Scrumptious Fish & Chips is partnering with Friends of Santa Cruz State Parks to help raise money for the long-term recovery at Seacliff State Beach, badly damaged in the January storms.
$1 will go to the Seacliff State Beach Recovery Fund for every meal purchased this weekend (Feb. 4-5). Scrumptious began serving food at Seacliff on weekends last fall and reopened last weekend after the recent storms halted their food truck operation for weeks.
Meanwhile, Seacliff took a big hit when giant waves tore up many beach areas and picnic tables. Scrumptious ownersโhusband and wife team Tim and Helen Korinthโsay they are beyond happy to be back at the beautiful location, one of everybodyโs favorite spots. Now you can dine on their award-winning fish and chips with an ocean view.
โFish and chips are what weโre famous for,โ Helen says. โBut we also have beer-battered shrimp and British bangers.โ
Additionally, there are three loaded chip dish options: Chicken Tikka Masala Curry, Garlic and Vegan Guac.
Beyond the stellar food, it’s important to the family to assist with the location’s recovery.
Scrumptious will eventually return to their initial spot at the cement ship when the repairs are finished. scrumptiousfishandchips.com
SUNSET LINES WITH HUMAN ERRORS AND TAPES Liz Brooks (vocals/synth) and Paul McCorkle (producer/guitars/synth) decided to start Sunset Lines following the intense collapse of a previous project. Their 2017 debut EP, Slippery Slope, is synth-heavy pop that centers around San Francisco, the joys of moving to a new city and wounds healing from the end of a long-term relationship. The duo has continued to hone Sunset Linesโ soundโBrooks on the writing end and McCorkle on the music production side. The result: โ80s synth-pop with crisp modern-day production and effects, which erupt throughout their latest EP, Home Anywhere. The recently married couple now lives in Santa Cruz, and Sunset Linesโ new chapter includes a tight rhythm section courtesy of Brett Wiltshire (bass) and Adam Soffrin (drums). The synth-pop roots remain intact with a bonus dance-oriented sound that inspires high-energy live shows with an ever-present symbiotic relationship between the band and the audience. $10. Wednesday, Jan. 25, 9pm. The Blue Lagoon, 923 Pacific Ave., Santa Cruz. thebluelagoon.com
NEIL HAMBURGER WITH MAJOR ENTERTAINER From Madison Square Garden to the Edinburgh Fringe Fest, Gregg Turkington, aka Neil Hamburger, has performed at every venue imaginable. Once, he even did a show in pitch black. The comedian, whose alter-ego echoes with inspiration from the likes of Andy Kaufman, has a growing list of television credits that include โTim and Eric Awesome Show,โ โTom Green Liveโ and โJimmy Kimmel Live.โ Jack White produced Hamburgerโs Live at Third Man album in Nashville, and one of his earlier recordsโ1992โs Great Phone Callsโwas touted by Spin magazine as one of the โ40 Greatest Comedy Albums of All Time.โ The 2015 feature-length film Entertainment, loosely based on the Hamburger alter ego, co-stars John C. Reilly, Tye Sheridan and Michael Cera. It premiered at Sundance to glowing reviews.Hamburgerโs 2019 record, Still Dwelling, features a noteworthy version of โEverythingโs Alrightโ from Jesus Christ Superstar that includes Hamburger crooning alongside Mike Patton and Jack Black. โTwenty years of touring for a normal entertainer would be great,โ Hamburger told Impose recently. โBut 20 years of touring for me is like 45 or 50 years of touring for anyone else because there are no days off.โ $25/$30 plus fees. Thursday, Jan. 26, 8pm. The Catalyst Atrium, 1101 Pacific Ave.,Santa Cruz. catalystclub.com
SMOKE CHASER WITH KING TIDE AND THE NEVER HASBEENS Smoke Chaser, featuring members of the Suborbitals and Monterey singer Malinda DeRouen, is self-described as an โoriginal rock band from Santa Cruz that creates lush, catchy psych-pop soundscapes.โ Meanwhile, the Never HasBeensโ We Will Not Be Unheard is a country-punk-alt-rock hybrid intertwined with the fingerprints of Santa Cruz. St. Paul was inspired to pen โRadio Songs,โ a catchy indie throwback to early โ90s MTV โBuzz Bandsโ like the Gin Blossoms, after hearing Wilcoโs cover of the Kinksโ โWaterloo Sunsetโ on KZSC. โRadio songs they came out of my window/ โWaterloo Sunsetโ covered by Wilco,โ St. Paul sings. Thereโs even a shout-out to the local radio station: โAs the radio waves began to rise from the left of the dial/ The โGreat Eighty-Eightโ still survives.โ$10/12 plus fees. Thursday, Jan. 26, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com
CUT CHEMIST WITH MH THE VERB (DJ SET PLUS FULL BAND) A talented turntablist, DJ and producer, Cut Chemist (born Lucas MacFadden) is also a member of underground rap outfit Jurassic 5 and the Los Angeles Latin funk band Ozomatli. His tracks have also appeared on two renowned DJ compilations, Return of the DJ, Vol. 1, and Deep Concentration. Cut Chemist blew up on the scene with his B-side debut “Unified Rebelution” in 1993. โLesson 4: The Radio” was a tribute to Double D and Steinski’s influential hip-hop collage โLessons 1-3โ and includes homages to Indeep, Bob James, Spoonie Gee and Dan Ackroyd. Cut has remained busy, contributing โLesson 6โ to Jurassic 5โs eponymous EP and producing the record. Heโs also a master remixer of work by everyone from DJ Shadow to Liquid Liquid and outside work (scratching for Less Than Jake). Multimedia artist MH the Verb uses afro-futurism, ala Octavia Butler, to build community while blending jazz, funk, hip-hop and electronica. The MC/DJ/producer has created a spacey catalog by mixing live instrumentation and studio production complimented by his bass vocals and poetic activism. $22/24 plus fees. Friday, Jan. 27, 8pm. Felton Music Hall, 6275 Hwy 9, Felton. feltonmusichall.com
