of that population participating in the workforce.

Of the 1.6 million workers in the central San Joaquin Valley, an estimated 7% are undocumented, the report states.

Nearly 38% of noncitizen workers, and more than 61% of children living with noncitizen workers, live in households earning less than a living wage and face chronic and severe housing and food insecurity, the report states. “Unfortunately, such workers face high rates of extreme hardship and do not have access to unemployment benefits.”

The report concludes that the challenges facing undocumented workers are only likely to increase as a result of a number of environmental challenges like wildfires, earthquakes, extreme heat, and drought, piled on top of the ongoing public health crisis the state is already grappling with.

Cortez Medrano said access to unemployment benefits from a pilot program would be “la gloria,” or glory, and that she would use such funds to pay rent, bills, and buy food during her time without stable work.

“I need the help – urgently,” she said in Spanish. “It’s high time.”

Beyond access to unemployment, Cortez Medrano said what she really wants is a work permit to make her job search easier. “I can still work,” she said.

High risk, few safeguards for undocumented workforce

UC Merced researchers found a relationship between in-person work, unemployment benefits usage, and the undocumented workforce.

Workers in the industries with the highest COVID-related deaths also reported the lowest rates of unemployment insurance use.

Immigrants made up nearly 60% of coronavirus-related deaths in California’s industries with the highest rate of pandemic-related deaths. Immigrants were the majority of deaths in agriculture at 83%, landscaping, 81%, food processing, 69%, restaurants and food services, 53%, and building services deaths, 52%.

Undocumented workers in these industries were especially vulnerable because they had no source of wage replacement in the event of job loss. They are excluded from collecting benefits, even though they contribute to the unemployment insurance system.

“Lacking a safety net benefit system, many undocumented workers often felt as if they had no choice but to continue working — facing unlawful working conditions that caused serious risks to their own and others’ health — in order to meet their financial commitments,” researchers said the report.

Access to unemployment benefits could have prevented some of these deaths. “When workers don’t have access to unemployment benefits, they’re more vulnerable,” said Edward Flores, professor of Sociology and researcher at the UC Merced Community and Labor Center.

On the flip side, researchers found that workers in industries that have low rates of in-person work and higher rates of unemployment use didn’t see such high increases in pandemic-related death.

Researchers concluded that “economic aid is an important tool that safeguards the health and wellbeing of workers and their families during a public health crisis.”

California offered some support during the pandemic. Undocumented workers were eligible to receive up to $1,700 in state funds: a $500 COVID-19 Disaster Relief pre-paid card and $1,200 from the Golden State Stimulus Fund.

Still, the report calculated these benefits were 20 times less than the $36,000 in economic aid that California citizen workers received from a mix of unemployment insurance, federal pandemic unemployment compensation, and federal stimulus aid during the first year of the pandemic.

Meanwhile employers in these industries reported record profits during the pandemic. In 2021, Fresno County saw record-breaking production, while meat processing company profits soared during the pandemic.

“Low earnings and a lack of a safety net, however, pose an ongoing threat to the economic stability and wellbeing of workers who created such wealth,” said the report.

Part of the solution, according to the UC Merced researchers, is for the state to address this “policy gap” by taking advantage of the budget surplus and lessons learned from the pandemic.

“It took the Great Depression to create the New Deal and a lot of the worker protections that exist today, like unemployment (insurance) or Social Security,” said Flores of UC Merced.

“Our state is at a similar historical juncture where we experienced a once-in-a-lifetime crisis, but then have an abundance of wealth to think about how to manage,” he said. 

California saw a $38 billion state budget surplus in 2021 and a $31 billion surplus in 2022.

“This is an opportunity now for policymakers to close on the policy gaps not just for now, but also for any subsequent public emergencies that happen in the future,” Flores said.

California has extended state benefits to undocumented immigrants. In 2020, the state allowed qualifying low-income undocumented immigrants to qualify for the California Earned Income Tax Credit, a state tax credit worth hundreds of dollars. Last year the state made the historic move of offering public health care to undocumented Californians 50 years and older.

But not everyone agrees with the idea of extending benefits to the undocumented.

During the initial months of the pandemic, when California announced the $125 million emergency relief fund that provided assistance to undocumented workers, The Center for American Liberty and Dhillon Law Group filed a lawsuit to try to block the aid package Newsom had already approved.

Eulalio Gomez, a spokesperson for the Fresno County Republican Party, said the proposed program is a reflection of how Sacramento is “disconnected” from middle-class California residents.

Gomez said undocumented people do “work hard,” but he thinks providing them with unemployment benefits could attract more unauthorized immigration and hurt California’s citizen workforce.

“I think there could be negative impacts on unions and union members if you continue incentivizing people to come here,” he said.

But the UC Merced researchers say there isn’t any evidence this would happen.

“It hasn’t happened when we expanded health coverage; it hasn’t happened when we removed exclusions to the CalEITC (Earned Income Tax Credit),” said Ana Padilla, executive director of the UC Merced Community and Labor Center. “There is no reason to believe it would happen in this case.”

In addition, Padilla said, many recent migrants have been moving away from California in recent decades due to the high cost of living, which is causing the state’s workforce to shrink.

‘There’s no water, there are no jobs,’ say some Valley farmworkers

An estimated 852,065 immigrants in California lost their jobs when the pandemic first hit in the spring of 2020, including 357,867 undocumented workers, according to a separate June 2020 policy report from the UC Merced Community and Labor Center.

