Opinion

EDITOR’S NOTE

I was guest hosting on KPIGโ€™s โ€œPlease Stand Byโ€ show last year when I first saw Henry Kaiser perform. He did a short set with Grateful Dead alum Bob Bralove live in studio, and Iโ€™d never seen so much guitar gear set up in that tiny spaceโ€”as he played, his foot was darting around about 20 effects pedals laid out around him. The way the two of them communicated through a series of mere glances and nods was intense, and the sound was phenomenal. โ€œThat was all completely improvised,โ€ Kaiser told me later. โ€œThere was no rehearsal at all.โ€
I mentioned the impression Kaiser made on me a couple of weeks later to GT contributor Brad Kava, who knows a lot more about guitar culture than I do, and he said โ€œOh yeah, Henry Kaiser? Heโ€™s famous! Wait, he lives in Santa Cruz now?โ€
Indeed, Kaiser moved to this areaโ€”Bonny Doon, specificallyโ€”four years ago, and heโ€™s one of those Santa Cruz personalities I find fascinating. World-famous as a key member of the free improvisation movement of the 1970s, heโ€™s performed on hundreds of records across a range of genres. Heโ€™s the kind of cult figure who can walk around town unrecognized most of the timeโ€”but mention his name to guitarheads like Kava and they may freak out.
Combine that with Kaiserโ€™s other job, as a diver doing scientific research in Antarctica, and you probably see why I wanted to introduce our readers to him. Heโ€™ll be doing a show at Don Quixoteโ€™s on Wednesday, Jan. 27 which will combine both of his obsessions, as he presents some of his footage of the Antarctic ecosystem and accompanies it with a solo guitar performance. You can get a sense of how he does this in the โ€œMusic of the Sealsโ€ video on YouTube. Itโ€™s great stuff. Hope to see you there!
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Train Stops Trail
The GT review of the Land Trust meeting on the Rail Trail failed to report the most important fact: the Regional Transportation Commission (RTC) Rail Trail plan comes with a commuter trainโ€”60 diesel trains per day running at speeds up to 45-60 mph. This train would be inefficient (taking only 200 commuters from Watsonville each day), expensive (a $9-$13 taxpayer subsidy for each $2.50 ticket sold), and the RTC says it would have no effect on Highway 1 congestion. This is why trailnow.org supports a trail-only solution.
Conflicting with the goals of a continuous county trail, the rail itself squeezes out the trail from the corridor, forcing it onto the street for long stretches. Wherever the corridorโ€™s width is less than 35 feet, the rail and trail do not fit. A good example is the section from 7th Avenue to Capitola, where even the RTCโ€™s trail study has drawn the trail going over Oโ€™Neillโ€™s surf shop at 41st Avenue.
The rail component of the Rail Trail would cost $127 million, five times the $25 million to build a trail alone. The added cost comes from bridges, excavation, retaining walls, and track replacement; unnecessary with a trail-only solution. This is the most expensive approach possible.
If built, the corridor greenery would be gone (think along Park Avenue), every stroll interrupted by a train every 15 minutes; neighborhoods, beaches and wildlife from Santa Cruz to Watsonville separated throughout by a continuous safety fence except at 11 stations or cross streets. We deserve an affordable, beautiful trail where moms and dads with strollers wonโ€™t hesitate to walk, kids can cross, disabled can use, and bikes can pass without noise, fumes, or being routed onto the street. We need to change the conversation to a trail-only solution.
Carey Pico
Santa Cruz

ONLINE COMMENTS
RE: Mercury Rising
All this is so horrifying! Iโ€™d like to know the original source of the mercury. Is it in our oceans? Is it wind-borne from smoke-polluted areas? Is it from ships evacuating their โ€œbilge water?โ€
โ€” Virginia Bennett
This gives us yet another indication of the need to phase out all coal use.
โ€” Nora Davidson
Re: โ€˜Learning Inside Outโ€™
Mark Rogers is an unsung hero. His advocacy for students and his passion and tenacity for learning are far beyond reproach. ย What Mark has created has opened the door far and wide. I hope his tool is immediately adopted and can circumvent the obstacles of boards of ed and other useless institutions created to show their own importance and slow down progress. Amazing, Thank You, Mark.
โ€” ย  Frank
Re: โ€˜Swept Awayโ€™
Leaf blowers are a necessary tool. Some misuse them and that is the problem. All this noise about banning leaf blowers is PC at its worst. Just advise the business owners of those who misuse blowers. Pushing a few leaves or dust is misuse. Be smart.
โ€”Cyote
I appreciate the gentle viewpoint of the Leaf Blower Task Force. They are not asking for a ban on noisy, polluting leaf blowers. They are merely asking for all of us to have a conversation about what is important to us in terms of our environment and our peaceful co-existence on this earth. And to recognize that the loud sounds generated by leaf blowers affect people in an entire neighborhood. And that dog fecal matter is also blown up into the air, besides the exhaust that comes out of a leaf blower. Is that really a healthy environment for us to live in? All for 24 seconds of โ€œefficiencyโ€? ย Ken Fosterโ€™s event really made me think about that. Well done, Ken!
โ€” ย  Lisa McAndrews
Thanks so much for the great coverage. Very humorous, yet relevant to modern living.
โ€” Jillian Steinberger
Re: โ€˜Does UCSC Do Enough for the Community?โ€™
What a wonderful world it would be โ€ฆ without UCSC โ€ฆ real estate โ€œdevelopmentโ€ โ€ฆ unchecked growth โ€ฆ aquifer depletion โ€ฆ Thanks for โ€œbringing San Jose to the beachโ€!
โ€” Reginald Hinge
Re: Love Your Local Band
Last October I heard Eve of Eden play at the Crepe Placeโ€”they totally rocked! Great vibe, great music. Alizaโ€™s lyrics bridge social justice, spiritual/personal growth, and stories of the heart and humanityโ€”a great addition to music to either sit back and listen to or dance and groove to! Looking forward to hearing them again!
โ€” Lisa B


