Big Build

In about two years, UC Santa Cruz and Cabrillo College officials plan to open a student housing complex that is expected to revolutionize the way local students live and attend school, and how they pay for their living space.

The $181 million development will be the first student housing collaboration between a California community college and the University of California to be located on a community college campus, UCSC Chancellor Cynthia Larive said.

To pay for the project, UCSC will issue bonds, and the state of California will pay them. Neither Cabrillo College nor taxpayers will be responsible for the costs.

The 257,000 square-foot project will span three buildings, with 60% of the beds designated for Cabrillo College students and 40% of the beds for UCSC students.

In addition to single-occupancy, double-occupancy, and family units, it will include a childcare center for its residents. All units will be deemed affordable, which is required by state law.

The buildings will be five stories, measuring about 55 feet high.

Each unit will have a kitchen, and the promenade will have a coffee shop with grab-and-go food, as well as food vendors.

While there will be parking on site, students will likely be able to use existing spaces, since parking has not been at capacity since the Covid pandemic, said Cabrillo spokeswoman Kristin Fabos.

A group of educators, elected officials and nonprofit leaders gathered in the multipurpose fields of Cabrilloโ€™s Aptos campus Monday morning for a groundbreaking ceremony on the Costa Vista Student Housing project.

Cabrillo President Matt Wetstein said that the idea for the project came out of the seven-year-old Affordability, Food & Housing Access Taskforce, which is made up of CEOs from community colleges across California.

That group determined that too many students are struggling with the high cost of housing and food, he said.

โ€œOur group sought to lift up the voice of students in California,โ€ Wetstein said. โ€œWe know that they struggle to find housing.โ€

He also praised the efforts of the multiple entities involved in getting the project shovel-ready in less than a year.

โ€œThrough dedicated hard work, effort, energy, commitment, weโ€™ve established an award-winning design project that went from design concept to permitting and construction starting in 11 months,โ€ he said. โ€œThat is amazing.โ€

Cabrillo student trustee Grace Goodhue said that the housing development will help students navigate one of the nationโ€™s most expensive housing markets.

Some 54% of local students are affected by housing insecurity, and one-quarter are affected by โ€œhouselessness,โ€ Goodhue said.

The childcare center, she said, will help students focus on their education.

โ€œAffordable housing for students is critically important to support their success and long-term goals,โ€ she said.

Sen. John Laird said that the 624-bed project will help students struggling to find housing.

โ€œThis makes a fundamental difference in people being able to attend college and better themselves and be productive members of our economy in a way that I think everyone that had anything to do with it should have a sense of pride,โ€ he said.

UC Santa Cruz Chancellor Cynthia Larive said that the project will allow Cabrillo students to live on campus, and then transfer to UCSC without moving and still paying the same rent, which will average $1,150.

Larive said that safe and affordable housing is โ€œa key to student success.โ€

UCSC currently charges $20,928 annually for on-campus room and board. Based on a nine-month academic calendar, that adds up to roughly $2,325 per month. Thatโ€™s compared to the average cost nationwide for room and board of $12,986, according to the Education Data Initiative.

โ€œThis groundbreaking is a moment to celebrate,โ€ Larive said.

She also spoke of the success to date of Cabrillo students who transfer to UCSC. Some 85% of Cabrillo students who apply are accepted, compared to 75% from other colleges, she said.

โ€œCabrillo students come to UCSC and they succeed,โ€ she said.

While the groundbreaking ceremony drew more than 100 people, not everyone there was happy about the project.

The project will take the space where the multipurpose field stood, which included a much-used soccer field.

Efrain Espinoza, who stood holding a sign that said โ€œWhere will the children play?โ€ said that the teams that use the field have not been given an alternative.

โ€œWeโ€™re concerned that every day we keep losing field space for the kids to play soccer,โ€ Espinoza said. โ€œThe local club here, I donโ€™t know where theyโ€™re going to move to.โ€

Cafe Society

Inspired by the beatnik cafรฉs of yesteryear, Steve Volk founded The Ugly Mug in 1996. Born and raised in the Bay Area, he worked in the coffee industry as a teenager, calling it โ€œthe first job that stuck.โ€ He developed a passion for the cafรฉ scene and seeing people connect with each other, before eventually moving to Santa Cruz for better culture and weather.

Coming upon a space for lease on a prominent corner in the heart of downtown Soquel, he debated a foray into small business ownership and credits his dad saying โ€œgo for itโ€ as the ultimate encouragement he needed.

Volkโ€™s now iconic spot gives โ€™90s coffeeshop vibes: a comfy place to hang out and meet with friends, with eclectic gathered-over-time hodge podge dรฉcor. He says his coffee has character, with available pairings like pastries and light savory offerings. Locally sourced croissants are one favorite, as are the cinnamon sugar morning buns and classic French kouign amann. They also offer breakfast sandwiches as well as quiches like broccoli cheddar and the Mexicali with peppers and olives. The coffee selection is diverse, sourced from multiple purveyors based on blends that highlight specific tasting notes like cocoa, smooth finish and pleasant acidity.

How has the coffee industry evolved over 30 years?

STEVE VOLK: I have seen the third wave gain momentum recently, which is a really focused perspective on single-origin microplots, and it seems like people care more about where the coffee is from than how it tastes. And corporations have taken over many small cafรฉs, but not mine, so I feel lucky to be able to do the same thing Iโ€™ve been doing for three decades, which is creating a special community outlet that people enjoy. Coffee pays the bills, but itโ€™s really about that human connection.

Tell me about Monday open mics.

Weโ€™ve been providing an open mic space for local musicians, poets and performers since 1999. Itโ€™s a space for professionals and aspiring amateurs alike to showcase what they do in a welcoming space thatโ€™s safe and supportive. Whether itโ€™s trying out new stuff or well-practiced material, it allows them to express things they are passionate about through art. We have created a family atmosphere around these weekly performances and itโ€™s a really special part of what we are all about here.

4640 Soquel Drive, Soquel, 831-477-1341; cafeugly.com

Thai to Keep Up

Bring on the basil with crispy pork, panang salmon and beef-braised noodle soup.

Those rank among the early best-sellers at brand-new Coconut Thai (3555 Clares St., Suite RR, Capitola), after it soft-opened Sept. 21.

