Santa Cruz County Fires: Meet the Climate Refugees

[This is part four of a series about the health impacts of homelessness. Part five will run Oct. 7.  – Editor]

After the Camp Fire destroyed her home and most of the town of Paradise in November of 2018, Renee Henderson remembers feeling like a dandelion tossed into the wind—she didn’t know where she was going to land, she says.

“I was homeless for a month until I bought a trailer,” recalls Henderson, who was working as a principal for Paradise’s Cedarwood Elementary, a half-hour northeast of Chico. “I was lucky because I had insurance, which paid rent for the trailer. A lot of people moved into tents in Chico. We still have people living in tents and trailers in Butte County.”

Henderson lived in that 36-foot-long trailer with two dogs and four cats for eight months, while she watched home prices and rents soar around her, due to the supply shock precipitated by the Camp Fire’s leveling of 14,000 homes. She ended up buying a home farther north, in Oroville, another Butte County town, where she now serves as a middle school principal. 

In recent weeks, a different Butte County fire, called the North Complex, has been giving Henderson flashbacks of 2018 as it rips through the Sierra Nevada region where she lives now. The greater Chico area was already expensive. But this latest blaze has already displaced three families at her school, and she’s worried that the latest crisis may price those students and their parents out of a region that never fully recovered from the devastation that the Camp Fire wrought nearly two years ago. 

“It creates a housing crisis in a town that can’t handle it,” she says.

The new fire adds a layer of tragedy to a familiar crisis. Just last week, for instance, Chico nonprofits modified an already-scheduled food and toiletry distribution at Kmart for Camp Fire survivors, who are still struggling, and expanded it to welcome in evacuees from the North Complex.

Locally, Santa Cruz County is reeling from the CZU Lightning Complex as it slowly lifts evacuation orders and contemplates its rebuild. The CZU fire in the Santa Cruz Mountains destroyed more than 900 homes, a fraction of the loss in Paradise—but still enough to make it the ninth-most-destructive fire in state history, as well as the county’s biggest natural disaster in three decades. As of Sunday, firefighting crews had contained 99% of the blaze, which is no longer growing in size.

Recent disasters from around California offer a cautionary tale about the affordability and humanitarian challenges that could lie ahead in the county. The damage can persist long after the smoke has cleared.

VAN THE FLAMES

One month after losing nearly everything he owned in the CZU fire, Rob wrenches on the rear door of a van he just spent the last of his money on, which he’s moving into. But even as he enters his second bout of homelessness in two years, Rob says he doesn’t identify as homeless.

“California’s my home. I live here,” he says, grimacing, as he sets down his wrench, slides his index finger into the door, pulls on the handle and finagles a broken lock that he’s trying to fix.

Rob, a freelance car mechanic who asked us to withhold his last name, has barely worked since the Covid-19 pandemic began in March. He moved to a rental in the Santa Cruz Mountains area of Bonny Doon just before the blaze started. Lately, he’s been staying at the Santa Cruz County Fairgrounds’ temporary shelter. 

“People don’t realize that being homeless is not an evil thing. It’s a fact. It happens. You shouldn’t shun the homeless. You should help the homeless,” he says.

The same night that the CZU fire claimed Rob’s place, it also destroyed the Last Chance-area home of Holiday Smith, as well as those belonging to her friends and family, who left their backwoods region in a mad scramble on Aug. 18 as an inferno roared in and engulfed their neighborhood—all before Cal Fire sent out any evacuation warnings. Last week, Smith finally moved out of the evacuation center at the fairgrounds and into a trailer in Bonny Doon.

Smith, a teacher at Bonny Doon Elementary, and her neighbors are navigating the FEMA application process. Next, they’ll be waiting out mudslides and working with the Planning Department. They’ll have to sort through electrical-grid issues, sewage hookups and various permitting complexities—all of which Last Chancers hope that the Board of Supervisors will be ironing out soon. (Agenda materials for a recent board meeting on topics surrounding the rebuild stretched more than 400 pages.) County planners, residents say, had been well aware of Last Chance since its early days, more than 40 years ago, but took a don’t-ask-questions approach to even the most basic of the permitting details in Last Chance. Smith and her neighbors just want a chance to rebuild their community. 

In the meantime, though, “we’re climate refugees,” she says.

LIKE A REFUGEE

Joey Crottogini, manager for the Homeless Person’s Health Project, worries about how the wildfires layered on top of the Covid-19 pandemic could exacerbate a crisis in a housing market that frequently ranks as one of the most expensive in the country. 

Not only have the economic shutdowns created widespread job insecurity, but also, Crottogini has read stories about the rise of telecommuting prompting more high-earning Silicon Valley tech employees to buy homes farther from their workplaces, putting increased pressure on the housing market.

He has seen how tragedy displaces people. While Crottogini was working in homeless services in Alameda County a few years ago, he met refugees from various backgrounds around the world—Burma, Sudan, Nigeria, “all over,” he says. 

