‘Pandemic of the Unvaccinated’

By Sarah Mervosh, The New York Times

President Joe Biden has declared the current coronavirus surge a โ€œpandemic of the unvaccinated.โ€

But as the United States confronts its worst moment of the pandemic since the winter, there is a group of 48 million people who do not have the option of getting a vaccine: children younger than 12.

Because a vaccine is not yet authorized for young children and may not be for some time, their families are left in a particularly difficult position heading into this school year.

โ€œWaiting for a vaccine for the under-12 set has started to feel like waiting for Godot,โ€ said Dana Gilbert, 49, of Minneapolis.

Her 11-year-old son was born prematurely and has special needs, and a family doctor advised that he not return to school in person until a vaccine is available.

She had hoped that might happen by now. Instead, she is scrambling to find a tutor.

Her plan is to wait out the clock: Keep him at home until a vaccine is authorized for emergency use or until he turns 12 next year, whichever comes first.

Polls show that a considerable number of parents do not intend to get their children vaccinated even when shots become available. The Kaiser Family Foundation found that 25%-30% of parents with younger children would โ€œdefinitely notโ€ get them vaccinated. A Gallup poll found that 46% do not plan to do so.

But millions of other families are in anxious limbo, waiting for a vaccine as the delta variant leads to a swell of new cases, including in children.

The timeline for a vaccine for children younger than 12 โ€” initially expected by this fall โ€” appears to have slowed as officials consider safety, effectiveness and dosage. Dr. Anthony Fauci, the nationโ€™s top infectious disease expert, recently indicated that a vaccine could become available to young children โ€œhopefully by the mid, late fall and early winter.โ€ Shots for children ages 5-11 are expected first; children as young as 6 months may have to wait longer.

In interviews, many parents of children younger than 12 described feeling increasingly desperate, angry and backed into a corner as they reluctantly send their children into the classroom this fall โ€” or resort to drastic actions to keep them safe.

Others are less worried but equally frustrated as they head into another school year marked by pandemic rules. In some cases, mandates are being applied most stringently to young children not eligible for a vaccine.

โ€œIt doesnโ€™t feel like there are any good options at this point,โ€ said Adina Ellis, 45, who tossed and turned in bed for hours the night before school started this week in Washington, D.C., racked with indecision about whether to send her 6-year-old son, Cassius.

Ellis lost her father to COVID-19 last year and had been among a group of parents calling for the mayor to allow remote learning. But like some other large cities, Washington is requiring nearly all students to attend in person this year.

On the first day of school, Ellis rose before dawn, sat on her front porch with her husband and made a โ€œgame-time decision,โ€ she said, to drop her son off at school. Watching him walk up the steps, carrying a Hot Wheels backpack, some part of her became resigned to the possibility that he may get infected.

โ€œThat thought will haunt me for as long as heโ€™s going to school unvaccinated,โ€ she said.

The data on coronavirus cases in children is imperfect, but by most accounts, serious illness has been rare.

Throughout the pandemic, fewer than 2 in 100 COVID-19 cases in children have resulted in hospitalization, and fewer than 3 in 10,000 cases have resulted in death, according to state-level data analyzed by the American Academy of Pediatrics. Because many asymptomatic cases in children may go undetected, the risk could be lower.

But the delta variant has added a new wrinkle that is not yet fully understood.

More children are now getting seriously sick as hospitals fill up with coronavirus patients, by and large unvaccinated. Delta is roughly twice as infectious as the original virus, leading to more overall infections, and researchers are seeking to understand whether it is also more severe. One recent study found that delta is more likely to cause hospitalizations. Some children have also developed debilitating long-term cases of COVID, even after initially mild or asymptomatic infections.

That uncertainty has left parents to make their own risk calculations, often coming to vastly different conclusions.

Mike Mulder, 41, is more worried about his childrenโ€™s risk from a vaccine than from COVID-19 itself.

โ€œA lot of people like to paint people like us as anti-vax, but weโ€™re not,โ€ said Mulder, who lives in San Luis Obispo County, California, and is part of a parent group that pushed for in-person learning and mask freedom during the pandemic.

He said he had vaccinated his six children for other diseases but was not yet ready to do so for the coronavirus because of the lack of long-term studies.

โ€œWe are just concerned, like so many other people, that itโ€™s so new,โ€ he said.

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Todd Newlin, 40, of Ramsey, Minnesota, near Minneapolis, said that he and his wife were vaccinated and planned to vaccinate their children, ages 4, 9 and 11, when a shot became available. He is open to the vaccines, in part, because he wants his family to be able to travel, go unmasked and live life as normally as possible.

But with cases rising, his district enacted a mask requirement for kindergarten through sixth grade. Older students โ€” who have the option to be vaccinated โ€” do not have the same requirement.

He said he would reluctantly follow the local mandate, although he views the health risks for children who get the coronavirus as relatively low.

โ€œIโ€™m not going to teach my kids to live in fear,โ€ he said.

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At least 450 children have died from COVID-19, according to the Centers for Disease Control and Prevention, out of more than 640,000 people who have died in the United States.

Alexandra Simbaรฑa looks at the same risks and is gripped with fear.

โ€œWhen people say, โ€˜Oh, a small percentage of children will get fatally sick,โ€™ that is not comforting when you have been to the dark side of the moon,โ€ said Simbaรฑa, 42, of Washington, D.C., who was hospitalized for COVID-19 last year and is still suffering from health problems.

She kept her 9-year-old daughter home this week rather than send her into a classroom.

โ€œNo,โ€ she said, โ€œthat 1% could be my child.โ€

And then there is a simple practicality that often cuts through it all: child care.

โ€œIf I had an option and I could keep them at home and keep the lights on and feed them, it would be a no-brainer,โ€ said Isis Spann, 32, of Moncks Corner, South Carolina, an education coach who works with families to teach elementary-age children at home. โ€œBut it just doesnโ€™t work out for our family dynamic that way.โ€

She is cautiously sending her four children to school in person this fall.

The lack of a vaccine for young children has also helped fuel anxiety over masking.

In Texas, where school mask mandates are banned, Jason Helms, 39, of Fort Worth said he became alarmed on the first day of school when his 6-year-old daughterโ€™s teacher was not wearing a mask.

โ€œWe went home, and we laid on the floor, and we cried,โ€ Helms said.

He was particularly concerned about exposing his 3-year-old daughter, who is vulnerable to respiratory problems.

His family felt they had little choice but to move.

His wife, Meaghan Helms, took the children to live with her parents in North Carolina, where the family believed they would have more access to childrenโ€™s hospital beds and where their 6-year-old is attending a school that requires masks. Jason Helms has remained in Fort Worth for work.

Federal officials are facing intensifying pressure to accelerate emergency use authorization for a vaccine, including from the American Academy of Pediatrics, which has urged authorization โ€œas soon as possible.โ€

Tera Long, 39, of Sallisaw, Oklahoma, was so worried about her stateโ€™s ban on mask mandates that on the second day of school, she signed up her daughter, 10, for a clinical trial for a vaccine.

โ€œIโ€™m ready,โ€ she said.

Two coronavirus vaccine makers, Pfizer-BioNTech and Moderna, recently expanded the size of their studies in children ages 5-11, a precautionary measure intended to detect rare side effects, including heart inflammation problems.

Pfizer has said it may be able to submit data to the Food and Drug Administration this month, but any timetable for authorization is uncertain.

(STORY CAN END HERE. OPTIONAL MATERIAL FOLLOWS.)

For the time being, many parents are just trying to get by.

Juliet Muller, 46, sent her 9-year-old daughter back to school in Chicago this week, hoping for the best. If her daughter stays healthy, she said, the benefits of learning in person and being around other children will be worth it. Still, she cannot help thinking about worst-case scenarios.

