When friends come to town, where do you take them?

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“Big Basin State Park. ”

Josh Pearlman

Santa Cruz
Business Owner

“Monty’s Log Cabin, Henry Cowell State Park, and Ulterior above Motiv. ”

Lauren Yurkovich

Santa Cruz
High School Teacher

“Delaveaga Disc Golf Course.”

Jason Hamm

Santa Cruz
Solar Technician

“Its Beach. ”

Jillian Steinberger

Santa Cruz
Regenerative Landscaper

“Seabright Beach, hikes in Wilder Ranch, mountain biking, and the climbing gym.”

Dianna Baetscher

Santa Cruz
Graduate Student

Music Picks Jan 11—17

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WEDNESDAY 1/11

AMERICANA

BRYAN SUTTON BAND

Bluegrass is often about tradition. But sometimes, it’s about giving a middle finger to what came before. That’s where Bryan Sutton stands apart. You could say he’s a “new traditionalist.” He’s a student of the classic bluegrass techniques, clearly paying tribute to what paved the way. But his music doesn’t sound old. He’s a phenomenal player, long a sought-after sideman in Nashville’s competitive session musician scene. Now he’s creating something of his own, and man, it’s worth checking out. AARON CARNES

INFO: 8 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $15/adv, $20/door. 479-1854.

 

THURSDAY 1/12

JAZZ

JOHN HANRAHAN QUARTET

A veteran of the creatively fecund Chicago jazz scene, Santa Cruz-based drummer John Hanrahan has made a strong impression in the area with his quartet’s galvanizing performances of John Coltrane’s prayerful masterpiece A Love Supreme. He gets an early start celebrating the golden anniversary of an epochal musical year with “Sounds from ’67—Miles to McCoy, Jimi to The Beatles,” a program celebrating some of the recordings that defined a transitional era, as rock embraced psychedelia and jazz musicians explored new structures and forms. Featuring saxophonist Jay Moynihan, pianist Brother John Kattke, and bassist Chris Bernhardt, Hanrahan’s quartet is a formidable unit capable of putting a personal stamp on compositions defined by iconic performances. ANDREW GILBERT

INFO: 7 p.m. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $15/adv, $20/door. 427-2227.

 

FRIDAY 1/13

ROOTS

DEAD WINTER CARPENTERS

The Lake Tahoe area has a small but thriving music scene, and one of its standout bands is Dead Winter Carpenters, a rootsy outfit that blends elements of Americana, progressive bluegrass and country with indie sensibilities and a touch of California psychedelic rock. The band has a reputation for high-energy performances that appeal to folkies and indie hipsters alike, and has been credited with helping to redefine string music. CAT JOHNSON

INFO: 8 p.m. Don Quixote’s, 6275 Hwy. 9, Felton. $10. 335-2800.

GYPSY ROCK &  AMERICANA

DIEGO’S UMBRELLA AND THE SAM CHASE

San Francisco band Diego’s Umbrella blends traditional Eastern European sounds with traces of flamenco, ska, and polka, for what can only be described as “gypsy music.” Over a decade of international touring has given the band a refined sound, but each performance boasts the youthful energy of a sweaty punk rock pit, featuring a robust percussion section and ample accordion—if you’ve been craving an opportunity to enthusiastically make a fool of yourself on the dance floor, this is it. Sharing the bill is fellow San Francisco native Sam Chase, with his six-piece band the Untraditional. Chase’s powerful voice and dynamic range makes a compelling vessel for his emotional Americana music. Lyrical themes involve whiskey, women, and journeys through the great unknown. KATIE SMALL

INFO: 9 p.m. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $12/adv, $15/door. 479-1854.

SKA-PUNK

VOODOO GLOW SKULLS

On Voodoo Glow Skulls’ second album, Firme, released in 1995, the group recorded a song in Spanish called “El Coo Cooi”—“Boogeyman.” The ska-punk ensemble then re-recorded the whole record in Spanish, at a time when that was pretty much unheard of in the scene. Now, there are Spanish (or Spanglish) bands in the U.S. playing every alternative style imaginable. Voodoos’ Spanish record even predates Ozomatli. All that aside, Voodoo is a phenomenal high-energy ska-punk band that has carved out a sound unlike any of their ’90s ska-punk peers: lots of distortion, shouting hardcore vocals, and bright, chirpy brass. AC

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $13/adv, $15/door. 429-4135.

NEW MUSIC

JACK QUARTET

Hailed as one of the best new music string quartets, the JACK Quartet has established itself as a standout of the contemporary classical music scene. On Friday, the quartet collaborates with local contemporary gamelan group Lightbulb Ensemble on three new pieces, plus a performance of local composer Brian Baumbusch’s piece “Hydrogen(2)Oxygen” from October 2015. For fans of the Cabrillo Festival of Contemporary Music, this performance offers a another opportunity to see a world-class new music in our own backyard. CJ

INFO: 8 p.m. Peace United Church of Christ, 900 High St., Santa Cruz. $8/students, $20/gen. More info: indexical.org.

 

FRIDAY 1/13 AND SATURDAY 1/14

REGGAE

IRATION

Alternative rock meets reggae in Iration, a five-piece collective formed in 2006. Four of the five members grew up together in Hawaii, before reconnecting in Santa Barbara, where they got their start playing college parties at Cal Poly SLO, Chico State and UC Davis. Iration is hailed as the leading group in the subgenre of “sunshine reggae”—reggae with tropical vibes. Back in Santa Cruz by popular demand, the group will headline two nights at the Catalyst, joined onstage by Protoje, a Jamaican singer/songwriter who combines his unique hip-hop lyrical style with reggae and dub beats, backed by his band the Indiggnation. KS

INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $27.50. 429-4135.

