Things to Do in Santa Cruz: July 13-19

ARTS AND MUSIC

AMY HELM After providing background vocals for Steely Dan and Rosanne Cash, co-founding an acclaimed alt-country band and releasing two solo albums, Amy Helm’s third record, What the Flood Leaves Behind—captured at Levon Helm Studios in Woodstock, New York—marks the most personal work of her career. With some spiritual inspiration from her father, the late great drummer of The Band, Helm delivered her new tunes curbside during the Covid lockdown. Accompanied by two acoustic guitarists and her 12-year-old son on a small drum kit, the Americana singer-songwriter played mandolin during several mini pop-up concerts for her neighbors throughout New York’s Hudson Valley. As a kid, Helm and her father would perform at hospitals and nursing homes. $45/$40; $22.50 students. Wednesday, July 13, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

‘ESPERANTO’ Teton Gravity Research’s latest mountain bike doc showcases some of the sport’s biggest names alongside the unknown, talented up-and-comers. Additionally, the film investigates how people can share their dreams through the universal language of riding, no matter what their native tongue may be. This visual tapestry features next-level riding in extraordinary locations all across the globe. $15. Thursday, July 14, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

BRASS MAGIC The rabble-rousing Bay Area horn-and-drum collective unleashes a spicy gumbo filled with hip-hop, rock, R&B, soul, world music and electronica. The octet bursts with infectious vigor and has enough energy to share with audiences. Boardwalk shows are on the Colonnade Stage, located on the beachside of Neptune’s Kingdom—the dance area is in front of the stage. Free. Thursday, July 14, 8:30pm. The Colonnade at the Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. (Free Movie at the Beach presents The Sandlot on Friday, July 15, 9pm). beachboardwalk.com.

BARRY ‘THE FISH’ MELTON BAND Country Joe & The Fish is responsible for one of the most well-known anti-Vietnam War anthems ever that begins with one of the most potent opening lines of any song to come out of the hippie era: “One, two, three, what are we fighting for?” “I-Feel-Like-I’m-Fixin’-to-Die Rag” became known as a song that could define an entire generation. As a co-founder of one of the popular bands born out of San Francisco’s 1960s music scene, Melton’s career change—he became a successful lawyer—might be shocking to some, but he wanted to infiltrate the system to make some real changes. Now, he’s retired and returned to what he loves doing most: making music. Melton’s current band features the Blues Project’s Roy Blumenfeld, Big Brother and the Holding Company founder Peter Albin and the Youngbloods’ Lowell Levinger. $20. Friday, July 15, 8pm. Michael’s on Main, 2591 Main St. Soquel. michaelsonmain.info.

DEATH VALLEY GIRLS Mix Ozzy-era Black Sabbath, Detroit proto-punk ala the Stooges Fun House—or anything by MC5—and add some Exile on Main Street riffs. Cook on full heat until sludgy. That’s how you get Death Valley Girls. “Songs come from beyond and other worlds,” says DVG guitarist Larry Schemel. “You just have to tune in to the right radio wave signal to dial them in. Our signal happens to be in a 1970 Dodge Charger Spaceship.” $15. Saturday, July 16, 8pm. The Crepe Place, 1134 Soquel Ave., Santa Cruz. thecrepeplace.com.

BRYAN MCPHERSON, RUSS RANKIN (GOOD RIDDANCE) WITH HOD AND THE HELPER Bryan McPherson’s masterful 14 Stories is a personification of the blue-collar Boston neighborhood where he grew up. His aggressively tender folk music, laden with gospel-punk melodies, has garnered opening spots for everyone from the Dropkick Murphys to Chuck Berry. Known as the voice of Santa Cruz punk heroes Good Riddance, Russ Rankin drew from Billy Bragg, Rhett Miller and others to write the poignant tunes for his 2021 solo debut Come Together Fall Apart. $12/$15 plus fees. Sunday, July 17, 7pm. Moe’s Alley (outdoor show), 1535 Commercial Way, Santa Cruz. moesalley.com.

MARTIN COURTNEY WITH JOHN ANDREWS AND THE YAWNS Nearly seven years after Real Estate frontman Martin Courtney’s debut solo record Many Moons scored acclaim from fans and critics, the New Jersey native’s follow-up, Magic Sign, has already garnered equally positive feedback. Courtney’s lighthearted songwriting is effortlessly satisfying throughout Magic Sign as he revisits his adolescence in the Jersey burbs. $26.25 plus fees. Sunday, July 17, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

UCSC FARMSTAND You will find many delicious organic vegetables, fruit and herbs—there are beautiful flowers, too. Everything is grown at the UCSC Farm & Garden. Open twice weekly through November 2022. Free. Wednesday, July 13, noon-5pm and Friday, July 15, 11am-3pm. Cowell Ranch Hay Barn, 94 Ranch View Road, Santa Cruz. calendar.ucsc.edu.

FELT STREET FLEA MARKET Find cherished collectibles, vintage clothing, rare books, retro electronics, tools, fishing gear, handmade items—you might even uncover that dayglo velvet Elvis you’ve always wanted. Eighteen vendors will be on hand. Free. Saturday, July 16, 9am-2pm. CSL Santa Cruz, 1818 Felt St., Santa Cruz. csl.attractionunlimited.us.

GROUPS

TODDLER STORYTIME The weekly bilingual program—in-person—includes sing-alongs, nursery rhymes and books that foster early literacy. Free. Wednesday, July 13, 11:30am-12:30pm. Freedom Branch Library (Meeting Room), 2021 Freedom Blvd., Watsonville. cityofwatsonville.org.