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GOOD IDEA

MOUNTING EVIDENCE
Dean Cutter, a science teacher at New Brighton Middle School, is always looking for good articles to share with his class. Last month after reading the GT cover story รขโ‚ฌล“Mercury Risingรขโ‚ฌย about tests showing that mercury has been bioaccumulating in mountain lions, he decided to offer extra credit to anyone who wrote a report on the article. Cutter says the story dovetailed nicely with their unit on chemistry.


GOOD WORK

PAGE TURNER
Nina Simonรขโ‚ฌโ„ขs book The Participatory Museum has received strong reviews since first hitting stores five years ago. We ran into Simon at the Museum of Art & History, where she serves as executive director, and she mentioned that her book has come out in Korean, its first translation, and thatรขโ‚ฌโ„ขs just the beginning. รขโ‚ฌล“Russian and Chinese are coming,รขโ‚ฌย she adds. Her next book, The Art of Relevance, is due out this year.


QUOTE OF THE WEEK

รขโ‚ฌล“I donรขโ‚ฌโ„ขt know where Iรขโ‚ฌโ„ขm going from here, but I promise it wonรขโ‚ฌโ„ขt be boring.รขโ‚ฌย

-David Bowie

Catching Fiber

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Santa Cruzโ€™s brain drain of 20,000 residents commuting over the hill for better pay may soon be a trend of the past.
If all goes as planned in an unprecedented deal between Santa Cruz and local service provider Cruzio, gigabit fiber Internetโ€”the gold standard for speedโ€”will be available to all homes and businesses in the city by 2018.
The roughly $45 million project is the first of its kind in the outer Silicon Valley area, and promises to launch Santa Cruz to the forefront of the tech industry, says J. Guevara, the cityโ€™s economic development manager.
Similar projects such as Google Fiber have built high-speed networks in cities like Kansas City and Austin, but only in wealthy neighborhoods. Only a handful of small cities across the nation offer fiber connectivity to all.
โ€œWeโ€™re solving our own market problems with a local company, through local government, to protect our communityโ€™s interests,โ€ says Guevara. โ€œThis isnโ€™t solely about technology. The Internet is access to the world and all the ideas and all the things to come that we canโ€™t even foresee. With the so-called โ€˜Internet of Things,โ€™ with self-driving cars, with how interdependent weโ€™ve become in our daily lives, this is the groundwork and framework to make our lives more fulfilling and successful.โ€
For years, Internet speeds in Santa Cruz have lagged behind Silicon Valleyโ€™s, part of the reason so many professionals commute over the hill, Guevara says.
In June, Santa Cruz was ranked No. 447 out of 505 California cities for download speeds, according to Ookla, a network diagnostic company. The city also got a โ€œDโ€ grade for its Internet speeds from the Central Coast Broadband Consortium, an association working to bring high-speed networks to the region.

The Deal

According to the plan, which will be funded through a 30-year bond, every resident and business will have access to gigabit speeds for around $80 per month by 2018. Thatโ€™s 1,000 Mbps (megabits per second)โ€”fast enough to download an HD movie in three secondsโ€”for roughly the same price as ordinary cable or DSL connections.
The contract between Cruzio and the city should be final early this year and groundbreaking is expected by fall. In 2017, neighborhoods will be brought online, starting with those showing the most interest in a cruzio.com online survey. ย 
Broadband Internet is becoming an essential utility like electricity and sewers, Guevara says, so involving local government in its construction makes sense.
Think of it like a highway system, he says. For competition to occur, each service company would have to lay its own pipes down every street, building a redundant system. Letting the government build one system and lease it to a private company is more efficient, he says.
In Santa Cruzโ€™s case, the city has an exclusive agreement with Cruzio. In the plan unanimously approved by the city council on Dec. 8, the city will pay up to $52 million of construction costs to lay the cables in the ground, and Cruzio will cover the $2 million of electronics needed to light up the network.
The city will own the network, but Cruzio, based in downtown Santa Cruz, will administer it and provide customer and technical support. The private company has more than 25 years of experience doing so, and is a better fit for the job than the city, Guevara says.
The local private-public partnership model makes sense for broadband Internet, because governments are good at building utilities, but arenโ€™t always the most entrepreneurial, he says.
โ€œThis is the peopleโ€™s network,โ€ Guevara says. โ€œThe people of Santa Cruz, through local government, will own the network, so all of the money which is typically leaving our local economy to pay Comcast and AT&T, wherever they are, that money will stay within the city.โ€
โ€œItโ€™s closing that economic loop by building our own infrastructure, because the private sector wonโ€™t do it,โ€ he adds.

