Rob Brezsny’s Astrology June 13-19

ARIES (March 21-April 19): My Aries acquaintance Tatiana decided to eliminate sugar from her diet. She drew up a plan to avoid it completely for 30 days, hoping to permanently break its hold over her. I was surprised to learn that she began the project by making a Dessert Altar in her bedroom, where she placed a chocolate cake and five kinds of candy. She testified that it compelled her willpower to work even harder and become even stronger than if she had excluded all sweet treats from her sight. Do you think this strenuous trick might work for you as you battle your own personal equivalent of a sugar addiction? If not, devise an equally potent strategy. You’re on the verge of forever escaping a temptation that’s no good for you. Or you’re close to vanquishing an influence that has undermined you. Or both.

 

TAURUS (April 20-May 20): You have caressed and finessed The Problem. You have tickled and teased and tinkered with it. Now I suggest you let it alone for a while. Give it breathing room. Allow it to evolve under the influence of the tweaks you have instigated. Although you may need to return and do further work in a few weeks, my guess is that The Problem’s knots are now destined to metamorphose into seeds. The awkwardness you massaged with your love and care will eventually yield a useful magic.

 

GEMINI (May 21-June 20): “Whether you love what you love or live in divided ceaseless revolt against it, what you love is your fate.” Gemini poet Frank Bidart wrote that in his poem “Guilty of Dust,” and now I offer it to you. Why? Because it’s an excellent time to be honest with yourself as you identify whom and what you love. It’s also a favorable phase to assess whether you are in any sense at odds with whom and what you love; and if you find you are, to figure out how to be in more harmonic alignment with whom and what you love. Finally, dear Gemini, now is a key moment to vividly register the fact that the story of your life in the coming years will pivot around your relationship with whom and what you love.

 

CANCER (June 21-July 22): Congratulations on the work you’ve done to cleanse the psychic toxins from your soul, Cancerian. I love how brave you’ve been as you’ve jettisoned outworn shticks, inadequate theories, and irrelevant worries. It makes my heart sing to have seen you summon the self-respect necessary to stick up for your dreams in the face of so many confusing signals. I do feel a tinge of sadness that your heroism hasn’t been better appreciated by those around you. Is there anything you can do to compensate? Like maybe intensify the appreciation you give yourself?

 

LEO (July 23-Aug. 22): I hope you’re reaching the final stages of your year-long project to make yourself as solid and steady as possible. I trust you have been building a stable foundation that will serve you well for at least the next five years. I pray you have been creating a rich sense of community and establishing vital new traditions and surrounding yourself with environments that bring out the best in you. If there’s any more work to be done in these sacred tasks, intensify your efforts in the coming weeks. If you’re behind schedule, please make up for lost time.

 

VIRGO (Aug. 23-Sept. 22): “Necessity is the mother of invention,” says an old proverb. In other words, when your need for some correction or improvement becomes overwhelming, you may be driven to get creative. Engineer Allen Dale put a different spin on the issue. He said that “if necessity is the mother of invention, then laziness is the father.” Sci-fi writer Robert Heinlein agreed, asserting that “progress is made by lazy men looking for easier ways to do things.” I’m not sure if necessity or laziness will be your motivation, Virgo, but I suspect that the coming weeks could be a golden age of invention for you. What practical innovations might you launch? What useful improvements can you finagle? (P.S. Philosopher Alfred North Whitehead attributed the primary drive for innovative ideas and gizmos to “pleasurable intellectual curiosity.”)

 

LIBRA (Sept. 23-Oct. 22): Would you have turned out wiser and wealthier if you had dropped out of school in third grade? Would it have been better to apprentice yourself to a family of wolves or coyotes rather than trusting your educational fate to institutions whose job it was to acclimate you to society’s madness? I’m happy to let you know that you’re entering a phase when you’ll find it easier than usual to unlearn any old conditioning that might be suppressing your ability to fulfill your rich potentials. I urge you to seek out opportunities to unleash your skills and enhance your intelligence.

 

SCORPIO (Oct. 23-Nov. 21): The temptation to over dramatize is strong. Going through with a splashy but messy conclusion may have a perverse appeal. But why not wrap things up with an elegant whisper instead of a garish bang? Rather than impressing everyone with how amazingly complicated your crazy life is, why not quietly lay the foundations for a low-key resolution that will set the stage for a productive sequel? Taking the latter route will be much easier on your karma, and in my opinion will make for just as interesting a story.