OUTDOORS

LICK OBSERVATORY PUBLIC EVENING TOUR The “behind-the-scenes” walking tour—attendees should prepare to walk a mile—culminates in a special up-close visit to the dome of the immense three-meter Shane Telescope, the largest telescope on the mountain. Also, learn about the history of the world’s first permanently occupied mountain top observatory, the eccentric California innovator James Lick and the current science conducted at the observatory. $75. Thursday, July 17, 6:30-7:30pm. Lick Observatory, 7281 Mount Hamilton Road, Santa Cruz. lickobservatory.org.

CASTRO ADOBE OPEN HOUSE Explore the interior rooms of the two-story adobe, including the famous fandango room, one of the last remaining indoor cocinas in California and the lush gardens. Learn about the adobe’s ongoing restoration and the meticulous creation of 2,400 adobe bricks. Tours also include the history of the Castro family, the vaqueros who worked the rancho and plenty of background on the Rancho period. Free (registration required). Sunday, July 17, 10:30am-3:30pm. Rancho San Andres Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville. santacruzstateparks.as.me/castroadobeopenhouse.

Tropa Magica Bring Their Fearless Music to Moe’s

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Los Lobos usually doesn’t have the time to see every band who opens for them. However, the renowned Grammy Award-winners made sure they made time to check out their opening act, Tropa Magica, the last time they performed in Santa Cruz. 

“We look forward to hearing [Tropa Magica] play and meeting the band,” Los Lobos multi-instrumentalist Steve Berlin said before their show at the Rio Theatre last April. “I’m a huge fan.”

Tropa Magica founders, brothers David (guitar, vocals) and Rene Pacheco (drums, vocals), have felt a connection with Los Lobos since they first heard them on the La Bamba soundtrack. Both bands are also products of East L.A., which tightens the bond.

“[Opening for Los Lobos] was a milestone marker for us,” David says. “We’ve been fans since we were kids, so it was super awesome to perform with them and meet them. It’s so cool.”

Tropa Magica may not sound like Los Lobos, but their approach to music is quite similar—like a stone soup, both bands use various ingredients, or influences, to create something uniquely their own. And rules need not apply.

“KoopaCabras,” the closer on Tropa’s 2018 self-titled debut, drops like a flying saucer in the middle of the Mohave. The intergalactic desert rock is charged by David’s Fender Jazzmaster reverberating extraterrestrial dissonance and Rene’s machinegun chops on drums. 

With elements of psych-rock, cumbia, stoner rock, Bossa nova, grunge, surf and even sprinklings of disco here and there, it’s challenging to define Tropa. Thankfully, the Pacheco brothers have done it for us. 

“We call our music psychedelic cumbia-punk,” David says. “There’s not any category [of music] that we fit into.”

Adds Rene, “Being in L.A., it was easy to get influenced by psych-rock and adding Latin rhythms and cumbia just melds together nicely–it’s very drum-driven and heavy on the bass and guitars. Tropa Magica is a sound that we’ve cultivated over 10 years.”

Every Saturday, within a three-block radius of the Pacheco brothers’ house, there were birthday parties, weddings, quinceañeras or get-togethers, and DJs would blast mostly contemporary cumbia music like Kumbia Kings and Selena Quintanilla.

“There’s a nostalgic feeling of kids running around while the parents are partying it up dancing,” David says. “We might not have even known whose party it was, but that adds to the environment where we live. Despite the rent going up or other things, [East L.A.] is always a very celebratory environment.”

Thematically, David and Rene never need to venture far for inspiration—the sights and sounds of their childhood memories and neighborhood course through their songs. Those sights and sounds aren’t always joyous, though, especially in the political climate that surrounded them throughout their teenage years. 

“We saw a lot of harassment during the Bush era and many deportations,” Rene recalls. “Sometimes, we would see street vendors harassed by immigration officers, and you would see them running by with their carts and everything they were selling. On Whittier Boulevard, [immigration] would just start confiscating their goods. Then, other [vendors] would begin to see what was happening and run away. It was pretty nuts.”

Rene and David directed their anger and frustration into their music, namely punk and grunge. Tropa’s 2019 7-inch Smells Like Cumbia features a spacy cumbia rendition of Nirvana’s “Come as You Are.” The unexpected marriage of East L.A. and Seattle works very well.

“There was this angst aspect in music in the ’90s, and many bands like System of a Down and Rage Against the Machine have that, but something about Nirvana is so beautiful—their melodies combined with a nice scream,” David says. “It is easy to relate to.”

Tropa’s sophomore record, Tripiando Al Infinito En Mi Recámara, (Tripping to Infinity in my Bedroom) could be the band’s first masterpiece—of many to come. The 2020 album flourishes with clarity, conviction and a couple of oddball homages: the ballad “Lou Reed’s Speedo” expresses feelings of love and hate towards the late Velvet Underground frontman, sung in English and Spanish. The album bookend, meanwhile, “If John Lennon Could Fly,” is a minute-long instrumental that sounds like it could be a long-lost ending to “For the Benefit of Mr. Kite.” A second pressing of the vinyl was recently released.

“Feels Like Tijuana,” the album’s single, driven by a swirling melody and punch-drunk accordion, can only be defined as “psychedelic cumbia-punk.” Like a Pogues song, the upbeat rhythm is nothing more than melancholy in disguise: “Es sombra lo que soy cómo el día si en sol,” David sings. Translation: “I am like the shadow on a sunny day.”

“Surfin’ Brain” is a viciously wonderful juxtaposition to “Feels Like Tijuana.” The bright harmonies and toothy instrumental smile equate to the adoration of Brian Wilson—Tropa moves from English vocals to Spanish midway, bringing Latin flavor to the stark white Beach Boys’ sound.