Co-owner Kae Dailes, who operates the space with fellow Thai-American Nuni Saiboh Poytress and two other longtime Thai restaurant pros, also spotlights the lon tao jeaw (a salty, creamy Thai dipping relish made with fermented yellow soybean paste often served with steamed rice and fresh vegetables).

โ€œAuthentic, and something youโ€™ll never find around here,โ€ Dailes says. โ€œWe cook from the heart, and for the heartโ€”very healthy.โ€

Hours run 11am-3pm, 4:30โ€“9pm weekdays and noonโ€“9pm Saturdayโ€“Sunday, coconutthaisc.com.

MAIN MANE

Sometimes news can be filling and in-filling, which is the case as Santa Cruzโ€™s Pacific Avenue soon gets a major foodie upgrade. Chef Desmond Schneider (formerly of Alderwood and Peteโ€™s Capitola) and bartender Juli Mireles (voted one of 2024โ€™s Best Bartender in Santa Cruz by Good Times readers for her work at Redroom Cocktail Lounge) are opening Mane Kitchen & Cocktails in the space previously occupied by Bettyโ€™s Eat In (1222 Pacific Ave., Santa Cruz). The concept the duo envisions blends classic French-bistro techniques with California and Mediterranean flavors, featuring a raw bar, locally sourced seafood, and a cozy, Roaring โ€™20s-inspired interior. The optimistic aim is an end-of-October opening.

RUNWAY REALITY

Woodyโ€™s at the Airport at Monterey Regional Airpotโ€”the farm-fresh, casual-vibe restaurant known for generous portions and laid-back charm that helped it earn best airport restaurant in the country from USA Today readersโ€”is in talks to take over the dining concession at Watsonville Airport (formerly Ellaโ€™s). Airport leadership decided chef Tim Wood and company were the top pick from three finalists, and now the deal for the 2,400-square-foot restaurant and cocktail lounge awaits lease negotiations and approval from the City Council (potentially by Oct. 28), woodysmontereyairport.com.

POPPING UP

Starting this Thursday, Oct. 2, Far West Fungiโ€™s Santa Cruz Store & Cafรฉ hosts 2-5pm weekly MycoMixers. Attendees can anticipate complimentaryโ€”and flavorfulโ€”bites, product samples, and happy hour discounts on cafรฉ favorites. The friendly Far West Fungi team will help host, while atypical mushroom products and new flavors also figure in. The October featured item, to kick off a rotating spotlight concept: mushroom tacos. @farwestfungi on the socials for more.

NUTRISH DELISH

Neal D. Barnard is an American animal rights activist, physician and founding president of the Physicians Committee for Responsible Medicine. Heโ€™s also the author behind a range of books advocating plant-based eating patterns, and heโ€™ll discuss his latest, The Power Foods Diet, 4:30-6:30pm Sunday, Oct. 5, at Colligan Theater in Santa Cruz. Guests can anticipate insightful science behind health, weight loss and the healing power of good food. Somewhere Hippocratusโ€”he of the โ€œLet thy food be thy medicine and medicine be thy foodโ€ refrainโ€”is raising a kale smoothie. Tickets on Eventbrite.com.

FLEET FLAVORS

The first ever Oyster Fest was originally set for Saturday, Oct. 11, on Church Street in the heart of downtown Santa Cruz, but is delayed for nowโ€ฆThe Santa Cruz Warriors host their Sea Dubs Fan Fest 1-3pm Saturday, Oct. 25, to celebrate the start of the 2025-26 NBA G League season, at Kaiser Permanente Arena; the event is free, but sign-up is requested, am.ticketmaster.com/scwarriors/buy/FANFEST2025โ€ฆTickets are now on sale for the Big Sur Foragers Festival, returning Jan. 22โ€“25, 2026, with a weekend of culinary events, guided foraging hikes and community supportโ€”all benefiting the Big Sur Health Center, bigsurforagersfestival.orgโ€ฆSupreme minister of mycology Paul Stamets, transport us from here: โ€œMushrooms are the most understudied organisms on the planet, yet they hold the key to solving many of our problems.โ€

The Editor’s Desk

Santa Cruz California editor of good times news media print and web
Brad Kava | Good Times Editor

Youโ€™ll be traveling the galaxy, the world and through time with this seasonโ€™s Santa Cruz Symphony schedule starting this week with The Planets, the Scheherazade Suite, Amadeus, and Beethovenโ€™s Ninth. These are classics of the classics.

Every year when the season is announced I feel so lucky that we have a major league symphony in a relatively small city of fewer than 62,000 people and a county of 262,000. Do people realize just how lucky we are?

Without the strong support of our community, weโ€™d have to drive over the hill to San Jose or San Francisco to hear such an adventurous program of classical music. Classical music has struggled across the country in part because of the pandemic and arts funding cuts and itโ€™s somewhat miraculous to have such a great program in such a small area.

And ticket prices are not only reasonable, but in some cases a steal. They range from $45 to $130 for most performances, but there are student tickets available for $15 and there are free rehearsals, which Iโ€™ve thoroughly enjoyed (although for an eye-opening experience, try a rehearsal and then see the actual performance. We did that and it was a great lesson.)

There are also afternoon performances in Watsonville at the Mello Center, which give fans a second chance to catch a favored performance.

Christina Watersโ€™ cover story is a scorecard for seeing the best of the season.

Iโ€™ve brought my 9-year-old for the past three years, and I feel like itโ€™s helped him develop his brain and is as important as going to school. The last show featuring movie music is always a hit for kids, but weโ€™ve also moved on to more challenging programs. Although I beg him to learn Grateful Dead tunes on the piano, heโ€™s choosing to learn Beethoven and Mozart, which Iโ€™m going to list as one of my greatest accomplishments as a parent.

One lesson I learnedโ€ฆwhen they are young and gabby, bring them to the rehearsals so you donโ€™t get nasty looks from people who paid the big bucks and want silence.

This week we also celebrate the visual arts, with Christina, again, writing about the 40 years of Open Studios in which great local artists open their homes and workshops to curious art lovers. This generates over $1 million annually in direct sales to artists, local shops, restaurants and hotelsโ€”and the timing is perfect for early holiday shopping.