 

SAGITTARIUS (Nov. 22-Dec. 21): Each of us harbors rough, vulnerable, controversial, or unhoned facets of our identity. And every one of us periodically reaches turning points when it becomes problematic to keep those qualities buried or immature. We need to make them more visible and develop their potential. I suspect you have arrived at such a turning point. So, on behalf of the cosmos, I hereby invite you to enjoy a period of ripening and self-revelation. And I do mean “enjoy.” Find a way to have fun.

 

CAPRICORN (Dec. 22-Jan. 19): For the next two-plus weeks, an unusual rule will be in effect: The more you lose, the more you gain. That means you will have an aptitude for eliminating hassles, banishing stress, and shedding defense mechanisms. You’ll be able to purge emotional congestion that has been preventing clarity. You’ll have good intuitions about how to separate yourself from influences that have made you weak or angry. I’m excited for you, Capricorn! A load of old, moldy karma could dissolve and disperse in what seems like a twinkling. If all goes well, you’ll be traveling much lighter by July 1.

 

AQUARIUS (Jan. 20-Feb. 18): I suggest you avoid starting a flirtatious correspondence with a convict who’ll be in jail for another 28 years. OK? And don’t snack on fugu, the Japanese delicacy that can poison you if the cook isn’t careful about preparing it. Please? And don’t participate in a séance where the medium summons the spirits of psychotic ancestors or diabolical celebrities with whom you imagine it might be interesting to converse. Got that? I understand you might be in the mood for high adventure and out-of-the-ordinary escapades. And that will be fine and healthy as long as you also exert a modicum of caution and discernment.

 

PISCES (Feb. 19-March 20): I suggest that you pat yourself on the back with both hands as you sing your own praises and admire your own willful beauty in three mirrors simultaneously. You have won stirring victories over not just your own personal version of the devil, but also over your own inertia and sadness. From what I can determine, you have corralled what remains of the forces of darkness into a comfy holding cell, sealing off those forces from your future. They won’t bother you for a very long time, maybe never again. Right now you would benefit from a sabbatical — a vacation from all this high-powered character-building. May I suggest you pay a restorative visit to the Land of Sweet Nonsense?


Homework: Many of us try to motivate ourselves through abusive self-criticism. Do you? If so, maybe it’s time to change. Testify at Freewillastrology.com.

 

Krishna (Teacher) & Arjuna (student), Soul & Personality & a War: Risa’s Stars June 13-19

The week begins with a Wednesday new moon at 23 degrees Gemini, sign of the two brothers, one the personality (its light waning), the other, the Soul (I grow and glow). In Gemini we see “instability doing its work.” The purpose of instability in relationships is to help us, exhausted with conflicts, seek harmony and balance which comes with Soul direction. The Soul eventually shows itself and says with compassion to the struggling personality, “Here, let me help you. I am the Soul, I am Light Divine. I am Love, I am Will. And perfect in my design. I am your Soul.” When the Soul begins to direct the lower self, the personality is able to adjust to a more calm and harmonious livingness.

 

Gemini points out the relationship between personality (self) and Soul (Self). It is the story of Krishna (Teacher) and Arjuna (student). Krishna woke Arjuna early one morning and told him to look outside. There in the fields a war was proceeding. On both sides of the war Arjuna saw family members. Krishna told Arjuna to choose a side to fight on. Arjuna refused to choose. With great kindness Krishna informed his student the purpose of the choice and the battle—he was to discern which side represented the Soul and which side represented the personality. And to then choose where he stands.

 

Our present world situation, especially the U.S., is experiencing both an Arjuna lesson and predicament. The polarized political players represent the two warring parties. Humanity is Arjuna, needing to discern and discriminate between the two—the stable Soul qualities from the personality fluctuations. One sings, the other doesn’t. Things (appearances) are not what they seem.

 

And so, onto this week: Flag Day (Thursday), Father’s Day (Sunday), Neptune retrogrades (Monday), in our last week of Spring.

 


 

ARIES: You want to learn more, to communicate with intelligence. You’re curious; seek sensation and variety, instinctively cheerful and carefree. You’re restless, want to be with humanity, yet feel a bit distanced. You want to interact, walk neighborhoods, talk to siblings, be active, gather information, ponder upon and share it. You have errands to do, people to contact, letters (emails) to write. Visualize all this first.