Shared Risks, Rewards

The city will cover its costs with a lease revenue bond, which does not use the general fund and would not compete with services such as schools and libraries.
Cruzio fiber customers will pay back the bond collectively through their ratesโ€”likely over 30 years, roughly $2.5 million a year. For the city to stay in the black, 7,500 customers, or 34 percent of Santa Cruz households, would need to sign up for the fiber networkโ€”a goal referred to as the โ€œtake rate.โ€
Cruzio already has 3,000 subscribers that have said they will join, says James Hackett, Cruzioโ€™s director of business operations and development.
โ€œA 34 percent take rate, or 7,500 subscribers, is a very doable target and similar networks offering the same types of speeds for the same types of prices have 60 to 70 percent take rates,โ€ Hackett says. โ€œJust to be clear, this will be gigabit speeds for right about the same price people are paying for DSL or cableโ€”100 or more times faster for pretty much the same price.โ€
A market survey from October shows residents have strong interest, and 34 percent would purchase the plan for $85 per month.
If the revenue isnโ€™t enough to pay back the cityโ€™s bond, then Cruzio is obligated to pay 80 percent of the shortfall. The cityโ€™s general fund would be put on the line, covering the remaining 20 percent.
In drafting the agreement, the city made sure that Cruzio had incentive to continue building its customer base, Guevara says, learning from the example of a failed private-public broadband project in Utah.
โ€œItโ€™s elegant,โ€ Guevara says. โ€œWhat weโ€™re doing is we are both sharing the risks and the rewards.โ€
If Cruzio couldnโ€™t meet its end of the deal, the city could take on another provider to operate the network, or take over the network itself. If the situation became dire, the city could sell the infrastructure.
But those scenarios are unlikely since all surveys show that the community supports the project, Guevara says.
โ€œThey all want this,โ€ Guevara says. โ€œThey havenโ€™t been able to get anything of this speed because thereโ€™s no competition in the market.โ€

Up to Speed

In September, after city council approved the Cruzio partnership, the Comcast subsidiary Xfinity announced it would up its download speeds in Santa Cruz from 29 to more than 105 Mbpsโ€”for free. For two years, the company had charged customers extra for the 105-plus Mbps service, but never delivered more than 29 Mbps.
The so-called upgrade required no new hardware or visits from technicians, suggesting that the company had the technology to provide higher speeds all along, but never did.
The private-public partnership presents a new solution, a way to circumvent the big players like Comcast and โ€œcut the cord.โ€
The city is uniquely poised to bring gigabit fiber to the masses, a nearly unprecedented achievement.
Councilmember Don Lane says the cityโ€™s excellent credit recordโ€”uncommon in the stateโ€”allows it to fund a project of this scale. Having a local company of Cruzioโ€™s caliber partner is also rare, he says.
โ€œWeโ€™re bridging the digital divide,โ€ Lane says. โ€œIf we make this kind of high-speed internet available to every household in the community at a reasonable price, which is what I think is going to happen, every student from every economic background is going to have access to this infrastructure. I think thatโ€™s so important moving forward to ensure that not just people that have a high income can have access to high-speed Internet.โ€
 

Who are the top three people youโ€™d want to party with?

lt-larissaDavid Bowie, Isadora Duncan and Bernie Sanders.

Larissa Farias, Santa Cruz, Mom

Love Your Local Band: Tan of Dreams

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LYLB-1602-Tan-of-DreamsA lot of professional musicians skip music school, but in the case of Renato Annicchiarico (aka Enahena), the drummer and lead singer of local trio Tan of Dreams, itโ€™s truly a surprise. He has more music pouring out of him than he knows what to do with.
โ€œI donโ€™t write music. I donโ€™t read it. Itโ€™s just always been with me. The melodies are spontaneous. They just come to me on an hourly basis. My phone is filled with hundreds of tunes,โ€ Annicchiarico says.
Fortunately, he has psychedelic rock trio Tan of Dreams to funnel these songs to, which is why the relatively new group has more than 30 songs in their repertoire. During any given set, Annicchiarico will play whatever one of them he feels like playing in the moment.
โ€œWe go on how my inspiration is, on the fly. Iโ€™m jumping from one song into something else, which could be another song, originals or covers. It can also be an improvisation, like a total new thing. I also sometimes improvise the lyrics,โ€ Annicchiarico says.
The groupโ€™s music is moody and dreamy, but still rocks out, and is filled with catchy (albeit strange) hooks. Appropriately, โ€œtan of dreamsโ€ is an old term for the color of dreams.
โ€œThe dreams can have different colors, different flavors. So tan is a transformation, something that changes. So itโ€™s like converting dreams into reality,โ€ Annicchiarico says. โ€œPeople dance to our music. Sometimes I wish I didnโ€™t play drums, because I dance when I sing. Iโ€™m a good dancer.โ€
INFO: 8:30 p.m. Thursday, Jan. 14. Crowโ€™s Nest, 2218 East Cliff Drive, Santa Cruz. $5. 476-4560.