The state’s frontline workers are facing additional threats posed by climate change phenomena, which will impact the number of jobs available to such workers, resulting in displacement and income loss, said the report.

Already an estimated 8,745 full and part-time jobs were lost last year due to the drought in the Central Valley, the Russian River Basin, and Northern Intermountain Valleys regions.

The undocumented workforce has been in decline over the past decade, according to Flores of UC Merced, and the number of people retiring is growing — developments that are causing “seismic” demographic changes in the state’s workforce.

“We need to have a workforce that’s supported by the state that can continue to (afford to) live in the state,” he said. “Otherwise, the state’s workforce is going to continue to shrink and the economy is going to have trouble growing.”

Carlos Morales left his home in Coquimatlán, Colima, a small coastal state in Mexico, to work in California’s Central Valley over 15 years ago.

The 40-year-old has worked in Fresno County’s agriculture fields, harvesting crops like peaches, nectarines, plums, and more. Now he worries about future job prospects for himself and his fellow undocumented workers. “There are many fields where the farmers have stopped growing,” Morales said in Spanish in an interview with The Bee.

Word is starting to spread among certain parts of the county workforce that “no hay agua, no hay trabajo,” said Morales. “There’s no water; there are no jobs.”

If the proposed Excluded Workers Pilot Program is approved, California would join states such as New York and Colorado that have recently launched similar initiatives. New York’s Excluded Worker’s Fund has distributed $2 billion dollars to over 128,000 undocumented New Yorkers, while Colorado’s Left Behind Workers Fund distributed millions of dollars to thousands of undocumented workers.

As for Morales, he said he wants state and federal leaders to know that undocumented workers have labored constantly during the pandemic, and should be helped in return.

“Supposedly we were essential workers,” Morales said. “We’re making this country strong.”

“Volteen a vernos un poquito más,” he said. “Turn around to see us a little bit more.”

Melissa Montalvo is a reporter with The Fresno Bee and a Report for America corps member. This article is part of The California Divide, a collaboration among newsrooms examining income inequity and economic survival in California.

As Gas Prices Went Up, So Did the Hunt for Electric Vehicles

Thinking about buying an electric car? You’re not alone.

With gas prices painfully high and a series of climate reports underscoring the urgency of moving away from burning fossil fuels, more Americans are expressing interest in electric vehicles.

Google searches related to electric cars have skyrocketed, reaching a record number last month. On automotive classifieds website Cars.com, searches for electric vehicles increased 43% from January to February and an additional 57% from February to March. And automakers are ready with encouragement: Almost all of the car commercials during the Super Bowl in February featured electric vehicles.

But the journey to actual purchases that put more electric vehicles and fewer gas-powered vehicles on roads in the United States has two major roadblocks: the supply of cars and infrastructure to charge them.

With the United States, like most countries, struggling to find the political will to make the drastic changes needed to limit climate change, there is no question that more people switching to electric vehicles would be a positive step.

Even before gas prices started rising, electric-vehicle supply was strained by a number of factors. That includes the supply-chain problems, particularly shortages of items such as semiconductors, that have hampered the auto industry as a whole. The war in Ukraine has further disrupted production, and long waitlists for electric vehicles are common.

Shortages are not universal, of course, but the places where demand is increasing are not necessarily the same places where supply is keeping up. In states such as Arizona and Georgia, demand is significantly higher than supply on Cars.com right now, according to the website’s editor-in-chief, Jenni Newman. California has both the highest demand and the highest supply.

Although gas prices “should further raise interest in EVs, hybrids and overall fuel efficiency because the economics become even better than they had been (which was already good), consumers may not be able to get what they want and need,” David Friedman, vice president of advocacy at Consumer Reports and former acting administrator of the National Highway Traffic Safety Administration, said in an email.

This “reinforces the need for strong standards, because the better choices need to be available before the price spikes, not in response to them,” Friedman said, referring to policies such as fuel emission standards that create an incentive for automakers to invest in electric vehicles.

Once people start driving electric vehicles, the second obstacle becomes clear: the limits of public charging infrastructure. More cars will need more places to charge, preferably in places close to electric vehicle owners.

So far, most of the people buying electric vehicles have been people with the capacity to charge them at home — homeowners with a garage, for instance. That’s an excellent option for many Americans, experts say, but it’s not feasible for everybody. And even some people who can charge at home express concern about what the relative scarcity of charging stations would mean for their ability to travel long distances if they were to switch to an electric car.

“Right now, the people that buy electric vehicles, almost all of them have their own home and a place to charge it,” said Daniel Sperling, a professor of engineering and environmental policy at the University of California, Davis, and founding director of the university’s Institute of Transportation Studies. These buyers tend to be affluent and often own multiple cars, meaning they may use an electric vehicle for everyday commuting but also have a gas-powered vehicle for longer trips.

For people who don’t have multiple cars and live in apartment buildings in densely populated cities where even regular parking is hard to come by, charging an electric vehicle is not as easy as plugging it into a garage outlet, and its range between charges becomes a more pressing question.

This hurdle is not necessarily immediate. “In the short term, the infrastructure can meet a ramp-up in demand, absolutely,” said Luke Tonachel, director of clean vehicles and fuels at the Natural Resources Defense Council.

In the longer term, though, the International Council on Clean Transportation found last year that the United States would need to increase the number of public chargers by an average of 25% to 30% annually through 2030 “to prevent charging infrastructure from being a hurdle to the electric vehicle market,” said Dale Hall, a senior researcher at the council.