 

SATURDAY 1/14

FUNK

SWEET PLOT

You say you’re not going to make any New Year’s resolutions this year, but we both know you will. So, when you get to mid-January and you’re already back to overeating, overdrinking, and over-whatever else you shouldn’t be doing, don’t just mope about it. Get out and dance your blues away; Sweet Plot’s funkified Southern rock will get you in the right state of mind. AC

INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

 

TUESDAY 1/17

FOLK

JOHN MCCUTCHEON

Singer-songwriter John McCutcheon is a master of the hammered dulcimer, but he doesn’t stop there. A longstanding favorite of folkies, McCutcheon is a celebrated multi-instrumentalist—Johnny Cash called him “the most impressive instrumentalist I’ve ever heard,”—whose skillset extends to guitar, banjo, autoharp, fiddle, jaw harp and more. Described as more of an author than a journalist, McCutcheon brings the stories of everyday people to life through his songs and entertaining storytelling. CJ

INFO: 7:30 p.m. Resource Center for Nonviolence, 612 Ocean St., Santa Cruz. $18-$35. 423-1626.


IN THE QUEUE

DAVE STAMEY

Award-winning, cowboy singer-songwriter. Thursday at Don Quixote’s

PRXSM

Electro synth-pop out of Los Angeles. Thursday at Catalyst

SAMBADÁ

Santa Cruz’s favorite Afro-Brazilian party band. Saturday at Moe’s Alley

SLESS, SEARS, MOLO, BARRACO & SKENE

Jam band supergroup. Sunday at Don Quixote’s

ROBB BANKS

Florida-based rapper with a penchant for R&B and anime. Monday at Catalyst

Inauguration Sparks Women’s Marches and Strikes Across the Country

For many of the 73,648,823—53.9 percent—of Americans who voted against Donald Trump, his approaching inauguration on Jan. 20 looms like a national disaster. It’s one that began long before last year’s presidential election, though. One telling sign: more than 90 million registered voters, or 40 percent, didn’t vote at all.

But if it seemed like an overwhelming number of Americans spent the last year quibbling and ranting on social media, or cowering in the blue light of their TVs each night in disbelief—well, that’s definitely changing. Americans are coming together, and Inauguration Day has become a rallying point, especially for women, who are preparing to march locally, in Washington D.C. and in cities across the U.S. and abroad. While some of them are new to activism, many are saying this is only the beginning. And maybe it’s what we needed all along.

 

Why We March

Under the broad theme of  “women’s rights are human rights,” the reasons women are taking to the streets on Trump’s first days in office span everything from basic respect, honesty and decency, to health care, education and religious freedom to the protection of undocumented citizens, LGBTQ rights, and the environment.

Locally, the Women’s March Santa Cruz County begins at 1:30 p.m. on Saturday, Jan. 21 at City Hall, with a speech by former Watsonville mayor Karina Cervantez Alejo, taiko drummers and more, before making its way toward Louden Nelson Community Center for an afternoon of music by Tammi Brown, and the Coffis Brothers, speakers including John Laird of the California Natural Resources Agency and MariaElena De La Garza of the Community Action Board, and tabling by 20 nonprofits, including Planned Parenthood and the Reproductive Rights Network. Watsonville residents will meet at the Plaza at 11 a.m. to make signs and organize carpooling to Santa Cruz City Hall.

Organized by seven local women, Santa Cruz County’s march is one of at least 200 U.S. cities (including 11 in California) marching in solidarity with the Women’s March on Washington, as well as at least 50 marches in nearly 30 other countries, including the largest sister march of them all, the Women’s March on London.

“I think, personally, for quite a few of us from Watsonville, we felt that it was really important for us to stay local and to come together with like-minded individuals from our county to build those relationships and continue the work and provide support to different communities,” says Watsonville Planning Commissioner Jenny Sarmiento, who is organizing Watsonville’s participation in the march. “I think it’s really a time for us, for North and South County, to come together because we have the same goals. We want our families, our kids and grandkids to prosper.”

The former CEO for nonprofit agency Pajaro Valley Prevention and Student Assistance (PVPSA), Sarmiento says that since retiring two years ago, she has become more civic-minded and politically involved. She’s marching for mental health services, which she says are seeing a rise in demand across the board for many ethnic groups, and that first-generation immigrants often don’t know how to access certain social services.

“And, of course, immigration is a big issue, because we have such a mix of documented and undocumented residents in Watsonville, so we want to make sure that families are not torn apart by the new administration,” Sarmiento says.

Nobody knows how Trump’s plans for mass deportation will manifest, though throughout his campaign he railed against sanctuary cities—a status Santa Cruz adopted in 1985—threatening to defund them. Santa Cruz has joined at least 18 major sanctuary cities who have pledged to limit their cooperation with federal immigration officials, drafting a “Resolution to Maintain Trust and Safety for Local Immigrants,” which can be viewed on the city’s website. In it, SCPD Chief Kevin Vogel is credited for his commitment to not involving the department in federal immigration policy, saying that it “erodes trust and causes fear in the immigrant communities, resulting in victims underreporting or not reporting crimes.”

Sarmiento knows of about 10 Watsonville women who are traveling to Washington D.C., and several others who will march in Sacramento.  The local march began materializing in the days after the election, when organizer Maria Boutell says she was feeling overwhelmed, and decided to hold a meeting in her living room. But when about 100 women expressed interest, including former mayor Cynthia Mathews, she moved the meeting to Gault Street Elementary school auditorium. “A lot of people in the audience just wanted to vent,” says Boutell. “And I ran into women after that event that said ‘thank you so much, I wasn’t able to sleep, and now I think I’ll be able to sleep.’”

That first meeting is where it all stemmed from: Boutell got in touch with Erica Aitken, who had posted an event page for the march, and the two had secured nonprofit status by Thanksgiving in order to raise funds for the $9,000 permit to march in Santa Cruz. The group is about three-quarters of the way there, and donations can be made on the website womenmarchsantacruz.com.

“Sure, it may not make Trump just suddenly change his ways,” says Boutell. “But action empowers people, period. And I’m seeing it, I’m seeing people coming out of a comfort zone. I’m seeing people who have been probably kind of silent and just kind of accepting for so long, they’re finally angry, they’re mad.”

Both Aitken and Boutell will join a contingency of about 100 Santa Cruz County residents, including a group from Santa Cruz’s Diversity Center, to march on the nation’s capital.