GHOST-NOTE WITH DJ WYZE 1 Ghost-Noteโheaded by Snarky Puppyโs multi-Grammy Award-winning percussive duo Robert Sput Searight and Nate Werthโunearths an eruption of sound. Alongside next-level musiciansโrepresenting members of Prince, Snoop Dogg, Erykah Badu, Herbie Hancock, Kendrick Lamar and othersโthey push funk into the future and build uplifting foundations inspired by the likes of James Brown and Sly & the Family Stone. With Ghost-Noteโs 2019 LP, Swagism, their mission is clear: unleash heavy-hitting beats first and foremost, then shape a tapestry of uninhabited, layered music. The record includes a variety of notable guest collaborators, includingKamasi Washington, Karl Denson, Bobby Sparks and Nigel Hall. Swagism is also an example of the bandโs astonishing ability to meld and magnify sounds, ultimately bringing together complex alliances. $25/$30 plus fees. Saturday, Jan. 28, 9pm. Moeโs Alley, 1535 Commercial Way, Santa Cruz. moesalley.com
JASON MARSALIS QUARTET: IN TRIBUTE TO LIONEL HAMPTON The Jason Marsalis Quartet pays tribute to iconic vibraphonist Lionel Hampton. From a young age, it was clear that Marsalis had what it took to be a jazz great, on par with his father, Ellis Marsalis, and siblings, Wynton, Branford and Delfeayo. The four brothers and their patriarch Ellis comprise โNew Orleansโ venerable first family of jazz.โ Renowned as both a vibraphonist and a drummer, Jason continues to grow and develop as a composer and performer. His maturity and musical command are evident each time he performs. The Jason Marsalis Quartet will feature clarinetist Joe Goldberg, pianist Kris Tokarski and drummer Gerald Watkins.$42/$47.25; $23.50/students. Monday, Jan. 30, 7pm. Kuumbwa Jazz Center, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org
COMMUNITY
HOUSING MATTERS X COLLECTIVE: H.O.U.S.E. PARTY Eat, drink, shop, dance and laugh the night away as you enjoy live music from the Joint Chiefs, food by Yakitori Toriman, Hindsight Cafรฉ and A Party For Your Palate, sweets by Laurel Bakes and Bread Boy, drinks by Front & Cooper, live comedy from DNA Comedy Lab and KindPeoples and an interactive scavenger hunt (win a wine tasting at Windy Oaks Estate). There will also be a champagne toast to celebrate the partnerships that have assisted over 1150 people through H.O.U.S.E. Dr. Josh Bamberger, an early adopter of Permanent Supportive Housing will speak. $10. Thursday, Jan. 26, 6-9pm. Santa Cruz Museum of Art & History, 705 Front St., Santa Cruz. housingmatterssc.org
HISTORIC RANCH GROUND TOURS Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, barns and other historic buildings. Space is limited, and pre-registration is recommended. Masks and social distancing are required. $10 (parking fee). Saturday, Jan. 28, and Sunday, Jan. 29, 1pm. Wilder Ranch State Park, 1401 Coast Road, Santa Cruz. thatsmypark.org
Such a treat watching 8 Tens @ 8 at the intimate Center Stage, especially after a few years of on-again, off-again pandemic-challenged live theater. The two suites of eight short plays, Part 1 and Part 2, are performed on alternating nights, running through Feb. 19. (Tempus fugit, so get tickets fast.) Both opening nights showed off the noticeable ramping up of playwriting expertise, and it’s a pleasure to point out a few highlights from this never-boring adventure in live theater.
First, Part I: Kudos to the entire cast of Man’s Best Friend, a bit of comic surrealism with a crisp script, a wild outcome and lots of physical charm. Special praise for Karin Babbitt as the gymnastic canine with strong opinions. Ward Willats and Lee Ann Gray played for broad laughs and a touch of nostalgia in Wonder People, a sweet look at two loners with a thing for โWonder Womanโ comics, television shows and nerdy stats. The delightful premise showed off Willats’ impeccable timing and vocal polish.
I was unprepared for the stunning performance by Manirose Bobisuthi in The Most Precious Thing. An accomplished performer, Bobisuthi plays a young woman in a dead-end job who a mysterious guy suddenly approaches with an intriguing existential proposition. Bobisuthi is spellbinding as she agonizes about her character’s life, her stupid retail career and the possibility of life in hell. I could have been watching a Broadway actor walking away with the show. She was astonishing in impeccable timing, gritty and nuanced vocal work. Tristan Ahn‘s confident support matched her every step of the way. Don’t miss this little gem.
There were a few false steps in the second half, although the fun of watching Ward Willats and Tristan Ahn as two collaborating priests in
Confessions ร Deux, with one of the cleverest endings of any of these short pieces, was priceless. The final Part I work, Father Michael’s Doing Mass, paired seasoned actors Karin Babbitt and Karen Schamberg as vintage parishioners reminiscing about how great Father Michael’s masses used to be. These funny and occasionally touching performances gave the first evening’s audience a final treat.
Note: If I don’t mention a performance, it’s probably for the best.
Part 2 continued the prevailing tone of strong playwriting with Everything Happens for a Reason…Right?, a two-hander featuring Mindy Pedlar and Andrew Yabroff as affectionate mother and son with a sudden issue on their hands. Delightful realization of a very crafty script. The following three pieces offered lots to enjoy, and I found myself reeled in by the performances of Scott Kravitz and David Leach in an ingenious tale of undercover cops and con artists in Something Holy in Croatia, neatly directed by Marcus Cato.