On a more personal note, he saw how horrific 2017 wildfires reshaped his hometown of Santa Rosa, and did so in ways that were not always equitable. 

“A lot of people have rebuilt in Santa Rosa. But there’s probably equally as many people who didn’t have as many resources that just flat-out said, ‘I’m moving out of state,’” he says. 

Crottogini hopes the current crises lead governments to make it easier for developers to build housing, both locally and around the state.

As of Monday, Santa Cruz County spokesperson Jason Hoppin said there were 1,225 local evacuees staying in hotels via a FEMA-managed program designed to coordinate shelter for evacuees amid the Covid-19 pandemic. He added that there were 66 more guests staying at the fairgrounds and 64 staying at the Asilomar Conference Grounds through a separate state program. 

This is in addition to the some 180 medically vulnerable homeless residents over the age of 65 who are staying in four hotels in Santa Cruz County through California’s Project Homekey, which aims to cut risks posed by the Covid-19 pandemic.

Hoppin tells GT via email that shelter programs for fire evacuees will continue “for the duration of the emergency.”

MOUNT OF SILENCE

Santa Cruz County Supervisor Ryan Coonerty—who represents the Last Chance, Swanton and Bonny Doon areas—knows many of his constituents are resilient and eager to rebuild. 

The first step, however, is removing hazardous contaminants and debris from the burn zone before the rains come, he says. He’s also working on how to streamline the rebuilding process to make it as smooth as possible. He hopes the changes will provide a turning point for the county’s housing approval processes.

“My hope is that not only do we make it better for people who have lost their homes and are trying to rebuild, but that we also use it as a learning experience to explore how we improve our normal building processes and reduce unnecessary steps or burdens for all housing,” he says. 

In the future, Coonerty is concerned that fires, floods and power shut-offs will only become more common in the Santa Cruz Mountains, given the growing specter of climate change.

In the near term, though, he says the county is providing displaced mountain residents a way to move back home or onto their neighbors’ properties in RVs, yurts and tiny homes. He notes that the county is allowing residents to stay in hotels past the typical 30-day limit.

“Before the fires, we were in a housing crisis, and we needed to build more housing to accommodate our existing community. Nothing about that has changed,” he says. “The fact that we have more need increases that. But the problem is that building is a multiyear process. And with the amount of damage done across the state and the economic crisis we’re in, it’s hard to get the financing and materials to build housing quickly. That’s why we’re looking at these more interim solutions.”

The USC Center for Health Journalism’s 2020 California Fellowship supported reporting for this series.

Local Rockers Time Spent Driving Make Their Return

From 1999 to 2003, local rockers Time Spent Driving helped to spearhead an emo scene in Santa Cruz. They toured all over the world, got their song on some Xbox games, and were having conversations with a few record labels. But then they broke up.  

“[Before TSD] we were playing in other bands and had gotten motivated. We knew how to book shows. We came out of the gate screaming,” says singer/guitarist Jon Cattivera. “We released a fair amount of music and worked really hard. We couldn’t hold down a bass player. And then one of our guys moved to Seattle, and then L.A., so it wasn’t really feasible.”

After reforming in 2012, the members of Time Spent Driving have now been together longer as a reunited band than in their original run, and their new approach is to take things slow. In 2015, they released the LP Passed and Presence, and in July they released Estrangers, Vol.1, the first half of their next album.

“Not going on tour and not feeling like you always had to get something done, that’s a testament to staying around. You’re not practicing three times a week, [so] it’s easier to stay together,” Cattivera says. “It takes two years to do everything that took five or six months before.”

Estrangers, Vol. 1 was finished and ready to go two years ago. The group was excited about these five songs, but felt like it would be better to add another five songs and make it a full length. Cattivera already had songs written. They hoped they’d have a finished album around spring 2020. They recorded much of the second half of the album last December, but Covid-19 threw a wrench in their plans to finish the tracks, and they shelved the full LP project temporarily.

“I don’t like EPs. I like full-length records. I want to hear from top to bottom what the whole thing is,” Cattivera says. “We just didn’t want to sit on them for any longer. We figured we would get it out there for people who wanted to hear it.”

The songs on Vol. 1 evoke the group’s original cathartic emo-indie style, but in a much more mature and measured way. The songwriting is highly melodic, built on Cativera’s unusual choice of chords, but unlike the unapologetically long and sprawling Passed and Presence, these songs are concise, each taking one specific idea and following through with it. The tension of the record rests on the contrast between the heavy guitar riffs, the twinkling ballads, the arena-style mid-tempo drum beats, and Cattivera’s stirring vocal work.

The album’s title is a mix of the words “estranged” and “strangers,” and the very emotive songs end up speaking to the detached feeling that many people have had this year while sheltering in place.

“Whether you’re being estranged from yourself or a loved one, there was kind of a theme there,” Cattivera says. “I had a couple of situations with friends and family members, situations where it’s like, ‘Wait a second, I knew that person. Who are they really and where did they go?’”  