โ€œYou are just juggling chain saws,โ€ she said. โ€œAnd you are hoping to catch it right.โ€

Lake Tahoe Fire Lines

By Thomas Fuller, The New York Times

SOUTH LAKE TAHOE, Calif. โ€” The day feels toxic: all those tiny pieces of ash combining to shroud Lake Tahoe, a gray miasma that warns of the megafire just 8 miles from the shore.

But the night: the night feels treacherous. Well after dark the Caldor fire engulfs pine trees with a crackling sound that crescendos into a roar. The flames donโ€™t burn boughs laden with needles so much as they make them disappear with a blinding flash.

On Tuesday and into the early hours of Wednesday, fire trucks and their bleary-eyed crews careened around hairpin turns, their headlights slicing through the murky gray smoke like the beam of a lighthouse on a foggy morning.

To traverse the front tendrils of the Caldor fire in the dead of night was to wonder what flames might shoot up onto the road, what bush might suddenly ignite, what carbonized towering evergreen might smash to the ground.

โ€œSometimes you hear trees falling every five minutes,โ€ said Jason Allen, a firefighter who was hacking at a patch of ash-covered soil to reveal marble-size embers that a colleague extinguished with a hose.

Working by the light of his truck, Allen was in a wooded residential neighborhood a 10-minute drive from the shores of Lake Tahoe. This was the forward edge of the Caldor fire, although there were so many small spot fires that the landscape resembled more a series of large camp fires than a singular front.

On Monday, embers had leapt down the steep slopes of the Tahoe basin, igniting the spot fires that now needed to be laboriously extinguished to prevent the fire from advancing toward the lake.

One of those embers had set alight a tree a few hundred feet from where Allen hacked the soil. Without warning the burning tree produced a shower of sparks, a bright Milky Way of fire.

โ€œThereโ€™s a little bit of beauty in all this destruction,โ€ Allen said.

The potential for destruction is clear. The fire is menacing tens of thousands of what fire statisticians dryly call structures โ€” wooden vacation cabins, Thai restaurants, churches, cheap motels and five-star resorts. Since the fire landed in the Tahoe basin on Monday, everything has seemed vulnerable, all the places that crowd the lake.

On Tuesday night, the fire ravaged stands of trees but did not seem to move in any consistent direction. A 40-minute drive from Lake Tahoe โ€” in the hills across from the Kirkwood ski resort โ€” one leg of the Caldor fire aggressively burned entire hillsides, casting a reddish glow into the night sky.

Closer to the lake, the fire was more sedate in the early hours of Wednesday, burning more gently than it had the night before, when it forced its way into the basin.

The fire has a ways to travel before it reaches the lakeshore. A golf course, an airstrip, a timber merchantโ€™s roadside lot crowded with neatly stacked logs and, perhaps more ominously, a propane storage facility โ€” all separating the flames from the boundary line of South Lake Tahoe, the most populous city on the lake.

Given the erratic โ€” and often terrifying โ€” behavior of Californiaโ€™s megafires in recent years, it seems anyoneโ€™s guess when and whether the fire will reach the lake.

Firefighters on Tuesday night were making a stand, calculating that they might be able to stop the flames at a creek along Highway 50, the road that wends down from the mountains toward South Lake Tahoe.

Minutes before midnight, hand crews were clearing brush by the lights of their headlamps. A cacophony of chain saws, generators and pickaxes striking the soil competed with the rumbling of diesel engines of fire trucks lined up along the side of the road.

An engineer with a firefighting unit from Tuolumne County was drawing water from the creek and redirecting it through 2,000 feet of fire hose to extinguish burning trees.

A few minutes away, a crew from Clovis, a city in Californiaโ€™s Central Valley, went to investigate a brightly lit spot fire burning in the woods. The unitโ€™s captain, Rob Wright, decided to leave it alone.

โ€œThereโ€™s too many of these to put them all out,โ€ he said.

Watsonville’s Diamond Technology Institute Honored

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Diamond Technology Institute in Watsonville was recently honored for its programming promoting college and career readiness.

The school is the recipient of a Gold Medal for its work with the Career Choices Series curriculum and My10yearPlan.com, created by Academic Innovations, an award-winning educational publisher.

The Career Choices program aims to help students, starting in their ninth-grade year, to create 10-year plans for their future education and career goals. 

Mindy Bingham, founder, and president of Academic Innovations who authored the curriculum said that the program takes students through a comprehensive guidance process, working with counselors and instructors. The aim is to prepare them for more than just getting into college.

โ€œItโ€™s about asking, โ€˜What is the endgame?โ€™ Not just whether you can get into a top school,โ€ Bingham said. โ€œResearch shows that students who have these plans are much more likely to get to where they want to be. And colleges โ€ฆ are choosing students who know what they want to do after graduation.โ€

Diamond Tech is a Career Technical Education (CTE) school under the purview of the Pajaro Valley Unified School District, blending academic education and career training. All students graduate with pathways into digital media arts, engineering, business design or agricultural science.

Career Choices and My10yearPlan.com are โ€œfundamentalโ€ to Diamond Techโ€™s vision, said instructor Ryan Richards. 

โ€œWeโ€™ve asked kids to give honest feedback the last couple of years โ€ฆ and over 90% answer positively when asked if they feel ready for college and careers,โ€ he said. โ€œThatโ€™s way above most high schools. Students feel empowered here. They have answers.โ€

Alumnus Angel Ortiz, who graduated from Diamond Tech in 2019, said the school helped them prepare for many of the courses at UC Merced.

โ€œMost of the classes I have right now are a review of what I had [at Diamond Tech],โ€ Ortiz said. โ€œI will forever thank them for preparing me for college.โ€

Richards said that 70% of Diamond Tech students last year applied to colleges and universities and that the career planning theyโ€™ve adopted has been a big factor.

โ€œSome of my favorite moments as a teacher are seeing these kids get their admission letters,โ€ he said. โ€œIโ€™ve worked with many students who are first-generation going to college. This program has given them the potential to have that experience.โ€

Diamond Tech is among 22 schools across the nation that have been awarded a Career Choices Medal for the 2020โ€“2021 school year, which brought many unprecedented challenges to the education sector, including the shift to remote learning and the need to attend to studentsโ€™ social-emotional health.

Bingham said that being awarded a Gold Medal means that a school is using the program with โ€œfidelity.โ€ Diamond Tech has done this and more, she said, during a very challenging time.

โ€œDiamond Tech is doing it rightโ€”theyโ€™re very serious about this,โ€ she said. โ€œThey have done a lot of unique and creative things with the program.โ€

This includes a series of videos, which students record and create to discuss their time at the school and working with Career Choices. Each student explains their own 10-year plan, which includes everything from budget planning to college selection.

Senior Adriana Jimenez said she appreciates Diamond Tech offering so many different kinds of classes. Not only are students expected to take basic courses, but they can also sign up for electives. 

โ€œYou get to explore a lot of options,โ€ Jimenez said. โ€œMy time here โ€ฆ I realized I want to go into nursing. Diamond Tech helped me create a timeline for that. They help you prepare for your future.โ€

Fellow Senior Gordon Xiao had a similar experience.

โ€œI really like that this school gives you diverse pathways you can take,โ€ he said. โ€œThey really go into detail about your future, like what your goals are and how your future budget fits into that. After being here, I have a plan โ€ฆ I want to become a pharmacist.โ€

Richards said that the school receiving the Gold Medal is a โ€œreally big honor.โ€

โ€œEveryone, my colleagues and the students have been working so hard,โ€ he said. โ€œIt means a lot to get this recognition.โ€

Santa Cruz Businesses Show Appreciation to Farmworkers

About two dozen farmworkers settled in on picnic tables at a Lakeside Organic Gardens field Wednesday for a fresh, healthy lunch featuring the very crops they harvest. 

The meal was prepared by Charlie Hong Kong, a Santa Cruz Asian fusion restaurant that was Lakesideโ€™s first restaurant partner more than 20 years ago. For the past six years or so, the two have teamed up to offer the free lunch.

