Santa Cruz Gives Raises $178,469 For Community

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Thanks to generous local donors, Good Times’ holiday fundraising campaign Santa Cruz Gives far surpassed its goal of raising $140,000 in its second year. Using the first crowdsourcing website for countywide fundraising, Gives donors contributed $178,469 to 33 local nonprofit organizations, nearly double the first-year total of $92,688.

Throughout the campaign, funds raised were tracked in real time on a leaderboard at santacruzgives.org, allowing donors to follow the progress of their favorite nonprofits. Court Appointed Special Advocates for Children of Santa Cruz County (CASA) topped the list for total donations, Warming Center Program had the most donors, and Friends of the Santa Cruz Public Libraries attracted the most young donors (under 35 years of age).

Two key goals of Santa Cruz Gives are to feature nonprofits whose work collectively benefits all areas of the county geographically, and organizations whose work addresses needs among diverse categories: youth, education, animals, seniors, food and nutrition, health and wellness, arts, the environment, housing and homelessness, and the disabled.

“In the past, only large national organizations had a tool like this at their disposal. Santa Cruz Gives puts this tool into the hands of local people,” says Karen Delaney, executive director of the Volunteer Center of Santa Cruz County, the founding partner of Santa Cruz Gives along with Good Times.

Donors gave to a broad spectrum of categories this year, and the top two-thirds of donors gave to an average of five organizations each, using the website to peruse the individual pages for each group and learn about an organization’s mission and “Big Idea” for 2017 before selecting  one or more projects to fund. One donor gave to all 33 organizations.

“The power of Santa Cruz Gives is that it works spectacularly well for the first-time giver as well as for power philanthropists who want to make a big impact. Gives is attracting the full range of donors,” says Delaney. “There is massive growth across every metric compared to last year: number of donors, donation amounts per donor, and challenge grant totals.”

In addition to Good Times and the Volunteer Center, Santa Cruz Gives was supported this year by Santa Cruz County Bank and Wynn Capital Management. 

The Uncertain Future of Health Care in California

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“This bill is being shoved down the throats of the American public” was a well-traveled Republican refrain around the Affordable Care Act as it wended its way through the legislative process back in 2009, and a favorite rhetorical talking point of former House Speaker John Boehner.

The Republican majority promised to repeal Obamacare as the first order of business for the 115th Congress. And although some Republicans have made vague calls recently to offer a health care alternative, it appears that they aren’t actually proposing any sort of replacement for it—a move that will likely cause pain in California and across the country.

The Republican plan is to “repeal and delay,” but nobody knows if a GOP omnibus health bill is in the offing that would replace some of the popular aspects of Obamacare, which include a ban on denying coverage based on pre-existing conditions and a ban on annual caps on coverage.

“What we don’t know yet is when will it take effect?” says U.S. Rep. Jared Huffman (D-San Rafael). “Will there be a two-year cliff or a four-year cliff?”

House majority leader Kevin McCarthy says that if Democrats don’t participate in post-Obamacare, then they’re responsible for whatever consequences ensue.

Obamacare has generally been a benefit to California. The state embraced the Medicaid expansion that went along with the healthcare overhaul, and was one of the first states out of the gate to set up a state-run exchange, Covered California. Thanks to Obamacare, the state halved its uninsured population, and the reforms have trickled down to hospitals, which are seeing fewer people in their emergency rooms—amid a greater, holistic appreciation for the benefits of preventative care. The Sutter Health system, which has a large presence in Santa Cruz County, has experienced big savings in its hospitals located throughout California. The company reported that it spent $52 million in uncompensated “charity care” in 2015, compared to $91 million in 2014.

The Urban Institute estimates that up to 30 million Americans will lose insurance if the Affordable Care Act is repealed, and even if the Republican Party decides that the politics are against them and starts cherry-picking popular aspects of the law, it’s unclear how they’ll keep the ban on denying coverage based on pre-existing conditions without, as Huffman says, “wading into risk pools and market forces.”