Aitken says another message she hopes the march will send is that it’s a first step toward kicking the Republicans out by 2018. Indeed, people often don’t go to the polls when it’s not a presidential election year.

But these massive sea changes happen in these in-between years,” says Rev. Deborah Johnson, a longtime social justice activist and the founder of Inner Light Ministries. “We have to stay engaged at every step of the way. It is not too early now to set the sights for the seats we want to have, who needs to be positioned where, what the issues are. We can not let up—I don’t care who’s in the White House—on environmental issues, on education, on reproductive choice.”

 

Rally Cries

The Women’s March on Washington (WMW) began with a Facebook event post the day after the election by a 60-year-old woman in Hawaii, Teresa Shook, which garnered thousands of RSVPs overnight. An estimated 200,000 are now planning to attend, as Washington D.C. braces itself for a Jan. 21 influx of people whose goals harken back to the contentious inaugurations of Nixon and Bush—on steroids: An estimated 60,000 protesters greeted Richard Nixon with horse manure and smoke bombs at his 1973 inauguration, and about 20,000 protested George W. Bush’s in 2001.
Women have a long history of civil resistance, starting long before the suffragist marches that began in 1911—with one silent picket at the White House leading to the arrest of 218 women from 26 states—to National Association for the Advancement of Colored People activist Rosa Parks’ refusal to give up her seat, to the African-American women who played a key role in organizing civil rights marches, including the 1963 March on Washington known for Dr. Martin Luther King Jr.’s “I Have a Dream” speech.

And it’s only been 48 years since civil rights and antiwar activist Marilyn Salzman Webb addressed women’s liberation to a predominantly male crowd at Nixon’s 1969 counter-inauguration protests, and was met with boos, cries to “take it off,” and even cries to “f— her”—this from so-called “progressive” men of the time.

But it’s sometimes easy to forget our history, which is what happened when the WMW was originally named the Million Woman March, and then immediately called out for appropriating the name of the massive 1997 Philadelphia demonstration—which celebrates its 20th anniversary in October—organized by and for African-American women in protest of women’s rights issues they felt were ignored by the mainstream white feminist movement.

Responding to initial criticism that the organizing group wasn’t diverse enough to represent all women, organizer Bob Bland, a white woman and domestic manufacturing activist, enlisted three other national co-chairs: Tamika D. Mallory, a criminal justice reform activist and African-American woman; Carmen Perez, a Latina woman, UC Santa Cruz graduate and executive director of Gathering for Justice; and Linda Sarsour, a Palestinian-American Muslim social justice activist and the executive director of the Arab American Association of New York. Gloria Steinem and Harry Belafonte have also signed on as honorary chairs, and Planned Parenthood signed on as a key partner just before the New Year.

While a formal apology has yet to be issued to Philadelphia marchers, the WMW states, “It is important to all of us that the white women who are engaged in this effort understand their privilege, and acknowledge the struggle that women of color face. We have and will continue to encourage our state organizers to reach out to reach out to women from all communities.”

Aitken agrees that it is an important time to be together, unified and in sync—and to draw massive crowds on Jan. 21. But women heading to Washington seem to have an idea of what they are up against, which makes them more brave than naive.

D.C. will be full of Trump supporters, and they have shown some pretty aggressive behavior,” says Aitken. Most notably, the pro-arms, pro-law-and-order Bikers for Trump group has secured its permit for Inauguration Day, and a visit to the group’s Facebook page shows rampant hostility toward “libtards” coming to rain on their parade. “But we have the advantage of numbers and most of us are strong, determined women, very far from the weak and vulnerable stereotype,” says Aitken. “I think that’s why so many of us are really angry at the return of insulting, degrading sexist talk and behavior.”

The fact that a man who has expressed unchecked disrespect for women and their bodies, as well as intolerance for Muslims and minorities, can still be awarded the highest political office in the U.S. is a major impetus for women’s mass mobilization.

“Women are motivated, mad, and totally unwilling to accept the status quo,” says Aitken.

But anger and provocation can be a dangerous mix, and, speaking from her experience in demonstrations, Johnson advises marchers not to engage hecklers at any cost. “Just march,” she says. “Chant, sing, and just march.”

“When I look at the big marches, particularly the big civil rights marches, people had to be trained how not to be violent,” says Johnson. “They had to be trained what to do when the hoses and the dogs came, and how to not resist, and sit down. And I have big concern that there are such huge feelings going on, with people who are not trained, and who are not necessarily committed to the principles of nonviolence, all the way through.”

It’s true that there is no emphasis on nonviolence or safety training on the national WMW website, but local organizers have lined up a free bystander training session on Thursday, Jan. 12 at Louden Nelson Community Center to train marchers in nonviolent conduct, as well as in self defense tactics, led by Peace Corps volunteer Peggy Flynn, Jane Weed Pomerantz of the Positive Discipline Association and self-defense instructor Leonie Sherman.

“This is the piece that most people don’t get about nonviolent social change, is that you’re not just marching against them. You’re really marching for them,” says Johnson. “You’re marching with the hope and the desire that your love will wear them down. That if you do not fight back, and if you keep showing up with some kind of love and kindness, that we’re all going to be one. Like King would say, ‘I don’t want to shoot you or kill you, I want to live next door to you.’”

 

Breaking the Glass

When Hillary Clinton conceded, the cannons her campaign had prepared for her victory were loaded with tons of green-tinted confetti, made to look like shattered glass. But even if it had been shot into the air, it would have been symbolic of a reality we’re still far from: Over the last 10 years, the income disparity between men and women in the United States has not budged from its 80 percent average. Women make as low as 64 percent of what men make in states like Wyoming, and across the board, women of color—African American, Native American, Native Hawaiian and other native women—consistently make several percentage points less than white and Asian American women.

