The city of Watsonville is expected to resume negotiations with the Pajaro Valley Arts (PVA) Council for the sale of the Porter Building after no affordable housing developers showed serious interest in the historic landmark.
Watsonville and PVA earlier this year had begun early discussions around the vacant city-owned building before the municipality became aware of Assembly Bill 1486, also known as the Surplus Land Act. That bill requires jurisdictions to make all “surplus” properties—defined broadly as land that is not currently in use by cities, counties and districts—to be made available to affordable housing developers before they can be sold.
Because of that, negotiations were paused for 60 days—the time required by AB 1486, which went into effect on Jan. 1, 2020—to allow potential developers to step forward. That waiting period expired Tuesday without a serious inquiry from a developer, Assistant City Manager Tamara Vides said.
“I have received a few inquiries but nothing that requires that we engage in negotiations,” she said. “So we will resume the preparations of our exclusive rights negotiations with the party that is interested at this time.”
The next phase of negotiations, Vides said, could take anywhere from three to five months. Over that time, the city, as ordered by the City Council, will work with PVA to develop a plan, and make sure the small nonprofit understands the scope of what is expected to be a multi-million dollar rebuild of the 117-year-old Porter Building, Vides said.
PV Arts in plans presented to the City Council in late 2020 had hoped to turn the Porter Building into a haven for artists by creating gallery exhibits, art retail space and a multipurpose room for performances, meetings, events, workshops and additional special exhibits. Several classrooms for seniors and young people and artists’ studios were also in their plans.
PV Arts Treasurer Judy Stabile told the City Council then that the nonprofit would use the building to expand its longstanding art shows, classes and retail opportunities currently found at its Sudden Street location—a spot it rents from the city at almost no cost.
“I know that PV Arts is very, very committed to this idea and they would like to make every effort to make it happen,” Vides said.
Negotiations between the city and PVA picked up after Dan Pulcrano, the owner and CEO of this publication, put a pause on his proposal for the building. Pulcrano in an editorial in the Pajaronian said he made the decision because he did not want to halt PV Arts’ plans of expanding arts in Watsonville and sow “unnecessary division in the community.”
Pulcrano, also the CEO and owner of San Jose’s Metro Silicon Valley, planned to create a casual dining Italian restaurant with well-known restaurateur Joe Cirone, emphasizing locally sourced ingredients, and a wine bar and food market highlighting Santa Cruz Mountains vineyards, Pajaro Valley farms and artisanal producers. The project also called for a “boutique” micro-hotel and a “creative space” for community institutions, as well as offices for the Pajaronian.
The original request for proposals said the city wanted ideas that would maximize the building’s potential by bringing an entertainment or retail-related business to the first floor.
The building was nearly sold in 2015 after Ceiba College Prep Academy moved out, but a deal with Walnut Creek’s Novin Development fell through.
It has sat empty since.
The building served as the post office until 1913 and has also served as a dentist office and an army surplus store.
It was one of the few historic buildings in Watsonville’s downtown that survived the 1989 Loma Prieta Earthquake with minimal damage.
In 1983, a group of local farmers looking for ways to manage the Pajaro Valley’s groundwater basin formed the Pajaro Valley Water Management Agency (PVWMA). A year later, the agency was officially recognized by the state legislature, who tasked them to stop groundwater overdraft and seawater intrusion in the valley—all while preserving the vital agricultural industry.
Now, as the state of California struggles with a severe, ongoing drought, PVWMA’s work has seeped into the community’s consciousness. Marcus Mendiola, the agency’s water conservation and outreach specialist, says that more and more people—government officials, the media, individual residents—have been reaching out to them, asking what can be done to save water.
“Everyone is thinking very short term—they’re thinking, ‘It’s dry right now.’ And that’s a common human experience,” Mendiola said. “But this is a long-term problem. We have been focused on this since 1983. Our mission during these extreme drought periods is only further reinforced.”
Groundwater overdraft occurs when more water is pulled out of the ground that returns to it. And when that happens, a region like the Central Coast is in danger of saltwater intrusion—when seawater, which is heavier than freshwater, fills in those areas.
This means less fresh water to drink—and to grow crops.
As of June 10, the U.S. Drought Monitor reported that all of California is currently in a drought, ranging from “moderate” to “exceptional.” A warm spring season dried up most of the Sierra Nevada snowpack, and dry land underneath the snow prevented runoff into rivers and lakes.
All of this prompted California Gov. Gavin Newsom to declare a drought emergency for 41 of the state’s 58 counties.
“This drought is definitely severe,” Mendiola said. “But this isn’t just a two-year situation. It’s more of a 20-year one. We’ve had a handful of really wet years surrounded by mostly dry years. One single dry or wet season will not take us out from the longer trend of a lot less precipitation. And that is troubling.”
The main solution, according to Mendiola? Water conservation and recycling, the kind of work PVWMA is currently doing. Since the early 2000s, the agency has focused on local solutions, partnering with the city of Watsonville in delivering recycled water to the coast, taking pressure off the aquifer.
For over a decade they have also delivered the recycled water to local farmers.
“The more water we recycle, the better,” Mendiola said. “There are nutrients in the treated water… farmers are aware of that; it helps them use less fertilizer.”
This month the California Department of Water Resources (DWR) released its first assessments of plans developed by agencies to meet the requirements of the Sustainable Groundwater Management Act, which was passed in 2014, one of the driest years in the state’s history.
The Santa Cruz Mid-County Basin was approved, along with a sub basin in Monterey County. Mendiola attributes this to dedicated residents, and especially farmers who have been doing their part in conserving and recycling water.
“Farmers in the Pajaro Valley are using less water,” Mendiola said. “We’re starting to see positive change because people are adapting. They’re changing the crops they grow. They’re changing how they grow, using more hydroponic systems and other technology to measure temperature, wind, humidity, and barometric pressure.”
PVWMA’s numerous projects have contributed to strengthening the region’s recharge basins. This includes the Harkins Slough Pump Station, which in wet years would pump certain levels of water from the slough into the basins. In addition, the agency’s upcoming College Lake Project aims to bring additional diversified water to the region.
And a conservation program, funded at $300,000 per year through 2023, has allocated $100,000 for rebates to agriculture water uses in the Pajaro Valley.
“Drought or no drought, we are still recycling,” Mendiola said. “We’re more prepared than we’ve ever been as a valley for a drought.”
For the past year, a group of five local artists has held a series of virtual pop-up art sessions, where participants learned about the artists’ process and were given guidance on how to create their own work.
