The storm bearing down on the state is set to arrive Thursday, bringing as much as 10 to 12 inches of rain to the Big Sur Coast. The storm also has the potential of a deluge for the Central Coastโ2 inches expected in Monterey and 3 to 4 inches in Watsonville.
In Santa Cruz, residents could see as much as 5 inches, and the Santa Cruz Mountains could get 8 inches.
That was the message Wednesday from meteorologist Brayden Murdock, who says the already saturated soil could mean trouble for areas beset by atmospheric river storms in January and February.
โBe prepared,โ he says. โIf you saw flooding in January, be prepared for flooding again from these events that are coming through,โ
The Salinas and Carmel rivers will see high crests, but Santa Cruz County officials say that the Pajaro River will not.
The weekend is also predicted to bring rain, as is Monday, when a cold front is expected to pile on another inch.
โItโs going to be a while before we get all this rain out of our system, and that can cause those river flooding conditions to increase,โ Murdock adds.
LYRICS BORN WITH lespecial โThe [music] industry is where I faced challenges,โ Lyrics Born says. โWhen Iโd go to the corporate offices, the agencies, the management companies, the record labels, the distributors, the advertising and marketing departments, Iโd never see a single Asian.โ Beyond being the first Japanese American MC to release 10 studio records and perform at major music festivals like Coachella, Lyrics Bornโs success signifies something far more powerfulโhe represents the freedom to do what he wants on his terms. โHip-hop has given [Asian Americans] a voice,โ he says. โWe could be ourselves and say what we wanted to say and feel empowered. We could tell our story. I think representation matters.โ $30/$35 plus fees. Saturday, March 11, 9pm. Moeโs Alley, 1535 Commercial Way, Santa Cruz. moesalley.com
โLISTENING TO THE LANDโ โListening to the Landโ juxtaposes โthe spiritual resonances of far-reaching geographiesโ from New Mexico to the Arctic. In 2022, Navajo composer Raven Chacon became the first Native American to be awarded the Pulitzer Prize in Music. Chacon will discuss his award-winning work, โVoiceless Mass,โ as part of the concert conducted by Michael McGushin. โThe Light Withinโ by Alaskan-born composer John Luther Adams will also be featured in addition to McGushinโs โPrologueโThe Nightingale,โ Ben Dorfanโs โContinuoโ and Judith Weirโs โBlue Green Hill.โ $28.52-39.19 plus fees. Saturday, March 11, 7:30pm. Peace United Church of Christ, 900 High St., Santa Cruz. eventbrite.com/e/listening-to-the-land-tickets-516439714087
NORTH MISSISSIPPI ALLSTARS From Little Walter to Junior Kimbrough to R. L. Burnside, the North Mississippi Allstars grew up surrounded by the best. For over 25 years, the blues-rock-jam hybrid has intertwined those influences with every note theyโve played. โWe strive to honor the debt we owe our elders and mentors and do what we can to encourage and pass on what we were taught,โ Luther Dickinson says. โOur father used to say, โIf you learn something, itโs your responsibility to pass it on to at least 10 people.โโ NMA founders Luther (guitar and vocals) and his brother Cody (drums, Wurlitzer organ and vocals) knew the value of their father the late Jim Dickinsonโs advice. The renowned producer worked with some of the biggest names from Big Star to the Stones.$35/$39 plus fees. Sunday, March 11, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com
ZAKIR HUSSAIN AND MASTERS OF PERCUSSION Every other year since 1996, Zakir Hussain has served as curator, conductor and producer to bring the very cream of Indian music and world percussion to tour America and Europe with his series, Zakir Hussain and Masters of Percussion. Growing out of his renowned international tabla duet tours with his father, the legendary Ustad Allarakha, Masters of Percussion began as a platform for popular and rarely heard rhythm traditions from India. While performing and collaborating in India for a few months every year, Hussain has unearthed lesser-known folk and classical traditions, which play an educational role in affording them greater visibility and introducing them to audiences in the West. Over time, the constantly changing ensemble has expanded to include great drummers and percussionists from many world traditions, including jazz. The 2023 version will boast spontaneous combinations of percussive, as well as melodic, performances. The tour features Sabir Khan, Tupac Mantilla, Melissa Hiรฉ and Navin Sharma. $47.25-78 plus fees. Sunday, March 12, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. kuumbwajazz.org
PUP AND JOYCE MANOR WITH POOL KIDS Canadian punk rockers PUP (Pathetic Use of Potential) formed in 2010 originally as Topanga. PUP’s self-titled debut, released on Royal Mountain Records, led to signing with SideOneDummy Records, who re-released their debut in the United States in 2014. The group followed up with The Dream Is Over, then Morbid Stuff. Meanwhile, the idea for the name โJoyce Manorโ came from an apartment building near frontman Barry Johnson’s houseโit doesnโt get any more complicated. $32/$37 plus fees. Monday, March 13, 8pm. The Catalyst Atrium, 1101 Pacific Ave., Santa Cruz.catalystclub.com
BILL KIRCHEN AND REDD VOLKAERT WITH GINNY MITCHELL Bill Kirchen is a founding father of Commander Cody, and his diesel-fueled riffs helped Hot Rod Lincoln earn a Grammy nod for โBest Country Instrumentalโ in 2001. Kirchen has recorded with Elvis Costello, Emmylou Harris, Nick Lowe, Link Wray and others. Regarding killer guitarists, Redd Volkaert played his way from Santa Cruz to Galax, Virginia. In 1997 he landed a lead guitar spot with Merle Haggardโs band. โWhen I close my eyes, I sometimes hear Roy Nichols [Haggardโs original lead man], and that has never happened before,โ Haggard said of Volkaert, who scored a Grammy for his own work in 2009. Local favorite Ginny Mitchell will also be on hand. $30/$40 plus fees. Monday, March 13, 7:30pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org
COMMUNITY
ALFRED HITCHCOCK FESTIVAL One of the greatest filmmakers of all time, Alfred Hitchcock lived in Scotts Valley from 1940-1970. He filmed several movies close by, including Vertigo in San Francisco and San Juan Bautista. The Birds was filmed in Bodega Bay and inspired by a true event in Capitola. Scotts Valley has proclaimed Alfred Hitchcock Week to honor National Hitchcock Day and celebrate the director. The Scotts Valley Community Theater Guild will host the first Alfred Hitchcock Festival with the Scotts Valley Exchange Club and the Scotts Valley Historical Society. Enjoy wines grown on Hitchcockโs former property, which is currently home to Armitage Wines. Free-$75 plus fees. Friday, March 10, 6-9pm and Saturday, March 11, 2-9pm. Scotts Valley Cultural and Performing Arts Center, 251 B Kings Village Road,Scotts Valley. brownpapertickets.com/event/5723433?ref=349591
CASTRO ADOBE OPEN HOUSE The fully restored two-story Rancho San Andrรฉs Castro Adobe, built between 1848-49, is one of the best examples of a rancho hacienda in the Monterey Bay area. The 90-minute tour will be led by state park docents who will share the Castro family’s history. Learn about the Vaquero culture and more. Free (registration required). Sunday, March 12, 10:30am-3:30pm. Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville. santacruzstateparks.as.me
When I ask Patrick Stickles of the punk rock band Titus Andronicus what or who inspired the big sound of their new album, The Will to Live, he gives me a very unexpected answer: Mutt Lange. Yes, the super producer who put his trademark gloss on a series of landmark rock and pop albums, including AC/DCโs Back in Black, Shania Twainโs Come on Over, the Carsโ Heartbeat City and Def Leppardโs Hysteria, among others.