“I think [misogyny] is alive and well in our community and our country, in a lot of ways that are covert, and because of that covertness it’s fairly insidious, because it makes it possible for people to deny that it exists,” says Santa Cruz Mayor Cynthia Chase, who plans to march in the Santa Cruz County march to show her solidarity. “I think that there are tremendous barriers to women that people really take for granted, when they can cite individual or relatively small gains in various areas, like Fortune 500 companies and things like that.” But when you look at the proportion of women’s representation in leadership roles and compare it to the general population, the disparity is glaring.

Chase is currently the only woman on the Regional Transportation Commission, as well as on the Metro Board. But Chase doesn’t think the only factor is misogyny—it’s also how we see ourselves as women.

“We sort of play into that kind of internalized gender bias, and sexism as well, we rate ourselves less than men tend to,” Chase says, citing research that shows women won’t apply for jobs unless they feel 100-percent qualified, while men will apply when they have just 40-50 percent of the requirements. “But what I think we can do, as a solution to that as women is encourage each other, and say, ‘you don’t need to wait until you feel 100-percent ready to go, and you don’t need to use the measuring stick of how leaders in our minds look. We can look different, we can feel different, we can do the job.’ And that’s the message that we need to get out there,” says Chase.

 

People Power

“Researchers used to say that no government could survive if just 5 percent of its population rose up against it,” says Erica Chenoweth, Ph.D., in the TedXBoulder talk The Success of Nonviolent Civil Resistance. A political scientist, Chenoweth analyzed hundreds of violent and nonviolent campaigns between 1900 and 2006, and found that not only were nonviolent campaigns twice as likely to succeed, but also “no single campaign failed during that time period after they’d achieved the active and sustained participation of just 3.5 percent of the population, and lots of them succeeded with far fewer than that,” she says. In the U.S. today, 3.5 percent of the population is about 11 million people.

But peaceful people power often takes multiple approaches at once—including boycotts and strikes, like the Women Strike (womenstrike.org) campaign created by National Women’s Liberation, and the J20 General Strike Santa Cruz planned for Inauguration Day.

“I think with a new generation there comes a new way of doing things,” says journalist Wallace Baine. “I think the Occupy protests of 2011 are also going to be something that I think people can learn from. I don’t think they were very effective really, because there was no follow-up.”

Baine, along with comedian Richard Stockton and Laurence Bedford, owner of the Rio Theatre, has organized People Get Ready, a free, non-partisan rally at the Rio Theatre on Thursday, Jan. 18.

Baine emphasizes that the rally is not a liberal response to a conservative takeover. “If John McCain or Jeb Bush or somebody like that had been elected to president, I wouldn’t be doing this, honestly. Because this is not normal, what has happened,” he says. It isn’t a conventional political rally, either: “There’s going to be no finger pointing, rehashing the election, no denigrating people who didn’t vote the way that you would hope they would vote, none of that stuff.”

People Get Ready—which includes speakers Baine, Stockton, Rev. Mahsea Evans, and music by Tammi Brown and the Inner Light band and choir—is both a send-off for locals heading to the nation’s capital and a way “to get people from being disheartened, from disengaging, and saying ‘Now is a time to reconnect, not retreat. Show up for the long haul,’” says Johnson, who is the closing speaker at the rally.

And once we have our clear goals established, taking to the streets will be all the more effective: “I would like to see, in communities all over the place, citizens taking to the streets and saying we are not having mass deportation. If we have to block the roadways, stand on the tracks, or whatever that is. We are not having it,” says Johnson. “Because you can’t put everything on the backs of the most vulnerable. Those of us who are in positions of power or privilege, we have to speak up. I’m clergy, and those of us who are clergy, we have to stand up and say really loudly and clearly ‘no one religion is superior to another religion. We believe in religious freedom, and we are going to stand up for our Muslim brothers and sisters and everybody else.’”


Local Marches and Rallies

People Get Ready: A rally of solidarity and empowerment for concerned citizens. Speakers include Rev. Deborah Johnson and Rev. Mahsea Evans, Richard Stockton, Wallace Baine and others. Music by Tammi Brown and the Inner Light Choir. 7:30 p.m. Wednesday, Jan. 18, Rio Theatre, Free.

Pre-March Safety Training: 6-9 p.m. Thursday, Jan .12 at Louden Nelson Center led by Peggy Flynn, Jane Weed Pomerantz and Leonie Sherman. Free.

‘Unite to Ignite’ Candlelight Vigil: 5:30 p.m. Friday, Jan. 20, County Government Center, Ocean St., Santa Cruz.

Women’s March Santa Cruz County: Sat., Jan 21. Watsonville, Rally at the Plaza at 11 a.m., carpool to Santa Cruz. Meet at 1:30 p.m. Santa Cruz City Hall, march down Pacific Avenue and a gather at Louden Nelson Community Center until 6:30 p.m., womenmarchsantacruz.com. All marches on Facebook.

Santa Cruz Gives Raises $178,469 For Community

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Thanks to generous local donors, Good Times’ holiday fundraising campaign Santa Cruz Gives far surpassed its goal of raising $140,000 in its second year. Using the first crowdsourcing website for countywide fundraising, Gives donors contributed $178,469 to 33 local nonprofit organizations, nearly double the first-year total of $92,688.

Throughout the campaign, funds raised were tracked in real time on a leaderboard at santacruzgives.org, allowing donors to follow the progress of their favorite nonprofits. Court Appointed Special Advocates for Children of Santa Cruz County (CASA) topped the list for total donations, Warming Center Program had the most donors, and Friends of the Santa Cruz Public Libraries attracted the most young donors (under 35 years of age).

Two key goals of Santa Cruz Gives are to feature nonprofits whose work collectively benefits all areas of the county geographically, and organizations whose work addresses needs among diverse categories: youth, education, animals, seniors, food and nutrition, health and wellness, arts, the environment, housing and homelessness, and the disabled.

“In the past, only large national organizations had a tool like this at their disposal. Santa Cruz Gives puts this tool into the hands of local people,” says Karen Delaney, executive director of the Volunteer Center of Santa Cruz County, the founding partner of Santa Cruz Gives along with Good Times.