โ€œItโ€™s just so awesome,โ€ said Lakesideโ€™s Operations Manager Juan Gonzales. โ€œItโ€™s a great way to show these people where their hard work is going, and thank them for what they do.โ€

Carolyn Rudolph, who owns Charlie Hong Kong with her husband Rudy Rudolph, said that the event is special because it draws attention to the importance of Pajaro Valleyโ€™s agricultural lands and workers.

โ€œThe field, this land โ€ฆ I really feel that itโ€™s sacred,โ€ she said. โ€œWeโ€™re feeding the rest of the United States from right here. Itโ€™s a privilege and an honor. Thatโ€™s why I want to highlight it like this.โ€

Workers were treated to some of Charlie Hong Kongโ€™s signature dishes, including its bestseller, Spicy Danโ€™s Peanut Delightโ€”featuring eggless wheat noodles, spicy coconut sauce, peanuts, pickled carrots and daikon, and of course a medley of Lakeside produce. They also served up pork rice and kung pao. For dessert, cookies were donated by local bakery Kerri Kreations.

โ€œI thought the meal was perfect,โ€ said Rigoberto Hernandez of Salinas. โ€œIโ€™ve only had food like this once before. It was really good. I am thankful for this lunch.โ€

The meal was held at Pajaro Ranch, which features 20 acres of chard and kale, as well as iceberg lettuce, broccoli, mixed greens, and more that are all grown organically in rotation throughout the year.

Rudolph said that she admired Lakeside owner and farmer Dick Peixoto for his attention to soil health at his fields.

โ€œThe soil fields the crop. A lot of people donโ€™t know that the soil is where all the nutrition comes from,โ€ she said. โ€œEspecially now with Covid, we know more than ever how important it is to eat healthy.โ€

Dick Peixoto chops up about 100 pounds of organic veggies every morning, and about a ton of chard alone is used per month. Rudolph said that this is why Lakeside has been an ideal partner.

โ€œTheyโ€™re the only ones who grow enough to supply us,โ€ she said. โ€œPlus, they deliver, which is a big help.โ€

Charlie Hong Kong is in the midst of a rebranding. They soon plan to create a new logo and change their name to Charlieโ€™s Healthy Kitchen, which Rudolph said is to lessen confusion. Many customers think that the business is solely a Chinese restaurant, she said.

Meanwhile, Lakeside is celebrating its 25th anniversary this year. Peixoto said that in addition to the annual lunch, the company has established a free, year-round โ€œfarmers marketโ€ at their plant, where workers and their families can pick up organic produce that they harvest to bring home.

โ€œAny way we can support the community, weโ€™re happy to help out,โ€ Peixoto said, โ€œand also say thanks to these hard workers โ€ฆ We hope it inspires them to eat healthier food; it gives them an option.โ€

Aptos High Student Dies In Campus Stabbing

LIVE OAKโ€”A 17-year-old Aptos High School student died Tuesday after he was stabbed multiple times, and two other studentsโ€”14 and 17โ€”are facing murder charges for the attack, which occurred on the schoolโ€™s campus.

Santa Cruz County Sheriff Jim Hart made the announcement during a press conference Tuesday night. 

The 2:30pm incident drew about 15 patrol cars from the Sheriffโ€™s Office and the California Highway Patrol who raced to establish a crime scene and shut down the entrance and exit from the campus at Freedom Boulevard. Hart said deputies found a boy suffering from multiple stab wounds near the campusโ€™ swimming pool and that a deputy performed CPR until paramedics arrived. The school was put on lockdown as search teams combed the campus with guns drawn and a K9.

Central Fire set up a landing zone at the school baseball field where a CALSTAR rescue helicopter flew over the campus before landing in the outfield of the diamond. The victim was taken from the crime scene to the field by paramedics from American Medical Response and loaded into the helicopter before being taken to a trauma center outside of the county.

Aptos High remained on lockdown until about 5:30pm.

A huge logjam of traffic, mostly parents trying to pick up their children, lined up along Freedom Boulevard back to Highway 1 where a CHP officer grappled with traffic control. Near the entrance to the campus, a clutch of parents hugged one another, some in tears, as they yearned for information about the unfolding events. They took turns making frantic phone calls while trying to comfort one another.

It is unclear whether the suspects or the victim were involved in criminal street gangs. Hart declined to comment on the matter Tuesday, citing the ongoing investigation.

โ€œItโ€™s something we will be looking into in the next few days,โ€ he said.

Hart said the incident was the first on-campus homicide he has seen in his 33-year law enforcement career in Santa Cruz County.

About 25 people are assigned to the case, Hart said. He added that witnesses may have recorded the attack on their cell phones, and asked them to come forward. Witnesses, Hart said, would not face criminal charges.

โ€œPlease come forward and provide us with that evidence,โ€ Hart said. โ€œIt could be critical to this case.โ€

Pajaro Valley Unified School District Superintendent Michelle Rodriguez said PVUSD would offer grief counselors on Wednesday and Thursday at Cabrillo Collegeโ€™s Aptos campus in Building 100, and the Watsonville campus in Building A.

The district also held a community forum about the stabbing Thursday night.

โ€œOur hearts are heavy tonight as we mourn the death of our Aptos High student,โ€ Rodriguez said. โ€œThis senseless tragedy is a loss for all of us who knew the student, his parents, his friends and our community but most importantly his family.โ€

Grief counselors will be at Aptos High Friday when the campus reopens from a two-day closure. So too will Sheriffโ€™s deputies, Rodriguez said in a letter Wednesday.

โ€œWe have received an outpouring of concern around campus safety and will continue to listen and seek a model of staffing and support that is responsive to the needs of our community,โ€ she wrote.

A GoFundMe page has been set up to help the family of the victim defray funeral costs. The creator of the page wrote that she gained the familyโ€™s permission to โ€œgrieve their loss and have them not to worry about how theyโ€™re going to pay for upcoming bills and expenses.โ€ The author described the student as โ€œa kind-hearted and respectful young manโ€ by neighbors and family.

More than 720 people had donated roughly $37,500 as of Thursday afternoon.

Another PVUSD student was arrested Wednesday after she pulled out a knife during an altercation at Cesar Chavez Middle School, Watsonville Police Department spokeswoman Michelle Pulido said.

School staff detained the 13-year-old and held her until WPD officers arrived to arrest her shortly after 8:40am.

Barrios Unidos and the Community Action Board are planning to hold a vigil at Romo Park in downtown Watsonvilleโ€”across the street from the City Plazaโ€”on Sunday from 10am-noon for the youth and their families.

Anyone with information about the Aptos High stabbing is asked to call Sgt. Billy Burnett at 454-7702.


Anyone who needs additional counseling or support can call Pajaro Valley Prevention and Student Assistance at 728-6445, or Santa Cruz County mental health services at 454-4170.

Things To Do in Santa Cruz: Sept. 1-Sept. 7

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A weekly guide to whatโ€™s happening.

ARTS AND MUSIC

BANFF CENTRE MOUNTAIN FILM FESTIVAL VIRTUAL FESTIVAL Fluff up your couch cushions, grab a snack and connect to stellar outdoor adventures. This year, the Banff Centre Mountain Film Festival World Tour is virtual, so you will be able to travel to the most remote corners of the world, go on daring dive expeditions and celebrate remarkable outdoor achievements without having to leave your home. The monthly online film series features a mixed program of award winners from the 2018, 2019 and 2020 Banff Centre Mountain Film and Book Festivals. Additionally, the โ€œEncore Classic Films” from the past 10 yearsโ€”audience favoritesโ€”are available for purchase, individually, or as a bundle. Screenings go through Oct. 24. For more information, visit riotheatre.com or filmfest.banffcentre.ca. Rio Theatre, 1205 Soquel Ave., Santa Cruz.