Two pieces stood out during the rest of the evening. In Eddy & Edna, playwright Donald Loftus boldly imagines the bittersweet realities of a couple no longer sure of each other’s mental capacities. Performers Steven Capasso and Mindy Pedlar reached through the realm of make believe and convinced us we were watching a genuine encounter between long-marrieds no longer on top of their memory game. The twist at the end was deliciously neat, an absolute stunner. And finally, major kudos to director Wilma Marcus Chandler for her no-holds-barred orchestration of An Adventure in Forms, an absurdist fiesta of moods, mayhem and adventurous acting styles. This piece showed off the non-sequiturs inherent in every bureaucratic setting. The excellent cast, notably Hannah Eckstein, clearly had a lot of fun dispatching this little surrealist bonbon.
One final note: Yelling is not acting.
8 Tens @ 8 Short Play Festival (Part 1 and 2) is produced by the Santa Cruz Actors’ Theatre and runs through Feb. 19 at Center Stage, 1001 Center St., Santa Cruz. santacruzactorstheatre.org
My predecessor, Steve Palopoli, noted that last yearโs Health and Fitness Issue might have been Good Timesโ โbiggest ever, in terms of reporting on both [health and fitness].โ โBiggest everโ I canโt confirm or deny, but I can say with confidenceโafter sifting through several back issuesโthat the 2022 Health and Fitness Issue delved deeper into mental health than any previous year, and I commend Palopoli for that. But the emphasis on mental health made the issue stand out. During the pandemic, it seemed like mental health became more prevalent, or maybe people have become more open to discussing it. How to follow that up? With writers like Liza Monroy, who regularly deliver content loaded with resourceful information coated with generous portions of passionโno matter the subject she coversโany apprehension I had about putting together a compelling Health and Fitness Issue was eased. Monroyโs cover story โNot Your Parentsโ School Lunchโ centers on the bill Gov. Newsom approved in 2022, which allocates $100 million for improving school food. Last year, when Monroy first reported on this, readers responded with excitement about California becoming the first state to support plant-based meals in schools. As she reports, itโs a complicated issue, and โthings stalledโand changed.โ While everything isnโt moving according to the initial plan and timeline, positive changes are beginning.ย In fitness news, Mark C. Anderson previews Watsonvilleโs Ramsay Pump Park Track, which opened in 2021. The newish concept first debuted in 2004 in Colorado, and itโs caught fire worldwide. Anderson reports that the 20,000 square feet of meticulously crafted loops, turns and hills can be navigated by just about anything with wheels, from skateboards to scooters to bicycles to wheelchairs. And itโs free to all. Lastly, on the fitness end, Hugh McCormick, whose excitement for, well, everything, gives us a look inside dance instruction at the revamped Palomar Ballroom in downtown Santa Cruz. His elation surrounding these dance lessons is evident in his prose. McCormick notes that the classes have been filling up faster than ever, and itโs a great way to stay fit and have funโhe knows firsthand; his mom is a student.ย ย I hope you get as much out of reading these stories as I have and find some ideas for how to stick to your New Yearโs resolution if it involves exercising more.ย You have a week to get your votes in for Best of Santa Cruz County. This is your opportunity to show appreciation for everything that makes you love Santa Cruz County. Visit goodtimes.sc through Jan. 31.ย
ADAM JOSEPH | INTERIM EDITOR
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Earl makes a blanket fort for Foggy, a rainy holiday tradition. Photograph by Jamie Schnetzler.
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GOOD IDEA
Last week, UC Santa Cruz announced that its new major art space, a 15,000-square-foot building on the Westside, will open its doors this February. The building, which will showcase art at the forefront of social justice, will have three galleries, a screening room and event space. The upcoming exhibitions all incorporate an element of prison abolition, designed to shift the social attachment to prisons through art and education. ias.ucsc.edu
GOOD WORK
If you were strolling West Cliff this blessedly rain-free and sunny weekend, you might have noticed some areas of the sidewalk modified for bikers and pedestrians and blocked off to traffic. The city is implementing temporary restrictions as it assesses damages caused by recent storms and, starting Monday, will be working on an emergency stabilization project to restore the iconic path. Construction activity began Monday, but might continue or change throughout the week, so check all road changes at cityofsantacruz.com/westclifftrafficcontrols
QUOTE OF THE WEEK
โThe food you eat can be either the safest and most powerful form of medicine or the slowest form of poison.โ
Currently making its way through the legislative process, SB 396 poses serious risks to Californiaโs environment. It would allow utilities such as PG&E to fell any โOverstrike Treeโ along 25,500 miles of power lines in High Threat Fire Districts, any distance outside their right of way, without review by an arborist, and without clear procedures for appeal or compensation for damages. A 200-foot tall redwood tree 199 feet from a power line is an โOverstrike Tree.โ By PG&Eโs estimates, there are over 10 million โOverstrike Treesโ in its service area.
SB 396 legalizes a โtakingโ of private property and makes utility easements on private property or a public right of way meaningless. Utilities have long had good alternatives to faulty or outdated equipment, such as replacing bare wires with insulated conductors rather than clearcutting trees. Southern California Edison is already doing just that. Sponsored by Senator Brian Dahle, SB 396 permits clearcutting, heightening wildfire risk and climate change. Clearcutting creates wind tunnels that propel flaming brands, quickly spreading wildfire, and produces drier vegetation under power lines, weakening trees once sheltered by the larger trees targeted by PG&Eโs Enhanced Vegetation Management (EVM). These trees are more vulnerable to winds and at greater threat of falling.
Disturbingly, SB 396, introduced in 2021 and amended this year, removes previous protections given by Public Resource Code (PRC) 4295, which required utilities to give notice to property owners of tree felling, and did not absolve them from damage liability. SB 396 further states that the CA OEIS is not required to hear landownersโ complaints and fails to identify any redress.
