Shrewd Shakespeare

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Battle of wordplay in SCS’s second offering

The Taming of the Shrew is a brilliant comedy of errors, squarely set 400 years—and many social lightyears—from our own.

Women existed under the guardianship of their husbands and fathers, and could own property or acquire wealth only if they were widows. The cliché has it that 21st century audiences will have trouble enjoying a play in which a swaggering fortune hunter seeks to wed for money and tries to break his bride’s will in the bargain. Director Robynn Rodriguez takes this tale of two sisters and their uproarious courtships, full of “piercing eloquence” and “scornful glances,” shakes it up and turns it on its head. Just exactly who tames whom will emerge after this fiery cast is finished.

            A tale of high-spirited individuals, incensed to find themselves attracted to each other, the play soars on the wildly willful Katarina (Kelly Rogers) matched by the bravado of Petruccio (M.L. Roberts). But they have a stage full of help. And in the case of Shrew, each person save for the sisters’ long-suffering father Baptista (a commanding Derrick Lee Weeden) morphs into whatever serves their purpose. Bravo to the saucy Sophia Metcalf as servant-turned-master Tranio. A scene-stealer in SCS’s The Book of Will, David Kelly is here a jabbering delight as the suitor of sweet sister Bianca (Yael Jeshion-Nelson). And any stage as yet unconquered by the comedic genius of Patty Gallagher (Grumio), probably doesn’t exist. She ignites the entire company, all of whom are elegantly clothed by Pamela Rodriguez-Montero.            

            The “shrew” of the title, Katarina is the unmarried elder daughter of a wealthy Paduan and “renowned in Padua for her scolding tongue.” The younger daughter Bianca, “sacred and sweet,” has many suitors.

Despairing that his ill-tempered elder daughter will remain a spinster, their father decrees that Bianca may not marry until her unpleasant sister is wed first. Enter Petruccio, who announces to all that he’s “come to wive it wealthily in Padua.” He doesn’t much care who he marries—even Padua’s most famous harridan—as long as she’s rich.

Humans are not cookie-cutter clones and rarely has cross-gender, cross-racial casting been so effective. Especially in helping make sense of the play’s crucial identity changes. Without spoiling the pungent affect (and effect) of the ending, let’s just say that Rodriguez and her cast succeed in spicing up the play’s words, deeds and stereotypes.

Showing us an independent woman transformed into submission by her husband—a husband she loves—Rodriguez/Shakespeare holds a mirror to our own discomfort that a proud creature has been forced into docility by social convention. Yes, we are uncomfortable with forced conformity. Or is Katarina only playing that part too? Is he? The words might be misogynous, but watch the eyes, faces and bodies of the players. Therein lies a tale.

Most theatrical companies clad in self-congratulatory wokeness avoid The Taming of the Shrew altogether. Yet to ignore what’s difficult is to avoid the conversations that are the life’s blood of great art. If it’s coziness you’re looking for, there are reruns of Perry Mason. If you want to be stimulated by hilarious characters, intricate wordplay, ingenious discoveries and yes, made uneasy by the conventions (and differences) of another era, then don’t miss SCS’s robust and smartly-acted production of Taming of the Shrew.

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A shout-out to matinee audiences: many who are devoted to at-home video streaming seem to think it’s okay to eat, drink and talk loudly and rudely during daytime performances. No, it isn’t. The performance Grove is not your living room. The outdoor setting does not give you permission to disregard those around you. And to those uncomfortable with the very idea of The Taming of the Shrew I have two words: don’t go.

Santa Cruz Shakespeare’s The Taming of the Shrew, by William Shakespeare, directed by Robynn Rodriguez. In the Audrey Stanley Grove at DeLaveaga Park.shakespearesantacruz.org

Bouchaine Vineyards

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Pinot Noir 2021

The fruit for this premium Pinot Noir is hand-harvested at night to preserve berry integrity. This is Bouchaine Vineyards’ approach to making their Calera Clone Pinot ($90), a sustainably farmed estate wine—with fermentation in French oak barrels—that is blessed with an abundance of care. Proprietors Gerret and Tatiana Copeland take pride in their family-owned vineyards, and are dedicated to creating food-friendly wines.

So jump on this Pinot bus and get a wild ride of aromas—red fruits, vanilla, smoke, caramel—and flavors—cherry, strawberry, game, spice. This Pinot is densely packed with earthy quality.