 

TAURUS: All you want is a bit of peace and quiet, a place of repose, comfort and tranquility. Your need is to unwind and begin to heal old wounds. You need to be out in the Sun, in the gardens, tending to the soil, the plants, the grasses, working with the devas. You also must tend seriously to things financial concerning resources. You’re slow when it comes to cleaning and disposing of material possessions. Yet this must be done soon.

 

GEMINI: You want to begin anew. You don’t know where or how. You feel a pioneering impulse; you’re ready, willing and filled with enthusiasm. However, there are so many avenues available, choosing can be difficult. Making the choice, each day, with dedication to stand under the Light of the Soul, under the Will-to-Good, helps in making Right Choice. This is a challenge for you. Steadfastness. Just begin. Visualize.

 

CANCER: Things are a bit dreamy. You feel sensitive and susceptible. Your imagination is in full force, filled with impressions and pictures. There seems to be no boundaries, everything blending together, creating very interesting situations. Details are unavailable at this time. Things are just too mystical with spiritual developments occurring everywhere. It’s time for a retreat into the garden of joy.

 

LEO: Sometimes you must break the rules. The need for freedom makes old rules awkward and difficult. So often you must express your independence and uniqueness. It’s good to find a group that recognizes, admires, applauds and supports your creative individuality. You need activity, more people around, more of the world in order to have a sense of uplifted well-being. You need things bright and beautiful. Plant blue morning glories.

 

VIRGO: You sense a need for more planning, order and structure. So the future can unfold according to your needs. You feel limited from time, by time. Sometimes you feel you haven’t done enough. You want to feel successful. This is most important. And so you become more resourceful, are careful of time and energy and the right use of resources. You are serious and productive. You thrive in gardens.

 

LIBRA: It’s important to search out the truth concerning all decisions, activities and choices in your life up till now. This is because previous ways of life will soon become worn. You seek a new vision in life with new goals, new ways of interacting. Everything is an adventure for you. You will find emotional needs changing. This comes subtly. It’s important to have Right Relations with everyone in the family. Forgiveness liberates you.

 

SCORPIO: You hide a very vital part of yourself until you feel a sense of trust. You hide elation and sorrow, desires and misgivings, emotions, likes and dislikes, passion and pain. Some understand you, many don’t. When the moon enters Scorpio each month, you are urged to go even more undercover, to retreat into solitude where you assess fears and inhibitions. Brooding is your second nature. Brooding is a good thing. It fosters revelation and helps bring visions into materialization.

 

SAGITTARIUS: Creating harmonious interactions with everyone, externally and internally (how we act, what we feel) is important. This means internally having the intention for Goodwill, which creates Right Relations. Experiencing this from the heart creates a deep love and intelligent activity in all environments and interactions. This type of activity creates diplomacy and the peace everyone seeks. Although you can see both sides, choose from Goodwill. Right direction follows.

 

CAPRICORN: Each day we experience different states of consciousness. A disciple is one who is aware of these different stages, within the self and in others.  Disciples learn (and thus teach by example) to be aware of all actions and their outcomes. We learn about our role in society, a most important task for Capricorns. We learn to protect the kingdoms (mineral, plant, animal, human, angels). It is our destiny. You are already a leader. Now, day by day, more so.

 

AQUARIUS: Aquarians (part of the New Group of World Servers) are responsible for humanity’s evolution by bringing the future into the present, a major task of building the new culture and civilization. In between this weighty task you need a variety of experiences and light-hearted interactions to soothe restlessness and the deep need for human contact. Contact releases love. Make intentional contact.

 

PISCES: You need quiet places, peaceful environments, a sense of belonging providing solace and safety. With these conditions met you’re able to heal wounds, accomplish your unique spiritual and worldly tasks, discover feelings, hopes and aspirations that direct your life and motivate your specific ability to serve. Balance each day with gratitude and the awareness that your needs must come before assisting in the needs of others. Plant violet morning glories.

 

What were your career ambitions as a child?

“An elevator operator to take people up and down.  ”

Vickie Assunto

Santa Cruz
LMFT

“I wanted to be a dolphin when I was 5 or 6 years old.”

Kate Kiti

Santa Cruz
Catering

“When I was a kid I wanted to be the Jane Goodall of tigers.”

Remy Vincent

Santa Cruz
Aspiring Wildlife Conservationist

“I wanted to be a paleontologist.”