After nearly 12 years of nonstop touring, the Pacheco brothers are beginning to see the pay-off of their labor. Tropa has had some songs picked up for the Netflix series Gentefied and the popular comedy special Felipe Esparza: Bad Decisions. Additionally, the 805 beer company recently signed the group to the second year of sponsorship. 

Tropa’s third full-length album, III, dropped in the spring of 2022, only adding more depth to the group’s repertoire. “Sonora Distance” transports listeners to oldtown Bogotá in another dimension—the fusion of traditional cumbia with David’s resounding guitar solos picks up where Tripiando Al Infinito En Mi Recámara leaves off. ¡Qué buena noticia!

Tropa Magica plays Friday, July 22 at 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. ¿Qiensave? opens. $16/$20 plus fees. folkyeah.com.

Review: ‘Deathtrap’ is a Triumph of Comic Suspense

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Prepare to be fooled. Prepare to be shocked. Prepare to jump right out of your seat—more than once. That’s exactly what Deathtrap, the Jewel Theatre season finale, intends to make you do. So hold on tight and enjoy the ride.

Written in the late 1970s by Ira Levin, Deathtrap ran on Broadway for a whopping four years, and from where I sat at last week’s Jewel opener, it’s easy to see why. Okay, some lines that were fresh when they were written might seem a bit dated today. Never mind. The scenery-chewing thriller still packs a grisly comic punch, and I wasn’t alone screaming out loud on opening night at some of the stunning plot reversals.

Clever and then some, the play balances on a self-referential premise: it’s all about the devious scheming that goes into writing the exact play that we’re watching unfold before our eyes. And during the course of two hours of terrorizing, flattering, extorting, drinking, betraying and lying, you’ll laugh and gasp and wonder just how the hell the whole thing will end. Unless you’ve seen the play, or the stylish 1982 film version starring Michael Caine, you won’t guess what ultimately happens even at the very end.

On an inviting set (kudos to Rick Ortenblad) we meet playwright Sidney Bruhl (Rolf Saxon), a former stage legend who hasn’t had a hit in over a decade. As the play opens, Bruhl confesses to his wife Myra (Julie James) that a student has sent him a manuscript that has “Broadway blockbuster” written all over it. Reminiscing about his past triumphs, Bruhl surveys the mementos of previous thrillers he’s written—antique guns and knives, axes and crossbows mounted along the walls. What could go wrong? As he tells his wife (whose personal wealth has been keeping the couple financially afloat for many years) about this manuscript, he becomes intrigued by the idea of collaborating with its author. Bruhl’s career would be thereby revived, and the young novice would have his first theatrical credit.

Enter the young playwright, Clifford Anderson (Shaun Carroll), who is flattered by the veteran writer’s interest, and discussion about a future alliance begins. As the conversation started to take a woozy turn, opening night’s audience got its first taste of the play’s “things are seldom what they seem” sleight of hand.

Oh, and there are two other characters, a snoopy next-door neighbor who happens to be a Scandinavian psychic, played for very broad and well-placed laughs by Diahanna Davidson, and the Bruhl’s attorney, neatly played by Kurt Meeker. As the psychic prowls around the premises, she immediately predicts future disaster. The thunder and lightning special effects echo that sentiment. We all know something ominous is in store, ominous despite moments of outrageous humor. We just don’t know just how and when disaster will erupt.

The first act’s pacing will pick up after a few more performances, but opening night gained both mystery and momentum in the second act when absolutely nothing is what it seems to be. And the breakneck reversals cascade into even more reversals.

Since the entire play depends upon shock and surprise, there’s little I can reveal. But here’s what I can tell you: all the actors in this wickedly funny whodunit are terrific. Expert physical comics, they spar and sparkle their way through the twists and turns, while we’re all holding our breath. For my money, the play belongs to the virtuoso sarcasm of Rolf Saxon. His Sidney Bruhl is mordant, brilliant, drinks too much and fantasizes wearily about future success. But he’s not too weary to stop inventing puns and jokes that he relishes as much as we do. In big, burnished tones Saxon wraps his mouth around his words and exhales them in acid-drenched pronouncements. He is completely delicious. Not too proud to scheme, his character convinces us all to follow him into fiendishly well-written mayhem.

Deathtrap is a gem of comic suspense and the Jewel Theatre production is loaded with the actors, the set and the wicked props to deliver. Don’t miss it!‘Deathtrap,’ by Ira Levin. Directed by Nancy Carlin. Playing at the Jewel Theatre through July 31. JewelTheatre.net

Letter to the Editor: Headline Misleading

While I appreciate that the Good Times conducts in-depth reportage on critical local issues—last week’s coverage of our hard-fought-for Empty Home Tax ballot initiative being an example—I was initially dismayed at the bold, misleading “Empty Promise” headline. My alarm was that those readers casually leafing through the paper would take away a nagging skepticism about the new ballot measure.

I read your lengthy piece on the June 27 City Council meeting regarding the Empty Home Tax ballot initiative, which will be decided by city voters in November, with the scrutiny of someone who had attended and been intrigued by the meeting. Pleased that reporter Aiyana Moya conscientiously detailed and brought in both sides of the issue, I am hopeful that Good Times will avoid the use of misleading headlines in the future.

I witnessed at the meeting that city staff presented a start-up budget that quickly proved to be misleading and bloated. Start-up costs for the program were projected to be $607,000—even though, as Sandy Brown pointed out, we have concrete data from Oakland whose voters passed a similar measure in 2018. Oakland expended $100,000 to launch their program—which now, in its third year, is expected to bring over $15 million dollars into their city coffers! In the end, our City Council voted unanimously to require staff to come back to them with a projected budget based on actual facts, while I wondered how and why staff presented such erroneous figures.