Some of this is already happening, Tonachel said. Utility companies have invested more than $3 billion in charging infrastructure, he said, and pending applications, if approved, would add billions more. The bipartisan infrastructure bill that Congress passed last year included another $7.5 billion for charging stations, and, more broadly, the Biden administration is spending tens of billions of dollars to promote electric vehicles.

But geographical disparities remain in where those chargers are installed. And a basic problem remains: profit.

“It’s very difficult, if not impossible, to make a profit selling electrons to vehicles,” Sperling said, noting that for now, most public chargers are subsidized in some way, either by government funding — federal, state or local — or by employers who treat it as a perk. But “in the future, we’ll probably need one public charger for every 10 vehicles,” Sperling said. “And it’s very unclear how this is going to happen.”

This article originally appeared in The New York Times.

Local Detailer Donates Talents, Rehabs Scotts Valley Fire Trucks

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Samantha Sweeden was in an ambulance caring for a patient with a breathing emergency in 2015, when the vehicle hit a rough patch and she was flung across its interior. Ultimately her injuries forced her to retire from CalFire in 2020, and she still has trouble lifting heavy objects.

She’s since been running Bella Vita Mobile Detailing, out of Scotts Valley, and most recently did a six-month stint as administrative chief of Branciforte Fire Protection District—preparing it for a possible merger with Scotts Valley’s fire service.

But in the wake of recent wildfires, she’s been looking to do more to give back.

She decided to organize a crew to head to El Dorado County—the place she got her start as a firefighter—to rehabilitate two engines worse for wear after last summer’s Caldor Fire. A crew from Santa Cruz County also helped beat back that fire, which scorched 222,000 acres and injured five people.

Sweeden explains how a new outer layer can do wonders for fire truck longevity.

“What happens is when you put the ceramic coating on it’s basically a protection barrier around the whole vehicle,” she said April 1, the day before the sprucing-up was to begin. “We’re all doing it for free.”

Over the years, Sweeden’s seen how the retardant drops from firefighting aircraft can stain engines. She’s seen how long it can take to scrub it off in the aftermath of a wildland battle. Plus, the trucks are constantly getting scratched up by branches and other vegetation, she added, explaining why she rounded up detailers from Hawaii, Oregon, Idaho and the Sacramento Valley for the pro bono task.

To get the job done right she estimated she’d have to invest about $6,000 of her own money for supplies alone.

But she reached out to Bob and Dave Phillips of P&S Detail Products to see if they’d be willing to chip in.

“All of a sudden Bob calls me up and says, ‘I’m going to give you everything to do the job; we want to help you give back,’” she recalled. “They’ve pretty much given all the products to do the coating.”

Rancho Dominguez-based Buff and Shine donated the pads that are key to finishing the job, she says.

“It comes out like a glass finish,” she says, adding a wrong move at this step can spell disaster for the vehicle’s body. “You can burn right through it.”

It was the day before the big volunteer project. Sweeden had just returned from the Sacramento airport to pick up Kelly Mankin, the owner of Ake Ake Professional Detailing.

Sweeden was pretty thrilled to have Mankin along for the initiative, given her role as part of the elite Detail Mafia organization and the fact she helps buff out the Air Force One plane located at the Museum of Flight’s Aviation Pavilion in Tukwila, Washington.

Sweeden hopes one day to have the opportunity to follow in Mankin’s footsteps as a detailer of the retired presidential plane.

In the end eight people participated in the regional “Detail Mafia” mission organized by Sweeden.

After three shoulder surgeries, Sweeden had to leave firefighting. And she especially misses the opportunities to contribute to the well-being of the area, she says.

“It sucks because then you’re in the regular world,” she says, looking back on how meaningful it felt to participate in the charity events. “You get to do spaghetti feeds and crab feeds to give back to the community.”

Sweeden says she’s working with the Scotts Valley Chamber of Commerce, to organize a charity car show for next year.

But the Caldor Fire hit close to home—literally. The house her dad built (which she now owns) is located in Pollock Pines, less than a quarter-mile from the wildfire’s perimeter.

“It’s just like Felton area,” she says. “There’s a lot of trees.”

On Saturday, the group headed out to Station 28 in Shingle Springs and got to work on Engine 328, a 12-year-old wildland truck.

“It’s the engine they take on strike teams,” she reported Monday morning. “It seems like it’s always gone in the summer, they said. It was in serious need of help; the paint in some areas was failing … We got to it just in time.”

Sunday the detailing collective were about 40 minutes up the road, in Pollock Pines, improving Eldorado County’s Engine 17 at Station 17.

“We had fun,” she says. “The guys at the station—especially Station 28—were appreciative and interested in learning how to protect and continue maintaining what we did.”

For Sweeden, this was the best part of the whole experience.

“When people are that invested in wanting to know how to maintain what we are spending so much time repairing, it makes all the hard work and time well worth it,” she says.

Next year, she says she’s hoping to do a similar project in Santa Cruz County.

New Watsonville Art Studio Shows First Major Exhibit

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Gina Arnold knew for years that her father was an amateur artist. He would say that he went out to paint every weekend, and he had an office full of paints. He even sent out hand-painted Christmas cards every year.

But Arnold had no idea of the extent of her father’s hobby.

“We never saw him in the act of painting,” she says. “He always went somewhere else. So it was never on our minds.”

Gina’s father, Christopher Arnold, died from Covid-19 in January 2021. As they sorted through his La Selva Beach home, Gina and her sister discovered hundreds of watercolor paintings—many depicting scenes of the coastline and the Pajaro Valley.