This bill provides no meaningful benefit while undermining the rights of individuals as guaranteed under the California State Constitution, Section 1. Legislators should reject SB 396.
Kristen Sandel, Ben Lomond
These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originalsโnot copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc
Millions of students rely on school-provided food as their primary source of nutrition. Recent Assembly Bills in California outline advancements to ensure these meals provide a chance for the dietary habits and choices that begin in childhood to be healthful, sustainable ones. Last summer, Gov. Newsom approved a bill allotting $100 million toward plant-based foods for schools, plus $600 million to upgrade the infrastructure of school kitchens and train and pay food service workers to prepare these meals. It totaled a $700 million investment toward expanding plant-based, California-grown and other options.
โSchool meals are a crucial point of leverage to instill healthy eating habits at a young age and combat diet-related disease,โ the Morning Ag Clips reported. Over a hundred school districts, nonprofits and grower associations formed a coalition and signed a joint letter โasking the United States Department of Agriculture (USDA) Food & Nutrition Service (FNS) to align with the 2020-2025 Dietary Guidelines for Americans via updating K-12 meal requirements that create barriers to serving more pulses [beans, peas, lentils and chickpeas] in school meals.โ This coalition asked for updated guidelines to allow beans, peas, lentils, tofu, and soy products to qualify as โmeatโ or โmeat alternatives,โ to โdiversify protein options.โ
Eat for the Earth prepared free plant-based meals for a Youth for Climate Justice climate strike event in early 2022.
MYSTERIOUS FRUITS
โThe impetus for this money was a bill that was initially 100% for plant-based meals,โ says Beth Love, Executive Director of Eat for the Earth. โ[The bill] was gradually diluted through the political process until the point where we are now when it seems that increasing plant-based meals is just one of many options for the money.โ
Eat for the Earthโa Santa Cruz Gives participantโhas raised tens of thousands of dollars to help fund programs such as Community Rx, a diet, health and education program in partnership with local healthcare providers at Salud Para La Gente in Watsonville. The emphasis of the investment is on โplant-based, but also sustainably produced foods, food from California and for students with religious and other restrictive diets,โ Love says. Love most wants to reach those โmarginalized when it comes to healthy nutrition information.โ
Regarding food and diet policy, she reminds us that adding options is not equivalent to taking anything away. โPeople say, โthe government isnโt going to tell me what to eat,โโ Love says. โPeople are attached to their food and their choice. I have never heard any policy suggestion to legislate that people canโt have what they want.โ Contrary to specific arguments, vegans are not looking to criminalize cheeseburgers. They just might be stoked that there are more options โBeyondโโespecially for kids.
Now, at the end of โVeganuary,โ the month the vegan-curious tries more plant-centered meals, where in the pipeline are the funds? When will kids likely see an increase in local, healthful and plant-based school-food options? Amy Hedrick-Farr, Food Services Director at Santa Cruz City Schools, said, โSometimes we get behind a bill and are passionate about it, and nothing happens, or you donโt know what happens because it takes so long.โ
โWe saw a big gap between student demandโ for plant-based meals โand supply,โ says Chloe Waterman, environmental nonprofit Friends of the Earthโs senior program manager for their Climate-Friendly Food Program. The original bill, AB 479, introduced by former Representative Adrin Nazarian in 2019โFriends of the Earth was among the sponsorsโstated that schools could receive grants reimbursing a portion of costs for plant-based meals. AB 479 would have created the โCalifornia School Plant-Based Food and Beverage Programโ to provide grants for school districts to add plant-based food and milk options to meals. AB 479 set up the vision for the program but didnโt pass. What ultimately did pass, Waterman explains, was a different bill, AB 558, โThe Child Nutrition Act of 2022.โ
โIt didnโt make sense to pass two similar but slightly different programs,โ Waterman says. Remains of the โCalifornia Plant-Based Food and Beverage Programโ were folded into โThe Child Nutrition Act of 2022,โ which removed language about providing plant-based school meal options to โnutritionally adequateโ ones.
Waterman alludes to โThe big-ag interest in California,โ the California Cattlemen’s Association, that lobbied against the bill to not use language surrounding and linking climate change to diet. They dropped the โclimateโ but โreneged and opposed the bill in the most recent legislative session.โ โThey didn’t want to frame it as a climate initiative,โ Waterman says, โonly expanding options for students,โ which she calls โa worthy goal in and of itself.โ
AB 558 still gives districts the option to receive โreimbursement of up to $0.20 per meal for meals that include a plant-based or restricted diet food option โฆ or up to $0.10 per meal for meals that include a plant-based milk optionโ or both. It also allows for โgrants of up to $100,000 to local educational agencies for additional purposes relating to the program.โ
โEven a reimbursement of 10 cents per meal can make a big difference in the budget,โ Waterman says. โThis worked well for the local food movement; letโs mirror that for the plant-based school food movement.โ
Nora Stewart, Friends of the Earthโs manager of the California Climate-Friendly School Food Program, adds that they are working with 60 districts around California to expand plant-based and organic menu offerings. โDistricts are aware, and thereโs momentum for the use of these funds.โ Districts need to opt-in for the funds, but the ones that do so are eligible to receive them.
Kiearan Kelly, the Deputy Chief of Staff in Supervisor Zach Friendโs office, wrote the board item supporting AB 558. โThe state budget adopted in June 2022 includes $600 million over three years for school kitchen infrastructure upgrades and equipment and employee training related to serving school meals using fresher, minimally processed California-grown foods,โ Kelly told GT via email. โThe budget also included $100 million in one-time funding to help school districts procure California-grown or California-produced, sustainably grown, whole or minimally processed foods for school meals.โ
Kelly also recognized that since Gov. Newsom signed the bill into law last September, its contents have substantially changed. The bill now centrally emphasizes a requirement that the California Department of Education โprovides guidance to school districtsโ on how they might be able to offer meals to non-enrolled children, such as siblings of students who qualify for the free and reduced-price lunch program.
