This Man Bikes the Railroad Tracks. Can he do that?

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“Both of these have recorded hundreds of miles,” Nerf says with a jovial smile, trying to be reassuring as he tightens a few bolts to his homemade vehicle, along a rail corridor.

My face must be conveying an air of trepidation as I gawk at the strange contraption he suggests that I ride. He adds, “Women and children have ridden these, and no one has ever gotten hurt.”

Although it looks shaky, the rail bike is surprisingly sturdy. Nerf—who asked that we refer to him by his surf name—shows me how to shift gears. He makes sure I lean in a little, to keep it balanced. “Finally,” he adds, “make sure you do this,” as he gives the horn a couple of loud squeezes.

From his “rail bike,” Nerf is able to see a side of the coast most commuters never do.

At the front and back of his bikes—Nerf built two, using his welding skills and a little creativity—are wooden mounts that lock inline skate wheels on one rail. Aluminum support beams reach the opposite rail to help the quirky vehicle maintain balance and speed. He has two models, a recumbent version and a more traditional street bike, and estimates neither ride cost much more than $200 total to build.

The bikes glide over the rails with ease, smoothly carrying us from the Simpkins Family Swim Center to the harbor in minutes. Car commuters stare in fascination, and one pedestrian even hails us down to check out the bikes and take a short ride himself—a common occurrence, Nerf says.

Nerf first learned of the idea in the early 1980s, while reading an article about dentist Dick Smart, from Idaho, who had built his own rail bike.

“I thought, ‘I’ve got to meet this guy!’” Nerf remembers. “He was very open to what he was doing and gave me a ride.”

Although the ride with Smart was Nerf’s first rail bike experience, it was not his first time riding the rails. Born and raised in Sacramento, he attended college at UC Davis, where he swam and played on the water polo team. It was also where he began jumping freight cars with his teammates when the trains stopped outside of the college town. Unlike today, many of the freight cars were open, as they transported goods, often large items like cars and trucks, he recalls.

“You could throw a piece of cardboard in the back of a GM truck with a sleeping bag, jug of wine, and your girlfriend,” he says. Basically, that’s what he did. Nerf and Anna, his wife of 44 years, met as juniors at Davis and traveled throughout California and the Pacific Northwest by rail.

“My father-in-law once asked my wife what was her fondest memory, expecting her to say it was him making our wedding happen,” relates Nerf. “But instead she said, ‘Riding the freight trains with Nerf.’”

When it was time to settle down, he moved to an island on Puget Sound in Washington, where he worked as a furniture manufacturer representative for 30 years. Unfortunately, there were no train tracks in the area, so he pushed the memory of his first rail ride into the back of his mind.

It wasn’t until two years ago, when Nerf and his wife moved to Santa Cruz—where he’d spent summers surfing as a teenager—that the memory began to work its way back into his consciousness. He wanted to give it another go.

Obviously, coasting along the tracks on a specially built cycle is great fun. But is it allowed?

Unfortunately, although it’s common for Santa Cruzans to travel the corridor (pedestrians do it all the time), it isn’t actually legal, says Regional Transportation Commission spokesperson Karena Pushnik, via email.

“Until sections of the trail including associated buffers are constructed, pedestrian and bicycle access in the rail corridor is prohibited,” Pushnik says. “Similar to freeways and expressways, ownership of the rail corridor by a public agency does not equate to full multimodal public access.”

Plans for the Monterey Bay Sanctuary Scenic Trail (also called the Coastal Rail Trail) were adopted in 2013, and have gone through several hurdles to combine the 50 miles of track running through several coastal counties. Thirteen miles of the 32-mile Santa Cruz stretch have been funded in the last three years. Last year, two-thirds of Santa Cruz voters approved Measure D, the transportation legislation that also approved additional funding and direction for the Rail Trail. On May 4 the Regional Transportation Commission will review to approve the draft for the first five years of the Measure D plan. Trail Now and some critics of this path are pushing to have the tracks ripped up to make way for a wider trail.

Pushnik says that even though walking or riding the rails is currently illegal, that might not always be the case.

“A rail bike outfit from the East Coast is interested in operating in Santa Cruz, but at this time, there are no plans for this service,” she writes. “If and when it will be approved, operation would be regulated, safety measures enforced and rides would be grouped (not a free-for- all).”

There is a surprisingly long history of people riding rail bikes, or railroad velocipedes, as they were known back in the day. The origins date back to the late 1850s, shortly after the invention of the handcar—small hand-pumped vessels that wheeled up and down tracks, as seen in movies like Blazing Saddles or Oh Brother, Where Art Thou?. Such devices were essential for moving groups of rail workers from one end of the line to the other in a short amount of time.