Film Review: ‘Carol’

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Film-Lead-1602Forbidden female love story unfolds in lush โ€˜Carolโ€™
In the Golden Age of Hollywoodโ€”the 1940s and โ€™50sโ€”there was a genre called the โ€œwomanโ€™s picture.โ€ These were melodramas in which one of a studioโ€™s most formidable female stars played a woman in crisis, battling for her husband or her children, or to escape a poisonous marriage, or for the right to earn her own living. And no matter what the issue was, the woman risked severe social condemnation if she dared to go against the rules.
Contemporary filmmaker Todd Haynes has become the modern master of the form. His scrupulously crafted drama Carol has everything the genre requires. Set in 1950, it serves up two powerhouse female stars, luscious period clothes and cars, and a deluxe, sophisticated urban milieu in which the story plays out. But the issue is one that dared not speak its name back in the Golden Ageโ€”two women falling in love with each other.
In fact, the novel on which the film is based, The Price of Salt, was written in the โ€™50s by Patricia Highsmith, the famed thriller writer (Strangers On a Train; The Talented Mr. Ripley). Published under a pseudonym because of its controversial subject, and swiftly reprinted as a pulp lesbian paperback, the book was noteworthy in its era for not making its protagonists repent or renounce their so-called โ€œcrime.โ€
The story unfolds over a few weeks in December, 1950. Therese (Rooney Mara) is a young sales clerk selling toys in a ritzy Manhattan department store. A budding photographer, Therese has an Audrey Hepburn vibe, with her long bangs and enormous eyes, piquantly set off by the Santa hat all employees are required to wear during the holidays. Sheโ€™s dazzled when glamorous, expensively maintained Carol (Cate Blanchett) comes into the toy department looking for a Christmas present for a little girl. Carol is impressed in turn when the salesgirl admits that when she was a child, she loved to play with trains.
After Carol leaves, Therese finds the older womanโ€™s mauve kid gloves on the counter, sneaks a peek at the address on the sales receipt, and mails the gloves to her. Carol responds with a phone call of thanks and an invitation to lunch. Carol is beguiled by Thereseโ€™s youth and poise, while Therese is thrilled to be noticed by the sophisticated Carol. Theirs is a love story waiting to happen, handled with warmth, humor, and delicacy by Haynes.
But thereโ€™s a problem: Carolโ€™s husband Harge (yes, โ€œHargeโ€), played with stolid indignation by Kyle Chandler. Carol is in the process of divorcing him, which doesnโ€™t set well with controlling Harge, whoโ€™s also a volatile drunk. โ€œSheโ€™s still my wife!โ€ he yelps. โ€œSheโ€™s my responsibility!โ€ (Men, as a species, arenโ€™t portrayed with much sympathy here.)
Of course, thereโ€™s another problem: โ€œrespectableโ€ women donโ€™t have love affairs with each other in 1950. (They did, of course, but not openly.) When Harge realizes he canโ€™t dominate Carol in any other way, he gets his lawyers to write an โ€œimmorality clauseโ€ into the divorce agreement. If Carol is perceived as taking undue interest in another woman, the court will grant full custody of their daughter to Hargeโ€”who will be within his rights to forbid Carol to ever see her beloved child again.
To get out of the city for a few days while the divorce is finalized, Carol invites Therese on a road trip to Chicago in her sleek Packard. They are not yet having a physical relationship; theyโ€™re in the early stages of exploring their friendship, and behave with absolute discretion in public. Yet the joy of discovering each other is shadowed at every step by the fear of being discovered by the forces of repression.
Although Carol has had a previous relationship with another woman, she is never painted as a predator. For all her innocence and inexperience, Therese is almost the more determined of the two, achingly open to the prospect of a new world she never knew existed that Carol represents. Even with elements of spying and enforced psychotherapy stirred into the mix, the story never feels lurid. And the choices each woman must make along the way are never any less than heroic.
CAROL
*** (out of four)
With Cate Blanchett and Rooney Mara. Written by Phyllis Nagy. Directed by Todd Haynes. A Weinstein release. Rated R. 118 minutes.


A TALE OF TWO LADIESย Cate Blanchett co-stars in Todd Hayneโ€™s brilliant โ€˜Carol,โ€™ which tells the story of a love affair between two women in 1950โ€™s New York.