NOT JUST FOOD
Love, Waterman and Stewart highlight the social justice stakes of providing plant-based school meal options. These mealsโ availability transcends being for vegans or those reducing animal-product consumption for health reasons.
Itโs โa food justice issue,โ Love says. โDairy purchases are going down, but dairy production is not because itโs so subsidized.โ The heavily subsidized dairy industry having a part in the dairy requirement of the nutrition guidelines is not, Love points out, in the interests of food justice, referencing the higher instances of lactose intolerance in BIPOC and Latinx populations. Itโs obvious how many of the vegetarian entrees on local school menus are cheese-heavy: bean and cheese burritos, cheesy pull-a-parts (which are what?), cheese pizza, grilled cheese sandwiches and so forth.
โThe milk requirement is one of the most unjust related to school meals programs,โ Waterman says. โIt has terrible consequences for health disparities for BIPOC students and the environment. Lactose-normal is what most people know as lactose intolerance. Itโs harming BIPOC students who rely on school meals.โ
The dairy industryโs political power is ensuring that what shows up on the menus for kids reliant on school meals is as much a result of โlobbying by the dairy industry as it is whatโs healthy for kids to eat. Right now, the only way a school can be required to provide an alternative is a doctorโs note for a student. The history of milk is inextricably linked to the history of colonization in this country. The fact that dairy milk is one of the required components is part of the legacy of colonization and racism persisting today.โ
A government cheese surplus following World War II was funneled into schools. โThat idea of schools being a dumping ground for the food we are producing too much of has carried through,โ Waterman says. โOne school district told me theyโre โdrowning in cheese.โ Itโs why you get cheese-heavy entrees. For a dairy producer, cheese takes a lot of milk to produce. Itโs a good use of milk from their perspective.โ
Beth Love also observes how those โvaults of surplus cheese and products used in subsidized programsโ are given to the populations with higher rates of lactose intolerance, as well as the matter of economics. โFor so many families in our community who are packing lunches, it might be more economical to take advantage of the school lunch program, but they canโt,โ Love says. โI donโt want to imply there arenโt plant-based options, but it should be a right for any student who wants to eat plant-based to have comprehensive choices to meet their needs.โ
SCCS Food Services Director Hedrick-Farr acknowledges that โwe tend to be cheese-heavy around here,โ a shift toward โplant-forwardโ is indeed underway.
Over a hundred school districts, nonprofits and grower associations formed a coalition and signed a joint letter asking the USDA and Food & Nutrition Service to update K-12 meal requirements that create barriers to serving more beans, peas, lentils and chickpeas in school
meals.
PLANT-FORWARD MOTION
Nesh Dhillon, Executive Director of Santa Cruz Community Farmers Markets, assures that there isnโt much information on progress and momentum yet because itโs still brand new.
โItโs all happening right now,โ he says. Dhillon and the Farmers Markets are working on the issue in โlittle slices and dicesโ along the way, with the Live Oak school district as a pilot program. โThereโs always been a discussion on how we get fresher foods, scratch cooking, fresher produce and local produce in school meals, considering weโre in a farm belt,โ he says. โPeople have worked on different parts of this over the years. Thereโs bureaucracy within school systems. They have to be as cost-effective as possible, as their funding is always under pressure. Thereโs fearโ โwill this work?โ You donโt want to adopt a new system and have it fall apart when it comes to children.โ Hence some risk-averseness on the administrative side.
Dhillon believes that with the additional funding from the state, school districts can โtake baby steps in this direction.โ He points to โmodel programsโ such as Davenportโs Pacific Elementary, where food is grown in โan amazing garden right above Whale City Bakery.โ Students learn to cook and prepare healthy meals. โItโs a vertically integrated curriculum; kids are eating truly healthy food, but itโs a small, somewhat privately funded program. Is it scalable? It takes manpower and money.โ
It benefits the growers as well. In the Live Oak school district, Dhillon says, โWeโre in our fourth week of distributionโ of fresh produce from the Sunday Live Oak Market. Vendor Billy Bob Orchards out of Watsonville is โmoving a product they have an abundance ofโ20 bins of fuji apples a week.โ
Itโs been refreshingly simple: At the end of the market, they drive three blocks to the school and move products into their cooler, then Del Mar school students get apples and pomegranates in their meals.
โSo far, itโs great,โ Dhillon says. The funding comes from a grant they received thatโs affiliated with some of the Assembly Bills that passed. As more funding comes through, โthe more we can scale up and provide a direct link to local ag and through the farmers marketsโ to provide all-California-based foods, which Dhillon calls a win for everyone. Children will stop being โweaned on sugar, salt and high fat,โ which, like a drug, they then โcanโt get enough of,โ Dhillon says. โThey get hooked on this stuff and donโt quit.โ
From an economic standpoint, โwhy wouldnโt we expand opportunities for local producers?โ Dhillon says. โInstitutional buyers of local produce have a short carbon footprint. Everythingโs right here; youโre vertically integrating and helping to create a stronger food system. If you want to support the essence of what itโs all about, youโve got to know and buy from your growers as best as you can. Farming communities are everywhere. If you can do it, do it.โ
Dhillonโs perspective speaks to the true beating heart of this story: the importance of health and learning to make healthy choices from a young ageโand our responsibility to provide for them.
In February or March, the California Department of Education will release criteria for the $100 million to support locally sourced, minimally processed, sustainably grown and freshly prepared meals that can include plant-based or restricted diet options. School districts, county offices of education and charter schools can opt-in to receive funds.