“The layers of this wine just keep giving and giving,” says the winemaking team. “It may not be your birthday, but this Pinot is like a gift.”

And their passion doesn’t end with wine. From falconry demonstrations to cooking classes, and even wine and music pairings with the Philadelphia Orchestra, they offer “an experience for everyone.”

Bouchaine Vineyards, 1075 Buchli Station Road, Napa, 800-654-9463. Open daily 10am-5pm. bouchaine.com

Carmel Berry Company

As a Brit, I drink a lot of tea. There’s nothing like a hot cuppa (a cup of tea) with a slice of toast and marmalade. Carmel Berry, which specializes in the healthy elderberry, carries both tea and marmalade with elderberries, which contain plentiful antioxidants and are touted to boost your immune system. Carmel Berry also carries elderflower syrup, elderberry balsamic vinegar and herbal supplements made with elderberries. carmelberry.com

Chardonnay Friday Night Wine Sailings The beautiful sailing vessel Chardonnay II continues with its Friday night wine sails, featuring a different local winery each week. Upcoming are favorites Storrs Winery, Soquel Vineyards, Silver Mountain Vineyards, Wrights Station Vineyards and Winery and Sones Cellars. Visit chardonnay.com for info.

Street Talk

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Fill in the blank. “Keep Santa Cruz… what?”

Keep Santa Cruz Weird, we once loved to say.
Could it be that weirdness has now had its day?
If you chose the motto, the Santa Cruz credo,
what would you make the true, new, Santa Cruz way?

Brian Orr, 54, Business owner

KEEP SANTA CRUZ ‘NATURAL’
“The ocean, forest, Redwoods, are the reason we’re here.”

Christina Audas, 54, musician

KEEP SANTA CRUZ ‘MUSICAL’
“Because music is the best medicine.”

Orlando Alvarado, 61, Vendor

KEEP SANTA CRUZ ‘SANE’
“There’s too many drug addicts, and it’s not like when weirdness was fun.”

Nikki San Juan, 37, Artist

KEEP SANTA CRUZ ‘ECLECTIC’
“Because weird can have a negative connotation.”

Stephen Snyder, 60, Musician

KEEP SANTA CRUZ ‘WILD’
“With two meanings, the wildlife and the nightlife.”

Moana V, 31, Student

KEEP SANTA CRUZ ‘AFFORDABLE’
“It’s the only way you can keep it weird.”

Preparing for El Niño

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Dr. Gary Griggs has been a professor of oceanography for more than fifty years. It shows.

Tasked with explaining El Niño, he asks if he could perhaps pull up some PowerPoint slides. Along with the slides, Griggs uses Zoom’s whiteboard function, drawing from memory a serviceable outline of California’s coast. He casts arrows to represent global water and air currents. He is patient and, as any great teacher, admits to what is unknown. 

“We can get a rocket to Mars and drive around little vehicles and send photographs back, but we do not know why we have El Niños,” Griggs says. 

While scientists cannot necessarily explain why El Niño occurs, they can track the conditions which precipitate it. NOAA, as of July 13th, forecasts a 81% chance of a moderate-to-strong El Niño event and a 25% chance of a more powerful El Niño, as was the case in the winters of 1997-1998 and 2015-2016. 

“Like earthquakes and floods, they’re not all created equal. So, we can have major El Niños and moderate or weak El Niño, just like we can have really big floods, or moderate floods, or small floods,” Griggs explains. 

A powerful El Niño this year could produce the kinds of storms we saw last winter, hitting areas still recovering from the damages. 

WARM WATER ON THE MOVE

In a normal year, prevailing winds push the warmer waters of the equator through the Pacific Ocean towards Indonesia. The water then disperses north and south.

“But during an El Niño year, for some reason, those winds die down. Why, we don’t know. The warm pool of water now moves back the opposite way towards the coast of South America. That warm water then moves up the coast and down the coast. And that has a bunch of effects,” Griggs says. 

On the PowerPoint, Griggs displays a satellite image of sea surface temperature. A red band shoots along the equator towards North America. 

“We can tell from satellites how big this pool of water is and how warm it is. And we can measure sea surface elevation, so we can see the size of this warm bulge. That’s what’s giving them [NOAA] the sense of, wow, there’s a lot of warm water being elevated,” Griggs explains. 