CABRILLO YOUTH STRINGS FALL SEMESTER IN PERSON Cabrillo Youth Strings begins the Fall Semester in person. Registration for this nine-week string orchestra session is underway. Classes held in the Music Building, VAPA5000 in Aptos. Beginning Strings (4th-6th Grade violin/viola/cello) 4-5:15pm. Auditions for Festival Strings (Beg.-Int.) and Cabrillo Strings (Int.-Adv.) held 3:45-4:15pm before the first rehearsal Friday, Sept. 3. Festival Strings meets 4:15-5:45pm and Cabrillo Strings, 4:15-5:55pm on consecutive Fridays until Oct. 29. Safety protocols followed. Players 7-18 years old are welcome. For more information or registration, call 831-479-6101 or visit cabrillo.edu/cabrillo-youth-strings. Before the first class, call 831-479-6331. Friday, Sept. 3, 4pm. Cabrillo College, 6500 Soquel Drive, Aptos.

MOTIV SUNDAY NIGHT FOR โ€˜SHEDM: THE FEMALE CREATORS OF DANCE MUSICโ€™ On Sundays, DJs mix the darkest BASS beats from some of the best female and LGBT producers around. Donโ€™t miss out. Guest DJs every week. For more information, visit facebook.com/events/3008160246139834. Sunday, Sept. 5, 9pm. Motiv, 1209 Pacific Ave., Santa Cruz.

COMMUNITY

BRUNO’S BACON AND BLOODY FEST Celebrate Bruno’s Fourth Anniversary with two days of fun and games! Bruno’s was voted Best Restaurant in Scotts Valley two years in a row by Santa Cruz Sentinel readersโ€”the burgers and Bloody Marys have won Best in the County awards four times. Drink up those award-winning cocktails and burgers along with additional bacon-filled dishes; live music, a giant inflatable axe throwing game, corn hole, face painting and much more. Free. Well-behaved pets are welcome. Saturday, Sept. 4, Noon-8pm. Sunday, Sept. 5, Noon-8pm. Bruno’s Bar and Grill, 230G Mount Hermon Road, Scotts Valley.

COMMUNITY PILATES MAT CLASS Build strength! Please bring your own mat, a small Pilates ball and Theraband, if you have one. You must be vaccinated. $10 suggested donation.  Thursday, Sept. 2, 10am. Tuesday, Sept. 7, 10am. Temple Beth El, 3055 Porter Gulch Road, Aptos.

GREY BEARS BROWN BAG LINE Grey Bears are looking for help with their Brown Bag Production Line on Thursday and Friday mornings. Volunteers receive breakfast and a bag of food (if wanted). Masks required. For more information, visit greybears.org or call 831-479-1055. Thursday, Sept. 2, 7am. California Grey Bears, 2710 Chanticleer Ave., Santa Cruz.

POETS’ CIRCLE POETRY READING SERIES Join featured reader, Mark Loring, author of The Soulโ€™s Collection: An Intimate Awakening and the forthcoming They Whispered to Stay Alive: Bring Us Home. Open mic for all levels. Sponsored by the Friends of the Watsonville Public Library. Hosted by Magdalena Montagne. Access the Zoom link for the virtual event at cityofwatsonville.org/348/Poets-Circle. Thursday, Sept. 2, 5-7pm. Watsonville Public Library, 275 Main St., Suite 100, Watsonville.

WESTSIDE MARKETPLACE First Sundays at the old Wrigley parking lot feature local art, handmade and vintage shopping, food trucks and live music. For more details visit scmmakersmarket.com or foodtrucksagogo.com. Sunday, Sept. 5, 11am-5pm. The Old Wrigley Building, 2801 Mission St., Santa Cruz.

YOUNG LADIES INSTITUTE RUMMAGE SALE Help raise money for local charities. The $5 buys a bag of rummage! Sunday, Sept. 5, 8:30am-1pm. Our Lady Star of the Sea Church, 515 Frederick St., Santa Cruz.

GROUPS

ENTRE NOSOTRAS GRUPO DE APOYO The Entre Nosotras support group for Spanish-speaking women with a cancer diagnosis meets twice monthly. Please call Entre Nosotras at 831-761-3973 to register. Friday, Sept. 3, 6pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

FAMILY SANGHA MONTHLY MEDITATION Come help create a family meditation cooperative community. Parents meet in the main room for about 40 minutes of silent meditation followed by 10-15 minutes of discussion about life and mindful parenting. In a separate volunteer-led room, kids play and explore mindfulness through games and stories. Parents may need to help with the kids for a portion of the hour, depending on volunteer turnout. Children of all ages are welcomeโ€”quiet babies are welcome in the parents room. Please bring toys to share. Donations encouraged. Sunday, Sept. 5, 10:30am-noon. Insight Santa Cruz, 740 Front St. #240, Santa Cruz.

S+LAA MENS’ MEETING Having trouble with compulsive sexual or emotional behavior? Recovery is possible. The small 12-step group meets Saturday evenings. Enter through the front, go straight down the hallway to the last door on the right. Thursday, Sept. 2, 6pm. Sutter Maternity & Surgery Center, 2900 Chanticleer Ave., Santa Cruz.

WOMENCARE ARM-IN-ARM WomenCARE Arm-in-Arm Cancer support group for women with advanced, recurrent, or metastatic cancer meets every Monday at the WomenCAREโ€™s office. Currently, the groups are held on Zoom. All services are free. Call WomenCARE at 831-457-2273 to register. For more information, visit womencaresantacruz.org. Monday, Sept. 6, 12:30pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

WOMENCARE MEDITATION GROUP WomenCARE’s meditation group for women with a cancer diagnosis meets the first and third Friday from 11am-noon. For more information and location: 831-457-2273. Monday, Sept. 6, 11am-noon. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

WOMENCARE TUESDAY SUPPORT GROUP WomenCARE Tuesday Cancer support group for women newly diagnosed and through their treatment. Meets every Tuesday currently on Zoom. Registration required, call WomenCARE 831-457-2273. Tuesday, Sept. 7, 12:30-2pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

WOMENCARE: LAUGHTER YOGA Laughter yoga for women with cancer meets every Wednesday on Zoom. Please call WomenCARE at 831-457-2273 to register. Wednesday, Sept. 1, 3:30-4:30pm. WomenCARE, 2901 Park Ave., Suite A1, Soquel.

OUTDOOR

BEE SMARTS! LEARN ALL ABOUT BEES WITH GIRL NEXT DOOR HONEY Sponsored by the Felton Library Friends, learn all about bees and their important role in our ecosystem with Hilary Kearney of Girl Next Door Honey. Grab & Go Kits containing bee-friendly flower seed packets and a honey stick are available at the Felton Branch (supplies limited). Hilary Kearney, author of two books on bees, Queenspotting and The Little Book of Bees, founded Girl Next Door Honey in 2012 in her hometown of San Diego after graduating from UCSC with a degree in Fine Art. Girl Next Door Honey focuses on bee-centric programs such as natural beekeeping classes, apiary management, classroom presentations, beehive tours, live bee removal and more. For more information, visit santacruzpl.libcal.com/event/8167104. Wednesday, Sept. 1, 1pm. 

CASFS FARMSTAND Organic vegetables, fruit, herbs and flowers are sold weekly at the CASFS Farmstand through Nov. 23. Proceeds support experiential education programs at the UCSC Center for Agroecology & Sustainable Food Systems. Friday, Aug. 27, Noon-6pm. Friday, Sept. 3, Noon-6pm. Tuesday, Sept. 7, Noon-6pm. Cowell Ranch Historic Hay Barn, Ranch View Road, Santa Cruz.

FREE TUESDAY AT UCSC ARBORETUM Explore the biodiversity of the gardens, great birdwatching or relax on a bench in the shade. Tuesday, Sept. 7, 9am. UCSC Arboretum & Botanic Garden, 1156 High St., Santa Cruz.