Since the mid-March lockdown, the members haven’t been able to get back in the studio to finish the incomplete tracks, and they’re not exactly sure when they are going to be able to. But the second half of Estrangers will come eventually.

Cattivera feels like both parts of the album are cohesive since they were written at the same time, but he also recognizes that Vol. 2 is a bit different than Vol. 1. It’s entirely possible that they’ll just decide to make the second half its own unique EP.

“I feel like each of the songs are quite different from each other. But I also feel like several of the new songs that we’re doing are different from any of those,” Cattivera says. “I know when I’m breaking new ground in certain directions. Oh, this is much slower than normal or has much different lyrical content. [As far as the second half of the album], we’ll decide when we get there.”

For more info, check out timespentdriving.com.

Rob Brezsny’s Astrology: Sept. 23-29

Free will astrology for the week of Sept. 23 

ARIES (March 21-April 19): “It takes a lot of courage to be the same person on the outside that you are on the inside.” Author Barbara De Angelis made that observation. I offer it up to you as a fun challenge. During the coming weeks, you may be strongly tempted to be different on the outside than you are on the inside. On the other hand, you’ll have the necessary insight and valor to remain unified. In fact, you may ultimately create more congruence between your inside and outside than you have in a long time.

TAURUS (April 20-May 20): “People who deny the existence of dragons are often eaten by dragons. From within.” Fantasy author Ursula K. Le Guin made that observation, and now I’m conveying it to you just in time for the season when you’ll need it most. Please note that I am not predicting you’ll be devoured by dragons from within. In offering you this oracle, my hope is that you will: 1. acknowledge the existence of metaphorical dragons; 2. locate where they hang out in your inner realms; 3. study them and get to know them better; 4. devise a strategy for dealing with them safely.

GEMINI (May 21-June 20): “Don’t let them tame you,” advised flamboyant Gemini dancer Isadora Duncan. Who did she mean by “them”? The mainstream critics, who might have wished she cultivated a less maverick style? Her managers and handlers, who may have wanted her to tone herself down so she could earn maximum amounts of money? Her friends, who cringed when she did things like dancing on a table wearing an evening dress at a party? In accordance with astrological omens, Gemini, I invite you to take a survey of what influences might wish you were more docile, mild or manageable. And then meditate on how you could consistently express the healthiest kind of wildness.

CANCER (June 21-July 22): In the Yoruba religion of Ifà, the English word “heart” has two different meanings and words. So says Yoruba priest Awó Falokun Fatunmbi. The first heart is the organ that pumps blood through our bodies. It’s called okàn. Within the okàn is the second heart: a power center that regulates the flow of emotions. It’s called ègbè. I believe your ègbè will be exceptionally strong and clear and generous in the coming weeks, Cancerian. Your capacity to feel deeply and truly will be a gift to all those with whom you share it. It will also have the potential to enhance your appreciation for your own mysterious life. Wield your ègbè with glee and panache!

LEO (July 23-Aug. 22): Ancient Greek philosopher Plato observed, “Do not train children to learn by force or harshness; but direct them to what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each.” The same principle applies to all of us adults who are committed to the goal of life-long learning. And according to my astrological analysis, it will be especially useful for you Leos to keep in mind during the coming weeks. It’s time to energize your education! And here’s the best way to gather the new teachings that are important for you to know: Follow what amuses your mind.

VIRGO (Aug. 23-Sept. 22): Christian author Frederick Buechner writes, “We are commanded to love our neighbors as ourselves, and I believe that to love ourselves means to extend to those various selves that we have been along the way the same degree of compassion and concern that we would extend to anyone else.” Let’s make his thought your keynote for the next two weeks. Now is an excellent time to take a journey through your past to visit all the other people you have been. As you do attend to this poignant work, be generous with each of your old selves. Forgive them for their errors and praise their beauty. Tell them how much you love them. Thank them for how they have made possible the life you’re living now.

LIBRA (Sept. 23-Oct. 22): Seventy-nine-year-old Libran poet Robert Pinsky has had a triumphant life. He has published 19 books, including his own poems and essays, as well as translations of Italian and Polish poetry. For four years he served as the United States Poet Laureate. To what factors does he attribute his success? Here’s one: “Whatever makes a child want to glue macaroni on a paper has always been strong in me,” he testifies. He’s referring to the primitive arts-and-crafts projects he enjoyed while growing up. In accordance with astrological omens, I encourage you, too, to get in touch and commune with the primal roots of the things you love to do. Reconnect with the original expressions of your passion for life.

SCORPIO (Oct. 23-Nov. 21): “A single ego is an absurdly narrow vantage point from which to view the world,” wrote occultist Aleister Crowley. Author Gore Vidal agreed, saying, “Since no one can ever know for certain whether or not his own view of life is the correct one, it is absolutely impossible for him to know if someone else’s is the wrong one.” All of us can perpetually benefit from this counsel. And it will be especially healthy for you to heed during the next four weeks. Humility will be a superpower. Blessings will flow your way if you don’t need to be right all the time. As you refrain from regarding your own opinions as God’s holy decrees, you will generate good fortune for yourself.