The demand for them is present. SCCSโ Hedrick-Farr says, โwe are interested, have signed up and are doing a lot of new things to incorporate scratch-cooking and plant-forward options,โ including hiring a cook/baker and taste-testing. โYou canโt get away from chicken tenders and pizza Friday, especially at the elementary level,โ she says, โbut we honor our California Thursdays and scratch-cook every Tuesday and Thursday.โ A recent Santa Cruz High offering was a green salad with avocado, cucumber and quinoaโalong with a QR code for student feedback.
โLots of districts wanted to provide more taste-testing activities for students,โ Stewart of Friends of the Earth says. โWe received an incredible response, a huge influx of school districts wanting [small grants that were available.] We now have a pot of $100 million available to districts that could be used to expand more plant-based offerings.โ
To help spread the word locally, Beth Love and Eat for the Earth have been seeking leadership for โan advocacy committee to educate school districts about this additional funding,โ Love says, and to create โsupport for our local childrenโ to reap the benefits. So far, they have eight volunteers and the capacity to reach out to five or more school districts and are starting communications with school district personnel. โWeโve filled out all the forms and are just waiting on the state,โ Hedrick-Farr adds. โKids are asking for it,โ she says, โand we need to follow that too. School food has really changed, and we are trying to do amazing things.โ
With a slight shudder and soft โding,โ the ancient elevator opens on the mezzanine level of the Palomar Inn Hotel in downtown Santa Cruz. Itโs like a tale of two citiesโon the right side, shabby, stained, torn, gray carpet leads the way to even-shabbier numbered tenements. On the left, lush potted palms and gold-leafed mirrors line the plush, burgundy rug leading to a well-made black reception desk and the elegance and opulence of the Palomar Ballroom.
The ornate blue-and-gold art deco carvings frame the main ballroom’s heavy, ancient wooden doors, leading to the mirrored, brightly-lit 1,800 square-foot area that has emerged as the hub of the dance scene in Santa Cruz County.
Dancing at the luxurious yet ornate ballroom dates back to the swinging 1930sโwhen boogieing down to big live bands and even-bigger music was Americaโs most popular social pastime. When founder Steve Hughes and the Palomar Ballroom Dance Company took over the space in 1997, it was rough and slightly weathered but brimming with history and potential.
After extensive renovations and repairs, the new Palomar Ballroom opened and emerged as the preeminent local dance spot we see today, offering highly lauded private and group instruction in both International and American Ballroom and Latin dances for both recreation and competition.
Sporting a well-tailored and snug head-to-toe black ensemble and excellent posture, Jeremy Pilling floats into a comfy plush leather chair in the ballroomโs spacious lobby. His looks are youthful and boyishโthereโs no way this guy is 47.
Pilling, current owner and head instructor at the Palomar, has been teaching and performing in the ballroom for over 23 yearsโand dancing all of his life socially. He can do it all on the dance floorโbut he specializes in American Smooth, American Rhythm and International Latin.
Pilling can be a technique-oriented taskmaster on the dance floor, but he says that โdancing is all about fun.โ The relaxed yet poised instructor-in-chief invites me into the bright, echoing and gleaming confines of the Palomarโs main ballroom to get a feel for the place and watch him in action, teaching a group salsa class.When I hear โLord, Make a Rainbowโ start pulsing through the high-end sound system, I know this will be fun.
Blinking and twinkling yellow lights hang above the large, shiny wooden main ballroom dance floor. In the center of the action hangs a large ornate, well-lit metal chandelier nestled among lines of ancient, painted and patterned wooden beams.
Pillingโs studentsโa total of eight women and nine menโwalk into the bright, professional and historic space semi-quietly, with deference, and get prepared on red and gold chairs lining the floor and facing a fully-mirrored wall. Boots and jackets off. Dancing shoes on.
Pilling has owned and been one of the head dance instructors at the Palomar Ballroom since 2000. But he, his successful company and the local dance scene barely survived the pandemic.
โWe were closed for most of it,โ he says. โWhen you dance, youโre a foot away from someone and breathing in their face. But we made it through; we are still here. A lot of people were excited to come back and get back into dancing. We all missed it.โ
Now, business is booming, and most of the Palomar Ballroomโs group classes and private lessons are either full or close to full.
As they bounce or sashay down the ballroomโs cushy, carpeted mezzanine halls, most dancers wear a smile on their face and have a twinkle in their eyesโto go along with sharp, sometimes-extravagant outfits and composed demeanors. Most seem healthy, blissfully happy and pretty-darn physically fit.
โDancing is exercise, but you donโt think of it that way. Itโs not like jumping on the treadmill,โ Pilling explains. โIf youโre doing a lot of dancing, you definitely will burn a ton of calories. Itโs a cardiovascular workout, and you get your muscular endurance and coordination. But it helps keep you sharp mentally as well; youโre constantly using your brain to learn and remember patterns and things.โ
Some visitors, and those semi-new to the world of dance, ask instructors like Pilling just how longit will take to get good at dancing. How long until they can say cha-cha confidently, do the hustle or swing in public at a nightclub?
Pilling admits that, like anything, โitโs all about repetition.โ Performing one of the 17 styles of dance depends on how quickly one learns and absorbs information. It does take some dedication.
โWe get everyone,โ he says. โFolks from 16 to 80-year-olds. Anyone can learn how to dance. Some people just learn and pick it up faster than others.โ
At Ramsay Park Pump Track in Watsonville, that form is not just fluid but curvy, speedy, lumpy, life-affirming and self-perpetuating all at the same time.
And thatโs by design.
โPump trackโ represents a new term for many. It describes a carefully sculpted circuit of hills, straights, loops and turns built for riders of all shapes, sizes and wheeled vehicles, whether BMX bicycles, mountain bikes, skateboards, scooters, roller skates or even wheelchairs.
The way the track lays out encourages riders to maintain enough momentum to fly around its interwoven loops with up-and-down body movementsโaka โpumpingโโand not much pedaling or pushing.