โBands that worked with him seemed to get into a certain mood,โ Stickles says from his New York City home after an extensive tour of the United Kingdom. โ[Bands] try and create the biggest and best version of their particular sound in an immodest way and try to saturate the sonic picture as much as possible with the very densely arranged backing vocals and all of the dozens of different guitar tracks and the subtle use of synthesizers to beef things up and put a nice sheen on everything.โ
Since their first album, 2008โs The Airing of Grievances, Titus Andronicus has been a shambolic rock band with frequent heart-on-the-sleeve lyrics. Yet, Stickles, the bandโs frontman and sole constant member, has never shied away from big, ambitious musical statements. He says The Will to Live embodies a concept he calls โultimate rockโ and defines it as โthe biggest and boldest version of whatever music.โ
It sounds as if every space on the album is stuffed full of sonic flourishes. On The Will to Live, that means a dense sound full of backing vocalists, frequently erupting guitar solos, stadium drums, piano and saxophone. The record begins with โMy Mother is Going to Kill Me,โ a rock instrumental that would have not been played on any FM radio rock station back in the day. There are also some nods to Nirvanaโs โTerritorial Pissingsโ on โDead Meatโ and a cover of English punk band Cock Sparrerโs โWeโre Coming Back.โ
โOn one level, the inclusion of that particular song lets us keep one foot in the world of traditional punk rock while also expanding it to the more grandiose, celestial sounds,โ Stickles explains.
Besides Mutt Lange and his production techniques, another effect on the album was the death of Sticklesโ close friend and cousin Matt Miller in 2021. The surprisingly buoyant โGive Me Griefโ was inspired by Millerโs demise. โItโs a musical representation of the sort of emotional, fraught, intellectual processes I had to go through to deal with his passing, which was painful,โ Stickles says.
There are references to god and the devil, including a struggle between those forces in the seven-minute-plus โAn Anomaly.โ When I ask Stickles about the songโs dive into religion, he offers a disclaimer: โThe record is definitely not intended as religious propaganda by any means, Christian or otherwise,โ he says and then explains that itโs symbolic.
Itโs impossible to write about Titus Andronicus without mentioning their 2010 opus, The Monitor. The ambitious concept album combines Civil War allusions and young adult angst under a sometimes dark cloud representative of Sticklesโ New Jersey roots intertwined with anthemic rock. Though theyโve made seven albums, itโs the record of their career and their most popular and critically acclaimed.
Stickles admits that he has bristled at music writers and others who have focused on The Monitor at the expense of his other albums. โWhen I was a younger and grumpier guy, it often did feel like an albatross around my neck because inevitably anything that the band put out would be compared to that and not so favorably,โ he says.
At this point in his life, Stickles has come to accept the benefits of that record.
โI have to have a certain level of gratitude for that record and the younger version of myself who made it because it sets us up for the long career we have enjoyed,โ he says.
Meanwhile, this is one of those shows where the opener, the Country Westerns, should not be missed. The Nashville trio plays gritty and literate rock with a country twang that recalls both the Drive-By Truckers and Neil Youngโs work with Crazy Horse. The groupโs drummer, Brian Kotzur, was a member of Silver Jews, and Silver Jewsโ mastermind, the late great David Berman, was an early advocate.
The Country Westernsโ 2020 self-titled debut features a batch of rough and ready songs that beg to be heard in a live setting. Their upcoming second album, Forgive the City, was produced by Matt Sweeney (Chavez, Zwan, the Superwolf projects with Bonnie โPrinceโ Billy) and comes out on April 23. Stickles is also a fan.
โThey are a joy to be around and a real infusion of positive energy in the touring company,โ he says. โAnd they make great tunes.โ
Titus Andronicus and the Country Westerns perform Thursday, March 16, at 9pm. $20 plus fees. The Catalyst, 1101 Pacific Ave., Santa Cruz.catalystclub.com
There are two unavoidable experiences every person encounters. Death, one of the two, is central to Roxanne Hoorneโs cover story this week. But itโs not a bleak read. Itโs a comprehensive dive into Green Burials, an increasingly popular practice that honors the deceased in an eco-friendlier way. Unlike traditional burials, which often involve embalming chemicals and caskets, green burials aim to minimize environmental impact as much as possible. Hoorne outlines the various types currently employed in California. Natural organic reduction, aka Human Composting, is considered by many to be the โgreenestโ of all. While it wonโt be available to Californians until 2027, many have already decided on this final act of environmental love.
Good Timescontributor June Smith had initially decided on a burial at sea, one of the โgreenโ options. โWomanโs soul uniting in glorious harmony with the brilliant blue sea,โ she wrote in a 2019 piece, โWhy I Chose a Green Burial.โ But the 91-year-oldโs post-life plan changed while Hoorne was writing the storyโyouโll have to read to find out what Smith decided.