Donors gave to a broad spectrum of categories this year, and the top two-thirds of donors gave to an average of five organizations each, using the website to peruse the individual pages for each group and learn about an organization’s mission and “Big Idea” for 2017 before selecting  one or more projects to fund. One donor gave to all 33 organizations.

“The power of Santa Cruz Gives is that it works spectacularly well for the first-time giver as well as for power philanthropists who want to make a big impact. Gives is attracting the full range of donors,” says Delaney. “There is massive growth across every metric compared to last year: number of donors, donation amounts per donor, and challenge grant totals.”

In addition to Good Times and the Volunteer Center, Santa Cruz Gives was supported this year by Santa Cruz County Bank and Wynn Capital Management. 

The Uncertain Future of Health Care in California

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“This bill is being shoved down the throats of the American public” was a well-traveled Republican refrain around the Affordable Care Act as it wended its way through the legislative process back in 2009, and a favorite rhetorical talking point of former House Speaker John Boehner.

The Republican majority promised to repeal Obamacare as the first order of business for the 115th Congress. And although some Republicans have made vague calls recently to offer a health care alternative, it appears that they aren’t actually proposing any sort of replacement for it—a move that will likely cause pain in California and across the country.

The Republican plan is to “repeal and delay,” but nobody knows if a GOP omnibus health bill is in the offing that would replace some of the popular aspects of Obamacare, which include a ban on denying coverage based on pre-existing conditions and a ban on annual caps on coverage.

“What we don’t know yet is when will it take effect?” says U.S. Rep. Jared Huffman (D-San Rafael). “Will there be a two-year cliff or a four-year cliff?”

House majority leader Kevin McCarthy says that if Democrats don’t participate in post-Obamacare, then they’re responsible for whatever consequences ensue.

Obamacare has generally been a benefit to California. The state embraced the Medicaid expansion that went along with the healthcare overhaul, and was one of the first states out of the gate to set up a state-run exchange, Covered California. Thanks to Obamacare, the state halved its uninsured population, and the reforms have trickled down to hospitals, which are seeing fewer people in their emergency rooms—amid a greater, holistic appreciation for the benefits of preventative care. The Sutter Health system, which has a large presence in Santa Cruz County, has experienced big savings in its hospitals located throughout California. The company reported that it spent $52 million in uncompensated “charity care” in 2015, compared to $91 million in 2014.

The Urban Institute estimates that up to 30 million Americans will lose insurance if the Affordable Care Act is repealed, and even if the Republican Party decides that the politics are against them and starts cherry-picking popular aspects of the law, it’s unclear how they’ll keep the ban on denying coverage based on pre-existing conditions without, as Huffman says, “wading into risk pools and market forces.”

Previous GOP repeal bills haven’t addressed those issues. The Republican position on Obamacare has also helped to drive down enthusiasm among younger people to sign up, a key piece of the bill’s success in driving down the cost of health care over time.

The previous GOP push to undo Obamacare has been pretty simple: repeal it and send the bill to Obama, who dutifully vetoes it. But even as the Republicans vow to disable the law, Americans continue to flock to the ACA-created health exchanges to buy an insurance product suitable to their budget. “Will [Republicans] be smarter,” says Huffman, “or just set up some distant cliff and count on everyone to come together before the cliff takes effect? We’ll see.”

Whatever happens, Huffman says, congressional Dems will try to hold the line. “Obviously, we will fight that,” he says. “We will focus our efforts on the effects it will have on Medicaid and on Medicare, because the ACA actually stabilizes [Medicare] and provides funding to seniors.”

The latest plan from House Speaker Paul Ryan is to reform Medicare.

One of the strangest things about Obamacare is that while there is wide support for many of its benefits, the law itself remains unpopular, and one of the reasons has to do with a basic question of nomenclature. A 2013 CNBC poll found that while 46 percent of Americans were opposed to “Obamacare,” only 37 percent opposed the Affordable Care Act. Part of the explanation for this disconnect is the rhetorical violence that has met the bill since its inception in 2009. Democrats have not adequately addressed the rhetorical divide.

“The sales pitch by the Republicans was much more effective than the sales pitch on our side,” says Lisa Hemenway, a member of Organizing for Action’s Sonoma chapter.

Every congressional Republican voted against the bill, as liberals criticized Obama for not implementing a single-payer system that would have destroyed the employer-based health care system. “It was a step forward, even if it wasn’t a big enough step forward,” Hemenway says.

So now it’s time for a big step backward, although the latest news from U.S. Sen. Susan Collins (R-Maine) is that she isn’t so sure it’s such a great idea to dismantle the ACA.

One infamous line from the ACA’s inception was minority leader Nancy Pelosi’s observation that Congress had to pass the bill to know what was in it. That comment takes on a new urgency in light of the pledge to repeal.

The Affordable Care Act is more than 2,000 pages long, and part of the reason for that is lawmakers from around the country were able to include health reforms targeted at the particulars of their district, even when they opposed the bill as a whole. As they did with the first Obama economic stimulus package, Republicans rejected the bill, but not before making sure their constituents were appeased in some way.

In recent weeks, within the heart of coal country, residents who had voted for Donald Trump have wondered about those parts of Obamacare that dealt with the effects of black lung disease on coal workers and their families.

A standard Republican talking point on the ACA at the time was that it was too much, too fast, and that a better legislative strategy would have been—and will be—to pass each of its component parts as a separate bill.

If the Republicans make good on their plan to repeal and delay replacement, that will give lawmakers like the Kentucky senator Mitch McConnell time to write up a targeted bill for his constituents.

In California, repeal means that the state would have to pick up the slack and account for a Medicaid expansion that has helped the state halve its uninsured population from 6.8 million pre-ACA to under 3 million now. There’s been buy-in across the state.

State Sen. Bill Dodd (D-Napa) says Sacramento Democrats are ready to take up the fight in the likely event of repeal-and-delay.

“I’m an ardent supporter of Covered California,” he says. “The idea of people not getting insurance at all, forcing families into poverty or, worse yet, forcing them to suffer, is not my idea of a prudent 2016 or 2017 health policy.”