The concept debuted in Boulder, Colorado, in 2004 as a counterpoint to more challenging and subsequently dangerous skateparks. Watsonvilleโs own opened in 2021 and can claim the largest, and only paved, example of such a track in Santa Cruz County, with almost 20,000 square feet of flowing rollers, berms and jumps.
Santa Cruz Mountains Trail Stewardship rallied funding for the project and helped structure and construct the park, with big-time support from 51 volunteers logging 194 hours and sponsors Bell Helmets, Shelton Inc., Sierra Azul Nursery and Delta Bluegrass Co. A video on SCMTSโs website reveals a satisfying timelapse tracking how blank dirt transformed into a rollicking symphony of shapely rises, dips and banked hairpin turns.
SCMTS spokesperson Katy Poniatowski and her colleagues love how itโs been received.
โWhen I visit, it is always swarming with kids and adults who want to improve their cycling skills,โ she says. โIt clearly filled a gap.โ
Hydrologists, general contractors and outside advisors all collaborated on the layout, surrounded by 8,000 square feet of drip-irrigated native plant landscaping.
โRiding out there is like being dropped in the oceanโthe possibilities are endless as far as what directions you can ride, opportunities to explore and skills to build,โ Poniatowski says.
The city of Watsonville partnered on the endeavor, and its staff couldnโt be happier with the resident response, per Parks and Community Services assistant administrative analyst Jeremy Sanders.
โFrom kids taking the training wheels off to the adults with their mountain bikes to guys with their longboards, itโs widely loved by a range of ages,โ Sanders says. โIt [achieves] one of the things we look for when weโre putting our parks together: physical activity thatโs fun and challenging at the same time.โ
On two visits, Good Times observed a broad spectrum of users, with ecstatic young peddlers sharing space with enthusiastic 40 somethings unable to contain their joy, squealing โYeeeeeโ along the way.
Six-year-old Mays Lawrence Fowler of Seaside was among those who traveled outside the county to try out the pump park.
After a tentative acclamation periodโfiguring out the best ways to seize enough speed for the taller mounds and requisite courage to zip through cupped embankmentsโhe was hooked.
โI really liked it as I got really good at the turns,โ he says. โI was like, โWoah, now I get it.โ It was more and more fun. I really do like all those turns.โ
Young Fowlerโs rising enjoyment is an apt metaphor for the park’s increasing popularity.
As city staffer Sanders says, โIts momentum is really picking up.โ
Most tourists know Santa Cruz for its beach boardwalk or world-famous surf culture, but take a poll of why residents love it, and another gem emerges: easy access to nature. Within a couple of minutes’ drive of almost anywhere in town, you can meander down coastal bluffs or wind through redwoods and meadows.
Many of the trails that enrich our lives feel like theyโve always been there, but digging a little deeper reveals careful engineering and thousands of hours of hard work. Santa Cruz Mountains Trail Stewardship (SCMTS) is one of the organizations responsible for designing and maintaining those natural spaces. The nonprofit is hosting trail cleanup days after the storms, dig days at new parks, teen events and classes for those who want to learn advanced trail-building skills.
As new trails open and old ones get resurrected from fire and flooding, Good Times sat downโor rather hiked aroundโwith the volunteer-focused group to explore the science behind trails.
OFF THE BEATEN PATH
A well-built trail looks and feels like part of the landscape as if it emerged just as organically as the vegetation surrounding it. A good trail is also built to last. A little maintenance here and there is expected, but it needs to hold up to long-term foot traffic, water and erosion.
It should be scenic without disturbing sensitive environments or native wildlife. Efficient without being overly strenuous or dangerous.
The ingredients quickly add up, and suddenly the recipe for a good path through the woods feels complicated. But trail designers start simple.
โWe always start with the desires of the users: whoโs going to use it and where are they trying to go,โ says Drew Perkins, the SCMTS trail planning director.
Perkins was the first employee at the trail stewardship. Heโs worked in Pogonip, Wilder Ranch, the Soquel Demonstration Forest and Glenwood Open Space Preserve, to name a few. SCMTS works with local land managers as consultants and partners.
The nonprofit recently finished building multi-use trails for the Land Trust of Santa Cruz County at San Vicente Redwoods. The trail system, which includes seven and a half miles of trails for hikers, bikers and horses, opened to the public in December.
Eventually, the land trust envisions 30 more miles and a connection to Coast Dairies National Monumentโanother of SCMTS โs projects.
The beginnings of these projects involve lots of bushwhacking and measuring grades. Planners might start by considering 100-foot-wide corridors that connect points of interest.
They then consider โfatal flawsโ that could kill the project, such as property lines, bridge crossings, archaeological sites or endangered species and habitats. In a few recent projects, mountain lion usage helped determine trail placements.
Of all the considerations that go into mapping a trail, how water will move across the landscape is one of the most important.
โYou have to look into the future,โ says Perkins. โWeโre building it forever.โ
His background in hydrology and forestry helps him predict how trails will change with time. Nearby plants give him hints about what the soil is like, and soil hints at how the area will erode and handle water.
โA lot of trails are just managing water and erosion,โ he says. One popular technique for forcing water off a path is to create short, alternating inclining and declining sections of trail, called grade reversals.
But water is not the only thing trail designers try to manage. A little bit of psychology makes its way into trail science too.
โPeople are always going for the most efficient route,โ says Perkins. โBikers going uphill are always looking for the smoothest line, and theyโll go wider and wider around something to find the smoothest spot.โ
Land managers try to predict where people naturally want to go to prevent people from cutting switchbacks and creating their own trails.
DOWN TO EARTH
Once the trail is mapped, and the permitting is in place, trail crews dig in. They clear vegetation and rocks out of the way, tackling poison oak, blackberry brambles and occasionally discarded household appliances. With the help of shovels, elbow grease and the occasional mini-excavator, a path begins to take form.
