Huge Expansion Planned for UCSC’s Kresge College

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UC Santa Cruz plans a threefold increase in the number of students living in Kresge College, coupled with plans to create new housing for low-income students. 

Those are part of a comprehensive long-range vision by the UC Board of Regents to revitalize the aging college, which will be funded partly by $89 million set aside for the university in the 2022-23 state budget.

The project–which will provide housing for 900 undergraduates at Kresge–will be funded by $89 million in the 2022-23 state budget. That number is more than 600 more beds than the residential college originally held. 

The Kresge Academic Center will have classrooms serving the entire campus and will include a 600-seat lecture hall, the largest on campus; a 150-seat lecture hall; 50- and 35-seat classrooms, a 48-seat computing lab and departmental space. 

The project includes a new cafe and a pedestrian trail that will weave in and out of student community rooms on the ground floor.

The first phase, which includes new residential halls and a 35,000-square-foot academic center and plaza, is expected to be finished in summer 2023. 

University officials say the project will keep Kresge’s iconic historic design while using more durable and resilient materials.

In addition, the university will add third floors to seven of the 12 existing buildings for housing, and add a new housing building at the south end of the college. 

The entire project is expected to be finished in fall 2025, as part of UCSC’s Long Range Development Plan,  a 20-year roadmap that outlines a 43% student population expansion, with plans for additional housing and facilities.

Under new plans unanimously approved by the Regents, UC Santa Cruz in fall of 2025 will offer 20% discounts on housing rates to an estimated 320 students, a plan that will  span all 10 residential colleges, which UCSC officials hope will help retain students.

“We are steadfast in our commitment to student success, and housing is a critical component in providing access to a UC Santa Cruz education,”  said Chancellor Cynthia Larive. “I am so grateful to our state leaders for investing in our housing efforts. It will make a real difference in the lives of our students for decades to come.”

‘Forever Plaid’ is a Kitschy Tribute to Pre-Beatles Pop

“I Only Have Eyes for You.” “In the Still of the Night.” “Three Coins in the Fountain.” If these phrases mean nothing to you, you’re probably too young to savor the full kitsch, the maximum doo-wop sentimentality of Forever Plaid, the musical love letter to ’50s harmony groups currently showcased by the Jewel Theatre Company.

American pop music during the mid ’50s was veneered with whiteness. White tuxedos. White shoes. White guys, clean-cut and straight-arrow, crooning sanitized lyrics about young love, shoo wop shoo wop. All of it choreographed to a fine edge by exaggerated hand gestures, tidy synchronized knee bends, and the swivel of tuxedoed bodies.

In Forever Plaid, we can thrill to 90 minutes of head-bobbin’ melodies that once filled prom halls, bar mitzvahs, anniversary parties, and lounges across pre-MAGA America. The Five Satins, the Four Aces, the Kingston Trio, Dion and the Belmonts, the Four Lads. Groups like this regularly appeared—the really good ones—on The Ed Sullivan Show (more on that in a minute) in that magic moment right before the Beatles changed the face of popular music forever.

The show revolves around a high-school singing quartet who dream of making it big in their plaid cummerbunds and bow ties. We meet the squeaky clean guys right after their demise in a car crash on the way to an important gig. (In the Jewel production, the four singing actors are performed by: Brent Schindele as Frankie, Christopher Reber as Sparky, Noel Anthony as tenor Jinx, and Nathaniel Rothrock as Smudge, the bass.) They are a bit dazed and confused at first as to their existential status, but when they realize that they’re on a stage with microphones—plus a piano and bass—they decide, “Why not?” And before you can say “Heart and Soul,” the music begins.

After they’ve puttered around onstage, and we’ve been filled in a bit on their backstory of dashed dreams, it’s something of a shock when the incredible singing begins. A wow moment. Let me stop here and say that a big part of the fun and the overall musical mood is conjured by Christopher Charman on bass and the suavely confident Josiah Stocker on piano. The minimalist staging works perfectly as a club setting, where the voices, nostalgia, and light design by Tim Reeve do all of the work. The musical revue was written in 1989 by Stuart Ross and is now thrilling crowds-of-a-certain-age all over the world. In Forever Plaid, nostalgia and good-natured mockery join forces to power a show about singers who idolized the Four Freshmen. You can read this toe-tapping musical revue as either a fun dive into four-part harmonies tighter than J-Lo’s leggings, or as a delicious spoof of the excruciating sincerity and mock-innocence of an era that will never come again. Which of those attitudes you favor may depend on your own memories of that era—or lack thereof.

Either way, those minutes romp nicely along, with some exceptional moments of diminished 7ths and high-rise falsettos. Fasten your seat belts for Noel Anthony’s unforgettable rendition of “Cry.” Seriously, these guys put on a polished act, spinning, grooving, and hamming their way through a dozen-and-a-half well-honed tunes almost everyone in last week’s audience could sing by heart.