Bill Scott

Bonny Doon
Professor of Chemistry and Biochemistry

“Psychiatrist. On the playground somehow the bullies always ended up crying on my shoulder. ”

Mark Buchanon

Santa Cruz
Dude

Music Picks June 13-19

Live music highlights for the week of June 13, 2018.

 

WEDNESDAY 6/13

ALT-COUNTRY

MARGO CILKER

Margo Cilker makes “cowgirl music from San Francisco.” What’s the distinction here? Maybe it’s the fact that she opens her newest EP, California Dogwood, with a line about a “lonely painter” renting a “cold room” on the coast. Otherwise, this is stark southern acoustic-style music that you’d expect attached to the word country (or at least “real” country as some roots enthusiasts have come to refer to it as). Cilker brings an intense, deeply sad emotionality to her music that brings to mind some of the darker Lucinda Williams material. AC

INFO: 8 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10 ($7 with cowboy boots). 429-6994.

 

THURSDAY 6/14

FOLK

PAT HULL

Melodic, light and dreamy, Pat Hull’s music has everything in it to put a smile on your face. Based out of Chico, Hull writes songs that are reminiscent of Neil Young, Bonnie Prince Billy and M. Ward. He is currently touring on his upcoming album, Denmark Sessions, named after the studio in Portland where it was recorded, which drops on June 28. Hull will be joined on stage with the alt-country sounds of Dan Too and the return of Santa Cruz string band, MAJK. MAT WEIR

INFO: 7:30 p.m. Flynn’s Cabaret, 6275 Hwy. 9, Felton. $15. 335-2800.

 

FRIDAY 6/15

SOUL

ROYAL JELLY JIVE

On a mission to “spread the jelly,” San Francisco soul outfit Royal Jelly Jive calls to mind the jazz clubs of old, with dimmed lights, smoke-filled air, and swinging music deep into the early hours. Blending funk, soul, horns and infectious grooves, the band, led by frontwoman Lauren Bjelde, throws it back to the old school in all the right ways. Over four years, two albums, and countless live shows, Royal Jelly Jive has established itself as a Bay Area favorite. CJ

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854.

 

FRIDAY 6/15

FOLK

KINGSTON TRIO

In the late ’50s and early ’60s, folk revival group the Kingston Trio was a huge pop hitmaker. The group played two acoustic guitars, a banjo, insanely catchy hooks and a near-constant wall of vocal harmonies to not only climb the charts, but to help kick off the folk revival that came to epitomize the ’60s counter-culture. The trio themselves, with their matching striped shirts and harmless storytelling lyrics weren’t exactly counter-culture icons, though without blazing a trail to the charts, groups like Peter Paul and Mary and Dylan may not have reached the number of ears that they did. AC

INFO: 9 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $30. 423-8209.

 

FRIDAY 6/15

AMERICANA

ERIC MORRISON

Hailing from Santa Cruz, Eric Morrison & the Mysteries play a hybrid of West Coast soul, rock, Americana and jam. The band’s debut album, No Wolves, is described as a “10-track gem” led by the hit singles “Bad Girl” and “Big Stacks of Money.” This Friday, Morrison and company are joined by rock/fusion outfit Magic In The Other, comprising Ezra Lipp (Phil Lesh & Friends, Sean Hayes) Steve Adams (ALO, Nicki Bluhm & The Gramblers) and Roger Riedlbauer (Jolie Holland, Mercury Falls). CJ

INFO: 8 p.m. Michael’s on Main, 2591 Main St., Soquel. $10. 479-9777.

 

SATURDAY 6/16

ROCK

BUCKETHEAD

Bust out the fried chicken and get ready for a mind melting experience of the musical kind, because Buckethead returns to the Catalyst. The anonymous guitar noodler has more than 291 albums and has worked with a plethora of musicians from Les Claypool to Axl Rose. Whether with a band or just backed by a track, the virtuoso shreds through a wide range of musical tastes influenced by funk blues, electronic and even Michael Jackson. MW

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $30/door. 429-4135.

 

SATURDAY 6/16

REGGAE

MIGHTY DIAMONDS

Jamaica is kind of amazing in how many talented singers the country has produced. This is especially true of the late ’60s and ’70s as reggae took hold of the tiny island. We’ve lost a lot of legends over the years, so we are quite fortunate when some old school powerhouse vocalists roll through town. On Saturday, that group is the Mighty Diamonds, a vocal trio that formed in 1969. Not only that, but the group is still touring with all of its original members. They were known for several hits, including “Pass The Kouchie” which was covered (and sanitized) by Musical Youth in the ’80s as “Pass the Dutchie.” AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25/adv, $30/door. 479-1854.

