Rob Brezny’s Astrology Feb. 20-26

Free will astrology for the week of Feb. 20, 2019

ARIES (March 21-April 19): In December 1915, the California city of San Diego was suffering from a drought. City officials hired a professional “moisture accelerator” named Charles Hatfield, who promised to make it rain. Soon Hatfield was shooting explosions of a secret blend of chemicals into the sky from the top of a tower. The results were quick. A deluge began in early January of 1916 and persisted for weeks. Thirty inches of rain fell, causing floods that damaged the local infrastructure. The moral of the story, as far as you’re concerned, Aries: when you ask for what you want and need, specify exactly how much you want and need. Don’t make an open-ended request that could bring you too much of a good thing.

TAURUS (April 20-May 20): Actors Beau Bridges and Jeff Bridges are brothers born to parents who were also actors. When they were growing up, they already had aspirations to follow in their mom’s and dad’s footsteps. From an early age, they summoned a resourceful approach to attracting an audience. Now and then they would start a pretend fight in a store’s parking lot. When a big enough crowd had gathered to observe their shenanigans, they would suddenly break off from their faux struggle, grab their guitars from their truck, and begin playing music. In the coming weeks, I hope you’ll be equally ingenious as you brainstorm about ways to expand your outreach.

GEMINI (May 21-June 20): According to Edward Barnard’s book New York City Trees, a quarter of the city is shaded by its 5.2 million trees. In other words, one of the most densely populated, frantically active places on the planet has a rich collection of oxygen-generating greenery. There’s even a virgin forest at the upper tip of Manhattan, as well as five botanical gardens and the 843-acre Central Park. Let’s use all this bounty-amidst-the-bustle as a symbol of what you should strive to foster in the coming weeks: refreshing lushness and grace interspersed throughout your busy, hustling rhythm.

CANCER (June 21-July 22): As a poet myself, I regard good poetry as highly useful. It can nudge us free of our habitual thoughts and provoke us to see the world in ways we’ve never imagined. On the other hand, it’s not useful in the same way that food and water and sleep are. Most people don’t get sick if they are deprived of poetry. But I want to bring your attention to a poem that is serving a very practical purpose in addition to its inspirational function. Simon Armitage’s poem In Praise of Air is on display in an outdoor plaza at Sheffield University. The material it’s printed on is designed to literally remove a potent pollutant from the atmosphere. And what does this have to do with you? I suspect that in the coming weeks you will have an extra capacity to generate blessings that are like Armitage’s poem: useful in both practical and inspirational ways.

LEO (July 23-Aug. 22): In 1979, psychologist Dorothy Tennov published her book Love and Limerence: The Experience of Being in Love. She defined her newly coined word “limerence” as a state of adoration that may generate intense, euphoric and obsessive feelings for another person. Of all the signs in the zodiac, you Leos are most likely to be visited by this disposition throughout 2019. And you’ll be especially prone to it in the coming weeks. Will that be a good thing or a disruptive thing? It all depends on how determined you are to regard it as a blessing, have fun with it and enjoy it, regardless of whether or not your feelings are reciprocated. I advise you to enjoy the hell out of it!

VIRGO (Aug. 23-Sept. 22): Based in Switzerland, Nestle is the largest food company in the world. Yet it pays just $200 per year to the state of Michigan for the right to suck up 400 million gallons of groundwater, which it bottles and sells at a profit. I nominate this vignette to be your cautionary tale in the coming weeks. How? 1. Make damn sure you are being fairly compensated for your offerings. 2. Don’t allow huge, impersonal forces to exploit your resources. 3. Be tough and discerning, not lax and naïve, as you negotiate deals.

LIBRA (Sept. 23-Oct. 22): Sixteenth-century Italian artist Daniele da Volterra wasn’t very famous for his own painting and sculpture. The work for which we remember him today is the alterations he made to Michelangelo’s giant fresco The Last Judgment, which spreads across an entire wall in the Sistine Chapel. After Michelangelo died, the Catholic Church hired da Volterra to “fix” the scandalous aspects of the people depicted in the master’s work. He painted clothes and leaves over the originals’ genitalia and derrieres. In accordance with astrological omens, I propose that we make da Volterra your anti-role model for the coming weeks. Don’t be like him. Don’t engage in cover-ups, censorship or camouflage. Instead, specialize in the opposite: revelations, unmaskings and expositions.

SCORPIO (Oct. 23-Nov. 21): What is the quality of your access to life’s basic necessities? How well do you fulfill your need for good food and drink, effective exercise, deep sleep, thorough relaxation, mental stimulation, soulful intimacy, a sense of meaningfulness, nourishing beauty, and rich feelings? I bring these questions to your attention, Scorpio, because the rest of 2019 will be an excellent time for you to fine-tune and expand your relationships with these fundamental blessings. And now is an excellent time to intensify your efforts.

