Film Review: ‘My Entire High School Sinking Into the Sea’

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As someone who always wished my high school would fall into the sea—preferably before I had to dress out for P. E.—I had high hopes for a movie called My Entire High School Sinking Into the Sea.

Sadly, it never happened in my case, but anyone who has ever entertained such a fantasy might get a vicarious kick out of this cartoon mashup of teen comedy, disaster movie and social satire. But while it gets points for cheeky energy, be warned that it comes with a few caveats.

The story began as a comic book whose creator, Dash Shaw, is making his first attempt at an animated feature. Without a Disney-sized budget for laborious techniques, the images tend to look a little cheesy: faces have a narrow range of expressions, and the lines defining faces and silhouettes always shiver slightly onscreen. Shaw jazzes things up with bold watercolor washes, or funky crayon images, or paper and cardboard cutouts superimposed on the background. And lots of pulsing color, which leads to the most important caveat—an onscreen warning that the movie’s stroboscopic effects might trigger a reaction in viewers with epilepsy.

So. Is what’s onscreen worth the potential risk? Well, I wish I could say this DIY cartoon makes up for its lack of technique with vivid imagination or riotous satire. But while there is plenty of fun stuff here, all of the movie’s ambitious ideas can’t quite sustain the whole.

Dash (voice of Jason Schwartzman) is entering his sophomore year at Tides High School, somewhere along the California coast. He and his buddy, Assaf (voice of Reggie Watts) are the entire writing staff of a one-page print-out school paper edited by Verti (Maya Rudolph) that nobody reads. Nevertheless Dash sees himself as a crusading reporter, and is given to narrating his daily life. (“It’s going to be a big year for our hero and his faithful sidekick.”)

Dash sneaks into the school archives and stumbles onto the story of his career: the safety inspection approval for the school’s recently completed construction project was forged by Principal Grimm (Thomas Jay Ryan). Because the school is built on a fault line, it’s a disaster in the making. Dash is sent to detention along with Mary (Lena Dunham), a member of the popular-girl clique who’s snuck into the archives to retrieve her confiscated cell phone. They’re together when the inevitable quake happens, the cliffside supporting the school erodes, and the building and everyone in it are pitched into the ocean.

From this point, the plot becomes Titanic-like. The building is sinking, but not all at once; as various sections collapse, it keeps tilting one way, then another, with different areas filling with water as everyone scrambles for higher ground. Filmmaker Shaw indulges in plenty of cartoon carnage, with kids eaten by sharks and lots of drowned bodies floating by, as “our heroes,” joined by gruff Lunch Lady Lorraine (Susan Sarandon), fight to survive.

Anyone who’s ever suffered through high school will appreciate a joke about a student threatened with a negative report going on his (dreaded) “Permanent Record.” Or the idea that a clique of dimwitted jocks on the top floor organize an obedient feudal society around their alpha leader (a voice cameo by John Cameron Mitchell). And I loved it when brainy Verti, about to attempt a physical stunt to save the others, pumps herself up with the mantra, “I’m Ursula K. LeGuin! I’m Gertrude Stein!”

But there’s a lot of filler here, too. Familiar old tropes about popular mean girls, or JD kids in search of drugs, don’t really add much. An attempted psychedelic effect toward the end of the movie, full of pulsating colors gradually reduced to dots, just becomes irritating. And lots of the same shots are repeated over and over again, throughout the movie, as if the filmmakers were desperately trying to stretch things out to feature length. Still, it might have an afterlife as midnight movie, based on sheer chutzpah,

 

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA

(**1/2)

With the voices of Jason Schwartzman, Lena Dunham, Reggie Watts, and Susan Sarandon. Written and detected by Dash Shaw. A GKids release. Rated PG-13. 75 minutes.

Breakthrough Men’s Community Program Comes to Santa Cruz County

In 1987, counselor and teacher of nonviolent communication Fred Jealous founded a men’s education and support program called Breakthrough Men’s Community with just himself and six others in the Monterey area.

Thirty years and 2,000 graduates later, the program continues to expand, and will soon be offered in Santa Cruz for the first time.

“Fred had a strong belief that the way men are raised in this culture is damaging,” says Breakthrough executive director Chris Fitz, who graduated the program five years ago. “We are brought up to believe that boys must sacrifice their humanity to be ‘real men,’ and that the only way to relate to other men is to compete with them. Because of the way we’re raised, there is a lot of distrust in other men.”

A major tenet of the program, says Fitz, is that men need the support of other men to heal and regain the humanity that has often been socialized out of them. Another emphasis of the program is that experiencing emotions is a good thing, and it seeks to emulsify the oil-and-water-like relationship between  vulnerability and traditional male culture.

“Most men coming to Breakthrough are facing a big life challenge, but many others aren’t in crisis and are just looking for deeper meanings, meaningful friendships, and a sense of community,” says Fitz, who emphasizes that Breakthrough isn’t geared just to men who may feel broken in some way. “At Breakthrough, we believe every man can benefit from the program.”