The Ugly Mug is far more than a place to sip coffeeโ€”itโ€™s a great hang with an open mic night. Check out Andrew Steingrubeโ€™s interview with its longtime owner.

Weโ€™re sad to lose another source of local news with the shutdown of TV station KION, which was one of only two stations that covered Santa Cruz. Its former news anchor, Jeanette Bent, was formerly Good Timesโ€™ managing editor.

Have a great week and letโ€™s be thankful for local media and local culture. We have so much here.

Thanks for reading.

Brad Kava | Editor


PHOTO CONTEST

A black and white dog is the photo of the week

DOG GONE SPECIAL This pooch named Rooster is up for adoption at the Santa Cruz SPCA. This photo has won honorable mention from the PX3 (Paris Photography Prize). Photograph by Rebecca Hall.


GOOD IDEA

What began as a grassroots effort to help San Lorenzo Valley families in need has grown into one of the Valleyโ€™s most cherished traditions: The Mountain Affair. This year, Community Bridgesโ€™ Mountain Community Resources (MCR) will host the 40th Annual Mountain Affair at 6:30โ€“9:30pm on Oct. 24 at Highlands Park Senior & Community Center.

Chef Marina Camarlinghi of Barbara & Company Catering will present an Italian-themed menu crafted with fresh, seasonal ingredients, paired with wines from Alfaro Family Vineyards. Tickets at communitybridges.org.

GOOD WORK

Retired attorney Ben Rice received a lifetime achievement award from the Santa Cruz County Chapter of the American Civil Liberties Union last week.

Ben worked six years as a public defender, 35 years in criminal defense and served on the Countyโ€™s Juvenile Justice and Delinquency Prevention Commission for 11 years. He worked countless pro bono hours helping many who could not afford legal assistance.

Ben specialized in medical cannabis and forever impacted the industry when he defended the Wo/Menโ€™s Alliance for Medical Marijuana following their arrest by federal agents in 2002. In 2008, a judge ruled the federal government could not force California to outlaw medical marijuana.

QUOTE OF THE WEEK

โ€˜If nine people sit down at a table with one Nazi without protest, there are 10 Nazis at the table.โ€™
โ€”German writer Dr. Jens Foell

LETTERS

BAD TASTE?

I thought the subheading for your Student Supplement was in extremely poor taste. โ€œDilated Pupilsโ€?? Cโ€™mon, man! Unless, of course, youโ€™re suggesting that the supplements students should be looking for in its pages is some sort of drug or another. I saw the half-page ad for pot, and the list of 22 beer joints, but missed the ads for Methamphetamines. Iโ€™ll look againโ€ฆ

Dag Weiser | Santa Cruz


SURFERSโ€™ CODE

Do not publicize all the surf spots, especially remote ones. Good Times has been around long enough to know the code. Shame on you.

Tory Wilson | Santa Cruz


NO ROOM FOR COMICS

A friend of mine was a Marine Corps lawyer during World War II. He participated in the Nuremberg Trialsโ€”which sentenced many Nazi leaders to death after the war was over. He sent me a copy of a news article from the New York Times, dated February 4, 1939, just before the war started.

Hitler was just beginning to crush dissent, and the article describes how Hitlerโ€™s Propaganda Minister Joseph Goebbels destroyed the careers of five comedians because they criticized Nazis.

The Headline: โ€œGoebbels Ends Careers of Five โ€˜Aryanโ€™ Actors Who Made Witticisms About the Nazi Regimeโ€

The lead: โ€œPropaganda Minister Joseph Goebbels today ended the professional careers of five โ€˜Aryanโ€™ comedians by expelling them from the Reichโ€™s Chamber of Culture on the grounds that โ€œin their public appearances they displayed a lack of any positive attitude toward National Socialism and therewith caused grave annoyance to party comrades.โ€

Sound familiar?

Don Eggleston | Aptos


NOT IN FAVOR OF THESE MEASURES

Santa Cruz is already an expensive place to live, and Measures B and C would only make life harder. These proposals add new parcel and transfer taxes that hit regular people the most. Families, renters, and seniors are already stretched thinโ€”more taxes arenโ€™t the answer.

Supporters say this money will go to housing and community programs, but thereโ€™s no clear guarantee it will solve the real problems we face. What we do know is that residents will be paying more at a time when so many can barely keep up.

I love this community and want to see it thrive, but putting more financial pressure on locals is not the way forward. Please join me in voting no on Measures B and C.

Gayle Bradshaw | Santa Cruz


IN LOVING MEMORY

In memory of my husband, Bill Nadeau, I am sponsoring free jazz concerts at the downtown branch of the Santa Cruz Library the first Friday of every month.

The concert on Friday, Oct. 3 features violinist Mads Tolling and his Mads Men on piano and bass. The electrifying and nostalgic performance will pay tribute to famous jazz violinists. The shows are from noon to 1pm.

Thank you for supporting live music!

B. J. Nadeau | The William H. Nadeau Fund Promoting and Rewarding Excellence in Jazz Performance | Scotts Valley

Free Will Astrology

0

ARIES March 21-April 19

In Zen Buddhism, satoris are sudden flashes of illumination that are fun and clarifying. Iโ€™m happy to tell you that youโ€™re in a phase when these sweet breakthroughs are extra likely to visit you. They may barge in while youโ€™re washing dishes, in the grocery store check-out line, or during your fantasies before sleep. Be on high alert for intimations from the Great Mystery. PS: Some satoris could be gems you already half-knew.

TAURUS April 20-May 20

You are eligible to be named โ€œThe Most Brilliant and Effective Complainerโ€ for October. If you want to secure this prestigious award, spend time organizing plans for changing whatโ€™s amiss or awry. Decide which irritating off-kilter situations are most worthy of your thoughtful attention. Figure out how to express your critiques in ways that will engage the constructive help of others. And then implement a detailed strategy to compassionately achieve the intriguing transformations.

GEMINI May 21-June 20

On certain medieval maps, an island paradise known as Hy-Brasil had a fuzzy presence west of Ireland. Did it truly exist? If so, it was said to be a blessed land that could restore lost youth and offer extravagant happiness. The place was thought to be rarely visible, and only under certain magical or auspicious conditions. I suspect you Geminis are within range of an experience like this. It wonโ€™t appear in a specific location but as a state of mind that settles over you. Donโ€™t chase it. Allow it to find you.