“We thought they were nice,” Arnold says, “but it wasn’t until I posted them on Facebook that people were like, ‘Woah! These are really, really good.’ We knew we had something special.”

Those paintings will soon be on display at Studio Judy G in downtown Watsonville, as part of the studio’s first major exhibition since opening last year. 

“Welcome Aboard: Artwork showcasing the rich history and beautiful landscape of the Pajaro Valley” opens Sunday. Other featured work will include paintings by studio owner Judy Gittelsohn, photography by Pajaronian photographer Tarmo Hannula, and historical images from the Pajaro Valley Historical Association (PVHA) and Graniterock.

Gina added that Pajaronian and Good Times owner Dan Pulcrano, who she had worked for in the past, urged her to contact Gittelsohn about showing her father’s art at the studio. From there, “Welcome Aboard” came together slowly.

The show is the first multi-artist exhibit at Studio Judy G. Gittelsohn says she wanted her own work to not only showcase the history and beauty of the Pajaro Valley, but also explore its possible future. A staunch rail advocate, Gittelsohn has featured one of her paintings depicting the historic train depot at the junction of West Beach and Walker streets.

“My goal is to help put a train in the area … I think it would be a great asset for us to have electric rail,” she says. “I want us to look close at the history of the trail depot: The rail has been a force for good throughout the town’s history.”

Arnold says that in the lead-up to the show, she and her sister have been driving around Watsonville looking for the scenes from her father’s paintings. They’ve scoped out areas near the airport, as he had a passion for airplanes, but have yet to find an exact match. They guess that he painted the scenes from his car.

“I’m really hoping that people will come to the exhibit and go, ‘Ah, I know where that is!’” she says. “We’d love to solve some of these mysteries.”

Gittelsohn praised all of the contributors, citing PVHA and Graniterock as major assets to its success. She says the addition of Hannula’s photography was another highlight.

“He’s really an artist, he’s really a poet … his photos really define this beautiful valley and its people,” she says.

Since opening the studio, Gittelsohn has been holding a number of regular workshops and classes, including painting classes for people with disabilities through Hope Services. She hopes to hold more events, exhibits and lead more projects from the space in the future.

Arnold says she and her family are “extremely grateful” for the opportunity to show her father’s work at the show.

“It’s been such a pleasure and a worthwhile endeavor for us,” Gina says. “I cannot describe how much it means to us to be part of this. It’s a very cohesive exhibition about the area, and I know my dad would’ve loved it.”

Welcome Aboard opens Sunday, with an opening reception at the studio, 430 Main St., from 12-5pm. The exhibit will run until June 15. Select artworks and photographs will be for sale.

Youth Music Benefit to Feature Renowned Conductor

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Marin Alsop grew up dreaming of being a conductor. From a young age, she aspired to lead a group of talented classical musicians, performing for audiences and spreading her love of music—despite the fact there were very few women in such a position.

Alsop is now an internationally renowned conductor who has led symphonies in the U.S., Europe and South America, and is also the subject of a new film telling her story.

“The Conductor” is a documentary directed by Austrian-born filmmaker Bernadette Wegenstein. It takes audiences through Maestra Alsop’s musical journey, combining intimate interviews, a look into her private life, scenes of her concerts and unseen archival footage with her mentor, Leonard Bernstein.

A special screening of the film, as well as a Q&A session with Alsop and Pulitzer Prize-winning journalist Martha Mendoza, will be held at Cabrillo College on April 14. An Evening with Marin Alsop will benefit El Sistema Santa Cruz/Pajaro Valley, a nonprofit aiming to bring music education and performance to local students.

“I think it’s really a film about vision and perseverance,” Alsop says. “Trying to be the crafter of one’s own destiny. When there are doors closed … there are often other ways in, other ways to reinvent yourself. I hope that’s the message people get.”

Often facing rejections and criticism from the classical music establishment, Alsop forged ahead, never letting go over her childhood dream. She came to Santa Cruz County to serve as music director for the Cabrillo Festival of Contemporary Music between 1992 and 2016, also conducting in Colorado, Oregon and Missouri.

Alsop became the first woman to lead a major professional orchestra in the U.S. when she took over as Chief Conductor of the Baltimore Symphony Orchestra in 2007, and she founded OrchKids, an education program that currently has 1,300 kids enrolled. From 2012 to 2020, she led the São Paulo Symphony Orchestra, where she is now Conductor of Honor. In 2019 she was appointed Chief Conductor of the Vienna Radio Symphony Orchestra. 

“The Conductor” has been chosen for a number of international film festivals and received multiple positive reviews, with Alsop and filmmakers being interviewed by NPR, CNN and NBC.

“It feels very rewarding and validating to have such a positive response to my story,” Alsop says. “There have been so many different reactions and responses. I’m really happy with it.”

Alsop said she was excited for the upcoming event, which will allow her to reconnect with family and friends in the area. It was one such friend, Barbara Lawrence, who initially asked her to arrange the fundraiser. 

She immediately put Lawrence in touch with New York’s Cargo Film & Releasing, asking if they could show the film while raising money for El Sistema.

“I told them, Santa Cruz is a very special place for me,” Alsop says, “and ‘I’d like to do this for the community.’ I hope a lot of people will come out to support the program.”