 

MONDAY 6/18

JAZZ

THUMBSCREW

The band’s name might conjure a fearsome image, but Thumbscrew makes inviting music full of wonder and discovery. A super-trio of improvisational masters, the collective ensemble features award-winning guitarist Mary Halvorson and drummer Tomas Fujiwara, who can often be found working together in an array of arresting settings, and Pacifica-raised bassist Michael Formanek, a creative catalyst on jazz’s adventurous frontiers for more than three decades. With two new CDs on Cuneiform focusing on originals, Ours, and music from outside the trio, Theirs, Thumbscrew can turn just about any piece into a revelatory excursion. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25 adv/ $31.50 door. 427-2227.

 

TUESDAY 6/19

PSYCH-ROCK

STEVE KIMOCK

Guitarist and songwriter Steve Kimock is a legend of the Bay Area psych-rock scene. Hailing from Pennsylvania, Kimock headed west in the mid-1970s to join the Goodman Brothers, a folk-rock group in San Francisco. From there, he was woven into the area’s inimitable music history, collaborating with members of Quicksilver Messenger Service, the Grateful Dead and more. Kimock remains a boundary-pushing musician fusing Eastern sounds with American roots music and psychedelia. As Frets magazine writes, “Kimock’s acoustic aesthetic comes entirely from another place.” CJ
INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $30/door. 423-1338.


IN THE QUEUE

T.V. MIKE & THE SCARECROWS

Cosmic twang stomp. Wednesday at Flynn’s Cabaret

BLUE WATER HIGHWAY

Roots band from the Texas Gulf Coast. Thursday at Crepe Place

LOW SPARK OF HIGH HEELED BOYS

Tribute to Traffic and Steve Winwood. Thursday at Michael’s on Main

STARS BAND

Canadian indie pop/rock outfit. Sunday at Catalyst

BOOSTIVE

Santa Cruz-based hip-hop/electronica. Tuesday at Moe’s Alley

Giveaway: Eric Revis Quartet

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Jazz bassist and composer Eric Revis is widely regarded as one of the most accomplished musicians of his generation and an important voice in the genre. Possessing a sound that legendary saxophonist, composer and bandleader Branford Marsalis described as “the sound of doom; big, thick, percussive,” Revis has captured the attention of the jazz world. On June 25, Revis and his quartet, comprising saxophonist Ken Vandermark, pianist Kris Davis and drummer Chad Taylor, hit the Kuumbwa. 


INFO: 7 p.m. Monday, June 25. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $26.25/adv, $31.50/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Monday, June 18 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Bobcat Rob and The Nightly Owl

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Back in 2013, while living in Lee Vining, musician Bobcat Rob fulfilled a lifelong dream: Recording a solo album. He’d been a musician for years. Originally from New Jersey, he moved out to California and moved around from place to place. He’d had bands, and even released some records, but this one was different.

“It’s something I wanted to do, I had full control over it and I could do whatever I wanted. I took my time with it,” Rob says. “I love writing with a band and I love playing with a band. But that’s just something I wanted to do before I moved back to the full band aspect.”

That solo record, which is a mostly acoustic, gritty Americana-inspired record, led to plenty of solo gigs, and eventually a love for the city of Santa Cruz, where he relocated to roughly four years ago.

In Santa Cruz, he had a band for a while called Abalone Grey, which, as of last summer, is on an indefinite hiatus. With no band again, Rob has had the time and focus to work on his follow-up record, A Different Horse, which will be released this summer.

“I was accumulating a lot of the songs that are on this new album. They were written while I was in or right after I was in that band,” Rob says.

This new record is a different horse. It’s got a full band sound, a lot of energy, and unlike the first record, all the instruments are not played exclusively by him. The country and Americana roots influences are still intact, but now the music is much more urgent and busting at the seams with immediacy and emotion. As of late he’s been consistently playing with a backing band, The Nightly Howl.

“The material has grown from where I was at five years ago,” Rob says. “It’s a big jump from what I’ve done before.”


INFO: 9 p.m. Saturday, June 16. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

Bottle Jack Cellars’ Fiercest Bottles

It’s not every day that a wine scores top-of-the-line awards—100 points at the California State Fair and a double gold medal. This is Bottle Jack Cellars’ fabulous Syrah-Grenache 2014, a luscious blend of 89.4 percent Syrah and 10.6 percent Grenache. Kudos go to owner and winemaker John Ritchey for this outstanding elixir awash with blackberry, red cherry, white pepper, cedar, and dark chocolate.