Michigan farmer George Sheffield invented the first three-wheeled railroad velocipede in 1877. Getting tired of walking the tracks everyday, Sheffield came up with the idea of using both feet and hand cranks to move the vehicle. Two years later he applied for a patent. During most of the time in-between, he kept his invention secret from others, only riding it at night as he had no right to use the rails.

To this day, the solitude of rail biking can provide a certain peace of mind.

“There’s a wonderful solitude and meditation having that peace to yourself,” says Nerf. “Freedom—now there’s a great word.”

New Doc ‘What the Health’ Looks at Healthy Diet, Health Orgs

Bill Meade remembers the early days of filming a movie that would become What the Health, which has its Santa Cruz premiere at the Nick on Wednesday, May 17 at 7 p.m.

“When we started with it, we thought we were just going to get the latest thinking on health,” says Meade, an associate producer who lives in Santa Cruz County. The filmmakers spoke with more than a dozen doctors to pick their brains about healthy living, diet and new trends, he says, before then going to check in with some leaders in the healthcare industry. The filmmakers pretty much got the door slammed in their faces.

“If that’s where you want to go with this, I’m sorry—I can’t help you,” a white-haired man tells writer/director Kip Andersen, as the filmmaker confusedly looks down at his notes inside a corporate office in the movie’s trailer.

The filming process soon veered, and as much as anything, the documentary became one about the healthcare industry’s deep-pocketed, callous indifference to the problems that actually ail people, says Meade, who stimulated major fundraising and provided guidance for the project.

Among its many experts, What the Health—which currently has a 9/10 rating on IMDB—also features nutrition-based doctor Michael Klaper, who used to practice in Santa Cruz.

The film explores the rise of cancer, diabetes and other chronic diseases—as well as the roles of the pharmaceutical industry, major health organizations and big money.

“If there’s one concern I’ve heard about the film, it’s that it has so many facts in it, it can be overwhelming,” Meade says.

The film is being dubbed into three languages, as Anderson—co-director of 2014’s Cowspiracy: The Sustainability Secret—shops it around to independent film festivals. It’s currently streaming on Vimeo for $10, and the filmmakers’ goal is to get it on Netflix.

Meade, who’s been vegetarian for 40 years, says if ticket sales are strong enough, the May 17 showing could get moved to the Del Mar. The doc fits into Meade’s larger vision of getting people to see how their own health is connected to that of the planet.

“I try to help people understand the interconnectivity of life,” he says. “We tend to think that human beings are put on this earth just to live our lives. But we are connected to the earth, like tree roots going into the ground. There’s a boomerang effect and if we disrespect our world, it comes back to affect us with ocean pollution and pesticides. You really have to take care of everything jointly.”


“What the Health” will screen at the Nick at 7 p.m. on Wednesday, May 17. Tickets are $10. 

Music Picks May 3—9

 

WEDNESDAY 5/3

COUNTRY

SUNNY SWEENEY

Hearing about someone else’s troubles often makes us forget our own—or at least makes us realize that we’re not alone. The blues is built on this premise, and some of the best classic country music is a deep dive into an emotional gut punch the songwriter experienced. Texas native Sunny Sweeney takes this long-standing country tradition and runs with it. In her songs, she goes straight into the heart of heartache, cheating, divorce, despair and surviving it all. Her new album, Trophy, sees the artist going from the depths of despair to a new beginning. CJ

INFO: 8:30 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $10/adv, $15/door. 479-1854.

WEDNESDAY 5/3

ALT-COUNTRY

FUTUREBIRDS

In true Athens, Georgia fashion, Futurebirds mix southern roots music with weirdo psychedelic influences. Unlike some of the more famous Athens bands (R.E.M., B-52’s, Of Montreal), however, there’s a lot more country-rock than experimental wizardry. The group is liberal with its traditional roots influences, much in the way Neil Young has stayed true to the classic American sound, while simultaneously rewriting it. Like Young, the songs are internal, contemplative, and flushed out with a quiet emotional stirring that ripples with each successive listen. AARON CARNES

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $15. 335-2800.

THURSDAY 5/4

COSMIC COUNTRY

DOUGIE POOLE

In 2014, singer-songwriter Sturgill Simpson released Metamodern Sounds in Country Music, an album that confused country music fans and thrilled critics with its nontraditional subject matter—like tales of tripping on hallucinogens, which is definitely not your typical country music fodder. Singer-songwriter Dougie Poole carries on the tradition of breaking the mold of country music from the inside. He looks at human emotion and country sentiment through a high-tech lens, and explores beloved American traditions while also bringing to light the darker side of the country’s history. His latest offering, Wideass Highway, furthers Poole’s reimagining of country music, including a track Simpson might approve of titled “Tripping with the One You Love.” CJ

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $10. 429-6994.

