Gas Prices Remain Sky High in California

Americans consume an average of 142 billion gallons of gasoline each year, and spend an average of 5.46% of their annual income on gas. With the national average cost of gasoline recently skyrocketing a whopping 55%—roughly over $1.50 a gallon—you’d think gas station owners must be raking in the dough, right? 

Not so fast.

In fact, the past few years have been brutal for gas station owners/operators, and the current statewide average of $5.82 a gallon—a seven-year high for the Golden State—has only made things worse.

Shami Naderi, 66, owns the Valero on South Main Street in sleepy downtown Soquel. He has had to deal with the uncertainties and erratic gas-consumption patterns during Covid-19, and the rising price of gasoline, which surprisingly is not a good thing for gas stations.

“Definitely lower prices are better. People buy more gas, and buy more often. There’s more traffic in the store. When you sell more, you make more,” he says. “Business dropped really hard during Covid. Everyone was staying home. We stopped making money. We had the same expenses, but income was a loss.”

Turns out running a gas station, and being able to turn a profit while doing so, involves a lot of moving parts—and takes a lot of blood, sweat and tears.

Naderi immigrated to the United States with his wife in 1995. The Iranian, who has a Master’s degree in agricultural and forest engineering in his homeland, scrambled to find a way to support his family after arriving in Pasadena. The only job he could find was at a gas station—where he made a paltry $5 an hour.

“When you’re an immigrant from another country, you have to start from scratch. I started working for next to nothing. It was always a dream to own my own station,” says Naderi.

Over the years he saved, scrimped and scraped enough money together to buy his own gas station. But his business was heavily impacted by the pandemic. Naderi had to close his station early—at 7pm instead of 11pm—and as the hours were cut, the margins fell and he lost a ton of money. To save cash, Naderi oversees the daily operation of the station himself. He’s a steady presence at his Valero shop morning, afternoon and night—servicing, ringing up and assisting customers.

“It’s the manner of business they call ‘broken bone,’” he says. “You have to be here all the time.” 

According to the NACS 2017 Retail Fuels Report, 59% of American gas stations are one-owner-operated. They own a single store, and in many cases tend to the store themselves; in essence, they are “buying a job.” 

Naderi’s gasoline prices are around 40 cents higher than the Doubletime station less than a mile away. He explains that because he’s a branded Valero affiliate, he has to pay more for the fuel he receives on a weekly basis. It rips into his margin, and he has to charge more. 

In fact, he doesn’t even set his station’s prices himself. Every day he receives a text or email from a ‘jobber’—a person they buy the gas from—telling him the gas price he must list.

“We have to add a bit of a margin to the price so we can make some money off of each gallon,” he says. “Around 2 cents a gallon.”

For most gas stations, the markup (or margin) on a gallon of gas hovers around 15 cents a gallon. This is the gross profit, before a mountain of expenses. After paying rent, station upkeep, labor, credit card fees and transportation costs, the average retailer is left with about 2 cents of actual income. On 2,000 gallons of fuel pumped each day, that’s only a profit of $50.

So if not gas station owners like Naderi, who exactly is getting rich off of $6 a gallon of gasoline? Through taxes, the federal government takes around 40 cents per gallon right off the top. And the state of California pockets another 81.45 cents. Transportation costs of shipping gas from refineries to service stations (via pipelines or trucks) munches up another 26 cents a gallon. And refiners like Valero, Sunoco and Frontier—who turn crude oil into gas—take around 24 cents a gallon of gas. And then there’s crude oil itself—by far the most expensive part of a gallon of gas. Crude producers like BP and Chevron take in a massive amount of money—over $2.07 per gallon.

The gas game in California is harsh for a lot of folks—especially consumers. Last month, Gov. Gavin Newsom and state lawmakers announced a tax rebate program that would provide up to $1,050 to millions of Californians to help offset rising gas prices and inflation. But the state legislature stopped short of suspending the gas tax, a move several lawmakers—both republicans and democrats—had asked for. In fact, California followed through on an annual gas tax increase, upping its tax on fuel by 3 cents per gallon.

Similar to 123,000 of the nation’s 150,000 gas stations, the Soquel Valero is also a convenience store. Drivers can pump gas, buy coffee and a donut, soda, chips, toilet paper and batteries. The convenience store/gas station combo sells more than 80% of all fuel sold in the United States. Somewhat shockingly, gas comprises 68% of the average station’s sales, but only 27% of its income. In other words, service stations can no longer survive just by pumping gas. 

The real money for many gasoline retailers isn’t made at the pump—it’s in the refrigerator case. Cigarettes have always been the most popular items at gas station mini-marts, but bottled water and soda are by far the biggest generators of cash. Station owners can make up to 60% on a bottle of H2O.

“It’s a little bit here and a little bit there,” says Naderi. “This is a convenience store, too. And I operate a U-Haul dealership here, as well, getting paid a small percentage from the company. Every bit helps.”