โI should do what feels right to me,โ Smith says. Her self-reassurance is potent unintentional wisdom; straightforward advice that might help anyone conflicted about how to wave that last goodbye.
What a legend! I adored Tom. I took Anatomy, physiology and Inorganic Bio Chem from him, and he ended up being a mentor and a fantastic storyteller. He loved to shock and awe us wide-eyed anatomy students with stories from his studies at Berkeley in the muscular dissection labs. I still recall one specific story I wonโt repeat here, but it made us all laugh. He will be missed! โKatharina Short
Tom was a wonderful human and friend. His legacy continues as he supports education at Cabrillo College and enhances the lives of those who will benefit from his generosity. Seeing his face in this article just fills my heart. โVeronica Vanderstoep
He was my anatomy instructor a long time ago, and he was a great instructor, incredibly dedicated. He also took a group of us on a four-week backpacking trip in The Hawaiian islands that remains one of my most memorable life experiences. I didnโt know he had passed, and it doesnโt surprise me that he would leave such an amazing donation and legacy. โAlexis Hoekstra
Tom was also a descendant of an early French family in San Jose. His aunt, Eva Sourisseau, left a bequest that founded the Sourisseau Academy for State and Local History at SJSU. A number of years ago, he donated a large and important collection of early family photographs and other ephemera to Sourisseau. What a wonderful, generous family! โCharlene Duval
PHOTO CONTEST WINNER
Black skimmers on Santa Cruz Main Beach. Photograph by Jo Koumouitzes.
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GOOD IDEA
A reminder for all the folks who sustained storm damage: the current deadline to apply for FEMA and Small Business Administration assistance is March 16. The Governorโs office has requested an extension to that deadline, but itโs still up in the air if any extension will be granted. Local officials recommend all residents, businesses and nonprofit organizations continue to apply as soon as possible before the current deadline and seek help at the face-to-face assistance available in the recovery centers throughout California.
GOOD WORK
The San Lorenzo Valley Water District (SLVWD) will begin flushing its water mains, an annual tradition that helps clean and maintain water pipelines, starting March 6. Yearly water main flushing removes iron and manganese deposits that accumulate in the districtโs water distribution system. Consistent flushing improves water quality, maintains clean pipes and minimizes episodes of discolored water caused by iron and manganese. Donโt worry; water is entirely safe to drink during flushing.
QUOTE OF THE WEEK
โI carry death in my left pocket. Sometimes I take it out and talk to it: โHello, baby, how you doing? When you coming for me?โโ
What a wild ride 2023 has been already. My hope is that even as the community experienced record flooding, two evacuations of the Grey Bears campus and destruction of beloved businesses, homes and natural monuments, each of you is now safe and sound.
Despite our challenges, Grey Bears stepped up to provide meals to seniors and their families during a time of need. As we enter our 50th year of support to older adults in Santa Cruz County, we intend to chronicle our beginnings and critical milestones and celebrate the golden days as we concurrently reinvest and shape our future. Those with a keen eye will notice the updated 50th Anniversary logo at the top of the page, which will be used this year to mark this momentous achievement.
With the passage of time comes a desire to not only maintain older friendships but also kindle new ones. Weโll try new ways to connect seniors this year, including our unique take on speed-datingโor friendingโfor the 70-plus crowd in late March.
In other news, the Board of Directors recently allocated $100,000 to make much-needed deferred maintenance improvements to keep food operations and the thrift stores humming as we embark on plans for redeveloping the Chanticleer campus.
Finally, as we embark on the next 50 years, itโs a great time to remind friends of Grey Bears that our work can only be accomplished through the dedication of volunteers, staff and support from our community. Grey Bears has been blessed with all three.
โJennifer Merchant, Grey Bears Executive Director
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโnot copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
A rainstorm predicted to begin Thursday morning is expected to douse the Central Coast, raising new concerns for flooding in parts of Santa Cruz County.
The storm is expected to last through Friday afternoon, bringing an estimated 2 to 3 inches in the lower elevations and 6 to 8 inches in the mountains, says National Weather Service meteorologist Alexis Clouser.
Santa Cruz County spokesman Jason Hoppin says the Pajaro River in Watsonville is predicted to reach 23 feet, well below flood stage. The San Lorenzo River, however, could reach flood stage, causing probable flooding in low-lying areas of Paradise Park and Felton Grove.
The soil, already saturated from punishing storms in January and February, will cause flooding rapidly. While high tides are expected to be higher than usual, wave heights are predicted to be significantly lower than January storms.
Forecasters also call for record-low temperatures in the middle of the week.
Clouser says the storm will be preceded by gusty winds, with temperatures ranging from the mid-40s to the mid-50s.
Commuters, she added, should be careful on their Friday morning drive.
โTake it slow, take it safe and keep an eye on the forecast,โ she says.
The Sea Spiritโa 50-foot-long boat that hosts floating funeralsโbrings corpses from the Santa Cruz harbor to their final resting place, over three miles from shore and 600 feet below the seaโs surface. On this particular day, the 38-passenger vessel, previously used for whale-watching, is taking a group of people thinking about plans for the end of their own lives out onto the water.
Patricia Kimie, a funeral pre-planning specialist at Benito & Azzaro Funeral Home in Santa Cruz, hopes guests get a taste of what their funeral would look like. She uses the boat to host one of her seminars around Santa Cruzโs options for green burial, an environmentally-minded alternative to conventional burials and cremations.
91-year-old California transplant and ocean lover June Smith is happy to accept an invitation to explore her after-life options. In 2019, Smith wrote an opinion piece for Good Times about how she wanted a green burial after reading a 2011 article about the future of green burials in Santa Cruz. Now, sheโs reconsidering her options after a cruise on the Sea Spirit.
โI feel like Iโm a girl of the sea,โ Smith says.
Being laid to rest at sea is just one of many options in Santa Cruz. With growing awareness of the negative environmental impacts of the funeral industry, many people are looking for a greener final act.
Now, thereโs one more option in the works for California. Last September, Gov. Gavin Newsom signed AB351, adding a new method for returning bodies to the land to existing legislation. The process is called natural organic reduction, or โhuman composting,โ which will be available in California in 2027. While there is some excitement surrounding the prospect of this earthy process, longtime green funeral industry advocates are arguing that the greenest age-old solutions are already legal across the country. Many can be found right here in Santa Cruz County.