GUIDED HIKE: CASTLE ROCK FALLS AND GOAT ROCK Hike one of the most exciting and scenic trails in the Bay Area. This moderate 5.15-mile loop has 1,190 feet elevation gain and amazing panoramic views. This hike is rated โ€œmoderateโ€ because hikers need to step onto rocks, balance and scramble over rocks. Hikers should be comfortable with their sense of balance. Bring at least one liter of water, lunch, snacks and appropriate clothing. Rain cancels. Meet at the Kirkwood Entrance and parking lot, near the office. Vehicle day-use fee is $10. Register at santacruzstateparks.as.me/schedule.php. Sunday, Sept. 5, 10am-3pm. Castle Rock State Park, 1500 Skyline Blvd., Los Gatos.

HISTORIC RANCH GROUND TOUR Discover what life was like a century ago on this innovative dairy ranch. The hour-long tour includes the 1896 water-powered machine shop, barns and other historic buildings. $10 for vehicle day-use. Space is limited and early pre-registration is recommended. Attendees are required to self-screen for Covid symptoms when pre-registering. Masks and social distancing required during all programs. For more information, call 831-426-0505. To register, visit santacruzstateparks.as.me/schedule.php. Saturday, Sept. 4, 1pm. Sunday, Sept. 5, 1pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz.

NATURAL BRIDGES LITTLE RANGERS Participants are invited to play games, listen to stories and songs, and learn about nature! Activities and games vary from week to week but always cover a topic relevant to Natural Bridges. Meet at the side porch of the Visitor Center. Parents or caregivers are required to stay and encouraged to help facilitate the fun and games. The day-use fee for vehicles is $10. For more information, call 831-423-0871. Masks and social distancing are also required at all programs. Although no pre-registration is required, this program has a class capacity and operates on a first come first serve basis, so make sure to arrive early, we canโ€™t wait to see you again! Monday, Sept. 6, 10-10:30am. Natural Bridges State Beach, Swanton Blvd. & W Cliff Drive, Santa Cruz.

NEW BRIGHTON JUNIOR RANGERS This fun one-hour program offers kids, ages 7-12, an opportunity to earn prizes while learning about birds, sea life, and local park animals, playing games, and doing arts and crafts. Meet at the campground Ramada. Spaces are limited, and early pre-registration is recommended. Attendees are required to self-screen for Covid symptoms when pre-registering. Masks and social distancing are required. For more information, call 831-685-6444. To register, visit santacruzstateparks.as.me/schedule.php. Friday, Sept. 3, 3pm. Saturday, Sept. 4, 3pm. New Brighton Beach, 1500 Park Ave., Capitola.

OUT AND ABOUT: BIRDING AT NEARY LAGOON Neary Lagoon Wildlife Refuge is an oasis for local wildlife in the heart of Santa Cruz. Binoculars provided for each participant and shared tips for identifying birds during the one-mile walk. Based on the museumโ€™s Wetland Walk field trip for third-grade students, concepts of seasonal change, migration and human impact are explored by recording observations. All ages are welcome. Saturday, Sept. 4, 10am-noon. Neary Lagoon, Bay St. and California St., Santa Cruz.

SEYMOUR CENTER OUTDOORS Hone your observation skills and watch animals, such as sea stars, sea urchins and hermit crabs, gracefully move during tide pool investigating. Explore the pathway of giants and find nine outdoor objects hidden around the Seymour Center during an outdoor scavenger hunt. Why do baby fish look so different from adults? What kinds of strategies do fish use for raising their young? And what kind of fish live in Monterey Bay? Find the answers to these questions in five secret containers located throughout the Coastal Science Campus. Grab a selfie with one of our life-sized wooden marine animals at the Marine Animal Selfie Station. $10 suggested donation per household. Purchase a membership, and become a sustaining supporter of the Seymour Center. To learn more, visit seymourcenter.ucsc.edu/visit. Saturday, Sept. 4, 11am-2pm. Seymour Marine Discovery Center, 100 McAllister Way, Santa Cruz.

SUNSET BEACH BOWLS Experience tranquility, peace, and calmness as the ocean waves harmonize with the sound of crystal bowls raising vibration and energy levels. Every Tuesday, an hour before sunset at Moran Lake Beach. For more details, call 831-333-6736. Tuesday, Sept. 7, 7:15-8:15pm. Moran Lake Park & Beach, East Cliff Drive, Santa Cruz.

YOU PICK ROSES Get out of the house and enjoy cutting a bucket of deeply fragrant, lush and multi-colored roses to share with family and friends. Visit birdsongorchards.com for reservations and directions to the Watsonville farm. Once you purchase, you will receive a calendar link to select a time. Friday, Sept. 3, 11am. Sunday, Sept. 5, 11am.

Joel Gouletโ€™s โ€˜The Golden Bouzoukiโ€™ has the Cinematic Makings of a Cult Classic

0

Elvis did everything in his movies: he went into the army, found employment with a struggling carnival and sang in a rodeo. Though he never starred in a Hollywood epic like The 7th Voyage of Sinbad or Hercules in the Haunted Worldโ€”what a tragedyโ€”itโ€™s easy to imagine his homespun southern charm and rockabilly swagger as he fights off gigantic mythical beasts or discusses political coups of the Roman Empire. 

Santa Cruz native Joel Goulet spent more than 10 years making a feature-length film that shows what couldโ€™ve been if Elvis had starred in an action-adventure-fantasy of the โ€™50s and โ€™60s.

Showing at the Rio on Sept. 2, The Golden Bouzouki stars the Elvis-esque Johnny Diamonds as Johnny Orpheus, who sets out on a heroic, rock nโ€™ roll filled quest through ancient Greece. The weird melding of worlds comes naturally for Goulet. The result is gloriously campy, bizarre, low-budget fun; itโ€™s humorous and has a surprisingly good soundtrack.

โ€œI watched every Hercules movie and every Sinbad movie,โ€ Goulet says. โ€œElvis and

Hercules movies were happening at the same time. I wanted to see them cross over. Part of what I like to do is make movies that I would want to watch.โ€

The film was shot primarily in the Santa Cruz area at various beaches up Highway 1, and the green screen shots, which make up a lot of the movie, were filmed in local musician Hod Hulphersโ€™ backyard. Hulphers plays Machiste in the movieโ€”heโ€™s also a member of the Golden Bouzouki Band, which provides an eclectic musical backdrop with often hilarious lyrics.

โ€œWe swam deep into the tradition of the unintentionally campy stylings of Elvis Presley

and his movie career,โ€ Hulphers says. โ€œVivid and sometimes insensitive and selfish lyrics with straightforward alterations that hopefully come across as condescending to audiences as a movie voiceover might.โ€

The film leans into its low-budget constraints, using green-screen technology, monstersโ€”obviously homemade puppetsโ€”and overdubbed dialogue. Itโ€™s silly at times, and a tribute to multiple film genres mashed together.

Even with the filmโ€™s blatant reference to Elvis, the soundtrack offers more diversity than classic Elvis might. A majority of the cast are lifelong musicians. Goulet plays in the Sacramento-based garage rock group The Four Eyes; Hulphers is a well-known Santa Cruz-based musician with influences in folk, lounge and indie rock. Additionally, many other cast members are from the Golden Bouzouki Band.

โ€œNinety percent of the people in the movie, I know from playing music,โ€ Goulet explains.

Before The Golden Bouzouki, Goulet made two short films that starred Johnny

Diamonds, Bachelor Blues and Snow Buddies. The second was shot in the snow in Grass Valley, which made for a miserable experience. So, Goulet carefully considered the location for The Golden Bouzouki shoot; the Santa Cruz beaches were the obvious choice. He and some friends conceived and wrote the script and shot the principal photography in 2011. A lot of film takes place in a boat, which they built themselves.