CANCER June 21-July 22

A stalactite is a stony formation that hangs like an icicle from the ceiling of a cave. It forms over long periods as mineral-rich water drips down and incrementally deposits hard calcium carbonate through precipitation. This marvel is an example of earthโ€™s creativity at its most leisurely. A four-inch-long stalactite might take a thousand years to make. With that as your seed thought, Cancerian, I invite you to attune yourself to the slowest, deepest, most ancient parts of your soul. Important developments are unfolding there. A wound thatโ€™s ripening into wisdom? A mysterious yearning thatโ€™s finally speaking in your native tongue? Be patient and vigilant with it. Donโ€™t demand clarity all at once. Your transformation is tectonic, not flashy. Your assignment is to listen and be receptive.

LEO July 23-Aug. 22

When bilingual speakers engage in the behavior known as โ€œcode-switching,โ€ they may begin a sentence in one language and finish it in another. Or they may move back and forth between two different languages as they deliver a discourse. Why do they do it? To enrich their meaning, to dazzle their audience, to play and experiment. In a larger sense, we could say that code-switching happens anytime we swivel between different styles of presenting ourselves: from formal to casual, serious to humorous, cheerful to skeptical. I bring this up, Leo, because you are in the heart of the code-switching season. Have fun!

VIRGO Aug. 23-Sept. 22

In the Arctic, polar bears move through the world not by sight alone, but through scent trails that stretch miles across the ice. Their sense of direction is olfactory, intuitive and primal. If Iโ€™m reading the omens correctly, Virgo, your navigation system will also be more animal than logical in the coming weeks. I advise you to trust subtle cuesโ€”like goosebumps, a sweet or sour taste in your mouth, or an uncanny pull toward or away from things. Your rational mind might not be fully helpful, but your body will know the way. Sniff the trail. Access your instincts.

LIBRA Sept. 23-Oct. 22

In ancient Egyptian myth, the goddess Maat ruled truth, divine law, harmony and moral order. After death, each personโ€™s heart was weighed against Maatโ€™s feather of truth on a scale in the Hall of Judgment. If the heart, which embodied the essence of a personโ€™s actions in life, was equal in weight to the feather, the deceased was assessed as virtuous and cleared to continue to the glorious afterlife. If it was heavier … well, Iโ€™ll spare you the details. Maatโ€™s scales were not symbols of punishment, but of fairness and justice. Thatโ€™s also your special power right now, Libra. You have subtle insight into every choice. You understand that your wisdom is best used to bless, not censure. My hope is that you will foster gentle clarity and offer forgiveness to all, including yourself. Lay down the old guilt! Let grace be the law!

SCORPIO Oct. 23-Nov. 21

The I Ching is an ancient divinatory book compiled in China over 2,500 years ago, Amazingly, itโ€™s still quite useful. In accordance with astrological omens, I call your attention to one of its oracles: โ€œWork on What Has Been Spoiled.โ€ It tenderly counsels us to be brave as we repair whatโ€™s broken. But itโ€™s crucial that we make the correction with patient grace, not blame and anger. The good news, Scorpio, is that you now have an uncanny ability to discern whatโ€™s out of tune, whatโ€™s crooked, what has been wrongfully abandoned. I hope you will offer your genius for re-weaving. A frayed friendship? A neglected dream? A forgotten promise? You can play the role of restorer: not to make things as they were, but to render them better than theyโ€™ve ever been.

SAGITTARIUS Nov. 22-Dec. 21

In ancient Egypt, the lion-headed goddess Sekhmet wielded both intense heat and nourishing warmth. She had the power to destroy and heal. When outbreaks of chaos threatened, she incinerated them. Once order and balance returned, she served as a physician. I dare you to summon your inner Sekhmet, Sagittarius. Give your bold attention to an obstacle that needs to be crushed or an injustice that needs to be erased. If necessary, invoke sacred rage on behalf of sacred order. But remember that the goal is not merely combustion. Itโ€™s transmutation. Once the fire has cleared the way, unleash your gorgeous cure.

CAPRICORN Dec. 22-Jan. 19

In Nepal, thereโ€™s a tradition among Sherpa mountaineers. Before ascending Mt. Everest, they perform a ceremony led by a Buddhist monk or Lama. Itโ€™s a way to honor the sacredness of the mountain, ask for grace during their climb, and return from the journey in good health. As you eye the peak ahead of you, Capricorn, consider making similar preparation. Ritualize your intention. Direct it with clarity and care. Bless your journey before you surge forward.

AQUARIUS Jan. 20-Feb. 18

When people call something โ€œglamorous,โ€ they usually mean it has an elegant, captivating style. Its beauty is sophisticated and luxurious. But the original meaning of โ€œglamourโ€ was different. It referred to a deceptive magical enchantment designed to disguise the truth, whipped up by a conjurer or supernatural being. Thatโ€™s the sense I want to invoke now, Aquarius. You have been seeing through the glamour latelyโ€”of the media, of consensus reality, of false stories. Now itโ€™s time to go even further: to actively tear down illusions and dismantle pretense, preferably with tact. When you see through the spell, donโ€™t just call it outโ€”transmute it into clarity.

PISCES Feb. 19-March 20

Pisces-born Nina Simone (1933โ€“2003) started playing piano when she was three years old. At age 12, her debut concert was a classical recital. She developed a yearning to become the first Black female classical concert pianist. But her dream collapsed when the prestigious Curtis Institute of Music refused to let her study there. Then came the plot twist. She redirected her disappointment ingeniously, launching a brilliant career as a singer, composer and pianist that won her global fame. The rebuff from the Curtis Institute was ultimately a stroke of good luck! It became a catalyst for her greatness. In accordance with astrological omens, I invite you to designate a frustration that you will use to fuel future success.