Fitz says program graduates include men from all walks of life—their backgrounds, educational and occupational pedigrees are as diverse as their various ethnicities, religions, and sexual orientations. He says the average attendee is between 40 and 45 years old, but adds that there have been graduates as young as 18, all the way up to men in their 70s.

Fitz says that participants of Breakthrough usually find it to be a very compelling, profound experience. He says that the most common feedback he hears from graduates is that Breakthrough “saved my life, saved my marriage, saved my relationship with my kids, or helped me through a painful divorce.”

A 2008 Blue Shield study on Breakthrough confirmed these sentiments, finding that the word “transformative” best described the Breakthrough experience, and that 91 percent of survey respondents used the words “enormous” or “considerable” to describe the impact that Breakthrough had on their lives.

But such transformation comes with a level of time commitment that sets Breakthrough apart from other programs of its kind. The program is 34 weeks long, which is broken up into two 17-week sessions. Each of these sessions has 14 evening classes, two all-day Saturday courses, and one weekend retreat. Most of the work is done in small groups, where participants learn to put the lessons into action.

“Practice makes perfect, and it takes time to rewire the neural pathways so we can live our lives differently,” says Fitz. He emphasizes the importance of taking one’s time and going slowly, providing men with the support to practice things like affirmations, identifying triggers with issues like anger addiction, and taking time and space to contemplate and reflect.  

Breakthrough is a nonprofit organization, and tuition is done on a sliding scale. “No willing participant has ever been turned away for financial reasons in 30 years,” Fitz says. About 40 percent of Monterey participants are referred by their therapists, with the other 60 percent being referred by word-of-mouth. Fitz adds that many of these referrals are given by women, who, he says, have a more instinctual understanding of the benefits a support community can provide. “Women get right away what we’re all about,” says Fitz. A similar program called Breakfree was subsequently created for women.

The course’s teachings come from a variety of approaches and disciplines. “We are not affiliated with any religion, but participants often say that the teachings fall in line with their own spiritual beliefs,” says Fitz. “We don’t see ourselves as doing therapy or counseling. Guys in the program learn how to listen and learn how to be listened to, sometimes for the first time in their lives, especially without anyone trying to fix you.”

“We hope to gain a big following in Santa Cruz, we want to prosper in other areas because profound change can happen in Breakthrough,” says Fitz. The Santa Cruz course will be held at the Monterey Coast Preparatory School in Scotts Valley and with an introductory night on May 11. The course begins on May 18. Visit breakthroughformen.org for more information.

Monterey Bay Youth Outdoor Day’s Thrilling Growth

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When she was a child growing up in Santa Cruz County, Elyse Destout remembers playing outside until the sun went down.

But for most kids, that era has passed. The prevalence of smartphones, tablets and technology created a culture of children focused on LCD screens and social media—a shift Destout, now 39 and a mom herself, couldn’t help but notice

Neither could Russel Maridon, a member of the Santa Cruz County Fish & Wildlife Commission who knew Destout through her work as a photographer.

“We all saw these young people so addicted to these devices they wouldn’t even look up to say hello to people in the room,” Destout says.

That problem pushed Maridon to found Monterey Bay Outdoor Youth Day in 2010, and recruit Destout to help organize it. The summit at Santa Cruz County Fairgrounds reintroduces children to outdoor activities through hands-on experience, drawing about 2,000 people on a Saturday every May. The events have featured everything from archery ranges to short surfing lessons. This year, organizers have expanded it, adding an extra day on Friday in partnership with schools across the county.

Soquel Elementary School is sending both its third-grade classes to the Friday event.

“Not all of our kids have access to some of the things she’s presenting to us,” Principal Gerri Fippin says, noting that English is a second language for about 40 percent of the school’s population. “It’s a great opportunity for us.”

With six schools sending roughly 300 elementary and high school students to attend Friday, there is still plenty of room to grow in the coming years. Destout, whose children went to Soquel Elementary, says email and Facebook feedback over the years encouraging her to expand it to a weekday.

The event has skewed toward younger children in the past, but Destout worked with organizations this year to broaden the appeal. Representatives from participating organizations hope to talk to teens about internship and career opportunities in their fields.

The first event in 2010 featured sailing, archery, hunting, bicycling and a host of other outdoor activities, with a goal of inspiring and introducing young attendees to all aspects of being outdoors in the Monterey Bay area. Since then, it has grown to include messages of sustainability, environmental stewardship and civic engagement as groups like Coastal Watershed Council, Pajaro Valley Water District and Watsonville Police Assistance Board signed on.

“In the beginning, it was very sports-driven,” Destout says. “Now we have both the sports aspect with the healthy living, sustainable living and the conversation.”

Part of the evolution meant recruiting teens to help develop and organize the event.

“The goal really is that I want all of this to be created by young people because it’s a youth event,” she says. “My goal is that if we can get kids excited about this kind of stuff, then they will be able to plan things. They’re going to be taking care of us one day.”