โThereโs an older and simpler solution thatโs been overlookedโitโs just not sexy enough,โ green burial advocate Lee Webster says.
Going into the ground can be more complicated than it sounds. In contemporary burials, an embalmed body is set inside a lacquered wood and metal casket and often interred in a plastic or cement vault, popularized in the early 1800s to prevent grave robbing. Coffins require immense resources, and manufacturing and embalming fluids and barriers donโt prevent bodies from decaying; they just inhibit nutrients from returning to the soil.
The two-to-three-hour process of incinerating a body down to โcremated remainsโ is employed for over half of deaths in the U.S. Itโs the fastest and cheapest way to go. Without a cemetery plot or official service, the process costs $1,300 to $2,300 on average in California, compared to the $7,000 to $12,000 price tag for contemporary burials with vaults.
While it may be the cheapest route, the actual costs are environmental. The cremation process consumes fossil fuels and releases over 500 pounds of carbon emissions per person, about the same as driving 550 miles with an average car. Mercury and nitrous oxide are also released, causing air quality concerns. Then, when ashes are improperly spread, the highly alkaline remains can eat away at plant roots and change the pH of healthy soils.
โCremation seemed like a really good idea,โ says Holly Blue Hawkins, a green burial advocate at Soquel Cemetery and Temple Beth El in Santa Cruz. โBut now that we know better, itโs time to shift.โ
Human composting hopes to do just that; provide an eco-friendly alternative to cremation.
โPeople are interested in leaving a lasting legacy that does good for the earth,โ says Haley Morris at Earth Funeral, a composting company in the Pacific Northwest.
While there are several different patented processes for human composting, they all follow a general framework.ย
Holly Blue Hawkins rests her hands on a probe in Soquel Cemetery. PHOTO: Erin Malsbury
Human Composting
Inside a futuristic-looking vessel about the size of a twin bed, layered mulch, alfalfa, straw and sawdust waits. A body cloaked in a simple cotton shroud is laid on top like an open casket. Loved ones may adorn the body with flowers and other biodegradable mementos.
Like a compost pile, the organic materials must be periodically rotated to provide oxygen to hard-working microbes. After four to eight weeks, the pod will be filled with โcompost,โ bones and any medical implantsโlike hip replacements. After bones are ground down and reincorporated into the compost, itโs tested for dangerous bacteria or heavy metals. Finally, one cubic yard of compost remainsโover 10 standard wheelbarrows worth.
According to California state law, the same rules apply for spreading this human compost as we follow for cremated remains. In Santa Cruz, remains can be put in a cemetery, on your residence or someone elseโs property with their permission, Kimie says. Urban human composting facilities also own conservation areas to use the soil for forest restoration. While the existing companies donโt have specific locations planned for facilities in California, they say itโs in the works.
โWe donโt have precise plans for where or exactly when we will land in California yet,โ Katrina Spade, founder of Recompose in Washington, the first human composting facility in the country, says. โBut we worked hard to pass the California legislation, and itโs been our plan from the get-go to have a locationโor twoโthere.โ
Morris adds that Earth Funeral supports shifting the business to make human composting a mainstream option.
โWe want to be available everywhere and accessible to anyone who wants it,โ she says. โCalifornia is a big state, so we have to figure out a way to optimize our services.โ
But current prices donโt beat the cost of cremation. Introductory package rates at the urban facilities range from $5,000 to $7,000, but some have community funds for regional residents unable to pay in full. Herland Forest, a no-frills solar-powered human composting site in Washington state, charges $3,000.
As companies expand into California and new ones open, itโs uncertain if prices will be affected. Some companies offer opportunities to lock in their current price, protecting clients from increases. Brianna Smith, CEO of the Seattle-based Return Home, doesnโt expect their prices to dropโshe says the cost ensures proper care for staff is necessary. Kimie says her Santa Cruz County clientele are already writing human composting into their wills despite the cost.
Brad Angell, an architect and capital planner at UC Santa Cruz with a background in urban compost planning, says heโs wanted to be composted for decades.
โIt just doesnโt grab my heart to think about being in a box and under the ground,โ he says.
While enthusiasm grows locally, there are still some concerns. Lee Webster, a longtime leader in the green burial industry, points out that while the process is eco-minded and certainly greener than cremation and contemporary burials, it still involves a lot of resources and energy. Urban facilities must be built, requiring manufactured resources, and energy is used to keep these operations running 24/7. Alfalfa, a water-intensive plant grown in the water-conscious west, and other biomaterials must be grown, harvested, processed and transported to the facility. Finally, the resulting heaping compost truckload must be driven to its final resting place.
Webster also worries that spreading this compost in conservation areas could disrupt existing balances of nutrients and microbes that may ultimately hurt forests rather than help them. Human composting companies assured me they work with ecologists to care for the land where remains are incorporated.
โThe plan was conceived out of a deep concern and deep respect for the environment,โ she explains. โItโs just that the way to make it happen ended up not being as green as we had hoped.โ
โWeโre in the real baby steps here,โ Webster says. โI love that California is going to wait five years.โ
Billy Campbell, a physician and co-founder of Ramsey Creek Preserve, the oldest official conservation burial ground in the U.S., echoes Websterโs concerns regarding energy inputs and compost quality. He suggests that the concept could work well for specific ecosystems where bodies donโt decompose wellโnamely, dry soil in extremely hot or cold environments like the tundra or desertโunlike temperate Santa Cruz.
Spade says Recompose wants to provide an โecological optionโ for city dwellers. However, Campbell and other opponents of the method argue that even as some companies grow their business, the month-plus process couldnโt replace quick cremations.
Smith says human composting โis the most natural way to go, second to putting you directly into a hole.โ Longtime advocates are proposing just that.ย
An unmarked grave site at Soquel Cemetery adorned with cow lilies, olive branches and two miniature American flags. PHOTO: Erin Malsbury
Green Burials
Green burial generally refers to a less resource-intensive return that gives nutrients to the earth rather than harmful chemicals, as people have done across cultures since the beginning of humankind.