There’s a nod to the buttoned-down, laid-back world of Perry Como, whose cardigan is given special attention, along with pitch perfect renditions of Como’s big hits “Catch a Falling Star” and “Papa Loves Mambo.” There’s even a whirlwind summary of the narrow bandwidth of The Ed Sullivan Show vaudeville acts that bring that kinder, gentler era back, momentarily, from the dead. Yes, children, it was an era where spinning plates on the end of long sticks was considered entertainment. All while “Lady of Spain” was played—without irony—on an accordion!

The girandola was busy casting bits of nostalgia across the theater as this brisk tour through non-adventurous music brought our audience to its feet. Your audience too, I bet. It’s that kind of a holiday-season show.

“Forever Plaid,” directed and choreographed by Lee Ann Payne; music directed by Josiah Stocker. A Jewel Theatre Company production. Colligan Theater, 1010 River St., Santa Cruz through Dec. 11. jeweltheatre.net.

Things to Do in Santa Cruz: Nov. 30-Dec. 6

ARTS AND MUSIC

THE BASTARD SONS OF JOHNNY CASH DUO The Bastard Sons of Johnny Cash isn’t just another novelty act. Cash gave founder Mark Stuart permission to use his name and an invitation to record at his Hendersonville, Tennessee, home studio. “The Bastard Sons never were, and never will be, a Johnny Cash tribute band,” Stuart explains. “Our goal was always to find our own road and to continue to keep the sounds and traditions of American roots music alive.” The abbreviated iteration of the band, the Bastard Sons of Johnny Cash Duo, brings frontman Mark Stuart together with Western Swing Hall of Famer Charlie Wallace, on dobro and guitar, of Santa Cruz’s Carolyn Sills Combo. Free. Thursday, Dec. 1, 8pm. Joe’s Bar, 13118 Hwy 9, Boulder Creek. drinkatjoes.com.

MIKE DILLON’S PUNKADELICK FEATURING NIKKI GLASPIE AND BRIAN HAAS Anything is possible with a power trio that features Mike Dillon on vibraphone, marimba, congas and bongos, Brian Haas on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie on vocals, drums and cymbals. Punkadelick has three talents, each worthy of being considered the leader. “We try to challenge our listeners,” Dillon says. “We’re touching a nerve with people who maybe don’t want to see the same songs done in the same variations all night long.” Punkadelick’s forthcoming record Inflorescence, set to be released on Jan. 27, 2023, opens with “Desert Monsoon,” a swaggering fusion of Zappa, George Duke with a side of Parliament; vibes and light vocal scats give way to a funk anthem that sets the stage for the rest of the album. “We’re not afraid to be soft or to surprise,” Dillon says. “That’s what we all do in this band—get beyond our own conceptions of what music is supposed to be.” $17/$22 plus fees. Thursday, Dec. 1, 8pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. moesalley.com.

BUILT TO SPILL WITH PRISM BITCH AND BLOOD LEMON “I worked on [When the Wind Forgets Your Name] just every once in a while, and slowly over time, just ended up getting finished but never really felt super inspired, being alone, and the pandemic kind of took a lot out of me,” frontman Doug Martsch says. “It’s done, and I feel satisfied with it, but I’m not really psyched about it right now.” The record—BTS’s first release on the Sub Pop label—spins in various musical directions: There are classic, post-punk songs resembling the music Martsch says he grew up listening to in the late ’80s and early ’90s. “Never Alright” initially sounds like it could be a lost track off Dinosaur Jr.’s Bug before transforming into that quintessential BTS orchestra of guitars that fuel Perfect From Now On and then pivoting again into a drum and bass conglomeration of psychedelic synth and laser beams. Martsch might be the indie band’s one constant, but he continues to keep the music interesting. $36.75 plus fees. Friday, Dec. 2, 8pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. folkyeah.com.

THE CALIFORNIA HONEYDROPS “One day, we’re gonna release an album of all X-rated songs from all genres—country to hip-hop—under a different name,” California Honeydrops’ multi-instrumental vocalist Lech Wierzynski told me a few years back. I’m still waiting; in the meantime, the Bay Area group recently released Soft Spot, an excellent alternative. It’s been a long time since the Honeydrops began busking in an Oakland subway station, but they remain true to that spontaneity. The record also showcases the collective’s additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keys and Beau Beauilleu on bass. Soft Spot pulls from the well of soul music, classic R&B and New Orleans second line that the band thrives on while adding unexpected elements, including sousaphones, strings and space echoes. “This record is all about love and good lovin’ and other things that matter,” Wierzynski says. That could mean there’s some “X-rated” stuff in the mix. $37/$42 plus fees. Saturday, Dec. 3, 9pm. The Catalyst, 1101 Pacific Ave., Santa Cruz. catalystclub.com.