SAGITTARIUS (Nov. 22-Dec. 21): “It’s a rare gift, to know where you need to be, before you’ve been to all the places you don’t need to be.” Author Ursula K. Le Guin wrote that. I’m passing it on to you because I suspect you now possess the power to claim this rare gift. In the coming days, you don’t have to engage in endless evaluations of the numerous possibilities. You don’t have to risk falling victim to overthinking. Your clear, strong gut-hunches will tell you exactly where you need to be and how to get there.

CAPRICORN (Dec. 22-Jan. 19): Novelist Henry Miller was in many ways a quintessential Capricorn. He described himself as being “in love with love, always in search of the absolute, always seeking the unattainable.” Feelings like those are why your astrological symbol is the mountain goat that’s always climbing higher, questing toward the next pinnacle. At your best, you’re determined to keep striving for the brightest, the strongest, the truest. Sometimes you overdo this admirable imperative, but mostly it’s a beautiful quality. You are hereby authorized to express it with maximum wisdom and eagerness in the coming weeks.

AQUARIUS (Jan. 20-Feb. 18): “Go catch a falling star,” wrote poet John Donne (1572–1631) in his poem “Song.” “Tell me who cleft the Devil’s foot,” he went on to say. “Teach me to hear the mermaids singing.” He wasn’t being literal, but rather was indulging in poetic fancy to stretch his readers’ imaginations. I’m offering you the spirit of Donne’s poem, Aquarius, because you’re ripe to transcend your limited notions about what’s plausible and implausible. If you allow yourself to get extravagant and unruly in your fantasies, you may crack through shrunken expectations and break into a spacious realm of novel possibilities.

PISCES (Feb. 19-March 20): I don’t suggest you indulge daringly in sensual pleasures, cathartic exchanges of energy and intoxicating pursuits of relief and release. The pandemic mandates us to be cautious about engaging in unmitigated bliss—even though the astrological omens suggest that if now were a normal time, such activities would be well worth focusing on. How can you resolve this dilemma? Possibilities: 1. Experiment zestfully with your live-in steady or spouse. 2. Get a Covid-19 test with a potential playmate, and if you both test negative, celebrate boisterously. 2. Round up a dazzler with whom you can generate rapture via Zoom. 3. Fantasize about delightfully gracious debauchery. 4. Go solo.

Homework: In your fantasy, create an alternate version of yourself with a different name and a different life. freewillastrology.com.

Bonny Doon’s Olright Creates Tribute to Community After Fire Evacuations

In March of 2019, Bonny Doon-based beatmaker (and KZSC DJ) Olright drove up Empire Grade, admiring the natural beauty of his mountain town, and snapped some photos. For a year or two, he’d been thinking a lot about how his music was inspired by his surroundings and wanted to create some kind of artistic homage to Bonny Doon.

“Location dictates your vibration,” Olright says. “I definitely appreciate the nature up here and feel that that beauty maybe can be reciprocated in music.”

He’d recorded some tracks, but didn’t have a finished product. Then last month, he and the rest of Bonny Doon were evacuated from their homes. For a couple of weeks, he stayed at a friend’s house in Midtown Santa Cruz. Being displaced from his home inspired him to revisit his Bonny Doon project. Within a week, he finished up some songs and made new ones. On Aug. 28, he released the Bonny Doon EP, using those pre-fire photos from earlier this year as its album cover.

Though the songs are instrumental—aside from vocal samples—the titles evoke strong emotions of the fire in the Santa Cruz Mountains and his period of displacement: “Can’t Make Me Leave” and “In Charred Earth.”

Musically, it’s a trance-inducing collage of funky drum beats, floating guitar licks, psychedelic keys, and washed out soulful vocal snippets. The closing song, “Be All Right,” is perhaps the most meditative tune on the record, evoking not so much optimism for the future as a sense of peace.

For Olright, everything that was happening in Bonny Doon weighed heavily on his mind as he assembled the record, even if it’s unclear to listeners.

“Composing a song is a slightly different headspace that you get into when you make a beat. A lot of beat-making stuff, you find something that sounds dope to you and you’re chasing that,” Olright says. “Basically, the song’s intention means whatever you were thinking about while you were doing that, during that process of being inspired.”

His feelings about the whole experience are complex. Part of him—while glad he and his neighbors were safe—felt a sense of defiance for being forced out of their homes, and not let back into their neighborhoods for weeks. This is felt strongest on the subtly angry opening track, “Can’t Make Me Leave,” which contains a sample of a man saying: “I’ll do what you ask me to do if you ask me to. But if you tell me I gotta do it, I don’t know what it is, but there’s something inside me that says…” and then the incomplete phrase hangs in the air as the beat continues.  