FRIDAY 5/5

METAL

THE BAD LIGHT

Friday nights were made for letting your hair down, and this Friday there will be plenty of that at Blue Lagoon. Local stoner-blues metal trio the Bad Light will rip it up with smoothed-out guitar riffs, heavy beats—including the biggest kick bass drum in Santa Cruz—and the sweet blend of male and female vocals swirling around all the swampy, fuzzed-out licks. They will be sharing the stage with local, indie-synth-pop-indie-garage act Drevmers, along with Los Angeles “hip-hop and alt-rock” musicians Coolezy, and Spoken Nerd—a “satirical indie hip hop” act from Nashville. MAT WEIR

INFO: 9 p.m. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

FRIDAY 5/5

JAZZ

WOLFF-CLARK EXPEDITION

A relentlessly swinging quartet that brings together revered veterans and a rising young horn player, this ensemble is co-led by drummer Mike Clark, who earned enduring props from funk/jazz aficionados for his seminal work in the mid-1970s with Herbie Hancock’s Headhunters, and Berkeley-reared pianist Michael Wolff, a capaciously inventive player who cut his teeth with Cannonball Adderley. Buster Williams, a major force since the mid-1960s, is the rare bassist whose solos end too soon, and saxophonist Hailey Niswanger is the coltish upcomer thriving in this august company. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $25/adv, $30/door. 427-2227.

SATURDAY 5/6

HIP-HOP

KOOL A.D.

“I feel like Leonard Cohen,” Kool A.D. once rapped. “And I don’t even know if I can name a Leonard Cohen track/Is Leonard Cohen wack?” This is probably one of the least strange references Kool A.D. has ever spit on a track. During his time as part of Brooklyn rap crew Das Racist, he helped redefine how far out stream-of-consciousness “weed rap” could go. Since going solo, he’s released an album every month or two. Needless to say, his discography is mind-bogglingly massive, but strangely enough, it’s consistent. He remains one of the best lyricists working in hip-hop today. AC

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $8/adv, $12/door. 479-1854.

SATURDAY 5/6

COUNTRY

CASH’D OUT

Since 2005, Cash’d Out has covered Cash tunes so spectacularly they once had the honor of being the only tribute band endorsed by the official Johnny Cash website. What else can you expect from a band that’s won the “Best Tribute/Cover Band” six times from the San Diego Music Awards? So put on your cleanest dirty shirt, don’t take your guns to town, and be ready to walk the line with a band that will make fans happier than watching the Orange Blossom Express rollin’ down the tracks. MW

INFO: 8:30 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $12/adv, $15/door. 429-4135.

SUNDAY 5/7

POP/JAZZ

MARIA MULDAUR

In 1974, Maria Muldaur had a breakout hit with the song “Midnight at the Oasis.” It launched her into the public eye, garnered several Grammy nods and sealed her standing as a talented pop vocalist. But Muldaur didn’t stop at pop music. For the last 40-plus years she’s traversed folk music, bluegrass, blues, jazz, gospel, R&B and more in an exploration of the history of American music. On Sunday, Muldaur and special guest pianist John R. Burr head to Felton for “Jazzabelle,” which is being touted as an “intimate evening of naughty bawdy blues and vintage classic jazz.” CJ

INFO: 7 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $20. 335-2800.

SUNDAY 5/7

ROCK

JAMES MCCARTNEY

Remember when Paul McCartney sang a song to John Lennon’s son and it became a No. 1 hit single? (That’s “Hey Jude,” if you’ve been living under a rock.) We’ve heard plenty from Lennon’s musically minded kids over the years, but what about McCartney’s own flesh and blood? James McCartney, the only son of Paul and Linda McCartney, has been contributing to his parents’ albums since the ’90s, but started recording his own records less than a decade ago. His music is a bit harder-edged than his dad’s, and he sings at a higher register. AC

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.


IN THE QUEUE

LIBERATION MOVEMENT AND DOGON LIGHTS

“Genre-bending, multi-cultural shamanic music.” Thursday at Moe’s Alley

VAN GOAT

Bay Area fusion of swing, surf and funk. Friday at Crepe Place

CROOKED BRANCHES

Santa Cruz-based folk and roots outfit. Saturday at Don Quixote’s

CURRENT SWELL

Indie-rock out of Victoria, British Columbia. Sunday at Catalyst

DEVIN THE DUDE

Dallas-based hip-hop artist. Tuesday at Catalyst

Giveaway: Robin Trower

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British guitar legend Robin Trower took a winding road to pop stardom, first playing with London R&B group the Paramounts before joining rock band Procol Harum, just as they peaked with the global smash hit “A Whiter Shade of Pale.” Eventually, Trower left the band to broaden his musical horizons as a solo artist. His sophomore solo release, 1974’s Bridge of Sighs, drew numerous comparisons to the music of Jimi Hendrix and catapulted Trower to the top of the pop charts. He’s since released dozens of albums, including 2016’s Where You Are Going To.