We headed to Bottle Jack’s tasting room on the edge of Santa Cruz—up a bucolic winding road surrounded by redwoods. Word has spread about Ritchey’s wonderful wines, and the tasting room was busy on a Sunday afternoon. I was impressed with every wine Ritchey poured for us, but I fell madly in love with the Syrah-Grenache ($35). Grapes for this wine were harvested in the Santa Cruz Mountains and aged in oak barrels for 30 months, resulting in what Ritchey calls “a fierce and unique wine from this region.” Ritchey and his wife Katharine are a team in the business and are truly dedicated to making superb wines.

The good news is that Ritchey is now sharing space in Silver Mountain Vineyards’ tasting room in the Swift Street Courtyard complex in Santa Cruz—open every weekend. Check the website for opening times of both locations.

Some Bottle Jack wines are available at Cantine Winepub in Aptos Village. Try Bottle Jack’s beautiful Viognier paired with Arugula Salad ($9) and Cantine’s fingerling potatoes with chimichurri ($8)—a tasty trio of food and wine.  

Bottle Jack Cellars, 1088 La Madrona Drive, Santa Cruz, 227-2288. bottlejackwines.com.

Wrights Station Celebrates Father’s Day

Celebrate Father’s Day on Sunday, June 17 at Wrights Station Vineyards with live music by local musician Asher and tasty bivalves by Bill the Oysterman. Open 11 a.m. to 5 p.m.

Wrights Station Vineyard & Winery, 24250 Loma Prieta Ave., Los Gatos, 408-560-9343. wrightsstation.com.

 

Forks. Corks. Action!

 

The Hyatt Carmel Highlands is celebrating its 101st anniversary with a series of “Forks. Corks. Action!” winemaker dinners. The next one is Thursday, June 21. It’s a four-course dinner paired with ZD Wines. Cost is $130 per person inclusive, and reservations are required. For more information visit highlandsinn.hyatt.com.

What Anthony Bourdain Taught Us About Ourselves

On my darker days, I feel I live in an America bleached by corporate ambition and greed. The state of the rivers, oceans and forests is a barometer of our political times, our lifestyle. But when we blow the dust off that ’60s rally cry, “the personal is political,” we see what they meant: humans, too, are barometers.

The deterioration of culture and real connection—of taste, ambiance, sharing meals and honoring the food at the center of it all, resourcefulness, good music at the right volume, lemon zest, good sex—has been gnawing at me for months, and more subtly casting shadows for years.

Two weeks ago, amid a perfect storm of fraught sleep, hormones and the aforementioned social byproducts of a consumption-driven society—the corporate model of which thrives best on the exploitation of workers here and abroad—I self-medicated with the Tangiers and Congo episodes of early Parts Unknown, CNN’s travelogue show hosted by Anthony Bourdain. On that particular night, it worked. I felt reassured, inspired. Because Moroccan tajine! Because cafe culture still exists, though one may have to cross borders and entire oceans to slip into its chairs.

And so it goes. I cannot recall a celebrity death, nor its incomputable circumstances, that has shaken me harder than the loss of Anthony Bourdain last week. Bourdain’s work followed those remaining threads of real connection and culture and held them up for the world to see and taste. In so doing, he was a protector.

Rising from the underbelly of New York City kitchen culture, Bourdain’s No Reservations and Parts Unknown narrated a quest for the cultural glue at the center of it all: food. Not the protein bars and yogurt thrown into a work bag, the Trader Joe’s salad eaten at a desk. Cue his unmistakable voice: the “local stew, the humble taqueria’s mystery meat and the sincerely offered gift of a lightly grilled fish head.” It was a quest for that which does not merely sustain us physically, but pulls humans into a shared experience of tradition and love—eyeballs and all.

But Bourdain also broadcast to the mainstream in full color the world’s harsher realities, like low fish counts in rivers and ingeniously sourced meals cobbled together in areas of extreme poverty. One of the most well-traveled and well-fed humans to ever live, Bourdain was a self-made anomaly who shook his head in disbelief at his own luck. He seemed to have everything a man could want beyond his wildest dreams. The devastation of suicide’s premature credit roll comes with a thousand unanswered questions. Speculation is tortuous, its solace flimsy.