“There was a certain amount of antagonism from being kicked out. Like we want to go back there and defend our spot, and the police are making it harder to do that,” Olright says. “I know there are safety and certain citizens’ shenanigans, but people have the right to make these decisions. If you choose to stick around to defend what is yours, to be honest, I think you should be allowed to do that. If that endangers you, that’s a personal choice.”  

He’s finally back in his home, which is fortunately still intact. With the record out, he wants to help Bonny Doon in any way that he can. He’s donating proceeds of sales for his album to the Bonny Doon Community School Foundation and the Bonny Doon Family Fire Relief.  

Even with the rebuilding process underway, there’s still a sense of confusion on how to process everything, and what to do next.

“We’re all trying to make do. Everyone has their own stories and struggles. I feel very blessed to have a lot of positive traction even though things are still a mess up here,” Olright says. “There’s something to be said about the resilient nature of the people up here. That people are used to living without cell phones working, but it’s so beautiful that it’s worth it. That kind of vibe will help people come back stronger, I hope.”

Olright can be heard every Sunday from 4-6 pm on 88.1FM KZSC. For more info on Olright, go to instagram.com/olrightolrightolright.

Exploring the Bold Flavors Served at The Hollins House

Fun to eat, exciting to look at, and every bite delicious—that’s the way John-Paul Lechtenberg creates his menu up at Pasatiempo’s The Hollins House.

I’ve always loved the view from the top of the greens at Marion Hollins’ estate. Had it not been so foggy the night we craved Lechtenberg’s cooking, we could have enjoyed that view of the day from the dining terrace stretching along the championship golfer’s gracious house. 

Last week we ran up to get a takeout dinner, and sure enough it was as memorable as ever. It always amazes me how close Pasatiempo is to downtown Santa Cruz. Less than four minutes. And after last week’s dinner I’ll be heading up there more often. 

A plump portion of octopus had been grilled to tender perfection, accompanied by spicy slices of Spanish chorizo, the perfect foil for the mild-flavored cephalopod. Large slices of herb roasted potato accompanied the octopus, along with seriously garlicky arugula pesto and a little salad of bitter greens and bright purple radishes ($28). Here’s a kitchen that respects this delicacy. Every time we taste octopus as good as this we always swap travel memoirs about Crete. 

An order of the house burger showed off the chef’s expertise with perfectly grilled beef, housemade brioche bun, and condiments ($16). The plump patty of ground chuck arrived topped with melted swiss and cheddar cheeses, plus garlic aioli, thinly-sliced bread and butter pickles and deluxe onion jam. House made catsup and a side of outstanding fries filled up the rest of the to-go box. The fries disappeared rapidly. 

These were orders that traveled well and dished up easily onto our own plates. The next day we split another dish from Hollins House, allegedly an appetizer order of housemade bratwurst that was large enough for an entree. Arranged in substantial slices, the brat sat on purple braised cabbage studded with raisins so good I could have eaten it as the main course. With the robust sausage came more relishes—spiced mustard seeds, a tomato relish, garlic mayo, and more of the excellent pickles. Three thick slabs of char-grilled sourdough bread accompanied this hearty meal for $18. 

I find myself reaching for muscular adjectives when describing these dishes from the hand of chef Lechtenberg. Oh, he knows his way around delicate diver scallops, ricotta gnocchi, and Dungeness crab cakes. But it’s his way with bold, unapologetic flavors that we have come to crave. Dinner reservations, for amply spaced indoor seating or patio dining, are a must. 

The Hollins House, 20 Clubhouse Road, Santa Cruz. Thursday-Sunday, 4-7:30pm. For takeout call 831-459-9177. thehollinshouse.com

Ser Tasting Room, at 10 Parade St. in Aptos Village, is now open for indoor tasting, serving 12 people at a time with distanced seating. Since food is required to accompany indoor tasting, participants are encouraged to have a meal brought in or delivered from local favorites such as Cafe Sparrow, Aptos St. BBQ, Akira, Betty Burgers, and Mentone—all within walking distance. Outdoor patio seating is also available for wine tasting. Friday 3-7pm, Saturday-Sunday noon-7pm. Reservations at serwinery.com or 831-616-6062.

Brunch is anything but boring at East End Gastropub. Yes, you can find mouthwatering potato and eggs specialties, classic waffle creations, and Eggs Benedict variations. But there are also unexpected possibilities such as grilled halloumi salad, Huevos con Elote crab omelette with grilled corn, chipotle crema, and avocado puree, fried chicken bao buns, and Jersey pork roll sandwich. Brunch with a multi-culti accent. Get brunch takeout or order a mimosa and enjoy on the heated patio Saturday-Sunday, 10am-3pm. 

1501 41st Ave., Capitola. eastendpub.com

Foundation Offers Grants to Farmers Affected by Fires

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The California Certified Organic Farmers Foundation is poised to help organic farmers recover from the unprecedented wildfires burning across the West Coast, including CCOF’s hometown of Santa Cruz. 

The Bricmont Hardship Assistance Fund gives grants to organic business owners affected by hardships of all kinds, including wildfires, natural disasters and the Covid-19 pandemic.