An Evening with Marin Alsop will be held Thursday, April 14, 6:30pm. Cabrillo College’s Crocker Theater, 6500 Lower Perimeter Road, Aptos. bit.ly/3xerFnY. For information about ‘The Conductor,’ visit theconductordoc.com.

Watsonville Boutique Rings in ‘Quinceañera’ with Return of Fashion Show Fundraiser

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In 2007 local fashion designer Sindy Hernandez opened Queen’s Shoes & More, a small boutique featuring a mix of her own and other designers’ clothing and accessories. 

Hernandez gradually gained a loyal following of customers. And 15 years later, many of them remain, some becoming close friends and even models for her annual fashion shows.

“I’ve met some amazing people on this journey,” Hernandez says. “It’s a big family now.”

Longtime customer Eva Zepeda agrees.

“I started as her customer back at the old store, and now we’re really good friends,” Zepeda says. “I’m really happy for her.”

With the anniversary also comes the return of Fashion Cares, Hernandez’s annual fundraising fashion show benefiting local organizations. The show will be held on April 30 for the first time since 2019, along with the Shopping for a Cause event on April 29 and 30. On those days, 10% of sales at the shop will support Monarch Services, a nonprofit offering crisis response to survivors of domestic violence, sexual assault and human trafficking.

It has not always been an easy ride for Queen’s. In 2017, the shop and a number of other small businesses were booted out of the Crossroads Shopping Center on Main Street for new Kaiser Permanente offices. Then, the shop was hit by Covid-19 lockdowns in 2020.

“Thinking back, it’s a little bittersweet, with all we’ve been through,” Hernandez says. “The eviction … and the pandemic. I’ve been uncertain at times if we would have to close. But the community came together and that support saved us. We are so grateful.”

The pandemic hit more than just Hernandez’s business. The fashion show was canceled in both 2020 and 2021, and Hernandez says she struggled with having Covid two separate times.

“I was feeling so drained, that I had nothing else to give,” she says. “I felt like I lost myself, my passion… everything was gone. I don’t ever want to feel like that again. A lot of women, especially those who are moms, tend to put everyone else before us. We think we need to ‘do it all.’ But I don’t want to overwork myself anymore. I went through a big transition during this pandemic.”

Zepeda says she was “very proud” of Hernandez for bringing the event back.

“The show before Covid might have been her last,” Zepeda says. “For her to bring it back is a pretty big deal.”

Hernandez says that Monarch Services is a cause she truly supports. 

“I have friends and family who are victims,” she says. “I think we all know somebody who is a victim of domestic violence. It’s very important to address, especially during Covid.”

Another aspect of the fundraiser is to raise awareness of the services available to the community, she says.

“There’s a lot of people who don’t know there are places like Monarch that can help them,” she says. “A friend of mine went through something like this … I asked her if she knew about the organization. She didn’t. It’s crazy, there are so many we have here that people just aren’t aware of.”

A new collection from Hernandez’s own clothing line, called Sindy, will be shown at Fashion Cares. It is her first new collection since before the pandemic, and will include revived styles from past collections and items she designed years ago but never put out. 

“I think that’s one of the most rewarding things for me,” she says. “Queen’s is one thing, but with the Sindy collection, it’s like my baby. When I see people walking by in my garments, that I put together … It’s just a different feeling. It’s personal.”

Finding her place as a designer has been challenging at times, she admitted.

“For a long time, I was thinking, ‘Am I really a designer?’ Because I’m not creating these crazy, avant-garde pieces,” she says. “But no, that’s what I like about my collection—it’s about simplicity, elegance … I have customers who tell me time after time, ‘I’m still wearing that dress I bought from when you first opened!’”

For the first time ever, Fashion Cares will also include a Queen’s Collection, featuring work by other designers whose work is carried in the store. There will be live music, and a food truck owned by a former Queen’s sales rep. A gift basket full of donated items from local, women-owned businesses will be raffled off.

“It’s going to be a big party,” Hernandez says. “It’s our 15th—our quinceañera!”

Hernandez says she is grateful for everyone who has helped her succeed—whether it’s by shopping, posting about Queen’s online, or volunteering to model or be a makeup artist. She also praised her “sewing ladies, Tere and Laura … because without them, putting this together wouldn’t be possible.”

Queen’s Shoes & More is located at 734 East Lake Ave., Ste. 10. The event will be held at the shop on Saturday, April 30, 5pm. queensshoes.net.

Performing Arts Studio Approved for Downtown Watsonville

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In 2020, Arts Council Santa Cruz County formed the Watsonville Stewardship Committee for the Arts to bring resources, build spaces and improve access to the arts for South County residents.

That group of artists, teachers, political leaders and city of Watsonville staff spearheaded the creation of a report that laid out several recommendations of how they would accomplish those goals.

At the top of the to-do list: Establishing an art and culture center for South County residents.

Arts Council Santa Cruz County took a big step toward that goal on Tuesday.

The Watsonville Planning Commission approved a plan from the countywide nonprofit to establish a performing arts center at 375 Main St., a location in the heart of the city across from the City Plaza.

In an interview before the meeting, Arts Council Deputy Director Mireya Gomez-Contreras said the organization hopes to turn the two-story, 3,400-square-foot building that previously housed a yoga studio into a rehearsal space for local dance and music groups.

The organization’s Mariposa Arts program, which exposes local students to different art mediums through mentorships, will operate out of the upstairs office space.

Gomez-Contreras says the space is a perfect fit because of its hardwood floors, which are essential for Folklorico groups that have struggled to find local, affordable spaces to practice.