SAGITTARIUS (Nov. 22-Dec. 21): Michael Jackson’s 1982 song “Beat It” climbed to No. 3 on the record-sales charts in Australia. On the other hand, Weird Al Yankovic’s 1984 parody of Jackson’s tune, “Eat It,” reached No. 1 on the same charts. Let’s use this twist as a metaphor that’s a good fit for your life in the coming weeks. According to my analysis of the astrological omens, you may find that a stand-in or substitute or imitation will be more successful than the original. And that will be auspicious!

CAPRICORN (Dec. 22-Jan. 19): The Space Needle in Seattle, Washington is 605 feet high and 138 feet wide: a tall and narrow tower. Near the top is a round restaurant that makes one complete rotation every 47 minutes. Although this part of the structure weighs 125 tons, for many years its motion was propelled by a mere 1.5 horsepower motor. I think you will have a comparable power at your disposal in the coming weeks: an ability to cause major movement with a compact output of energy.

AQUARIUS (Jan. 20-Feb. 18): In 1941, the Ford automobile company created a “biological car.” Among its components were “bioplastics” composed of soybeans, hemp, flax, wood pulp, and cotton. It weighed 1,000 pounds less than a comparable car made of metal. This breakthrough possibility never fully matured, however. It was overshadowed by newly abundant plastics made from petrochemicals. I suspect that you Aquarians are at a phase with a resemblance to the biological car. Your good idea is promising but unripe. I hope you’ll spend the coming weeks devoting practical energy to developing it. (P.S. There’s a difference between you and your personal equivalent of the biological car: little competition.)

PISCES (Feb. 19-March 20): Cartographers of Old Europe sometimes drew pictures of strange beasts in the uncharted regions of their maps. These were warnings to travelers that such areas might harbor unknown risks, like dangerous animals. One famous map of the Indian Ocean shows an image of a sea monster lurking, as if waiting to prey on sailors traveling through its territory. If I were going to create a map of the frontier you’re now headed for, Pisces, I would fill it with mythic beasts of a more benevolent variety, like magic unicorns, good fairies and wise centaurs.

Homework: Choose one area of your life where you’re going to stop pretending. Report results to FreeWillAstrology.com.

Chiron Enters Aries—Hearts Remaining Open: Risa’s Stars Feb. 20-26

On Feb. 18, Chiron (a minor planet between Saturn and Uranus) has left Pisces and entered Aries (all things new). Chiron remains in Aries until February of 2027. Chiron was a Greek centaur, a wise, kind and noble one. He was wounded and unable to heal himself.

In our astrology charts, the symbol of Chiron represents our wound, where we may feel broken, inadequate, shamed, and rejected. Chiron, a Greek centaur—half-godlike human, half-horse—was a wise, just and noble healer, astrologer, teacher, doctor, and alchemist. Interestingly, after Chiron was struck by a poisoned arrow, he was unable to cure himself. Thus, the name wounded healer was applied.

Chiron’s symbol in our charts signifies where we hurt the most, and what we seek to heal. It is where we can feel confused, left out, injured. It is our most basic of wounds. Often it is a family wound. And, in our carrying this wound, the hope is that one of us will heal the wound forever. Over lifetimes, we each have this task.

Chiron entering Aries begins a new cycle. Chiron in Aries says, “Let’s take a new look at this wound, become aware of what it is, its origin and source. And find a way to heal it.” Chiron affects everyone, including countries and nations.

Chiron in Aries calls us to be of courage, take action, be pioneers, stand up for ourselves, and create a new story of ourselves. The wound builds in us new awareness of compassion and wisdom. On Chiron’s work we can echo Rumi in saying, “Life continues to break our hearts. ‘Til our hearts are able to remain open.”

ARIES: It’s a most important time for Aries—perhaps the most significant. A new self-identity is emerging. Like a lotus, with roots deep within the earth, growing into the loveliest of flowers, there is and will be over the next seven years a self-unfolding that can feel both painful and profound. Read Walt Whitman’s “Song of Myself” (from Leaves of Grass). It helps identify deeply with the lostness you have felt, and the new lotus of self-appearing.

TAURUS: You may enter into a more poetic and/or artistic way of life.

The poetic life helps to identify the sensitivities we sense and feel. With Chiron in Aries, you realize all that you do for others before tending to the self. You tend to the poor, the ill and the sick with great care and compassion. It is most important to begin to care for the self. Something may be “malingering.” More rest, sunshine, the earth, gardens, and homeopathics are needed.

GEMINI: Call upon friends. They love you. Some friends have fallen away or are no longer available. Reach out anyway. This may prove to be difficult; however, bypass the fear and embarrassment you are feeling. Ask friends to assist you, whether for physical, emotional or psychological needs. Friends want to be asked. Allow them into your “portal” of life, no matter what changes have taken place. Know that, under Venus, you are immortal.

CANCER: It is important, like Taurus, to tend very carefully and listen to the self in terms of what needs to be healed. The messages may be very subtle. Know that there is never any failure on Earth or in heaven. Everything you do is a success. No matter what upbringing you had, no matter the parents’ expectations or yours, everything you’ve done has been a source of light, attainment and accomplishment. You are asked to humbly realize this.