Shale Canyon 2013 Zinfandel

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Shale Canyon vineyardZinfandel from a solar-powered estate winery, plus a local brew to save wildlife
Put a glass of Zinfandel in front of my husband, and heโ€™s a very happy man. We both enjoyed Shale Canyonโ€™s 2013 Zinfandel with its bright bold bouquet of dark berry fruit. Winemaker Ken Gallegos has taken grapes from Arroyo Seco in Monterey County and turned them into an excellent Zin, which sells for a mere $18, so the price is right. A hint of pepper and smoke on the long finish make this 100 percent estate-bottled Zin an extremely satisfying wine.
Zinfandel pairs perfectly with anything cooked โ€œon the barbie,โ€ so if youโ€™re throwing a few ribs on the grill, then a bottle of Shale Canyonโ€™s big jammy red Zin should go down well.
Shale Canyon takes pride in producing small lots of handcrafted varietals in their 100 percent solar-powered estate winery. They also run a fun wine club called Wine Thief, with 20-33 percent discounts on all purchases of their wines, and four free โ€œflights of fourโ€ tastings in their recently opened Carmel tasting room. Check the website to see all the perks of becoming a member.
Shale Canyon Wines tasting room is at San Carlos St., (between Ocean and 7th) Carmel, 625-WINE. shalecanyonwines.com. Open noon to 6 p.m. daily. ย 

Discretion Brewing Helps Save Woodland Critters

Discretion Brewing is excited to announce a new barrel-aged sour ale series called Woodland Critters. They have partnered with the Land Trust of Santa Cruz County for the series to help them continue their crucial work of preserving local land and wildlife. The release of Woodland Critters No. 1 aims to venture into new territory, โ€œin search of profound and unexpected flavors,โ€ according to brewmaster Michael Demers. From the sale of each half-liter bottle ($15), $2 will be donated to the Land Trust of Santa Cruz County, which works to preserve open spaces and habitats. More info at discretionbrewing.com

Passport

Saturday, Jan. 16 means one thingโ€”itโ€™s time to go wine tasting, Passport in hand, in the Santa Cruz Mountains. A Passport enables you to go to a number of wineries and taste without a fee. Visit scmwa.com for more info.


ULTRA VIOLETย Shale Canyon Wines produce handcrafted varietals using 100 percent solar power.

Stick Shift

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music-lead-1602-stick-figureNow based in the Santa Cruz Mountains, Scott Woodruffโ€™s reggae project Stick Figure blossoms as a โ€˜realโ€™ band
Stick Figure has been on the road quite a bit these past three yearsโ€”especially considering that before that, theyโ€™d never played live at all. Beginning in 2006, Stick Figure had been a studio project for sole member Scott Woodruff. But after the release of his fifth album, 2012โ€™s Burial Ground, he got an offer to go on tour for a couple of weeks.
โ€œI never thought to myself, โ€˜someday Iโ€™m going to hit the road.โ€™ I had never been attracted to itโ€”then I got that offer,โ€ Woodruff says. โ€œI was in a place in my life where I was ready to try something new. I started thinking about it more and got excited.โ€
He assembled a band, rehearsed for a of couple weeks and hit the road. Once they got back, he liked it so much, he booked another tour, and has been playing nice-sized venues ever since. He headlines the main stage at the Catalyst this Friday.
Woodruff arrives in Santa Cruz armed with a new Stick Figure album, Set In Stone. Itโ€™s the first album since the project became a live band, but the record isnโ€™t a band album. It was written and recorded the same way his previous five wereโ€”all by himself in his home studio.
As a one-man reggae band, the sound he produces is a bit different than your standard roots reggae band. Thereโ€™s a trance-y vibe, a lot of electronics (he samples drums and then programs them), and cites Pink Floyd as one of his biggest influences. But more than all of that, he is influenced by dub, the spacey sub-genre of reggae from the โ€™70s that is a forebear to the remix and to some extent the modern-day electronic music scene.
โ€œI prefer electronic drums over the acoustic style. Itโ€™s almost like youโ€™re listening to a Dr. Dre album, just really thick, when you put it in your car and you can feel it,โ€ Woodruff says. โ€œI will always incorporate elements of dub, those echoes and reverb. Thatโ€™s in every song. I canโ€™t even help it. If I tried to stray away from that for a certain song to give it a more poppy feel, I always add that stuff in.โ€
Set In Stone was written and recorded right here in the Santa Cruz Mountains. Woodruff relocated from San Diego about a year ago and built a home studio, which is basically a log cabin behind his house, which he calls Ruffwood Studios.
โ€œI literally put up the studio the same week we moved in. Before I put my clothes away in my bedroom, I had guys over here pouring concrete and getting the studio underway,โ€ Woodruff says. โ€œRight behind my studio is just a redwood forest. It has this big window that looks out at this beautiful landscape. I find a lot of inspiration from nature and being out in the woods. My environment plays a big factor in the type of music I play.โ€
The new record actually isnโ€™t much of a departure from Burial Ground. If anything, heโ€™s become more meticulous about working with electronic elements. He admits to spending days sometimes just to get the perfect bass drum sound for a single track. The biggest difference is that he now considers his live band when he writes music, something he never did for his previous five records.
โ€œBefore, I would make a part that calls for having three keyboards on stage. It would never matter. It doesnโ€™t matter that it would take six arms to do this part. I made this one a little different, because I know it would sound different live,โ€ Woodruff says.
Woodruff is already thinking about his seventh record.
โ€œWhen I finished Burial Ground, right when that album was done, the next part was, โ€˜oh man, now I have to start a whole album from scratch.โ€™ Thatโ€™s where I am right now again. It can be a little intimidating,โ€ Woodruff says. โ€œYou feel really proud of what you just put out. โ€˜How am I going to be able to top that? What am I going to be able to do different to impress people and show that Iโ€™ve made progress and come a long way from the last album?โ€™ Thereโ€™s always that question of how youโ€™re going to keep progressing.โ€
INFO: 7:30 p.m., Jan. 15, Catalyst, 1011 Pacific Ave., Santa Cruz. $17/Adv, $20/Door. 429-4135.