Meanwhile, Goulet took on editing, special effects, sound design and music editing. The most challenging part was the puppets and costumes. But Goulet enlisted the talent of his wife and friends to assist. 

โ€œI think I put six thousand hours into it,โ€ he says. โ€œIt took a long time. Normally, youโ€™d have

a lot of people. I just kind of did it all as far as the post-production stuff.โ€

Even if the film is tongue-in-cheek and campy, it comes with a dark message that becomes clear by the end of the movie. Without spoiling it, letโ€™s just say that it is unexpected and not the ending Gouletโ€™s kid wanted it to have.

โ€œWe wanted to make a statement about the end of the age of myth,โ€ Goulet says. โ€œAnd the beginning of the age of history. I have a son now; I didnโ€™t when I started this movie. Heโ€™s like, โ€˜I donโ€™t want to see this ending ever again! You have to change the ending for me.โ€™โ€

The Golden Bouzouki plays one night only at 7:30pm on Thursday, Sept. 2 at Rio Theatre, 1205 Soquel Ave., Santa Cruz, $12. 831-423-8209.

Letter to the Editor: Hold Cyclists Responsible

Re: โ€œWild Rideโ€ (GT, 8/25): I hope the organizers and sponsors of the Santa Cruz Ride Out are held financially responsible for all law enforcement, municipal waste cleanup and any other damages this โ€œfamily friendlyโ€ event causes in our county. I witnessed the last “ride out” about this time of year in 2019 when this group rode into Jose Avenue Park. It was great to see this group of young people having fun on their ride. The number of riders was impressive! I can only imagine, though, what kind of traffic nightmares were happening on the roadways. But the most disturbing part of this event, as Iโ€™m sure the neighborhoods on the Westside experienced, was the sheer amount of trash that was left on the streets, parking lots and anywhere else these people traveled through. It was horrible. This group (as any) needs to be sanctioned by the appropriate county departments. They should have to put down a substantial deposit for any cleanup or damages incurred. Or just tell them to ride somewhere else.ย 

Linda Sutherland 

Santa Cruz


This letter does not necessarily reflect the views of Good Times.

To submit a letter to the editor of Good Times: Letters should be originalsโ€”not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc.


Opinion: Arts Groups Look to the Future

EDITOR’S NOTE

Completely by coincidence, I have two stories in this issue about beloved local arts institutions making big decisions about their future. It makes me think about how the Covid-19 pandemic has basically put all arts groups at a crossroads, and itโ€™s interesting to look at how the Santa Cruz Symphony and Santa Cruz Shakespeare are responding to that in ways that seem very different at first, but actually have a lot in common.

The symphony, as youโ€™ll read about in my cover story, has signed Music Director Daniel Stewart to a 10-year extension. Thatโ€™s a huge win for the organization, as Stewart was being courted by at least two major metropolitan operas, and for Stewart, as contracts of that length are almost unheard of in the symphony world. The organization is doubling down on Stewart in the biggest way they can, and he in turn is affirming that his musical vision and ambitionโ€”which, as youโ€™ll see from reading about the season he has planned, is substantialโ€”can be fulfilled here.

Santa Cruz Shakespeareโ€™s plan seems different in the sense that they are betting on a new leader now that artistic director Mike Ryan will step down. (This is Ryanโ€™s choice, of course; Iโ€™m sure SCS would have gladly signed him on for as long as he wanted.)

But on closer analysis, these two organizations are doing something very similar: seeking stability, and looking way ahead. The latter especially is not something arts groups are famous for, but I suspect that many more will have to do so. Ryan is not stepping down until after the 2023 season; if you consider that he informed the SCS Board of his intention two years ago so they could begin a search for his replacement, thatโ€™s five years notice. Charles Pasternak, who will replace him in 2024, has already stated his intention to work closely with Ryan to make the succession seamless, and said that he intends to extend and build on many of the policies Ryan has already put in place.

These groups are constructing their futures in very smart ways, and I think when you read my stories on their programming plans, youโ€™ll agree that these carefully considered foundations, and the innovation they support, will benefit those of us in the audience most of all.

ย 

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Re: Ride Out

I got caught in the traffic gridlock. It took me 45 minutes to go from Seabright to the Point. The bikers acted entitled and had a scary, mob-mentality vibe. My friend said they were pounding on his truck as he was trying to get out of the harbor area. He said it was scary. I was trying to be patient, but it was annoying to have people come into our town being disrespectful.

โ€” Justin

ย 

Sorry the bikes inconvenienced motorists in their pursuit of destroying the climate. I guess thatโ€™s an inconvenient truth. Ride on.

โ€” William

ย 

So what, Santa Cruz was clogged for one day out of the year. Be thankful we have the kind of community turnout for these unique events. Itโ€™s what keeps the city alive.

โ€” Josh

Re: Measure U

Really good and comprehensive article that should result in a serious debate over the many issues involved. A real debate would allow residents to understand there are trade-offs and consequences with every policy decision. Of course, you would need representatives of the multiple perspectives to be part of the discussion.

โ€” Ann

Re: Youth N.O.W. Closes

In a county as rich as ours, this is beyond disturbing that our youth have yet one more program close on them. Between not having programs that support them, housing costs so high that many are facing impending homelessness and dealing with a pandemic (sans support), our community and county are failing our youth terribly.

Adults complain about youth and their lack of fill-in-the-blank, and yet when there is a program as amazing as Youth N.O.W. out there, but it canโ€™t remain due to funding โ€ฆ thatโ€™s a crime. Especially in a rich county like ours. What is it going to take to keep programs like this one open for our youth?

โ€” Valerie Arno


PHOTO CONTEST WINNER

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GOOD IDEA

A WAY OUT

Watching the chaos unfold in Afghanistan as the Taliban takes over could make anyone feel helpless. If you are looking for a way to help Afghani families, consider donating to UCSCโ€™s โ€œAfghanistan Visiting Scholars Emergency Fund.โ€ If the $100,000 goal is met, the Executive Vice Chancellor will match it dollar-for-dollar, funding safe passage to several women and their families out of Afghanistan. The fund prioritizes women academics, journalists, and activists. Learn more at ucsc.scalefunder.com/cfund/project/27323.


GOOD WORK

LIFTING SPIRITS (AND MASKS)

Take a local bookstore, add Trader Joeโ€™sโ€™ upbeat staff, and mix in businesses supporting each other to create the uplifting story we didnโ€™t know we needed.ย 

Months ago, when anti-maskers targeted Trader Joeโ€™s, Bookshop Santa Cruz showed its support to the grocery storeโ€™s frontline workers by giving out gift cards. This week, Trader Joeโ€™sโ€™ staff reciprocated by bringing a bag of goodies to Bookshop Santa Cruz workers. The contents of the bag are unknown, but we choose to believe Trader Joeโ€™sโ€™ peanut butter cups were included.


QUOTE OF THE WEEK

โ€œMusic is like a dream. One that I cannot hear.โ€

-Ludwig van Beethoven

The Santa Cruz Symphony Returns With Its Most Ambitious Season Ever

Oakland jazz composer and performer Destiny Muhammad plays a major role in the upcoming Santa Cruz Symphony season, but a synchronicity worthy of her first name seems to have played a part, as well.

In the fall of last year, Muhammad was invited by members of a peace organization to perform a 15-minute set at one of their virtual events. They told her, โ€œThereโ€™s a young woman whoโ€™s going to recite a poem or two right before you go on.โ€

Muhammad was impressed by the young poet, but she didnโ€™t think anything more about it until she watched Amanda Gorman read her poem โ€œThe Hill We Climbโ€ at President Joe Bidenโ€™s inauguration ceremony in January. She was blown away.