Among the early recruits was 19-year-old Sabrina Waldie, who started as a 16-year-old volunteer. She stuck with the organization in part because of her younger siblings and cousins and fondly remembers her five-year-old cousin learning to garden and care for plants at Monterey Bay Youth Outdoor Day.

“It helps little kids explore different sports and things they can start getting into,” says Waldie, who’s studying at Cabrillo College. “It might help them when they’re older.

Maridon, the event’s founder, recruited Destout leading up to the inaugural event, since both felt the same about children’s relationship to technology. “Nowadays, it’s like pulling teeth to tell kids to go outside,” Destout says.

The event went on hiatus in 2016 because of shortages in funding. Destout aims to ramp up fundraising efforts this year through other events, including a potential zombie run in the fall. The annual event’s budget runs between $10,000-$15,000. While Destout applied for grants in the past and sent letters to businesses asking for donations, she knows the event’s future is tied to expanding fundraising.

“If we are going to continue to do two days in the future,” she says, “the fundraising efforts have to be a lot more.”


Monterey Bay Youth Outdoor Day will be from 10 to 4 p.m. on Saturday at the Santa Cruz County Fairgrounds. The event is free and open to the public.

Santa Cruz City Council Tries to Hack Homelessness

The biggest takeaway from the Homeless Coordinating Committee recommendations assembled by Santa Cruz Assistant City Manager Tina Shull can be summed up in four words:

“Let’s do this together.”

Several of the report’s 20 suggestions involve pooling resources with Santa Cruz County Health Services Agency or strengthening partnerships with neighboring cities. While the long report gets deeper into nitty-gritty details than previous policy documents, the overarching theme is a familiar one: one small local government cannot do everything on its own.

The same sentiment came up five years ago, when three city councilmembers fired off some suggested changes to public safety and homeless approaches after the stabbing of Shannon Collins on Broadway. A similar discussion ignited with the city’s Public Safety Task Force recommendations two years later, followed by the formation of the Bob Lee PACT program and the “All In” plan in 2015 to end homelessness locally, just to name a few examples.

But putting these collaborative ideas into practice takes time, patience and creativity.

“It’s a big undertaking, and if there’s a shortcoming, it’s that our systems aren’t always integrated,” Shull admits.

One of the higher-profile ideas to come out of the new report is a suggested navigation center for Santa Cruz, similar to one in San Francisco. There, a welcoming one-stop center offers rehabilitation, employment services, shelter and more, all under one roof.

Starting last year, a committee made up of three city councilmembers dove head first into researching for this document, trying to discard all preconceived notions about a homeless population that accounts for 0.72 percent of the county’s 274,000 residents—as well as what it would take to fix the problem.

“A lot of the debate around homelessness seems to come from people whose feet are firmly set in cement when it comes to what should and shouldn’t happen,” says Councilmember Richelle Noroyan, who served on the group with Mayor Cynthia Chase and former Councilmember Pamela Comstock, whose term has since ended.

Noroyan concedes she went into the committee believing that the county did not need any more services. Some critics have derided city leaders for years for, as they saw it, practically laying out a mat for a transient population.

But the report—which Noroyan and Chase submitted to the City Council for review a few days ago—suggests that isn’t the case. The county does rank fourth statewide in homeless individuals per capita, behind Mendocino County (where the homeless account for 1 percent of the population), Humboldt County and San Francisco. And yet Santa Cruz County only ranks 32nd in sufficiency of shelter beds, out of 58 counties. Its rate of unsheltered homeless—69 percent, according to the 2015 Homeless Census and Survey—is in step with the other California communities that the committee looked at.

That’s no surprise to former Mayor Don Lane, who spent much of his time in office fighting homelessness during his terms on the council.

“Not having enough services is not going to scare people away,” says Lane, who has read the committee’s recommendations and feels encouraged by them. “And we’ve always been startlingly behind on emergency shelter.”

The report does not break down a similar comparison of non-shelter services, like counseling, rehab or soup kitchens, but Shull thinks Santa Cruz ranks somewhere in the middle when it comes to other services, too. And the committee members based many of their recommendations on things other communities are doing that they felt Santa Cruz could learn from.

The report finds that homeless individuals ended up costing $440,000 last year to the city’s public works department, $780,000 to the parks department and an estimated $14.8 million each year to the police. Economic development leaders report that homelessness has a major impact on local businesses, and the Santa Cruz County Business Council plans to release survey data of its members on this topic later this month.

Mayor Chase says homelessness creates a lot of suffering, not only for people without a safe place to sleep, but also for people who don’t feel safe going to the park or shopping downtown.

Just how unsafe are the homeless, though?

There’s a link between transients and property crime, although it would be easy to overstate. Chase says the connection between the homeless population and property crime is a correlation that’s attributable to drug addiction.

“If you did a Venn diagram, for sure, individuals with substance addiction—if you’re homeless or un-homeless—do have a higher proportion of crimes like that, property crimes,” says Chase, who also works as the local jails’ program coordinator.