INFO: 8 p.m. Wednesday, May 24. Catalyst, 1011 Pacific Ave., Santa Cruz. $37.50/adv, $43/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Wednesday, May 17 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Tired

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The members of local grindcore/powerviolence trio Tired want people to know that just because most of their songs are a minute long, it doesn’t mean they aren’t packed with talent, intensity and a lot of heart.

“I feel like it’s one of those styles of music you stumble across as a kid like, ‘What the fuck is this?’” says guitarist Sam Samson. “I always just assumed it’s easy to play because it’s super fast and sounds like nonsense on guitar, but it’s super technical.”

Formed a year ago by Samson (who is also in Stone Sloth), drummer Colby Metzger (of Gloam) and singer Taylor Fish (ex-Moirai), they originally thought the new project would be temporary.

“The idea was to start a three-month grindcore band,” remembers Fish. “But then we kept getting more and more shows within nine months.”

Within those nine months, they played countless shows and recorded two EPs, Ennui (12 songs for a total of eight and a half minutes) and Created Broken (10 songs, also at eight and a half minutes). Unlike other grindcore and powerviolence bands that often take themselves so seriously that it borders on the ridiculous, Tired has never lost its sense of humor. Before landing on Tired, they went through several name changes—even taking up Third Eye Grind, a pun on radio pop band Third Eye Blind. While the name didn’t stick, they still perform “I Wish You Would Jump From That Ledge My Friend,” another reference to the ’90s band.

“We got asked by someone to play a Suicide Prevention show in town,” Metzger says with an ironic chuckle. “We just thought, ‘Dude, bad choice.’”

The band is furiously at work on new songs to record for a Bay Area band compilation, as well as for a split album with Oakland hardcore act Torture Method.

“Past that, the plan is to work on an album,” says Metzger. “Which, you know, will only be 15 to 20 minutes. After all, it is grind.”


INFO: 6 p.m. Monday, May 15. Caffe Pergolesi, 418 Cedar St., Santa Cruz. Free/Donations at door. 426-1775.

Rob Brezsny’s Astrology May 3—9

 

ARIES (March 21-April 19): Beware of feeling sorry for sharks that yell for help. Beware of trusting coyotes that act like sheep and sheep that act like coyotes. Beware of nibbling food from jars whose contents are different from what their labels suggest. But wait! “Beware” is not my only message for you. I have these additional announcements: Welcome interlopers if they’re humble and look you in the eyes. Learn all you can from predators and pretenders without imitating them. Take advantage of any change that’s set in motion by agitators who shake up the status quo, even if you don’t like them.

 

TAURUS (April 20-May 20): When poet Wislawa Szymborska delivered her speech for winning the Nobel Prize, she said that “whatever else we might think of this world—it is astonishing.” She added that for a poet, there really is no such thing as the “ordinary world,” “ordinary life,” and “the ordinary course of events.” In fact, “Nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone’s existence in this world.” I offer you her thoughts, Taurus, because I believe that in the next two weeks you will have an extraordinary potential to feel and act on these truths. You are hereby granted a license to be astonished on a regular basis.

 

GEMINI (May 21-June 20): Would you consider enrolling in my Self-Pity Seminar? If so, you would learn that obsessing on self-pity is a means to an end, not a morass to get lost in. You would feel sorry for yourself for brief, intense periods so that you could feel proud and brave the rest of the time. For a given period—let’s say three days—you would indulge and indulge and indulge in self-pity until you entirely exhausted that emotion. Then you’d be free to engage in an orgy of self-healing, self-nurturing, and self-celebration. Ready to get started? Ruminate about the ways that people don’t fully appreciate you.

 

CANCER (June 21-July 22): In a typical conversation, most of us utter too many “uhs,” “likes,” “I means,” and “you knows.” I mean, I’m sure that . . . uh . . . you’ll agree that, like, what’s the purpose of, you know, all that pointless noise? But I have some good news to deliver about your personal use of language in the coming weeks, Cancerian. According to my reading of the astrological omens, you’ll have the potential to dramatically lower your reliance on needless filler. But wait, there’s more: Clear thinking and precise speech just might be your superpowers. As a result, your powers of persuasion should intensify. Your ability to advocate for your favorite causes may zoom.