Now, Pajaro Valley Arts (PVA) is displaying the artwork that came from those sessions in “Pencas del Coraźon,” an exhibit that opened Wednesday and will run through Aug. 1.
“Pencas del Coraźon” (Heart of the Cactus) was curated by two of PVA’s Artists-in-Residence, Yesenia Molina and Irene Juarez O’Connell. The work centers around the theme of nopales (prickly pear cactus), a cultural symbol historically embraced by Mexican, Latinx and Chicanx communities.
In a curator’s statement, Molina and Juarez explained: “Not only are nopales traditional sources of sustenance and nutrition, they are a representation of struggle, survival and majestic beauty.”
In the statement, they added how art is “an important vehicle for social change and resistance, especially in the face of nationwide attacks on people of color, children, families and entire cultures.”
“Pencas del Coraźon” features the work of Molina and O’Connell, as well as Guillermo Aranda, Janet Johns, Salvador Lua, Gabriel Medina and Mayra Ruiz-Valtierra. Mediums range from paintings and drawings to photographs, textiles and video work.
The residency program that Molina and O’Connell are a part of was funded by the Community Foundation Santa Cruz County’s Rydell Visual Arts Fund, in partnership with Arts Council Santa Cruz County.
“Working alongside Irene and Yesenia has been an eye-opening experience. ‘Pencas del Corazón’ opened up the possibility to practice working alongside community-based artists as a way to acknowledge and deepen our interdependence,” Mireya Gomez-Contreras, deputy director of Art Council said in a press release. “It is a demonstration of the power of investing thoughtfully and partnering for results. Artistic creativity is at the heart of this project.”
“Pencas del Coraźon” was also made possible by support from the city of Watsonville, California Humanities and the National Endowment for the Humanities as part of 2020’s Coronavirus Aid, Relief and Economic Security Act.
PVA Exhibit Coordinator Hedwig Heerschop said that putting together the exhibit has been a bit different than their normal shows.
“It’s more community-oriented,” Heerschop said. “And that’s really our main goal as an organization: to get more of the local community involved. So this was a nice opportunity.”
PVA is currently undergoing a transformation. Earlier this year, the organization welcomed a new executive director, Valéria Miranda. Jessica Carrasco recently stepped up as board president, Brianna Flores is their new office manager and Bianca Jimenez has taken over as gallery coordinator.
Miranda said that so far her time at PVA has been “fantastic.”
“It’s going great,” she said. “I feel so lucky to be here. There’s such a wide range of things that this organization does.”
PVA still plans to move into a larger space in the future, whether it be the long-sought-after Porter Building downtown or another site. Miranda said they are working to prepare for expanded services and activities once they do.
“It’s been exciting,” she said. “It’s an opportunity to work with the staff and the board to imagine what our future looks like. What do we need to practice now, so we can be ready as we grow? I’m looking forward to really thinking these things through.”
An opening reception (their first in-person since the pandemic) for “Pencas del Coraźon” will be held on June 27 from 2-4pm.
Admission to the gallery is free. Hours are Wednesday-Sunday 11am-4pm.
In addition, PVA’s annual “Sculpture Is” outdoor exhibit opened June 7 at Sierra Azul Nursery & Gardens. It will run through Oct. 31.
Over the next two years, the city of Watsonville plans to invest roughly $7.5 million to give Sotomayor Soccer Field at Ramsay Park a complete makeover and get several other projects at the city’s largest park “shovel ready.”
It also hopes to increase the funding for the Parks and Community Services (PCS) Department by more than a million dollars from pre-pandemic levels, and pump another $3 million into various parks and recreation facilities that are in dire need of a facelift.
But for many in attendance of the Watsonville City Council’s June 8 meeting, those investments did little to address their calls for more parks funding and cuts to the police department’s budget that have carried over from last year’s budget hearings.
The City Council did not make a final decision on its two-year budget allocations—it only voted to approve a 5% increase, roughly $28 more per month, to its annual pay. The elected leaders are expected to determine how the city will spend its projected $46 million general fund at its June 22 meeting.
About two dozen people during the June 8 meeting said that Watsonville Police Department’s $20.2 million budget is bloated, and that investing nearly half of the city’s annual general fund into policing does not address the root cause of crime—poverty, a lack of community and youth services and inadequate housing, among other things.
Nobody spoke in favor of the proposed budget.
Here is a breakdown of the 2021-23 biennial budget and the factors that could affect it in the coming months and years:
Overlook
The city’s overall budget is projected to be roughly $182.1 million this coming fiscal year and $180.3 million the next. But that includes special revenues and enterprise funds that can only be spent on specific departments and uses.
The general fund is the city’s most malleable pool of cash. That covers the cost of most employees and some of the city’s day-to-day operations.
The city will increase WPD’s budget by 7%, or roughly $1.3 million, from the last fiscal year. The next fiscal year, the department’s budget will rise by $862,838. According to Administrative Services Department Director Cindy Czerwin, that rise is a result of rising retirement and salary costs.
The second-largest department paid for by the general fund is the Fire Department ($7.95M) and the third is PCS ($5.2M).
Parks is seeing the second-biggest increase, percentage-wise, of any department in the proposed budget. That increase includes the addition of a community engagement and events supervisor, and the inclusion of two Environmental Science Workshop employees that were previously paid through another fund.
The largest percentage increase from last year’s budget comes in the Community Development Department ($2.9M). That roughly $1 million expansion was implemented over the course of the last year as the demand on the department did not slow down despite the pandemic.
Making a sale
A quarter of the general fund comes from sales tax, and although the pandemic depleted many municipalities’ general funds as sales plummeted during the stay-at-home orders imposed by the state, that was not the case with Watsonville.
The city’s worst sales tax returns over the past year or so came during the initial months of the pandemic, Czerwin says. Since then, sales tax revenues coming into the city have increased in each quarter despite the various openings and closings. That’s thanks to strong growth in auto sales and county pool allocations more than making up for losses in other areas such as fuel, restaurants and hotels, Czerwin says.
Czerwin adds that she expects both of those increases to level off, especially the latter as tourism restarts and people begin shopping in other cities again.
However, sales tax revenues are expected to increase by 2.5% in the 2021-22 fiscal year and by 3.3% the year after.
Policing committee
The city’s Ad-Hoc Committee on Policing and Social Equity is expected to have a recommendation ready for the City Council in the fall. That committee—made up of 12 Watsonville residents, one police officer and three City Council members—has been meeting in various formats over the past seven months to explore WPD’s connection with the community it serves, and create solutions to resolve the shortcomings that might arise.