GO FIGUREย Stick Figure plays the Catalyst on Friday, Jan. 15.

Musical Enterprise

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Ben Leeds CarsonBen Leeds Carson composes Star Trek opera
A Star Trek opera? Why not? Thatโ€™s exactly what Ben Leeds Carson thought when approached by Lincoln and Lee Taiz. The renowned plant physiologist and his wife had originally approached electronic music pioneer David Cope with their libretto for an opera based on the first episode of the original Star Trek TV series. Cope was booked up and suggested Carson, a UCSC professor of music and experimental music composer. So it began. โ€œOnce a month for the past three or so years,โ€ Carson says, โ€œIโ€™d call up Linc and Lee. Weโ€™d have dinner together while I played and sang the music Iโ€™d done thus far.โ€
Ensconced in his Kresge College study, where he currently serves as Provost, the lanky blond composer admits that the process has been incredible fun. โ€œAll operas ultimately contain an Orpheus theme,โ€ he says. โ€œAnd this oneโ€”called Menagerie: The Trial of Spockโ€”invokes that myth as a play within a play.โ€ Gene Roddenberryโ€™s scenario of an early voyage on the Enterprise forms Menagerieโ€™s theme. โ€œThe trial of Spockโ€”which makes up the bulk of our storyโ€”is amplified with tricks of virtual reality as it parallels Orpheusโ€™ journey to the underworld, with Spock on trial for mysteriously abducting Captain Pike, James T. Kirkโ€™s predecessor,โ€ Carson explains. Now trapped in a coma, Pike needs virtual reality healing by another Orpheus, who will be played by a young female. Throughout the complex plotting, Carson and Taiz have reinforced that compelling Star Trek motif of Spockโ€™s evolving self-awareness. โ€œJ.J. Abramsโ€™ new Star Trek movie reinvents the Spock/Kirk relationship. And so will our opera,โ€ Carson says, beaming. โ€œStar Trek is an American myth, and Spock is a great American hero.โ€
Composing for opera is a new twist in Carsonโ€™s repertoire. โ€œA substantial part of my work has been in the study of music perception,โ€ he says. Hired by UCSC as a specialist in musical cognition 12 years ago, Carson has been a prolific experimental composer, highly engaged in interrupting conventional paradigms of pulse and rhythm. โ€œIโ€™d made it my goal to make un-pulsed music. Creating each musical event as a surprise, a floating experience letting go of time, to see if we as listeners could move from irregular back into the regular rhythmsโ€”even if it meant sacrificing most of the audience,โ€ he says. โ€œFor the past 15 years I was not afraid to have the music be un-beautiful.โ€
But then Star Trek came his way. โ€œLinc got permission from CBS to develop our project for limited non-commercial presentations,โ€ he says. โ€œI found their text lovely and I immediately started writing. Linc is a jazz guitarist in his own right, by the way, and both he and his wife are passionate devotees of opera.โ€
For this project Carson reached back into his personal music theater roots. โ€œIt was a time to write emotionally immediate musicโ€”and this was inspired by hopelessly romantic pop opera,โ€ Carson says.
Hereโ€™s how he began sketching out music for the opera. โ€œI draw on improvisational instincts at the piano. I play, make notes, then play some more. Then I imagine it as an orchestra, begin filling in the instruments, then play a bit more. And the music takes shape in Midi files.โ€ Carson works to create compelling dramatic music, โ€œand I write a lot of it even if Iโ€™m not sure which character might use it,โ€ he says. Later he chooses specific music for the characters. โ€œI enjoy playing with contrasts of emotions,โ€ he says. A scene in which Scotty complains about an engine room breakdown is set to music building to a passionate emotional climax. Carson enjoyed writing the parts for James T. Kirk in clipped syncopation, matching actor William Shatnerโ€™s familiar vocal delivery. Carson believed gender switching for Menagerie was crucial. โ€œWe wanted more womenโ€™s voices and parts,โ€ he says.
โ€œLinc and Lee and I listened, commented, and rewrote. We had lots of wonderful fightsโ€”it was a great collaboration,โ€ Carson says. โ€œLast February I started shopping the opera to four companies, and so far no doors are closed.โ€
When fully staged, the opera will run two hours. Meanwhile, a minimally produced debut of the opera will be presented this June at UCSC, to be directed by John De Lancie (who played โ€œQโ€ in Star Trek: The Next Generation episodes). โ€œHe has directed lots of opera and even did a sci-fi Madame Butterfly,โ€ Carson notes. โ€œWe will present it as an oratorio, with minimal set, recruiting singers from the Bay Area to perform.โ€
Work on the Star Trek project has encouraged Carson to create music on a bolder scale, as he puts it, โ€œblending the emotionally immediate with the experimental.โ€ But he also admits that the project took a lot longer than he expected.
Find out more about and listen to Menagerie: The Trial of Spock: startrekopera.com.