LEO: What are your deepest longings and secret needs? What do you want to learn or teach? What have you never had a chance to achieve? Where do you want to travel? What people and cultures do you seek to meet? What is your religion? What are your goals? Answers to these questions allow for a potent self-healing to come forth. There is also a particular spiritual teaching from a great teacher that resonates with you. Perhaps the Buddha’s Noble Eightfold Path?

VIRGO: When we love more, healing takes place and there is no more karma. There are two laws that create unity: 1. The will to good creates goodwill within all that is around us; 2. Our intentions for goodwill create right human relations. These help eliminate criticism that always hurts and harms both the self and others. Virgo, ruled by Mercury, is called to think and speak with kindness at all times. Words heal or they hurt. May all your words heal.

LIBRA: Tend and care for those close to you. Teach them what you know in kind and gentle ways. Allow them to teach you in return. Unconditional love transforms a relationship into something magical. It provides a renaissance and a protection for the relationship. We become more awakened to our responsibility in relationships, more grateful and sensitive to the hurts of those close to us. Blocks and hindrances fall away. Everything, everyone becomes valuable and sacred.

SCORPIO: A healing occurs when you take care of yourself in all ways, purifying all levels–physical, emotional, mental, and spiritual. It is important to act as mentor for all those who encounter you. Everyone is looking to be taught. Scorpio, with its deep knowledge of both light and dark, can radiate the light of health, morality and ethics into the world. In this time of conflict, chaos and confusion, your light would be a light that purifies the darkness, until the darkness is gone.

SAGITTARIUS: You learn through lovers, love affairs, children, and all that you create. Learning for you is constant, lifelong, over lifetimes. You have many different careers. It looks like one, but there are many facets involved. Do you feel you haven’t succeeded in your ambitions or your creative endeavors? Do you sense you could do better or more? Is there frustration or dissatisfaction? Do you feel somewhat irrelevant? Is there a wound, a suffering or inner agony? Is there an awakening you are still waiting for?

CAPRICORN: Family, tradition, roots. Did you say recently you want to begin (or continue with) the family’s genealogy? Would knowing your ancestors help you feel more relevancy in your life? Are there memories from childhood coming forth? Are you feeling a sense that home is somewhere else? There’s a nine-part series now available on quiltmaking as a form of art, family labor, stories, lineage, purpose, and community. A picture of livingness all stitched together. I think you would like it.

AQUARIUS: There may be a sibling unavailable to you, which brings you a sadness and pain. Is communication an issue with someone? A misunderstanding or radically different point of view. Wanting to be understood may trigger a wound. Know this, and remember it. Everyone is on their own path of development. Everyone is doing their best to understand their lives. And those to whom you belong, they listen and understand you. The rest comes later.

Pisces: The other day, to a friend who couldn’t balance her monetary ins and outs and had no idea how to organize her finances, I said, “Let me help you figure out your finances, balance your accounts, so you know what you have, what you can pay back, what you can save.” Chiron in the second house has to do with finances and values. And Pisces is about helping others. With Chiron in the second, the issue is always about self-worth. Self as valuable. When we rest in this knowledge, there is security and comfort. Chiron teaches us.

A ‘Fusion of Art and Physics’ at R. Blitzer

For those of us who are neither physicists nor artists, it’s easy to think that there is simply no Venn-diagram overlap between physics and art. But a new show in Santa Cruz called Fusion of Art and Physics aims to remind us that there are ways to build bridges between the two.

Fusion opens at the R. Blitzer Gallery on March 1 and features the results of 17 collaborations between visual artists and physicists. A couple of weeks after the show’s opening reception, both types of participants will share what they learned from each other in a panel discussion.

The show is the brainchild of UC Santa Cruz physicist Stephanie Bailey, who has attempted to blend lessons from the humanities into her teaching of physics. Bailey’s idea was to pair up a roster of Santa Cruz County artists with grad students and faculty in the physics department at UCSC. Like Jane Austen’s Emma, Bailey played matchmaker, looking for complementary interests between artists and physicists. Her own pairing put her with mosaic artist Beth Purcell. Together, Bailey and Purcell built mosaics on musical instruments to illustrate standing waves, the vibrational waveform often created in music.

“I don’t consider myself an artistic person at all,” says Bailey. “But I still very much welcomed working with an artist.”

Bailey’s sales pitch to her fellow physicists was audacious. Art, she told them, isn’t a distraction from science—it enhances it.

“I really believe that working with an artist can enrich the work of a physicist, lead them to think about their problems in new and different ways, and even create a few a-ha moments,” she says.

Santa Cruz sculptor Brad Burkhart didn’t need convincing. Burkhart’s partner on the physics side was Hendrik Ohldag, a physicist from the Stanford Synchotron Radiation Laboratory, where he studies magnetism. Burkhart entered the partnership already inspired by the landmark 1991 book Art and Physics: Parallel Visions in Space, Time and Light by San Francisco surgeon Leonard Shlain.

“I’ve always been interested in the overlap between the arts and the sciences,” says Burkhart. “It’s [Shlain’s] premise that art leads science by 50 years or so. Artists come up with a visual framework that is later discovered and proven by scientists.”