Previous GOP repeal bills haven’t addressed those issues. The Republican position on Obamacare has also helped to drive down enthusiasm among younger people to sign up, a key piece of the bill’s success in driving down the cost of health care over time.

The previous GOP push to undo Obamacare has been pretty simple: repeal it and send the bill to Obama, who dutifully vetoes it. But even as the Republicans vow to disable the law, Americans continue to flock to the ACA-created health exchanges to buy an insurance product suitable to their budget. “Will [Republicans] be smarter,” says Huffman, “or just set up some distant cliff and count on everyone to come together before the cliff takes effect? We’ll see.”

Whatever happens, Huffman says, congressional Dems will try to hold the line. “Obviously, we will fight that,” he says. “We will focus our efforts on the effects it will have on Medicaid and on Medicare, because the ACA actually stabilizes [Medicare] and provides funding to seniors.”

The latest plan from House Speaker Paul Ryan is to reform Medicare.

One of the strangest things about Obamacare is that while there is wide support for many of its benefits, the law itself remains unpopular, and one of the reasons has to do with a basic question of nomenclature. A 2013 CNBC poll found that while 46 percent of Americans were opposed to “Obamacare,” only 37 percent opposed the Affordable Care Act. Part of the explanation for this disconnect is the rhetorical violence that has met the bill since its inception in 2009. Democrats have not adequately addressed the rhetorical divide.

“The sales pitch by the Republicans was much more effective than the sales pitch on our side,” says Lisa Hemenway, a member of Organizing for Action’s Sonoma chapter.

Every congressional Republican voted against the bill, as liberals criticized Obama for not implementing a single-payer system that would have destroyed the employer-based health care system. “It was a step forward, even if it wasn’t a big enough step forward,” Hemenway says.

So now it’s time for a big step backward, although the latest news from U.S. Sen. Susan Collins (R-Maine) is that she isn’t so sure it’s such a great idea to dismantle the ACA.

One infamous line from the ACA’s inception was minority leader Nancy Pelosi’s observation that Congress had to pass the bill to know what was in it. That comment takes on a new urgency in light of the pledge to repeal.

The Affordable Care Act is more than 2,000 pages long, and part of the reason for that is lawmakers from around the country were able to include health reforms targeted at the particulars of their district, even when they opposed the bill as a whole. As they did with the first Obama economic stimulus package, Republicans rejected the bill, but not before making sure their constituents were appeased in some way.

In recent weeks, within the heart of coal country, residents who had voted for Donald Trump have wondered about those parts of Obamacare that dealt with the effects of black lung disease on coal workers and their families.

A standard Republican talking point on the ACA at the time was that it was too much, too fast, and that a better legislative strategy would have been—and will be—to pass each of its component parts as a separate bill.

If the Republicans make good on their plan to repeal and delay replacement, that will give lawmakers like the Kentucky senator Mitch McConnell time to write up a targeted bill for his constituents.

In California, repeal means that the state would have to pick up the slack and account for a Medicaid expansion that has helped the state halve its uninsured population from 6.8 million pre-ACA to under 3 million now. There’s been buy-in across the state.

State Sen. Bill Dodd (D-Napa) says Sacramento Democrats are ready to take up the fight in the likely event of repeal-and-delay.

“I’m an ardent supporter of Covered California,” he says. “The idea of people not getting insurance at all, forcing families into poverty or, worse yet, forcing them to suffer, is not my idea of a prudent 2016 or 2017 health policy.”

Dodd is a former Republican who readily admits that while the ACA is not perfect, the needed reform is not repeal. He concedes that health care costs have not come down as much as people would have liked, but promises a forceful pushback to the Republican’s push to repeal and delay the ACA.

“You are going to see the Democratic Party in the Legislature defending the people who are on Obamacare,” he adds. “The Republicans could have gotten involved in this system instead of trying to kill it.”