REBIRTH BRASS BAND In their 40th year together, Rebirth Brass Band has enough street cred to be regarded as ambassadors of New Orleans. “Here in New Orleans, we have a saying: ‘You cry when you come into the world, and you rejoice when you’re going out,’” Rebirth Brass Band co-founder and bass drummer Keith Frazier told the Memphis chapter of the Recording Academy in 2014. “When you’re going out, you’re going home. That’s our rule—to keep people rejoicing until they reach their homecoming.” The outfit scored a Grammy for their explosive and inspired 2011 record Rebirth of New Orleans, a collective hug in the wake of Katrina. In 2020, the band picked up their second Grammy nom for Recorded Live at the 2019 New Orleans Jazz & Heritage Festival. Flea summed up Rebirth’s perpetual sizzle after sitting in with the band at a 2017 gig at the Maple Leaf; the renowned venue has been home to hundreds of the group’s shows. “Unbelievable. Hard as hell. Free as a ray of light,” the Red Hot Chili Peppers’ bassist said. “There is not a band on earth that is better. Stunning.” $30/$34 plus fees. Sunday, Dec. 4, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com.

COMMUNITY

WINTER WONDERLAND AT THE BOARDWALK Santa Cruz County’s largest holiday celebration features tons of holiday family fun. On top of the usual rides, arcade games, mini golf, sweet treats and Boardwalk fun, Winter Wonderland also means it’s time for the beloved three-story Christmas tree to come out of hibernation. Of course, Santa will be on hand for photos, too! In addition to a rotation of classic holiday movies showing at 5pm on Dec. 3 and 4, the Santa Cruz City Ballet at International Academy of Dance will perform a mini-Nutcracker on the Boardwalk’s Colonnade Stage. Free (visit the website for special event days and times and to purchase tickets). Through Jan. 1, 2023. Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. beachboardwalk.com/winter-wonderland.

FIRST FRIDAY SANTA CRUZ: CAFÉ IVETA ARTIST RECEPTION One of the many exhibits to check out is the collection of new watercolors and oil paintings by Christina Waters and Frank Galuszka. Both artists will be on hand at Cafe Iveta’s upstairs gallery. The work is described as “Colorful, mysterious and barely comprehensible; these artworks are intended to provoke and puzzle your existential coordinates.” Free. Friday, Dec. 2, 5-7pm. Downtown Santa Cruz. cityofsantacruz.com.


Email upcoming events to aj*****@we*****.com” target=”_blank” rel=”noreferrer noopener”>Adam Joseph at least two weeks beforehand

Or submit events HERE.

Opinion: Pinto Lake is a Cautionary Tale for Local Water

EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

There is no doubt that water concerns are among the top issues facing Santa Cruz County—and likely will be for a long time to come. That’s why we’ve done a lot of reporting over the last few years on this area’s volatile and often strained relationship with what is possibly our most precious natural resource—from drought to flooding to conservation to mercury-tainted fog.

But this week’s cover story from Sean Cummings, who comes to us via our internship partnership with UCSC’s Science Communication Program, focuses on an aspect of our local water problems most of us never think about—freshwater lakes. I don’t want to spoil any of the eye-opening history he goes into, but if you never realized the importance of preserving their safety, prepare to be extremely disturbed by how toxic Watsonville’s Pinto Lake was allowed to get. But also, hopefully, inspired by the people who have worked to improve its ecosystem.

Also, I hope you’ll read Aiyana Moya’s story this week profiling some of the Santa Cruz Gives groups working for social equity, and then go to santacruzgives.org to donate to the nonprofits in our holiday giving campaign. With about a month to go in the campaign, we have raised more than $700,000! Help us get to our goal for these incredible organizations that do so much good in Santa Cruz County.

STEVE PALOPOLI | EDITOR-IN-CHIEF


ONLINE COMMENTS

RE: CABRILLO NAME CHANGE

I am saddened by this decision. I graduated from Cabrillo in 1973 and went on to earn a Bachelor’s degree in the state college system. I have many fond memories from my time at Cabrillo, and it’s sad that a movement supported by a few is pushing their agenda on the rest of us. And sadder still that the college’s governing board is being weak enough to bow to their ideologic stand.

— Wes Scott

I think changing the name is a huge mistake. They are going against the will of the community. Sometimes things get a little too “PC.”

— Meruca Tass

RE: VANDAL SENTENCING

Bless you, Abi, for your courage and your effort. Most of the community countywide supports you.

You are most welcome here. The two individuals who vandalized your work are not. Thank you Judge Cogliati for your ruling. No, these two people should not be able to possess a firearm.

Steve Trujillo

It makes me so sad to drive over the mural and see the black skid marks over it. The two responsible should have to go out and clean it up with toothbrushes, along with the $19k, classes, and 2 years probation.

— AV

RE: KARIN BABBITT

This woman is truly a gem. I’m glad Santa Cruz is finally waking up to her talent and genius.

Amy Anderson


PHOTO CONTEST WINNER

SIGNING BONUS A red-tailed hawk pursues its dream of making it to the cover of a Santa Cruz tourism brochure. Photograph by Tray Lynn.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

LIGHT FIXTURES

The Hospice of Santa Cruz County is hosting its annual Tree of Lights and Luminaria Installation celebration, a beautiful way to remember loved ones who have passed on by lighting a paper lantern in their honor. The event takes place Dec. 8 at the Tannery Arts Center from 5pm to 6:30pm. Learn more at hospicesantacruz.org/tol.