There is no cement vault, embalming fluid or industrial casket laden with lacquer and metals. While โgreenโ burials can vary, they generally look like this:
An unembalmed body may be covered in a shroud and placed in a biodegradable casket ranging from pine to wicker to a cardboard-like substance or with no coffin. The body is lowered about three-and-a-half feet in the soil and surrounded by flowers and other organic materials. A favorite native tree or flower may be planted on top, and nature is left to take its course. Soil layers are then lovingly replaced.
Caitlin Hauke, an immunologist and the councilโs president of education and outreach, assures me that chemicals leaching from contemporary burial practices are more of a concern than any pathogens from human bodies spreading into drinking water.
โWhen bodies are buried directly into the ground, they stay right there,โ says Webster. โThey donโt float around. They donโt go anywhere. All the microbes come to them to do all the work.โ
Not only is it safe, but burying bodies naturally allows our death to bring about new life, returning nutrients to the soil. โIf weโre going to look at this strictly from an environmental point of view,โ says Webster, โbody direct burial is still the thing that makes the most sense.โ
While green burial sounds simple, the costs can vary as you still have to pay for a plot and associated fees. Along the Central Coast, plotsโwith their opening and closing feeโstart around $5,000.
Unlike human composting and other means, green burials are legal everywhere. Individual cemeteries make the rules about what can and canโt go into the ground with a body, not the government.
Santa Cruz and the surrounding area are already home to many options for green burial.
Soquel Hybrid Cemetery
Both contemporary and green burials are welcome at Soquel Cemetery. Itโs what the Green Burial Council calls a hybrid cemetery.
Holly Blue Hawkins, who serves the Chevra Kadish, a Jewish burial society at Temple Beth El, looks after Soquel Cemetery, which is owned by the temple. She takes care not only of those buried there but the land itself.
Temple Beth El has a reserved section for Jewish burials, which are inherently green, like Native American burial practices. Hawkins says over half the people who reach out to her are interested in green burial. While Hawkins is a big proponent of green burials, she provides contemporary full-body burials and cremation plots at Soquel. She hopes people will get creative with their requests for green burials, realizing they can personalize it just about however they want.
And she has big hopes for the future. โWe can do it here in a very modest local way,โ Hawkins says, but her dream is for Santa Cruz County to have a conservation cemetery, where bodies not only give back to the land but pay to protect it under a land trust.
Purissima Natural Cemetery
Kimie, who is helping Smith with her end-of-life plans, and her partner lie side by side in the dirt and look up at the sky. They turn to each other and laugh at the dark humor of their situation, lying on top of their future grave plots.
โIt is our first and probably only ocean-view property weโll ever own,โ she jokes. โAnd way under a million.โ
Kimie talks about the purple silk shroud and biodegradable willow casket she has her eye on like a teen getting to plan for prom. Her light attitude isnโt odd for Purissima, a once-abandoned cemetery from the 1860s in Half Moon Bay. Now, it thrives as what the council calls a โnatural cemetery.โ Here, only green burials are allowed. The five-and-a-half-acre property looks more like a place to hike than a rigid cemetery.
Smith had been set on the ocean-view plot at Purissima until she came across the Sea Spirit.
Burial at Sea
While all boat charters can technically spread cremated remains, Sea Spirit goes further, providing full body burial at sea as well. Miles off the coastโlegally, at least threeโunembalmed (and free of chemotherapy) bodies, shrouded with or without a biodegradable casket, are gently slid down a mahogany slide and guided feet first into the sea, where they will eventually rest on the ocean floor.
According to Webster, an โage-oldโ practice, sea burials are another form of returning the nutrients of oneโs body to the earth, though it does take generous amounts of gasoline to power the 50-foot vessel.
Thanks to 150 pounds in rocks and the immense pressure at over 600 feet of water, bodies wonโt come bobbing up to the surface or wash up on foreign shores, Raina Stoops, co-owner of the company, assures. Instead, nature will take its course, returning the bodyโs nutrients to the marine life below. At $4,800, itโs currently cheaper than most local green burial plots.
For Smith, a ride on the Sea Spirit was convincing. But she says sheโs now leaning toward having her cremated remains scattered in the bay in view of her late husbandโs memorial bench.
โI should do what feels right to me,โ Smith explains. โNot what one of my kids says, or my neighbor.โ
While Kimie advocates for green burial education and options, she says her ultimate role is to help people find the best plan for them. The number one concern end-of-life planners and service providers share is that people should have all the information to make informed choices before it burdens their families.
โIf we donโt take care of this stuff, itโs really like the worst kind of littering,โ Hawkins says. โBecause weโre leaving a mess for people to clean up when they deserve the right to be mourning us.โ
On a cold day in late February, footsteps imprinted in an inch of snow over a makeshift pedestrian crossing connecting 32 Harmon Gulch households to the rest of the world is a reminder of how much power a natural disaster can wield.
The bridge, a metal sheet anchored by concrete blocks extending over the banks of a creek, stands where an asphalt road used to sit. The section of roadway was washed out during the historic January storms that wreaked havoc on Santa Cruz County infrastructure and brought President Joe Biden to the region.
Lack of access to heating fuel has been the most serious of several problems. Propane delivery trucks usually make the rounds to fill residentsโ tanks, but that hasnโt been possible due to the road damage, leaving many residents without heatโor rationing itโfor nearly two months.
โEveryoneโs freezing cold,โ Rebekah Uccellini, a Harmon Gulch resident whoโs become the point person for the community, says. โMost peopleโs central heatingโand their water and their stovesโall run off of propane, and that ran out in January.โ
Uccellini and neighbors have been calling for government agencies to improve disaster-response procedures. They asked for a drivable temporary bridge for weeks until they found a permanent solution. But county officials say the residentsโ plight is complicated because theyโre served by a private road, meaning theyโre in charge of its upkeep.
Itโs also unclear how a government agency, like FEMA, might be able to assist.
According to the residents, FEMA representatives have been trying to find a solution, but cumbersome paperwork and meeting no-shows have frustrated residents.
โMost people get a denial,โ Uccellini says, noting that some Harmon Gulch residents could already count eight contacts with the agency. โHalf of us got denied because the inspector wasnโt willing to walk up the road to peopleโs houses.โ
Harmon Gulch is about as rugged as Santa Cruz Mountains routes go, twisting its way up the hillside with ruts and rivets, past gnarled trunks and dense foliage.