Dial 988 to Access National Suicide Prevention Lifeline

People experiencing mental health-related distress can now call 988, the new three-digit dialing code, to access the National Suicide Prevention Lifeline.

On July 16, the 988 dialing code began routing people in crisis to the National Suicide Prevention Lifeline services. The shortened number may make the hotline more accessible for people experiencing mental health crises, compared to the previous longer number (1-800-273-8255), experts hope.

The move to implement a faster number came after advocates pushed to shorten the 1-800 number to help with the worsening mental health crisis. Then-President Trump signed legislation into law in 2020 that created the new code, with advocates hoping the shortened number will be easier to remember. Experts also hope the new number will encourage more people who are experiencing a mental health crisis to seek help from the hotline instead of calling 911, which often results in police intervention rather than clinical care.

Every year, millions of 911 calls involve a person experiencing an emergency related to a mental health or substance use disorder, according to the Pew Research Center. Mental health advocates see this as an equity issue, especially when it comes to Black and Brown communities, who face greater risks of violence with police intervention.

An estimated 11.4 million adults have serious suicidal thoughts, according to a 2022 State of Mental Health Report from Mental Health America. That’s an increase of 664,000 people from last year. 

“One of the unfortunate after-effects of the social isolation that came from the Covid-19 pandemic are individuals who have been suffering alone with depression and not connected to treatment or crisis services,” says Erik Riera, the director of County of Santa Cruz Health Services Agency. 

The new number will connect people to the existing local mental health centers that are staffed 24/7. The three-digit code is a direct line for people experiencing mental health distress to seek help from trained counselors.

Anyone who is experiencing mental health distress, or is in need of support, can call or text the number to seek help. They do not need to be in danger of suicide to reach out to the lifeline, and even concerned loved ones seeking professional support can use the hotline.

Rob Brezsny’s Astrology: July 20-26

ARIES (March 21-April 19): You are entering the Season of Love’s Renewal. To celebrate, I offer you a poem by eighth-century Tamil poet Andal. Whatever gender you may be, I invite you to visualize yourself as the “Snakewaist woman” she addresses. Here’s Andal, bringing a fiery splash of exclamation points: “Arouse, Snakewaist woman! Strut your enchantment! Swoop your mirth and leap your spiral reverence! As wild peacocks shimmer and ramble and entice the lightning-nerved air! Summon thunderheads of your love! Command the sentient wind! Resurrect the flavor of eternal birth!”

TAURUS (April 20-May 20): Tips to get the most out of the next three weeks: 1. Work harder, last longer and finish with more grace than everyone else. 2. Be in love with beauty. Crave it, surround yourself with it and create it. Be especially enamored of beautiful things that are also useful. 3. Taste the mist, smell the clouds, kiss the music, praise the earth and listen to the moon in the daytime sky. 4. Never stop building! Keep building and building and building: your joy, your security, your love, your beauty, your stamina, your sense of wonder.

GEMINI (May 21-June 20): Gemini astrologer Astrolocherry says that while Geminis “can appear naive and air-headed to onlookers, their minds usually operate at light speed. They naturally absorb every surrounding particle of intellectual stimuli. They constantly observe their interactions for opportunities to grow their knowledge.” I believe these qualities will function at peak intensity during the next four weeks, Gemini—maybe even beyond peak intensity. Please try to enjoy the hell out of this phase without becoming manic or overwrought. If all goes well, you could learn more in the next four weeks than most people learn in four months.

CANCER (June 21-July 22): Naeem Callaway founded Get Out The Box, an organization that mentors at-risk youth in low-income and rural communities. Here’s one of his central teachings: “Sometimes the smallest step in the right direction ends up being the biggest step of your life. Tiptoe if you must, but take the step.” Even if you don’t fit the profile of the people Callaway serves, his advice is perfect for you right now. For the time being, I urge you to shelve any plans you might have for grandiose actions. Focus on just one of the many possible tasks you could pursue and carry it out with determined focus.

LEO (July 23-Aug. 22): A Leo astrologer I’ve known for years told me, “Here’s a secret about us Lions. No matter what happens, despite any pitfalls and pratfalls, my ego will stay intact. It ain’t gonna crack. You can hurl five lightning bolts’ worth of insults at my skull, and I will walk away without even a hint of a concussion. I believe in myself and worship myself, but even more importantly: I trust my own self-coherence like I trust the sun to shine.” Wow! That’s quite a testimony. I’m not sure I fully buy it, though. I have known a few Leos whose confidence wavered in the wake of a minor misstep. But here’s the point of my horoscope: I encourage you to allow a slight ego deflation in the coming days. If you do, I believe it will generate a major blossoming of your ego by August. And that would be a very good thing.

VIRGO (Aug. 23-Sept. 22): Virgo poet Claude de Burine described how one night when she was three years old, she sneaked out of the house with her parents’ champagne bucket so she could fill it up with moonlight. I think activities like this will be a worthy pursuit for you in the coming days. You’re entering a favorable phase to go in quest of lyrical, fanciful experiences. I hope you will make yourself available for marvels and curiosities and fun surprises.