What January Storms Mean For County’s Water Issues

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Even before an atmospheric river tore into the area last weekend, knocking down trees and ripping up hillsides in the Santa Cruz Mountains, the city’s water department had hit its eagerly anticipated winter benchmark. The Loch Lomond Reservoir reached full capacity, teeming with water, which spilled over the narrow manmade lake’s earthen dam and into Newell Creek, 190 feet below, at around 5 a.m. on Jan. 5.

But this news, although promising, can’t provide any sense of true water security for the city.

After all, the brimming supply at Loch Lomond—which filled up quickly this season—tells us less about the magnitude of these winter storms than it does about the modest capacity of the city’s water storage. The 2.8 billion gallons held there is roughly the same amount of water Santa Cruzans drink each year. And although the 96,000 customers it supplies draw from other sources when they turn on the tap—the San Lorenzo River, North County streams and a few local wells—the lake is still a major source, providing the city with about a quarter of its water, not to mention its emergency supply in major shortages.

But as of Monday, Jan. 9 it happens to be the city’s short-term water supply that’s running a little low—thanks, ironically, to all this rain.

In the days that followed the reservoir’s spill, a rainy storm—which ravaged the Lompico and Boulder Creek areas, shutting down Highway 17 with mudslides—damaged the Newell Creek Pipeline, prompting water department spokesperson Eileen Cross to ask customers to cut back their usage by 30 percent through Monday, Jan. 16.

Elsewhere in the state, a slowly weakening five-year drought is still a major problem, most notably in Central and Southern California, according to National and Oceanic Atmospheric Association (NOAA). But here in Santa Cruz, the drought is just about over, recent data shows. Drought conditions have persisted longer in the county’s southern reaches, including the Pajaro Valley, although the weekend’s intense rain probably changed that.

Regardless, the drought was never the real root of the county’s water anxiety, which stems instead from decades of over-pumping aquifers and the resulting seawater intrusion seeping into the county’s wells, coupled with inadequate water storage. The drought simply made matters more serious.

Ron Duncan, general manager for Soquel Creek Water District, says every year that Loch Lomond fills up (which, historically has happened seven out of 10 years), his customers start asking him if their water shortage is over. This year, one customer even sent him a picture of the spillover, as if all Duncan needed was photographic proof in order to be convinced that it was time to lighten up and let people spend a few extra minutes in the shower.

“It’s natural for people to think when it rains, all our water problems go away,” says Duncan, who’s been managing the infamously overdrafted district for the past year and working on possible regional solutions with the city, too. “They see the creek, and it’s flowing. They believe what they see. It’s what we don’t see that tells the story here.”

Three quarters of county residents—pretty much everyone outside the city’s water district—rely mostly on groundwater for their drinking water. It’s a precious commodity that’s fleeting, and at a faster rate along the coast, where seawater seeps into drying basins and contaminates them.

Brian Lockwood, interim general manager for Pajaro Valley Water Management Agency (PVWMA), says it can be difficult for engineers to know what water levels are like beneath their customers’ feet and just how bad seawater intrusion has gotten in certain areas.

“We are grateful for the rain, and we are closely monitoring the situation. The rain is allowing water levels to rebound,” Lockwood says. “But in a basin like ours that has been overdrafted for decades, this isn’t going to solve our problem.”

To do that, the PVWMA has tried getting innovative, and has begun doing a bit of everything.

For the last few years, UCSC grad students, led by hydrologist Andy Fisher, have developed methods of diverting runoff agricultural water into basins to recharge aquifers. The agency’s board approved a $4 million plan called the Drought Response Irrigation Program (DRIP) last year to divert 240 million gallons of blended recycled water for agriculture. The board has additionally approved a plan incentivizing residents to install percolating systems on their properties, also to help recharge the aquifer down below. On top of that, it’s considering a plan called FLIP—which stands for Fallow Land Incentive Program—to encourage farmers to let their farm plots sit idly, allowing water to soak deep into the earth.

And while the board also contemplates three ambitious long-term projects—which would combine for $68 million if done all together—the groundwater seems to already be responding, Lockwood says. Historically, water levels at wells have dropped a median of 1.5 feet per year. Last year, they were up 1.6 feet, although he acknowledges it’s still much too early to celebrate.