When asked if it was confirmed that inspectors may have decided to skip the mile or so walk from Bear Creek Road to the rustic sites, a FEMA spokesperson said itโs entirely possible.
โIf they cannot assess your home, theyโre going to write in your form that they were not able to get to your home,โ says Tiana Suber, a public information officer.
The safety of the contracted inspectors comes first, she adds.
Meanwhile, residents say thereโs been a series of glitches and headaches along the path to receiving assistance as they struggle to access the outside world daily.
โItโs taking way too long,โ Uccellini says. โWe still have people who are displaced and have nowhere to go. Weโve got someone dying right now from cancerโand theyโre not even covering for his hotel yet.โ
FEMA COMPLICATIONS
FEMA officials are now getting up to speed with how best to help people who live on private roads; Stubber says it wasnโt discussed much at the federal agency before 2017.
โAs things continue to changeโand disasters become more prevalentโweโre taking the steps to learn about different situations and how to go about it,โ she says. โThings that didnโt happen before are happening now. FEMAโs preparing for each one of those situations.โ
FEMA will provide financial assistance to repair privately-owned routes, including driveways, roads and bridges. Multiple households that share a single access road can pool their assistance towards restoring it. However, this involves additional coordination and paperwork.
Harmon Gulch residents have found accomplishing this is easier said than done.
Some say they had to fill out the same FEMA paperwork multiple times. At least one resident has reported someone elseโs information somehow ended up in their file.
โThereโs a way to make it much more efficient from the beginning,โ Uccellini says. โAre they open to figuring out a better way to do it?โ
Suber says strict laws govern how to award disaster relief, and laws would have to be updated for any changes to the application process in many situations. But she says the agency has been working hard to make the process easier for storm victims, bringing in DMV and IRS reps to help residents fill out paperwork.
Disaster victims can also be served by a mobile intake team or visit a disaster recovery center. FEMA also has teams that go door-to-door checking on people to see if anyone, who might have otherwise been missed, would like to apply for emergency help.
โItโs more convenient for those who just canโt make it out of their home,โ Suber says. โWe have a lot of ways where we try to reach different communities. The process is not difficult but it can be longโwe always ask for a little bit of patience.โ
Kim Markey, one of the Harmon Gulch residents, says sheโs trying to be patient; sheโs finding out if the residents can organize to direct their individual assistance amounts towards paying for road repairs. But connecting with a FEMA inspector at her house took persistence.
One FEMA inspector she was assigned missed their scheduled meeting on Feb. 4.
โI have been pushed back and redirected today,โ he says. โCan we move over to a time tomorrow, Sunday, by any chance?โ The resident suggested 11am.
At 11:05am Sunday, Feb. 5, the Harmon Gulch resident checked in with the rep.
โWe are here,โ she texted. No response.
Finally, at 3:04pm, the rep replied. โEn route,โ the agent reported.
The inspector had taken so long to reply that Markey had already gone. In the end, the employee finally met her that night; however, others expecting a face-to-face with FEMA that day never got one.
COUNTY RESPONSE
Since a private road serves Harmon Gulch residents, the county believes itโs free of responsibility regarding repairs. Santa Cruz County spokesperson Jason Hoppin says the residents might want to consider forming a County Service Area (CSA). Rural residents could then ask the county to look after their access infrastructure in case of future road damage.
The problem with that, Uccellini says, is that it might take $200,000 worth of workโaside from the bridge issueโjust to upgrade the road to the point where the county would be willing to sign off on the CSA.
The county currently manages 36 CSA road groups that want increased maintenance of their local roads. Theyโre funded through an annual Benefit Assessment.
Uccellini is looking into the idea. What sheโs learned is that some people are happy with their CSA, while others gripe about how expensive they can beโwith households sometimes having to kick in thousands of dollars a year.
โAs a CSA, weโre an extension of the county organization, and we can get county support,โ Jim Eckerman, head of CSA 51 at Hopkins Gulch Road, says. โIโm against CSAs because people should take responsibility for their own stuff. But let me tell you why I support the CSA. Number 1: FEMA wonโt deal with private property.โ
He adds that the county doesnโt have enough people on staff to find solutions for all the storm problems residents are facing this year, but the county was quick to purchase an order for some issues with their road after the storms hit.
โWe went to the county and said, โWe need an emergency PO,โโ he says. โWithin a day, they issued an emergency PO โฆ If we werenโt a CSA, theyโd say, โGo get a tractor.โโ
Heโs been following the news coming out of Harmon Gulch.
โTo the county, Harmon Gulch is a private driveway to those homes,โ he explains. โThey need to do something.โ
Garth D. MacDonald, a public information officer with the Small Business Administration’s Office of Disaster Recovery and Resilience, says Harmon Gulch residents could apply for a loan with the agency via Harmon Gulchโs road association.
โWe do everything to make the process as smooth as it can be, but at the same time, we have to work as good stewards of the taxpayer money that is made available,โ he says. โThat is not always an easy task.โ
To get a loan, the residents would have to prove they can repay it, for example, if thereโs a healthy balance in the road associationโs bank account.
โWe canโt really evaluate how SBA can help Harmon Gulch with their private road issues until they make a decision to apply for a low-interest loan for us,โ he says. โThat would be their choice.โ
On Friday, thanks to the efforts of nonprofit Coongie, of which Uccellini is executive director, funds from locals and a donation from the Santa Cruz County Community Foundation, Harmon Gulch finally got a temporary driving bridge in placeโalthough the county wonโt sign off on it and they had to get their own liability insurance. They still need it certified so they can drive heavier vehicles over it.
Markey says it was a relief to be able to venture out finally.
โThe first thing I went to do was to put fuel in my vehicle and do a big grocery load that I didnโt have to carry over,โ she says. โI felt a little normal again.โ
As of press time, Markey was still appealing to FEMA, as the Harmon Gulch residents now set their sights on a more permanent solution.
Twenty years after its inception, UCSC’s Institute of Arts & Sciences (IAS) now occupies what is arguably the most interesting multi-use space in Santa Cruz.