Asked how the committee’s work might affect the budget, Czerwin at the June 8 meeting said it is too early to tell.
“This is why we made a pretty deliberate decision to remain flat with the police department’s budget this year,” she said. “Based on the recommendations of that committee and how the council chooses to act, it could mean changes to their budget or it could mean just changing the way they do things within that budget—it doesn’t necessarily mean there has to be a financial impact.”
Remeasure?
Through voter-approved Measure Y—and its predecessor Measure G—the city collects another $4.4 million in sales tax to further fund the police, fire and PCS departments. WPD receives 54% of that revenue, fire receives 38% and PCS takes in 8%.
With that additional funding, WPD in the proposed budget would hire a clerk and an administrative analyst, and fire is asking to hire two more firefighters. WPD already uses that funding to pay 11 employees, and fire has hired seven employees thanks to the additional sales tax.
But several people at the June 8 meeting said that WPD’s share of Measure Y should be lowered and that more funding should go toward parks.
Answering questions from City Councilwoman Rebecca J. Garcia, City Manager Matt Huffaker said that any changes to the measure would need to return to and be approved by voters.
The item can be placed on the ballot in a few ways, Huffaker said. That includes members of the community gathering signatures from 10% of the city’s voting electorate. In addition, the City Council could also bring the item forward for a vote—as it does with any other ballot measure—and if it is approved, it would go to voters in a future election.
Rescue plan
Watsonville is set to receive $18.2 million from the American Rescue Plan (ARP) Act over the next two years. The vast majority of that money was not included in the city’s proposed budget.
The City Council will likely determine how it will spend that money in a meeting before its summer recess in July.
In a three-question survey asking people what they would like to see funded with that cash, 110 respondents said the following:
Investment in parks and outdoor spaces
Invest in youth programming
Invest in our downtown and economic development
Invest in streets safety, cleanliness and beautification
That survey was one of various ways the city reached out to the community for input on the budget and the ARP funding. It also distributed a longer survey that saw 770 responses and held seven virtual meetings regarding the budget, including five town halls.
In those meetings, the public mostly echoed the respondents from the three-question survey.
BANFF CENTRE MOUNTAIN FILM FESTIVAL VIRTUAL FESTIVAL All the programs! If you’ve been too busy getting after it outdoors or just haven’t made the time yet, now’s your chance to catch all our Virtual World Tour Programs. Join us online for a mixed program of award winners from the 2020, 2019 and 2018 Banff Centre Mountain Film and Book Festivals. Catch up on missed films or relive some of the best that Banff has to offer. For more information and tickets, visit riotheatre.com or call 831-423-8209. Wednesday, June 16-Tuesday, June 22.
CATCHING OUR SECOND WIND Espressivo, a small, intense orchestra, will perform on Fathers Day at Santa Cruz Community Church. The all-winds program will reflect on our trials with Mozart’s profound Nocturnal Music, K. 388, will relativize them with the tangy “Night Music” of recent Norwegian composer Johan Kvandal, and will soothe them with the suave “Octet” of Théodore Gouvy, a composer championed by both Berlioz and Brahms. Sunday, June 20, 4pm. Santa Cruz Community Church, 411 Roxas St., Santa Cruz.
COMMUNITY DRUMMING WITH JIM GREINER IN PERSON Percussionist and educator Jim Greiner will conduct the next in his monthly Third Friday series of community drumming sessions at the Inner Light Center in Soquel in person. Doors open at 5:45pm and the cost is $10. Masks and social distancing requirements will be honored. Jim makes it fun and easy for people from all walks of life to play drums and hand percussion to release stress, to uplift and energize yourself, and to reinforce positive life rhythms through percussion playing. Friday, June 18, 6-7:30pm. Inner Light Center, 5630 Soquel Drive, Soquel.
OCEAN FILM FESTIVAL WORLD TOUR Designed to mesmerize and enthrall, the Ocean Film Festival World Tour showcases a virtual celebration of our oceans comprised of sublime footage taken above and below the water’s surface. Evade border closures and quench your thirst for international travel at the 2021 Ocean Film Festival World Tour. This sublime collection of short ocean-themed films will take you free diving in the Coral Sea, sailing north to Alaska, exploring remote Russian Islands and surfing in Spain. Immerse yourself in the wonders of the world’s oceans without getting your feet wet as the Ocean Film Festival World Tour makes a splash. This unique collection of short films from around the globe document the beauty and power of the ocean, and celebrate the divers, surfers, swimmers and oceanographers who live for the sea’s salt spray, who chase the crests of waves, and who marvel at the mysteries of the big blue. A portion of ticket sales benefits Save our Shores. For more information and tickets, visit riotheatre.com or call 831-423-8209. Screenings run through Monday, June 21.
TOM NODDY’S BUBBLE MAGIC ONLINE EVENT In his 20-plus-year career as America’s Bubble Guy, Tom Noddy has appeared on numerous prime-time television shows as well as nightclubs and universities. Noddy’s work has been presented to 900 mathematicians at the International Congress of Mathematics in Berlin, Germany. He has been the featured performer for science center Bubble Festivals attracting up to seventeen thousand people in a single weekend. He is as comfortable performing for preschoolers as he is when entertaining audiences in theaters throughout the world. Tom has taken his uniquely warm and charming sense of wonder and delight in soap bubbles to audiences around the world. The bubbles are truly exquisite, and Tom’s lively humor and engaging sense of fun leave his audiences both delighted and intrigued. Register for this online event at santacruzpl.libcal.com. Wednesday, June 16, 1-2pm.
COMMUNITY
BUILDING WITH PURPOSE PART ONE: PERMANENT SUPPORTIVE HOUSING 101 Housing Matters is building a five-story permanent supportive housing building on our campus here in Santa Cruz County. This building will include 120 new units of low-income housing for people experiencing chronic homelessness as well as an expanded recuperative care center and medical clinic. Whew! That’s a lot of jargon. Let’s break it down: In part one of this two-part webinar series, Director of Programs Tom Stagg and Assistant Director of Programs Evyn Simpson will walk you through permanent supportive housing as a solution to homelessness and why this approach works. To register for this free online event, visit eventbrite.com/e/building-with-purpose-part-1-permanent-supportive-housing-101-tickets-14593573671. Thursday, June 17, 3-4pm.