According to the homeless census, 41 percent of the county’s homeless population deals with addiction, 38 percent have a psychiatric condition, 33 percent suffer from a chronic health injury, 24 percent suffer from post-traumatic stress disorder and 16 percent suffer from a traumatic brain injury.

In its report, the committee makes four long-term suggestions, including the navigation center. The main recommendation that catches Lane’s eye, though, is one for a year-round regional shelter, instead of the seasonal model, which the city has used for years and which fails to give people a safe place during warmer months.

“I’ve just felt for such a long time that the whole notion of having a winter shelter is so half-baked,” he says. “When April rolls around and it stops being as cold and wet, we know these people are still here, but now they don’t have anywhere to sleep safely? How can you justify that?”

The recommendations call for more housing, as well, and a day center. There are also 16 possible short-term solutions that the city could implement in less than three years—including an expansion of mental health outreach, secure storage facilities, restrooms and showers, and a local Downtown Streets Team, one that local business leaders are already working on bringing to town. The team aims to give the homeless a leg up by giving them a positive environment, work experience and cash vouchers to help them move forward with their lives.

For the people on the front lines of the struggle, the report argues, being homeless is no easy way to live.

“People in homelessness live in a condition of constant stress,” the report reads. “In addition to exposure to the elements and uncertainty over meeting basic needs of food and water, these individuals live with compromised safety and are often victims of theft or mistreatment. Their histories and the reasons why they are homeless can be complicated and require specialized supports.”

Behind the Scenes with Visionary Glass Artist Heather Matthews

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Surrounded by sensuously carved glass panels, and furniture draped with large sketches for upcoming work, I survey the barnlike interior of Heather Matthews’ etched glass works.

Koi, waterlilies, and kelp forests glide gracefully up one panel. Delicate jellyfish float in various states of transparency. Enchanting work, it showcases the tastes of a vast clientele for Heather Glass, the business developed by the artist and managed by her husband, photographer Tim Matthews.

Walking me through her process, the tall blonde explains that drawings are made at 1/8 scale. “Then I do a full-scale one for clients to approve,” she says, pointing to large drawings of vines and flowers draped across couches and chairs. “The next step is cutting the stencil.” For this she uses something called Buttercut—a pale green vinyl that is applied to the surface of the glass. “Everything has to be covered that isn’t going to be etched,” she explains. She transfers her drawing onto the vinyl surface and cuts out the design with an X-Acto blade.

The etching happens in a ventilated blasting chamber at the side of the old barn-like studio structure. She shows me the tiny nozzles that allow for intricate cutting and three-dimensional carving of shapes such as leaves and petals. “Tim got me this,” she smiles, holding a lightweight pink plastic blasting hood. The old ones—which resemble diving helmets—weigh 8 pounds.

Matthews carves her images into sheets of industrial glass that have been pre-cut and finished. “It’s physically taxing,” she admits. “I have to use both hands—one to hold the pen-like nozzle, and the other to steady it. And I have to work on the floor for designs on the lower sections.”

Donor walls of hospitals and marine labs have been adorned with her waterscapes. “Sea life is a specialty. And I love two-sided projects,” she says, as I run my hands over both front and backsides of an etched botanical design. “These pieces change as the light moves.”
Matthews claims that organization is not her strong suit. “I encourage deadlines,” she says. “I’m not very structured. And the work can become arduous. It’s like having a baby. I can’t wait for it to be finished. But then when it is finished … ” Matthews has created thousands of such pieces, she says, pointing to the gorgeous collection of panels, tables, doors, that she has etched with her signature designs, most involving flowers and leaves inspired by her own garden, or sea creatures which she researches along the coast and in Hawaii.

Moving around a lot as she grew up, Matthews spent her first eight years in Germany, then back and forth across the U.S., finally ending up in Virginia when her stepfather was at the Pentagon. Art and science were her major studies, but art won out. “I came here originally to go to UCSC, but I never did. Thank God I heard about Cabrillo,” she says. At Cabrillo she studied with legendary teaches Holt Murray, Tom Allen, and Howard Ikemoto.

Heather Glass began with stained glass. “I fashioned boxes, windows, little hanging pieces that were all sold at Nepenthe,” she says. More work followed. “It turned into a business. I was lucky,” she admits, flashing a grin. Even after the earthquake in 1989, she was sought after. “People came to me to do repair work,” she says. By then, she had married the photographer and in 1990 they moved into a rambling barn structure on Soquel Drive almost at the very center of the Village.

“I gave away my stained glass equipment and started doing glass etching in the mid-80s,” she says. Working nonstop ever since, many of her commissions involve field research. Matthews shows me a richly detailed Sierra mountainscape window. “I spent time up in the mountains to research the plants and animals,” she says. One panel in the rustic studio reminds me of Tiffany, emblazoned with dogwood. Another of wisteria is clearly 19th century in feel. “I do my drawing at home in my garden. Gardening is my therapy,” she says.