GOOD WORK

COLLEGE FUNDER

Millions of children will automatically be signed up for the new California Kids Investment and Development Savings Program (CalKIDS), which will enroll every eligible low-income public school student in grades 1-12, with an initial college-fund seed deposit ranging from $500 to $1,500. There will be a bilingual informational town hall on Dec. 6. Register at sccoe.link/calkids.


QUOTE OF THE WEEK

“No matter who we are or where we come from, we’re all entitled to the basic human rights of clean air to breathe, clean water to drink and healthy land to call home.”

— Martin Luther King III

Letter to the Editor: Gives Thanking

My name is Amy Rosa Harrington and I just wanted to thank you for your support for our local Santa Cruz County community. I have lived here over 45 years and Good Times has been a great source of communication for me to find out what is going on in our community.

Santa Cruz Gives is a wonderful idea. How fortunate we are to have so many amazing non-profits to support and we can do it in one check and designate to many organizations.

This year we are especially grateful for you choosing The Welcoming Network as one of the non-profits for the Santa Cruz Gives campaign. I have been volunteering with this organization for the last year and a half. It is so gratifying to see the outpouring of love, resources and volunteers in our community to help refugees from all over the world settle into our community. Thank you for your support from Santa Cruz Gives to help needed funds for The Welcoming Network.

Amy Rosa Harrington | Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Letter to the Editor: Don’t Accept Dual Endorsements

The phenomenon of dual candidate endorsements—endorsing opposing candidates—began locally in the June 2022 election cycle. It has continued prodigiously in this November 2022 election cycle.

Former U.S. Representative Sam Farr endorsed both Justin Cummings and Shebreh Kalantari-Johnson in the November 2022 Santa Cruz County Third District Supervisor runoff. Santa Cruz Councilmember Sandy Brown endorsed both Fred Keeley and Joy Schendledecker in the November 2022 Santa Cruz mayoral election. Santa Cruz Mayoral candidate Fred Keeley had endorsed both Justin Cummings and Shebreh Kalantari-Johnson in the June 2022 Santa Cruz County Third District Supervisor primary.

Why would public leaders dissemble so? To cover all contingencies to curry favor is the most apparent [reason], as well as appear supportive to candidate followers.

The more duplicitous aspect to this practice of dual endorsements is that, if it’s acceptable to the body politic, it establishes disingenuous, doublespeak insincerity as acceptable political practice.

Bob Lamonica | Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Increase in Algae Blooms a Concern at Once-Toxic Pinto Lake

With the brassy stutter of a rusty wheel whizzing downhill, an American coot announces itself from the shores of Pinto Lake as Kendra Hayashi scoops water from the side of the dock. Today, the sample in her glass bottle looks mostly clear, as does the liquid buoying the bird.

But three weeks earlier, she says, the lake’s surface bloomed with potentially toxic algae. The coots and mallards didn’t seem to notice. “When it’s super green out and you see them motoring through, you’re just like, ‘Ugh!’” Hayashi says.

Hayashi manages a lab at UC Santa Cruz that monitors microcystin—a toxin produced by algae in the genus Microcystis—in Watsonville’s Pinto Lake. Though it once had among the highest measured levels of microcystin of any freshwater body on earth, the lake hasn’t had a toxic event in years, thanks to local cleanup efforts.

Some of that progress, however, has started to stall. And as the climate crisis creates conditions for more frequent algal blooms—layers of algae that grow out of control in lakes and other bodies of water—keeping Pinto Lake safe may require more effort and funding, potentially stretching local agencies thin.

Blooming All Around

The challenge extends beyond just one lake. Algal blooms occur throughout Santa Cruz County around early fall, when weather remains hot but rain has yet to come. Those conditions leave freshwater bodies lower, warmer and more stagnant, allowing algae to thrive.

2022, however, saw a plethora of blooms. This likely owes to a heavy September storm that brought enough rain to wash extra nutrients into lakes and ponds, feeding the algae, but not enough to flush the algae out.

At one point in September, says county water resources manager Sierra Ryan, her staff responded to calls about five blooms in the span of a week and a half. 

Ryan says only one of these blooms, in a water body on private property, included toxin-producing algae—and even then, her team wasn’t able to detect any actual toxin when testing the water. But it’s impossible to tell the difference between toxic and non-toxic blooms just by looking, so the county posts warning signage at blooming lakes and ponds to encourage caution. Pets who swallow microcystin can die within 15 minutes. For humans, ingestion causes breathing difficulty and stomach distress. Skin contact can produce a rash.

Ryan doesn’t want people to panic; she just wants them to be careful. “If you come in contact with the water, you clean yourself off. You keep your pets away,” she says. And don’t drink it. “Other than that, there isn’t really a risk involved.”

But the recent blooms don’t exist in a vacuum. To Ryan, this year feels like part of a trend. “Every year we seem to see more water bodies with blooms,” she says.