Your article illustrates that the Empty Home Tax Initiative, which will create a fund dedicated to the construction of truly low-income housing, is full of promise as a pathway toward a more accessible and equitable Santa Cruz. The reality, as reflected in your article, is that administration costs are low, homes—including ADUs—occupied more than three months of the year are not taxed, enforcement protocols and penalties align with what is already in place for other city programs and the program will provide millions of dollars to build affordable housing.

The broad coalition involved in supporting this campaign is ready to step up and fight for the future of our community. We are property owners, renters, seniors, students, new residents and people like me, who have been here for decades. We believe an empty home tax is a step in the right direction! 

Sheila Carrillo

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Letter to the Editor: More Power to Us

To PG&E: You turned our power off on Tuesday (6/14/22), and Monday (6/13/22) for a total of six hours.

Last summer, you turned off our power for 10 days, and 200 hours with the excuse that your new “smart” sensor detected that something touched the power line feeding the San Lorenzo Valley. We waited as your crews did an eight-hour walk down the line, and found no fires.

Your approach is not working, so please go with a program that I call HELO (Helicopter Electric Line Observation). When you get a sensor report, keep the power on as you make the 15-minutes flight along the line looking for smoke, or a roasted squirrel.

For readers, please cut out this letter, and mail it to John Laird, State Senator, at 701 Ocean Street #318A, Santa Cruz CA, 95060. Our complaint is named SOS (Stop Our Shutoffs).

I teach leadership, and PG&E needs a serious lesson in leadership because it is failing at its job to provide electric power to its customers.

Curtis Panasuk

Ben Lomond


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@go*******.sc

Opinion: The Past, Present and Future of Protecting Our Coast

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EDITOR’S NOTE

Steve Palopoli editor good times santa cruz california

My first-ever cover story for Good Times, back when I worked for this paper as a young journalist in the ’90s, was about the fifth anniversary of the Monterey Bay National Marine Sanctuary. The main things I remember from reporting on it in 1997 were that 1) a lot of people were still stunned that then-Congressmember Leon Panetta and a large group of passionate advocates had been able to pull off this, since environmentalists had been pushing for it for more than two decades (and Ronald Reagan, while president, had nearly killed the effort entirely in 1983); 2) some people were still a bit fearful that this incredible new guarantee of protection for our coastline was somehow going to be yanked away; and 3) scientists were totally upfront about the fact that we had barely scratched the surface of what there was to learn from the vast habitat we were protecting.

As Erin Malsbury’s cover story this week reveals, a lot has changed in 25 years. The Monterey Bay as a national marine sanctuary is a way of life. But I think it’s interesting that though we know a lot more about the waters off our coast now, there is still the feeling that there’s so much more to discover.

I also urge you to read Leonie Sherman’s companion piece in this issue, about the proposed Chumash Heritage National Marine Sanctuary. Between them, these stories are not only a commemoration of how we’ve protected our coastal waters in the past, but also an important look at how we need to expand those protections today.

I also want to send out our best hopes for healing to our dear colleague Matt Scott, who has written the “Local Talk” column for many years. Read this week’s “Good Idea” and please donate to his Go Fund Me. Thank you.

STEVE PALOPOLI | EDITOR-IN-CHIEF


PHOTO CONTEST WINNER

A youth sailing class in the bay. Photograph by Susan Japinga.

Submit to ph****@go*******.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

HELP MATT SCOTT

This one’s personal: we ask you to support a beloved member of both the Good Times extended family and the larger Santa Cruz community, Matthew Cole Scott. Scott, who many locals will know from his years photographing and writing GT’s “Local Talk” column before the pandemic, was severely injured in a motorcycle accident on July 1, and airlifted from Dominican Hospital to Natividad Trauma Center in Salinas in critical condition. According to family friends, he was still on a ventilator as of last weekend. Donate at https://gofund.me/b3c7cc86.


GOOD WORK

CABRILLO ROBOTICS

Last week, Cabrillo College Robotics Club announced that it won first place in the MATE ROV Competition, a worldwide underwater robotics competition. Ciaran Farley, Isaac Wax, and Spencer Koontz represented Cabrillo’s robotics club at this year’s 20th Championship. The team won First Place Overall in the Pioneer Division, as well as the Engineering Presentation Champion award and the Technical Documentation Champion award.


QUOTE OF THE WEEK

“The world’s finest wilderness lies beneath the waves.”

—Robert Wyland

What the Monterey Bay National Marine Sanctuary’s 30th Anniversary Really Means

Giant kelp forests are sometimes called the underwater counterpart to the redwoods. But almost 5,000 feet deeper, another forest gently sways in the cold, dark currents. 

Sunlight never reaches these depths, but if it did, it would illuminate towering pink corals, neon yellow sponges, orange anemones and animals yet to be discovered.

This deep-sea habitat lies within the Monterey Bay National Marine Sanctuary (MBNMS), which  stretches from Marin to Cambria along the California coast. It runs nearly 13,000 feet deep and includes beaches, rocky shorelines, estuaries, kelp forests and landscapes never before seen.

This September, the sanctuary will mark its 30th anniversary, while the National Marine Sanctuary Act commemorates its 50th. The celebration includes a nationwide photo contest and the issuance of 15 USPS stamps at a ceremony in Santa Cruz on August 5.

Over the decades, MBNMS has provided inspiration, research and recreation to local communities and visitors from around the world.