 

LEO (July 23-Aug. 22): In 1668, England named John Dryden its first Poet Laureate. His literary influence was so monumental that the era in which he published was known as the Age of Dryden. Twentieth-century poetry great T. S. Eliot said he was “the ancestor of nearly all that is best in the poetry of the 18th century.” Curiously, Dryden had a low opinion of Shakespeare. “Scarcely intelligible,” he called the Bard, adding, “His whole style is so pestered with figurative expressions that it is as affected as it is coarse.” I foresee a comparable clash of titans in your sphere, Leo. Two major influences may fight it out for supremacy. One embodiment of beauty may be in competition with another. One powerful and persuasive force could oppose another. What will your role be? Mediator? Judge? Neutral observer? Whatever it is, be cagey.

 

VIRGO (Aug. 23-Sept. 22): Just this once, and for a limited time only, you have cosmic clearance to load up on sugary treats, leave an empty beer can in the woods, watch stupid TV shows, and act uncool in front of the Beautiful People. Why? Because being totally well-behaved and perfectly composed and strictly pure would compromise your mental health more than being naughty. Besides, if you want to figure out what you are on the road to becoming, you will need to know more about what you’re not.

 

LIBRA (Sept. 23-Oct. 22): In addition to fashion tips, advice for the broken-hearted, midlife-crisis support, and career counseling, I sometimes provide you with more mystical help. Like now. So if you need nuts-and-bolts guidance, I hope you’ll have the sense to read a more down-to-earth horoscope. What I want to tell you is that the metaphor of resurrection is your featured theme. You should assume that it’s somehow the answer to every question. Rejoice in the knowledge that although a part of you has died, it will be reborn in a fresh guise.

 

SCORPIO (Oct. 23-Nov. 21): “Are you ready for the genie’s favors? Don’t rub the magic lamp unless you are.” That’s the message I saw on an Instagram meme. I immediately thought of you. The truth is that up until recently, you have not been fully prepared for the useful but demanding gifts the genie could offer you. You haven’t had the self-mastery necessary to use the gifts as they’re meant to be used, and therefore they were a bit dangerous to you. But that situation has changed. Although you may still not be fully primed, you’re as ready as you can be. That’s why I say: RUB THE MAGIC LAMP!

 

SAGITTARIUS (Nov. 22-Dec. 21): You may have heard the exhortation “Follow your bliss!”, which was popularized by mythologist Joseph Campbell. After studying the archetypal stories of many cultures throughout history, he concluded that it was the most important principle driving the success of most heroes. Here’s another way to say it: Identify the job or activity that deeply excites you, and find a way to make it the center of your life. In his later years, Campbell worried that too many people had misinterpreted “Follow your bliss” to mean “Do what comes easily.” That’s all wrong, he said. Anything worth doing takes work and struggle. “Maybe I should have said, ‘Follow your blisters,’” he laughed. I bring this up, Sagittarius, because you are now in an intense “Follow your blisters” phase of following your bliss.

 

CAPRICORN (Dec. 22-Jan. 19): The versatile artist Melvin Van Peebles has enjoyed working as a filmmaker, screenwriter, actor, composer, and novelist. One of his more recent efforts was a collaboration with the experimental band the Heliocentrics. Together they created a science-fiction-themed spoken-word poetry album titled The Last Transmission. Peebles told NPR, “I haven’t had so much fun with clothes on in years.” If I’m reading the planetary omens correctly Capricorn, you’re either experiencing that level of fun, or will soon be doing so.

 

AQUARIUS (Jan. 20-Feb. 18): In what ways do you most resemble your mother? Now is a good time to take inventory. Once you identify any mom-like qualities that tend to limit your freedom or lead you away from your dreams, devise a plan to transform them. You may never be able to defuse them entirely, but there’s a lot you can do to minimize the mischief they cause. Be calm but calculating in setting your intention, Aquarius! P.S.: In the course of your inventory, you may also find there are ways you are like your mother that are of great value to you. Is there anything you could do to more fully develop their potential?

 

PISCES (Feb. 19-March 20): “We are what we imagine,” writes Piscean author N. Scott Momaday. “Our very existence consists in our imagination of ourselves. Our best destiny is to imagine who and what we are. The greatest tragedy that can befall us is to go unimagined.” Let’s make this passage your inspirational keynote for the coming weeks. It’s a perfect time to realize how much power you have to create yourself through the intelligent and purposeful use of your vivid imagination. (P.S. Here’s a further tip, this time from Cher: “All of us invent ourselves. Some of us just have more imagination than others.”)

 

Homework: Which of your dead ancestors would you most like to talk to? Imagine a conversation with one of them.