Farther away from the coast, other water districts aren’t ready to loosen their belts, either.

Even in San Lorenzo Valley Water District (SLVWD), ground zero for heavy rain, residents of Felton, Lompico and Boulder Creek area remain under stage 2 water restrictions. SLVWD gets its water from a combination of streams and wells, which generally take a long time to become replenished—especially because much of it runs off—no matter how the big winter storms are.

And once the water that does seep in starts trickling down, the recharge is difficult to measure and estimate.

“Water in major rivers can travel miles at a time. Groundwater migrates very slowly in the subsurface,” Lockwood says. “Groundwater inside clay can go inches per day. Groundwater inside dirt or sand can move feet per day, but certainly not miles. So, it takes a while to feel impact in the monitoring wells.”

Preview: Author Roxane Gay to Speak at Veterans Memorial Building

Women are often labeled difficult when they are thought to want too much, say too much or demand too much. Even today, they’re more likely to apologize than men, and more often tasked with making others feel comfortable at the expense of their own authenticity. Hillary Clinton personifies the price of challenging those norms.

Roxane Gay doesn’t play that way. Like her celebrated book of essays, Bad Feminist, her new collection of short stories, Difficult Women, turns tropes about women and how they should behave upside down. Gay’s women are troubled, knowing, resilient, sexual, outspoken, and unapologetic. Both her fiction and nonfiction weave great storytelling with reflections of her worldview, which she shared with GT in anticipation of her appearance in Santa Cruz on, perhaps fittingly, Inauguration Day.

How does writing fiction differ for you from writing essays?

ROXANE GAY: With nonfiction, I’m generally responding to the now, but trying to be timeless as well and look beyond what I think to take into account other points of view. One of the great things about fiction is that I’m entirely in control of the world I’m creating. That’s very seductive. I never have an agenda when I’m writing a story. It’s because of who I am and how I see the world that certain themes come up, but my job as a fiction writer, first and foremost, is to entertain.

You’re a pop culture junkie. How does it shape you as a writer and us as consumers?

Pop culture is part of the social discourse about the ways in which we live our lives. Socioeconomics and race, gender and sexuality, all of these things come up in popular culture, so it’s interesting to see how the people who create it are thinking about the world and reflecting it back to us. I’m always thinking about what I can contribute to it. My dad used to tell my brothers and me when we were younger, “do something you love doing, something no one else is doing.” And that has certainly helped me decide what to think and write about.

You recognize that people are inconsistent and imperfect in your writing, which is part of what makes it so strong. How do we navigate the conflicting messages in media without losing ourselves?

What matters is talking about media literacy, making sure that especially younger people understand the media they’re consuming and what shapes it, the issues to representation. It’s important to know what’s at stake, the price we’re paying for our enjoyment. I feel comfortable saying yes, I love the Dirty South rap that was very popular when I was younger, but I also recognize how damaging those messages are, what they’re doing and saying to women. Of course, you have to recognize that those same messages exist in rock ’n’ roll and country music. It’s important to talk about all of it.

On the day after the election, you wrote that though you knew we had to fight to protect American ideals and progressive policies, you didn’t know yet what that fight would look like. Do you have a clearer sense of it now?

We should be thinking very seriously about the candidates who will run in both 2018 and 2020, and doing the work to make sure they’re electable. We also need to stay on top of our legislatures because we have no idea what’s going to happen over the next four years. We can’t just resign ourselves to thinking everything is going to be okay. For many people, it won’t be. Those who barely have health insurance, are poor, or need the safety net and protections the Republicans are trying to destroy—we need to be protecting them as best we can.

Why do you think storytelling is so important during difficult times?

It helps us define who we are as a culture and a people. It’s how we preserve culture, how we understand, how we entertain. Stories are our oldest form of communication. People were telling them before the written word even existed. We have to treasure that.