LIBRA (Sept. 23-Oct. 22): There is a distinction between being nice and being kind. Being nice is often motivated by mechanical politeness, by a habit-bound drive to appear pleasant. It may be rooted more in a desire to be liked than in an authentic urge to bestow blessings. On the other hand, being kind is a sincere expression of care and concern for another. It fosters genuine intimacy. I bring these thoughts to your attention because I think that one of Libra’s life-long tasks is to master the art of being kind rather than merely nice. And right now is an especially favorable phase for you to refine your practice.

SCORPIO (Oct. 23-Nov. 21): You sometimes feel you have to tone down your smoldering intensity, avert your dark-star gazes, conceal your sultry charisma, dumb down your persuasive speech, pretend you don’t have so much stamina, disguise your awareness of supernatural connections, act less like a saint and martyr in your zealous devotions and refrain from revealing your skill at reading between the lines. But none of that avoidance stuff usually works very well. The Real You leaks out into view. In the coming weeks, I hope you won’t engage in any of the hiding behavior I described. It’s a favorable time to freely pour forth your Scorpionic blessings.

SAGITTARIUS (Nov. 22-Dec. 21): There could be interesting and important events happening while you sleep in the coming nights. If a butterfly lands on you in a dream, it may mean you’re prepping for a spiritual transformation in waking life. It could be a sign you’re receptive to a breakthrough insight you weren’t previously open to. If you dream of a baby animal, it might signify you’re ready to welcome a rebirth of a part of you that has been dormant or sluggish or unavailable. Dreams in which you’re flying suggest you may soon escape a sense of heaviness or inertia.

CAPRICORN (Dec. 22-Jan. 19): How to be the best Capricorn you can be in the coming weeks and months: 1. Develop a disciplined, well-planned strategy to achieve more freedom. 2. Keep clambering upwards even if you have no competitors and there’s no one else at the top. 3. Loosen your firm grasp and steely resolve just enough so you can allow the world to enjoy you. 4. Don’t let the people you love ever think you take them for granted. 5. Be younger today than you were yesterday.

AQUARIUS (Jan. 20-Feb. 18): In the next seven to eight weeks, I’d love for you to embody an attitude about intimacy articulated by author Hélène Cixous. Here’s her aspiration: “I want to love a person freely, including all her secrets. I want to love in this person someone she doesn’t know. I want to love without judgment, without fault. Without false, without true. I want to meet her between the words, beneath language.” And yes, dear Aquarius, I know this is a monumental undertaking. If it appeals to you at all, just do the best you can to incorporate it. Perfection isn’t required.

PISCES (Feb. 19-March 20): I periodically consult a doctor of Chinese Medicine who tells me that one of the best things I can do for my health is to walk barefoot—EVERYWHERE! On the sidewalk, through buildings, and especially in the woods and natural areas. He says that being in direct contact with our beloved earth can provide me with energetic nourishment not possible any other way. I have resisted the doc’s advice so far. It would take the soles of my feet a while to get accustomed to the wear and tear of barefoot walking. I bring this up, Pisces, because the coming weeks will be an excellent time for you to try what I haven’t yet. In fact, anything you do to deepen your connection with the earth will be extra healing. I invite you to lie in the sand, hug trees, converse with birds, shout prayers to mountains and bathe in rivers or lakes.

Homework: To heal yourself, bestow two blessings, one on a human and one on an animal. Newsletter.FreeWillAstrology.com.

Margins Wine’s Rare 2021 Counoise Gains Notoriety

Who makes wine from the rare Counoise varietal, you may ask. Megan Bell of Margins Wine, that’s who. With her entrepreneurial business acumen and go-for-it spirit, Bell is a rising star in the world of adventurous winemaking. 

As I mentioned in a previous column on Margins, Bell is a no-holds-barred winemaker producing low-intervention wines using grapes from underrepresented regions, vineyards and varietals. And she loves to showcase the vineyards where the grapes came from—in this case, Sattler’s Vineyard in the Santa Clara Valley.

With its spicy character and flavors of anise, strawberries and blueberries, Counoise is an intriguing wine that is not so familiar. Hailing from the Rhône Valley in France, this dark-skinned wine grape is also grown in California, New Jersey and Washington.

Bell’s Counoise ($30) might be sold out on her website, but the good news is that Deer Park Wine & Spirits in Aptos carries it, along with other Margins Wines. Deer Park has an excellent selection of other local wines, imported wines and spirits from all over. 

Bell also makes other lesser-known wines, such as Assyrtiko. The last time I had Assyrtiko was on the Greek island of Santorini, where the grape originates. It’s a crisp white wine with thyme, honey and flint flavors. Bell made only a small batch this time, and it quickly sold out, but here’s to her next release! Explore the nearly 20 various wines she makes at marginswine.com.