โ€œAfter she recited her poem,โ€ says Muhammad, โ€œI was like, โ€˜Oh, she is fierce. Why does she look familiar?โ€™โ€

Thatโ€™s when she got the โ€œDo you know who that is?โ€ phone call, where she was reminded that Gorman was in fact the young poet she had followed at the virtual event. And a month later, Santa Cruz Symphony Music Director Daniel Stewart was asking her if she would read Gormanโ€™s poem at a concert when the symphony returned.

They funny thing is, Muhammad wasnโ€™t that surprised when he did. Sheโ€™d already discovered he was excited by โ€œThe Hill We Climbโ€ when they were working on a San Francisco Symphony Soundbox virtual event together in February.

โ€œI mean, literally excited,โ€ recalls Muhammad. โ€œI will share with you that we were in the Soundbox working on the composition by a beautiful jazz artist by the name of Ambrose Akinmusire. And [Stewart] actually started to recite the poem in front of me. I was like, wow. He says, ‘This just feels so good to me.’ And I was like, โ€˜Well … yay!โ€™ And so fast forward to when he says, โ€˜Would you be willing to do it?โ€™ Um, yeah!โ€

Stewart was so enamored of the poem that he ended up naming the Feb. 12 concert in which Muhammad will perform it Beethoven and the Hill We Climb.

It may sound strange to combine a tribute to Hall of Fame white dude Ludwig van Beethoven (whom many symphonic groups are celebrating this year, since it was hard to do so in 2020, the 250th anniversary of his birth) with an examination of the Black experience in America. But itโ€™s not as strange as you think, says Muhammad. The common denominators are struggle and artistic expression, she says, and she relates Beethovenโ€™s famous battle with the loss of his hearing to a similar experience African American historian John Henry Clarke talked about when he started to lose his sight.

โ€œWhat he shared is that even though his outer sight was gone, his inner sight seemed to become more intense,โ€ says Muhammad. โ€œSo here we go, we look at Beethoven, and his music seemed to become even more powerful as his outer ability to hear was gone, but his inner ability to hear was even more intense.โ€

Similarly, she says, the seemingly unusual approach of pairing her recitation of the poem with Beethovenโ€™s Moonlight Sonata actually fits beautifully. One might expect something musically rousing to back Gormanโ€™s work, but the sonata captures the melancholy of the poemโ€™s themes, and endsโ€”just like moonlight doesโ€”as โ€œthe new dawn blooms.โ€

โ€œFor there is always light, if only weโ€™re brave enough to see it, if only weโ€™re brave enough to be it,โ€ recites Muhammad. โ€œThere are things that she says in the poem that are just so poignant, they’re so heartfelt. Even speaking of herself, where she says, โ€˜Where a skinny Black girl descended from slaves and raised by a single mother can dream of becoming president, only to find herself reciting for one.โ€™ Itโ€™s like she’s already prophesying over herself, unapologetically and flat-footed. Man, I mean, that’s some bossness that I just love.โ€

Muhammad is used to confounding expectations when examining struggle. One of the pieces sheโ€™s particularly known forโ€”and which sheโ€™ll perform as part of the Beethoven and the Hill We Climb programโ€”is her arrangement of the โ€œButterfly Jig,โ€ a traditional Irish tune that was popular among immigrants who fled Ireland to America during the potato famine of the 1800s.

โ€œOnce they made their way into America, they were still playing all this beautiful music from their homeland, but they decided to change this song that was known as the โ€˜Widow’s Jigโ€™ to the โ€˜Butterfly Jig,โ€™โ€ she says, โ€œbecause the butterfly symbolizes transformation and new life, the struggle of transformation inside of the chrysalisโ€”literally the melting down of oneself, and then the restructuring, and then having to force one’s way out. And no one can help you do it, because the butterfly becomes weakened if it’s helped out of that chrysalis.โ€

After a year lost to the pandemic, no one could help Stewart and the symphony with the transformations they needed to go through, either. But they come back this fall with some big changes, equally big plans for the future, and their most ambitious season ever.

Metamorphosis

Though last yearโ€™s season was cancelled, it was hardly a break for the Santa Cruz Symphony. There was plenty of work to be done. As pandemic and wildfires were ravaging the organizationโ€™s community, there were also huge cultural issues being raised by the Black Lives Matter movement. The very questions of the symphonyโ€™s mission and purpose had to be reconsidered.

โ€œIt made us all reexamine our priorities and how we share the most meaningful aspects of our artโ€”what we’re doing to create a better world, to bring people together in a very positive, optimistic, life-affirming way,โ€ says Stewart. โ€œIt was extremely difficult, because music can be the solace and the cathartic partner to traumatic moments for folks in every situation, whether itโ€™s a pop song or, you know, a Mahler symphony. At first, we were scrambling to find ways to do that online, and thank goodness we had that medium. It was very challenging, in good ways, because it forced us to leverage all the difficulties and find the most concentrated form of whatโ€™s special about our art.โ€

Among the concerns closest to Stewart were the musicians in the symphony, whose work had been shut down not only in Santa Cruz but in every other organization they were involved in.

He and the symphonyโ€™s executive director at the time, Dorothy Wise, and Board President Linda Burroughs immediately began setting up a Musicianโ€™s Relief Fund for symphony players, which ended up raising more than $100,000โ€”an amount practically unheard of for a symphony of this size.

โ€œItโ€™s a family,โ€ says Stewart of the symphony. โ€œIt’s a network of friends and individual connections with folks who are going through everything across the board. There were so many deaths and tragedies, medically, house evacuations. It was so traumatic for all of us to see our friends going through these things, but the efforts to which people came together and supported was nothing less than showing the best of what we can do. Those inspiring situations kept on happening, and being a central rotor to connect things was one of the greatest silver linings. I couldnโ€™t be more proud and grateful for our community coming together like that.โ€

When it became clearโ€”or at least extremely likelyโ€”that there would be a season this year, Stewart had a new daunting task ahead of him: create a season that could both celebrate the triumph of returning to the stage and be true to everything that had happened in the meantime.

โ€œWe had to find a way of honoring what we had already put together for the season that wasn’t, but also to meet this moment,โ€ he says. โ€œIt was absolutely essential to me that we do meet this moment and this reemergence with real purpose in the programming and in our collaboration.โ€

The result is a stunning lineup of concerts, even by the high standards Stewart has set in his eight years at the helm of the symphony. And though it weaves the theme of racial justice (along with several others) through the entire seasonโ€”seven main programs from October through June, with auxiliary concertsโ€”the centerpiece is most certainly Beethoven and the Hill We Climb.

โ€œIt might be my very favorite program [Iโ€™ve ever done], ultimately, because Destiny Muhammad is one of the most inspiring musicians Iโ€™ve had the pleasure of collaborating with,โ€ says Stewart. โ€œSheโ€™s a vocalist, sheโ€™s a harpist. She’s an improviser extraordinaire, sheโ€™s a composer, sheโ€™s a community leader and organizer from Oakland, and she is going to anchor the middle of this program along with Beethoven, because Beethoven celebrated a birthday last year. And so every orchestra in the world was going to be celebrating, and we had a fantastic program featuring highlights of his symphonic works. But this time, this Beethoven-centric program is going to also address our current cultural struggles through examples of his struggle, and transcendence, as he went deaf and dealt with a whole bunch of challenges in his life. So all of that, interwoven with contemporary works directly inspired by him.โ€

Those works include Unsuk Chinโ€™s Subito con Forza, which was composed for the Beethoven anniversary last year, and contains many allusions to his works.

โ€œIt starts with Beethovenโ€™s Coriolan Overture, which is kind of the distilled struggle, the most quintessential example of Beethovenโ€™s famous concentrated, fiery power,โ€ says Stewart of the program. โ€œAnd then the next piece is by the brilliant Unsuk Chin, sheโ€™s the leading Korean composer of her generation, and itโ€™s directly influenced by the Coriolan Overture, and glows with color and is kind of a response to Beethoven.โ€

Thatโ€™s followed by the centerpiece of the program, Muhammadโ€™s reading. Stewart also believes the audience will be surprised at how โ€œThe Hill We Climbโ€ and Beethovenโ€™s composition elevate each other.