This bulge of warm water tends to increase winter precipitation along parts of the west coast. Warmer water makes for greater evaporation rates which in turn puts more moisture in the atmosphere. Hence, more rain. 

“Rainfall, during an El Niño year, is usually higher in Southern California. In Northern California and Oregon, it’s usually less. We can be either here,” Griggs says. 

The rain, when it does come, has a big impact.

“More flooding, more landslides, more mudflows: that’s typical during an El Niño year because of that extra rainfall. It also brings storms from the southwest rather than how we typically get them, from the Gulf of Alaska,” Griggs explains.

It was storms from the southwest that did the most damage locally last winter.

“This last winter, even though it was not an El Niño year, we had these storms from the southwest,” Griggs says. “Places like Santa Cruz, Capitola or Rio del Mar: they’re not protected like they are from the northwest swells. And during an El Niño, the storms come directly into those places.”

Historically, El Niño years have had an outsize effect on the rates of storm damage. 

“Maybe two thirds of all the storm damage around Northern Monterey Bay comes during El Niño years,” Griggs says.

The City of Santa Cruz has teams and systems in place for storms, El Niño-related or not. 

Paul Horvat, Santa Cruz’s Emergency Services Manager, says via email, “The City takes annual winter storm precautions regardless of whether an El Niño is predicted. We do this because we can have very significant, damaging storms in non-El Niño years.”

The city has what is called the EOC (Emergency Operations Center). Horvat describes the EOC as “always in a state of readiness.”

“We are in constant communication with our emergency services partners from the local level up to FEMA before and after each storm event,” he says. “We monitor the weather forecast closely with reports and predictions from the NWS. Staff are updated about the conditions prior to each storm so that they can prepare to respond from the EOC if necessary,” he says. 

Santa Cruz also has a Flood Control Manager, Rome Norman. But Norman says that the city’s preparations are the same whether wet or dry.

“We begin our preparations in late summer cleaning and clearing drainage systems in preparation for the first measurable rainfall,” he continues. 

FISH OUT OF WATER

Beyond storm-related damages, El Niño precipitates a number of changes to sea life both locally and along the whole of the Eastern Pacific. It does so by shutting down the normal patterns of upwelling wherein cold, nutrient-dense, deep waters move to the surface.

“As a result, we don’t have the nutrients. We don’t have the fish. In fact, off Peru, they have this huge guano industry,” Griggs says. 

The abundance of guano relates to the abundance of seabirds which is, in turn, related to the abundance of fish. 

“It’s a huge source of fertilizer. We’ve known for at least 400 years that El Niños occur around Christmas time,” Griggs says. “The name El Niño came from ‘the Christ child.’ We can go back to the fishing records and the seafloor sediments and find records of these really rich fishery years and bad ones.”

Locally, El Niño brings a change in the kinds of fish which frequent our waters. Abundance of anchovies and sardines fluctuate within their own multi-year patterns, called the Pacific Decadal Oscillation, of which El Niños play a part. Albacore make their way north, along with child-sized Humboldt squid. 

On the Santa Cruz wharf, a recreational fisherman reports that the anchovies are not currently running. Instead of anchovies, he catches jacksmelt on each of his six flashing lures. 

Those who fish further out to sea might find some unexpected species in the water this year. 

“They used to have a baseball team in Monterey called the Monterey Barracudas,” Griggs says, relating a story from local historian Sandy Lydon. “And barracuda is a tropical fish. And people said, ‘Why would you call it that? There’s no barracudas.’ But there used to be—you can go back and see the catch records.” 

SHORT ON SOLUTIONS

As for how to deal with El Niño’s impacts, Griggs is at something of a loss. And he is an expert in disaster. He penned Between Paradise and Perils: The Natural Disaster History of the Monterey Bay Region and has just completed the final draft of his new book, California Catastrophes: The Natural Disaster History of the Golden State

In response to disasters, Griggs says, there is much talk of resilience. 

“There is federal money and state money to develop ‘resilient coastal communities,’” Griggs says. “I don’t want to say [that’s] a cop out. But it’s a way of passing it on to something else. That seems like it solves it. But what is that? I keep saying, ‘Show me a resilient coastal community.’”

Santa Cruz is trying. 