BUILDING WITH PURPOSE PART 2: HOUSING MATTERS’ NEWEST HOUSING PROJECT In part two of Building with Purpose, we will be discussing the specifics of Housing Matters’ newest 120 unit permanent supportive housing project that will be located on our campus, here in Santa Cruz County. This webinar will be led by Housing Matters’ Executive Director Phil Kramer. To register for this free online event, visit eventbrite.com/e/building-with-purpose-part-2-housing-matters-newest-housing-project-tickets-146645501643. Tuesday, June 22, 11am-noon.
DOWNTOWN SANTA CRUZ MAKERS MARKET Come out and support local makers and artists at the Downtown Santa Cruz Makers Market every third Sunday of the month on Pacific Avenue at Lincoln Street! We are now on the 1100 block of Pacific Ave. between Cathcart and Lincoln Streets near New Leaf and alongside so many amazing downtown restaurants. Support local and shop small with over 30 Santa Cruz County artists and makers! Don’t forget to stop in and visit the downtown merchants and grab a bite to eat from the downtown restaurants. Remember to social distance as you shop and wear your mask. If you’re not feeling well, please stay home. There will be hand sanitizing stations at the market and signs to remind you about all these things! Friendly leashed pups are welcome! Sunday, June 20, 10am-5pm.
EFFECTIVE COMMUNICATION STRATEGIES WEBINAR Communication is more than just talking and listening—it’s also about sending and receiving messages through attitude, tone of voice, facial expressions and body language. As people with Alzheimer’s disease and other dementias progress in their journey and the ability to use words is lost, families need new ways to connect. Join us to explore how communication takes place when someone has Alzheimer’s, learn to decode the verbal and behavioral messages delivered by someone with dementia, and identify strategies to help you connect and communicate at each stage of the disease. The Effective Communication Strategies program of the Alzheimer’s Association was designed to provide practical information and resources to help dementia caregivers learn to decode verbal and behavioral messages from people with dementia. This meeting is held remotely. To register or for more information call 800-272-3900. Thursday, June 17, 10-11:30am.
GREY BEARS BROWN BAG LINE If you are able-bodied and love to work fast, this is for you! Grey Bears could use more help with their brown bag production line on Thursday and Friday mornings. As a token of our thanks, we make you breakfast and give you a bag of food if wanted. Be at the warehouse with a mask and gloves at 7am, and we will put you to work until at least 9am! Call ahead if you would like to know more: 831-479-1055, greybears.org. Thursday, June 17, 7am. California Grey Bears, 2710 Chanticleer Ave., Santa Cruz.
SALSA SUELTA FREE ZOOM SESSION Keep in shape! Weekly online session in Cuban-style Salsa Suelta for experienced beginners and up. May include mambo, chachacha, Afro-Cuban rumba, orisha, son montuno. No partner required, ages 14 and older. Contact to get the link; visit salsagente.com. Thursday, June 17, 7pm.
TENANTS’ RIGHTS HELP Tenant Sanctuary is open to renters living in the city of Santa Cruz with questions about their tenants’ rights. Volunteer counselors staff the telephones on Tuesdays, Thursdays and Sundays from 10am-2pm. Tenant Sanctuary works to empower tenants by educating them on their rights and providing the tools to pursue those rights. Tenant Sanctuary and their program attorney host free legal clinics for tenants in the city of Santa Cruz. Due to Covid-19 concerns, all services are currently by telephone, email or Zoom. For more information visit tenantsanctuary.org or follow us on Facebook at facebook.com/tenantsanctuary. 831-200-0740. Thursday, June 17, 10am-2pm. Sunday, June 20, 10am-2pm. Tuesday, June 22, 10am-2pm. Tenant Sanctuary, 703 Pacific Ave., Santa Cruz.
GROUPS
CAREGIVER SUPPORT GROUP VIA ZOOM Support groups create a safe, confidential, supportive environment or community and a chance for family caregivers to develop informal mutual support and social relationships as well as discover more effective ways to cope with and care for your loved one. Who may benefit from participating in the support group? Family caregivers who: care for persons with Alzheimer’s disease or another dementia, those who would like to talk to others in similar situations, those who need more information, additional support and caregiving strategies. This meeting is held via Zoom and telephone. To register or for more information call 800-272-3900. Wednesday, June 16, 5:30pm.
ENTRE NOSOTRAS GRUPO DE APOYO Entre Nosotras support group for Spanish-speaking women with a cancer diagnosis. Meets twice monthly. Registration required: Call Entre Nosotras at 831-761-3973. Friday, June 18, 6pm.
OVEREATERS ANONYMOUS All our OA meetings have switched to being online due to sheltering in place. Please call 831-429-7906 for meeting information. Do you have a problem with food? Drop into a free, friendly Overeaters Anonymous 12-Step meeting. All are welcome!. Thursday, June 17, 1-2pm.
WOMENCARE ARM-IN-ARM WomenCARE ARM-IN-ARM Cancer support group for women with advanced, recurrent, or metastatic cancer. Meets every Monday at WomenCARE’s office. Currently on Zoom. Registration required: Call WomenCARE at 831-457-2273. All services are free. For more information visit womencaresantacruz.org. Monday, June 21, 12:30pm.
WOMENCARE MINDFULNESS MEDITATION Mindfulness Meditation for women with a cancer diagnosis. Meets the first and third Friday, currently on Zoom. Registration is required, please call WomenCARE at 831-457-2273. Friday, June 18, 11am-noon.
WOMENCARE TUESDAY SUPPORT GROUP WomenCARE Tuesday Cancer support group for women newly diagnosed and through their treatment. Meets every Tuesday currently on Zoom. Registration required: Call WomenCARE 831-457-2273. Tuesday, June 22, 12:30-2pm.
WOMENCARE: LAUGHTER YOGA Laughter yoga for women with a cancer diagnosis. Meets every Wednesday, currently via Zoom. Registration required: Call WomenCARE at 831-457-2273. Wednesday, June 16, 3:30-4:30pm.
OUTDOOR
SUNSET BEACH BOWLS Experience the tranquility, peace and calmness as the ocean waves harmonize with the sound of Crystal Bowls raising your vibration and energy levels. Every Tuesday one hour before sunset at Moran Lake Beach. Call 831-333-6736 for more details. Tuesday, June 22, 7:15-8:15pm. Moran Lake Park & Beach, East Cliff Drive, Santa Cruz.