Since 2007, the CCOF Foundation has distributed $210,000 to farmers, but this challenging year has already resulted in a four-fold increase in applications for financial assistance. It is yet to be seen how the fires will further increase applications to the fund, but organic supporters can help meet this increased need by making donations to the Bricmont Hardship Assistance Fund. All donations to the fund go directly to organic farmers and business owners.

“California’s Central Coast is one of our most robust areas of organic producers, including many of the farmers who founded CCOF. And as the leading state in organic production, we expect to see many organic farmers across California who will need support to rebuild,” said CCOF CEO Kelly Damewood in a press release. “We have already received a record number of applications to the Bricmont Hardship Assistance Fund this year as a result of Covid-19, and we expect to be inundated with more requests for help as a result of the fires.”

Earlier this year, CCOF chapters—made up of CCOF-certified organic business owners—contributed some of their own chapter resources to the Bricmont Hardship Assistance Fund in order to reach even more farmers in this year of great need. 

“People often overlook organic farmers during times of crisis, and we don’t have the same resources and support programs as other farmers,” said CCOF Board of Directors Chair and organic farmer and winemaker Phil LaRocca in a press release. Every penny of assistance makes a difference for farmers hit by disaster. We are already operating on such tight margins to produce healthy food, sometimes we need a little help to make it through the hard times and keep our communities going.”

The next grant application cycle ends Nov. 20.

County Agriculture Copes with Heat, Fire, Smoke and Ash

The worst wildfires in California’s history have burned more than 3 million acres, about 3% of the state’s total acreage, and didn’t spare Santa Cruz County vineyards, orchards and tree farms.

The fires scorched fields, destroyed barns, melted irrigation lines and disrupted power, water and supply chains for farms along the coast and in the Santa Cruz Mountains.

The CZU Lightning Complex fire destroyed 40 acres of Crest Ranch Christmas Tree Farm and a large chunk of Bonny Doon’s McHenry Vineyard. In Davenport, Swanton Ranch, Sun Gap Farm, Pie Ranch and Two Dog Farm lost buildings. Small organic producers have launched GoFundMe pages to recover from the disaster.

“The fires broke out when wineries were just about to start harvesting,” Agricultural Commissioner Juan Hidalgo said, estimating that about 148 acres of vineyards out of the county’s 630 are a loss due to fire, smoke and ash and excessive heat. The local wine industry is “looking at more than $1 million in damages, at least,” he added.

Hidalgo said they are still waiting to get an assessment of damage to the timber industry, but that it’s “probably going to be huge.”

The Pajaro Valley was not hit directly by the fires but was blanketed by drifting smoke and falling ash. Though these can affect crops such as berries and leafy green vegetables, two of its main exports, the impact has been minimal. 

“We have been fortunate so far,” Hidalgo said. “The impact has been small, and most growers have been able to keep up with the harvest.”

The biggest issue, Hidalgo said, has been the effect of smoke and ash on people working in the fields. 

“Early on, when the fires started … air quality quickly became a huge problem,” Hidalgo said. “Our main concern was finding ways to protect our workers.”

Due to the ongoing Covid-19 pandemic, N95 masks have been in short supply. The Commissioner’s office collaborated with the State of California to provide more masks to farmworkers who continue working through both crises. 

But the intense, dry heat that has recently hit the Central Coast—the root cause of the fires—has had an effect on every aspect of agriculture, from worker safety to the crops themselves.

Hidalgo estimates a 10-20% loss, primarily in berries, due to deformities caused by scorched flowers. Wine grapes were also susceptible to sunburning and smoke taint.

“It might not be noticeable in the grand scheme of things, but small losses add up,” he said. “Growers will not only lose commodities but will also need to bring workers in to clean up. It will create a delay in the entire process.”

Hidalgo said that his office’s main focus right now is collecting disaster losses and getting the information back to the United States Department of Agriculture, who can help support farmers in future clean up and replanting efforts. This is especially important as technically, the fire season in California has just begun.

“October is typically our worst fire month in California,” Hidalgo said. “We’re very concerned about that. We are trying to make sure that if that does happen again, we are ready.”

Sean Arlt Police Shooting: Father Says Santa Cruz Should Keep Its Word

Next month will mark the four-year anniversary of the night a Santa Cruz Police officer shot and killed Sean Arlt when Arlt was in the midst of a mental health crisis.

Sean Arlt’s father Jeffrey says he’s still waiting for the city of Santa Cruz to make good on two promises city officials made to him. And the process of repeatedly following up with the city only forces him to relive the trauma all over again, he explains.

“It’s been four years, and you tend to think we can move on with our lives, but this is unsettled, and so going back to it is kind of re-traumatizing,” Jeffrey says.

At 3am on Oct. 16, 2016, Sean was screaming and pounding on the front door of the house of a family friend, who called the police. Sean, the father of a then-four-year-old boy, had been taken by police to the county’s Mental Health Services Center five days earlier during a separate call.