The 2019-2021 Resilient Coast Santa Cruz Initiative created the West Cliff Drive Adaptation and Management Plan. 

One option in this plan is to relocate properties from the ocean’s edge, so as to mitigate wave-related damage. Griggs says that property owners aren’t particularly keen on that idea. 

“Words that are most often used today are managed retreat, managed realignment or stepping back,” Griggs says. “And we’ve done that in a few places, but coastal property owners don’t even want to talk about it.”

Tiffany Wise-West, Santa Cruz Sustainability & Climate Action Manager, says in a comment via email: “As specified in the City’s West Cliff Drive Adaptation and Management Plan, adopted in 2021, planned or managed retreat is an option on the table.”

“Obviously,” she continues, “there is more work and community engagement needed to understand when and how to operationalize planned retreat.”

One particularly dramatic area of storm-related damage is the section of West Cliff Drive by Bethany Curve. Vehicular traffic is blocked in that section where most of the road has crumbled away. The bridge over the culvert is structurally suspect. 

Josh Spangrud, Senior Civil Engineer, says that, in this area, “The plan is to reconstruct West Cliff Drive back to its original configuration.” 

The project, which is in design, is estimated to cost $10 million and, according to Spangrud, “the construction most likely will not occur until next year.”  

This section of West Cliff Drive, with its southwest exposure, is particularly vulnerable to coming El Niño storms.

“We have what I call a short disaster memory. An event happens and then: let’s build back as soon as we can,” Griggs says. 

An oceanographer to the core, Griggs does not underestimate the power of the Pacific. 

“In the long run, there is nothing we can do to hold back the Pacific Ocean.”

Watsonville Hospital Considering Public Bond

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Plans to bring Watsonville Community Hospital—and the property on which it sits—into public ownership took a giant step forward Wednesday.

The Pajaro Valley Health Care District (PVHCD) Board of Directors approved a proposal to hire Isom Advisors, a municipal bond advisory firm that will help determine the feasibility of bringing a bond measure to the public next year to help raise money for the $40 million purchase.

If passed by voters, the bond would also fund a renovation of the emergency department and the second floor of the hospital.

Brief History

When Halsen Healthcare bought the hospital from Quorum Health Corporation in 2019, the company sold the property and building to Alabama-based Medical Properties Trust (MPT), and leased it from them in a sale/leaseback. 

The Health Care District is currently paying MPT more than $250,000 per month.

The hospital’s Board of Directors ousted Halsen after the company was unable to pay its bills.

When the hospital announced it was facing imminent closure unless a buyer stepped forward, Pajaro Valley Health Care District Project did just that, having been formed in October 2021 for that very purpose.

PVHCD board member Tony Nuñez said that the board must consider all its options in protecting the long-term viability of the hospital.

“The bond measure is one of the most secure ways to have that financial stability for our community to ensure that we’re going to have a hospital within the Pajaro Valley and at the heart of the Central Coast,” he said. “We can’t overstate just how essential a bond measure would be to both financial stability in the short-term coming out of bankruptcy, but then also accomplishing all the goals we want to accomplish.”

The funds, Nuñez added, fit into the strategic plan and call for a much-needed reinvestment in the hospital.

“We’re not just asking for money,” he said. “We’re saying we have a plan of how we want to spend this money, and how we want to invest this money back into the hospital, which hasn’t been done in decades. It’s been disinvestment after disinvestment after disinvestment.” 

Meeting Needs

PVHCD Board chair, John Friel, said the influx of funds will be critical for the hospital and the community. The location, he said, is important for the community, which would otherwise have to travel long distances to receive emergency care.

“This hospital has been here for over 100 years and has served this community very well,” Friel said. “It’s just imperative that this hospital remains here.”

The bond will also help as the hospital seeks to replace out-of-date equipment and update its emergency department.

With more than 30,000 visits per year, Watsonville’s facility joins most others in its need to improve efficiency, Friel said. 

“It’s overcrowded, and we’d like to be able to process people through a lot quicker, reduce the waiting times and make it more comfortable for the patients that are in there,” he said.

Friel said that asking the community to approve a bond measure could be a risk in a financially uncertain time, but pointed out that the hospital has broad community support.

This is evidenced by Senate Bill 418, authored by Sen. John Laird, which Gov. Gavin Newsom signed into law just three weeks after it was introduced into the legislative process.