As climate change brings hotter, drier conditions to California, that trend will likely continue. “All of these organisms producing toxins in the freshwater generally like really warm conditions,” says Dr. Raphael Kudela, professor and chair of Ocean Sciences at UC Santa Cruz. Kudela, who heads the lab monitoring microcystin in Pinto Lake, says those algae grow best at 25 to 30 degrees celsius. As climate change heats up California, lakes like Pinto edge closer to that range.

“If it’s kind of stagnant, if it’s hot and dry and you’ve got a nutrient source, then it’s just going to keep getting worse and worse and worse,” Kudela says. “That’s basically describing climate change.”

At Pinto Lake, the climate trend coincides with another: a chemical treatment designed to keep the algae at bay has begun to approach its limit.

Taming the Green Tide

In 2017, the City of Watsonville treated Pinto Lake with alum, an aluminum-based compound commonly used to purify drinking water and treat wastewater. Rather than killing algae, alum cuts off their food, binding up the nutrient phosphorus in the sediment of the lakebed.

The treatment came after years of high toxicity. Because it sits on a natural phosphatic deposit, Kudela says, Pinto Lake always had high nutrient levels. But decades of extra nutrient input from leaky septic tanks and fertilizer runoff from farms and lawns painted the lake green with scum. Kudela describes the blooms’ scent as sweet-but-rotting, “like if you’re composting grass.”

The World Health Organization sets the limit for microcystin in drinking water at 0.8 parts per billion. Watsonville cordons off Pinto Lake City Park at 10 parts per billion—the city’s threshold for a “toxic event.”

In 2007, the lake reached 2.9 million parts per billion. “It was the second-highest measured toxin anywhere in the world,” Kudela says. At that point, “probably even just touching it wouldn’t be a great idea.”

Back then, even breathing near Pinto Lake might have had consequences. Some algae, including Microcystis, can emit toxins into the air, especially if kicked up by boats, jet skis or powerful winds. Though research hasn’t proven a causal relationship, a strong association has emerged between long-term exposure to airborne algal toxins and liver disease—including a hot spot in the Bay Area. While no specific data exists for Watsonville, Kudela says, microcystin likely wafted on the breeze during Pinto Lake’s most toxic years.

Riding the Pajaro River to Monterey Bay, microcystin also accumulated in clams, mussels and oysters—favorite foods of sea otters—at up to 107 times the concentrations of the surrounding seawater, according to a 2010 study. At least 21 sea otters, the study found, died after ingesting microcystin from Pinto Lake and other water bodies connected to the bay.

Since then, however, Pinto Lake has improved significantly, thanks to a multi-pronged effort by local and state agencies.

In 2013, Watsonville paid residents 25 cents per pound to fish the lake for carp, a bottom-dweller that kicks up nutrient-rich sediment for algae to feed on. Four years later, the city treated the lake with alum, sealing away over 60% of its phosphorus almost immediately. Watsonville has also worked with the county to reduce fertilizer use on residential lawns in the watershed.

The Central Coast Regional Water Quality Control Board joined the effort in 2020, setting the limit for additional phosphorus allowed into the lake annually at 90% below then-average levels.

To help meet that limit, the county Resource Conservation District continues to work with consenting landowners in watersheds across the county to boost fertilizer and irrigation efficiency, plant cover crops and add vegetation to drainage ditches—all methods to reduce nutrient-rich runoff. Working with the county parks department, the district also built a sediment basin to catch pesticides and nutrients upstream of the lake.

The efforts paid off. For the rest of 2017 after the alum treatment, the lake closed due to toxicity only once, for three weeks—compared to three-month-long closures in 2015 and 2016. Although signage still warns of toxic blooms, “it’s been pretty good since they treated it,” Kudela says. Most weeks, his lab detects no microcystin at all.

Algae’s Slow Return

Inevitably, however, nutrient runoff still occurs. Jackie McCloud, environmental sustainability manager at Watsonville Public Works, says blooms have become more frequent in part because eight centimeters of phosphorus-rich sediment have built up on the lakebed since the alum treatment. 

The alum can lock away some of this, she says, but not all of it.

As fresh sediment and the climate crisis give blooms a boost, monitoring toxin levels remains crucial.

So, every week, Kendra Hayashi returns to Pinto Lake. She pulls a sampling bottle from her bag, along with what look like two miniature embroidery hoops and a lightsaber.

The hoops bind a lump of resin between two layers of mesh, forming resin “tea bags.” These will soak in the lake, grabbing whatever toxins they encounter, until Hayashi collects them next week. In addition to microcystins, the resin can snatch up anatoxin, nodularin and cylindrospermopsin—spelling bee nightmare fuel that provides a broader picture of the lake’s health. 

The lightsaber, meanwhile, is actually a fluorometer: a device that can detect the colored pigments associated with certain types of algae. Hayashi slips it just below the surface. “It’s taking a measurement every second,” she says, “so I just try and leave it in the water for a minute so that I can get a good reading of what’s here.”

The water sample in the bottle marks the final step. Hayashi brings all three items back to Raphael Kudela’s lab, where the results have begun to confirm Ryan’s and McCloud’s observations.