“We think this is a good project because it’s in line with the last several years of work we’ve been doing, specifically around equity and diversity,” Gomez-Contreras said.

Commissioner Daniel Dodge, Sr. said that he “felt good vibes” about the proposal and added that he thought the decline of Western civilization happened when arts education was removed from public schools.

“I think this is more than valid and needed in our community,” he said. “This is causing a beacon of light to radiate from our downtown corridor … when we talk about the arts and reaching our children and our youth, we’re talking about positive changes for generations of our residents in our community.”

The commission approved the project 5-0—one commissioner was absent and the board also has a vacancy.

Arts Council Santa Cruz County has a five-year lease in place and a three-year business plan that includes a half-dozen local dance groups that will be “activating the space.”

“Primarily, it will be a rehearsal space, but our business plan also includes the possibility of growing beyond the performing arts,” Gomez-Contreras said. “This dance hall will eventually become more dynamic. We want to partner with other artists that are not necessarily performing arts and other organizations that are not necessarily arts and culture organizations to be able to respond to the demand for space.”

They hope to rent out the space for events and board meetings when dance groups are not using it. 

“The most exciting part of this from an organization perspective is we really see these organizations as partners,” Gomez-Contreras said. “We have full buy-in. We want to meet them where they are … We want to scale up over time and, eventually, these arts organizations are going to have a really strong say and leadership in managing this space including financial responsibility.”

Gomez-Contreras stressed that this project is in no way affiliated with the push from Pajaro Valley Arts to purchase and renovate the historic Porter Building just down the street. 

“It’s wonderful to be a part of this ecosystem,” she said. “The work we’re all doing is similar and synergistic, but we all have our own take and style and approach.”

The building is owned by the Petroutsas family. Anna Petroutsas spoke in favor of the project during public comment, saying that the program would help with the “growth and awareness of our youth in this community.”

“I think it’s just a perfect fit,” she said.

Scotts Valley High Star Football Player Killed in Crash

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In the last two years, the Scotts Valley High School varsity football team only lost one game.

But on March 30, a key component of that incredible success—offensive lineman Carlton Keegan, a senior sought after by college recruiters—died in a car crash.

“The kids are broken right now,” says SVHS Athletic Director Louie Walters, who coached that winning squad. “He was the guy that I could go to and say, ‘I need you to motivate the fellas today.’”

According to the California Highway Patrol, 18-year-old Owen Zeip was driving northbound on Granite Creek Road north of Branciforte Drive around 3:30pm, when the 2006 Subaru Outback veered down the dirt embankment and hit a tree. Keegan, also 18, was in the front passenger seat.

Keegan was taken to Dominican Hospital where he later died, said CHP spokesperson Alyssa Gutierrez.

No arrests have been made and it’s unclear if drugs or alcohol were a factor in the collision, she said. The circumstances surrounding the crash remain under investigation.

Keegan’s death comes just weeks after Mateo Deihl, a freshman at the school, was found dead in an apparent suicide.

School counselors were so busy assisting students during the fallout of that incident that the school board postponed a congratulatory board presentation in their honor.

One day after Keegan died, school officials informed each second-period class about what happened and shared information about grief resources.

That same day, SVHS Principal Michael Hanson sent a letter to the school community.

“This loss is sure to raise many emotions, concerns, and questions for our entire school community, especially our students,” he wrote. “We are fully committed to ensuring our students and staff are supported during this difficult time.”

Hanson also noted counselors are available through the high school’s front office and pointed to grief resources from the National Alliance on Mental Illness, the Child Mind Institute, the Coalition to Support Grieving Students and Hospice of Santa Cruz County.

Just weeks ago, hospice presented to ninth-graders at SVHS, to help them process Deihl’s suicide.

“The interactive presentation addressed what grief is, how to take care of yourself when you are grieving, and how to access community resources,” Vanessa Silverstein, community education and outreach program manager with Hospice of Santa Cruz County, told the Press Banner. “We also offered a grief support group for students wanting additional support.”

Now, following the fatal crash that killed Keegan, the agency—which has an office in Scotts Valley—is sharing its Grief Handbook for Teens (which is also available in Spanish) and its Supporting Youth in Grief booklet with parents and teens coming to terms with loss.

“Hospice of Santa Cruz County has a robust youth grief support program that is available to anyone in the community and a family does not have to receive other hospice services to participate,” she said. “We provide support and resources to parents and guardians as well as to grieving youth.”

These services—including parent/guardian consultations and virtual or in-person counseling—are free, she added.

“Grief is a natural part of life when someone we care for dies,” Silverstein said. “Finding your way through the changes and often painful emotions that arise can be very difficult, but no one has to do that alone.”

Walters remembers first meeting Keegan when he showed up on campus as a freshman, since his older brother played football, too.

“He was more mature than most kids at that age,” he recalls. “Then I seen him grow as a young adult and a great football player.”

Eventually, Keegan would go on to play lacrosse and golf, too. But it was his skills on the football field that attracted the attention of post-secondary institutions.

While he hadn’t “committed” anywhere yet, Keegan was being considered by a number of programs, such as Butte College in Oroville, San Jose City College and College of the Siskiyous, in Weed, Walters said.

“We were league champions this year, and he was one of our best players,” he says. “His motor never stopped.”

The thing about Keegan was that he was quite well-rounded, the coach explained, noting the student was honored as “first-team all-conference” in the Central Coast Section both for his offensive and defensive skills.