The bill officially created the Pajaro Valley Healthcare District (PVHCD), allowing the hospital to go into public ownership after years of corporate mismanagement.

MPT has indicated its willingness to sell the property, but it is unclear how much the asking price will be until negotiations occur.

Black Lives Matter Mural Vandalized Again, Artists Respond

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Santa Cruz’s Black Lives Matter mural was vandalized for a second time on Saturday.

Artist Abi Mustapha and members of the Equity Collab, who conceived and created the mural, reacted in an official statement on Tuesday night.

The group expressed heartbreak and anger over the new attack on the mural, coming as spirits were still high from the recent restoration. They vowed a renewed determination to bring greater equity, justice and healing to Santa Cruz.

“We know a thing or two about resistance,” their statement said. “When we encounter it, it’s indicative that we are making waves. We know we are on the right track.”

The Collab thanked the Santa Cruz Police and Fire Departments for their immediate response to the incident and said they are still considering their options for repainting the mural. They will be advocating for hate crime charges to be brought if arrests are made.

The mural, which spans the block of Center Street between City Hall and the downtown library, was damaged some time before 6pm, July 29. Blue paint was poured across the letters A and C. Passing cars driving through the pools subsequently left painted tracks from end to end.

The Department of Public Works was immediately sent to the scene with high pressure hoses, removing pools of wet paint, but considerable restoration work remains.

In 2021, Hagan Warner and Brandon Bochat defaced the mural with tire marks. This past June, professional artists, community organizers and city officials gathered at an emotional community repainting of the mural.

Erika Smart, the city’s Communications Manager confirmed that the damage to the mural was intentional, based on police review of security video. SCPD has requested that persons with any knowledge of the incident call 831-420-5995 to share their information. 

Local activist and entrepreneur Ayo Banjo spoke about the future of the mural. He will be meeting with other organizers this week to assess the situation and direct new efforts to make a meaningful impact on the community.

He expressed doubts about making the mural a focal point of community activism going forward.

“I don’t want folks to feel emotionally exhausted,” he said. “We need to find other ways we can showcase black lives and capture the essence of black life and culture.”

Banjo believes that it’s time for organizers to involve the black community in continuous engagement with new means of expression.

“I have no problem having symbolic gestures,” he said. “Those are important but those are not the foundation of progress or the foundation of a successful community.”

Street Talk

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Question of the Week: “What should be done about the Otter 841 affair?”

841 the otter is a playful otter’s daughter. One day when she was feeling bored, she stole a local surfer’s board. Her playground is the surf, but does that mean she owns the turf? Is this the otter’s water? We turn to you for what to do.

“The otter owns the ocean, she is meant to be there, she should be free to play where she lives.
Don’t try to capture her.”

—Natalie McCowan 21, Student
“I want to take her home and give her a hot pink surfboard and name her Georgie Girl!”

—Amélie Thams, 12, Student
“It’s about more than one otter.
The red tide is toxic algae that is affecting the sea animals’ food, and they are acting up because of it.
Let her do her thing, because more are coming ”

—Daniella Blomquist, 19, Musician, with Lily
“Otters were here before us so she deserves her freedom. She’s just being a territorial creature.
We should make her a mascot, and she can have her own logo like on an Otter Pop!”

—RJ Castro, 50, Chef
“She needs to buy a surfboard like everyone else! But seriously, she could be trying to play.
Many animals play cross-species so we could play back.
If she is captured, give her a place to play.”

—Mark Fullerton, 64, Student
street talk
“I think we should set her free. It’s her home, not ours.”

—Ann Marie McCauley, 51, Designer

The Editor’s Desk

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EDITORIAL NOTE

Brad Kava | Editor

I asked for help making decisions about what we should do to update Good Times, and wow, did you respond.
My inbox is full with great suggestions. I’m going to print as many as I can today and let your voices take over.
Thanks. I can’t tell you what a joy it is to see how many readers care about what we do.

We’ll have more of your suggestions next week.