Inspired by the Gates of Paradise at the Baptistry of Florence, Burkhart turned his artistic attention to creating small bas-relief panels from high-fired clay that are similar to what he saw in Florence. Burkhart visited his scientist partner Ohldag in the physicist’s lab, and Ohldag returned the favor by visiting Burkhart during Open Studios. Eventually, Burkhart created a series of his relief panels guided by feedback and comments from Ohldag.

“I’m going to have a description of how we collaborated, and I’m going to have Hendrick’s comments on the four sculptures as well,” says Burkhart.

In the blog that has documented the collaborations over the past several months, glass artist Randie Silverstein says that her collaboration with physics grad student Alex McDaniel led to “an enormous breakthrough in my work, representing my first real attempt in the 10 years I’ve been doing glass art to truly explore the material further and to conceive of and manipulate it in ways I hadn’t before.”

For Bailey, the non-artist who found herself organizing an art show, Fusion is part of a mission to bring the concepts of physics to a wider public. “Art is a much more friendly and inviting way to attract people than physics,” she says. Of the work she created alongside mosaic artist Beth Purcell, she says that the artwork is more than a few pieces of aesthetic pleasure. “I consider them extraordinary teaching tools, something I can bring into the classroom to convey an important concept in physics.”

‘Fusion of Art and Physics’ runs through March. Opening reception is Friday, March 1, 5-9 p.m. Artist and physicist panel discussion on Saturday, March 16, noon-2 p.m. R. Blitzer Gallery, 2801 Mission St. Extension, Santa Cruz. slbailey109.wixsite.com/fusion/blog.

Update: Feb. 20, 2019 — This article previously misstated the curator of the ‘Fusion of Art and Physics show. The curator is artist Tauna Coulson.

A Burger Week Taste Test

Quintessential Americana, the burger—grilled meat on a bun—was already on the menu at many an Elizabethan feast in the late 16th century.

Minced meat and pastry have been around for even longer. The German port of Hamburg seems to have lent its name, at first to versions of steak tartare, then to variations on Salisbury steak, and finally in the 1930s to the hamburger as we know it now.

Countless individuals, cities and fast-food chains claim to be the originators of what has become a global go-to order—with a side of fries, of course. Here’s an inside look at some of my local favorites ahead of Burger Week, which this year runs Feb. 20-26.

West End Tap & Kitchen: One of the best burgers I’ve ever had in Santa Cruz was at West End Tap, where the house burger—grass-fed and pasture-raised—came on a Gayle’s challah bun ($13). Slightly sweet, the bun added a spot of luxury to the burger’s lettuce, tomato and pickled onion toppings. It came with fries so good that I laughed out loud as I ate every single one. Cheddar, blue cheese, mushrooms, avocado, bacon—for a few dollars more, you can add any of these choice extras. This particular burger already has it going on. The beef is terrific. The fries are textbook. I admit that I never fail to order the house pickles with the burger, since the sinus-clearing tartness of the pickles cuts perfectly through the rich meat. Add a beer. Spend some time. Check out the NBA.

515 Kitchen and Cocktails: Here we have the classic burger of the post-Whopper era: a half-pound of Angus beef, plus swiss cheese (nice choice, adds a certain nuttiness), with the now-ubiquitous caramelized onions, sherry aioli and bacon. Bacon is the extra touch here. It announces that this is a very people-friendly burger—a burger that acknowledges the universal guilty pleasure that is bacon. The house fries here, as you know, are thin, crisp and delicious.

Gabriella Cafe: Take a walk on the wild side and order the “unbun” version of the house grass-fed burger, which arrives wrapped in a cloud of butter lettuce. Or play it safe with the Burger Week-featured, 6-ounce, grass-fed burger on a house-made bun with organic tomato and local lettuce ($12). Just sort of unbelievably good, with or without the bun. And don’t miss the side of Live Earth Farm pickles for $1 more. Endless possibilities.

Mozaic: You have a choice of three burgers here this week, including the luscious house wild salmon burger, which is simply to die for with its honey Dijon and caramelized onions. The classic charbroiled Angus beef burger also comes with caramelized onions (both will run you a mere $12). The $10 veggie burger comes with provolone and fresh basil pesto, which sounds good even to a carnivore.

Red Restaurant and Bar: Here’s the burger I need to try this week: Red’s pistachio-encrusted crab patty with aioli, kimchi, arugula, and heirloom tomato. On a brioche bun with fries ($12). For the uninitiated, Red’s fries are a destination dish. Yes.

Splash: This Santa Cruz Wharf spot is going all out in terms of gonzo spicing for Burger Week. In addition to an Impossible Burger and a crab cake burger, the kitchen here has stepped up the heat on its half-pound black Angus burger by adding green chile cheese and spicy BBQ sauce to its presentation. Fried shallots add crunch to the melting, gooey interior. All burgers here run a mere $10 for those of you who like it cheap (and who doesn’t?)

Preview: Caroline Rose at the Crepe Place

Caroline Rose really wishes she could make her first album disappear.