At SCMTS, volunteers do a lot of this work. The organization hosts dig days weekly, and sometimes as many as 100 participants show up to excavate together. Even some of the bridges are volunteer-built.
โThe community shows up with skills and knowledge and engagement and care when they are given the chance,โ says Perkins.
And the trail stewardship gives that chance often. Recently, in addition to dig days, the organization has hosted trail cleanup days. About 25 volunteers showed up to a Saturday trail restoration day at Pogonip State Park to create runoff ditches and clear trees from the storms.
โItโs a bit of work, but itโs also super rewarding,โ says Camille Padilla, a first-time volunteer with the organization. โSeeing your handiwork on the trails is fantastic.โ
She adds that itโs a great way to meet new people, a sentiment shared by long-time SCMTS volunteer Erin Simons-Brown.
โItโs a great way to give back to the land that is part of why we all love Santa Cruz,โ Simons-Brown says. โAnd itโs always really fun going back to those trails and knowing that youโve been a part of helping maintain and keep these trail systems working.โ
The organizationโs next restoration days are Friday, Jan. 27, and Saturday, Jan. 28, at DeLaveaga Park. After the cleanup, the She Adventures Film Tour at the Rio Theatre on Jan. 28 will showcase independent films about women in outdoor adventures worldwide. A portion of the proceeds will benefit SCMTS. For those who canโt get enough and want to learn more, the nonprofit hosts a โtrail academy.โ Starting in February, participants can get their hands dirty with trail science classes and chainsaw training.
BLAZING AHEAD
One of the most notable trail systems the nonprofit is working on is the 5,800-acre Cotoni-Coast Dairies National Monument in Davenport. The plan to open trails on the land ruffled some feathers locally. Perkins says most of the disapproval was over the proposed parking lots and not the trails themselves.
The Bureau of Land Managementโthe federal agency in charge of the areaโpressed on, partnering with SCMTS to construct eight and a half miles of new trails. About half of that is completed, and the nonprofit expects to complete the work this summer.
The group is also working in Big Basin State Park, removing hazardous trees left behind by the 2020 CZU fire and recent storms.
By the time theyโre done, no one will notice they were there in the first place, says Perkins.
โThe best trail work no one can see,โ he says.
Visit santacruztrails.org to learn more about upcoming volunteer opportunities.
When Watsonville resident Amy Thomas reached out to the Federal Emergency Management Agency (FEMA) for help, she had already paid thousands of dollars to repair damages caused by a spate of recent atmospheric river storms.
The colossal storm that hit Santa Cruz County on Jan. 1 resulted in the flooding of Thomasโ home and dozens of other homeowners along Corralitos Creek with contaminated water. Thomasโ house has been flooded twice, ruining her belongings and forcing her and her family to temporarily move to a rental residence.
After the first flood filled her home on New Yearโs Eve, Thomas paid $6,900 for a disaster cleanup company to shovel the muddy water and dry the flooring. Then, her house flooded a second and a third time the following days.
โOur whole house is damaged,โ she says. โWe have to replace everything, so Iโm not sure what the cost is going to be.โ
Thomasโ homeowners insurance will cover only repairs to her house, but not her personal property and other expenses, leaving her on the hook for a rental, among other things.
So, Thomas started looking into relief programs like FEMA, who says their disaster assistance program can help with temporary housing, emergency home repairs and uninsured and underinsured personal property losses. The federal program can also go toward medical and dental expenses.
But according to Thomas, the application process isnโt simple. She spent two days of frustrating and fruitless efforts trying to apply through FEMAโs website. She finally called the agency andโthanks to having all the necessary personal information needed on handโwas able to put in an application.
With FEMA grants averaging $5,000, Thomas hopes she will receive enough money to remove the mud from her home and the surrounding areas.
Amy Bach, whose company United Policyholders advocates for insurance holders, says Thomasโ frustrating experience isnโt an anomaly. Insurance adjusters are trained to deny coverage for flooding when property owners file claims through their own insurance.
Instead, Bach advises that people filing claims read and understand their policy before calling their insurance companies and choose their words carefully when making a claim.
โIf you say there was damage to the structure that allowed water to come in, that could be covered,โ she says.
If denied, Bach says property owners can get a second opinion by contacting a public adjuster, who typically charges as much as 10% of the eventual payout or a private attorney, who may charge around 30%. The bottom line is that insurance companies are private companies that do not have property ownersโ interests as their focal point.
โThe reality is that this is a financial situation where youโre dealing with a for-profit insurance company,โ Bach says. โTheyโre trying to hold on to the money, and you need the money.โ
SUFFERING BUSINESSES
Days after the storms ripped through the Central Coast and a tidal swell sent waves into the beachfront restaurants in Capitola Village, My Thai Beach owner Dominick King returned to find six inches of water still standing in his business.
While the foundation is still sound, he lost his inventory, the floors and back windows were destroyed and the entryway and back wall was severely damaged.
โAll of our plumbing has been washed away into the sea somewhere, I assume,โ he says.
Because he rents the space, King says he is turning to his landlordโs insurance company to help rebuild.
He is also considering applying for one of the SBA loans but says the move is on hold until he can get an estimate from a contractor.
โWeโre still trying to figure everything out,โ he says. โThere are still a lot of unanswered questions with insurance.โ
Even though Capitola City officials say it will take more than a year to repair the wharf, King emphasizes that the rest of the villageโthe majority of which is undamagedโis still open for business and hoping locals and tourists bring their business back.
โTheyโre all open,โ says Carrie Arnone, Capitola Soquel Chamber of Commerce CEO. โThey are fully functioning and they are ready to serve, so itโs a matter of people coming to support them. It looks as beautiful as it always has, even if itโs a bit different.โ