“We’re starting to see toxin coming back up,” Kudela says. “Not nearly as much as we used to, but it’s still there.” His lab has begun noticing more frequent pulses of microcystin up to a few parts per billion—low enough for recreation, but not for drinking.

Uncertain Solutions

McCloud hopes for a second alum treatment before the first stops working entirely.

Getting one, however, will require help, probably from the EPA or the California Water Resources Control Board. “As an underserved community, the environmental programs rely on grant funding,” McCloud said in an email. “We don’t have a supplemental budget to do these treatments without state or federal aid.”

Grant funding covered 100% of the original alum treatment. Securing that support again presents a challenge of timing: grants must be applied for and spent under certain deadlines, so the city has to wait for a window when it has the staffing capacity to prioritize a new alum project.

The price of alum has risen, too, McCloud says, so a grant of the same size won’t afford as much treatment.

And as the climate crisis spawns more frequent blooms, Pinto Lake may need more treatments down the road. “I’m unsure if the funding will keep up with the need,” McCloud says.

Despite these challenges, Pinto Lake remains one of our region’s best success stories. It received treatment, and routine testing continues.

Many water bodies aren’t so lucky. Some, like nearby Kelly Lake, experience blooms but receive no toxin testing because they’re on private property, Kudela says.

Others get tested, but only occasionally. County Water Resources lacks the staffing capacity to regularly monitor every water body in its jurisdiction, Sierra Ryan says. Instead, testing occurs reactively, whenever they get a call about a bloom.

But not all algae produce toxins, and the ones that do must be present at high enough levels in order to cause a toxic event. As a result, blooms can shift between toxic and non-toxic as the types and quantities of algae in the water change. “It might not be toxic one day when we go out and test, but it might become toxic the next day,” Ryan says, meaning they might miss a toxic event due to unlucky timing.

This makes tracking the scope of the problem difficult—as does the fact that different water bodies in the region sit within different agencies’ jurisdictions, so no centralized data source exists.

The California Harmful Algal Blooms Portal may help address this. Residents can use the website, operated by the California Water Quality Monitoring Council, to report observations and view a statewide map of active blooms. “Ideally, that’s where we’re going to start having a repository of this data, so it’s not, ‘Well, the city monitors these sites, the county monitors someplace, Watsonville is monitoring other sites,’” Ryan says.

Amidst all these challenges, keeping the public informed remains crucial as blooms continue. Press releases and social media posts advise residents to exercise caution. Signage dots the shores of Pinto Lake. 

After years of blooms, most folks have gotten the message.

On a mid-October morning, Rafael Santillán winds his way down a secret path at Pinto Lake County Park, fishing rod over one shoulder. His dog Dino scampers ahead. The two emerge at the lip of a short cliff over the water, tall enough to prevent Dino from taking a gulp.

In a decade of fishing here, Santillán has heard plenty about the blooms—including one rumor of a scientist developing hand tremors after taking too many samples. He releases his catch instead of eating it, and he never lets Dino near the water.

Even so, Santillán says, “I put my hands in the water all the time.” The lake has never hurt him before. And though its future remains uncertain, odds are, it won’t hurt him this morning either.

A coast live oak casts shade into glassy water as Santillán casts his line and American coots cast their calls. For today, the lake shines clear.

Santa Cruz Gives Nonprofits Foster Empowerment and Employment

For 15 years Brenda Deckman was homeless, unable to find a job despite her efforts and moving in and out of shelters. 

It only took Deckman one year of working at the Homeless Garden Project (HGP) to find a full-time job that allowed her to move into her own room. 

“I was a chronic homeless person,” Deckman says. “The hardest part about ending your homelessness is just finding a job. But the Homeless Garden Project made that possible.” 

There are multiple factors that make getting a job significantly harder for someone experiencing homelessness, Deckman says. Everything from not having a permanent address to lacking a cell phone, clean clothes or access to a shower and the stigmas about homeless people. So when Deckman first learned about the HGP, she had low expectations, having all but given up on the idea of finding a job.  

“People don’t want to deal with homeless people,” says Deckman. “When they see your application and you have no address, it’s almost degrading, the way you get immediately shut down.” 

That’s one of the ways HGP is unique: the program specifically hires people who are unhoused, giving them the chance at employment that they are so often denied. Along with groups like Santa Cruz Black and Digital NEST, it’s one of the organizations in this year’s Santa Cruz Gives holiday fundraising campaign dedicated to promoting employment and empowerment. 

At the garden, Deckman learned employable skills, and she also worked alongside volunteers and workers who weren’t experiencing homeless. For those 20 hours a week, when Deckman interacted with fellow coworkers, being homeless wasn’t at the forefront of her identity. 

“When I was homeless, I was shut out from the community,” says Deckman. “At the garden, that doesn’t even matter, it’s like that doesn’t even exist and it makes you feel like a normal person.” 