The study of whales has produced some of the most fascinating research to come out of the Monterey Bay National Marine Sanctuary.

Off the Hook

In the early 1980s, President Ronald Reagan’s secretary of the interior, James Watt, proposed bidding the entire continental coastline to oil companies. But the 1969 Santa Barbara oil spill had demonstrated the environmental risks of offshore drilling, and Santa Cruz County wanted no part in it.

Leon Panetta, who was serving as the Central Coast’s congressional representative, organized a meeting with Mendocino representative Don Clausen to convince Watt to exempt certain areas from the bidding. During the meeting, they displayed photographs of beautiful coastline. 

“Watt got up and walked over to one of those photographs with this wry smile on his face and pointed to this area where the waves were crashing and said, ‘You know, this would be a perfect place for an offshore drilling rig,’” Panetta tells GT. “And I thought, ‘Oh man, this is going to be tougher than I thought.’”

Panetta drafted a drilling moratorium and attached it as an amendment to an appropriations bill, which fund government operations annually. Funding would not be available to the administration if it proceeded with bidding.

“It was not easy,” Panetta says. “We were facing opposition, obviously, from oil states.” 

But a delegation of coastal states came together to support the moratorium, which passed in the House and Senate. Still, it was no permanent solution. 

“I was worried that if we faced a gas situation like we’re facing now, where there’s gas shortages and people are paying high prices, that ultimately the moratorium was likely to be defeated,” says Panetta.

He knew a marine sanctuary would provide longer-term protection. In 1992, Panetta and cosponsors made it a reality. 

“We could make a unique case that this was an area that requires special protection, and so that’s what led to the bill being included in the sanctuary reauthorization,” says Panetta. “It’s always been one of my proudest achievements as a congressman, working with the community and being able to look out at that coastline and know that it is protected.” 

Anacapa Island off the coast of California is part of the Channel Island National Park. The proposed Chumash Heritage National Marine Sanctuary would extend from the southern end of the Monterey Bay National Marine Sanctuary to the Channel Islands National Marine Sanctuary.

Serengeti of the Sea

“When you look at the shape of the sanctuary, you can see that it really protects the Monterey Bay Canyon,” says Lisa Wooninck, the MBNMS Superintendent. 

The Monterey Canyon is the largest of its kind along the West Coast. It begins at Moss Landing and extends out onto the abyssal plain two-and-a-half miles below the sea surface.

In the spring and summer, offshore winds push warm water away from the coast, and cold, nutrient-rich water rises from the deep. This process, called upwelling, supports life in the bay. 

“That’s the engine for the amazing productivity that we have in this area,” says Wooninck. The whales, the birds, the fish and turtles—“we often call it the Serengeti of the sea because of the amount of wildlife that comes through to enjoy the amazing food,” she says.

In addition to preventing offshore drilling, the sanctuary prohibits harmful discharges and the disturbance of wildlife. 

These protections make it an ideal location for studying marine life.

“The Monterey Bay is the best place to do marine science in the whole world,” says Andrew DeVogelaere, who oversees the sanctuary’s research program and has worked within MBNMS for 27 years. “We have the highest density of marine science institutes, and we have an amazing intellectual capability.”

DeVogelaere watched the sanctuary change over the years. Technological advances made exploration easier, collaborations grew stronger and habitats and marine life rebounded. But the problems changed, as well. Climate change and microplastic pollution threaten the sanctuary in new ways. And to better protect the oceans, we need to learn more about them. 

“We’re impacting the deep sea before we even know how it functions,” says DeVogelaere.

As we spoke, he was preparing to board a Monterey Bay Aquarium Research Institute (MBARI) ship to visit Davidson Seamount. The undersea mountain was added to the sanctuary in 2008 because of its remarkable deep-sea corals. One of the most striking types, called bubblegum coral, often stretches over eight feet tall.

But another phenomenon also draws researchers back. In 2018, scientists from the sanctuary and the Ocean Exploration Trust discovered over a thousand octopus mothers brooding eggs on the seamount.

“We protected Davidson Seamount and added it to the sanctuary in 2008 mostly for the deep-sea corals, and it turns out there’s also this other interesting and important habitat,” says DeVogelaere. “So you don’t always know what you’re protecting when you protect an area of the seafloor.”

The Deep End

Future discoveries remain hidden in the depths of MBNMS.

“We’ve mapped it all, but we haven’t gone down with the remotely operated vehicle and actually explored very much of it. I’d say probably less than 10%,” estimates George Matsumoto, senior education and research specialist at MBARI. 

“Anytime we go to a new location, we usually find something new,” he says. “It’s remarkable just how biodiverse the canyon is.”

MBARI works closely with sanctuary scientists and uses technology like underwater robots, deep-sea microphones and environmental DNA collection to learn about life in MBNMS. 

“We’re fortunate to be working with a sanctuary that is so interested and concerned about the marine ecosystem,” says Matsumoto. “They’re very engaged in research and outreach.”

The sanctuary has a resource protection team, a research team and an outreach and education team. But with only 12 full-time staff members, 12 contractors and a handful of summer interns, they rely on partnerships. 

The current budget for managing all 15 national marine sanctuaries and two national monuments—a total area the size of Alaska—is $61 million. President Biden recently requested that Congress increase that amount to $87 million.

“Using that, we could invest more into research, raising stewardship and connecting others to the sanctuary,” says Wooninck.

MBNMS has two visitor centers—one in San Simeon and one in Santa Cruz. The Sanctuary Exploration Center in Santa Cruz closed in March of 2020 and just reopened in June.