WHERE NO COMPOSER HAS GONE BEFOREย Ben Leeds Carson in his home studio in Santa Cruz. PHOTO: CHIP SCHEUER

Taking the Lead

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Santa Cruz mayor Cynthia MatthewsMayor Cynthia Mathews talks about Santa Cruzโ€™s challenges and future
For Christmas this year, Cynthia Mathews got a black-and-white pin from her daughter Amey that she has been proudly wearing around. It reads: โ€œFeminist With a To-Do List.โ€
Mathews, who is thinking about running for re-election to the City Council this year, was sworn in for her fourth term as mayor last month, and GT caught up with her to talk about politics, city infrastructure and basketball.
You seem to enjoy being on the City Council as much as anyone Iโ€™ve ever seen. Why is that?
CYNTHIA MATHEWS: I love Santa Cruz, and I do find it rewarding, because there are so many people who feel equally invested in the community in a lot of different ways โ€ฆ As a community we have a good attitude, good diversity and good engagement, and we see the results.
After years of study, no one knows how to fix the high rates of E. coli in the water under the Santa Cruz Wharf, or even whatโ€™s causing it. Whatโ€™s next on that front?
We just keep working on it, and we have eliminated some of the possibilities. We have fixed some problems. And I thought the latest report we got gave us additional information. It was very clear from the beginning that there was not an easy fix, because the source wasnโ€™t even known. It seems at this point that the source is birds in a very localized area, and weโ€™ve given direction to see what we can do to reduce or eliminate that source. Weโ€™ve made some improvements already and we will continue to do that.
What are you excited to do this term?
We have some big plans ahead of us. Given that the economy is beginning to recover, I hope we move forward with some of those. The broadband [Internet] I hope we move forward with [see โ€œCatching Fiber,โ€ this page]. We have studies on the arena, the Civicโ€”the future of those institutions. I think we will try and look at doing what we can for workforce housing. The housing problem comes up in every discussion.
You mentioned the Santa Cruz Warriors basketball arena and the Santa Cruz Civic Auditorium. The council should be looking at plans for both of those facilities soon. What might their futures be?
Weโ€™re trying to be extremely thorough in the studies that lead to the options presented to usโ€”pretty conservative fiscally. We donโ€™t want to jeopardize the cityโ€™s overall financial health. We may look at a facilities revenue measure at some point. I donโ€™t see that in the immediate term, but taking a look at what are the things that we have on our listโ€”both critical infrastructure and public projects have strong support.
Additionally, there may be a measure for our libraries on the ballot this year. What is their place in our changing world?
The way libraries serve their communities is changing. And thatโ€™s part of the impetus for the revenue measureโ€”that our existing libraries are well-used, but can be better used, and the trend now is to have libraries assume more of a role of a place for community meetings, classes, events. We have dramatically overhauled our whole access to electronic media thatโ€™s a huge part of library systems now. Another big role that libraries play is in helping to bridge the digital divide. The role and functions of libraries have grown enormously, and our libraries are both aging and old-fashionedโ€”many of them. A few of them are totally inadequate.
The topic of vacation rentals has come up a lot this past year. The council took some action to keep people from using accessory dwelling units (ADUs) for short-term rentals. When do you look at the bigger picture?
That will come back to us in the springtime. This is not unique to us, and the ADU piece was, to my mind, a very small piece of the larger picture. So, I have no prediction where that will end up. The impact on housing stock is real, and the impact on neighborhoods is real. But where we strike a balance on thatโ€”communities are all over the map.
What do you think of the idea of having warming centers in the city limits for homeless to go to on cold nights?
I much prefer that we focus on our coordination with what the county is doing, and using our resources where they will do the most good. We added funding for the winter shelter a couple of months ago, and thatโ€™s not fully occupied. So, I think we want to look to what the county is doing. What are the funding trends? Whatโ€™s available in the community? And I just did not see that proposal as one where we should focus our resources.
Now that the Santa Cruz Warriors have re-acquired Aaron Craft, last yearโ€™s D-League defensive player of the year, what can we expect from him this season?
I donโ€™t know anything about Aaron Craft. [Laughs] What I appreciate about the Warriors is that theyโ€™ve made Santa Cruz their home. They have reached out. They have been embraced by the community. They are integrated into practically every aspect of community life. It has been an amazing fit that I think no one could have conceived before it happened. So, what do I expect of the Warriors? Another great year of partnership.