The 15,000-square-foot building facing Delaware Avenue, distinguished by its tilt-up poured concrete walls and rooftop garden, was designed by architect Mark Primack. The IAS boasts three climate-controlled galleries, two screening rooms, spacious seminar suites and an open library, all designed to advance UCSCโs commitment to the role of art and creative thinking in transforming society.
Exhibitions and video installations are held on the first floor; the second-floor mezzanine will be sublet to another university group. With its awesome views, the third floor is being designed as an events space.
From the high-ceilinged entry, punctuated by clerestory windows, architectural glass bricks and polished concrete floors, institute director Rachel Nelson walks through the corridor of offices, curatorial planning space, conference and classrooms.
“Spaces for study groups to meet, for the community to gather, for video and installation events and above all,” she emphasizes,” a place for conversations to start, continue and move outward into the communities.”
Less than a month into its 10-year lease, the IAS is already busy fulfilling its mission. Already, 19 student interns and school groups have come for opening week visits.
The current exhibitions illustrate Nelson’s point about approaching themes from fresh viewpoints. Emphatically multi-disciplinary, the displays address the prison culture in a disarming series of image and video explorations. “How can you even imagine a world without prisons? What would it take to get there?” Nelson asks.
The IAS opening exhibition lives up to what Nelson believes to be its primary mission: whatever illuminates the issues of our time.
“We chose the prison abolition movement because research about it was born at UCSC,” she says. “There is a critical mass of people right now at the University of California Santa Cruz working around incarceration, such as IAS program designer and UCSC Feminist Studies professor Gina Dent, head of the $2 million Mellon Foundation-funded โVisualizing Abolitionโ program. Angela Davis is probably the most famous, but there are many others, including Nelson herself. “We have a deep rich tradition of thinking critically about prisons and thinking about the prison abolition movement.”
โVisualizing Abolitionโ is the theme of the first round of exhibitions connected to a vigorous public scholarship program, beginning with the work of artist-activist Ashley Hunt titled โDegrees of Visibility,โ dealing with the landscapes surrounding prisons in the US.
Nelson points to the idea of the invisible prison, the fact that prisons are kept out of sightโthe Marin Prison is literally underground, as Hunt’s image records. Tiny bits of text offering sobering data and statistics are paired with large neatly-framed images. Prisons can thrive because they are hidden, and Hunt’s photographs persuade the viewer. The last photo in the long hallway gallery, fittingly, is of an abandoned prison in ruins. Out of sight, out of mind.
Another large-scale exhibit, โSeeing and Seenโ by Sky Hopinka, displays photographs and a wall-sized video installation exploring relationships between carceral [the incarcerated] and settler colonial history of the US.
Hopinka, a 2022 MacArthur Fellow and indigenous artist, explores the perpetual incarceration of Native Americans. A darkened screening room displays his haunting and ironic video of ocean waves outside the country’s oldest prison, in St. Augustine, Florida. This installation is presented in collaboration with the San Jose Museum of Art, one of the IAS partners, and the Santa Cruz MAH.
Nelson cited cost when asked about the historical context of the long-awaited IAS opening. The project was downsized, but the pandemic shut down further discussion. Downtown spaces were considered but came with caveats, like limited student accessibility and parking.
Then the Delaware space became available, with parking, proximity to campus and on Metro routes.
Nelson has plenty of answers regarding the inaugural emphasis on prison abolition.
Back in 2017, a conference was discussed: a three-day event around the topic of visualizing abolition.
โCovid happened. Then the murder of George Floyd and the uprisings of summer 2020,” the IAS director recalls. “And we realized that we could not let Covid stop us from doing something that our students, our community, this nation, the world was clamoring for, which is to think beyond the systems that are currently in place. To imagine a world otherwise.”
Instead of doing the three-day symposium, the school provided a weekly discussion online around prison abolition, with speakers from all over, eliciting some 30,000 tele-participants.
“Somehow, we have created a world in which gun violence, domestic violence, and other acts that we labelย โcriminal’ thrive and so now weโre asking how do we create a world in which they donโt?โย Nelson says.
Once past the front desk and gathering area, the visitor enters a gallery of photographic images lining both sides of the main gallery space. Up close, the images by Hunt appear to be quiet landscape studies. The captions tell a different and more shocking story, one of staggering numbers of inmates, and details of the historical roots of the prison settings, many back to pre-abolition eras.
The exhibition suggests one answer to Nelson’s rhetorical question: how can we imagine a world without prisons? Removing all inequity might be a utopian dream. Whether we can genuinely abolish prisons remains an open question. But that’s the whole point for Nelson in her role as IAS director: to keep the discussion open.
The new IAS home exists to help deepen relationships with other museums and other educational institutions and, as Arts Division Dean Celine Parreznnas Shimizu believes, to deepen opportunities for people to work together “for equitability and to advance excellence.” Developing multi-sited exhibitions and programming with partners, including longtime collaborators San Josรฉ Museum of Art and MAH, IAS intends to promote the region as a destination for innovative arts programming and new modes of experiential arts education.
A final look at Huntโs Holman โCorrectional Facilityโ photograph reinforces the open discussion vision. In it, a dirt road cuts through a vast panorama of cotton fields, beyond which the existing facility sits far in the distance. According to the caption, the facility imprisons 2,799 men, including 158 on Death Row.
The UCSC Institute of Arts & Sciences galleries are at 100 Panetta Ave., Santa Cruz. Open Tuesday-Sunday, noon-5pm. Free. ias.ucsc.edu
Rachel Nelson’s quote, “Somehow, we have created a world in which criminals thrive…” was adjusted to; “”Somehow, we have created a world in which gun violence, domestic violence, and other acts that we labelย โcriminal’ thrive,” at her request after Good Times went to print.
ARIES (March 21-April 19): Repressed feelings and dormant passions are rising to the surface. I bet they will soon be rattling your brain and illuminating your heart, unleashing a soothing turbulence of uncanny glee. Will you get crazy and wise enough to coax the Great Mystery into blessing you with an inspirational revelation or two? I believe you will. I hope you will! The more skillful you are at generating rowdy breakthroughs, the less likely you are to experience a breakdown. Be as unruly as you need to be to liberate the very best healings.