Dodd is a former Republican who readily admits that while the ACA is not perfect, the needed reform is not repeal. He concedes that health care costs have not come down as much as people would have liked, but promises a forceful pushback to the Republican’s push to repeal and delay the ACA.

“You are going to see the Democratic Party in the Legislature defending the people who are on Obamacare,” he adds. “The Republicans could have gotten involved in this system instead of trying to kill it.”

What January Storms Mean For County’s Water Issues

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Even before an atmospheric river tore into the area last weekend, knocking down trees and ripping up hillsides in the Santa Cruz Mountains, the city’s water department had hit its eagerly anticipated winter benchmark. The Loch Lomond Reservoir reached full capacity, teeming with water, which spilled over the narrow manmade lake’s earthen dam and into Newell Creek, 190 feet below, at around 5 a.m. on Jan. 5.

But this news, although promising, can’t provide any sense of true water security for the city.

After all, the brimming supply at Loch Lomond—which filled up quickly this season—tells us less about the magnitude of these winter storms than it does about the modest capacity of the city’s water storage. The 2.8 billion gallons held there is roughly the same amount of water Santa Cruzans drink each year. And although the 96,000 customers it supplies draw from other sources when they turn on the tap—the San Lorenzo River, North County streams and a few local wells—the lake is still a major source, providing the city with about a quarter of its water, not to mention its emergency supply in major shortages.

But as of Monday, Jan. 9 it happens to be the city’s short-term water supply that’s running a little low—thanks, ironically, to all this rain.

In the days that followed the reservoir’s spill, a rainy storm—which ravaged the Lompico and Boulder Creek areas, shutting down Highway 17 with mudslides—damaged the Newell Creek Pipeline, prompting water department spokesperson Eileen Cross to ask customers to cut back their usage by 30 percent through Monday, Jan. 16.

Elsewhere in the state, a slowly weakening five-year drought is still a major problem, most notably in Central and Southern California, according to National and Oceanic Atmospheric Association (NOAA). But here in Santa Cruz, the drought is just about over, recent data shows. Drought conditions have persisted longer in the county’s southern reaches, including the Pajaro Valley, although the weekend’s intense rain probably changed that.

Regardless, the drought was never the real root of the county’s water anxiety, which stems instead from decades of over-pumping aquifers and the resulting seawater intrusion seeping into the county’s wells, coupled with inadequate water storage. The drought simply made matters more serious.

Ron Duncan, general manager for Soquel Creek Water District, says every year that Loch Lomond fills up (which, historically has happened seven out of 10 years), his customers start asking him if their water shortage is over. This year, one customer even sent him a picture of the spillover, as if all Duncan needed was photographic proof in order to be convinced that it was time to lighten up and let people spend a few extra minutes in the shower.

“It’s natural for people to think when it rains, all our water problems go away,” says Duncan, who’s been managing the infamously overdrafted district for the past year and working on possible regional solutions with the city, too. “They see the creek, and it’s flowing. They believe what they see. It’s what we don’t see that tells the story here.”

Three quarters of county residents—pretty much everyone outside the city’s water district—rely mostly on groundwater for their drinking water. It’s a precious commodity that’s fleeting, and at a faster rate along the coast, where seawater seeps into drying basins and contaminates them.

Brian Lockwood, interim general manager for Pajaro Valley Water Management Agency (PVWMA), says it can be difficult for engineers to know what water levels are like beneath their customers’ feet and just how bad seawater intrusion has gotten in certain areas.

“We are grateful for the rain, and we are closely monitoring the situation. The rain is allowing water levels to rebound,” Lockwood says. “But in a basin like ours that has been overdrafted for decades, this isn’t going to solve our problem.”

To do that, the PVWMA has tried getting innovative, and has begun doing a bit of everything.

For the last few years, UCSC grad students, led by hydrologist Andy Fisher, have developed methods of diverting runoff agricultural water into basins to recharge aquifers. The agency’s board approved a $4 million plan called the Drought Response Irrigation Program (DRIP) last year to divert 240 million gallons of blended recycled water for agriculture. The board has additionally approved a plan incentivizing residents to install percolating systems on their properties, also to help recharge the aquifer down below. On top of that, it’s considering a plan called FLIP—which stands for Fallow Land Incentive Program—to encourage farmers to let their farm plots sit idly, allowing water to soak deep into the earth.

And while the board also contemplates three ambitious long-term projects—which would combine for $68 million if done all together—the groundwater seems to already be responding, Lockwood says. Historically, water levels at wells have dropped a median of 1.5 feet per year. Last year, they were up 1.6 feet, although he acknowledges it’s still much too early to celebrate.

Farther away from the coast, other water districts aren’t ready to loosen their belts, either.

Even in San Lorenzo Valley Water District (SLVWD), ground zero for heavy rain, residents of Felton, Lompico and Boulder Creek area remain under stage 2 water restrictions. SLVWD gets its water from a combination of streams and wells, which generally take a long time to become replenished—especially because much of it runs off—no matter how the big winter storms are.

And once the water that does seep in starts trickling down, the recharge is difficult to measure and estimate.

“Water in major rivers can travel miles at a time. Groundwater migrates very slowly in the subsurface,” Lockwood says. “Groundwater inside clay can go inches per day. Groundwater inside dirt or sand can move feet per day, but certainly not miles. So, it takes a while to feel impact in the monitoring wells.”

Preview: Author Roxane Gay to Speak at Veterans Memorial Building

Women are often labeled difficult when they are thought to want too much, say too much or demand too much. Even today, they’re more likely to apologize than men, and more often tasked with making others feel comfortable at the expense of their own authenticity. Hillary Clinton personifies the price of challenging those norms.

Roxane Gay doesn’t play that way. Like her celebrated book of essays, Bad Feminist, her new collection of short stories, Difficult Women, turns tropes about women and how they should behave upside down. Gay’s women are troubled, knowing, resilient, sexual, outspoken, and unapologetic. Both her fiction and nonfiction weave great storytelling with reflections of her worldview, which she shared with GT in anticipation of her appearance in Santa Cruz on, perhaps fittingly, Inauguration Day.