It kind of makes sense. The 2014 record, I Will Not Be Afraid, sounds nothing like her follow up, Loner, which was released four years later to much acclaim. Artists change and grow all the time, but this is like two different people. I Will Not Be Afraid is a somber, Americana-roots record, while Loner is a schizophrenic, synth-heavy, indie-pop record injected with a lot of humor.  

“It’s a little confusing for people. I don’t really want it to be heard in conjunction with this record, but that’s out of my control,” Rose says. “It’s unfortunate that I can’t go back in time and redo that. I would probably do it differently if I had the chance. I should have waited to put out that album, which probably would have sounded way different if I would have recorded it six months later.”

In the years between albums, she dealt with a lot of personal issues and career issues—including with her label and management—that kept her from releasing new music.

“I didn’t even know if I was going to have a career. I think all the things happening were really valuable life experiences,” Rose says.

That forced hiatus, which she refers to as having her ego “stripped,” gave her a chance to re-evaluate who she was an artist and what she wanted to say. Loner is an incredibly diverse record—surf-punk at moments, low-fi avante-synth-pop at others, with radio-friendly dance pop also in there.

There’s really nothing tying it together except her, and she sounds much more comfortable in this setting than as an acoustic-guitar-slinging Americana troubadour.

“The crux was to make an album that sounds like all the different sides of my personality. The glue of these songs is that it’s written from an honest place,” Rose says. “It’s vignettes, like different parts of my life. Now when I listen to it, I think I succeeded in creating something that sounds like my personality.”

It was a long process getting there. She worked with four different producers, and she learned a lot from each of them. Now she’s confident enough to be her own producer, and she has a bunch of material already ready for her next album.

In the process of writing Loner, she had a fundamental shift in perspective.  

“I came to realize being a musician is more than just songs to me. How I decorate the stage, how the live show feels and what the music videos look like. I think I just became way more developed in the whole form of artistry, rather than just writing songs,” Rose says. “I feel so much more liberated now.”

As she worked on material for what would be Loner, Rose struggled to find her sound. But she was inspired by musician friends who were brave and creative. During her Americana days, she thought she needed to not listen to other people’s music, out of fear that she would sound like everyone else. Then she realized these influences were pushing her in new and exciting ways.

“I had enough of those little nudges here and there that I was like, ‘You know what? I can just combine all this stuff.’ Just put it in a blender and put a little drink umbrella on it. You don’t have to choose just one thing,” Rose says. “I think Beck is really good at that. He took all of his favorite things and all his favorite styles, and he injected his humor and personality into it. That’s what people latch onto is the personality.”

Caroline Rose will perform at 9 p.m. on Sunday, Feb. 27 at Crepe Place, 1134 Soquel Ave., Santa Cruz. $15. 429-6994.

Burrell’s High School Sweethearts

Burrell School Vineyards has the perfect wine to celebrate Valentine’s Day and the coming weekend: a Cabernet Franc-Merlot blend called “Sweethearts.” Winemaker and winery owner Dave Moulton and his late wife Anne were high-school sweethearts, and this wine honors her memory.

Moulton is well known for producing big, bold wines, each one named after a school theme in recognition of the historic 1890 schoolhouse where the winery is located.

The 2016 Cab Franc-Merlot blend ($39) has a gorgeous aromatic nose of cherries, raspberries, blackberries, dark earth, and spice, with hints of smoky oak. Sweet tobacco and anise notes abound in this voluptuous, fruity blend. Both wines in the blend are aged in French oak.

“These two grape varietals were made for each other,” says Moulton. “Cab Franc for its sleek, spicy character, and Merlot for big cherry and espresso flavors.”

Burrell School Vineyards tasting room is open 11 a.m.-5 p.m. Friday through Sunday, so grab your sweetheart and pay them a visit.

Burrell School Vineyards, 24060 Summit Rd., Los Gatos, 408-353-6290. Burrellschool.com.

Alderwood Spirits

Alderwood opened in downtown Santa Cruz to much acclaim, and a dinner I recently enjoyed there was top notch. To pair with executive chef Jeffrey Wall’s stunning cuisine, Alderwood carries a splendid array of spirits and fine wines.

Try a glass of Taittinger champagne, the perfect partner for Alderwood’s array of ultra-fresh oysters, and add a grand finale to your meal with the sweet Chateau Pajzos Aszu 5 Tokaji from Hungary. Alderwood’s steaks are outstanding, and their menu reflects the abundant produce of the Central Coast.

Their welcoming bar is ideal for one of Alderwood’s very impressive cocktails, or just a glass of wine and a snack. Happy Hour from 4-6:30 p.m. is when select wines are only $6 and select bar snacks are $9.

And please don’t miss the wheatberry malt profiterole with dark chocolate sauce for dessert. Wall even makes the malt himself—and who goes to those lengths these days? This talented chef leaves no truffle unturned to create an outstanding dining experience.