The media’s mishandling of Kate Spade’s suicide just days before Bourdain’s prompted outreach by the American Association of Suicidology and the American Foundation for Suicide Prevention to larger media houses, and a notable shift in how it addresses a growing elephant in America’s living room: Over the past two decades, tinged by an epidemic of prescription opioid addiction, mental illness has become the second most common cause of disability in the U.S., but its relationship to the economy is the inverse of its funding. Across age and ethnicity, suicide has risen by 30 percent since 1999 in half of the nation’s states, according to the Centers for Disease Control and Prevention. The number of Americans taking antidepressants for five years—15.5 million—has tripled since 2000. Many of these pharmaceuticals list suicide as their side effect, a fact Bourdain mentions in a 2011 interview with Marc Maron, in reference to his then-use of the drug Chantix to quit smoking. 

Following Bourdain and Spade’s deaths, social media channels brimmed with heartbreak. But a new trend also emerged, as many admitted their own struggles with depression and suicidal ideation. As with those courageous figures of the #MeToo movement, says Alejandra Vargas, program coordinator at our local Suicide Prevention Services, those who brave potential ridicule to come forward are also “showing [those struggling] that ‘your loved ones, or people maybe you look up to, have also gone through this and survived and thrived.’ It normalizes. It helps us recognize that we’re not completely alone.”

We can’t bring back the beloved renegade chef or the loved ones we’ve lost to suicide, but the humanity we’ve seen thus far appears to be melting a long held stigma. And it’s inviting individual mental health and society’s overall health to finally sit down next to each other around the same table, because the stew is almost ready.


Local 24-hour crisis line: 1-877-ONE-LIFE. Staffed by a team of professionally trained volunteers, many of whom have life experience with suicidal ideation, on-hand to take calls 24/7. If you’re struggling with suicidal thoughts, or on the waitlist to see a therapist, or cannot afford to see a therapist and need someone to talk to, they await your call with compassion and equanimity. Servicing Santa Cruz, San Benito and Monterey counties. For more information visit suicidepreventionservice.org.  

 

Film Review: On Chesil Beach

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Back in 1966, there was a low-key British movie called The Family Way, about young newlyweds too wracked with nerves, their families’ expectations, and their own inexperience to properly consummate their marriage. The situation was played for gentle, poignant humor, as the days wore on, and the already embarrassed young couple had to cope with well-meaning interference from both families attempting to cheerlead them on and offer advice. The film gained attention at the time for launching star Hayley Mills out of her Disney/Pollyanna box and into her first grown-up role.

It seems like there are going to be faint echoes of The Family Way—without the humor—in the domestic drama, On Chesil Beach. Scripted by Ian McEwan, from his own novel, and directed by Dominic Cooke, it’s the story of a young couple navigating the first few hours of married life at a seaside hotel on the evening of their wedding day. But in this case, the fateful wedding night doesn’t just launch the story; it is the story.

Yes, its aftermath plays out into the future in a couple of brief, clumsy time-shifts at the very end of the movie. And their early relationship as the couple falls in love is told in flashbacks throughout the day in that hotel room. But sloppy, inconsistent storytelling keeps us from getting caught up in the tale’s emotional core, and the audience, too, leaves unsatisfied.

The story is set in 1962, just before the ’60s began to swing. Florence (Saoirse Ronan) and Edward (Billy Howle) arrive at a nice hotel on the Dorset coast to begin their honeymoon. It’s late afternoon, and after a walk on the beach, their nervous attempts to become more intimate are interrupted, first by a pair of buffoony comic waiters, but mostly by a series of flashbacks to their courtship.

She’s the daughter of wealthy, snobby society parents, who plays violin with a string quartet she founded at Oxford. He’s a working-class scholar who earned a First in History, also at Oxford, and maintains his good cheer, despite his addled Mum (Anne-Marie Duff). But his mum and family adore Florence (her winning them over provides some of the movie’s best scenes), and the couple have come to the altar with their future together looking bright.

But it turns out there’s a skeleton in the closet of Florence’s past, making their wedding night extra fraught. Matters aren’t made any easier by the fact that they are both virgins. McEwan’s point seems to be that, in a repressed era when sex is simply not discussed, demons remain unexorcised, and consequences can be severe, reaching out their menacing tentacles to affect lives far into the future.

But McEwan and Cooke can’t get a grip on their narrative. Most of the story proceeds from Edward’s viewpoint, so it often seems like he’s being victimized by Florence’s mystifying behavior. Then, a pivotal decision he makes half an hour before the movie’s end alters that scenario—but it’s withheld from the audience until literally the last few frames of the film.