“He was Superman to the other kids,” Walters says. “He was a rock.”

In fact, the athletic director even named Keegan the team’s Offensive Player of the Year after their championship run. But he says it wasn’t just his in-game performance that will stick with him. He’ll never forget their serious conversations, he shared.

“I love Carlton Keegan,” he says. “He’ll always have a special spot in my heart.”

Things To Do in Santa Cruz: April 6-12

ARTS AND MUSIC

MIDNIGHT NORTH WITH LAURA T. LEWIS Ten stories told through song, aka There’s Always a Story, marks the Americana-roots outfit’s musical version of a “reflective narrative.” Fronted by Graham Lesh, Grateful Dead bassist Phil Lesh’s son, Midnight North is embedded with the spirit of the Dead, whether they renounce or embrace it. Newcomer Laura T. Lewis describes music as, “My therapy in hard times, my release in good and the most effective connector to like-minded friends.” $20/$25. Friday, April 8, 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

CIRCLES AROUND THE SUN AND MIKAELA DAVIS The Los Angeles instrumental outfit Circles Around the Sun describes their new album as “A cosmic disco of the body and the soul, still anchored in the groove, but ascending to the stars. Since their last LP, Circles has undergone a transformation internally. It’s a tale of life, death and rebirth, of love and loss, of shedded skin and new beginnings. But let’s start with the new album, shall we?” Singer-songwriter Mikaela Davis says of her latest, “This record is kind of about writing a record.” $28/$33 plus fees. Proof of vaccination or negative Covid test required. Friday, April 8, 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

BOB MOULD Most often, Bob Mould tours with bassist Jason Narducy and drummer Jon Wurster, but when the Husker Du frontman performs the Santa Cruz Mountains, he’ll be playing a solo-electric show, which he says allows him to pull from his vast back catalog more freely (See March 30 story). $30 plus fees. Proof of vaccination or negative Covid test required. Saturday, April 9, 8pm. Felton Music Hall, 6275 CA-9, Felton. feltonmusichall.com.

SIN SISTERS BURLESQUE DRAG NIGHT It’s simple: Sin Sisters Burlesque is a female-owned, produced and operated show delivered by internationally renowned and award-winning performers. $20-40. Proof of vaccination or negative Covid test required. Saturday, April 9, 8:30pm. Kuumbwa Jazz, 320 Cedar St., Santa Cruz. kuumbwajazz.org.

MICHAEL GAITHER AND HIS NEW BEST FRIENDS AT EL VAQUERO WINERY Michael and His New Best Friends returns to the winery for an afternoon featuring their usual mix of originals and covers—Americana with a local flavor and story-songs with a backbeat. Enjoy the music, El Vaquero Winery’s tasty Santa Cruz Mountains’ wines and food from Cuevas Express. Sunday, April 10, 2-5pm. El Vaquero Winery, 2901 Freedom Blvd., Watsonville. bit.ly/evwevents.

COMMUNITY

BOOKSHOP SANTA CRUZ PRESENTS: REYNA GRANDE Reyna Grande will talk with Sylvanna Falcon and Micah Perks about her forthcoming novel, A Ballad of Love and Glory. $7-37. Thursday, April 7, 7pm. UCSC Cowell Ranch Hay Barn, Ranch View Road, Santa Cruz. bookshopsantacruz.com.

WATSONVILLE IS IN THE HEART: DIGITAL ARCHIVE LAUNCH AND COMMUNITY TALK STORY Celebrate the launch of the “Watsonville is in the Heart Digital Archive,” featuring oral history recordings, original documents and family artifacts that capture the history of Filipino life and labor in California’s Pajaro Valley. The launch will also feature “Women of the Pajaro Valley,” highlighting Juanita Sulay Wilson, Eva Alminiana Monroe and Antoinette DeOcampo Lechtenberg. Free with registration. Saturday, April 9, 7-10pm. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. thi.ucsc.edu/events.

GROUPS

GANJA YOGA SANTA CRUZ Cannabis, yoga and community come together to relax and elevate your soul. Javi’s classes blend slow vinyasa flow, chill vibes, grounded spirituality and a touch of Latino spice. All levels welcome, weed welcome (vapes only), masks optional. Free (first class). Thursday, April 7, 6pm. Green Magic Yoga, 738 Chestnut St., Santa Cruz. greenmagicyoga.com/ganja-yoga-santa-cruz.

WOMENCARE ARM-IN-ARM This cancer support group is for women with advanced, recurrent or metastatic cancer. Meets every Monday on Zoom. Free. Registration required. Monday, April 11, 12:30pm. 831-457-2273. womencaresantacruz.org.

OUTDOORS

WEST CLIFF OUTDOOR MARKET 2022 An outdoor market with artisans, food trucks and sweeping ocean views? Yes, please. In addition, tokens are given away every hour to random shoppers to be used towards any purchase. Free. Saturday, April 9, 10am-6pm. Lighthouse Point, 700 West Cliff Drive, Santa Cruz. brotherspromotions.com.

GRAY WHALE COVE TRAIL WALK There’s nothing like a 2-mile coastal hike to kick off the day. See evidence in the landscape of the Ocean Shore Railroad and bunkers left over from the World War II era. Also, there may be whales out and about. After all, it is the “Gray Whale Cove Trail.” Free with registration. Saturday, April 9, 10am-noon. Butano State Park, 1500 Cloverdale Road, Scotts Valley. santacruzstateparks.as.me.