Deer Park Wine & Spirits, 783 Rio Del Mar Blvd., #27, Aptos, 831-688-1228; deerparkwines.com.

Rooibos Rocks Tea

As a native Brit, I drink a lot of tea, but not all of it with caffeine. I found a delicious caffeine-free tea online called Rooibos Rocks. This natural red tea from South Africa—the only place Rooibos is grown—is 100% organic with no colorants or additives. Hailing from Yorkshire, I also love Yorkshire Tea. Their decaf tea tastes like a regular strong cuppa. rooibosrocks.com and yorkshiretea.com.

The Dolphin Connects with Diners

Maximilian Masluk, born in New Orleans and raised in Napa, started working at the Dolphin nine years ago, after getting the job through a friend. He was promoted to assistant manager four years ago, and says he loves working there for myriad reasons: the wharf location with great views, being outside near the beach, the highly social culture and getting to know and connect with so many people.

Masluk says the Dolphin has the most epic under-the-radar breakfast menu in town, with great eggs benedict—including an option with in-house smoked beef brisket and avocado. The lunch/dinner menu is all about seafood classics, from clam chowder in a bread bowl to calamari steak sautéed in white wine and butter, to salmon dijonnaise in a light creamy mustard sauce. They also feature a decadent smoked oysters rockefeller appetizer, complete with bacon, onion, pesto and homemade chardonnay hollandaise. Hours are 8am-9pm every day. GT asked Masluk recently about his music background and how the universe nudged him to stay in Santa Cruz after college.

Tell me about your musical prowess.

MAXIMILIAN MASLUK: Both my parents were music majors at UCLA, so they encouraged me to take voice lessons in classic Italian and German opera. I’m also the singer in a reggae band called Pacific Roots that plays locally and around the country, and sometimes on slow days here at the restaurant I will bust out my ukulele and sing some island reggae or Italian opera for our guests. It gives them a special experience and a treat they’re not expecting. I love having a job that allows me to express my artistic side.

Tell me about the random moment that kept you in Santa Cruz.

After graduating from UCSC, I wanted to stay in Santa Cruz. But after a few years of working locally in some dead-end jobs in food service, I was thinking of moving away and making a life change. But then one day, a skimboard showed up at my door by mistaken delivery. I went out and tried it and instantly fell in love. After falling on my butt for three months, I eventually got good at it and that one package showing up on my doorstep completely changed my life trajectory. It kept me in Santa Cruz, and, soon after, I got the job here. I am so happy I stayed.

The Dolphin, 71 Municipal Wharf, Santa Cruz, 831-426-5830; dolphinrestaurant.net.

It’s High Season for Fresh Produce at Local Farmers Markets

Last Saturday I stopped by the Westside Farmers Market to inhale the sights, tastes and aromas of high summer harvests. Under the awnings in the parking lot across from the Old Wrigley Building, producers of incredibly fresh items had already spread their wares. I invariably head over to the Companion Bakeshop stand for an infusion of some intriguing gluten-free pastry for my resident non-glutenite. I scooped up a couple of intensely flavorful muffins filled with almonds and cranberries, and then began to stroll. Strawberries are major right now. And the cherry tomatoes in every possible shade of red, orange and yellow are displayed across wide tables. Plums, deep purple Santa Rosas and pale greengages are having a moment. Lots of pretty padron peppers everywhere. I cannot resist potatoes still lightly dusted with the soil from which they’ve been dug. Many of the farm stands now boast brilliant green bouquets of mizunas, kales and chards alongside bundles of cilantro, mint and dill. It’s all gorgeous to look at, so fragrant, and inspires ideas for the next big pot of bean stew I’ll be cooking. I bought a pretty mixed flower bouquet, and ended up with a supersized almond twist from Adorable French Bakery before heading back to my car. It’s the start of high season, with so many farmers markets. How lucky we are.

Sustain Supper Returns

Once again, this Saturday in the oceanview fields at Natural Bridges Farm, the tables will be set for a multi-course vegetarian meal featuring produce grown by the Homeless Garden Project programs. Chef Gema Cruz from Gabriella Cafe will join Anna Bartolini of La Balena in Carmel and Jessica Yarr of Chicken Foot in preparing a memorable meal. Join your friends and eco-colleagues at this al fresco gathering that begins with wine and passed appetizers at 4pm, and moves on to a farm tour, dinner and keynote speaker James Beard Award winning chef and author Bryant Terry. Hurry—this event sells out! Saturday July 23, 4-7:30pm. Shaffer Road and Delaware Avenue, Santa Cruz. $175. homelessgardenproject.org.

Noshing in the Grove

This season up at the Santa Cruz Shakespeare Grove performances you’ll be able to enjoy pre-show picnic dinners thanks to the Grille at DeLaveaga Golf Course. Pre-order your meal, Wednesday-Sunday (at least 72 hours before the show you’re attending) and pick up your order at the concessions window behind the Box Office. Charcuterie for two; a DeLa Salad with crostini, dressing and cookie; turkey Sandwich with chips, and more. santacruzshakespeare.org.