 

Preparing for Wesak—the Buddha Full Moon Festival

This Wednesday Mercury becomes stationary direct. It takes Mercury three days to begin to turn around and move forward. As Mercury moves slowly forward, the New Group of World Servers, women and men of Goodwill everywhere in the world, along with great cosmic beings, prepare in silence and contemplation, for next Wednesday’s (May 10) Wesak Festival.

The yearly Wesak Festival is a consecrated time in which the Buddha enters the Earth plane (for eight minutes) and distributes the Will of God the Father to humanity. In this most important Eastern festival the Buddha brings with him the Wisdom, Knowledge and Insight (Taurus enlightenment) humanity seeks.  

The festival is actually seven days long—three days before (days of preparation), the festival day (Day of Dedication and Blessing) and three days after (Days of Safeguarding).

The Wesak (Water Festival, the “waters of life for thirsty humanity”) is a time of deep concentrated effort to bring illumination and wisdom to humanity. Everyone aware of this festival is striving and in service, preparing to become transmitters for the Taurus light-filled energies released into the world during the actual Full Moon days. Meditation and visualization are a part of this process.

The Wesak festival is held in a hidden valley in the Himalayas. Special ceremonies (ritual movements, chanting, blessing and distributing of waters) occur in order to contact Shamballa (the Father’s House where the Will of God is known). From the light of this contact inspiration illumines the mind of humanity. At the moment of the full moon, after much preparation we inform the Buddha, “We are ready, Lord Buddha. Come!” (more on the festival next week, at nightlightnews.org and on my Facebook page.)  


ARIES: Something’s (everything about you) exalted, there’s an abundance of physical and emotional energy. Your moods swing into a rhythm following the stars. You seek to understand, then protect values, possessions, and you are tenacious, like a Taurus. Although fluctuating, financially you’re prosperous. You feel sentimental, kind and loving. You wonder about your new self.

TAURUS: Watching you these days we see activity, forcefulness, courage, leadership. You’re free and independent, always led by imagination and vision. Your creativity asserts itself everywhere. Enlightenment is your purpose. Nothing obstructs this, not even close relationships. You pioneer new enterprises. You say you found your path and need no one (or so it seems). Yes you do.

GEMINI: You move into a reflective phase, becoming more sensitive to the needs of others. At times, you will be drawn into the mysterious and mystical through prayer, and to the occult through meditation and visualizations. What are you reading these days? It is good to stay behind the scenes, study things like forgiveness, apocatastasis (a Greek word) taught by St. Gregory of Nyssa. What does it mean? The world this week is being sanctified. Where is your crystal bowl?

CANCER: Enlightenment this week and month come through family, social groups, friendships, organizations and/or communities seeking to reform and revolutionize society. You will ask what are the collective objectives as you define future hopes and wishes. If they are not practical you will make them so. New ideas become ideals, illuminating your mind. You have a muse.

LEO: You seek enlightenment and illumination of thoughts through achievement in the world. Concerned with reputation, honor, recognition and fame, you learn how to influence others and be an enlightened intelligent loving authority. Assuming more responsibilities helps you learn how to lead with both power and love. When one is without the other, leadership is hollow. Leaders learn through suffering.

VIRGO: Your high ideals seek justice for everyone. You attempt to remove the blindfold from the eyes of Lady justice. You aspire for more education, deeper consciousness and true wisdom. You want to expand your mind through travel, religion or philosophical endeavors. Few see your spirit of adventure. Find and carve out of redwood or willow, oak or cypress, a sacred staff.

LIBRA: You look to others, seeing how they live their deepest values. You contemplate aspects of death and regeneration. You see the phoenix-like qualities found in those with great courage. You seek a deeper level of intimacy with the mysteries. Some Librans enter into detective work, diagnosing mysteries. You will engage in conflict for the purpose of creating greater harmony. Many won’t understand. Carry on.

SCORPIO: Enlightenment comes through seeing partners, intimates and those close to you with new eyes. Eyes not of judgment but of unconditional patience, love and understanding. You will find harmony through cooperation, balance through diplomacy, and peace through negotiation. This sounds like the United Nations, which is also Scorpio. The Great One is always knocking on the door of the U.N. And your heart, too.

SAGITTARIUS: You will enlighten and illumine others, just like the Buddha would, by being practical, neutral and always seeking wisdom; by tending to necessities (personal and professional); by assisting and serving others, which creates a holy order of things; by tending with composure to daily health and details of daily life. All with a neutral attitude. Then you walk the razor’s edge gracefully.

CAPRICORN: You’re often very dignified, and more so this month as the Buddha’s blessings shower upon all of us. Your dignity allows others to see you as noble, poised, self-possessed. You’re also creative, expressive and very entertaining (very funny sometimes), dramatic (in a good way), romantic (hidden) and playful. If anyone acts proud of themselves, praise them. They will find your response remarkable. You understand pride.