VIRTUAL YOUNGER LAGOON RESERVE TOURS Younger Lagoon Reserve is now offering a virtual tour in both English and Spanish. This virtual tour follows the same stops as the Seymour Marine Discovery Center’s docent-led, in-person hiking tour, and is led by a UCSC student! Virtual Younger Lagoon Reserve tours are free and open to the public. Part of the University of California Natural Reserve System, Younger Lagoon Reserve contains diverse coastal habitats and is home to birds of prey, migrating sea birds, bobcats, and other wildlife. See what scientists are doing to track local mammals, restore native habitat, and learn about the workings of one of California’s rare coastal lagoons. Access the tours at seymourcenter.ucsc.edu/visit/behind-the-scenes-tours/#youngerlagoon. Sunday, June 20, 10:30am.
YOU PICK ROSES We are growing over 300 roses, deeply fragrant, lush and in every color, and we want to share them with you! Get out of the house and enjoy cutting a bucket of roses for your own pleasure or to share with family and friends. Once you have made a purchase, you will be sent a calendar link to pick a time for your reservation and directions to our farm in Watsonville. Visit birdsongorchards.com/store/you-pick-roses for more information. Friday, June 18, 11am. Sunday, June 20, 11am.
Marcel Sletten likes to visit the rugged and gorgeous Cosumnes River out in the Central Valley. He has spent many hours just sitting there and taking in the sounds of the birds. This experience inspired the song “Cosumnes River Hymn” off of his latest EP California Delta Blues.
It’s a somber ambient electronic tune that hits on a gut level—not exactly the kind of song you’d expect this ambiance to inspire. It doesn’t sound like “nature” in any overt way, but does, if you try hard enough, bring to mind visions of a sunset on a sad, calm day.
Sletten often makes electronic music with nature as an influence, and it adds a layer of emotionality, reflection and depth that sets it apart from what people typically associate with the genre.
And it’s not just nature that influences Sletten’s music—he has a whole lot of non-electronic musical influences, as well.
“I’m more inspired by folk and country music than electronic music, even though all of what I make is done on the computer. I relate more to songwriters such as Bob Dylan, Townes Van Zandt, and Guy Clark. I try to channel certain energy I sense from their recordings,” Sletten says. “My aim is to elevate the synthesizer. I think the synthesizer shares a lot of qualities with instruments such as the guitar or the harmonica. And I think there’s a lot of [sounds] you can produce with similar emotional impact.”
The “Cosumnes River Hymn” was also inspired by the compositions of Olivier Messiaen. He was a composer who incorporated bird sounds into his work. Sletten felt that rather than bringing in the actual bird sounds at the Cosumnes River that inspired him, he’d try to capture the feeling they gave him in song.
“I enjoy hearing those sounds in that landscape. You have this kind of bayou swamp landscape going on. It’s very surreal and beautiful to hear those sounds out there,” Sletten says. “I came up with that based on my experiences out there. A lot of the tracks I make are very multi-layered in terms of influence, and where I get particular ideas from, so they’re kind of scattered about throughout my releases.”
Originally from the Santa Cruz Mountains, Sletten drew a lot of inspiration from the unique character of our mountain range. But in 2018, he moved to Lodi and now finds influence in its flat, open landscape. This new album is awash in his Lodi experience.
“A lot of my music for the past year has been heavily inspired by the California Delta. A lot of my music is about emulating the spiritual energy of my surroundings here,” Sletten says. “I feel like that’s what ties it together to folk and country music, because a lot of folk music that I listened to focuses on rural themes.”
He recorded his first two EPs in 2019 and 2020, and assembled each one based on sonic cohesion.
“This particular EP is a lot darker than my first one. I dealt with a huge personal loss last year, and I was also going through some heavy bouts of depression and anxiety while recording the EP,” Sletten says. “I have this fascination with cathedrals. And I appreciate them as these holy spaces. Before Covid hit, I was taking these trips out to San Francisco pretty regularly. I hadn’t experienced somebody in my life passing away for quite some time until last year. So it did have a profound impact on me for sure.”
Sletten also runs the Primordial Void label, which he started in 2017 while still living in Aptos. At the time, he didn’t play music. He was running a music blog called MMJ (2013-2017). He also posted about visual artists such as Alix Vollum, Marc Matchak, Lauren Graycar, and Adriana Ramić. He created the label so he could release music that he liked by the bands he was connecting with. Visual art was an important part of the label, too—perhaps just as important as the music. He began compiling songs in 2017, then put out his first release in the summer of 2018, the Primordial Chaos comp, which featured an assortment of bizarre and mossy bands experimenting with noise, sound, and texture.
“There’s no one particular sound that I try to stick to for the label. It’s anything that I enjoy,” Sletten says. “That explains why a lot of the label’s catalog is eclectic.”
Thank you so much for keeping up the public interest in the Keep On Truckin’ tour of Tandy Beal & Co. I appreciate hearing about these kinds of activities which all the community can participate in. In these hard times, where artists’ livelihoods have been so restricted due to the pandemic, it is a breath of fresh air to find a way to bring performing art to everyone in a safe manner. Your calendar listings featuring photographs of the performers and your articles have made these events a success for our community. Thank you for your support in these and all the Tandy Beal & Co. endeavors.
Full disclosure: I am a TB&Co. Board member, but it doesn’t make me any less grateful to you as a community member.
Maggie Collins | Santa Cruz
This letter does not necessarily reflect the views of Good Times.
To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc.
Re: “Scotts Valley Town Center May Need More Homes to Succeed” (goodtimes.sc, 6/11): How did, “civic leaders want to manifest into something to serve locals, attract visitors and inject more life into the community” become: “‘This is not going to be a retail Town Center,’ Gibbs said, pointing to banks’ skittish attitude toward commercial projects in the online era”?
Why are we letting banks and “urban planners” determine what our communities should look like? Scotts Valley once had personality. Scotts Valley once had Santa’s Village, Lost World and the Tree Circus. Now we have leaders with no vision trying to turn it into a miniature version of San Jose. The bland leading the bland.
Just a couple of years ago, a similar project failed. The “Town Green” was proposed to replace the green land with concentrated condos high enough to blot out views of our beautiful redwood hills. Why are we doing this again?
If we truly wish to “serve locals, attract visitors and inject more life into the community” here are some suggestions: large open-air theatre for outdoor plays; planetarium; art, history or science museum; climbing wall; arboretum or nature walk; skate rink or other recreation center.
Bob Kohlenberger | Scotts Valley
This letter does not necessarily reflect the views of Good Times.
To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc.
The caption for the opening photo in the cover story this week is titled “Paying Tribute.” On the most obvious level, it represents what the women gathered around London Nelson’s grave are literally doing at that moment and have figuratively done with their activist work, including the effort to correct the long-incorrect historical record around Nelson.