FAMILIAR FACEย Cynthia Mathews was sworn into her fourth term as mayor last month. She says economic development, city infrastructure and housing will all be big issues this year. PHOTO: KEANA PARKER

Chocolate Festival

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Ann Berry-Kline, Santa Cruz Chocolate FestivalThe areaโ€™s premier sweets event returns this week
The first time Ann Berry-Kline organized the Santa Cruz Chocolate Festival nine years ago, she had no idea how much interest there would be, so she held it at the Attic, a relatively small teahouse on Pacific Avenue at the timeโ€”too small, it turned out, to hold the number of people around here who love chocolate. Ever since, the Chocolate Festival has been held at the Cocoanut Grove, to continued success. We asked Berry-Kline some questions about this yearโ€™s festival.
How much chocolate is at the chocolate festival?
ANN BERRY-KLINE: There are about 32 vendors that will bring anywhere from 300-600 tastes. So, I donโ€™t know, maybe 500 pounds of chocolate? This year Iโ€™m actually really excited because we have some old favorites coming back, but we also have a lot of new people coming upโ€”from chocolate rice crispy bars to hot chocolate to ice cream, truffles, caramels. Mission Hill [Creamery] is coming. Theyโ€™ll be selling ice cream cones. Weโ€™ve got different savories, coming too. Weโ€™ve got India Joze. We have some moles coming. Itโ€™s always neat to taste chocolate in hot things, not sweet things. We even have a chiropractor come that will do minor adjustments. He has a chocolate drink that he sells.
Whatโ€™s there to do besides gorge yourself on chocolate?
We have a workshop, which is an amazing event. Itโ€™s two hours, right before the Chocolate Festival. The workshop presenterโ€™s name is Brian Wallace of Endorfin Chocolat. Heโ€™s out of San Francisco. Heโ€™s got the most energy Iโ€™ve ever met in anybody. He does a background on chocolate and the health benefits of chocolate, and where it comes from, how itโ€™s made. For the young, we have cupcake decorating and face painting. Weโ€™ve got 5-6 vendors bringing their wines with them, so you can pair your wine with chocolates. Also, new this year is going to be Highway 1 Brewing Company. Theyโ€™ve got a chocolate stout.
Whatโ€™s the Chocoholic of the Year award?
Weโ€™ll usually take about five different nominations and put them out there to be voted on. The winner gets to reign as Chocoholic for the year. Iโ€™m a previous Chocoholic of the Year recipient. You get to wear a sash. Youโ€™re sort of like royalty at the event, both this year and the next year. Itโ€™s just for fun.
INFO: 1 p.m.-4 p.m., Jan. 17. Cocoanut Grove at Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. 423-5590. Tickets: $15 (includes six tastes), $35 (workshopโ€”starts at 11 a.m.).


BAR NONEย Ann Berry-Klineโ€™s Santa Cruz Chocolate Festival fills the Cocoanut Grove again Jan. 17. PHOTO: COURTESY OF CHOCOLATE VISIONS

Opinion

January 13, 2016

Catching Fiber

Private-public partnership creates universal access to high-speed Internet in Santa Cruz

Who are the top three people youโ€™d want to party with?

David Bowie, Isadora Duncan and Bernie Sanders. Larissa Farias, Santa Cruz, Mom       Frank Sinatra, Bon Scott and Elvis Presley. Richie Rich Barker,  Santa Cruz, Solar Installation Bill Murray, Patrick Flanigan and Elon Musk. Forrest Toshikian, Santa Cruz, Journeyman/ Cyclist/ Electrician President Obama, the Pope and Dan Bilzerian. Kyle Vasquez, Santa Cruz, Cook Caligula,...

Love Your Local Band: Tan of Dreams

Tan of Dreams plays Thursday, Jan. 14 at the Crowโ€™s Nest

Film Review: ‘Carol’

Forbidden female love story unfolds in lush โ€˜Carolโ€™

Shale Canyon 2013 Zinfandel

Zinfandel from a solar-powered estate winery, plus a local brew to save wildlife

Stick Shift

Now based in the Santa Cruz Mountains, Scott Woodruffโ€™s reggae project Stick Figure blossoms as a โ€˜realโ€™ band

Musical Enterprise

Ben Leeds Carson composes Star Trek opera

Taking the Lead

Mayor Cynthia Mathews talks about Santa Cruzโ€™s challenges and future

Chocolate Festival

The areaโ€™s premier sweets event returns this week
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