Brad Kava | Editor

PHOTO CONTEST

TAKE FLIGHT — A duck on Neary Lagoon on June 12, 2023 — Photo: Craig Ferguson

GOOD IDEA

Santa Cruz County Parks Department announced this year’s 2023 Spotlight Awards, which recognizes residents with excellence and creativity in their work, but who have not received widespread acknowledgment of their talent. This year’s recipients include Kevin Painchaud (photojournalist), Heejin Lee (mixed-media artist), Augie Escobedo (painter/muralist), Nikia Chaney (writer/poet) and Madeline Aliah (writer/poet). Each will be showing their work on the 5th floor of the County Government Center starting Aug. 1. For more information, visit:  www.santacruzcounty.us

GOOD WORK

Big Basin Redwoods is celebrating its one-year anniversary since welcoming visitors back into the redwoods last July 22. It’s been nearly three years since the 2020 CZU fires burned more than 97% of the park and destroyed nearly every structure. But this past year, the park was back in full swing, with 28,000 visitors. Still, the park has a long road ahead: it will be several years before the park is fully reopened. Make a reservation to support the park at: thatsmypark.org

Quote of the Week

Slavery was pure and unadulterated evil.
There is no “other side to the story.”
—Dan Rather

CORRECTIONS

Incorrect information appeared in the July 19, 2023 issue of Good Times, in an article titled “Preparing for the Worst.” Active shooter training was held at the San Lorenzo Valley Unified School District tri-campus this year. Last year’s drills occurred at Scotts Valley High School. We regret the error.

LETTERS

Indigenous or Rich
The process to rename Cabrillo College clearly illustrates the folly of the name change game. Aptos, once the name of a tribe of Indigenous people is now associated with rich exclusivity? It turns out that associations change over time. We can associate Cabrillo College with great teachers and affordability, as I’m sure many do. It’s our choice. —Sandra Baron

Crossword Keep
I just got today’s issue. PLEASE keep the crossword puzzle!!! It’s one of the highlights of my week. —Bill

Opinions
Here are a few of my opinions on how to improve the Good Times. • Add a food column of favorite recipes from local restaurants or great plant-based recipes. • Add a column on how to maintain health in a toxic world—easy steps to do at home. • Add a column on meditation providing prayers, mantras and tips on how to maintain peace of mind in a crazy world. • IF you only print letters and columns that cater to liberal agenda and bad mouthing conservatives you are just another FAKE NEWSpaper and are not providing thoughtful insight on BOTH SIDES of an issue. Just brainwashing the public to a corrupted agenda. BORING! • Have a whistle-blower column for people, government and businesses who are doing bad things to good people in the form of social justice. • Have a column for conservatives to voice their opinions on social and political issues.
J. Hasen

Transplant
I transplanted here from the East Coast two years ago to be near my surfer son, noticed Good Times at New Leaf and picked it up to see what was going on in this little burg. Quite a lot, as it turned out.
But, when I neared the last page, I stopped dead: I was amazed to find the NYT crossword. Excellent! I work on it at mealtimes and usually complete it by the weekend. Then I have to wait until Wednesday: torture.
Thing is, I have progressively, with interest, read more and more of GT’s content. I enjoy it, but I have to say that removing the crossword would greatly reduce this reader’s incentive to pick up the periodical. For example, I read your editorial remarks. That is how I know that this blasphemous idea is even being considered. Please, do not discontinue the crossword!
I like the Street Talk column, too. The human face aspect appeals. It’s the tiny glimpse into the individual that makes it work.
Regarding “rough beast,” I got a kick out of your Yeats reference. But you can tell that trail runner to relax. After all, the beast is merely slouching. The runner will be fine, at least until he gets to Bethlehem.
—John Troy

To Keep
Definitely keep the x-word. Specifically, the NYT x-Word. It’s what gets me to pick up the GT even when the cover doesn’t sing to me.
I would love a column not just on green business, but local environmental heroes in arenas like behavioral change and public policy.
—Sean

Downtown Rises
Having lived in Santa Cruz county for 55 years I saw the charm, ruralness, green, tranquility and tempo metamorphose into a less than appealing demographic. Paved over begonia gardens, biotically-rich farmlands subdivided, Monterey Bay views blocked by condos, homes and businesses. Asphalt, traffic, noise, fumes and impatience spread. Quirkiness, funkiness, mom and pop-ness disappeared.
I could brag saying, “It takes me 20 minutes to bike from Aptos to Santa Cruz, along Soquel Drive.” Traffic signals were much fewer then. It was pleasant.
Now increasing traffic stress, carbon emissions, noise and urban temperatures all increase. Santa Cruz City policy makers are considering 12-story high rises and a parking building replacing the farmers market, bordering Beach Hill, Laurel Street and the San Lorenzo River Streets would become congested and carbon intensive.
—Gary Harrold