Pasta of the Week

The always-luscious Seafood Linguine Puttanesca from Avanti on the Westside is lavish with big prawns, little shrimp, slender tubes of calamari, bits of fish of the day, fat tomatoes, olives and lots of capers ($28). A welcome kick of red pepper in the background, and of course plenty of garlic! The tangle of long succulent noodles offers more comfort than should be legal (and plenty for lunch the next day). A terrific dish when you feel like treating yourself to super-charged Italian flavors.

New at Abbott Square

Vamanos Comida Mexicana is a brand-new dining experience owned by Belly Goat Burgers chefs Anthony Kresge and Brooke Johnson. Kresge also owns Reef Dog Deli in Capitola. Vamanos specializes in various tacos, quesadillas, chile rellenos and enchiladas. Just opened! Go check it out at the always welcoming Abbott Square Market, which is one of my favorite places to rendezvous with friends for coffee or some major lunch, like a quesadilla from Vamanos.  

Things to Do in Santa Cruz: July 13-19

ARTS AND MUSIC

AMY HELM After providing background vocals for Steely Dan and Rosanne Cash, co-founding an acclaimed alt-country band and releasing two solo albums, Amy Helm’s third record, What the Flood Leaves Behind—captured at Levon Helm Studios in Woodstock, New York—marks the most personal work of her career. With some spiritual inspiration from her father, the late great drummer of The Band, Helm delivered her new tunes curbside during the Covid lockdown. Accompanied by two acoustic guitarists and her 12-year-old son on a small drum kit, the Americana singer-songwriter played mandolin during several mini pop-up concerts for her neighbors throughout New York’s Hudson Valley. As a kid, Helm and her father would perform at hospitals and nursing homes. $45/$40; $22.50 students. Wednesday, July 13, 7pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

‘ESPERANTO’ Teton Gravity Research’s latest mountain bike doc showcases some of the sport’s biggest names alongside the unknown, talented up-and-comers. Additionally, the film investigates how people can share their dreams through the universal language of riding, no matter what their native tongue may be. This visual tapestry features next-level riding in extraordinary locations all across the globe. $15. Thursday, July 14, 7:30pm. Rio Theatre, 1205 Soquel Ave., Santa Cruz. riotheatre.com.

BRASS MAGIC The rabble-rousing Bay Area horn-and-drum collective unleashes a spicy gumbo filled with hip-hop, rock, R&B, soul, world music and electronica. The octet bursts with infectious vigor and has enough energy to share with audiences. Boardwalk shows are on the Colonnade Stage, located on the beachside of Neptune’s Kingdom—the dance area is in front of the stage. Free. Thursday, July 14, 8:30pm. The Colonnade at the Santa Cruz Beach Boardwalk, 400 Beach St., Santa Cruz. (Free Movie at the Beach presents The Sandlot on Friday, July 15, 9pm). beachboardwalk.com.

BARRY ‘THE FISH’ MELTON BAND Country Joe & The Fish is responsible for one of the most well-known anti-Vietnam War anthems ever that begins with one of the most potent opening lines of any song to come out of the hippie era: “One, two, three, what are we fighting for?” “I-Feel-Like-I’m-Fixin’-to-Die Rag” became known as a song that could define an entire generation. As a co-founder of one of the popular bands born out of San Francisco’s 1960s music scene, Melton’s career change—he became a successful lawyer—might be shocking to some, but he wanted to infiltrate the system to make some real changes. Now, he’s retired and returned to what he loves doing most: making music. Melton’s current band features the Blues Project’s Roy Blumenfeld, Big Brother and the Holding Company founder Peter Albin and the Youngbloods’ Lowell Levinger. $20. Friday, July 15, 8pm. Michael’s on Main, 2591 Main St. Soquel. michaelsonmain.info.

DEATH VALLEY GIRLS Mix Ozzy-era Black Sabbath, Detroit proto-punk ala the Stooges Fun House—or anything by MC5—and add some Exile on Main Street riffs. Cook on full heat until sludgy. That’s how you get Death Valley Girls. “Songs come from beyond and other worlds,” says DVG guitarist Larry Schemel. “You just have to tune in to the right radio wave signal to dial them in. Our signal happens to be in a 1970 Dodge Charger Spaceship.” $15. Saturday, July 16, 8pm. The Crepe Place, 1134 Soquel Ave., Santa Cruz. thecrepeplace.com.