When officers arrived on the 16th, Sean walked out of the yard wielding a rake over his head and approached the officers. An investigation by the Santa Cruz County District Attorney’s Office found that two Santa Cruz Police Department (SCPD) officers deployed Tasers, but Sean kept advancing. When Sean got within 10 feet of the officers, Officer Erik Bailey fired two gunshots, hitting Sean in the head and the chest and killing him, according to the investigation. The DA “found no legal wrongdoing on” Bailey’s part.

In the aftermath, the Arlt family sued the city of Santa Cruz, and the two parties settled. Although it acknowledged no wrongdoing on Santa Cruz’s part, the City Council voted in November 2018 to pay the Artl family $1.6 million, as announced in a press release at the time. What the press release did not mention, however, was that the city also agreed to consider changes to policy, procedures and use-of-force protocols. This includes requiring that all SCPD officers attend a minimum of two hours of training every two years on appropriate tactics for interacting with mentally ill people and finalizing changes to the city’s force policy—only allowing officers to deploy deadly force in the face of an “immediate threat,” as opposed to simply an “imminent threat.”

Jeffrey says Police Chief Andy Mills confirms that his department has implemented those changes.

But there were other changes that the city agreed to in its 2018 settlement. The city promised to review data and consider adjusting the hours of its mental health practitioners, who work 7am-5pm seven days a week. Additionally, the city agreed to research funding sources to explore the possibility of increasing the total number of hours mental health workers are available. In recent months, Jeffrey was trying to learn more about the status of those items. He says he was having a hard time getting through to the city, and it wasn’t clear who he should be talking to.

Since speaking with GT, Jeffrey has heard again from Mills, who told Jeffrey via email that, based on Santa Cruz’s data, “it does seem like a good idea to have additional coverage extended past the time when the mental health liaisons leave.”

Mills said he’s watching for state and federal grants to fund a possible expansion of hours, although he didn’t offer further elaboration about any funding opportunities. In a later email, City Manager Martín Bernal told Jeffrey that the city has fulfilled its end of the settlement agreement; technically, the agreement doesn’t say that the city has to fully implement those final steps—only that it has to look at the data, consider making adjustments and seek funding.

Also, Mills told Jeffrey that city staff has been busy dealing with the Covid-19 pandemic, budget cuts and civil unrest protesting systemic racism.

Seeking comment, GT reached out to Santa Cruz spokesperson Elizabeth Smith, who wasn’t with the city at the time of the shooting or at the time of the settlement. In response, Smith forwarded Mills’ message to Jeffrey and reiterated some background information.

Jeffrey does not want to see anyone else go through the grief that he and his family dealt with after the death of his son. He says these kinds of shootings are not just hard on the victims’ families. The tragedies, Jeffrey explains, also put an immense burden on the officers involved, who—even when they’ve completed their Crisis Intervention Training—simply don’t have the same skill set as an unarmed mental health expert.

“It’s traumatizing for them also,” he says.

Update Sept. 19 8:50pm: A previous version of this story misattributed the sources of two emails that Jeffrey Arlt received from city of Santa Cruz officials.

Watsonville Film Festival Hosts Outdoor Screening at Abbott Square

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When Covid-19 shelter-in-place restrictions hit Santa Cruz County in March, the Eighth Annual Watsonville Film Festival (WFF) was one of the first large events to be shut down.

Executive Director Consuelo Alba and her team were forced to cancel the multiple film screenings, activities and presentations. Alba’s first call was to Melissa Elizondo, director of the documentary To Stir the Heart. Elizondo was close to boarding the plane from Mexico City for her appearance in Watsonville when she received the bad news. 

“It was devastating,” Alba said. “She’s a very talented filmmaker. We were eager to show our community her beautiful film.”

Since the cancelation of the festival, the organization has been finding ways to present its films in a safe manner. The Virtual Watsonville Film Festival launched in May with the help of Digital NEST, offering people free online film screenings and live discussions with filmmakers via Zoom. This week, WFF offered To Stir the Heart, including a Q&A with Elizondo on Thursday.

Now WFF is taking things a step further. Together with the Santa Cruz Museum of Art and History, the organization is kicking off a series of free outdoor film screenings at Abbott Square in Santa Cruz. To Stir the Heart will be screened Saturday at 8pm. 

The film follows a group of children in San Gregorio Atlapulco, Xochimilco who are recovering from Mexico’s devastating Sept. 19, 2017 earthquake. The children in the film “channel their trauma” through art and poetry.

“I think it’s now more relevant than ever,” Alba said. “We are all going through a lot of trauma … it can be hard to find a silver lining. The movie is a beautiful example of the power of art and community.”

Saturday’s film screening at Abbott Square is limited to 100 guests. Social distancing and other Covid-19 safety protocols will be implemented. Organizers recommend arriving early to secure a spot.