But there’s another meaning to those words, as well, since the gathering itself is a tribute to an important photo that was taken at Nelson’s grave in 1953 (you can see that photo on page 20). There is a link there that stretches across the decades, as the men who gathered there almost 70 years ago were also asserting Nelson’s importance as a part of Santa Cruz history, and in a larger sense the importance of Black history in Santa Cruz.
Geoffrey Dunn’s cover story is an essential chronicling of how our understanding of Nelson’s history has evolved over the last century and a half, and I urge you to read it, both for the new elements that he uncovers and for the insight and context that his research and his sources provide. Happy Juneteenth!
Thank you Tony Nunez for an excellent, extensive summary of the huge problems of fireworks in Santa Cruz County. Especially illuminating is what we have said all along — hosting an annual fireworks show at the Watsonville airport did not stop the use of illegal fireworks on the 4th and the weeks leading up to it.
As for safe and sane fireworks, these can be broken down and contents reconstituted into larger, harmful fireworks. They also contain harmful chemicals and the residual detritus gets washed into the storm drains and hence into the ocean. There must be a better way for nonprofits to raise funds than with fireworks.
— Jean Brocklebank
PHOTO CONTEST WINNER
Laughing buddha statue in Capitola
Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.
GOOD IDEA
RETURN TO BOOMERIA
Somewhat miraculously, the Santa Cruz Baroque Festival’s annual Boomeria Organ Extravaganza will return on July 10. For years, the festival has been an annual celebration of Boomeria, the Santa Cruz Mountains spot created by retired SLV High School physics and chemistry teacher Preston Boomer that features a working Baroque-style tracker pipe organ. The festival was cancelled due to Covid last year, and Boomeria was saved from the CZU Lightning Complex fire. Go to scbaroque.org for more information and tickets.
GOOD WORK
YOUNG PLAYWRIGHT WINNERS
Three local high school students—Stella Pfefferkonn, Julien Jacklin and Lila-Rose Roberts—who were among winners of the Actors’ Theatre’s Young Playwrights’ Festival will have their plays performed on KSQD (90.7 FM) at 9pm on June 20.
Six other winning young playwrights—Ryan Holderup, Meghan Kearney, Brigette Vance, Acacia Neuburger, Emma Power-Perkins and Adessa Lewis—will have their works presented on “Zoom Forward,” on June 25 at 5pm, in a production at Bookshop Santa Cruz in partnership with Phren-Z literary magazine.
QUOTE OF THE WEEK
“Freedom is never really won, you earn it and win it in every generation.”
In the late 1970s, a small group of African-American community leaders and activists began pushing for the renaming of the Laurel Community Center, at the corner of Laurel and Center streets, in honor of the slave—mistakenly referred to as “Louden” Nelson—whose enduring legacy in Santa Cruz County history dates back to before the Civil War.
His life story, as was then known, was a small, torn, and incomplete patchwork of legend and folklore that had never been fully flushed out in the decades since he died. What had been etched into the collective history of the region was that, at the time of his death, in 1860, Nelson had “left his entire fortune … to Santa Cruz School District No.1.”
The effort to honor Nelson was widespread. In 1977, State Sen. Henry Mello, the late bulldog legislator from Watsonville, ushered through a resolution in Sacramento that paid tribute to Nelson’s “magnanimous spirit [that] rejected any bitterness or envy because he had been denied education, but on the contrary, caused him to treasure it all the more ….”
There was also a proposal for a monument at the downtown post office, located on the plot of floodplain along the San Lorenzo River where Nelson once farmed and worked as a cobbler. The focus of that effort soon shifted to the headquarters of the Santa Cruz City Schools, on the Mission Hill property that was purchased by Nelson’s bequest and where “Louden Nelson Plaza” was dedicated with a 1,300-pound granite monument declaring that Nelson had “left his estate to Santa Cruz schools [because] he believed in education for all people.”
Much of the energy around the effort to honor Nelson in the 1970s was initiated by Lowell Hunter Sr., a minister with the Santa Cruz Missionary Baptist Church, who as a candidate for Santa Cruz City Council had criticized the city for its failure to have any African Americans in a single administrative position or on the police force. Hunter founded the “Louden Nelson Association” and served as its president, urging local political bodies to find some place — anywhere—to memorialize Nelson’s legacy. He once again shifted his focus to Mission Hill Junior High, but could not generate support sufficient to usher in such a name change.
Finally, with Wilma Campbell and Helen Weston joining his efforts, along with many others in the local African American community, Hunter took aim at the recently opened Laurel Community Center, located at what was formerly Laurel School, then operated by a joint agreement between the city of Santa Cruz and the county. The movement garnered unanimous support from the city’s Arts Commission, and the County Board of Supervisors said they would support whatever the Santa Cruz City Council decided, and on Tuesday, Oct. 23, 1979, the council voted 6-1 to rename it the Louden Nelson Community Center in honor of the elusive figure who had died more than a century earlier.
There was, however, one slight wrinkle amid all the hoopla: Louden Nelson was not his real name.
A simple, honest, albeit somewhat careless mistake in recording Nelson’s name in the 1870s had been compounded for more than a century. As early as the moment when Nelson’s probate notice appeared in the pages of a local newspaper in June 1860, he had been identified as London Nelson. Within months, however, his name began to appear as “Louden” Nelson in various publications (and several variations thereof), so that when a tombstone was placed at his grave in Evergreen Cemetery, his epitaph, carved in white granite with gold-leaf lettering, read as follows:
Louden Nelson
Native of Tennessee
Born May 5, 1800
Died May 17, 1860
He was a colored man
and willed all his property
to Santa Cruz School
District No. 1. Rest in Peace.
The name—and the broad outline of his legacy—had literally been set in stone.
That said, anyone who consulted the local historical archive at the time was well aware that there was controversy over Nelson’s name. One of the best local historians in the early 20th century, Leon Rowland—who wrote a regular history column for the Santa Cruz Sentinel and authored a history book titled Annals of Santa Cruz (1947)—consistently referred to him as “London.” Rowland had no equivocation. Margaret Koch, who penned local history in the 1950s through the 1980s, while initially using “London,” had acknowledged that “his name might have been ‘Louden’ instead of ‘London,’” though she never attempted to set the record straight.