Alderwood, 155 Walnut Ave., Santa Cruz. 588-3238, alderwoodsantacruz.com

Why A Michelin-Star Chef Chose Soquel For New Restaurant

Standing in the middle of his open, subway-tiled kitchen, chef Matt McNamara hesitates to assign a title to his position at his new Soquel restaurant Pretty Good Advice. Like the other members of his team—most of whom he coaxed down to the Santa Cruz area from his Michelin-star restaurant in San Francisco, Sons & Daughters—McNamara does a little bit of everything.

But his passion for the local area, and the incredible produce he’s able to grow at his 83-acre farm in the Santa Cruz Mountains, is the root of his new hyper-local, fast-casual dining spot, which opened in mid-January.

What would make a successful chef move from San Francisco to Soquel? McNamara explains that while preparing multi-course tasting menus was stimulating, he saw that his friends often couldn’t afford the $150 experience. So he decided to create a more approachable restaurant with the same creative, seasonal ethos. “We want to feed our friends. We want to do something that’s just about the food,” says McNamara.

His farm, where for the last five years he has raised animals, tended orchards and grown a perennial bounty of produce, from mushrooms to greens to chilis, is the backbone of Pretty Good Advice. Making everything from scratch gives him and his team total control of flavors and encourages collaboration.

That vision was appealing to husband and wife team Jen and Alex Jackson, who were looking for a community that they felt they didn’t have in San Francisco. “Everything we use in S.F. is grown down here, so why not go to the source?” says Alex, who manages savory menu items and creates delicious charcuterie at Pretty Good Advice. “Matt’s passion for what he grows makes us want to be really smart with our dishes,” adds Jen, who works fruits and herbs from McNamara’s farm into sweet and savory pastries and breads.

Layers of flavor, texture and freshness elevate everything on the menu, which offers breakfast items, sandwiches, salads, soups, and sides ranging from $3 to $12. All items are available all day for takeout or dining in. Tim Oegema, who helped bring PGA’s hip modern aesthetic to life, emphasizes a desire for the restaurant to be a gathering place: “We want to be a place where our friends and community can come every day.”

7 a.m.-8 p.m. Wednesday-Sunday. 3070 Porter St., Soquel. 226-2805.

Opinion: February 13, 2019

EDITOR’S NOTE

If you only pay attention to the mainstream media, you’d think the battle over the Deferred Action for Childhood Arrivals (DACA) program was very far away indeed. Most recently, the status of the Dreamers—who have been without legal protection since President Trump rescinded DACA in 2017—has been discussed mainly as a bargaining chip in the Washington, D.C. government shutdown showdown. The conversation about the issue has gotten so mired in horse-race political coverage (Will Trump dangle the promise of the Dream Act to get his wall? Will Democrats offer funding in order to secure a path to citizenship for Dreamers?) that the fact this is a story about the fate of real people who are in a frightening immigration limbo often gets completely lost.

That’s what’s great about Andrea Patton’s cover story this week—it reorients the Dreamer story back to where it belongs. She focuses on Gabriela Cruz, and there’s so much we can learn about the Dream Act issue from Cruz’s personal experience. Because Cruz isn’t just some pawn in a Washington political chess game. She’s a member of our community who grew up here and is now fighting for her right to remain in this country. Make no mistake, the Dreamer story is a Santa Cruz story.


LETTERS TO THE EDITOR

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More on Monarchs and Milkweed

Thank you, Good Times, for publishing information about Monarch butterflies and caterpillars from Priyanka Runwall of UCSC and from Santa Cruz couple David and Janell Emberson. There is currently a dilemma and a controversy illustrated by the different approaches of Runwall and the Embersons.

Runwall advised against disrupting the butterflies’ migration pattern by raising them here, whereas the Embersons pointed out that Monarchs’ numbers are rapidly plummeting, and they believe their activities raising them inside their home are beneficial. The couple check the chrysalids and caterpillars for signs of fly and wasp parasites. That is good as far as it goes, and the Embersons’ practice of cutting back their milkweed in the winter months is also standard recommended procedure to avoid possible interruption of the migration cycle.

But besides infection with fly and wasp parasites, there is another disease called OE (Ophryocystis elektroscirrha) which affects many Monarchs raised in Santa Cruz. OE can be present in a newly emerged, apparently healthy Monarch, and this parasite is visible only under a microscope from a specimen taken from the adult Monarch butterfly. Checking for this parasite after the butterfly emerges from chrysalis is the only way for those who raise Monarchs to ensure that they do not release butterflies to spread the disease in the wild.

Those who do raise Monarchs in their homes or gardens here in Santa Cruz should know that because most milkweed we have here is the non-native tropical kind, it does not shed its leaves in winter, making it more likely to harbor the OE parasite and to infect the butterflies. You can bring home-raised Monarch caterpillars or butterflies to Natural Bridges State Beach Visitor Center, where the naturalists will test them for OE. The phone number is 831-423-4609, address 2531 West Cliff.

Carol Long
Santa Cruz

Re: Divorce Dress

I have been excruciatingly grateful in my commitment to my husband for the last 18 years. Alongside my wedding dress in our hall closet are my two wedding dresses from my two ex-husbands, whom I share three children with, yet my now-husband has raised since very young ages. I have tried the dresses on a few times with my best friend during our girls’ night and had hilarious, deep, educating, eye-opening, nostalgic conversations while dancing around our living room with my children.