“One of the things we’re focusing on moving forward is connecting with different audiences and trying to reach communities we didn’t traditionally reach,” says Wooninck. “It’s amazing when you find out how many kids who live just five or ten miles from the ocean have never been to the ocean.”

The sanctuary recently secured a $300,000 grant from California State Parks to connect students to the sanctuary. 

“We have a four-year grant, and we’re going to be specifically working with Watsonville schools fourth and fifth-graders,” says Wooninck.

“We’re trying to reach more underrepresented communities, indigenous communities adjacent to the sanctuary—not just our sanctuary, but all sanctuaries—and are really trying to expand our reach and help people to connect more with the ocean.”

Behind the Push for a Chumash Heritage National Marine Sanctuary

In 1990, when Monterey Bay was nominated for consideration as a National Marine Sanctuary, some of the more radical supporters proposed a boundary extending almost to Point Conception. Three decades later, that vision may become a reality. And the effort is led by Chumash Natives, the Central Coast’s original ocean stewards.

The proposed Chumash Heritage National Marine Sanctuary (CHNMS) would stretch from the southern end of the Monterey Bay National Marine Sanctuary to the Channel Islands National Marine Sanctuary, creating an unbroken protected marine area of almost 15,000 square miles. The National Oceanic and Atmospheric Administration (NOAA) hopes to complete designation by the winter of 2023. 

“The idea of calling it the Chumash Heritage National Marine Sanctuary is a form of recognition for all those people, both past and present, who have not been recognized before as natives by the federal government,” explains Bear Clan elder Michael Khus-Zarate. “If the proposed sanctuary is designated, it will be a magnet for further revitalization of Chumash people throughout the Central Coast. It’s a way of confirming our continued existence as well as our continued responsibilities and obligations to be caretakers of the land and water.”

The tribe’s territory once reached from roughly Morro Bay to Malibu, and their advanced ocean-going crafts allowed them to travel along the coast and to the Channel Islands. “The Chumash have a maritime culture and tradition,” explains Khus-Zarate. “Our relationship with the ocean is primarily one of respect and reverence. The ocean helps us understand our proper place in the world, helps us feel humble … We don’t own the land or the waters, it’s not ours to give away or share, it’s ours to caretake.”

Creating a National Marine Sanctuary requires patience and dedication. For over 40 years, marine sanctuaries were proposed by state or federal agencies. In 2015, NOAA opened the process to local communities. After six months of meetings and paperwork, the Northern Chumash Tribal Council nominated the CHNMS; NOAA asked for more detail. Six months later, the NCTC submitted a revised proposal, which was accepted. 

“That just put us in the inventory, a little file that says at some point in the future NOAA can decide to start the designation process—or not,” explains PJ Webb, legal advisor to the NCTC.

The CHNMS nomination sat inactive during the Trump administration. After five years, NOAA needed to review it. “We worked hard and got 14,000 comments during the public comment period, with no paid staff, no monetary resources, just blood sweat and tears,” Webb says. “Those comments were overwhelmingly in support of the sanctuary. It kind of blew NOAA out of the water, sometimes there are only 5 or 55 or 100 comments.”

Violet Sage Walker, the chairperson of the NCTC and nominator of the CHNMS, carries on the work of her late father, Fred Collins, who worked to protect Chumash waters for decades. “Most indigenous people feel obligated to continue the traditions of their ancestors,” she explains. “This is not something we can take a break from. We don’t, like, clock out after 40 hours. We are obligated to do this forever, until designation is secured, and then we are obligated to co-manage. We will work on this until we die.”

Sage Walker believes this indigenous perspective was critical in moving forward with the sanctuary. “We bring something to the table nobody else brings,” she explains. “We can talk about spirit and how the ocean is important for people’s spiritual health. This isn’t just about biodiversity, it’s about our soul, our happiness, our healing, our ancestors. That’s what made our nomination stand out among all the other ones.”

Public scoping began November 10, 2021. “NOAA asks for very specific scientific criteria, which only marine biologists can satisfy, but we did our best to translate that into lay persons language,” explains Webb. “The deadline for the scoping process was extended; people who opposed the sanctuary thought it was too short.” In just under three months, between 25,000-30,000 comments were generated. “The overwhelming majority, over 90%, were in support of the sanctuary,” says Webb. “And that happened in the middle of a pandemic, over Christmas and New Years.” 

The main opposition comes from people in the fishing industry who worry about how sanctuary status and federal oversight will affect their livelihoods. But fishing regulations inside a marine sanctuary are identical to regulations outside of a sanctuary, and the federal government already oversees the oceans. 

“We are facing a campaign of misinformation,” says Sage Walker with a frustrated sigh. “People need better education. There is no local control of the ocean. The federal government already controls everything from mean high tide out to the high seas. The marine sanctuary will not change that.” 

“There is no reason not to designate the marine sanctuary, there are no drawbacks,” continues Sage Walker. “There are no competing interests, we all want to protect the ocean. I don’t think fishermen or wind energy should be opposed to conservation. No users of ocean or land should be oppositional. We all have the same interests, to prolong our quality of life on this planet.”

The Chumash pushing for marine sanctuary status join marginalized communities all over the planet working to enhance life on Earth. “Indigenous people, people in third world countries, people of color, we will be the first displaced by climate change, so we are the most committed to fighting it,” says Sage Walker. “Because we are protecting our heritage, our ancestors, our families, our homeland, our way of life. We have more skin in the game than anybody else, so we have to fight harder than anybody else. It’s because we love it that we have to do this. And not a single one of us is backing down from the challenge.”

New Public Defender Office Seeks to Shake Up County Justice System

Santa Cruz County’s new Public Defender office began operations on July 1, and the department’s roughly 60 employees celebrated the occasion with a barbecue in the backyard of its May Street headquarters. 