That task was left to the late Phil Reader, a dear friend and colleague of mine, who in 1984 broke the code. Using recently accessible slave records and genealogical materials compiled by the Mormon Church in Utah, Reader was able to trace Nelson’s birth to a North Carolina cotton plantation owned by a slave master named William Nelson. As was the practice of the time, slaves were forced to assume the family name of their owner. William Nelson, as Reader discovered, in turn, named the slave children born onto his plantation after English place names: Canterbury, Marlborough, Cambridge—and London.
Reader’s breakthrough research raised a huge commotion as he and others in the local history community led an effort to force a name change. To cut a long story short, that effort failed, as many in the local Black community who had fought for the initial naming of the community center had become attached to the name. Moreover, the funds required to change the name, they argued, could be better spent somewhere else. The broader community had also become used to it. They didn’t want to endure any blowback.
The name stayed. London Nelson’s true name and story faded into the background.
Members of the ‘Louden Nelson Memorial Committee’ from February 1953 at Nelson’s grave in Evergreen Cemetery. Left to right: C.H. Brown, chairman of the memorial committee; Frank Guliford, president of the Santa Cruz Improvement Club; Rev. Dennis E. Franklin, NAACP; Rev. W. M. Brent, pastor, Santa Cruz Missionary Baptist Church; Herman Gowder, secretary, Memorial Committee; and Henry Pratt, president, F. & A. club. The group paid honor to Nelson during “National Negro History Week.” PHOTO: COVELLO & COVELLO
Historical consciousness and reverence for history, more often than not, reflect the values and social dynamics of the era from which they spring. Last July, in the aftermath of George Floyd’s brutal and public murder at the hands of a Minneapolis police officer, the resurgence of the Black Lives Matter movement worldwide had a profound impact on longtime local resident Brittnii Potter, who had been raised in Santa Cruz and had graduated from Santa Cruz High School in 2007.
Potter had a direct link to the Nelson story. Her grandmother had been a member of the Black community that had originally pressed for a name change at the Laurel Community Center in the 1970s. When she was in elementary school, Potter recalled walking with her mother as they passed the community center. She told her daughter that the center had been named for one of the first Black men to arrive in Santa Cruz, but that the man’s name was “actually London and not Louden.”
“I remember feeling a mix of emotions [at that time],” Potter recalls. “Feeling proud that this community center that I had grown up going to was named after a person who looked like me, Black, but also feeling an overwhelming amount of anger that the city that I called home didn’t care enough about a person who looked like me, and the misnaming of the community center made me feel like it was painstakingly true.”
Potter, a mother of two whose family runs the popular Persephone restaurant in Aptos, says that “2020 was a year of momentum in righting some wrongs of the past.” She felt compelled to do something in Santa Cruz. “The center was the first thing that came to mind as something that I could do within my own community and reclaim history that had long been forgotten, and I immediately thought of London Nelson. I felt the time was right to get this accomplished, so I set out on this journey.”
Placing a petition on change.org calling for the renaming of the center, Potter secured over 1,000 signatures. “What better time than now not only to rename, but reclaim history!” Potter declared in her petition. “As a Black woman, and Santa Cruz local, I think it is beyond imperative that we have history that is accurately named after some of our first Black leaders.”
Potter brought together a project committee that included community center supervisor Iseth Rae, Recreation Superintendent Rachel Kaufman, Civic Auditorium Supervisor Jessica Bond, NAACP President Brenda Griffin, City Councilmember Justin Cummings, Santa Cruz Equity Project founder Luna HighJohn Bey, and Sentinel history columnist Ross Gibson.
Perhaps most importantly of all, they tracked down members of the Black community who had originally supported the name of Louden. There were no holdouts left. It was finally time to get the name right. On Tuesday, June 8, the Santa Cruz City Council voted unanimously in favor of changing the name.
In addition to the name change, there were two additional caveats to the council’s vote last week: The resolution also called for the city “to pursue a more accurate depiction of the history of Mr. Nelson and [to] explore further education efforts on his contributions to Santa Cruz.”
These latter efforts are of critical import to Luna HighJohn Bey, who in addition to serving on the project committee, describes herself as a Hoodoo spiritualist. And while Brittnii Potter’s efforts were motivated by a local connection to the story, Bey’s attachment to the issue emanated from across the continent to her Anacostia neighborhood in Washington, D.C., the home of the legendary abolitionist Frederick Douglass and a cultural center for D.C.’s African American community.
“As the granddaughter of the First Black Woman Park Ranger,” Bey noted, “exploring county and state parks, reading placards and visiting local monuments is second nature to me. I grew up going to the Fredrick Douglass home as an after-school hangout with my cousins. So when someone told me that ‘Louden Nelson’ was a Black man and had a center named after him, my curiosity led me directly to the research of local historians.”
After arriving in California a little more than a decade ago, Bey eventually found her way to Santa Cruz. She immediately began to pull off the veneer of the community and dig into its historical underbelly. “I am invested in honoring the legacy of those who come before me everywhere I go,” she declared. “And in my experience, when you look at the beginnings of so many great cities, specifically European Colonial settlements, there is a Black person who was integral to its legacy.” It was an act of “synchronicity,” she says, that brought her together with the committee seeking to coordinate the name change.
Part of her goal is to reframe, broaden and contextualize Nelson’s life. “The narratives we have about the past are often based on the interpretation of historical data,” she says. “This means that the narratives that are constructed pass through the researchers’ lived experiences and biases. This leaves space for nuances, patterns, cultural practices that may not be seen or considered due to a lack of this lens. This is why it is important for this data to be reengaged with the tools and technology we have access to now, and by researchers with the intimate knowledge of the Crimes of Slavery.”
Much of what has previously been written about Nelson (including my own work, quite frankly) has been done so through the prism of white privilege. None of it has stretched to include the horrors and moral criminality of chattel slavery. Assumptions and depictions of London’s life before arriving in Santa Cruz were rendered without that “intimate knowledge” referenced by Bey.
“We cannot assume,” Bey adds, “that London Nelson came to California willingly. He was being trafficked to do labor. He was taken away from everyone he knew and loved. The nature of the crimes of slavery means it is more likely than not that Mr. Nelson had children, had a spouse he loved. That the person who was trafficked with him, Marlborough Nelson, is more than just the property of their Trafficker, but was someone of kin to London Nelson. For Enslaved people, blood relation is not what keeps us together, nor does that define kinship. A shared ‘last name’ does not tell us about who they are to each other. This is a history that deserves to be re-explored.”
Bey’s perspective sheds new light on what we think we know about London Nelson’s life.