Homework: Make sweet amends to yourself for an error you made. Newsletter.FreeWillAstrology.com

Things to do in Santa Cruz

THURSDAY 10/2

AMERICANA

HILARY GARDNER

Wasilla, Alaska, native and jazz vocalist Hilary Gardner established her career in New York City. In the early 2000s, Gardner charted an eclectic path, guesting on albums by jazz pianist Mike Longo and electronica artist Moby. By 2010, she was a member of the cast of Twyla Tharpโ€™s Frank Sinatra musical on Broadway, Come Fly Away. Gardner launched her solo recording career with 2014โ€™s The Great City, founding vocal trio Duchess around the same time. Bridging her jazz background and country roots, her latest project is 2024โ€™s On the Trail with The Lonesome Pines. BILL KOPP

INFO: 7pm, Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. $34-$36. 427-2227.

FRIDAY 10/3

SINGER-SONGWRITER

CASS MCCOMBS

Born in Concord, California, but getting his solo career underway in New York City, indie singer-songwriter Cass McCombs released his debut EP, Not the Way, in 2002. Four full-length albums followed, along with a 2012 tour with Velvet Underground co-founder John Cale. His original songs have been featured in documentaries, dramatic films, and skate videos, and in 2014, McCombs toured with the Meat Puppets. But while critical praise has been a feature of his work, McCombs has remained a largely underground sensation. Today, he has more than a dozen albums to his credit. 2025โ€™s Interior Live Oak is his latest. BK

INFO: 7:30pm, Crepe Place, 1134 Soquel Ave., Santa Cruz. $30/adv, $35/door. 429-6994.

METAL

DEAFHEAVEN

The band doesnโ€™t consider themselves the originator of blackgaze (a combination of black metal and shoegaze), but fans and critics generally acknowledge Deafheaven as the definitive band in the genre, which makes sense because prior to their 2013 full-length, Sunbather, the genre was generally looked down upon. That album found huge commercial success and earned respect from the toughest of critics: metalheads. Founded as a duo in 2010, this San Francisco band has expanded over the years into a quintet, growing their sound in the process. Earlier this year, they released their sixth album, Lonely People With Power, a great way to describe the current political state of the US and much of the world. MAT WEIR

INFO: 7:30pm, Catalyst, 1011 Pacific Ave., Santa Cruz. $39. 713-5492.


SATURDAY 10/4

HISTORY

ANTOINETTE SWAN GRAVESITE TOUR

Antoinette Swan was a surfer who moved to Santa Cruz during the 19th century. In doing so, she also helped bring the now-popular pastime to the United States. Santa Cruz, being nicknamed โ€œSurf City,โ€ is linked to her, but she is often overlooked when discussing the history of surfing. Join local historians, Geoffrey Dunn and Kim Stoner, and collaborators for the exhibition Princes of Surf 2025: Heโ€™e Nalu Santa Cruz for a tour of Antoinette Swanโ€™s final resting place right here in Surf City. This tour honors her legacy, as well as connecting attendees to a special piece of local history. ISABELLA MARIE SANGALINE

INFO: 11am, Santa Cruz Memorial Cemetery, 1927 Ocean St Ext, Santa Cruz. $25. 429-1964.

COMEDY

MYQ KAPLAN

Comedian Myq Kaplanโ€™s brain is an amazing and unique machine that processes philosophy, word play, setups and punchlines at breakneck speed. Itโ€™s great that he puts out so much content, as his jokes reward repeated listening, but it is a delightful endurance test for your brain trying to keep up with him. If you catch even half of the jokes in his act, youโ€™ll be getting more laughs per minute than previously thought possible, and all of it delivered in a gentle voice full of positivity, love, and a spirit of intellectual playfulness. The $40 ticket covers Valerie Tosi on Friday night as well. KEITH LOWELL JENSEN

INFO: 7:30โ€ฏpm, Woodhouse Blending & Brewing, 119 Madrone St., Santa Cruz. $40. 313-9461.


SUNDAY 10/5

DANCE

A TASTE OF IRELAND

Performed by world-class dancers, including World Irish dance champions and performers from the acclaimed shows Riverdance and Lord of the Dance, A Taste of Ireland transports audiences through the dramatic tapestry of historical Ireland. The show takes the athleticism and finesse of traditional Irish dance alongside the heart and wit of classic Irish folk songs, and infuses them with contemporary flair. Blending explosive tap-battles, melodic folk mashups, and audacious Irish wit, this engaging production chronicles the birth of a nation through captivating performance. This spectacular showcase demonstrates the evolution of Irish performance while honoring its deep cultural roots and enduring traditions. SHELLY NOVO

INFO: 6pm, Civic Auditorium, 307 Church St., Santa Cruz. $40-$80. 420-5030.

PSYCH-ROCK

ACID MOTHERS TEMPLE

Acid Mothers Temple have come from Japan to poke local audience members in the third eye as they twist their way into the listenersโ€™ brains with an onslaught of noise, psychedelic rock, what theyโ€™ve called โ€œextreme trip musicโ€. This is the antithesis of sensory deprivationโ€”overstimulating the senses to great extremes with flashing, flowing, melting lights, and music that fractalizes into seeming chaos, only to suddenly spring back into logical, driving, thumping shape again. Use with caution; co-pilots recommended. KLJ

WEDNESDAY10/8

AFRO-JAZZ

JEMBAA GROOVE

Jembaa Groove stands at the forefront of the emerging Afro-Jazz movement, blending West African Highlife traditions with contemporary soul and jazz sensibilities. Founded in 2020 by bass player and composer Yannick Nolting and singer-percussionist Eric Owusu, this Berlin-based ensemble creates fresh Afro-Soul music. Acclaimed albums Susuma and Ye Ankasa/We Ourselves have earned international media coverage. The bandโ€™s expanded lineup features collaborations with The Cavemen, legendary Malian singer Fatoumata Diawara, and Nigerian sensation Tim Lyre. SN

INFO: 8pm, Felton Music Hall, 6275 Hwy 9, Felton, $20, 704-7113[1] [2] 

CINEMA

SANTA CRUZ FILM FESTIVAL

For 25 years, the Santa Cruz Film Festival has promoted and celebrated local, independent films. Since its inception, it has showcased over 2,000 movies. Curated under the leadership of Programming Director Logan Walker, winners are chosen by a panel of judges consisting of film educators, local community leaders and, of course, filmmakers. This year, over the course of Oct. 8โ€“12, the spotlight shines on several eclectic films ranging from curses (F*cktoys), to making ends meet in San Francisco (Outerlands) and even the invention of the Santa Cruz Skateboards infamous Screaming Hand (Art and Life: The Story of Jim Phillips), each with Q&A panels featuring each filmโ€™s writers, directors and actors. MW

INFO: 7pm, Landmarkโ€™s Del Mar Theater, 1124 Pacific Ave., Santa Cruz. $18. 359-4447.