All five of my kids find my past history of weddings fascinating, and ask the oddest questions including, “Did you cry at your other weddings?” “Did you write your own vows?” “Which wedding did you have the best first kiss?” And other questions on and on.

It is quite fun to talk about my three weddings with our kids now that they are young adults.

—   Amy Anderson

Re: Jump Bike Backlash

I love bicycles and think they are a fantastic way to avoid driving, but the Jump Bikes have got to go or at least be regulated. Yes there was plenty of “special” bicycling happening all around SC before the JBs arrived, but I would absolutely argue there is even more horrible cycling now. Every day I drive in SC and see underage kids on Jump Bikes who are usually either riding on the sidewalk or against the flow of traffic. I see the ugly neon bikes flying in and out of Santa Cruz High School, and I really doubt all the kids I see doing this are 18 but still in high school. There are more important things than Jump Bikes, yet people are obviously more upset about the bikes than many other issues. Perhaps the outcry is because so many people are affected by them in a negative manner. Jump Bikes are a great concept that has been, so far, ruined by the people using the system. Of course there are quite a few ideas that look good on paper, but quickly fall apart when you put real people in the equation. Kinda like democracy?

— Gabe


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GOOD IDEA

Branciforte Middle School teacher Kathy Sandidge invited Danny Wright, the executive director of the nonprofit Gravity Water, to her Advancement Via Individual Determination (AVID) class to talk humanitarian aid. The students were inspired, and they decided to launch a fundraiser and adopt a school in Nepal in order to provide clean drinking water. Students will host the halftime show of a Santa Cruz Warriors game on Wednesday, March 20. Proceeds from the tickets the middle schoolers are selling will go to Gravity Water.


GOOD WORK

The Santa Cruz Boys and Girls Club has started celebrating its 50th anniversary. As part of the fun, it’s preparing for a “Dancing through the Decades” gala, which will be held from 6-11 p.m. on March 23 at the Museum of Art & History. Organizers encourage guests to wear costumes representing decades from 1960-2010. Tickets are $126. A recent announcement also launched an alumni club for the club’s 30,000 former members, who now even have their own alumni Facebook group.


QUOTE OF THE WEEK

“Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.”

-Franklin D. Roosevelt

Music Picks: February 13-19

Live music highlights for the week of Feb. 13, 2019

WEDNESDAY 2/13

ROCK

RON GALLO

A true Philly phreak, Ron Gallo is like the answer to the unasked question, “What do you get if you cross Fidlar with the B-52s?” Surfy, trashy and explosive, Gallo’s rock has a lot of the same forward momentum as Fidlar, without the air of music industry poserdom that wafts off those Angelenos. Then there’s Gallo’s playfulness, the weirdo trash-Beatles moments, and the voice-cracking rants reminiscent of ol’ Fred Schneider himself. It’s a little obnoxious, but that’s the point. MIKE HUGUENOR

INFO: 9 p.m. The Catalyst, 1011 Pacific Ave., Santa Cruz. $16 adv/$18 door. 429-4135.

 

THURSDAY 2/14

ROCK

THE IKE WILLIS PROJECT

You can’t spell “Romance” without “r,” “a,” or “n,” all of which appear in the name “Frank,” like Frank Zappa. Coincidence? I doubt it. Ike Willis, longtime Zappa sideman, knows this, which is why he scheduled his Santa Cruz show for Valentine’s Day, the most RomANtic night of the year. Having played on nearly all of Zappa’s albums from 1978-88, Willis’ guitar and voice were critical to Zap’s freaky formula, especially on Joe’s Garage, which featured Willis as “Joe.” MH

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Drive, Santa Cruz. $20 adv/$25 door. 479-1854.

FOLK

LAURA LOVE

After a 10-year hiatus from her decades-long career, singer-songwriter and bassist Laura Love is back with her signature sound of sparse, impassioned, from-the-heart blend of folk and funk. Her sweet, even-tempered vocals underscore simple and soulful tunes that might be considered “softies” until her blunt lyrics smash through to the forefront and demand that the listener confronts the realities of trauma and loss. Love’s melodic voice comes in handy in these more traumatic moments, holding the listener’s hand, promising them that once they pass through the darkness, there will be light on the other side. AMY BEE

INFO: 7:30 p.m., Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25. 423-8209.

 

FRIDAY 2/15

INDIE-FOLK

Y LA BAMBA

Latin-folk indie auteur Luz Elena Mendoza weaves the traditional with the universal—and distills it through personal experience—with her band Y La Bamba. It would be easy to focus merely on her superb, often-eccentric stylings of retro cumbia, mariachi, multicultural storytelling, and indie-folk leanings. But to Mendoza, the music (however catchy and pleasing to the ear) is a means to express the adventures and perils of exploring identity, especially her own. Y La Bamba is all about confronting narrative—who gets to tell the story and define identity, and what happens when a person decides that they are the author of their own tale. AB

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15 adv/$20 door. 479-1854.