โ€œThe poem talks, it goes through the challenges so poetically, but it has an unmistakably optimistic tone to it,โ€ he says. โ€œMoonlight Sonata, however, is a very mournful reflective thing, with only moments of lightโ€”the moonlight or the optimism peeking through at times. So it shades this profoundly moving poem of Amandaโ€™s in a way that actually suggests that the hill we climb is steeper than we would like it to be. Thereโ€™s so much work left yet to do.โ€

The program also features Muhammadโ€™s pieces, as well as composer Josรฉ Pablo Moncayoโ€™s Huapango, which will be accompanied by the dancing of ballet folklorico group Esperanza Del Valle. And among the other Beethoven works is Stewartโ€™s arrangement of Holy Song of Thanks, from Beethovenโ€™s String Quartet no. 15.

โ€œIn the second half, we celebrate the other most iconic part of Beethoven, which is his meditative, transcendent essence. And this is really personified for me by his late string quartets. For classical musicians, the late quartets of Beethoven are kind of like the Undiscovered Country of harmony and counterpoint.โ€


Music Director Daniel Stewart rehearsing with the Santa Cruz Symphony. PHOTO: Kevin Monahan.

New Composition

As the symphonyโ€™s programming evolves this year, so does the organization itself. Wise, the executive director who originally joined the groupโ€™s board in 1991, and served as its president twice before becoming ED, retired last July. The ensuing search to replace her resulted in the hiring of Gary Reece. Stewart, who lauds Wiseโ€™s shepherding of the symphony, thinks Reece is a great pick.

โ€œI’m really happy for the opportunity to collaborate with Gary, because he’s a wonderful person. He’s a proven leader with such a wealth of experience and community connections, and so I’m really excited to go into the next chapter together with him,โ€ he says.

And it will definitely be together, because the symphonyโ€™s other big news is that Stewart has signed a 10-year extension with the organization. A decade is a long time in the world of symphonies, and itโ€™s clear that the Santa Cruz Symphony wanted to lock down their relationship with Stewart for as long as possible. He, in turn, chose to stay despite being courted by some major metropolitan symphonies.

โ€œThere are different ways to go about a musical career,โ€ he says. โ€œBut to build something together consistently with an organization is actually a lot more rare than you would imagine. Because these contracts are usually more three-to-five-year types of things. And to add long-term continuity was something that meant so much to me, and in this incredible part of the world.โ€

Stewart is proud of what the symphony has accomplished in his time there, the great work he and the musicians have brought out in each other, and the world-class guest artists theyโ€™ve been able to collaborate with. 

โ€œIt’s been fantastic, and it’s taken everybody in the family, you knowโ€”the brilliant musicians and sponsors, board members, the league members, volunteersโ€”to help us realize this, but I think we’ve created something so extraordinary over the last eight years. And that made the kind of trajectory that I was looking forward to, and also made it easier to make a hard decision like that. Because it was, of course, a difficult thing to consider. But I think the future is here, in this area of the world, and it’s the right time in my life, what Iโ€™m doing artistically, and I think that potential is just so off the charts, that we get to keep evolving in a very substantial, significant artistic way here.โ€

Shake Our Butts and Work

This seasonโ€™s programming is an example of how the Santa Cruz Symphony is ready to realize that potential, and Muhammad is an example of more great collaborations to come. (Santa Cruzโ€™s own Tammi Brown, who will do a similarly evocative narration in the middle section of John Wineglassโ€™ Unburied, Unmourned, Unmarked at the Jan. 15 โ€œRites of Passageโ€ concert, is another.)

The final piece that Muhammad will perform, backed by Leon Joyce Jr., Ken Kawa and Matt Wong, is her original composition โ€œWe Are The Ones.โ€ It was written in 2016, and found her being far too politically prescient for her own comfort.

โ€œIt was just before Barak was going out of office, and he symbolized so much hope,โ€ she says. โ€œAnd I just said, โ€˜We can’t get lazy, this brother’s getting ready to come out of office. We don’t know what weโ€™re gonna get.โ€™ These lyrics kept coming to me, that thereโ€™s a wind thatโ€™s blowing and itโ€™s bringing change today. And the change is going to stay. We are the ones that weโ€™ve been waiting for. And we are the ones, whoever is in office, weโ€™re the ones that weโ€™ve been waiting for. Weโ€™re the lovers, weโ€™re the leaders. We are those that weโ€™ve been waiting for. And thatโ€™s where it came from. It came with that upbeat funkโ€”letโ€™s get busy. Letโ€™s shake our butts and work.โ€

Since writing โ€œWe Are the Ones,โ€ she sometimes performs a more subdued, introspective version. So which one will she play at the symphony event?

โ€œOh, weโ€™re goinโ€™ for the funky stuff,โ€ she says. โ€œI get all them strings, too? Iโ€™m not Jay Z, Iโ€™m Destiny. We gonna go for the funky stuff.โ€

Thereโ€™s no doubt that in Muhammadโ€™s hands, thatโ€™ll be a blast, but just as this seasonโ€™s symphony program is not just about hearing great symphonic music, โ€œWe Are the Onesโ€ is not just about shaking your butt.

โ€œWhen I was coming up in the โ€™70s, there were songs that were coming out and we would just dance and sing, but after a while, when the shellac would hit the fan, sometimes those became the songs that would help to catapult us through a bad time,โ€ says Muhammad. โ€œWhat Iโ€™ve noticed is that sometimes you catch people dancing and singing, and at the same time weโ€™re hitting a level deeper than just the epidermis. That can become their call to action.โ€

Box:

The Symphonyโ€™s 2021-2022 Season

โ€˜Remembrance and Rejuvenation,โ€™ Oct. 23

An all-strings program that includes Barberโ€™s Adagio for Strings, Corelliโ€™s Concerto grosso op. 6 no. 8, Jessie Montgomeryโ€™s Starburst and Tchaikovskyโ€™s Serenade for Strings.

โ€˜Rites of Passage,โ€™ January 15-16

Centered around John Wineglassโ€™ Unburied, Unmourned, Unmarked, the first full symphonic work about the enslavement of Africans and people of African descent in America; the performance features narration by Tammi Brown. Also works by Aaron Copland, Caroline Shaw and Brahms.

โ€˜Beethoven and the Hill We Climb,โ€™ February 12-13

Features several of Beethovenโ€™s workโ€”including Moonlight Sonata, with Destiny Muhammad reading Amanda Gormanโ€™s โ€˜The Hill We Climbโ€™โ€”and much more.

Family Concert, March 27

Carnegie Hallโ€™s The Orchestra Swings! program, which seeks to connect young people to orchestral music, presents a show featuring works by George Gershwin, Duke Ellington, and Florence Prince, featuring vocalist Omari Tau.

โ€˜Kaleidoscopes,โ€™ April 30-May 1

This program features the world premiere of local composer and Cabrillo College instructor Josef Sekonโ€™s The Aptos Sound Project, as well as Bruchโ€™s Kol Nidrei, featuring cellist James Baik, and more.

โ€˜Carmina Burana,โ€™ May 21-22

Carl Orffโ€™s famous cantata, featuring Elliot Madore, Baritone; Raven McMillon, Soprano; Jonah Hoskins, Tenor. Program begins with Monteverdiโ€™s Toccata and Ritornello from lโ€™Orfeo.

โ€˜Life,โ€™ June 18

The music of Philip Glass will accompany Santa Cruz photographer Frans Lantingโ€™s epic project Life: A Journey Through Time, which brings his world-famous eye to the very history of the Earth itself.

Performances are at the Santa Cruz Civic and the Mello Center in Watsonville. Tickets are $38.50 to $104.50, students $15. Go to santacruzsymphony.org for more information and to buy tickets.

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