Restorative Yoga

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In 2014, Santa Cruz native and visionary organizer Shandara Gill had an idea that seemed unlikely at the time: bringing yoga into jails. Not as a trendy workout, but as a healing practice for some of the most marginalized people in our communityโ€”incarcerated citizens.

That idea laid the groundwork for Yoga for All Movement (YFAM), a nonprofit dedicated to making yoga accessible to people who need it most. Rooted in the principles of restorative and transformational justice, YFAM set out to use yoga not just as exercise, but as a tool for resilience, connection and healing.

Fast forward to today, and YFAM is thriving. The organization now offers more than 26 weekly classes across Santa Cruz County, reaching jails, juvenile halls, mental health facilities, schools and senior centers, as well as holding public community classes at the London Nelson Center. On Oct. 11, YFAM invites the community to experience its mission firsthand at Yoga for All Day, a free celebration of practice, connection and healing.

A Radical Beginning

When Gill and her team of volunteers first reached out to local jails about bringing in yoga classes, the response was lukewarm at best. โ€œIt wasnโ€™t exactly a hard yes,โ€ laughs Executive Director Katie Davidson, the organizationโ€™s second paid staff member. โ€œSome administrators were skepticalโ€”what did yoga have to do with rehabilitation? But because we offered it at no cost, a few institutions agreed to give it a try.โ€

The impact was immediate. For those in the system, yoga provided more than physical movementโ€”it offered space to breathe, regulate and connect with themselves and others in a setting often defined by disconnection.

Itโ€™s easy to think of offering these special services as rewarding bad behavior, but the reality is that most incarcerated citizens arrive with histories of trauma, abuse and marginalization. Restorative justice is about holding people accountable, while also allowing them to attempt to make amends. Transformative justice goes even deeper, looking at the root causes and systemic issues that lead people into incarceration in the first place.

In the West, yoga often gets packaged as a boutique fitness class for the flexible and the fit. YFAM works to dismantle those barriers.

โ€œPeople say all the time, โ€˜I canโ€™t do yoga because I canโ€™t touch my toes,โ€™โ€ Davidson says. โ€œBut yoga can be done in a chair. It can be just breathing, or meditating for a few minutes. Itโ€™s not about the posesโ€”itโ€™s about connection.โ€

That connectionโ€”mind, body, spirit and communityโ€”is what Davidson calls truly transformative. โ€œWhen you practice, you start to realize weโ€™re not separate. Someone elseโ€™s suffering is not separate from ours. That awareness changes how we treat people, whether theyโ€™re our neighbors, our students, or strangers on the street.โ€

For Davidson, that lesson is personal. Before joining YFAM, she had a successful career in New York journalism. On paper, she had made itโ€”interviewing celebrities, reporting from red carpetsโ€”but her sense of fulfillment came not from her career, but from her yoga practice. โ€œWhen I left a yoga class, I felt most alive, most myself. Thatโ€™s what drew me deeper.โ€ Eventually, her path led her back home to Santa Cruz, and to YFAM.

One of the organizationโ€™s founding board members, renowned Santa Cruz yoga teacher Hannah Muse, has been teaching in jails and schools since before YFAM became a nonprofit. She emphasizes that the work has always been community-centered.

โ€œFor nine years weโ€™ve been quietly doing this work, often without resources or staff,โ€ Muse says. โ€œNow itโ€™s time to celebrate and share it more widely.โ€

Part of that growth has included moving from an all-volunteer base to hiring staff and compensating teachers. โ€œIf equity is one of our principles, we need to pay our teachers equitably too,โ€ Muse explains. โ€œWe now have over 50 trauma-informed teachers in our network, and every one of them is paid for their work.โ€

This shift has allowed YFAM to deepen its impact, bringing resilience-informed yoga into spaces where trauma runs deep. โ€œYes, our work is trauma-informed,โ€ Muse says, โ€œbut itโ€™s also resilience-informed. We focus not just on whatโ€™s broken, but on whatโ€™s possible.โ€

YFAMโ€™s offerings go far beyond the walls of correctional facilities. Public classes at the London Nelson Community Center welcome students from all walks of life. Recently, occupational therapists from Santa Cruz County Mental Health began bringing clientsโ€”some struggling with severe trauma and even agoraphobiaโ€”to these open classes.

โ€œTo see those students walk in, participate, and leave smiling is powerful,โ€ Davidson says. โ€œIt shows how universal this practice really is.โ€

Yoga, she emphasizes, is not about silencing the mind or achieving a perfect pose. โ€œMeditation isnโ€™t about stopping your thoughts. Our minds produce thoughts just like our mouths produce saliva. The practice is about being with whatever arises and creating more space around it.โ€

Behind YFAMโ€™s programs lies a web of community support. Early on, teachers knocked on the doors of jails and schools, offering free classes. Now, institutions are reaching out to YFAM, eager to bring the benefits of yoga to their clientsโ€”and willing to pay for it.

Funding still remains precarious, with much of it tied to grants and contracts vulnerable to cuts. Private donors and community partners play a crucial role in keeping the movement alive. โ€œIn a world where thereโ€™s so much to complain about, people want to know theyโ€™re contributing to something positive,โ€ Muse says.

FITS TO HERE

That positivity is exactly what YFAM hopes to share on Yoga for All Day. The free Oct. 11 event will feature a community yoga class, live music, kirtan, sound healing, mindfulness moments, and a panel discussion with people who have experienced firsthand the impact of YFAMโ€™s programsโ€”whether through incarceration, recovery, or mental health challenges.

โ€œItโ€™s really a day of healing and connection,โ€ Davidson says. โ€œA chance for people to take a break from the noise of daily life and experience community in its truest sense.โ€

Rooted in Compassion

From two classes a week in county jails to more than two dozen classes across Santa Cruz today, YFAM has grown into a movement that embodies its name.