Los Lobos Returns to the Rio

A few days before the 2022 Grammy Awards on Sunday, April 3, Los Lobos’ Steve Berlin (keys, sax) might have sealed the band’s fate—in a good way. Even though the group’s 2021 Native Sons was up for Best Americana Album, the rest of the band—David Hidalgo, Louie Pérez, Jr., Cesar Rosas and Conrad Lozano—stayed home. Berlin said that he was only attending to catch up with some old friends.

“I don’t think we’re the front runners, but I appreciate the sentiment,” Berlin said before the awards. “We have a few [Grammys] already, so we’re good. It’s just nice to be in there somewhere.”

Over the last 45-plus years, Los Lobos has picked up 12 Grammy nods and won three, including two for “Best Mexican-American Performance.” The band was thrilled to be nominated in the same category alongside Jackson Browne and John Hiatt with the Jerry Douglas Band and Allison Russell. Still, as Berlin noted, none of the band members expected the win, making it that much more exhilarating. 

“The concept of this record was gratitude,” Berlin said after accepting the award. “It was a thank you to the city that we started in and the artists and records that inspired us to try to make a living out of this.”

Berlin describes the Grammy Award-winning record as Los Lobos’ version of a “love letter to L.A.” that wouldn’t have happened if it weren’t for the pandemic-induced time. It was not an easy feat; a band of five strongly opinionated musicians can potentially lead to many arguments.

“We weren’t 100% sure if it was going to work because there was some sentiment among the band members that [the songs] shouldn’t be limited to [Los Angeles bands],” he says. “Then, we all just leaned into the idea.”

War’s soul-saturated political anthem, “The World is a Ghetto” marked Native Sons’ starting point. Ultimately, the album’s concept centers on the music that influenced the band, some of whom have personal ties to the group.

“There are a few other [bands] who we felt an obligation to thank,” Berlin says. “That’s the case with the Blasters’ [‘Flat Top Joint’]—we wouldn’t be where we are had it not been for the Blasters’ early support.”

Meanwhile, Lalo Guerrero—dubbed the “Father of Chicano Music” in the ’50s—is considered by Los Lobos as the “first authentic Chicano rock musician” and hugely influential to Los Lobos.

“[Guerrero] was the first guy of Chicano ancestry to lay out his own sound and his own vibe and speak to an emerging part of America,” Berlin explains.

Los Lobos’ take on Guerrero’s “Los Chucos Suaves” features a staggering sax solo, courtesy of Berlin, engulfed in an orchestra of percussion. Each band member had a clear vision of musicians/bands they wanted to showcase, from the Beach Boys (“Sail On, Sailor”) to Percy Mayfield (“Never No More”), which Berlin brought to the record.

“Everyone brought in something they wanted to say,” Berlin says. “Something that mattered to them.”

Recording began early in the pandemic; a song here, a song there, and a few months later, there was enough for a full-length album. 

“We didn’t set out to do a Covid project,” Berlin says. “But it just turned out that way.”

For the most part, Los Lobos marks all 13 covers with their own stamp, except Buffalo Springfield’s “Bluebird,” which bleeds into “For What It’s Worth” on the same track. 

“We wanted to see how close we could get,” Berlin says. “We were trying to compare, like, ‘Okay, how did they do this, how did they do that?’ We were doing it during the run-up to the election, so we didn’t want to waste the opportunity to say something—we were sweating it out like everybody else.”

As an unsaid rule, Los Lobos doesn’t intentionally mix music and politics, for the most part. 

“Sometimes [politics] get in the way of the music—people tend to read an agenda into stuff when there really isn’t one. We try to be cautious about what we do, what we say, who we align ourselves with,” Berlin explains.

CRAFTING A WINNER

Change is difficult, and Los Lobos went from performing over one hundred shows per year to doing none throughout 2019-2020. 

“It was a challenge,” Berlin says. “The good part was we got to spend more time with families, which was pretty awesome.”

The time away from the road also gave the band time to make what would be a Grammy Award-winning record. The forced hiatus was also a reality check for the band. Berlin refers to it as “therapeutic.” He never realized how much time away from his family he had sacrificed over the years. Berlin relayed his epiphany to his bandmates, and moving forward, Los Lobos is changing things up a bit.   

“We never used to put any breaks in our schedule,” Berlin says. “Now, we’ve been trying to take at least like 10 days off a month.”

While the band hit the road again in August 2021 and has been going strong ever since, there have been occasional hiccups, including last-minute show cancellations, and Berlin got Covid. Fortunately, no one else in the group caught it. 

In addition to Los Lobos, Berlin continues to add production notches to his belt. He recently finished X frontman, John Doe’s, forthcoming solo record, Fables in a Foreign Land, due out in May 2022. 

Berlin concluded his Grammy acceptance speech by mentioning that next year will mark Los Lobos’ 50th year. There’s still a lot of music that needs to be spread.

Los Lobos and Tropa Magica play Saturday, April 9, 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. Proof of full vaccination or negative Covid test required. $40. folkyeah.com.

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Scotts Valley High Star Football Player Killed in Crash

Senior Carlton Keegan's death comes just weeks after freshman Mateo Deihl was found dead in a apparent suicide

Things To Do in Santa Cruz: April 6-12

Circles Around the Sun and Mikaela Davis, Watsonville is in the Heart: Digital Archive Launch, West Cliff Outdoor Market and more.

Los Lobos Returns to the Rio

The East L.A. rockers’ are fresh off winning their fourth Grammy for ‘Native Sons'
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