How does writing fiction differ for you from writing essays?

ROXANE GAY: With nonfiction, I’m generally responding to the now, but trying to be timeless as well and look beyond what I think to take into account other points of view. One of the great things about fiction is that I’m entirely in control of the world I’m creating. That’s very seductive. I never have an agenda when I’m writing a story. It’s because of who I am and how I see the world that certain themes come up, but my job as a fiction writer, first and foremost, is to entertain.

You’re a pop culture junkie. How does it shape you as a writer and us as consumers?

Pop culture is part of the social discourse about the ways in which we live our lives. Socioeconomics and race, gender and sexuality, all of these things come up in popular culture, so it’s interesting to see how the people who create it are thinking about the world and reflecting it back to us. I’m always thinking about what I can contribute to it. My dad used to tell my brothers and me when we were younger, “do something you love doing, something no one else is doing.” And that has certainly helped me decide what to think and write about.

You recognize that people are inconsistent and imperfect in your writing, which is part of what makes it so strong. How do we navigate the conflicting messages in media without losing ourselves?

What matters is talking about media literacy, making sure that especially younger people understand the media they’re consuming and what shapes it, the issues to representation. It’s important to know what’s at stake, the price we’re paying for our enjoyment. I feel comfortable saying yes, I love the Dirty South rap that was very popular when I was younger, but I also recognize how damaging those messages are, what they’re doing and saying to women. Of course, you have to recognize that those same messages exist in rock ’n’ roll and country music. It’s important to talk about all of it.

On the day after the election, you wrote that though you knew we had to fight to protect American ideals and progressive policies, you didn’t know yet what that fight would look like. Do you have a clearer sense of it now?

We should be thinking very seriously about the candidates who will run in both 2018 and 2020, and doing the work to make sure they’re electable. We also need to stay on top of our legislatures because we have no idea what’s going to happen over the next four years. We can’t just resign ourselves to thinking everything is going to be okay. For many people, it won’t be. Those who barely have health insurance, are poor, or need the safety net and protections the Republicans are trying to destroy—we need to be protecting them as best we can.

Why do you think storytelling is so important during difficult times?

It helps us define who we are as a culture and a people. It’s how we preserve culture, how we understand, how we entertain. Stories are our oldest form of communication. People were telling them before the written word even existed. We have to treasure that.


This offsite Bookshop Santa Cruz event with Roxane Gay will be held at Santa Cruz County Veterans Memorial Building, 846 Front St., Santa Cruz, at 7 p.m. on Friday, Jan. 20. Ticket packages are $27.19, and include one copy of ‘Difficult Women’ and two tickets to the event. Tickets cannot be shipped, must be prepaid, and must be picked up at Bookshop Santa Cruz or at will call (starting at 6:30 p.m.) at the Veterans Memorial Building.

Film Review: ‘Lion’

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How much do you remember about being 5 years old? Your parents, your siblings, maybe going to kindergarten? But if you were suddenly separated from that life and found yourself thousands of miles away from home, where you didn’t know anybody and couldn’t speak the language, what would your childhood self do? Could you explain to anybody where you lived? How would you ever get home?

That’s the dilemma for Saroo, the intrepid little boy at the heart of Lion, a compelling, fact-based tale of love, family, courage, and unbreakable bonds. The feature directing debut of Garth Davis, the film was scripted by Luke Davies from the nonfiction memoir A Long Way Home, by the real-life Saroo Brierly, a child from rural West Bengal who got lost on the teeming streets of Calcutta and survived for a year before being adopted by a couple in Australia. Twenty years later, he set out to find his birth family. This is his amazing story.

Davis is smart to tell the story in chronological order, amping up audience investment in Saroo. He’s played as a child with both impishness and profound gravity by Sunny Pawar, in his film debut. In the latter half of the movie, Dev Patel is wonderful as the adult Saroo, fiercely loyal to the adoptive Australian parents who raised him (Nicole Kidman and David Wenham), yet haunted by elusive memories of the family he lost.

The story begins in 1986, with little Saroo (Pawar) and his big brother Guddu (Abhishek Bharate) on their daily rounds. While their mother (the lovely Priyanka Bose) works as a day laborer, the boys scavenge along the railroad tracks that run near their village, climbing aboard trains to steal lumps of coal from the open coal cars, and collecting coins dropped between seats in the passenger cars. They bring the spoils home down a couple of narrow alleyways to the one room they share with their mother and sister.

Guddu is Saroo’s mentor and protector, and the brothers go everywhere together. But the boys get separated near a train yard one night, after the exhausted Saroo crawls into an out-of-service train car and falls asleep, waiting for Guddu. By the time he wakes up, the train—decommissioned and making its final journey—is halfway to Calcutta. The car doors are locked on either end, there are no stops, and even though Saroo bangs on the windows and screams for help when the train slows down to go through villages, no one pays any attention to him.

Released at last into thronging Calcutta, Saroo speaks only Hindi, not the prevailing Bengali; in the rare moments when anybody bothers to listen to him, he mispronounces the name of his village, while the only name he knows for his mother is “Mum.” After many Dickensian adventures on the streets, he’s incarcerated in an orphanage, from which he is adopted by Sue and John Brierly (Kidman and Wenham) from Tasmania.

Twenty years later, a completely assimilated adult Saroo (Patel) is going to business school for hotel management. (Pretty funny, if you associate Patel with his role in the Best Exotic Marigold Hotel movies.) Increasingly haunted by random, buried childhood memories, he becomes obsessed with finding the family he left behind, via the recently introduced Google Earth program.

Desperate to assure the adoptive parents he loves that his search is not a rejection of them, Saroo apologizes to Sue that, in taking in himself and another Indian youth, the troubled Mantosh (Divian Ladwa), they have “adopted our pasts as well.” Which sets up Kidman’s powerful and surprising speech about why Sue wanted to adopt.