“The MAH is thrilled to be partnering with [WFF] to share their festival offerings,” said Exhibitions and Project Manager Whitney Ford-Terry. “They have such a rich program that aligns so well with our vision here at the MAH. We’re excited to be able to extend their rich online program out into the world during this challenging time for theaters.”

In addition to Saturday’s event, WFF is preparing for a special screening next week. The documentary We Are the Radical Monarchs will be available to watch free on their website on Wednesday night at 6pm.

The film, which has won numerous awards at festivals across North America, documents the Radical Monarchs—an alternative to the Scout movement for girls of color based in Oakland. The girls earn badges for completing units on social justice, such as being an LGBTQ+ ally and environmental issues.

Alba said that securing the rights to the film was a challenge, and the reason why it will only be available for 24 hours.

“It’s a bit tricky,” Alba admitted. “But we are thankful to have gotten it at all. This is an incredibly important film.”

WFF is also in the process of moving its Annual Celebration of Day of the Dead to a mostly-virtual format. The organization has already held a themed design contest and is looking for ways to adapt other aspects of the event.

“It’s an ambitious project,” Alba said. “How can we translate everything we normally do in the plaza to a computer screen? But we are figuring things out.”

Local Groups Celebrate Latinx and Hispanic Heritage Month

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This week, communities across the U.S. are celebrating Hispanic Heritage Month, a month dedicated to the histories, cultures and contributions of Americans whose ancestors came from Spain, Mexico, the Caribbean, Central and South America.

The origins of the observance began with President Lyndon Johnson, who designated Hispanic Heritage Week in 1968. In 1988, it expanded to a full month, starting on Sept. 15 and ending on Oct. 15. Mid-September is significant as many Latin American countries and Mexico celebrate the anniversary of their independence from Spain.

In Watsonville, various groups have kicked off celebrations. Watsonville Public Library has organized its first-ever “Latinx and Hispanic Heritage Month Art Contest.” Organizer Stephanie Barraza, who works as Watsonville’s Adult Services Librarian, said she was inspired by the success of the library’s recent online poetry contest.

The contest is split into four categories: elementary students (grades 3-5), middle school students (grades 6-8), high school students (grades 9-12) and adults. Submissions can be paintings or drawings, sculpture and mixed media. People can submit virtually and voting will be held online.

It was important, Barraza said, to keep the contest open to as many people as possible. The library has already seen a lot of interest from high school students in particular. 

“I see the value in having everyone involved,” she said. “Especially the youth. It is a challenging time right now … it’s good for them to channel their energy into something creative. And it’s just great to see their perspective on things.”

While the contest is centered around Latinx and Hispanic Heritage Month, submissions are not limited to it. One early submission, Barraza said, was inspired by the recent fires and how they affected the community. 

Twelve winners will be selected. Their work will be shared on the library’s website and social media, and staff hopes to hand out gift cards to local businesses and restaurants. A submission form can be found here.

In addition to the art contest, the library, located at 275 Main St., is handing out sugar skull craft kits, which residents can pick up during curbside pickup hours Monday, Wednesday and Friday noon-5pm, and Tuesday-Thursday noon-7pm.

The library is also hosting its Ballet Folklorico Summer Workshop virtually, with instructor Graciela Vega. The workshops were funded by a grant from the Arts Council of Santa Cruz County. The final will be released on the last day of Latinx and Hispanic Heritage month on Oct. 15 and will be a special ballet folklorico workshop in honor of Dia de los Muertos, featuring traditional dance from the Michoacán region.

Culture through film

Watsonville Film Festival will host a screening of the documentary To Stir the Heart with Santa Cruz Museum of Art and History at Abbott Square on Saturday at 8pm. The film, also available to view online this week at watsonvillefilmfest.org, follows a group of children recovering from the Sept. 19, 2017 earthquake in Mexico, channeling their trauma through poetry and painting.

Executive Director Consuelo Alba said that director of the film Melissa Elizonodo was scheduled to appear at the festival’s event in March before the Covid-19 pandemic hit California. To make up for it, the Watsonville Film Festival hosted a special virtual chat with the director Thursday.

Alba said that To Stir the Heart is a “beautiful example of the power of art and community … how children can turn trauma into something beautiful.”

Space for the in-person film screening is limited; Abbott Square (725 Front St., Santa Cruz) is limited to 100 guests. Organizers advise that people arrive early to secure their space. Social distancing and other Covid-19 safety protocols will be implemented.

Alba said that while Latinx and Hispanic Heritage Month is a good way to promote people’s stories and experiences, it is important to recognize it year-round.

“Hispanic heritage is American heritage,” she said. “There is so much polarization right now in this country. It is super important to remember that [Hispanic and] Latino stories are always relevant.”

Added Barraza: “For me … it is my heritage, and it is definitely important to be able to celebrate and be proud of my culture. But I think especially now, with people so disconnected. This kind of celebration brings us all together.”

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Film selection highlights the power of art and community

Local Groups Celebrate Latinx and Hispanic Heritage Month

Celebrations include an art contest, film screening, and more
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