Matthews works primarily by commission. Even though she displays samples of basic designs to help start the process, most of her huge roster of clients seem to know exactly what they want. “People really like to have their finger in the final product,” she says.

The work in person is unexpectedly lively for designs worked in glass. “I see new things in each piece all the time,” the artist herself admits. “In the changing light—it’s like a living creature.”


To see images of her work, visit heatherglass.com.

Preview: Hod and the Helpers to play the Crepe Place

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Local musician Hod Hulphers is a little uncomfortable about that fact that he hired a PR guy to promote the debut album from Hod and the Helpers.

His dream was just to press the album on vinyl, and, you know, have an actual physical representation of his work that would exist outside of the internet. That’s pretty much it.

“I told the guys, ‘I don’t care if we only sell one, I’ll pay the full price for 500 records,’” Hulpher says.

The album was released on Bandcamp on April 20, and will be out on vinyl in mid-July. He reconsidered the importance of promotion with much prodding from his bandmates. (“Do I really want a bunch of fucking vinyl records in my basement the rest of my life?”) Besides, Hulphers reasoned, with a PR guy promoting the album, maybe there would be more benefits than simply album sales.

“I’d love to get some good reviews, and have a good press package, so we can go on the road and play in front of 10 people wherever we want,” Hulphers says. “I’m really looking for some affirmation. Someone saying, ‘Good job.’ Wouldn’t that be nice?”

It’s understandable why the process is a bit unsettling for Hulphers. He’s played music his entire life, first as a drummer in bands like Lost Kids, then as a solo singer-songwriter. After five shows where he was tacked on to the end of the bill, he changed his moniker to “And Hod,” the ultimate self-depreciative name.

“The add-on, the tack-on, the proverbial ‘and,’ like they hired a clown to perform after the serious music was over. I wasn’t about to let that oversight be forgotten,” he says.

Then about four years ago, friend and long-time Santa Cruz musician A.J. Marquez (Slow Gherkin, Dan P and the Bricks, the Huxtables) caught one of Hulphers’ solo sets. He’d seen him before, but was struck with how much better his songwriting and performance had gotten—and was disappointed in how little attention he was getting. Marquez saw potential for more than just an indie-folk singer-songwriter: This could be a killer band.

“I gave him a full Goonies talk,” Marquez says. “‘We need to do this. This could be really fun.’”

The lineup built slowly, including Hulphers on guitar/vocals, Marquez on keys, Greg Braithwaite on drums, Dan Potthast on bass, and Jeff Stultz on guitar. The latter is the moment Marquez feels the band came into their own. (“Not sure whether it was completing the Voltron aspect of it, or just Jeff’s insane talent and focus,” he says.)

Stultz not only offered his skills on the guitar, but also recorded the album. He also provided a counter-balance to Hulphers’ mixed feelings about devoting any resources to marketing, which Hulphers calls “the antithesis of what art is.”

That wasn’t Stultz’s thinking. “Why don’t you have some people hear it? We can spend less focus on the creation process and more on the sharing process,” Stultz told him. “You put so much time and energy and hard work into something, it’s sort of a false humility to be like, ‘I don’t care if anybody knows.’”  

The record is brilliantly produced. It captures Hulphers’ eccentric songwriting style, and draws the songs out into gorgeous, mellow psych-folk tunes. Hulphers is part lounge singer, which he smoothly executes, but he also injects a layer of cynical, ironic cockiness. Marquez refers to it as “Texas mogul gone country singer.”

All of these elements create a record filled with humor, social commentary, and a blurry line between truth and fiction, which is indeed a key part of Hulphers’ personality.

“I’ve lost a lot of girlfriends because that line is so blurry. It scares them off,” Hulphers says. “I listen back to what I’ve just written, and I’m like, ‘that’s fucking ridiculous.’ I’m fucking ridiculous. So I inject this levity into it that insinuates I’m totally self-aware of what I just wrote. So you go back and say, ‘Did he mean that last line? Cause he just said this.’ So it’s like this constant battle.”

The album’s record release show is at the Crepe Place, though they are trying to get another band on the bill to headline for them. Headlining is not really their thing.

“We prefer not to,” Hulphers says. “We’re still And Hod at heart.”     


 INFO: 9 p.m., May 26, Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

Bella Villa is an Elegant Date-Night Destination

On a recent heat-wave evening, a friend and I walked the train tracks to Aptos’ newest restaurant, Bella Vista, located inside the towering Bayview Hotel—the oldest hotel in the county, and one of the oldest still operating in California, replete with numerous ghost stories, and more recently, reality-television fame.

Here, longtime chef Atillio Sienna of Naples, Italy, has taken the reins of an authentic Italian menu, complete with pizzas wood-fired on the back patio.

We settled into the sun porch, aglow in the last gasps of a sunset, and overlooking the hotel’s giant, sentinel Magnolia tree. I ordered a glass of Verdicchio, Verde di Ca’ Ruptae from March, Italy ($8)—crisp, dry and refreshing after an 80-degree day.