Lion stirs emotions, but the storytelling is straightforward, not cloying. It slows down a bit in scenes with Saroo’s girlfriend, Lucy (Rooney Mara), an invented character who doesn’t really add much to the story. (Although their romance gives Patel a chance to relax and goof around between dramatic peaks.) But its best moments dramatize the plight of the 11 million children living on the street in India, and celebrates the random acts of compassion, however small or large, by which we can choose to live our lives.


LION

*** (out of four)

With Dev Patel, Sunny Pawar, Rooney Mara, and Nicole Kidman. Written by Luke Davies. Directed by Garth Davis. A Weinstein Company release. Rated PG-13. 129 minutes.

 

Preview: The Bad Plus to Play Kuumbwa

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Ethan Iverson, best known as pianist for the jazz power trio the Bad Plus, is on his knees setting up the drum kit for percussion legend Billy Hart, and Bad Plus drummer Dave King is almost giddy with anticipation. It’s Saturday night in the Night Club, one of the most intimate venues at the Monterey Jazz Festival, and Iverson is doing double duty as roadie and bandmate with Hart, a bona fide jazz legend who’s in the midst of a high-profile run of engagements celebrating his 75th birthday.

The Bad Plus played a riveting set earlier in the evening with Joshua Redman in the main arena, which is why King has time to stand around now delivering verbal riffs like his often hilarious stream-of-consciousness between-tune banter. “I should stand at the side of the stage, look at my watch and shake my head when Billy looks over,” King says, goofing on the absurdity of throwing shade at a fellow drummer he reveres.  

If King gets ahold of the mic on Monday when he returns to Kuumbwa with the Bad Plus, you might get a taste of his psychedelic sense of humor, but what’s guaranteed is a whitewater raft ride of a performance. The trio roared into prominence at the turn of the century with poker-faced covers of “Iron Man,” “Smells Like Teen Spirit,” and “How Deep Is Your Love,” transforming rock and pop anthems into epic improvisational journeys powered by King’s surging trap set orchestration.

The musicians met and bonded as Midwestern teenagers sharing a “Coen Brothers-like outlook on life,” says Iverson, who hails from Wisconsin (King and Reid grew up in Minneapolis). With all three musicians constantly shaping the music’s flow, they eschew the tired jazz custom of playing a theme followed by a round of solos. An entire set might pass without a bass or drum solo, or a long crescendo might suddenly transition into a rubato passage, leaving audiences unsure whether to applaud.

“Not everyone needs to make a statement on every piece,” Iverson says. “When I’m improvising, Dave and Reid are improvising full-on too, and we tend to know exactly what we’re doing emotionally with the music.”

The group still traverses an occasional tune of recent vintage, but since 2010’s Never Stop, the trio has released a series of albums focusing exclusively on original compositions. The songs feel at first like they emanate from a seamless persona, but a closer look reveals three strikingly disparate identities. Anderson, who keeps an electronic music project on the side, possesses the gift of a natural melodicist with a pop sensibility, while King writes intricate, odd-metered surrealistic prog rock. Iverson is the the band’s straight man, musically and sartorially, and he tends to write conventional jazz tunes or pieces based on the chord changes of a standard.

The band’s latest album, It’s Hard, is a deep dive back into far-flung covers, with concise and beautifully rendered interpretations of pieces by Prince (“The Beautiful Ones”), Kraftwerk (“The Robots”), Johnny Cash (“I Walk the Line”) and Yeah Yeah Yeahs (“Maps”). But nothing captures the creative ambition of the Bad Plus better than their exploration of “The Rite of Spring,” Stravinsky’s epochal modernist masterpiece (documented on the 2014 Sony Masterworks album).

While all three players pursue various side projects, Iverson is the most visible. In addition to his work with Hart, he and Ben Street have played a key role in bringing a late-career burst of attention to octogenarian drum maestro Tootie Heath with a series of critically hailed trio sessions. He also maintains a wonderfully idiosyncratic blog (dothemath.typepad.com) where he holds forth on crime fiction, reacts to current events, and posts extended interviews with jazz elders—particularly drummers, an obsession he shares with King.    

“When you talk music with Ethan, all he does is talk about the drums challenging the dynamic scope of the band,” King says. “Pianists are divas by nature, and Ethan is a little bit of a diva in his own right. But he’s never going to complain about the drums getting up in his shit.”


INFO: Jan. 16, 7 p.m., Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

Love Your Local Band: Worship

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First off, Worship wants everyone to know that, unlike Highlander, there can be more than one, and they are not to be confused with the disbanded Bavarian band.

“The first theme we could think of was the fact that we worship amplification,” says guitarist Josh Espinoza. “It seemed to fit the style and theme pretty spot on, while not conflicting with any other band name within our style, era, even country of origin.”

The four-piece sludge metal project from Salinas has been destroying the local metal scene since 2013. Espinoza, Richard Douglas and Tony Munoz originally met in the late ’90s and early 2000s while playing in the local hardcore and metal scene. The three would regularly play together, interchanging members from their bands the Wrath and Fate Thirteen, until they finally decided to form a central, cohesive unit.

“Alex was kind enough to fill in on drums a few times and naturally became a great friend that would make us all want to jam out together,” says Espinoza.

Between 2013 and 2015, Worship would combine their hardcore roots with the influences of past metal gods—Black Sabbath, Neurosis, Led Zeppelin and more—for an intense sound that grabs your nerves like a punch to the face. In 2015, they unleashed the onslaught to the world in the form of a seven song, full-length album about the trials of life called All Too Human. Last year, they delighted their fans with the announcement of a follow-up album, to be released later this year.

“Without giving too much away, lyrically it is a personal journey, a space odyssey, full of themes that can hopefully relate to anyone that has dealt with internal conflict,” Espinoza ponders. “Oh man, that might be giving too much away already.”

The band is playing at the Blue Lagoon on Jan.11, along with local acts Treeherder and Dustern, and will be blowing minds and ears at the Santa Cruz Music Festival in February.

“Santa Cruz will always be our favorite part about where we started,” says Espinoza. “The support has been so immense, yet intimate enough to be very special to us.”


INFO: 9 p.m. Wednesday, Jan. 11. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

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