Crossword Puzzle
Nice to have it but not the one you have every week. Way too difficult.
Street Talk: Excellent feature. Questions: Is Santa Cruz too liberal or too conservative? • How would you rate the police in Santa Cruz? • How prepared for the next earthquake? • Where would you vacation outside of California? • Do you favor term limits for all elected officials? • Why are taxes so high? • How do you choose wine? • What makes a great restaurant? • Should cars be banned downtown Santa Cruz? • Do you like the modern system of tipping such as the waiter handing you a pay machine before you get the meal or using the computer screen asking how much you want to tip with the server staring at you?
Wine vs cannabis columns: I prefer the latter.
Local business stories: Would be very interesting, but don’t overdo the green angle. Stories about what it takes for a relatively new business to survive in Santa Cruz would be great.
New Topics: The paper is loaded with stories about the arts. That’s good, but why not have a consumer orientation as well? Ex, a money feature. What does it typically cost in fees for a business to get licensed? How to file for a homeowners property tax exemption? How do waiters feel about tipping in Santa Cruz?
—Bill Statsky

Superhero 841
Santa Cruz’s own Superhero 841, a small but mighty sea otter, has captivated the world stage. She is a shining symbol of nature’s superpowers of courage, strength and resilience, despite human intervention. The message: Mother Nature will prevail!
—Fiona Fairchild

More To Keep
YES, please keep the NYT crossword puzzle and the answers. I haven’t missed an issue since those were added; it’s my favorite thing about GoodTimes.
I have always enjoyed the Street Talk column, and it’s great to hear from young and old, and people with diverse experience.
Suggestion question: If you could change one law in Santa Cruz County, what would you change? Sure, businesses that are coming and going would be interesting, especially if you interviewed the owners and people who worked there.
I’d like to see more local history articles, interviews with old-timers and a column featuring youth voices. For example, you could ask youth to send in their thoughts on whatever they are concerned about, and you could publish one youth editorial column for each issue.
—Heather Norquist

Where’s Risa?
I saw in this week’s Good Times that you made a comment that you’d love to hear our feedback … so here I am.
The one thing that I am missing the most from the Good Times is the person who did the horoscopes that were on the LAST PAGE of GT. I think her name was Risa? I haven’t even bothered to pick up the GT’s since she has been gone. The current horoscope person is just stuffy and boring. Sorry! What happened to Risa, and any way to bring her back?.
Thank you for being willing to hear feedback!!
—Heidi W.

Rail & Trail
There’s a very small special interest group working hard to prevent rail service in Santa Cruz county. They are motivated to write frequent letters and opinions to the news and social media despite an overwhelming rejection on Measure D last year. Santa Cruz voters turned down their plan to remove the rail tracks by 73%. Why are they continuing to push this short-sighted agenda so hard when a clear majority of Santa Cruz residents said build the trail and keep the rail? The continuing letters and posts advocating track removal and trail-only are from a small group trying to obscure the fact that most of us want both a safe wide trail and great passenger rail service.
—Russell Weisz

Art Show Brings The Heat To Watsonville

Pajaro Valley Arts Gallery showcases artwork made using fire 

“Out of the Fire” is the latest art exhibit to showcase at the Pajaro Valley Arts Sudden Street Gallery in Watsonville. More than 55 artists are in the show with artwork that was created or affected by fire, such as a kiln, welding, blown glass and other methods.

Susana Arias and Judy Stabile curated the show that includes jewelry, ceramics, forged metal, porcelain and more.

“One of the things that is intriguing about working with fire is that you never know how the final work is going to turn out,” Stabile said. “You have an idea, you have a process — but sometimes the process fails, or other times the material fails and changes the outcome.”

And in that unpredictability, often new ideas emerge, Arias added.

“When the overall artwork changes and you might like it and you learn something new in working with fire,” Arias said. “We had a very strong response in our call for artists. The majority of the artists are local.”

The theme of the show emerged from the idea that when working with fire, it does not always yield the planned results.

“I think that’s why artists continue to work in the medium, everything is different every day,” Stabile said.