BRYAN MCPHERSON, RUSS RANKIN (GOOD RIDDANCE) WITH HOD AND THE HELPER Bryan McPherson’s masterful 14 Stories is a personification of the blue-collar Boston neighborhood where he grew up. His aggressively tender folk music, laden with gospel-punk melodies, has garnered opening spots for everyone from the Dropkick Murphys to Chuck Berry. Known as the voice of Santa Cruz punk heroes Good Riddance, Russ Rankin drew from Billy Bragg, Rhett Miller and others to write the poignant tunes for his 2021 solo debut Come Together Fall Apart. $12/$15 plus fees. Sunday, July 17, 7pm. Moe’s Alley (outdoor show), 1535 Commercial Way, Santa Cruz. moesalley.com.

MARTIN COURTNEY WITH JOHN ANDREWS AND THE YAWNS Nearly seven years after Real Estate frontman Martin Courtney’s debut solo record Many Moons scored acclaim from fans and critics, the New Jersey native’s follow-up, Magic Sign, has already garnered equally positive feedback. Courtney’s lighthearted songwriting is effortlessly satisfying throughout Magic Sign as he revisits his adolescence in the Jersey burbs. $26.25 plus fees. Sunday, July 17, 8pm. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. kuumbwajazz.org.

COMMUNITY

UCSC FARMSTAND You will find many delicious organic vegetables, fruit and herbs—there are beautiful flowers, too. Everything is grown at the UCSC Farm & Garden. Open twice weekly through November 2022. Free. Wednesday, July 13, noon-5pm and Friday, July 15, 11am-3pm. Cowell Ranch Hay Barn, 94 Ranch View Road, Santa Cruz. calendar.ucsc.edu.

FELT STREET FLEA MARKET Find cherished collectibles, vintage clothing, rare books, retro electronics, tools, fishing gear, handmade items—you might even uncover that dayglo velvet Elvis you’ve always wanted. Eighteen vendors will be on hand. Free. Saturday, July 16, 9am-2pm. CSL Santa Cruz, 1818 Felt St., Santa Cruz. csl.attractionunlimited.us.

GROUPS

TODDLER STORYTIME The weekly bilingual program—in-person—includes sing-alongs, nursery rhymes and books that foster early literacy. Free. Wednesday, July 13, 11:30am-12:30pm. Freedom Branch Library (Meeting Room), 2021 Freedom Blvd., Watsonville. cityofwatsonville.org.

OUTDOORS

LICK OBSERVATORY PUBLIC EVENING TOUR The “behind-the-scenes” walking tour—attendees should prepare to walk a mile—culminates in a special up-close visit to the dome of the immense three-meter Shane Telescope, the largest telescope on the mountain. Also, learn about the history of the world’s first permanently occupied mountain top observatory, the eccentric California innovator James Lick and the current science conducted at the observatory. $75. Thursday, July 17, 6:30-7:30pm. Lick Observatory, 7281 Mount Hamilton Road, Santa Cruz. lickobservatory.org.

CASTRO ADOBE OPEN HOUSE Explore the interior rooms of the two-story adobe, including the famous fandango room, one of the last remaining indoor cocinas in California and the lush gardens. Learn about the adobe’s ongoing restoration and the meticulous creation of 2,400 adobe bricks. Tours also include the history of the Castro family, the vaqueros who worked the rancho and plenty of background on the Rancho period. Free (registration required). Sunday, July 17, 10:30am-3:30pm. Rancho San Andres Castro Adobe State Historic Park, 184 Old Adobe Road, Watsonville. santacruzstateparks.as.me/castroadobeopenhouse.

Tropa Magica Bring Their Fearless Music to Moe’s

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Los Lobos usually doesn’t have the time to see every band who opens for them. However, the renowned Grammy Award-winners made sure they made time to check out their opening act, Tropa Magica, the last time they performed in Santa Cruz. 

“We look forward to hearing [Tropa Magica] play and meeting the band,” Los Lobos multi-instrumentalist Steve Berlin said before their show at the Rio Theatre last April. “I’m a huge fan.”

Tropa Magica founders, brothers David (guitar, vocals) and Rene Pacheco (drums, vocals), have felt a connection with Los Lobos since they first heard them on the La Bamba soundtrack. Both bands are also products of East L.A., which tightens the bond.

“[Opening for Los Lobos] was a milestone marker for us,” David says. “We’ve been fans since we were kids, so it was super awesome to perform with them and meet them. It’s so cool.”

Tropa Magica may not sound like Los Lobos, but their approach to music is quite similar—like a stone soup, both bands use various ingredients, or influences, to create something uniquely their own. And rules need not apply.

“KoopaCabras,” the closer on Tropa’s 2018 self-titled debut, drops like a flying saucer in the middle of the Mohave. The intergalactic desert rock is charged by David’s Fender Jazzmaster reverberating extraterrestrial dissonance and Rene’s machinegun chops on drums. 

With elements of psych-rock, cumbia, stoner rock, Bossa nova, grunge, surf and even sprinklings of disco here and there, it’s challenging to define Tropa. Thankfully, the Pacheco brothers have done it for us. 

“We call our music psychedelic cumbia-punk,” David says. “There’s not any category [of music] that we fit into.”