ELECTRONIC

OLIVER TREE

Some know him as Turbo. Others know him as an alien among human beings. Whatever you call Oliver Tree, this local-turned-underground-pop-star returns to his roots the day after Valentine’s Day to save our wretched souls. Tree has shed blood, sweat and tears in creating danceably dark pop songs that float, like a large cloud of cotton candy vapor, between hip-hop and electronic. Bust out those Jnco pants, buy plenty of Flaming Hot Cheetos and make sure your bowl cut is on point, because royalty is coming and he’s bringing his freshest Dixie Cup attire. MAT WEIR

INFO: 9 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $18. 423-8209.

 

SATURDAY 2/16

INDIE

DANIEL ROMANO

Canadian indie singer-songwriter Daniel Romano released three albums last year. The first two, Nerveless and Human Touch, were released at the same time, and without warning. The third, Finally Free, came out near the end of the year and is one of his oddest releases to date. His normal appetite for psych-folk songwriting is on display, but he lets himself stray from the confines of “being in tune,” and just goes along with a his most bizarre, off-kilter impulses. And guess what? It’s really compelling and emotive. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10 adv/$12 door. 429-6994.

METAL

EATEN

For those who have ever wanted to experience the grinding chaos that it is to be devoured, look no further than Massachusetts duo Eaten. Their second release, which is self-titled, dropped in 2017, and is a brutal assault on every human sense, especially decency. On Feb. 16, they will rain terror upon the Blue Lagoon, along with Oakland headbangers Choke and XHOSTAGEX, and local heshers Dead War. As an added bonus, Santa Cruz’s own Chitlvn will make their blasphemous debut. MW

INFO: 8 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

 

MONDAY 2/18

JAZZ

THE BAD PLUS

All too often, jazz bands are ephemeral aggregations, with even the most dedicated outfits sometimes performing with subs covering for players working other gigs. For almost two decades, the Bad Plus served as exhibit A, demonstrating the power of group unity via bassist Reid Anderson, drummer Dave King and pianist Ethan Iverson. Iverson’s departure last year, and the arrival of Orrin Evans—a commanding improviser with an Afrocentric style—has recalibrated the collective’s sound. The trio captured the moment of transition with last year’s Never Stop II. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $36.75 adv/$42 door. 427-2227.

Love Your Local Band: Cruz Control

Vince Tuzzi has lived many lives.

He’s popular around the holidays in his longtime role as a local Santa. He used to own a hot dog stand on the wharf. And as a founder of the Ukulele Club, he’s made Santa Cruz a mini-mecca for the instrument.

“I’ve been playing ukulele since way before it was cool,” Tuzzi says.

The Ukulele Club led him to his band, Cruz Control, which started in 2010 when he and fellow band members Stan Parola and Gary Cunningham met there and started jamming.

“Everybody always said, ‘It sounds like you guys have been playing together forever.’ But we’re all retired. We all came from the ’60s and the same kind of music,” Tuzzi says.

Tuzzi has been playing music for 50 years (he started playing the ukulele 25 years ago), but there’s something special for him about Cruz Control. The band does covers and plays a diverse list of songs that is generally inspired by reminiscing on the music members grew up loving.

They have a pool of over 400 songs loaded onto their iPad. All they need to do on a given night is pull the sheet music up on the screen, and away they go.

“It’s a pretty special set up between the three of us. We play everything from Sir Douglas Quintet’s ‘She’s a Mover’ to Boz Scaggs ‘Fly Like a Bird,’” Tuzzi says. “That’s a pretty wide array of things you’d want to hear. Basically, it’s Americana.” 

INFO: 7:30 p.m., Wednesday, Feb. 20. Michael’s on Main, 2591 Main St., Soquel. $10. 479-9777.

Rob Brezny’s Astrology Feb. 20-26

Astrology, Horoscope, Stars, Zodiac Signs
Free will astrology for the week of Feb. 20, 2019

Chiron Enters Aries—Hearts Remaining Open: Risa’s Stars Feb. 20-26

risa's stars
Esoteric Astrology as news for week of Feb. 20, 2019

A ‘Fusion of Art and Physics’ at R. Blitzer

Fusion Art Physics
Left brain and right brain collide, offering insight into both

A Burger Week Taste Test

Burger Week West End Tap
Our dining critic’s Santa Cruz standbys

Preview: Caroline Rose at the Crepe Place

Caroline Rose
Caroline Rose plays the Crepe Place on Sunday, Feb. 27

Burrell’s High School Sweethearts

Burrell sweethearts
A wine to remember a loved one from the Santa Cruz Mountains

Why A Michelin-Star Chef Chose Soquel For New Restaurant

Pretty Good Advice
Chef Matt McNamara embraces Central Coast bounty at Pretty Good Advice

Opinion: February 13, 2019

EDITOR'S NOTE ...

Music Picks: February 13-19

Y La Bamba
Live music highlights for the week of Feb. 13, 2019

Love Your Local Band: Cruz Control

Cruz Control
Cruz Control plays Michael’s on Main on Wednesday, Feb. 20
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