This offsite Bookshop Santa Cruz event with Roxane Gay will be held at Santa Cruz County Veterans Memorial Building, 846 Front St., Santa Cruz, at 7 p.m. on Friday, Jan. 20. Ticket packages are $27.19, and include one copy of ‘Difficult Women’ and two tickets to the event. Tickets cannot be shipped, must be prepaid, and must be picked up at Bookshop Santa Cruz or at will call (starting at 6:30 p.m.) at the Veterans Memorial Building.

Film Review: ‘Lion’

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How much do you remember about being 5 years old? Your parents, your siblings, maybe going to kindergarten? But if you were suddenly separated from that life and found yourself thousands of miles away from home, where you didn’t know anybody and couldn’t speak the language, what would your childhood self do? Could you explain to anybody where you lived? How would you ever get home?

That’s the dilemma for Saroo, the intrepid little boy at the heart of Lion, a compelling, fact-based tale of love, family, courage, and unbreakable bonds. The feature directing debut of Garth Davis, the film was scripted by Luke Davies from the nonfiction memoir A Long Way Home, by the real-life Saroo Brierly, a child from rural West Bengal who got lost on the teeming streets of Calcutta and survived for a year before being adopted by a couple in Australia. Twenty years later, he set out to find his birth family. This is his amazing story.

Davis is smart to tell the story in chronological order, amping up audience investment in Saroo. He’s played as a child with both impishness and profound gravity by Sunny Pawar, in his film debut. In the latter half of the movie, Dev Patel is wonderful as the adult Saroo, fiercely loyal to the adoptive Australian parents who raised him (Nicole Kidman and David Wenham), yet haunted by elusive memories of the family he lost.

The story begins in 1986, with little Saroo (Pawar) and his big brother Guddu (Abhishek Bharate) on their daily rounds. While their mother (the lovely Priyanka Bose) works as a day laborer, the boys scavenge along the railroad tracks that run near their village, climbing aboard trains to steal lumps of coal from the open coal cars, and collecting coins dropped between seats in the passenger cars. They bring the spoils home down a couple of narrow alleyways to the one room they share with their mother and sister.

Guddu is Saroo’s mentor and protector, and the brothers go everywhere together. But the boys get separated near a train yard one night, after the exhausted Saroo crawls into an out-of-service train car and falls asleep, waiting for Guddu. By the time he wakes up, the train—decommissioned and making its final journey—is halfway to Calcutta. The car doors are locked on either end, there are no stops, and even though Saroo bangs on the windows and screams for help when the train slows down to go through villages, no one pays any attention to him.

Released at last into thronging Calcutta, Saroo speaks only Hindi, not the prevailing Bengali; in the rare moments when anybody bothers to listen to him, he mispronounces the name of his village, while the only name he knows for his mother is “Mum.” After many Dickensian adventures on the streets, he’s incarcerated in an orphanage, from which he is adopted by Sue and John Brierly (Kidman and Wenham) from Tasmania.

Twenty years later, a completely assimilated adult Saroo (Patel) is going to business school for hotel management. (Pretty funny, if you associate Patel with his role in the Best Exotic Marigold Hotel movies.) Increasingly haunted by random, buried childhood memories, he becomes obsessed with finding the family he left behind, via the recently introduced Google Earth program.

Desperate to assure the adoptive parents he loves that his search is not a rejection of them, Saroo apologizes to Sue that, in taking in himself and another Indian youth, the troubled Mantosh (Divian Ladwa), they have “adopted our pasts as well.” Which sets up Kidman’s powerful and surprising speech about why Sue wanted to adopt.

Lion stirs emotions, but the storytelling is straightforward, not cloying. It slows down a bit in scenes with Saroo’s girlfriend, Lucy (Rooney Mara), an invented character who doesn’t really add much to the story. (Although their romance gives Patel a chance to relax and goof around between dramatic peaks.) But its best moments dramatize the plight of the 11 million children living on the street in India, and celebrates the random acts of compassion, however small or large, by which we can choose to live our lives.


LION

*** (out of four)

With Dev Patel, Sunny Pawar, Rooney Mara, and Nicole Kidman. Written by Luke Davies. Directed by Garth Davis. A Weinstein Company release. Rated PG-13. 129 minutes.