Adds Rene, “Being in L.A., it was easy to get influenced by psych-rock and adding Latin rhythms and cumbia just melds together nicely–it’s very drum-driven and heavy on the bass and guitars. Tropa Magica is a sound that we’ve cultivated over 10 years.”

Every Saturday, within a three-block radius of the Pacheco brothers’ house, there were birthday parties, weddings, quinceañeras or get-togethers, and DJs would blast mostly contemporary cumbia music like Kumbia Kings and Selena Quintanilla.

“There’s a nostalgic feeling of kids running around while the parents are partying it up dancing,” David says. “We might not have even known whose party it was, but that adds to the environment where we live. Despite the rent going up or other things, [East L.A.] is always a very celebratory environment.”

Thematically, David and Rene never need to venture far for inspiration—the sights and sounds of their childhood memories and neighborhood course through their songs. Those sights and sounds aren’t always joyous, though, especially in the political climate that surrounded them throughout their teenage years. 

“We saw a lot of harassment during the Bush era and many deportations,” Rene recalls. “Sometimes, we would see street vendors harassed by immigration officers, and you would see them running by with their carts and everything they were selling. On Whittier Boulevard, [immigration] would just start confiscating their goods. Then, other [vendors] would begin to see what was happening and run away. It was pretty nuts.”

Rene and David directed their anger and frustration into their music, namely punk and grunge. Tropa’s 2019 7-inch Smells Like Cumbia features a spacy cumbia rendition of Nirvana’s “Come as You Are.” The unexpected marriage of East L.A. and Seattle works very well.

“There was this angst aspect in music in the ’90s, and many bands like System of a Down and Rage Against the Machine have that, but something about Nirvana is so beautiful—their melodies combined with a nice scream,” David says. “It is easy to relate to.”

Tropa’s sophomore record, Tripiando Al Infinito En Mi Recámara, (Tripping to Infinity in my Bedroom) could be the band’s first masterpiece—of many to come. The 2020 album flourishes with clarity, conviction and a couple of oddball homages: the ballad “Lou Reed’s Speedo” expresses feelings of love and hate towards the late Velvet Underground frontman, sung in English and Spanish. The album bookend, meanwhile, “If John Lennon Could Fly,” is a minute-long instrumental that sounds like it could be a long-lost ending to “For the Benefit of Mr. Kite.” A second pressing of the vinyl was recently released.

“Feels Like Tijuana,” the album’s single, driven by a swirling melody and punch-drunk accordion, can only be defined as “psychedelic cumbia-punk.” Like a Pogues song, the upbeat rhythm is nothing more than melancholy in disguise: “Es sombra lo que soy cómo el día si en sol,” David sings. Translation: “I am like the shadow on a sunny day.”

“Surfin’ Brain” is a viciously wonderful juxtaposition to “Feels Like Tijuana.” The bright harmonies and toothy instrumental smile equate to the adoration of Brian Wilson—Tropa moves from English vocals to Spanish midway, bringing Latin flavor to the stark white Beach Boys’ sound.

After nearly 12 years of nonstop touring, the Pacheco brothers are beginning to see the pay-off of their labor. Tropa has had some songs picked up for the Netflix series Gentefied and the popular comedy special Felipe Esparza: Bad Decisions. Additionally, the 805 beer company recently signed the group to the second year of sponsorship. 

Tropa’s third full-length album, III, dropped in the spring of 2022, only adding more depth to the group’s repertoire. “Sonora Distance” transports listeners to oldtown Bogotá in another dimension—the fusion of traditional cumbia with David’s resounding guitar solos picks up where Tripiando Al Infinito En Mi Recámara leaves off. ¡Qué buena noticia!

Tropa Magica plays Friday, July 22 at 9pm. Moe’s Alley, 1535 Commercial Way, Santa Cruz. ¿Qiensave? opens. $16/$20 plus fees. folkyeah.com.

Review: ‘Deathtrap’ is a Triumph of Comic Suspense

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Prepare to be fooled. Prepare to be shocked. Prepare to jump right out of your seat—more than once. That’s exactly what Deathtrap, the Jewel Theatre season finale, intends to make you do. So hold on tight and enjoy the ride.

Written in the late 1970s by Ira Levin, Deathtrap ran on Broadway for a whopping four years, and from where I sat at last week’s Jewel opener, it’s easy to see why. Okay, some lines that were fresh when they were written might seem a bit dated today. Never mind. The scenery-chewing thriller still packs a grisly comic punch, and I wasn’t alone screaming out loud on opening night at some of the stunning plot reversals.

Clever and then some, the play balances on a self-referential premise: it’s all about the devious scheming that goes into writing the exact play that we’re watching unfold before our eyes. And during the course of two hours of terrorizing, flattering, extorting, drinking, betraying and lying, you’ll laugh and gasp and wonder just how the hell the whole thing will end. Unless you’ve seen the play, or the stylish 1982 film version starring Michael Caine, you won’t guess what ultimately happens even at the very end.