Roasted garlic cloves in olive oil were delivered, along with a basket filled not with the stale afterthought that bread can sometimes be in this post-gluten society, but with warm slabs of glorious, glutenous bread, succulent in that baked-this-morning kind of way.

Tempted by the Caprese salad, we vowed to come back during tomato season and ordered the Insalata di Cesare ($9) instead. Not a single regret. Having nothing to do with the Roman dictator, the Caesar salad is a fairly recent development, invented in 1924 Tijuana, Mexico by Italian immigrant and restaurant owner Caesar Cardini. Food for thought as you munch on Bella Vista’s rendition, which, if you appreciate the genre, you may want to do. In a world where ordering the now-ubiquitous Caesar means playing roulette with the possibility of petrified, processed croutons and factory-made dressing heavy on preservatives, it’s refreshing to experience the real deal. Crisp romaine was tossed in a light dressing rich with the flavors of fresh citrus and anchovy, and lovingly sprinkled with Parmigiano-Reggiano and fresh-ground pepper. Even the anchovies were patted dry and thoughtfully placed, absent of the off-putting oil slick that results when they’re dumped from the can.

Tempted too by the secondi courses of Polenta ala Gorgonzola, and Calamari Fritti (again, vowing to come back), we settled on two pasta dishes: the Rigatoni Alla Bolognese ($19), and the homemade Ravioli di Spinaci e Ricotta ($22). The rigatoni, cooked perfectly al dente, was a hearty, we-should-probably-go-hiking-tomorrow-sized dish with a dry but meaty red sauce made with grass-fed beef and showered in a generous sprinkling of freshly grated parmesan and fresh cracked chili pepper—brought on request. It paired like a dream with the smoky, dry Montepulciano 2012, Reserve ($9) from Abruzzo.

The ravioli came swimming in a decadent walnut cream sauce, inflected with the crunch of dark-roasted walnuts and a substantial note of beef broth. Each pillow of this classic specialty is hand-stuffed with a pad of delicious, light green spinach and ricotta. The dish was salty, rich, and to die for—not to mention far too decadent to finish in one sitting. Fresh snips of basil rounded the plates of both pasta dishes, an aromatic and much-appreciated flourish.

On a Tuesday night, the sun porch was quiet, while the bar buzzed with a birthday party and live music. With a goal of booking live music at Bella Vista six nights a week, Lenny Ruckel, musician and entertainment booker, performed in the bar area with TK Blackburn, who was filling in for Ruckel’s usual bandura (Ukrainian harp) player, who had torn off a thumbnail earlier that day. He should be back at it on May 16.

Edged in wisteria and a sky-high stand of Lady Banks roses, Bella Vista’s expansive back patio (where the girthy pizza oven lives), is under construction, and will soon be open as a beer garden, complete with music and extended daytime hours. All in all, the Bella Vista experience is a celebration of fine Italian dining in an elegant setting that is made for date night. Put it on your list.


Bella Vista Italian Kitchen & Bar is at 8041 Soquel Drive, Aptos. Open Tuesday-Sunday, 5 p.m.-9 p.m. and until 10 p.m. on Friday and Saturday. 999-0939.

5 Things to Do in Santa Cruz This Week

Event highlights for the week of May 3, 2017

Green Fix

UC Master Gardeners Classes

popouts1718-Green-Fix-55331005The UC Master Gardeners of Monterey Bay offers two free classes this week for home gardeners who garden in the ground or in raised beds, of any gardening level. On Sunday, May 7, they’ll host “Soil Prep For Your Vegetable Garden” at their demonstration grounds in Watsonville. Master gardener Delise Weir will discuss the basics of soil science and why it’s important to the success of your vegetable garden. On Saturday, May 13, they will present their annual Smart Gardening Fair from 9 a.m.-3 p.m. at Jewell Park in Pacific Grove. Participants can enjoy presentations, demonstrations, vendor booths on butterflies, landscape design, and propagation methods.

Info: 10 a.m.-Noon, UC Master Gardeners Watsonville Demonstration Garden, 1430 Freedom Boulevard, Watsonville. mbmg.org. Free.

 

Art Seen

Spare Change Music Festival

popouts1718-SpareChangeMusicFestivalProject Pollinate and Cypher Sessions present the Spare Change Music festival with 100 percent of the proceeds going to support four featured nonprofit organizations: Foods Not Bombs Santa Cruz, Veterans Empowered Through Technology, Gravity Water, and R3 Tiny Homes. Focusing on the areas of food, technology, water, and shelter, the festival will be a free all-ages event to highlight the potential of change when people come together. With an emphasis on education, the event will provide a safe space for communication and learning with The Rainbow Girls, Frogman, Boostive, and more.

Info: 11 a.m.-7 p.m. Saturday, May 6. San Lorenzo Park, 134 Dakota Ave., Santa Cruz. Free.