AQUARIUS: Enlightenment occurs this month through family, acknowledging the foundation of your life and how you’ve adapted, embraced and understand early learnings. As you grew you sought new sources of happiness. Where are your loyalties now? Nurture and shelter your origins. Give thanks for your early years. They refined the goodness you experience within yourself now. Build your home on these.

PISCES: Perceptions are heightened concerning the environments you find yourself in. You seek to improve and enlighten them. This provides you with tasks and purpose, two things you need in order to feel comfort and a sense of beauty. Contact siblings, close friends, walk through neighborhoods, take short trips and listen to kirtan, learn Sanskrit. Draw the Diamond Sutra. This way you reach into the Light.

Film Review: ‘Their Finest’

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OK, I’m a sucker for movies about writers. And it’s not an easy subject to get right on screen, since there’s nothing too cinematic about watching somebody tapping away at a keyboard. But a canny filmmaker can make the spark of the creative process visible by showing a pool of writers pinging ideas off of each other, or escalate drama in a succession of ever more ridiculous demands imposed on the writers by whoever is in charge of their project. Oh, and a little romance never hurts.

Lone Scherfig is a very canny director. And she and scriptwriter Gaby Chiappe manage to craft a smart, entertaining femme-centric movie about writers and writing in Their Finest, using all of the above storytelling techniques. Set in London in 1940, during the Blitz, the story concerns the efforts of a film crew to make a morale-boosting epic to help the war effort. The mood is witty, urbane, and irreverent, but it’s not exactly a lighthearted romp, with the specter of death and destruction always just around the corner.

Adapted from the Lissa Evans novel Their Finest Hour and a Half (which is a pretty funny title, right there), it’s the story of young Welshwoman Catrin Cole (Gemma Arterton), who arrives in London with her artist husband, Ellis (Jack Huston). The dismal canvases he paints are considered “too brutal” to be used in the war effort, so Catrin goes for a job interview at the Ministry of Information: Film Division, for what she thinks is a secretarial position. But because she’s done some advertising copywriting, she’s assigned to the scriptwriting unit.

Her new boss, Swain (the ever-droll Richard E. Grant), produces films about the war at home, and they need somebody to inject the “female viewpoint” into their pictures. Of course, Catrin is told, “we can’t pay you as much as the chaps” in the scriptwriting pool, but they need her to write what one of her new co-writers, Buckley, calls “the slop”—i.e. women’s dialogue.

Young and able-bodied, the acerbic Buckley (Sam Claflin) was called up to fight, but it was decided he’d be much more useful behind a typewriter than a gun; despite his own irreverence, he has an unerring gift for heart-tugging without bathos—leading to the required “morally clear, romantically satisfying” conclusion. After first assigning Catrin the most inaccessible desk in the office, he soon becomes her mentor.

Catrin interviews twin sisters who set out in their dad’s fishing boat to join the evacuation at Dunkirk, which the producers want to make as their next film. The real story proves to be disappointing, but the writers frame it as true to the spirit of the times, if not to actual facts. As Catrin, Buckley, and colleague Parfitt (Paul Ritter) hammer it out at their adjoining typewriters, Scherfig includes snippets from the movie-to-be playing onscreen as the writers dream up each scene.

Meanwhile, Scherfig’s film percolates with acutely funny dialogue and situations. The producers impose insane demands on the writers—like adding a Yank to the story to appeal to the U.S. market, played by an American-born RAF pilot who can’t act (Jake Lacy). The wonderful Bill Nighy plays an aging ex-matinee idol whose part in the script is deepened by Catrin and Buckley in exchange for him giving the Yank acting pointers.

Jeremy Irons has one funny scene as the Secretary of War trying to inspire the team by reciting the St. Crispin’s Day speech from Henry V. Rachael Stirling is great as a trousered production liaison calling herself “Phyl” with a particularly adversarial relationship to Buckley. He doesn’t mind her sexual orientation (nobody does), but he thinks she’s a “spy” for Swain; she says Buckley was “spawned spontaneously in a pub out of the sawdust.”

Like the fictional filmmakers it portrays, Their Finest realizes it may not be able to achieve all of its conflicting objectives, as the bombs rain down around them. But Scherfig’s film continues to engage and surprise us with its wit, skill, and heartfelt emotion.