The new office includes an increased number of attorneys, in addition to a team dedicated to giving clients the extra help they need in a so-called holistic model of defense.

The county’s takeover of public defender services began in 2020, when the Board of Supervisors approved the plan. The contract for Biggam, Christensen and Minslof (BCM)—the law firm that filled that role for 45 years, expired.

Santa Cruz County was one of the last in the state to move to a county-run model. County officials touted the plan as a way to give public defenders access to county services such as the Health Services Agency, and the Human Services and Probation departments.

That relationship is a key difference in the new department, says Public Defender Heather Rogers, who heads up the office.

 Under this new “holistic” model, clients can now receive services such as mental health, drug treatment and housing services, in addition to legal defense.

Offices that practice this model also employ civil, family and immigration lawyers.

This, Rogers says, will help defendants once their sentences have been completed.

“We want to make sure that folks get the resources they need to lift themselves up and out of the system, rather than the revolving door of recidivism that I’ve experienced as a PD for 20 years,” she says. “You see the same clients, and no matter what you do for them in their defense, if you don’t address what brought them to the system, they’re just going to keep going back. It’s frustrating.”

This philosophy is increasingly being adopted by criminal defense attorneys as providers shift focus to addressing the root causes of the crimes, rather than punishing them after the fact.

This is an important distinction, since a vast majority of criminal defendants receive services from public defenders, according to a 2019 study in the Harvard Law Review.

While the study found that a holistic approach has neither a positive nor a negative outcome on recidivism, it has been shown to reduce the likelihood of a jail or prison sentence by 16% and expected sentence length by 24%.

But those results are likely to evolve, since the holistic philosophy is still in its relative infancy, the study shows.

“I think that it’s a better model for the population that we serve, because by working together with other county and community partners, we can get this right, and we can make truly collaborative relationships,” Rogers says. “We’re trying to go upstream to prevent downstream consequences.”

Rogers, who turned 48 on Saturday, was admitted to the State Bar of California in 2003. She has spent the bulk of her career in criminal defense.

She began that year as a Judicial Law Clerk for the 9th Circuit Court of Appeals in San Diego, and then served for three years as an Assistant Federal Defender. She then hung out her shingle, running her eponymous practice in San Diego for nearly two years before joining the Monterey County Public Defender Office as Felony Trial Team Leader.

She served as Assistant Federal Defender in San Jose before joining BCM in April 2012. The Santa Cruz County Board of Supervisors confirmed her to lead the new office in Sept. 2021.

“I am incredibly honored to do this work, to be able to build a model Public Defender agency in Santa Cruz County, which is my home,” she says. 

The new office is set in a newly remodeled and refurnished building, which is decorated with art by incarcerated artists.

The office includes community rooms for workshops such as teaching people about their legal rights, clean slate programs, how to support incarcerated youth and participatory defense.

“We just really want to make sure that the community understands their rights before someone in their family gets in trouble so it’s less scary and frightening,” Rogers says. 

Many of the department’s attorneys come from BCM, taking with them the old firm’s ongoing cases, of which Rogers estimates there are roughly 5,500.

Assistant County Administrative Officer Nicole Coburn says that all the public defense attorneys now working for the county are paid the same as those in the District Attorney’s Office, in a step-and-column system that ranges from just over $90,000 to around $190,000 annually.

The $14.9 million budget is higher than the roughly $10 million contract for BCM, an increase that reflects the office’s new vision, and includes hiring additional attorneys, Coburn says.

The lion’s share of the budget—$12 million—goes to the Public Defender’s Office, while $2.9 million is for Page and Dudley Law, the firm contracted to handle cases that have more than one defendant, also known as conflict cases.

“This office is unlike anything we’ve done so far with public defense services in the history of the county,” Coburn says of the new department. “We’re just really excited that we’re joining other counties in having our own public defender’s office and trying to modernize what we do for people who are involved in the criminal justice system.”

Michelle Lipperd, who heads up the Collateral Consequences and Reentry Team, will also be in charge of immigration and Clean Slate cases, in addition to California’s new resentencing laws, which potentially affect hundreds of currently incarcerated people.

She says the shift to a county-run model will be a change for the attorneys as they adapt to the stricter rules and more formal structure, as well as the benefits county employees receive. 

This includes pensions and pay parity with attorneys working in the District Attorney’s Office.

But the best change, she says, is the new way of helping clients, with such issues as drug abuse and childhood trauma. 

“We’re not just focusing on one aspect of this person’s life and dealing with the criminal stuff,” she says. “It is wrapping them up with services, not just in the beginning, not just in the middle, but all the way through.”

Homelessness Response May Be in Jeopardy After Voters Reject Sales Tax

A sales tax that would have brought in around $8 million annually to the City of Santa Cruz—funds that could have partially bailed the city out of its budget deficit and prop up homeless efforts and other services—failed by a mere 50 votes.

On July 6, the city verified that Measure F, which would have raised the ​​sales tax rate in the city from 9.25% to 9.75%, failed almost a month after residents voted on the issue on June 7. With the news of the measure’s failure, city officials warn residents that without that much-needed stream of revenue, community services will be cut. Key among the services that will be dialed back include the city’s homeless efforts, Santa Cruz City Manager Matt Huffaker says. 

Amidst the measure’s failure, Watsonville City Council just OK’d their own sales tax measure to hit the Nov. 8 ballot. 

What does the failure mean for Santa Cruz, and why is Watsonville pursuing its own sales tax measure—after watching the same one fail in its neighbor to the north?