 

Friday 5/5 – Sunday 5/7

Dis/Connected Art Show

popouts1718-DIsconnectedAerialShowSmartphones and social media: for most people, it’s hard to imagine a day going by without them. This weekend the aerial performance company Aeraflux, will debut their newest show which deals with teen identity development and relationship-building in a world where smartphones and social media play an enormous role. Nine local women between ages 13 and 15 will perform the blend of acrobatic floorwork, hand balancing, and contemporary dance with aerial rope and trapeze. Allie Cooper, founder of Aeraflux, says, “This theme seemed so obviously relevant to explore with these young women, especially as they are entering their teenage years and learning to navigate their own social lives.”

Info: 7 p.m. Veteran’s Memorial Building, 846 Front St., Santa Cruz. dis-connected.bpt.me. $20-$25.

 

Saturday 5/6 – Sunday 5/7

Santa Cruz Symphony Verdi’s Requiem

Santa Cruz Symphony’s final program of the season will feature one of Giuseppe Verdi’s supreme masterpieces, the “Messa da Requiem” with soprano Michelle Bradley, mezzo-soprano Jennifer Johnson Cano, tenor Stuart Neill, and bass PeiXin Chen, under the direction of Cabrillo Symphonic Chorus director Cheryl Anderson. The Santa Cruz Symphony showcases world-renowned soloists and many vocalists from the Metropolitan Opera. During their season they perform 10 classical concerts from October and May, benefit concerts, and community outreach with in-class music listening programs.

Info: 2 & 7:30 p.m. Civic Auditorium, 307 Church St., Santa Cruz. Henry J Mello Center for the Performing Arts, 250 E Beach St., Santa Cruz. santacruztickets.com. $27-$57.

 

Saturday 5/6 – Sunday 5/7

17th Avenue Studios Spring Show

popouts1718-17th-ave-studiosEver wonder what goes on at Santa Cruz’s 17th Avenue Studios? Recently expanded to four buildings and providing the work space for more than 50 artists, the studio may be one of Santa Cruz’s best-kept artistic secrets. This weekend the studio throws open its doors to the public, with a sure-to-be special 17th annual Spring Show you’ll want to squeeze in between yard sales and farmers markets. Come hang out, purchase original fine art by a wide range of local artists, celebrate spring, and ogle the creatives in their natural habitat. Photo is of mixed-media works by 17th Avenue artist Roberta Lee Woods.

Info: 11 a.m.-5 p.m., Saturday and Sunday, May 6 and 7. 980 17th Avenue, Santa Cruz. (Across from Simpkins Swim Center.)

Opinion May 3, 2017

EDITOR’S NOTE

In 2015, Geoffrey Dunn and Kim Stoner wrote a cover story for GT about the three Hawaiian princes—David Kawananakoa, Edward Keliiahonui and Jonah Kuhio Kalaniana’ole—who came to Santa Cruz and gave locals, as reported in the press in July of 1885, “interesting exhibitions of surf-board swimming as practiced in their native islands.” Dunn and Stoner had been researching and writing about the importance of this moment in not just our local history, but the history of surfing in this country, for a long time, but this article in particular came out in conjunction with two of the redwood longboards the princes surfed that day returning to Santa Cruz as part of a MAH exhibit.

That issue of GT was hugely popular—people still bring it up to me—and the exhibit went on to be the MAH’s most successful ever. But Dunn and Stoner’s work on bringing attention to this previously overlooked part of Santa Cruz’s cultural history didn’t stop, and sometimes it manifests results in unexpected ways.

That’s where this week’s cover story comes in. Dunn writes about Kyle Gilmore, a man of Hawaiian decent who—through Dunn and Stoner’s work—discovered the story of the three princes and of Antoinette “Akoni” Swan, an immigrant of royal Hawaiian lineage who played a critical role in their story. That set in motion a visit by Gilmore to Swan’s grave, which he discovered remains unmarked despite her legacy. The effort on Gilmore’s part to right that wrong is at the heart of this piece about Swan’s legacy, and it’s a tribute to the power of cultural pride and to storytelling, as well.

STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Birth Happens

Matt Weir’s article “Born Free” (GT, 3/8) was an uplifting story about birth in Santa Cruz, and the timing was fortuitous. Kate [Bowland] is a member of our “Birth Happens in Santa Cruz County” project popping up May 19 at MAH’s Third Friday History Jam. We are examining newborn customs starting with the Ohlone people, birth places in Santa Cruz County, maternal outcomes, and birth attendants. We have been trading historical midwifery stories during our planning meetings. Kate’s dedication to preserve homebirth options gave everyone courage. Your editor, Steve Palopoli, was right: Kate is my “new Santa Cruz hero.”

The midwives continue to be cultural disruptors. From the Museum of Art & History’s website: “Learn about Santa Cruz’s birth history over the last 150 years, focusing on the limited recordings of births performed by midwives, with the Birth Happens in Santa Cruz County: Customs, Places, and Cultures project. Map out your birth place, share your story, and experience the different environments midwives have performed birthing practices.”