Arias said watching the artwork come through the door as the show was being hung last week surprised her.

“It’s one thing to see photos of the works, but as they were carried into the gallery some of them took on a new life,” she said. 

Stabile and Arias said that curating the show took on the task of grouping works not just by processes but by color and form. They said the show was a large departure from previous ones in that many of the works are three dimensional.

“In some cases a clay piece, a bronze and a glass work played off each other well,” Arias said. “It was very different from arranging paintings on a wall.”

Stabile said that Arias continues to put an enormous amount of energy into the continuation of PVA.

“She has put a lot of time into this over the years at Sierra Azul, working with Hedwig with the Sculpture Is shows,” Stabile said. “She’s an amazing person that has given a lot to PVA. She works from her heart. This is her passion.”

If You Go: 

“Out of the Fire” runs from Aug. 8-Sept. 24. The opening reception is Aug. 13 from 2-4pm at 37 Sudden St., Watsonville. For information, call 722-3062.

Actors Protest at Netflix Headquarters In Los Gatos

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Cries of “Union power!” rang out across Winchester Boulevard in the 91-degree Fahrenheit heat, as the actors’ strike arrived in Los Gatos. 

On July 20, the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) members picketed in front of Netflix’s corporate headquarters.

The relevance of Silicon Valley as an artificial intelligence incubator that’s bringing change to entertainment pay models was not lost on the demonstrators.

“This is our livelihood,” said Rick Haffner, a 63-year-old from Cupertino who’s been in SAG-AFTRA for some two decades, urging tech executives to work with actors on a new funding model. “Silicon Valley, take the lead!”

On May 2, the Writers Guild of America went on strike, after talks with the Alliance of Motion Picture and Television Producers broke down.

WGA waged a highly coordinated campaign that managed to shut down the majority of shoots in Los Angeles. Other, more limited, actions took place further afield.

SAG-AFTRA, the union representing 160,000 performers, joined the WGA’s movement  on July 13, opening a new front in the war over compensation rules in the streaming era.

On July 19, Netflix announced it was phasing out its basic ad-free plan for American viewers, the Verge reported.

The company, which recently started cracking down on password sharing, increased its subscribers by 8% and now has 238.9 million global users, according to collider.com.

Nevertheless, it failed to meet investors’ expectations. Wall Street was hoping for the company, which was birthed in Scotts Valley, to deliver $8.3 billion in revenue—but it came up short with $8.19 billion (and $1.5 billion in profit), the website said.

It was on the heels of an 8% share price tumble that actors beat a path to its Los Gatos campus.

The location was an obvious Bay Area target, explained Kathryn Howell, president of the San Francisco-Northern California SAG-AFTRA local.

“There aren’t as many (studios) here,” she said, noting while Pixar and Lucasfilm are nearby, both are subsidiaries of Burbank-based Disney, whereas this is Netflix’s global home base. “Netflix is one of the big companies that sits on the other side of the table.”

Anthony Abate, from Sonoma, held up a paycheck for a penny from NBC Universal to illustrate how bad residuals can be—and why he feels the protests are vital.

“It’s about spreading the wealth,” he said. “Trickle-down economics has never worked.”

Abate was irked by a proposal from the studios that would see background actors hired for a day, to be scanned and recreated digitally in future scenes for no extra money.

Robert Chestnut, a 60-year-old Carmel-by-the-Sea resident whose credits include “Days of Our Lives,” “Airwolf” and “Bumblebee,” also joined the picket.

“We used to have network stations, movie releases and cable,” he said. “Now that we have streaming, everything’s changed.”

Part of the problem, he explained, is that Netflix isn’t transparent about how many people watch its shows.

The actors want 2% of streaming revenue, but it’s impossible to figure out what that figure is if studios keep this information to themselves, Chestnut said.

Chestnut’s message to Netflix’s board of directors chair Reed Hastings, who co-founded the company and has made his home just over the hill in Santa Cruz County?

“Get your head out of your ass and support our locals, our trained professionals,” he said.

Neither Netflix nor Hastings replied to requests for comment.

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Art Show Brings The Heat To Watsonville

Pajaro Valley Arts Gallery showcases artwork made using fire 

Actors Protest at Netflix Headquarters In Los Gatos

Union asks for fair pay in era of streaming services
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