TAURUS (April 20-May 20): You finally have all you need to finish an incomplete mission or resolve a mess of unsettled karma. The courage and determination you couldn’t quite summon before are now fully available as you invoke a climax that will prepare the way for your awe-inspiring rebirth. Gaze into the future, dear Taurus, and scan for radiant beacons that will be your guides in the coming months. You have more help than you know, and now is the time to identify it and move toward it.
GEMINI (May 21-June 20): Our sun is an average star in a galaxy of 100 billion stars. In comparison to some of its flamboyant compatriots, it’s mediocre. Over 860 light years away is a blue-white supergiant star called Rigel, which is twice as hot as our sun and 40,000 times brighter. The red supergiant Antares, over 600 light years away, has 12 times more mass. Yet if those two show-offs had human attitudes, they might be jealous of our star, which is the source of energy for a planet teeming with 8.7 million forms of life. I propose we make the sun your role model for now, Gemini. Itโs an excellent time to glory in your unique strengths and to exuberantly avoid comparing yourself to anyone else.
CANCER (June 21-July 22): The philosophical principle known as Occam’s razor asserts that when trying to understand a problem or enigma, we should favor the simplest explanation with the fewest assumptions. While that’s often a useful approach, I don’t recommend it in the coming weeks. For you, nuances and subtleties will abound in every situation. Mere simplicity is unlikely to lead to a valid understanding. You will be wise to relish the complications and thrive on the paradoxes. Try to see at least three sides of every story. Further tips: 1. Mysteries may be truer than mere facts. 2. If youโre willing to honor your confusion, the full, rich story will eventually emerge.
LEO (July 23-Aug. 22): “There are no unsacred places,” wrote Leo poet Wendell Berry. “There are only sacred places and desecrated places.” Poet Allen Ginsberg agreed. โHoly! Holy! Holy! Holy! Holy!โ he wrote. โHoly the solitudes of skyscrapers and pavements! Holy the cafeteria! Holy the mysterious rivers of tears under the streets! Holy the sea, holy the desert, holy the railroad.โ With Berry’s and Ginsberg’s prompts as your inspiration, and in accordance with current astrological imperatives, I invite you to invigorate your relationship with sacredness. If nothing is sacred for you, do what it takes to find and commune with sacred things, places, animals, humans and phenomena. If you are already a lover of sacred wonders, give them extra love and care. To expand your thinking and tenderize your mood, give your adoration to these related themes: consecration, sublimity, veneration, devotion, reverence, awe and splendor.
VIRGO (Aug. 23-Sept. 22): My favorite Buddhist monk, Thich Nhat Hanh, wrote the following: “In us, there is a river of feelings, in which every drop of water is a different feeling, and each feeling relies on all the others for its existence. To observe it, we just sit on the bank of the river and identify each feeling as it surfaces, flows by and disappears.” I bring this meditation to your attention, Virgo, because I hope you will do it daily during the next two weeks. Now is an excellent time to cultivate an intense awareness of your feelingsโto exult in their rich meanings, to value their spiritual power, to feel gratitude for educating and entertaining you.
LIBRA (Sept. 23-Oct. 22): How might your life come into clearer focus when you uncover secrets that inspire your initiative and ingenuity? What happens when resources that had been inaccessible become available for your enjoyment and use? How will you respond if neglected truths spring into view and point the way toward improvements in your job situation? I suspect you will soon be able to tell me stories about all this good stuff. PS: Don’t waste time feeling doubtful about whether the magic is real. Just welcome it and make it work for you!
SCORPIO (Oct. 23-Nov. 21): Itโs not the best time to tattoo a lover’s likeness on your abdomen. Maybe in May, but not now. On the other hand, the coming weeks will be an excellent time to see if your paramour might be willing to tattoo your name on their thigh. Similarly, this is a favorable period to investigate which of your allies would wake up at 5am to drive you to the airport, and which of your acquaintances and friends would stop others from spreading malicious gossip about you and which authorities would reward you if you spoke up with constructive critiques.
SAGITTARIUS (Nov. 22-Dec. 21): Redwoods are the tallest trees in the world. They may grow as high as 350 feet. Their roots are shallow, though, reaching down just six to 12 feet before spreading out 60 to 100 feet horizontally. And yet the trees are sturdy, rarely susceptible to being toppled by high winds and floods. What’s their secret? Their root systems are interwoven with those of other nearby redwoods. Together, they form networks of allies, supporting each other and literally sharing nutrients. I endorse this model for you to emulate in your efforts to create additional stability and security in your life, Sagittarius.
CAPRICORN (Dec. 22-Jan. 19): What’s the best way to be fulfilled? Hard work and discipline? Are we most likely to flourish if we indulge only moderately in life’s sweet pleasures and mostly focus on the difficult tasks that build our skills and clout? Or is it more accurate to say that 90 percent of success is just showing up: being patient and persistent as we carry out the small day-to-day sacrifices and devotions that incrementally make us indispensable? Mythologist Joseph Campbell described a third variation: to “follow our bliss.” We find out what activities give us the greatest joy and install those activities at the center of our lives. As a Capricorn, you are naturally skilled at the first two approaches. In the coming months, I encourage you to increase your proficiency at the third.
AQUARIUS (Jan. 20-Feb. 18): Mackerels are unusual fish in that they must keep swimming nonstop. If they don’t, they die. Do they ever sleep? Scientists haven’t found any evidence that they do. I bring them up now because many of you Aquarians have resemblances to mackerelsโand I think itโs especially crucial that you not act like them in the coming weeks. I promise you that nothing bad will happen if you slow way down and indulge in prolonged periods of relaxing stillness. Just the opposite in fact: Your mental and physical health will thrive as you give your internal batteries time and space to recharge.
PISCES (Feb. 19-March 20): A financial advisor once told me I could adopt one of three approaches to running my business: 1. Ignore change; 2. always struggle with change, half-immobilized by mixed feelings about whether to change or stay pat; 3. learn to love and thrive on change. The advisor said that if I chose either of the first two options, I would always be forced to change by circumstances beyond my control. The third approach is ultimately the only one that works. Now is an excellent time for you Pisceans to commit yourself fully to number threeโfor both your business and your life.