That sense of normalcy was one of the founding principles of the program. The garden, which was co-founded in 1990 by Paul Lee and Lynne Cooper, was born out of the idea to provide a safe, beautiful space for people experiencing homelessness to go to during the day, while also working on a broader scale to end the cycle of homelessness. 

“Our trainees say that when they’re away from the farm, they have a lot of chaos,” HGP Executive Director Darrie Ganzhorn says. “When they come into the project, things are structured, there’s predictability and accountability. They also have people looking out for them, caring about them.” 

Throughout the year, the program provides an avenue out of homelessness by offering 22 paid, part-time positions in gardening and growing organic produce. Over the last seven years, 96% of the program’s graduates have gotten into jobs, and 88% have gotten into housing.

While HGP has so far focused on setting its workers up for success in a full-time job, the garden is working on a program that will connect trainees who have worked on the farm to community members willing to rent to them. The garden already acts as an informal space to make these connections. Ganzhorn says she knows of a few people who have extended an extra room in their home to one of the trainees they work with. The project hopes to optimize on this opportunity through a new program called Finding Flatmates.

“People become friends outside of the program,” Ganzhorn says. “We’re really looking at how our trainees are going to get into housing in this housing market. The model is based on the idea that somebody who works with us, they’ve really kind of shown their dependability and their integrity, and so we can vouch for them and somebody has a room in their house that they want to rent.”

At its core, the program aims to help homeless people transition to full-time employment, and through its garden, HGP simultaneously creates a healthier community. The garden provides organic produce to low-income communities with its Feed 2 Birds program, where organic produce grown on the farm is donated to 15 nonprofit organizations.

Last year, the garden expanded the program by 50%, and with funds from the Santa Cruz Gives campaign, HGP hopes to provide even more low-income families with organic produce. 

With funds raised from the campaign, the garden will also continue to expand its transitional employment opportunities for people experiencing homelessness, and work alongside the unhoused to find solutions to end their homelessness—just like Finding Flatmates hopes to do. 

Santa Cruz Black

Ayo Banjo used to drive 45-plus minutes over the hill to San Jose to get a haircut. 

“It’s so hard, as a Black man, to find a barber in Santa Cruz who can cut Black hair,” Banjo, a 22-year-old activist says. “It took years, but now I found one. These are the types of things white people don’t have to think about here.”

It was through Santa Cruz Black (SCB), an organization dedicated to bringing together and retaining the Black community in Santa Cruz, that Banjo met his now-barber. 

“I used to think these people weren’t here,” says Banjo, who is also the program director of SCB. “But really, we just needed to tap into the Black community that was already here.” 

SCB started in 2020, in response to the murder of George Floyd. Now, it has various programs dedicated to empowering Santa Cruz’s Black community, from community events to affordable housing for Black people to cultivating young Black leaders.

With money from Santa Cruz Gives, Banjo plans to help SCB focus on Black youth, through things like bringing Black leaders to speak to Black students across the county, and taking students on field trips that incorporate Black culture.

“When Black people come to Santa Cruz, even though our number is small, we want them to fall in love with the Black community here, and to feel like a whole family,” says Banjo. “When we help strengthen our most vulnerable groups, we come stronger together as a society.”

Digital NEST 

The technology industry offers some of the highest-paying jobs in the world, and is predicted to grow by 13% between 2020-2030. Digital NEST, founded and headquartered in Watsonville, is on a mission to make sure local Latinx youth have the skills they need to access this high-paying, growing industry.

At the core of Digital NEST is the goal to make technical skills and resources accessible for Latinx youth, to give them the space to nurture their talents and level the playing field with their white, middle- and upper-class peers.

Digital NEST offers free after-school technology classes for youth in high school to people 24 years old. The program also provides students in the program with the connections that Latinx youth in rural communities often don’t have access to. The NEST has a broad network of local businesses, elected leaders and community organizations that students in the program can meet and learn from. 

With funds from the Santa Cruz Gives campaign, Digital NEST will continue its Watsonville Youth Workforce Development Program. Digital NEST Watsonville is a community-driven career development center for primarily Latinx youth that provides free technology skills, skills training, paid internships and networking opportunities with professionals.

Digital NEST members have access to technology and a safe space and are given training in essential workplace skills. Through the nonprofit’s paid internship program, members who excel can build professional portfolios while working with clients and growing their professional skills. Digital NEST also connects members to internships with partners in the tech industry and education and provides mentoring opportunities through our annual NEST Flight conference.

Monterey Bay Aquarium Research Institute’s New Chapter

Most of the deep sea is still shrouded in mystery—hidden beneath inky, icy, high-pressure water. But much of what we do know comes from the efforts of a few specialized research institutes, including the Monterey Bay Aquarium Research Institute.

Situated in Moss Landing at the mouth of the underwater Monterey Canyon, MBARI has spent the last 35 years exploring the deep. As part of a new chapter, the institute recently said goodbye to its largest research vessel, the R/V Western Flyer, to make way for a new ship. 