Maybe the story played better on the page, where the author had the luxury of time and space to grow his character motivations. On the other hand, I loved the movie Atonement, also based on a McEwan novel, and also depicting the ways that sexual fear and loathing might poison present and future lives. But that movie deployed a trenchant coda that crystallized the story’s themes with a wallop.

No such coherent wrap-up occurs here. The story elements all seem to be in place, but the filmmakers never manage to turn the dross of pervasive melancholy into the gold of transcendent meaning.

 

ON CHESIL BEACH

** (out of four)

With Saoirse Ronan, Billy Howle, and Anne-Marie Duff. Written by Ian McEwan. Directed by Dominic Cooke. A Bleecker Street release. Rated R. 110 minutes.

 

The Vision for for a Revamped Civic Auditorium

To Ellen Primack, executive director of the Cabrillo Festival of Contemporary Music, Santa Cruz Civic Auditorium renovations represent a long overdue dream. A crowd of around 20 gathered at the auditorium steps on June 7 to express support for the renovations, pointing to its lack of handicap accommodations and air conditioning, and its generally outdated and under-utilized state. It was, after all, built in 1939.

“From a Cabrillo Festival standpoint, the facility is not serving our elders,” Primack says. “The seating is becoming a deterrent to cultural participation, and we are not the only ones. People will make choices; they choose between beautiful facilities over the hill and coming here, so we want to make sure that we have that point to bring them here.”

In the last nearly 80 years, the Civic Auditorium has hosted the Miss California Pageant and countless Santa Cruz Follies shows and high school graduations. It’s also home to the annual Martin Luther King Convocation, and, over the years, it’s brought in Bob Dylan, the Dalai Lama, Elie Wiesel, and the Pixies, among many others. The hall was primarily built for sports, as evidenced by the court-facing seating and gymnasium flooring.

But with the construction of the temporary Kaiser Permanente Arena, those sports events have, for the most part, found a newer home. Though the auditorium draws more than 85,000 people annually, it lacks the allure and functionality to compete with other venues, and it can be a difficult selling point for Santa Cruz, particularly when trying to attract bigger-name speakers and performers.

“This building is intended to present the best of Santa Cruz’s past, present and future. Today we are lucky to have the highest quality performances right here, but the facility is letting down the performers and guests,” says Santa Cruz Mayor David Terrazas. “The Civic is not living up to its potential currently, we need to do more to ensure the safety of visitors and performers and we have a ways to go to catch up to today’s standards for comfort and amenities.”

A new group, Friends of the Civic Auditorium, has formed to support the renovations. Their goal is to raise awareness and funding.

Since the foundation of the auditorium is structurally sound, Primack says the renovations will focus primarily on modernization. The Civic Leadership Team first formed in 2012, and eventually partnered with ELS Architecture and Urban Design. Together they came up with a plan that includes retractable seating for around 1,700 audience members (which is actually a downsize from the current 2,000-seat capacity), an open rooftop balcony, elevators and second-floor entrances. They’re also looking to update the lighting and technical equipment, while expanding the lobby and concessions bar. The David and Lucile Packard Foundation sponsored the surveys and business planning studies, as well as the current outreach efforts. Although Arts Council Santa Cruz County is the group’s current fiscal sponsor, no one has yet to contribute any funding to the renovations. The group is looking to raise an additional $20 million to implement the proposed renovations.

“The biggest obstacles are resources, because this is becoming a much more immediate and urgent need,” Primack says. “We need to educate the public about the immediacy of it in the context of all of the other major needs of our community.”

Looking ahead, the group imagines paying the bill will require both private investment and public funding, including grant applications. They are hoping to start a movement, and potentially have a ballot measure put forth by the city of Santa Cruz, though Primack says they aren’t sure about the specifics. Santa Cruz’s quarter-cent sales tax just passed earlier this month to preserve existing programs, but in recent years, city leaders have floated the idea of a future ballot measure to fund the Civic and other projects, including the Santa Cruz Municipal Wharf and a possible new basketball arena for the Santa Cruz Warriors.

Right now, though, it’s the auditorium that’s in the spotlight.

“It really starts with public education, outreach and advocacy,” Primack says. “Ideally this vision is broadcast to anyone who steps in the building.”

For more information, visit friendsofthecivic.org.

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