 

Preview: The Bad Plus to Play Kuumbwa

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Ethan Iverson, best known as pianist for the jazz power trio the Bad Plus, is on his knees setting up the drum kit for percussion legend Billy Hart, and Bad Plus drummer Dave King is almost giddy with anticipation. It’s Saturday night in the Night Club, one of the most intimate venues at the Monterey Jazz Festival, and Iverson is doing double duty as roadie and bandmate with Hart, a bona fide jazz legend who’s in the midst of a high-profile run of engagements celebrating his 75th birthday.

The Bad Plus played a riveting set earlier in the evening with Joshua Redman in the main arena, which is why King has time to stand around now delivering verbal riffs like his often hilarious stream-of-consciousness between-tune banter. “I should stand at the side of the stage, look at my watch and shake my head when Billy looks over,” King says, goofing on the absurdity of throwing shade at a fellow drummer he reveres.  

If King gets ahold of the mic on Monday when he returns to Kuumbwa with the Bad Plus, you might get a taste of his psychedelic sense of humor, but what’s guaranteed is a whitewater raft ride of a performance. The trio roared into prominence at the turn of the century with poker-faced covers of “Iron Man,” “Smells Like Teen Spirit,” and “How Deep Is Your Love,” transforming rock and pop anthems into epic improvisational journeys powered by King’s surging trap set orchestration.

The musicians met and bonded as Midwestern teenagers sharing a “Coen Brothers-like outlook on life,” says Iverson, who hails from Wisconsin (King and Reid grew up in Minneapolis). With all three musicians constantly shaping the music’s flow, they eschew the tired jazz custom of playing a theme followed by a round of solos. An entire set might pass without a bass or drum solo, or a long crescendo might suddenly transition into a rubato passage, leaving audiences unsure whether to applaud.

“Not everyone needs to make a statement on every piece,” Iverson says. “When I’m improvising, Dave and Reid are improvising full-on too, and we tend to know exactly what we’re doing emotionally with the music.”

The group still traverses an occasional tune of recent vintage, but since 2010’s Never Stop, the trio has released a series of albums focusing exclusively on original compositions. The songs feel at first like they emanate from a seamless persona, but a closer look reveals three strikingly disparate identities. Anderson, who keeps an electronic music project on the side, possesses the gift of a natural melodicist with a pop sensibility, while King writes intricate, odd-metered surrealistic prog rock. Iverson is the the band’s straight man, musically and sartorially, and he tends to write conventional jazz tunes or pieces based on the chord changes of a standard.

The band’s latest album, It’s Hard, is a deep dive back into far-flung covers, with concise and beautifully rendered interpretations of pieces by Prince (“The Beautiful Ones”), Kraftwerk (“The Robots”), Johnny Cash (“I Walk the Line”) and Yeah Yeah Yeahs (“Maps”). But nothing captures the creative ambition of the Bad Plus better than their exploration of “The Rite of Spring,” Stravinsky’s epochal modernist masterpiece (documented on the 2014 Sony Masterworks album).

While all three players pursue various side projects, Iverson is the most visible. In addition to his work with Hart, he and Ben Street have played a key role in bringing a late-career burst of attention to octogenarian drum maestro Tootie Heath with a series of critically hailed trio sessions. He also maintains a wonderfully idiosyncratic blog (dothemath.typepad.com) where he holds forth on crime fiction, reacts to current events, and posts extended interviews with jazz elders—particularly drummers, an obsession he shares with King.    

“When you talk music with Ethan, all he does is talk about the drums challenging the dynamic scope of the band,” King says. “Pianists are divas by nature, and Ethan is a little bit of a diva in his own right. But he’s never going to complain about the drums getting up in his shit.”


INFO: Jan. 16, 7 p.m., Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $30/adv, $35/door. 427-2227.

Love Your Local Band: Worship

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First off, Worship wants everyone to know that, unlike Highlander, there can be more than one, and they are not to be confused with the disbanded Bavarian band.