On an inviting set (kudos to Rick Ortenblad) we meet playwright Sidney Bruhl (Rolf Saxon), a former stage legend who hasn’t had a hit in over a decade. As the play opens, Bruhl confesses to his wife Myra (Julie James) that a student has sent him a manuscript that has “Broadway blockbuster” written all over it. Reminiscing about his past triumphs, Bruhl surveys the mementos of previous thrillers he’s written—antique guns and knives, axes and crossbows mounted along the walls. What could go wrong? As he tells his wife (whose personal wealth has been keeping the couple financially afloat for many years) about this manuscript, he becomes intrigued by the idea of collaborating with its author. Bruhl’s career would be thereby revived, and the young novice would have his first theatrical credit.

Enter the young playwright, Clifford Anderson (Shaun Carroll), who is flattered by the veteran writer’s interest, and discussion about a future alliance begins. As the conversation started to take a woozy turn, opening night’s audience got its first taste of the play’s “things are seldom what they seem” sleight of hand.

Oh, and there are two other characters, a snoopy next-door neighbor who happens to be a Scandinavian psychic, played for very broad and well-placed laughs by Diahanna Davidson, and the Bruhl’s attorney, neatly played by Kurt Meeker. As the psychic prowls around the premises, she immediately predicts future disaster. The thunder and lightning special effects echo that sentiment. We all know something ominous is in store, ominous despite moments of outrageous humor. We just don’t know just how and when disaster will erupt.

The first act’s pacing will pick up after a few more performances, but opening night gained both mystery and momentum in the second act when absolutely nothing is what it seems to be. And the breakneck reversals cascade into even more reversals.

Since the entire play depends upon shock and surprise, there’s little I can reveal. But here’s what I can tell you: all the actors in this wickedly funny whodunit are terrific. Expert physical comics, they spar and sparkle their way through the twists and turns, while we’re all holding our breath. For my money, the play belongs to the virtuoso sarcasm of Rolf Saxon. His Sidney Bruhl is mordant, brilliant, drinks too much and fantasizes wearily about future success. But he’s not too weary to stop inventing puns and jokes that he relishes as much as we do. In big, burnished tones Saxon wraps his mouth around his words and exhales them in acid-drenched pronouncements. He is completely delicious. Not too proud to scheme, his character convinces us all to follow him into fiendishly well-written mayhem.

Deathtrap is a gem of comic suspense and the Jewel Theatre production is loaded with the actors, the set and the wicked props to deliver. Don’t miss it!‘Deathtrap,’ by Ira Levin. Directed by Nancy Carlin. Playing at the Jewel Theatre through July 31. JewelTheatre.net

Letter to the Editor: Headline Misleading

While I appreciate that the Good Times conducts in-depth reportage on critical local issues—last week’s coverage of our hard-fought-for Empty Home Tax ballot initiative being an example—I was initially dismayed at the bold, misleading “Empty Promise” headline. My alarm was that those readers casually leafing through the paper would take away a nagging skepticism about the new ballot measure.

I read your lengthy piece on the June 27 City Council meeting regarding the Empty Home Tax ballot initiative, which will be decided by city voters in November, with the scrutiny of someone who had attended and been intrigued by the meeting. Pleased that reporter Aiyana Moya conscientiously detailed and brought in both sides of the issue, I am hopeful that Good Times will avoid the use of misleading headlines in the future.

I witnessed at the meeting that city staff presented a start-up budget that quickly proved to be misleading and bloated. Start-up costs for the program were projected to be $607,000—even though, as Sandy Brown pointed out, we have concrete data from Oakland whose voters passed a similar measure in 2018. Oakland expended $100,000 to launch their program—which now, in its third year, is expected to bring over $15 million dollars into their city coffers! In the end, our City Council voted unanimously to require staff to come back to them with a projected budget based on actual facts, while I wondered how and why staff presented such erroneous figures.

Your article illustrates that the Empty Home Tax Initiative, which will create a fund dedicated to the construction of truly low-income housing, is full of promise as a pathway toward a more accessible and equitable Santa Cruz. The reality, as reflected in your article, is that administration costs are low, homes—including ADUs—occupied more than three months of the year are not taxed, enforcement protocols and penalties align with what is already in place for other city programs and the program will provide millions of dollars to build affordable housing.

The broad coalition involved in supporting this campaign is ready to step up and fight for the future of our community. We are property owners, renters, seniors, students, new residents and people like me, who have been here for decades. We believe an empty home tax is a step in the right direction! 

Sheila Carrillo

Santa Cruz


These letters do not necessarily reflect the views of Good Times.To submit a letter to the editor of Good Times: Letters should be originals—not copies of letters sent to other publications. Please include your name and email address to help us verify your submission (email address will not be published). Please be brief. Letters may be edited for length, clarity and to correct factual inaccuracies known to us. Send letters to le*****@*******es.sc

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A letter to the editor of Good Times
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