โ€œWeโ€™re not just teaching yoga or meditation,โ€ Muse says. โ€œWeโ€™re building a movement rooted in compassion and dignity.โ€

For Davidson, the work is about giving others what yoga gave her: tools for peace, connection, and resilience. โ€œI know what itโ€™s like to feel disconnected and to find healing through this practice. Thatโ€™s why we do what we doโ€”because everyone deserves access to that possibility.โ€

On Oct. 11, the doors are open wide to everyoneโ€”a celebration of resilience, equity and the power of community to transform lives, one breath at a time.

Yoga for All Day takes place noonโ€“4pm on Oct. 11 at Pacific Avenue and Cooper Street in downtown Santa Cruz. yogaforallmovement.org

Meet the Makers

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Theyโ€™re back! Those insanely popular weekends of October when everyone is invited to free, self-guided tours through the handiwork of hundreds of artists.

Open Studios marks its 40th year of inviting the public to a hands-on arts crawl. An offer we canโ€™t refuse. And if you require a bit of nudging, some additional temptation, donโ€™t miss the preview exhibits now running at the Santa Cruz Art League and Pajaro Valley Arts through Oct. 19.

Launched in 1985, Open Studios is a feast for the eyes, a chance to treat yourself and/or plan ahead for holiday gifting. But it also generates over $1 million annually in direct sales to artists, local shops, restaurants and hotels. Participants look forward to earning a large portion of their annual incomes during those three busy weekends.

Newly at the helm this year, Program Manager Bree Karpavage welcomes everyone to Open Studios. โ€œWe are excited to support over 340 artists this year from Watsonville to Davenport. Come discover where the magic of artistic inspiration happens and take home something special that speaks to you!โ€

Many of those showing their handmade arts and crafts return to this art crawl year after year. Thereโ€™s wearable art by Christina MacColl (#184), whose colorful must-have designer coats, dresses and jackets show off a bold sense of color and cut under her Grant Designs label (showing with the whimsical sculptures by clay artist Brooke Matteson).

FIELD OF VISION In addition to seeing work at artistsโ€™ studios, many piecesโ€”including Mac McWilliamsโ€™ โ€˜Strawberry Pickersโ€™โ€”are on view through Oct. 19 at the Pajaro Valley Arts Gallery, 280 Main St., Watsonville. Photo: Tarmo Hannula

Printmaker Bridget Henry (#336) has been brightening interiors all over the country with her woodblock prints highlighting compelling themes and compositions peppered with spiritual and environmental imagery. Charles Prentiss (#18) is an icon of Open Studios, showing new and renewed views of his immediate La Selva landscape in robust oil paintings that reawaken the spirit of the Golden State. Also returning are the poetic color field dreamscapes painted by the tireless imagination of Hildy Bernstein (#327). And of course itโ€™s impossible to imagine Open Studios without a chance to check out the mesmerizing blown glass works from Peter Vizzusi (#27).

And ah, the jewelry! The sophisticated collectibles from OS veteran Ann Wasserman (#137), the grand bejeweled statements by Andrea Mekkoudi (#142) and Musi Hunt (#156), sensuous pearl designs from Elizabeth Clar (#153). But I digress. The moody abstractions from Janet Trenchard show the range of acrylic painting in skilled hands (#166). Collectors of innovative photo and mixed-media visual statements will want to stop by the incredible studio of Sara Friedlander (#167). And on and on.

Ann Ostermann, who began producing the program in 2004, knows all about how Open Studios became such a beloved fixture of our yearly celebrations.

SHAPING UP Coeleen Kiebert is among more than 340 artists whose work will be on view during Open Studios. Photo: Crystal Birns

โ€œThe tour started out in 1986, one weekend featuring 86 artists,โ€ Ostermann recalls. โ€œIt grew over the years and went from that one weekend to two and then to three weekends, one for North, one for South, and the last weekend where artists from throughout the county could participate. The tour is special because the public visits the artists in their working studios. This separates it from other festivals where artists simply present their work. The artists are asked to show process so the public learns more about how the art is made. People who donโ€™t have an accessible studio, or have limited parking or arenโ€™t able to invite the public into their space have the option of being hosted by other Open Studios artists. This helps them and it keeps the โ€˜studioโ€™ in the Open Studios tour!โ€

Ostermann stepped down last year, passing on the torch, but the memories are vivid.

โ€œMany participants confessed to me over the years,โ€ she says, โ€œthat Open Studios represented up to 80 percent of their annual income. Some artists really built their business through Open Studiosโ€”the first that comes to mind is Marie Gabrielle. A supremely talented watercolor artist whose art really resonates with the public.โ€

Tessa Hope Hasty of Santa Cruz has work on view at the Open Studios Art Tour Preview Exhibit in the Pajaro Valley Arts Porter Building. PHOTO: Tarmo Hannula

What worked best, Ostermann believes, was keeping it to the first three weekends in October. โ€œIt makes it easy for artists to know what other months and events they can enter, and the public knows when the tour will take place. I think the public just loves seeing actual studio spaces, seeing pieces that arenโ€™t yet complete, seeing pieces that have failed. Itโ€™s truly fascinating! And even if you just leave with a greeting card or some small item, you have met the person who made it.โ€

Asked what she doesnโ€™t miss about running the show, Ostermann admits she doesnโ€™t miss the deadlines โ€œand the physicality of that last month of the prep, September, when we moved thousands of guides to outlets, set up and took down the booth at the Capitola Art & Wine Festival, did the staging, and installation of the Preview Exhibit and held the big public reception at the Art League. I had it all down to a science so it wasnโ€™t stressful, but it was exhausting! Right now, this is the mellowest September Iโ€™ve had in 20 years!

โ€œI am filled with pride for the job I did producing Open Studios. By the way, I inherited a wonderfully run program. Buff McKinley produced it before me and she had done a great job. But eventually we really did have to make some adjustments: When I started, artists filled out a four-page paper application and turned in slides for the screening. All the data from the applications had to be entered into a database. The slides had to be loaded in trays for the screening. It was terribly laborious.

โ€œIn 2012 we switched from the committee screening the applications to an online jury system,โ€ Ostermann explains. โ€œThat was a good shift for transparency. The only hitch was artists had to apply online. The first year of the Guide it sold for $6. Starting in 1999 the Guide was an Artist Guide/Calendar that cost $20. It stayed that way through 2013. In 2014 we published an Artist Guide without the calendar, still selling it for $20.