Santa Cruz Tax Measure

In January, a poll of 400 likely Santa Cruz voters showed public support for a sales tax measure at roughly 59%.

Even though that represented a 9% point decrease from when the city polled the community about the same measure in 2021, Huffaker says that when he saw those numbers, he was optimistic. In March, the city council unanimously approved placing the tax measure on the June ballot, agreeing to spend up to $182,805 to do so. 

Measure F only needed a simple majority to pass, and in the face of budget deficits in the millions, if spending remains constant without a new revenue stream, the city decided the chance was worth the risk.

Huffaker says he wasn’t naive to the challenge the city was up against, given the state of the economy. But cities are desperate for new revenue as one-time federal and state funds that propped up municipalities for the past two years dry up, and the financial consequences of the pandemic linger, Huffaker says. 

Getting voters to approve a sales tax during record-breaking inflation highs, not to mention for a midterm election year where voters are already less likely to hit the polls, requires trust in local government, says Ben Harvey, city manager for nearby coastal town Pacific Grove. That Monterey County city passed a similar tax measure in April, and Harvey credits the community’s faith in local government for the measure’s success.

That’s in part because as a general tax, the funds collected would be placed in the city’s general fund. City officials said revenues from Measure F would be used to fund things like homeless services, affordable housing, wildfire risk and public safety, among others. But there is no guarantee that the funds will be used for those efforts. Ultimately, it would be up to the city council to determine how the city would spend the added revenue on an annual basis.

That was a concern for some community members. In the same poll from January, the primary reason residents said would lead them to oppose the measure was because they didn’t trust the city to use the money properly. 

But Huffaker says that the closeness of the race indicates residents didn’t have strong support or opposition toward the measure, and points to an area for improvement when it comes to communicating the dire need for the funds.

“The measure came in at almost a perfect 50/50 split, which indicates to me that the community didn’t have strong feelings one way or another regarding the measure,” says Huffaker. “We have some work to do to bridge the community’s understanding with regards to our financial challenges, the need for these additional revenues and what’s at risk.” 

What’s at risk, Huffaker says, are elements of the city’s homelessness response plan. Earlier this year, the city set up a 30-space outdoor tent shelter program at 1220 River St. Then, in May, the city established a 75-tent outdoor emergency shelter, which it is looking to replace with a permanent, 60-space shelter inside the National Guard Armory sometime this August. These programs are all part of the city’s efforts to finally close the more than 300-person homeless encampment at the San Lorenzo Park Benchlands. 

All of this, says Huffaker, has been made possible by the one-time federal and state funds like the American Rescue Plan Funds (ARPA) and a $14 million state allocation set aside for Santa Cruz’s homeless response.

These funds will make sure the shelters and programs stay running into next summer, according to Huffaker. But without another revenue stream, the future of the programs is uncertain. 

For now, the city will be reevaluating where it can make additional cuts, and will return to the city council in late summer with an update. And Santa Cruz voters can expect to wait sometime before deciding on a sales tax measure again.

“No decisions have been made yet as to if and when we’ll go back to the voters with that question,” Huffaker says. “At this point in time, we don’t have plans of returning in November with the measure.” 

Watsonville’s Gamble

Just days before Measure F failed in Santa Cruz, the Watsonville City Council approved its own sales tax measure.

The tax would bring in an estimated $5 million, money the city says will be used to fund Parks and Community Services Departments, and maintain the upkeep of distressed city roads. The measure comes just two years after the community approved sales tax Measure Y, which renewed the half-cent public safety sales tax first approved in 2014.

The increase would put Watsonville on par with Scotts Valley for the highest sales tax rate in the county—9.75%.

The council was split on bringing the tax forward to the voters. Some said given the current economic uncertainty, voters would likely not support taxing themselves further. But other council members, like councilmember Francisco “Paco” Estrada, are more optimistic, and insist that the community needs the low-cost services that this tax could provide. 

“The tax measure is a combination of decades of frustration and efforts to find a steady stream of funding for the Parks and Recs Department,” Estrada says. “It’s a reflection of decades of underfunded, basic needs for a lot of families: more open green space, more services for youth and families. The tax is an investment in our families.” 

Huffaker, the former city manager for Watsonville, says that Watsonville voters will likely see the value Measure Y brought to the community when they head to the polls in November.

“That built trust that the city will put this additional sales tax to good use too,” says Huffaker. “Despite the current economic challenges, that certainly helps their chances.”

Things to Do in Santa Cruz: July 13-19

Amy Helm, UCSC Farmstand, Lick Observatory Public Evening Tour and more

Tropa Magica Bring Their Fearless Music to Moe’s

The East L.A. rockers find inspiration in everything around them

Review: ‘Deathtrap’ is a Triumph of Comic Suspense

Jewel Theatre’s season finale grabs the audience and doesn’t let go

Letter to the Editor: Headline Misleading

empty-home-tax
A letter to the editor of Good Times

Letter to the Editor: More Power to Us

A letter to the editor of Good Times

Opinion: The Past, Present and Future of Protecting Our Coast

Before 1992, few believed we could bring National Marine Sanctuary status to the Monterey Bay—now there’s more to do

What the Monterey Bay National Marine Sanctuary’s 30th Anniversary Really Means

Designation has brought environmental protection, scientific discovery—but it almost didn’t happen

Behind the Push for a Chumash Heritage National Marine Sanctuary

Chumash Heritage National Marine Sanctuary

New Public Defender Office Seeks to Shake Up County Justice System

Big shift will give public defenders more access to county services

Homelessness Response May Be in Jeopardy After Voters Reject Sales Tax

Gauging the fallout from Measure F’s defeat
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