Built in 1996, the Western Flyer made more than 500 research cruises around Monterey Bay and beyond, and helped researchers identify more than 200 new species. The ship completed its last MBARI mission on October 6—but just like the organization itself, the Western Flyer is about to begin a new chapter: it will now serve as a sailing classroom for the Florida Institute of Oceanography.

“At one point, things looked kind of bleak—like we were going to have to recycle the ship,” says Mike Kelly, MBARI’s director of marine operations. “And then we heard of FIO’s interest in procuring a new ship, and we started discussions and it went from there.”

The ship will sail through the Panama Canal to Florida, likely arriving in the spring.

“We expect to be operational in the summer, taking cohorts of students out and working on some projects that are most likely tied around marine archaeology and exploration and technology, and using those as a way to kick off,” says Monty Graham, the director of the Florida Institute of Oceanography.

The new FIO program will focus specifically on engaging nearby historically marginalized communities. 

“It’s more than just training scientists,” says Graham. The program will involve all aspects of operating a ship, including crews, shore support and supply chain connections.

“A program core element is co-creation, meaning that we want the community to have very much a voice in what is happening in science,” says Qu’Derrick Covington, the DEI program director at FIO. 

“We want to make sure that these diverse communities have representation, but not just representation: that they also have a level of confidence in their community, amongst each other, to come back with those solutions.”

Age of Autonomy

After the departure of the Western Flyer, MBARI will await its new vessel, the R/V David Packard, which is currently under construction at Freire’s shipyard in Spain. Named for the institute’s founder, the new David Packard will be 164-by-42 feet wide, with the capacity for 30 people. It’s expected to set sail next summer.

Unlike the twin-hull Western Flyer, the new R/V David Packard is a monohull shape. While this provides less stability, the new ship will offer more outside deck space. Kelly says this change reflects a larger shift at MBARI. Scientists are increasingly using ships to deploy autonomous underwater vehicles (AUVs). 

The Western Flyer served primarily as a stable platform for deploying a remotely operated vehicle (ROV)—an underwater robot tethered to the ship by a long cable and operated by a pilot on board. MBARI’s ROV Doc Ricketts can dive almost two and a half miles below the surface. 

The institute will still use the new ship for the Doc Ricketts, but AUVs offer new exciting ways to explore the deep. These robots can travel several hundred miles after launching, collecting images, water samples and measurements as they go.

In order to continue developing new technologies like AUVs, MBARI will soon build a new robotic technology lab: the Instrumentation Integration and Testing Facility. The two-story, 31,900-square-foot building will take shape across the street from the institute’s dock, at the former location of Phil’s Fish Market and Eatery. Phil’s relocated three miles away to a historic schoolhouse building in Castroville. 

The new technology lab and a new Expedition Staging Building will be the first new buildings at MBARI in over 20 years. Researchers will use the new staging building to prepare equipment for expeditions beyond Monterey Bay, such as Arctic trips. With new technology, new space and a shiny new ship, MBARI’s sails are set for discovery.

Heavy Waves Damage West Cliff Drive

Part of Santa Cruz’s famed West Cliff Drive is closed after heavy surf on Nov. 25 chewed away at the structures protecting the cliff, causing parts of the pathway to crumble into the sea.

Pedestrians and bicyclists are moving out into traffic lanes to navigate their way along the heavily-used route. 

The damage to three areas in the area of Woodrow Avenue and Columbia Street is no surprise for the city, whose West Cliff Drive Adaptation and Management Plan—approved by the Santa Cruz City Council in 2021—is already underway. The cave-in occurred in areas already under design for repair.

Still, the waves fast-forwarded plans to shore up the protective armor of boulders along the battered cliff walls—called riprap—to thwart encroaching waves and stop further erosion, as engineers prepare to make further repairs, said Senior Civil Engineer Joshua Spangrud.

“This is one of three areas that I’m in the process of having a project put together to address,” he said. “And now it looks like I need to do it quicker.”

Spangrud said he expects designs to be complete by the end of the year, and a request for proposals to be issued soon thereafter.

The plan—with seven transportation alternatives—is a long-range look at how climate change and rising sea levels will affect the coastline, and how the city will adapt to it.

Future work could include changing West Cliff Drive to one-way for vehicles, with one of the lanes previously used for traffic converted to a bike lane. City officials could also consider a full or partial closure to vehicles, or relocating parts of the drive in Lighthouse Field State Park. The plan also includes possibly purchasing some private parcels to allow for additional space.

While some of the plan proposes ways to slow erosion caused by encroaching waves, it also acknowledges that such encroachment is inevitable, and suggests several “adaptation strategies.” 

One of these involves placing sand dredged from Santa Cruz Harbor at Pyramid Beach, which planners believe would be dispersed along West Cliff Drive and help slow incoming waves.

For another strategy—called managed retreat—city leaders would, over time, relocate and move infrastructure at risk of erosion. 

Bethany Jacobs of Santa Cruz, who says she uses the walkway “almost every single day of the year,” says that she won’t enjoy having to use a detour while the work goes on, but understands it’s necessary.

“Whatever they have to do to protect this beauty,” she said.

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