โ€œFinally we reached out to Jeanne Howard at Good Times to see about printing and distributing an Open Studios Guide for free. They agreed and the change transformed the tour. No one has to have $20 to go see the artists. It is truly an art-for-all event!โ€

Open Studios Tour Dates

Oct. 4โ€“5: South County artists (south of SC Yacht Harbor)

Oct. 11โ€“12: North County artists (north of SC Yacht Harbor)

Oct. 18โ€“19: All County, featuring 250+ artists across the region

Sat.โ€“Sun. 11amโ€“5pm

santacruzopenstudios.com


Spark of Laughter

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When comedian and Good Times contributor DNA left Santa Cruz for his second hometown of Chico after nearly 20 years locally, many hailed it as the death of his long-running Santa Cruz Comedy Festival.

Which it was, and thatโ€™s the end of that.

OK, just kidding. Kind of. While the Santa Cruz Comedy Festival as we once knew it might not be returning for its 12th year, this weekend DNA and fellow local comedian Michael Booth will host the inaugural Laughtopus at Woodhouse Brewery.

โ€œItโ€™s fun to be able to create a community,โ€ Booth explains. โ€œIโ€™m lucky to be connected and have access to a network of comedians.โ€

A rebranding of sorts, the Laughtopus is presented by the Santa Cruz Comedy Festival as a smaller, more condensed way for Santa Cruzans to get their yearly festy laughs.

Along with the hosts, each night will feature a different group of local and Bay Area comedians: Megan Kellie, Ryan Holloway, Colin Cosados and Rea Kapur are on the bill Oct. 4; BJ Rankin, Avery Harmon, Emily Rudolph and Ashley Monique perform Oct. 4. Headlining the nights are two returning favorites from previous DNA shows, Valerie Tosi and Myq Kaplan.

VALERIE TOSI
MYQ KAPLAN photo: Mindy Tucker

Kaplan has played Santa Cruz on several occasions, including DNAโ€™s Vegan Comedy show.

Prior to the 2020 lockdowns, Tosi headlined DNAโ€™s ill-fated Comedy Lab. A veteran to the comedy scene, Tosi is a graduate from the Los Angeles chapter of the Second City improv comedy troupe. Her 2022 debut special, Beach Trash, reached number one on the iTunes charts, and sheโ€™s made appearances on other shows, including Peacockโ€™s Based on a True Story and IFCโ€™s Stan Against Evil. Tosi has been featured on a number of podcasts and her voice can be heard narrating online shows like Weird Food History on YouTube.

She is also the host of the Mermaid Comedy Hour, the longest-running, all-female comedy show at the Hollywood Improv.

โ€œFor the last couple of years people have asked if thereโ€™s a need for an all-female show anymore,โ€ she says. โ€œBut looking around at the current political climate I think itโ€™s needed now more than ever.โ€

More than just empty platitudes, Tosi stands up for the causes she believes in. Scanning her social media, thereโ€™s plenty of photos of her protesting at various causes, from standing up against ICE to recently marching outside Walt Disney Studios to reinstate Jimmy Kimmel. In her own words itโ€™s something she โ€œcanโ€™t not do.โ€

โ€œWe use humor as a tool to move through different emotions,โ€ she says. โ€œNot just anger and fear, but grief. I think weโ€™re all grieving a country that we didnโ€™t know was capable of getting to the point where it is and weโ€™re not even at rock bottom yet.โ€

Which is one of the reasons why DNA says Santa Cruz needed to have a new comedy fest.

โ€œBesides the name, I wanted Laughtopus to be different,โ€ he explains. โ€œI wanted to go small this year. One thing I tell all new producers in the region is that putting on shows is gambling. Youโ€™re putting money up and you might not get that money back.โ€

So instead of curating Laughtopus himself, DNA instead chose the headliners and gave the task of filling the other slots to his co-host, who also runs regular shows throughout the area.

โ€œMichael is still in that world of new comedians and he puts them on regularly,โ€ DNA says. โ€œHe knows how to build a good show. You canโ€™t be a better comic unless youโ€™re on stage, and heโ€™s on stage as much as he can be.โ€

Itโ€™s a role Booth took on voluntarily.

โ€œWith DNA moving away and things being uncertain, a couple of us have taken on the tradition [of producing local shows] and kept the vibe,โ€ he says, speaking of the Santa Cruz comedy scene.

โ€œThatโ€™s how all this exists. We all either started it or took it over,โ€ he continues. โ€œItโ€™s all people getting events started or keeping them going with quality so they can last for years like the Blue Lagoon or Mountain Brewery shows.โ€

So while this might be the inaugural Laughtopus event, if all goes well it most certainly wonโ€™t be the last. But that all depends on whether or not Santa Cruz comes out to support it.

โ€œI have this ember of an idea for the festival,โ€ DNA says. โ€œAnd last yearโ€”for meโ€”that ember really dimmed. Now itโ€™s a quest for fire. I have some brush, I have this ember and Iโ€™m blowing on it to start this fire again.โ€

Laughtopus begins at 7pm on Oct. 3โ€“4 at Woodhouse Blending and Brewing, 119 Madrone St., Santa Cruz. $25 adv/$30 door. 831-313-9461.

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Youโ€™ll be traveling the galaxy, the world and through time with this seasonโ€™s Santa Cruz Symphony schedule starting this week.

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A friend of mine ...participated in the Nuremberg Trials. He sent me a copy of a news article from the New York Times, dated February 4, 1939

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Things to do in Santa Cruz

Good Times calendar Jembaa Grove afro jazz band
Jembaa Groove stands at the forefront of the emerging Afro-Jazz movement. Wednesday at Felton Music Hall

Restorative Yoga

practicing yoga depicted with Yoga For All wellness story
Yoga For All Movement set out to use yoga not just as exercise, but as a tool for resilience, connection and healing.

Meet the Makers

Launched in 1985, Open Studios is a feast for the eyes, a chance to treat yourself and/or plan ahead for holiday gifting.

Spark of Laughter

DNA and fellow local comedian Michael Booth will host the inaugural Laughtopus at Woodhouse Brewery.
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