THEIR FINEST

*** 1/2 (out of four)

With Gemma Arterton, Bill Nighy, Sam Claflin, Richard E Grant, and Rachael Stirling. Written by Gaby Chiappe. Directed by Lone Scherfig. A EuropaCorp USA release. Rated R. 117 minutes

 

In Defense of Santa Cruz’s Vibrant Culinary Scene

On April 13, the San Francisco Chronicle published an article by Carolyn Jung on the state of the Santa Cruz culinary scene, and her lackluster assertions rubbed me the wrong way. The article, headlined “Santa Cruz Dining Scene Shakes Off Its College Town Image,” leaned heavily on the input of local cookbook author Andrea Nguyen, but didn’t accurately reflect the dining scene or its history, and neglected many of the major players.

Jung began by claiming that in Santa Cruz, “the dining landscape was dominated by the frozen, the fried and far too flabby clam chowders”—a frustratingly narrow vantage point from which to frame the rest of the article. Santa Cruz County boasts a $1.5 billion agriculture industry, and at least one farmers market is available every day of the week during the summer months. Those ingredients aren’t just going into home kitchens; I frequently run into chefs while grabbing my own groceries.

Nguyen credits Kendra Baker and the opening of the Penny Ice Creamery in 2010 for “invigorating the area.” Not to dismiss Baker’s positive influence, but featuring her alone glosses over a long history of restaurants and chefs. India Joze, La Posta, Soif, Oswald, the now-closed Theo’s, Gabriella Cafe, Ristorante Avanti and Lillian’s are just a few of the restaurants that celebrate our local bounty with flair. More recently, the wave of pop-up restaurants represents the type of adventurous risk-taking that is a sign of a thriving culinary scene.

For Nguyen and Jung, “the breadth of dining” in Santa Cruz is showcased through Earth Belly, Mutari, Shun Feng, East End Gastropub, Jaguar and Home. These are indeed some of the area’s best, but it’s an oddly incomplete list at best, and it’s perplexing that after crediting Baker with advancing the scene they fail to include her and business partner Zach Davis’ fine-dining establishment, Assembly.

There’s no mention of Santa Cruz County’s dozens of fine wineries, high-caliber craft breweries or hundreds of excellent local food and beverage artisans. Santa Cruz-based traveling dinner series Outstanding in the Field, for example, was a leader in the farm-to-table movement more than a decade ago, and still is today.

It’s not easy to capture what makes a dining scene special in a single article—I struggle to be able to cover everything here even with this column—and in the end, Jung sold our culinary community short. Misrepresenting what’s available in Santa Cruz to millions of readers throughout the Bay Area benefits no one, and especially not local restaurants that rely on having a slice of our $700 million tourism pie.

A Food-Friendly Pinot From Lucia Highlands

The Lucia Highlands 2015 Pinot Noir, with grapes from Fogstone Vineyard in the Santa Lucia Highlands, is a delicious spicy wine with an abundance of fruit notes. After a vibrant impact on the palate, it’s followed by a pleasing earthy sensation and a touch of vanilla. Silky tannins and bold flavors of red fruit are layered in this lovely Pinot—a very drinkable red which pairs well with most meat. But with its lightness of body, it would also pair with fish.  

Lucia Highlands Pinot Noir and Chardonnay can be found in local stores such as Deluxe Foods of Aptos (where it sells for $30), The Fish Lady, and Seascape Foods, as well as restaurants such as Bittersweet Bistro in Aptos and Britannia Arms in Capitola. The Rootstock Wine Bar in Los Gatos also carries Lucia Highlands’ wines.

Lucia Highlands does not have a tasting room because they primarily grow grapes for other wineries.


Spring Wine Walk

Downtown Santa Cruz hosts a Wine Walk from 2-5 p.m. on Sunday, May 7. Enjoy tastings while strolling through some of your favorite downtown shops. Check-in starts at 1:30 p.m. at Soif Wine Bar & Merchants, 105 Walnut Ave. for your pass and your glass—and a map of the pouring locations. Tickets are $40 in advance and $45 the day of event. Visit downtownsantacruz.com for more info.


Chaminade Farm-to-Table Dinners

The first in the summer series of farm-to-table wine dinners at Chaminade Resort & Spa is coming up on Friday, May 12. Enjoy a five-course meal paired with local wines. Reception is at 6 p.m. and dinner at 6:30 p.m. These dinners are upbeat and fun—served outdoors with food and wine in abundance. Cost is $110 per person all inclusive. Other dates are June 9, July 7 (reception at 6:30 p.m. and dinner at 7 p.m.), Aug. 11, Sept. 15 and Oct. 20. Visit chaminade.com for info and reservations.


“Winesday” at Shadowbrook

Shadowbrook Restaurant continues with its “Winesday”—5-9 p.m. every Wednesday until the end of May—with free hors d’oeuvres and discounted wine. Shadowbrook Restaurant, 1750 Wharf Road, Capitola, 475-1511. shadowbrook-capitola.com.

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Film Review: ‘Their Finest’

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