“The first theme we could think of was the fact that we worship amplification,” says guitarist Josh Espinoza. “It seemed to fit the style and theme pretty spot on, while not conflicting with any other band name within our style, era, even country of origin.”

The four-piece sludge metal project from Salinas has been destroying the local metal scene since 2013. Espinoza, Richard Douglas and Tony Munoz originally met in the late ’90s and early 2000s while playing in the local hardcore and metal scene. The three would regularly play together, interchanging members from their bands the Wrath and Fate Thirteen, until they finally decided to form a central, cohesive unit.

“Alex was kind enough to fill in on drums a few times and naturally became a great friend that would make us all want to jam out together,” says Espinoza.

Between 2013 and 2015, Worship would combine their hardcore roots with the influences of past metal gods—Black Sabbath, Neurosis, Led Zeppelin and more—for an intense sound that grabs your nerves like a punch to the face. In 2015, they unleashed the onslaught to the world in the form of a seven song, full-length album about the trials of life called All Too Human. Last year, they delighted their fans with the announcement of a follow-up album, to be released later this year.

“Without giving too much away, lyrically it is a personal journey, a space odyssey, full of themes that can hopefully relate to anyone that has dealt with internal conflict,” Espinoza ponders. “Oh man, that might be giving too much away already.”

The band is playing at the Blue Lagoon on Jan.11, along with local acts Treeherder and Dustern, and will be blowing minds and ears at the Santa Cruz Music Festival in February.

“Santa Cruz will always be our favorite part about where we started,” says Espinoza. “The support has been so immense, yet intimate enough to be very special to us.”


INFO: 9 p.m. Wednesday, Jan. 11. Blue Lagoon, 923 Pacific Ave., Santa Cruz. $5. 423-7117.

Be Our Guest: Y&T

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One of the first hair metal bands, Y&T laid the groundwork for bands such as Poison, Ratt and Mötley Crüe to become pop music sensations. The Oakland-based band’s big hit came in 1985 with “Summertime Girl.” Four decades later, Y&T, which helped bring Flying V guitars, leather pants and the lovably cheesy glam aesthetic into the mainstream, is still going strong. On Jan. 28, the band brings its hard-rocking, never-say-die ethos to Santa Cruz.


INFO: 8 p.m. Saturday, Jan. 28. Catalyst, 1011 Pacific Ave., Santa Cruz. $20/adv, $25/door. 423-1338. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, Jan. 20 to find out how you could win a pair of tickets to the show.

Thai on the Westside at Sabieng, Winning Pastry, and Pantry Staples

As reliable as the tides and more delicious than Instagram is the Mission Street landmark Sabieng, home of Thai cuisine at its most nurturing.  We like to head there in between turkey-intensive holidays, seeking culinary comfort and great handfuls of spice. And once again, we found what we needed. I always have my mouth set for curry, and Jack enjoyed discovering a new appetizer.

I’m always game for classic chicken satay—love those skewers of grilled chicken with peanut sauce. But Jack saw the Mieng Kome ($6.95) “Thai snack” and was intrigued when we were presented with a quintet of oak leaf lettuce leaves, each topped with little mounds of crunchy ingredients. The deal is to wrap up the dice of ginger, shallots, peanuts, tart lime cubes, and toasted coconut shreds into bundles. Then dip into a tangy/sweet palm sauce. Fabulous! Jack agreed that Thai food is a natural with beer (he chose a non-alcoholic Kaliber that evening), but I contend that it is equally delicious partnered with a citrusy glass of Sauvignon Blanc, like the one from Clos du Bois ($5.95) I chose from Sabieng’s wine list.