William Nelson’s youngest son, Matthew, eventually “inherited” London from his father, and in 1849, the discovery of gold in California lured him westward. Promising both London and Marlborough their freedom if they joined him, Matthew Nelson set up a claim on the American River, where the trio was to mine successfully for four years.
Although California was a so-called “free state” when the Nelson entourage arrived, neither London nor Marlborough would have been free men upon their arrival. A fugitive slave law had been passed in Sacramento in 1852. Did London receive a percentage of William Nelson’s earnings when they parted ways? Did Marlborough?
With his freedom eventually secured, London Nelson eventually found his way to Santa Cruz in 1856. Santa Cruz was an abolitionist stronghold in its pre-Civil War era, and thus provided a tolerant, if not necessarily egalitarian, setting for a freed slave of African descent. Black residents held no rights here; they couldn’t vote; they could not testify in courts of law.
By then, presumed to be in his mid-fifties and suffering from poor health, Nelson raised small crops of onions, potatoes and melons and worked as a cobbler to support himself. He joined the local Methodist Church and, in early 1860, he bought a rough-hewn cabin and a small parcel of land on what was then known as the San Jose Road (now Water Street), behind the present-day downtown post office. From there, according to legend, he was able to view children playing on the grounds of the Mission Hill school.
His health, however, continued to deteriorate. He began to cough up blood, and in April 1860 a local physician, Dr. Asa Rawson, realized Nelson had only a short time to live. Rawson and Elihu Anthony, a friend of Nelson’s from the Methodist Church, recorded his last will and testament, in which Nelson bequeathed “unto Santa Cruz School District, No. One, all of my estate … forever, for the purpose of promoting the interest of education therein ….” He signed the document with an “X.”
Nelson died a short time later, on May 17, 1860. His property, onion crop, a note due to him from Hugo Hihn, and assorted other belongings were valued at $377. The following day, the Santa Cruz Sentinel, identifying him solely as “Nelson,” paid substantial tribute to the “pioneer Negro” whose soul “beat responsive to noble and benevolent emotions.” The Santa Cruz News, in an obituary titled “Old Man Nelson,” lauded him as “a man respected by those who knew him well enough to appreciate his good sense, his honesty and fidelity to friends.” Neither article made reference to his first name.
While the details of Nelson’s life are piecemeal at best, his legacy, as rendered by the exclusively white media over the decades that followed, endured a circuitous journey.
In 1868, during Reconstruction, a Sentinel editorial pointed out that while “Nelson” had bequeathed his property to the local schools, “There are a half-dozen colored children in the District who … are anxious to be educated. Yet the white Christians deny them this boon, and refuse them admission.”
Three decades later, while the U.S. was colonizing land in the Philippines and Cuba, a blatantly racist article in the Santa Cruz Surf of 1896 was headlined “N****r Nelson…The Story of an Every Day Darkey Who Turned His ‘Watermillions’ Into Dollars for the White Pickaninnies.” In that article, Nelson was referred to as London, although only a few weeks earlier he was identified by the same paper as “Ludlow Wilson.”
That same racist article, however, noted the shameful irony of his plight. “He had been born and brought up in slavery,” the paper observed, “but he was too full of love of freedom to wear the shackles always, and so he worked and struggled until he was able to buy himself—to buy his own flesh and blood, his own body and brains, and the right to do with them as he would.”
Nelson received scattered coverage over the next few decades. Through the modern miracle of digitized newspapers, however, I recently discovered something I had not realized before: that in the 1930s, Nelson’s legacy had garnered national attention. In June 1934, on the front page of the Oakland Tribune, in a popular column called “The Knave,” Nelson’s legacy received a full-throated recognition when it was noted that students from Mission Hill School “marched to the Evergreen Cemetery where they decorated the grave of London Nelson, Negro, ex-slave and one-time shoe-maker.”
From Nelson’s cabin, noted the Knave, “he could see the two room wooden school house where sessions had been suspended because of lack of funds.”
Two years later, in 1936, the Sentinel published a similar story, albeit using the name of Louden. The story went viral over the newswires. It appeared in newspapers across the country, from coast to coast—from Utah to Pennsylvania, from Texas to New York. As late as March 1937, it appeared in Kenosha, Wisconsin. The headlines read: “Ex-Slave Aided School,” while the story mistakenly implied that his tombstone had only just been erected. What was being treated as a news story had happened in the previous century.
The details be damned, London Nelson’s story had gone national—and even crossed over into Canada.
It is only fitting that the formal ceremonies commemorating the name change of the city’s community center in honor of London Nelson should be held there this coming Saturday, at the annual Juneteenth celebration, where it has taken place for the past 30 years—ever since Raymond Evans, then serving as assistant director of the center, decided it was time to bring the Juneteenth celebration to his adopted city.
A native of Texas, Evans once told me that he was shocked to find that there were no traces of Juneteenth in the region when he first arrived here. He had grown up in the predominantly all-Black neighborhoods of Dallas, and from his earliest memories, Juneteenth was celebrated by the entire community. It was, he declared, “Black America’s Fourth of July.”
In recent years, the role of coordinating the Juneteenth celebration has been taken up by Ana Elizabeth and her brother, music maven David Claytor of Sure Thing Productions. “I love acknowledging the significance of Juneteenth,” says Elizabeth, “but more I love the Black Santa Cruz family coming together yearly. It’s a moment of appreciation that we are still here as one of the smallest groups in this county. It’s one of the few times we come together to love each other up as we are able to look upon a sea of faces that look like us, restoring us to keep on with our work for equity and justice in this community.”
One thing is for certain: the spirit of London Nelson will pervade the festivities. He’s going to feel right at home.
The annual Santa Cruz Juneteenth celebration will be held Saturday, June 19, at Laurel Park and the London Nelson Community Center, from 1-4pm. Live music, soul food, and dance will be featured. A basketball clinic begins at 2pm at 440 Washington Street. The event is free.
Many in attendance at the city council meeting said plans do little to address calls for more parks funding and cuts to the police department's budget.
Thank you so much for keeping up the public interest in the Keep On Truckin’ tour of Tandy Beal & Co. I appreciate hearing about these kinds of activities which all the community can participate in. In these hard times, where artists’ livelihoods have been so restricted due to the pandemic, it is a breath of fresh air to...
Re: “Scotts Valley Town Center May Need More Homes to Succeed” (goodtimes.sc, 6/11): How did, “civic leaders want to manifest into something to serve locals, attract visitors and inject more life into the community” become: “‘This is not going to be a retail Town Center,’ Gibbs said, pointing to banks’ skittish attitude toward commercial projects in the online era”?
Why...