Elizabeth Yznaga, CNM, DNP | Santa Cruz

Leave Bikes at Home

In your mountain biking article (GT, 3/28), a bike group leader says, “We didn’t have enough legal trails to satisfy that [biking] user group.” How’s that stack up against the satisfaction of other “user groups”—like the birds and animals whose remaining habitats would be more and more fractured and overrun by additional bike-only trails in Pogonip? Or walkers who already anxiously hug the edges of existing trails in Wilder Ranch, and keep their children close, so they won’t be run down by the considerable minority of bikers who bomb down the hills at high speed? Mountain bikes should be kept out of Pogonip, and out of new parklands at Coast Dairies/Cotoni National Monument and San Vicente Redwoods. All people are, or will be, invited to visit and enjoy those places. Just leave the high-speed machines at home. There’s no more room for them.

Alexander Gaguine | Santa Cruz

Online Comments

Re: Mountain biking

With all the energy the MBoSC seems to have for expanding the number of new MB trails in Santa Cruz County, they would greatly improve their PR efforts if they were to concentrate on repairing the many eroded single-track hiking-only trails in Nisene Marks SP that have been illegally ridden by mountain bikers over the years. While they’re at it, they could also decommission the many illegal MB trails hacked into that forest. Calling the park’s deed restrictions “problematic” for mountain bikers is disingenuous. We are all stewards of the land, whether it’s located in a state, city, or county park. If one of the parks has a rule about bikes, we should all respect the rule.

— Liz

It always “pleases” me to see Celia Scott pontificate upon the importance of a “natural preserve,” and her blatant disregard for history as well as nature. The club house is going to shambles, trucks are allowed on the fire roads, homeless campers still abound in Pogonip. A biker, the root of all evil.

— Jesus la Primavera


PHOTO CONTEST WINNER

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

CLEAN SWEEP
Groups like the California Native Plant Society are always toiling with the invasive broom plant, trying to get it out of local greenspaces. Not to miss out on the fun, the Santa Cruz Water Department is having its own “Broom Bash” at the Loch Lomond Recreation Area, from 10 a.m. to 2 p.m. on Saturday, May 6. Volunteers will help pull as many French broom plants as possible before they go to seed. For more information, contact ar******@ci*************.com.


GOOD WORK

ROLL CREDIT
Some young filmmakers have something to put on their résumés, now that they’ve won cash from the Save Water Coalition, which awarded a total of $3,900 in prizes to nine teams. The coalition announced five first place winners in two categories—water conservation and pollution prevention—and two languages, English and Spanish. In a range of formats, the shorts cover themes like car-washing tips, as well as when and what to flush down the toilet. Visit watersavingtips.org to watch the videos.


QUOTE OF THE WEEK

“I am learning all the time. The tombstone will be my diploma.”

-Eartha Kitt

What’s your Santa Cruz crime story?

“I had a bike stolen right out of my garage. ”

Lauren Desylva

Felton
Importer

“I was jumped on Halloween as I walked with a beautiful woman dressed as Jesus. Three men rolled out of a car and attacked me, then jumped back in the car within two minutes.”

Colt Hayhurst

Santa Cruz
Music Teacher

“I worked for a store called Jabberwock seven years ago, and someone broke in and stole all the bongs and pipes overnight. ”

Anyah Ray

Santa Cruz
Self-Employed

“My car getting stolen. We found it 5 days later parked in a different place, and it was all screwed up.”

Evan Sandler

Former Santa Cruz resident
Artist

“I caught a rubber-surgical-glove-wearing burglar breaking into my house in the middle of the night. He claimed to the police that he was sleepwalking. They didn’t buy it. ”

Gene Manako

Santa Cruz
Networker

Film Review: ‘My Entire High School Sinking Into the Sea’

My Entire High School Sinking Into The Sea
Quirky animation has cheeky energy but falls short with old tropes and cheesy cartoons

Breakthrough Men’s Community Program Comes to Santa Cruz County

Longtime men’s education and support program helps men from all walks of life

Monterey Bay Youth Outdoor Day’s Thrilling Growth

After hiatus, event at county fairgrounds adds an extra day

Santa Cruz City Council Tries to Hack Homelessness

homelessness in Santa Cruz
Comprehensive homeless report takes a countywide look at reducing suffering

Behind the Scenes with Visionary Glass Artist Heather Matthews

Heather Matthews
Artist Heather Matthews of Heather Glass brings glass to life through etching and carving

Preview: Hod and the Helpers to play the Crepe Place

How the band has moved past And Hod toward bigger and better things

Bella Villa is an Elegant Date-Night Destination

Bella Villa Restaurant in Aptos
Authentic Italian and idyllic atmosphere in historic Aptos hotel

5 Things to Do in Santa Cruz This Week

Event highlights for the week of May 3, 2017

Opinion May 3, 2017

Plus Letters to the Editor

What’s your Santa Cruz crime story?

Local Talk for the week of May 3, 2017
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