And, of course, I did get my green curry ($9.95) deeply tinged with a sweet bite of basil and extra firepower since I requested it “medium.” I also requested the addition of tofu to the spicy coconut milk-based sauce, which was laced with flower-shaped carrots, green beans and zucchini, plus a lavish expanse of delicious Japanese eggplant. Every ingredient soaked up the basil-perfumed curry sauce, as did Sabieng’s spectacular brown rice. No, seriously. Sabieng’s brown rice is simultaneously crunchy and chewy, loaded with layers of flavor depths and capable of transporting sauce nuances without getting in the way. Jack nodded in agreement with his mouth full of garlicky Pad King ($9.95), a delicious creation long on shredded fresh ginger, onions, more of those beautifully cut carrots, and in this case a generous addition of tender ribbons of pork. Several shimmering black mushrooms added intrigue to this beautifully balanced dish, another natural partner for Sabieng’s addictive brown rice. Service was, as always, friendly and swift. The vibes are great, although I would love it if Sabieng considered wall sconces or perhaps votive candles at the tables during dinner hours.

Sabieng, 1218 Mission St., Santa Cruz. 425-1020. Open daily for lunch 11:30 a.m.-3 p.m., and dinner 5-9:30 p.m., and until 10 p.m. Friday-Sunday.


New Year’s Pastry

One bite was all it took to succumb to a seasonal gluten-free pastry (from Manresa Bread) now on the shelves at Verve. Consider a round cake of polenta and almond flour topped with slices of glazed quince—rather like a tarte tatin, but without the wheat pastry. Arguably the best $5 I spent last week, it is worth a drive-by for inquiring foodies who don’t want gluten and refuse to consume ordinary pastry. On a chilly day, join the polenta cake with a glass pot of chamomile tea and contemplate a happy new year.


Pantry Future

Stock up for 2017 with a few required pantry items. You can keep the wolf from the door (or any other appropriate metaphor) if you’ve got the following in your larder: cans of tuna and sardines; spaghetti or other favorite pasta; jars of organic marinara, ready to bump up with a bit of garlic and oregano; black beans; cannellini beans; pinto beans; chicken stock; hot mango chutney; pink Himalayan salt; Assam black tea; BASE peanut butter chocolate protein bars; organic ketchup; dijon mustard; Muir Glen organic whole tomatoes; almond milk; granola; Pamela’s gluten-free cornbread mix; capers; Worcestershire sauce; tamarind sauce. Half case of wine, gin, Jameson, Fernet Branca, and a decent single malt. There you have it!

Foodie File: Jessica Yarr of Assembly

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Jessica Yarr took over executive chef duties at Assembly in late November, and has been earning praise from local foodies for her work so far. We caught up with Yarr to ask her about her plans for the popular downtown Santa Cruz spot.

What’s your vision for the Assembly menu?

I want to create a menu that’s more accessible to Santa Cruz diners, with seasonal, farm-to-table flair. For example, I want to do a chicken leg confit, instead of a duck confit that people are used to. I want to do something a little more country style. I want to focus on doing some house-cured meats and some interesting vegetarian dishes as well. We have the yoga studio next door. I’d like to lure those folks in. Do some hippie-dippy, fun sprouted seeds and Santa Cruz stuff.

How long have you been cooking?

I started working full-time in restaurants when I was 15. My first job was at La Bruschetta. It was one of the original farm-to-table restaurants in Felton, an organic Sicilian place. I went and had lunch with my mom. It changed my life. I told the owner that it was the best meal I ever had. “Oh cool, want a job?” I was like, “What?” That started it all. They have an old-school way of looking at things as far as women in the workforce. When I told them I wanted to go to culinary school, he said, “You should stay here, work for me, have babies.” I graduated high school early, and I went to culinary school at 17. I moved back home and got an internship at Theo’s. They hired me on as pastry chef. Then I was the pastry chef for Google. Then, from there, I went to Gabriella Café, and Main Street Garden, which was the old Theo’s. I just try to stay connected to all the best chefs in the area.

What’s your approach to cooking?

I’m ingredient- and technique-driven. I strongly believe that if you’re starting with the best possible ingredients, and treating them with care and executing them, and keeping them clean, it speaks for itself. I really like fermenting, anything that involves curing. I like projects. I like to teach myself new techniques. It gets boring chopping up vegetables and throwing them in the pot.

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Foodie File: Jessica Yarr of Assembly

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